“
Some things are best left a blur. Births and Visa Bills.
”
”
Sophie Kinsella (Shopaholic & Baby (Shopaholic, #5))
“
A red-gold glow burst suddenly across the enchanted sky above them as an edge of dazzling sun appeared over the sill of the nearest window. The light hit both of their faces at the same time, so that Voldemort's was suddenly a flaming blur. Harry heard the high voice shriek as he too yelled his best hope to the heavens, pointing Draco's wand:
"Avada Kedavra!"
"Expelliarmus!"
The bang was like a cannon blast, and the golden flames that erupted between them, at the dead center of the circle they had been treading, marked the point where the spells collided. Harry saw Voldemort's green jet meet his own spell, saw the Elder Wand fly high, dark against the sunrise, spinning across the enchanted ceiling, spinning through the air toward the master it would not kill, who had come to take full possession of it at last.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
You can’t see anything properly while your eyes are blurred with tears. You can’t, in most things, get what you want if you want it too desperately: anyway, you can’t get the best out of it.
”
”
C.S. Lewis (A Grief Observed)
“
When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate.
Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader.
That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations.
Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb
Iron Dragon's Daughter
gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies?
Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge.
The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.
”
”
China Miéville
“
Most parents try really hard to give their kids the best possible life. They give them the best food and clothes they can afford, take their own kind of take on training kids to be honest and polite. But what they don't realize is no matter how much they try, their kids will get out there. Out to this complicated little world. If they are lucky they will survive, through backstabbers, broken hearts, failures and all the kinds of invisible insane pressures out there. But most kids get lost in them. They will get caught up in all kinds of bubbles. Trouble bubbles. Bubbles that continuously tell them that they are not good enough. Bubbles that get them carried away with what they think is love, give them broken hearts. Bubbles that will blur the rest of the world to them, make them feel like that is it, that they've reached the end. Sometimes, even the really smart kids, make stupid decisions. They lose control. Parents need to realize that the world is getting complicated every second of every day. With new problems, new diseases, new habits. They have to realize the vast probability of their kids being victims of this age, this complicated era. Your kids could be exposed to problems that no kind of therapy can help. Your kids could be brainwashed by themselves to believe in insane theories that drive them crazy. Most kids will go through this stage. The lucky ones will understand. They will grow out of them. The unlucky ones will live in these problems. Grow in them and never move forward. They will cut themselves, overdose on drugs, take up excessive drinking and smoking, for the slightest problems in their lives.
You can't blame these kids for not being thankful or satisfied with what they have. Their mentality eludes them from the reality.
”
”
Thisuri Wanniarachchi (COLOMBO STREETS)
“
It’s because I fell in love with this incredible girl my freshman year. Only I didn’t know how to be in love, so I did the only thing I could to keep her close. I became her friend. I became her best friend, and buried all of my own feelings so deep that I didn’t even recognize them, because her feelings were all that mattered, and she wanted this other guy.
”
”
Lauren Layne (Blurred Lines (Love Unexpectedly, #1))
“
The track curved and now it was going away from the sun, which as it sank lower, seemed to spread itself in benediction over the vanishing city where she had drawn her breath. He stretched out his hand desperately as if to snatch only a wisp of air, to save a fragment of the spot that she had made lovely for him. But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
Grown-ups, who are supposed to protect their children, are limited by what "best" has felt like to them, based on the circumstances they grew in and the privilege they did or did not have. The lines between grown-up and child were often blurred between me and my mom. Her "best" did not look like mine; in fact, it looked like danger. It felt like surrender.
”
”
Samra Habib (We Have Always Been Here: A Queer Muslim Memoir)
“
You hurt me, I want to say. You’re my best friend. The one who’s supposed to tell me I’d be the best boyfriend in the world and that any girl would be lucky to have me, not the one who laughs outright at the thought that I might need someone to love.
”
”
Lauren Layne (Blurred Lines (Love Unexpectedly, #1))
“
Emma rose to her feet, facing the faerie across the fleeing crowd. Gleaming from his weathered, barklike face, his eyes were yellow as a cat's. "Shadowhunter," he hissed.
Emma reached back over her shoulder and closed her hand around the hilt of her sword, Cortana. The blade made a golden blur in the air as she drew it and pointed the tip at the fey. "No," she said. "I'm a candygram. This is my costume."
The faerie looked puzzled.
Emma sighed. "It's so hard to be sassy to the Fair Folk. You people never get jokes."
"We are well known for our jests, japes, and ballads," the faerie said, clearly offended. "Some of our ballads last for weeks."
"I don't have that kind of time," Emma said. "I'm a Shadowhunter. Quip fast, die young." She wiggled Cortana's tip impatiently. "Now turn out your pockets."
"I have done nothing to break the Cold Peace," said the fey.
"Technically true, but we do frown on stealing from mundanes," Emma said. "Turn out your pockets or I'll rip off one of your horns and shove it where the sun doesn't shine."
The fey looked puzzled. "Where does the sun not shine? Is this a riddle?"
Emma gave a martyred sigh and raised Cortana. "Turn them out, or I'll start peeling your bark off. My boyfriend and I just broke up, and I'm not in the best mood."
The faerie began slowly to empty his pockets onto the ground, glaring at her all the while. "So you're single," he said. "I never would have guessed.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
Emotional competence requires the capacity to feel our emotions, so that we are aware when we are experiencing stress; the ability to express our emotions effectively and thereby to assert our needs and to maintain the integrity of our emotional boundaries; the facility to distinguish between psychological reactions that are pertinent to the present situation and those that represent residue from the past.
What we want and demand from the world needs to conform to our present needs, not to unconscious, unsatisfied needs from childhood. If distinctions between past and present blur, we will perceive loss or the threat of loss where none exists; and the awareness of those genuine needs that do require satisfaction, rather than their repression for the sake of gaining the acceptance or approval of others. Stress occurs in the absence of these criteria, and it leads to the disruption of homeostasis. Chronic disruption results in ill health.
In each of the individual histories of illness in this book, one or more aspect of emotional competence was significantly compromised, usually in ways entirely unknown to the person involved. Emotional competence is what we need to develop if we are to protect ourselves from the hidden stresses that create a risk to health, and it is what we need to regain if we are to heal. We need to foster emotional competence in our children, as the best preventive medicine.
”
”
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
“
Maybe when it comes to sisters, boundaries are always a little bit blurry. Blurred boundaries, I think, are what sisters do best.
”
”
Sally Hepworth (The Good Sister)
“
This story happened a long time ago in a galaxy far, far away. It is already over. Nothing can be done to change it. It is a story of love and loss, brotherhood and betrayal, courage and sacrifice and the death of dreams. It is a story of the blurred line between our best and our worst. It is the story of the end of an age. A strange thing about stories— Though this all happened so long ago and so far away that words cannot describe the time or the distance, it is also happening right now. Right here. It is happening as you read these words. This is how twenty-five millennia come to a close. Corruption and treachery have crushed a thousand years of peace. This is not just the end of a republic; night is falling on civilization itself. This is the twilight of the Jedi. The end starts now.
”
”
Matthew Woodring Stover (Star Wars: Episode III - Revenge of the Sith (Star Wars: Novelizations #3))
“
Evan Connell said once that he knew he was finished with a short story when he found himself going through it and taking out commas and then going through the story again and putting the commas back in the same places. I like that way of working on something. I respect that kind of care for what is being done. That's all we have, finally, the words, and they had better be the right ones, with the punctuation in the right places so that they an best say what they are meant to say. If the words are heavy with the writer's own unbridled emotions, or if they are imprecise and inaccurate for some other reason -- if the worlds are in any way blurred -- the reader's eyes will slide right over them and nothing will be achieved. Henry James called this sort of hapless writing 'weak specification'.
”
”
Raymond Carver (Call If You Need Me: The Uncollected Fiction and Other Prose)
“
The point of protesting about 'moral equivalence' is surely not to blur moral choices on ‘our side’. Is it?
”
”
Christopher Hitchens (The Quotable Hitchens from Alcohol to Zionism: The Very Best of Christopher Hitchens)
“
But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever.
”
”
F. Scott Fitzgerald
“
We're best friends, kissing the exact same way we do everything else; we take liberties, we go too far, we blur and redraw the borders of our comfort zones.
”
”
R.S. Grey (Not So Nice Guy)
“
Slowly, though, my fingers savoring the familiar soft skin. And then I let her go. I let her go all the way then, because she’s my best friend. And because I care way too much to hurt her any more than I already have by keeping her close.
”
”
Lauren Layne (Blurred Lines (Love Unexpectedly, #1))
“
When you keep a secret from those closest to you, even with the best of motives, there is a danger that you will create a smaller life within your main life. The first secret will spin off other secrets that also must be kept, complicated webs of evasion that grow into elaborate architectures of repressed truths and subterfuge, until you discover that you must live two narratives at once. Because deception requires both bold lies and lies of omission, it stains the soul, muddies the conscience, blurs the vision, and puts you at risk of headlong descent into greater darkness.
”
”
Dean Koontz (The City)
“
Sisterly relationships are so strange in this way. The way I can be mad at Rose but still want to please her. Be terrified of her and also want to run to her. Hate her and love her, both at the same time. Maybe when it comes to sisters, boundaries are always a little bit blurry. Blurred boundaries, I think, are what sisters do best.
”
”
Sally Hepworth (The Good Sister)
“
You can’t see anything properly while your eyes are blurred with tears. You can’t, in most things, get what you want if you want it too desperately: anyway, you can’t get the best out of it. ‘Now! Let’s have a real good talk’ reduces everyone to silence. ‘I must get a good sleep tonight’ ushers in hours of wakefulness. Delicious drinks are wasted
on a really ravenous thirst. Is it similarly the very intensity of the longing that draws the iron curtain, that makes us feel we are staring into a vacuum when we think about our dead? ‘Them as asks’ (at any rate ‘as asks too importunately’) don’t get. Perhaps
can’t.
”
”
C.S. Lewis (A Grief Observed)
“
I’ve always found myself completely attuned to all five of my senses, but that night, I was to all but one. My sight was blurred by the tears I was fighting to hold back. I couldn’t appreciate the exotic scene around me. All I could think about was the disappointed expression on my best friend’s handsome face.
”
”
Bella Forrest (A Shade of Vampire (A Shade Of Vampire, #1))
“
Real best friends can generally go more than a couple hours without mentioning each other’s name, but Korie found a way to fit Stephen’s name into every other sentence. Just friends my ass.
”
”
Lauren Layne (Blurred Lines (Love Unexpectedly, #1))
“
This story happened a long time ago in a galaxy far, far away. It is already over. Nothing can be done to change it.
It is a story of love and loss, brotherhood and betrayal, courage and sacrifice and the death of dreams. It is a story of the blurred line between our best and our worst.
It is the story of the end of an age.
A strange thing about stories—
Though this all happened so long ago and so far away that words cannot describe the time or the distance, it is also happening right now. Right here.
It is happening as you read these words.
This is how twenty-five millennia come to a close. Corruption and treachery have crushed a thousand years of peace. This is not just the end of a republic; night is falling on civilization itself.
This is the twilight of the Jedi.
The end starts now.
”
”
Matthew Woodring Stover (Star Wars: Episode III - Revenge of the Sith)
“
There is little we can point to in our lives as deserving anything but God's wrath. Our best moments have been mostly grotesque parodies. Our best loves have been almost always blurred with selfishness and deceit. But there is something to which we can point. Not anything that we ever did or were, but something that was done for us by another. Not our own lives, but the life of one who died in our behalf and yet is still alive. This is our only glory and our only hope. And the sound that it makes is the sound of excitement and gladness and laughter that floats through the night air from a great banquet.
”
”
Frederick Buechner (The Magnificent Defeat)
“
Once a patient goes brain dead and relatives sign his organ donation consent form, he will get the best medical treatment of his life. A hospital code blue may be a call for doctors to rush to the bedside of a beating heart cadaver who needs his or her heart defibrillated.
”
”
Dick Teresi (The Undead: Organ Harvesting, the Ice-Water Test, Beating Heart Cadavers--How Medicine Is Blurring the Line Between Life and Death)
“
She pressed her hands against my chest and tried to push me away. "I can't think straight when you 're this close."
I backed her up against the wall. "I don't like the thoughts running through your head. I plan on staying here until you look me in the eye and tell me you 're mine."
"This isn't going to work. It never would have."
"Bullshit. We belong together." Echo sniffed and the sound tore at me. I softened my voice. "Look at me, baby. I know you love me. Three nights ago you were willing to offer everything to me. There is no way you can walk away from us."
"God Noah..." Her voice broke. "I'm a mess."
A mess? "You 're beautiful."
"I'm a mental mess. In two months you 're going to face some judge and convince him that you are the best person to raise your brothers. I'm a liability."
"Not true. My brothers will love you and you 'll love them. You are not a liability."
"But how will the judge see me? Are you really willing too take that risk? [...] What happens if the judge find out about me? What if he discovers what a mess you 're dating?"
Breathing became a painful chore. Her lips turned down while her warm fingers caressed my cheek. That touch typically brought me to knees, but now it cut me open.
"Did you know that when you stop being stubborn and accept i may be right on something, your eyes widen a little and you tilt your head to the side?" she asked.
I forced my head straight and narrowed my eyes. "I love you."
She flashed her glorious smile and then it became the saddest smile in the world. "You love your brothers more. I'm okay with that. In fact, it's one of the things i love about you. You were right the other day. I do want to be a part of a family. But i'd never forgive myself if i was the reason you didn't get yours."
To my horror, tears pricked my eyes and my throat swelled shut. "No, you 're not pulling this sacrificial bullshit on me. I love you and you love me and we 're supposed to be together."
Echo pressed her body to mine and her fingers clung to my hair. Water glistened in her eyes. "I love you enough to never make you choose."
She pushed off her toes toward me, guiding my head down, and gently kissed my lips. No. This wouldn't be goudbye. I'd fill her up and make her realize she'd always be empty without me.
I made Echo mine. My hands claimed her hair, her back. My lips claimed her mouth, her tongue. Her body shook against mine and i tasted salty wetness on her skin. She forced her lips away and i latched tighter to her. "No, baby, no," i whispered into her hair.
She pushed her palms against my chest, then became a blur as she ran past. "I'm sorry.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Jase had seen me, restless, walking, organizing supplies that were already ordered. Everyone else was asleep on their bedrolls. He came up behind me, his hands circling my waist. "I can't sleep either," he said. His lips grazed my neck, and he whispered, "Tell me a riddle, Kazi." We laid out a blanket on a bed of grass, the stars of Hetisha's Chariot, Eagle's Nest, and Thieves' Gold lighting our way, far from everyone else. I settled in next to him, laying my head in the crook of his shoulder, his arm wrapping around me, pulling me close.
"Listen carefully now, Jase Ballenger. I won't repeat myself."
"I'm a good listener."
I know you are. I've known that since our first night together. That's what makes you dangerous. You make me want to share everything with you. I cleared my throat, signaling I was ready to begin.
"If I were a color, I'd be red as a rose,
I make your blood rush, and tingle your toes,
I taste of honey and spring, and a good bit of trouble,
But I make the birds sing, and all the stars double.
I can be quick, a mere peck, or slow and divine,
And that is probably, the very best kind."
"Hmm..." he said, as if stumped. "Let me think for a minute..." He rolled up on one elbow, looking down at me, the stars dusting his cheekbones. "Honey?" He kissed my forehead. "Spring?" He kissed my chin. "You are a good bit of trouble, Kazi of Brightmist." "I try my best." "I may have to take this one slowly..." His hand traveled leisurely from my waist, across my ribs, to my neck, until he was cupping my cheek. My blood rushed; the stars blurred. "Very slowly...to figure it all out." And then his lips pressed, warm and demanding onto mine, and I hoped it would take him an eternity to solve the riddle.
”
”
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
“
My little friend Grildrig; you have made a most admirable panegyrick upon your country. You have clearly proved that ignorance, idleness, and vice, are the proper ingredients for qualifying a legislator. That laws are best explained, interpreted, and applied by those whose interest and abilities lie in perverting, confounding, and eluding them. I observe among you, some lines of an institution, which in its original might have been tolerable; but these half erased, and the rest wholly blurred and blotted by corruptions. It doth not appear, from all you have said, how any one perfection is required towards the procurement of any one station among you...I cannot but conclude the bulk of your natives, to be the most pernicious race of little odious vermin that nature ever suffered to crawl upon the surface of the earth.
”
”
Jonathan Swift (Gulliver’s Travels)
“
You can’t see anything properly while your eyes are blurred with tears. You can’t, in most things, get what you want if you want it too desperately: anyway, you can’t get the best out of it. ‘Now! Let’s have a real good talk’ reduces everyone to silence. ‘I must get a good sleep tonight’ ushers in hours of wakefulness. Delicious drinks are wasted on a really ravenous thirst. Is it similarly the very intensity of the longing that draws the iron curtain, that makes us feel we are staring into a vacuum when we think about our dead? ‘Them as asks’ (at any rate ‘as asks too importunately’) don’t get. Perhaps can’t.
”
”
C.S. Lewis (A Grief Observed)
“
Usually you can only catch the Sasquatch blur of your own legendary moments in the side mirrors.
”
”
Joe Hill (The Best American Science Fiction and Fantasy 2015 (The Best American Series))
“
Nostalgia is where the past blurs into the present. That’s where all the best scents are to be found.
”
”
Jarod Kintz (There are Two Typos of People in This World: Those Who Can Edit and Those Who Can't)
“
We have seen the faces of those we know best so variously, from so many angles, in so many lights, with so many expressions—waking, sleeping, laughing, crying, eating, talking, thinking—that all the impressions crowd into our memory together and cancel out into a mere blur. But her voice is still vivid. The remembered voice—that can turn me at any moment to a whimpering child.
”
”
C.S. Lewis (A Grief Observed)
“
Truth doesn't have a color. And it doesn't have a smell. It doesn't quiver or make noise. It doesn't shimmer. Yet it does - it does all these things, depending. Because truth is capricious. It may be hovering there all the while, but one moment you think you see it - it seems so clear, so well defined, as if you could catch it and hold it steady in your hand. But the next moment it's gone, or at least so fast moving it's a blur, at best. That's the thing Africa taught me about truth. You know it's truth because it's busy. Any seeming truth that's idle? Well, that's just not truth.
”
”
Christina Meldrum (Amaryllis in Blueberry)
“
It was as if the past, till then so longed after, so lived over, had slipped off my shoulders like a burden. The future was still hidden, somewhere in the lights that made a yellow blur in the sky beyond the end of the dark street. Here between the two I waited, and for the first time saw both clearly.... I had made myself a stranger in England, not only bereaved, but miserably dépaysée, drifting with no clear aim, resenting the life I had been thrust into with such tragic brutality; I had refused to adapt myself to it and make myself a place there, behaving like the spoiled child who, because he cannot have the best cake, refuses to eat at all. I had waited for life to offer itself back to me on the old terms. Well, it wasn't going to.
”
”
Mary Stewart (Nine Coaches Waiting)
“
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fetuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong.
”
”
Lemony Snicket (The Beatrice Letters)
“
Sigmund Freud once asserted, "Let one attempt to expose a number of the most diverse people uniformly to hunger. With the increase of the imperative urge of hunger all individual differences will blur, and in their stead will appear the uniform expression of the one unstilled urge." Thank heaven, Sigmund Freud was spared knowing the concentration camps from the inside. His subjects lay on a couch designed in the plush style of Victorian culture, not in the filth of Auschwitz. There, the "individual differences" did not "blur" but, on the contrary, people became more different; people unmasked themselves, both the swine and the saints. And today you need no longer hesitate to use the word "saints": think of Father Maximilian Kolbe who was starved and finally murdered by an injection of carbolic acid at Auschwitz and who in 1983 was canonized.
You may be prone to blame for invoking examples that are the exceptions ot the rule. "Sed omnia praeclara tam difficilia quam rara sunt" (but everything great is just as difficult to realize as it is rare to find) reads the last sentence of the Ethics of Spinoza. You may of course ask whether we really need to refer to "saints." Wouldn't it suffice just to refer to decent people? It is true that they form a minority . More than that, they always will remain a minority. And yet I see therein the very challenge to join the minority. For the world is in a bad state, but everything will become still worse unless each of us does his best.
So let us be alert-alert in a twofold sense:
Since Auschwitz we know what man is capable of.
And since Hiroshima we know what is at stake.
”
”
Viktor E. Frankl (Man’s Search for Meaning)
“
He stretched out his had desperately as if to snatch only a wisp of air, to save a fragment of the spot that she (Daisy) had made lovely for him. But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever.
”
”
F. Scott Fitzgerald
“
He was perfectly astonished with the historical account gave him of our affairs during the last century; protesting “it was only a heap of conspiracies, rebellions, murders, massacres, revolutions, banishments, the very worst effects that avarice, faction, hypocrisy, perfidiousness, cruelty, rage, madness, hatred, envy, lust, malice, and ambition, could produce.”
His majesty, in another audience, was at the pains to recapitulate the sum of all I had spoken; compared the questions he made with the answers I had given; then taking me into his hands, and stroking me gently, delivered himself in these words, which I shall never forget, nor the manner he spoke them in: “My little friend Grildrig, you have made a most admirable panegyric upon your country; you have clearly proved, that ignorance, idleness, and vice, are the proper ingredients for qualifying a legislator; that laws are best explained, interpreted, and applied, by those whose interest and abilities lie in perverting, confounding, and eluding them. I observe among you some lines of an institution, which, in its original, might have been tolerable, but these half erased, and the rest wholly blurred and blotted by corruptions. It does not appear, from all you have said, how any one perfection is required toward the procurement of any one station among you; much less, that men are ennobled on account of their virtue; that priests are advanced for their piety or learning; soldiers, for their conduct or valour; judges, for their integrity; senators, for the love of their country; or counsellors for their wisdom. As for yourself,” continued the king, “who have spent the greatest part of your life in travelling, I am well disposed to hope you may hitherto have escaped many vices of your country. But by what I have gathered from your own relation, and the answers I have with much pains wrung and extorted from you, I cannot but conclude the bulk of your natives to be the most pernicious race of little odious vermin that nature ever suffered to crawl upon the surface of the earth.
”
”
Jonathan Swift (Gulliver’s Travels)
“
You can’t see anything properly while your eyes are blurred with tears. You can’t, in most things, get what you want if you want it too desperately: anyway, you can’t get the best out of it. ‘Now! Let’s have a real good talk’ reduces everyone to silence. ‘I must get a good sleep tonight’ ushers in hours of wakefulness. Delicious drinks are wasted on a really ravenous thirst. Is it similarly the very intensity of the longing that draws the iron curtain, that makes us feel we are staring into a vacuum when we think about our dead? ‘Them as asks’ (at any rate ‘as asks too importunately’) don’t get. Perhaps
can’t.
”
”
C.S. Lewis (A Grief Observed)
“
You can’t see anything properly while your eyes are blurred with tears. You can’t, in most things, get what you want if you want it too desperately: anyway, you can’t get the best out of it. ‘Now! Let’s have a real good talk’ reduces everyone to silence. ‘I must get a good sleep tonight’ ushers in hours of wakefulness. Delicious drinks are wasted
on a really ravenous thirst. Is it similarly the very intensity of the longing that draws the iron curtain, that makes us feel we are staring into a vacuum when we think about our dead? ‘Them as asks’ (at any rate ‘as asks too importunately’) don’t get. Perhaps can’t.
”
”
C.S. Lewis (A Grief Observed)
“
To protect civilians, the state needs sometimes to do things that are contrary to democratic behavior. It is true that in units like ours the outer limits can become blurred. That's why you must be sure that your people are of the best quality. The dirtiest actions should be carried out by the most honest men.
”
”
Michael Bar-Zohar (Mossad)
“
She knew that the only love her demon was capable of was self-destructive, cruel, vampiric, parasitic, and all the other words her best friends had used to describe Jerry, Alec, Christian, Matt, and the others whose names, faces, and genitalia had now blurred together in her memories. They were men incapable of love yet able to inspire suicide threats.
”
”
Nancy A. Collins (Demonlover)
“
What keeps us alive and propels us forward are our actions, not our fears. Fear, if anything, paralyzes us. It blurs our judgment and blocks us from making the best possible decisions. Fear of failure doesn’t drive our best performance. All it does is add anxiety. What truly drives us to success is our hard work. And you don’t need to be afraid to work hard.
”
”
Mo Gawdat (Solve For Happy: Engineer Your Path to Joy)
“
But we all know how this ends, right? Just a few short months later, not only were Korie and Stephen no longer dating, they sure as hell weren’t best friends.
”
”
Lauren Layne (Blurred Lines (Love Unexpectedly, #1))
“
Guys and girls can’t be just friends. Or not best friends, anyway. Shit gets too complicated.
”
”
Lauren Layne (Blurred Lines (Love Unexpectedly, #1))
“
Then I instinctively commenced to make excursions beyond the limits of the small world of which I had knowledge, and I saw new scenes. These were at first very blurred and indistinct, and would flit away when I tried to concentrate my attention upon them, but by and by I succeeded in fixing them; they gained in strength and distinctness and finally assumed the concreteness of real things. I soon discovered that my best comfort was attained if I simply went on in my vision farther and farther, getting new impressions all the time, and so I began to travel—of course, in my mind. Every night (and sometimes during the day), when alone, I would start on my journeys—see new places, cities and countries—live there, meet people and make friendships and acquaintances and, however unbelievable, it is a fact that they were just as dear to me as those in actual life and not a bit less intense in their manifestations.
”
”
Nikola Tesla (My Inventions)
“
It was some time before she heard galloping behind her, and then she did ease up, instinctively wheeling Javelin around to see the blur of horse and rider coming down the path.
Arin slowed, and sidled alongside Kestrel. The horses whickered. Arin looked at her, at the smile she couldn’t hide, and his face seemed to hold equal parts frustration and amusement.
“You are a bad liar,” she told him.
He laughed.
She found it hard to look at him then, and her gaze dropped to his stallion. Her eyes widened. “That is the horse you chose?”
“He is the best,” Arin said seriously.
“He is my father’s.”
“I won’t hold that against the horse.”
It was Kestrel’s turn to laugh.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Someone told me the morning runs are the best healings and I was really curious to to know and yes he was right
Birds chirping, cold winds and the view that always was there but blurred because of my impatient eyes rushing for work.
”
”
Devashish kaushik
“
Did we win?”
“I’m here, aren’t I?”
He must be running. Her body jounced painfully against his chest with every lurching step. He needed his cane.
“I don’t want to die.”
“I’ll do my best to make other arrangements for you.”
She closed her eyes.
“Keep talking, Wraith. Don’t slip away from me.”
“But it’s what I do best.”
He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.”
She tried. Her vision was blurring, but she could make out a pale, shiny scar on Kaz’s neck, right beneath his jaw. She remembered the first time she’d seen him at the Menagerie. He paid Tante Heleen for information – stock tips, political pillow talk, anything the Menagerie’s clients blabbed about when drunk or giddy on bliss. He never visited Heleen’s girls, though plenty would have been happy to take him up to their rooms. They claimed he gave them the shivers, that his hands were permanently stained with blood beneath those black gloves, but she’d recognised the eagerness in their voices and the way they tracked him with their eyes.
One night, as he’d passed her in the parlour, she’d done a foolish thing, a reckless thing. “I can help you,” she’d whispered. He’d glanced at her, then proceeded on his way as if she’d said nothing at all. The next morning, she’d been called to Tante Heleen’s parlour. She’d been sure another beating was coming or worse, but instead Kaz Brekker had been standing there, leaning on his crow-head cane, waiting to change her life.
“I can help you,” she said now.
“Help me with what?”
She couldn’t remember. There was something she was supposed to tell him. It didn’t matter any more.
“Talk to me, Wraith.”
“You came back for me.”
“I protect my investments.”
Investments. “I’m glad I’m bleeding all over your shirt.”
“I’ll put it on your tab.”
Now she remembered. He owed her an apology. “Say you’re sorry.”
“For what?”
“Just say it.”
She didn’t hear his reply.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
The lines between need and want are continually and intentionally blurred. Years ago, a pal of mine had bought a new video camera. It was the best of the best and he was filming every moment of his young son’s life. In a burst of enthusiasm he said: “You know, Jim, you just can’t raise a child properly without one of these!” Ah, no. Actually you can. In fact, billions of children have been raised over the course of human history without ever having been videotaped. And horrific as it may sound, many still are today. Including my own.
”
”
J.L. Collins (The Simple Path to Wealth: Your road map to financial independence and a rich, free life)
“
When you keep a secret from those closest to you, even with the best of motives, there's a danger that you will create a smaller life within your main life. The first secret will spin off other secrets that also must be kept, complicated webs of evasion that grow into elaborate architectures of repressed truths and subterfuge, until you discover that you must live two narratives at once. Because deception requires both bold lies and lies of omission, it's stains the soil, muddies the conscience, blurs the vision, and puts you at risk of headlong descent into darkness.
”
”
Dean Koontz (The City (The City, #1))
“
It is one thing to crawl into bed after a normal day, but it is another thing to crawl into bed after an adventure - that's the best kind of sleep, the still-excited, still-buzzing kind of sleep where dreams blur into reality and it's almost like the sleeping and waking worlds blur and become one.
”
”
Katrina Leno (Everything All at Once)
“
At every instant the objects and events in the world around us bombard us with impressions. As they do so they produce a phantasia, a mental impression. From this the mind generates a perception (hypolepsis), which might best be compared to a print made from a photographic negative. Ideally this print will be an accurate and faithful representation of the original. But it may not be. It may be blurred, or it may include shadow images that distort or obscure the original. Chief among these are inappropriate value judgments: the designation as “good” or “evil” of things that in fact are neither good nor evil. For example, my impression that my house has just burned down is simply that—an impression or report conveyed to me by my senses about an event in the outside world. By contrast, my perception that my house has burned down and I have thereby suffered a terrible tragedy includes not only an impression, but also an interpretation imposed upon that initial impression by my powers of hypolepsis. It is by no means the only possible interpretation, and I am not obliged to accept it. I may be a good deal better off if I decline to do so. It is, in other words, not objects and events but the interpretations we place on them that are the problem. Our duty is therefore to exercise stringent control over the faculty of perception, with the aim of protecting our mind from error.
”
”
Marcus Aurelius (Meditations)
“
i bring my kiasu friend to the airport
leavings are never easy, not for long
and though we both saw blur along the way
memories flooded present tensions.
in the curry of his life no lemak remained
so now the predictable exit signalled
the end of his roundings, his bombings–
he can bluff like hell, ma, he got style–
and left me thinking about home, my kampong.
”
”
Kirpal Singh (The Best of Kirpal Singh)
“
The central area of the retina, known as the fovea, is best at seeing color and small details; the area surrounding the fovea is best at picking up shadows and shadings of black and white. When we look at an object straight on, it appears sharper. When we look at it peripherally, glimpsing it out of the corner of our eye, it is a bit blurred, as if it were farther away.
”
”
Walter Isaacson (Leonardo da Vinci)
“
At every instant the objects and events in the world around us bombard us with impressions. As they do so they produce a phantasia, a mental impression. From this the mind generates a perception (hypolepsis), which might best be compared to a print made from a photographic negative. Ideally this print will be an accurate and faithful representation of the original. But it may not be. It may be blurred, or it may include shadow images that distort or obscure the original.
”
”
Marcus Aurelius (Meditations)
“
You can't see anything properly while your eyes are blurred with tears. You can't, in most things, get what you want if you want it too desperately: anyway, you can't get the best out of it. "Now! Let's have a good talk," reduces everyone to silence, "I must get a good sleep tonight" ushers in hours of wakefulness. Delicious drinks are wasted on a really ravenous thirst. Is it similarly the very intensity of the longing that draws the iron curtain, that makes us feel we are staring into a vacuum when we think about our dead?
”
”
C.S. Lewis (A Grief Observed)
“
Faith and love will accompany you. Courage and strength will sit on your shoulders and inspiration and divine insight will lead your way to allow you to make the best choices in your life. Life will no longer be a mystery; doubt will no longer consume much of your attention. Problems will still exist, but they will not blur your vision of life. Problems will no longer define your life and the force of goodness coupled with the love for the spirit will find its way into every area of your life and influence and correct it as needed.
”
”
Vishwanath (The Special Skills To Getting Things Done: A Practical Guide To Think Less, Achieve More)
“
Norman Cousins, an American journalist and author, asserts that “the human potential is the most magical but also most elusive fact of life. Men suffer less from hunger or dread than from living under their moral capacity. The atrophy of spirit that most men [and women] know and all men [and women] fear is tied not so much to deprivation or abuse as it is to their inability to make real the best that lies within them. Defeat begins more with a blur in the vision of what is humanly possible than with the appearance of ogres in the path.”11
”
”
Sheri Dew (Women and the Priesthood: What One Mormon Woman Believes)
“
I am sure you understand," Father began, looking past Violet at the wall, "that I cannot allow you back into my house after what you have done. I have arranged for you to be taken to a finishing school in Scotland. You will stay there for two years, and after that I will decide what is to be done with you."
Violet heard Graham clear his throat.
"No," she said, before her brother could open his mouth to speak. "That won't be acceptable, I'm afraid, Father."
His jowls slackened with shock. He looked as if she had slapped him.
"I beg your pardon?"
"I won't be going to Scotland. In fact, I won't be going anywhere. I'm staying right here." As she spoke, Violet became aware of a strange simmering sensation, as though electricity was humming beneath her skin. Images flashed in her mind---a crow cutting through the air, wings glittered with snow; the spokes of a wheel spinning. Briefly, she closed her eyes, focusing on the feeling until she could almost see it, glinting gold inside her.
"That is not for you to decide," said Father. The window was open, and a bee flitted about the room, wings a silver blur. It flew near Father's cheek and he jerked away from it.
"It's been decided." She stood up straight, her dark eyes boring into Father's watery ones. He blinked. The bee hovered about his face, dancing away from his hands, and she saw sweat break out on his nose. Soon it was joined by another, and then another and another, until it seemed like Father---shouting and swearing---had been engulfed in a cloud of tawny, glistening bodies.
"I think it would be best if you left now, Father," said Violet softly. "After all, as you said, I'm my mother's daughter.
”
”
Emilia Hart (Weyward)
“
I have no photograph of her that’s any good. I cannot even see her face distinctly in my imagination. Yet the odd face of some stranger seen in a crowd this morning may come before me in vivid perfection the moment I close my eyes tonight. No doubt, the explanation is simple enough. We have seen the faces of those we know best so variously, from so many angles, in so many lights, with so many expressions—waking, sleeping, laughing, crying, eating, talking, thinking—that all the impressions crowd into our memory together and cancel out into a mere blur.
”
”
C.S. Lewis (A Grief Observed)
“
It could snow
We don’t take care. The end of November came without coldness, with haunting and limp rains, pretty much leaves still laying anywhere on the sidewalks. It comes a morning with another grey, compact, closed, air changes its texture. Under the pharmacy green cross the thermometer sticks, in red, two degrees. The number, a bit blurred thins down in the space. We didn’t expect it, but it grows, far inside us, the little sentence. It comes to the lips like a forgotten song: “It could snow …” We should not dare to mention it in loud voice, it is still so much autumn, all could finish in a stupid freezing sudden shower, in a fog of boredom. But the idea of a possible snow came back, it’s what matters. No downhill in a sledge-trash-bag, no snowman, no children shouting,no pictures of landscape metamorphosis. Largely best then all that, because the essential snow is inside the unformulated. Before. Something we didn’t know we knew. Before snow, before love, the same lack, the same dimmed grey which days’ triteness creates pretending to suffocate.
We shall cross somebody:
- This time it’s almost winter!
- Yes we start to be crestfallen!
Workers hang pieces of tinsel. We didn’t say too much. Especially do not frighten away the slight shade of the idea. The red thermometer went down, one degree. It could snow.
”
”
Philippe Delerm (Ma grand-mère avait les mêmes: les dessous affriolants des petites phrases)
“
My little friend Grildrig, you have made a most admirable panegyric upon your country; you have clearly proved that ignorance, idleness, and vice are the proper ingredients for qualifying a legislator; that laws are best explained, interpreted, and applied by those whose interest and abilities lie in perverting, confounding, and eluding them. I observe among you some lines of an institution, which in its original might have been tolerable, but these half erased, and the rest wholly blurred and blotted by corruptions. It doth not appear, from all you have said, how any one perfection is required towards the procurement of any one station among you; much less that men are ennobled on account of their virtue, that priests are advanced for their piety or learning, soldiers for their conduct or valor, judges for their integrity, senators for the love of their country, or counsellors for their wisdom. As for yourself, continued the king, who have spent the greatest part of your life in travelling, I am well disposed to hope you may hitherto have escaped many vices of your country. But by what I have gathered from your own relation, and the answers I have with much pains wrung and extorted from you, I cannot but conclude the bulk of your natives to be the most pernicious race of little odious vermin that nature ever suffered to crawl upon the surface of the earth.
”
”
Jonathan Swift (Gulliver's Travels)
“
It was impossible not to stare at each of them, not only because my encounters with the courtly fae are so rare I could count them on one hand, but because they were more lovely and more disturbing than any faerie I had set eyes on before. The Ljosland Folk had seemed shaped from the harsh landscape of their home, a pattern that seemed to extend to the courtly fae of this realm.
The memory blurs, much as I try to pin it like a butterfly in a display case. The best I can do is record the impressions I've retained: a woman with her hair a cascade of wild roses; a man with tiny leaves dotting his face, like freckles. Several faeries with their skin faintly patterned with whorls, like tree rings, or in the variegated shades of bark. Another woman who flashed silver-blue in the sun, as if she were not made of flesh and blood but a collection of ripples.
”
”
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
“
Running a restaurant means setting a stage. The believability hinges on the details. We control how they experience the world: sight, sound, taste, smell, touch. That starts at the door, with the host and the flowers.” And then, the bar. Timeless: long, dark mahogany, with stools high enough to make you feel like you were afloat. The bar had soft music, dim lighting, tinkling layers of noise, the bumps of a neighbor’s knee, the reach of someone’s arm by your face to take a glittering martini, the tap of a hostess as she escorted guests behind your back, the blur of plates being passed, the rattle of drinks, the virtuoso performance of bartenders slapping bottles into the back bar while also delivering bread, while also taking an order with the requisite substitutions and complications. All the best regulars came in and greeted the hostess saying, Any space at the bar tonight?
”
”
Stephanie Danler (Sweetbitter)
“
It was some time before she heard galloping behind her, and then she did ease up, instinctively wheeling Javelin around to see the blur of horse and rider coming down the path.
Arin slowed, and sidled alongside Kestrel. The horses whickered. Arin looked at her, at the smile she couldn’t hide, and his face seemed to hold equal parts frustration and amusement.
“You are a bad liar,” she told him.
He laughed.
She found it hard to look at him then, and her gaze dropped to his stallion. Her eyes widened. “That is the horse you chose?”
“He is the best,” Arin said seriously.
“He is my father’s.”
“I won’t hold that against the horse.”
It was Kestrel’s turn to laugh.
“Come.” Arin nudged the stallion forward. “Let’s not be late,” he said, and yet, without discussing it, they rode more slowly than was allowed on the path.
Kestrel no longer doubted that ten years ago Arin had been in a position much like hers: one of wealth, ease, education. Although she was aware she had not won the right to ask him a question, and didn’t even want to voice her creeping worry, Kestrel couldn’t bear remaining silent. “Arin,” she said, searching his face. “Was it my house? I mean, the villa. Did you live there, before the war?”
He yanked on the reins. His stallion ground to a halt.
When he spoke, Arin’s voice was like the music he had asked her to play. “No,” he said. “That family is gone.”
They rode on in silence until Arin said, “Kestrel.”
She waited, then realized that he wasn’t speaking to her, exactly. He was simply saying her name, considering it, exploring the syllables of the Valorian word.
She said, “I hope you’re not going to pretend you don’t know what it means.”
He shot her a wry, sidelong look. “A kestrel is a hunting hawk.”
“Yes. The perfect name for a warrior girl.”
“Well.” His smile was slight, but it was there. “I suppose neither of us is the person we were believed we would become.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
This waking dream we call the internet also blurs the difference between my serious thoughts and my playful thoughts, or to put it more simply: I no longer can tell when I am working and when I am playing online. For some people the disintegration between these two realms marks all that is wrong with the internet: It is the high-priced waster of time. It breeds trifles and turns superficialities into careers. Jeff Hammerbacher, a former Facebook engineer, famously complained that the “best minds of my generation are thinking about how to make people click ads.” This waking dream is viewed by some as an addictive squandering. On the contrary, I cherish a good wasting of time as a necessary precondition for creativity. More important, I believe the conflation of play and work, of thinking hard and thinking playfully, is one of the greatest things this new invention has done. Isn’t the whole idea that in a highly evolved advanced society work is over?
”
”
Kevin Kelly (The Inevitable: Understanding the 12 Technological Forces That Will Shape Our Future)
“
At the Pace of What Is Real Stop talking, stop thinking, and there is nothing you will not understand. —SENG-TS'AN Like most people I know, I struggle with taking too much on, with doing too many things, with moving too fast, with overcommitting, with overplanning. I've learned that I must move, quite simply, at the pace of what is real. While this pace may vary, life always seems vacant and diminished when I accelerate beyond my capacity to feel what is before me. It seems we run our lives like trains, speeding along a track laid down by others, going so fast that what we pass blurs on by. Then we say we've been there, done that. The truth is that blurring by something is not the same as experiencing it. So, no matter how many wonderful opportunities come my way, no matter the importance placed on these things by others who have my best interests at heart, I must somehow find a way to slow down the train that is me until what I pass by is again seeable, touchable, feelable. Otherwise, I will pass by everything—can put it all on my résumé—but will have experienced and lived through nothing.
”
”
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
“
Long before I was ready to say good-bye, Hannah rose to her feet and beckoned to Andrew. “We’ve had enough excitement for one day. It’s time to leave.”
After making sure Aunt Blythe wasn’t looking, Andrew pulled a leather bag out of his pocket. “She thinks you already have these,” he said. “They’re yours for keeps now.”
I clasped the marbles to my heart and stared at him through a blur of tears. “Come back soon, Andrew.”
He hugged me so hard he squashed my nose against his bony shoulder. “At my age, I can’t promise anything, but I’ll do my best to see you again, and that’s the truth. After all, Hannah and I aren’t that far away. With modern cars and highways, Riverview’s a sight closer than it used to be.”
Reluctant to let him go, I looked him in the eye. “No matter what happens, I’ll always keep you here.” I struck my chest with my fist. “Right here in my heart as long as I live.”
Andrew smiled. “I fancy you picked up that pretty notion from Hannah.” Hugging me again, he said, “I hope your heart lasts as long as mine has, Drew. I want you to have all the time in the world to do whatever you like.
”
”
Mary Downing Hahn (Time for Andrew: A Ghost Story)
“
All the girl could remember was the terrible, irremediable tension between wanting to be somewhere and wanting to be nowhere. And the plant, crazed by its proximity to rich familiar soil, tried repeatedly to Leap out of her. This caused her hand to lift, holding a long knife, and plummet earthward, rooting into the fleshy chest of her lover, feeling deeper and deeper for moisture. The Joshua tree’s greatest victory over the couple comes four months into their stay: they sign a lease. A bungalow on the outskirts of the national park, with a fence to keep out the coyotes and an outdoor shower. When the shower water gets into their mouths, it tastes like poison. Strange reptiles hug the fence posts, like colorful olives on toothpicks. Andy squeezes Angie’s hand and returns the gaze of these tiny monsters; he feels strangely bashful as they bugle their throats at him. Four months into his desert sojourn, and he still doesn’t know the name of anything. Up close, the bungalow looks a lot like a shed. The bloated vowels of his signature on the landlord’s papers make him think of a large hand blurring underwater.
”
”
Joe Hill (The Best American Science Fiction and Fantasy 2015 (The Best American Series))
“
It was little things at first. Abby missed a phone call because she had an away game. Then one time Gretchen didn’t write back and never made up for the missing letter. They got busy with SATs and college applications, and even though they both applied to Georgetown, Gretchen didn’t get in, and Abby wound up going to George Washington anyways. At college they went to their computer labs and sent each other emails, sitting in front of black and green CRT screens and pecking them out one letter at a time. And they still wrote, but calling became a once-a-week thing. Gretchen was Abby’s maid of honor at her tiny courthouse wedding, but sometimes a month would go by and they wouldn’t speak. Then two months. Then three. They went through periods when they both made an effort to write more, but after a while that usually faded. It wasn’t anything serious, it was just life. The dance recitals, making the rent, first real jobs, pickups, dropoffs, the fights that seemed so important, the laundry, the promotions, the vacations taken, shoes bought, movies watched, lunches packed. It was a haze of the everyday that blurred the big things and made them feel distant and small.
”
”
Grady Hendrix (My Best Friend's Exorcism)
“
I'm going to get lecture-y for a second and add that I think the entire idea of tops and bottems, especially when coming from straight people who fetishize gay people, is an attempt to place some sort of hetero world over gay people.
"Oh your're a bottom, so you're the woman."
Gay guys who are strictly tops or bottoms tend to embrace this idea, too. Being a top only means you're "manly" or whatever because not being manly is considered bad by like adults and TV and stuff.
Gay guys can buy into that crap just as easy as straight people. Whenever you see masc for masc on Grindr or whatever, what you're seeing is someone saying," I don't want people to think I'm like a woman, and I don;t want people to think that you're like a woman because people will think less of us."
Sure people have preference but these ideas of masculine and feminine are kind of meaningless.
I wear make-up. I think I'm pretty manly! We're all told this crap all the time, but you can reject it. Instead you're enforcing the idea that there is masculine and there is feminine, and that masculine is, for some unexplained reason, better.
Finally, and this should probably be clear after the last bit, but you cant tell a top or a bottom or what a person's preferences are just by looking at him! Big, harry, muscled men love taking it up the ass. Trust me, I know. And slim, make-up wearing types, we love to f@$%. And in my case, get f@$%ed, too. Like I said, versatility is the best.
So, in summary, it's wrong to assume all gay guys are having anal sex all the time. And it's ridiculous and offensive and stereotyping and hurtful to think that those who are penetrated are girly and those who penetrate are manly, something you've been doing.
...
You're email is more like a mean joke you tell your friends, and I think that is because secretly you hate the way you're always being told what a girl should be like. And when you see a gay guy blurring the gender lines a little, like me, you're jealous of him. You want to put him in his place. You want to say, "he's not a man." Because if you can't blur those gender lines without being told you're gross or wrong, then you want to make sure that anyone who does cross those gender lines gets punished the way you would.
But you shouldn't be punishing gay guys. You should be braking down the barriers that keep you from being who YOU want to be!
”
”
Lev A.C. Rosen (Jack of Hearts (and Other Parts))
“
He came back from France when Tom and Daisy were still on their wedding trip, and made a miserable but irresistible journey to Louisville on the last of his army pay. He stayed there a week, walking the streets where their footsteps had clicked together through the November night and revisiting the out-of-the-way places to which they had driven in her white car. Just as Daisy's house had always seemed to him more mysterious and gay than other houses so his idea of the city itself, even though she was gone from it, was pervaded with a melancholy beauty.
He left feeling that if he had searched harder he might have found her—that he was leaving her behind. The day-coach—he was penniless now—was hot. He went out to the open vestibule and sat down on a folding-chair, and the station slid away and the backs of unfamiliar buildings moved by. Then out into the spring fields, where a yellow trolley raced them for a minute with people in it who might once have seen the pale magic of her face along the casual street.
The track curved and now it was going away from the sun which, as it sank lower, seemed to spread itself in benediction over the vanishing city where she had drawn her breath. He stretched out his hand desperately as if to snatch only a wisp of air, to save a fragment of the spot that she had made lovely for him. But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
Evie.”
She glanced at Sebastian. Whatever she saw in his face caused her to walk around the bed to him. “Yes,” she said with a concerned frown. “Dearest, this is going to help you—”
“No.” It would kill him. It was difficult enough already to fight the fever and the pain. If he was further weakened by a long bloodletting he wouldn’t be able to hold on any longer. Frantically Sebastian tugged at his tautly stretched arm, but the binding held fast and the chair didn’t even wobble. Bloody hell. He stared up at his wife wretchedly, battling a wave of light-headedness. “No,” he rasped. “Don’t…let him…”
“Darling,” Evie whispered, bending over to kiss his shaking mouth. Her eyes were suddenly shiny with unshed tears. “This may be your best chance—your only chance—”
“I’ll die. Evie…” Rising fear caused blackness to streak across his vision, but he forced his eyes to stay open. Her face became a blur. “I’ll die,” he whispered again.
“Lady St. Vincent,” came Dr. Hammond’s steady, kind voice, “your husband’s anxiety is quite understandable. However, his judgment is impaired by illness. At this time, you are the one who is best able to make decisions for his benefit. I would not recommend this procedure if I did not believe in its efficacy. You must allow me to proceed. I doubt Lord St. Vincent will even remember this conversation.”
Sebastian closed his eyes and let out a groan of despair. If only Hammond were some obvious lunatic with a maniacal laugh…someone Evie would instinctively mistrust. But Hammond was a respectable man, with all the conviction of someone who believed he was doing the right thing. The executioner, it seemed, could come in many guises.
Evie was his only hope, his only champion. Sebastian would never have believed it would come to this…his life depending on the decision of an unworldly young woman who would probably allow herself to be persuaded by the Hammond’s authority. There was no one else for Sebastian to appeal to.
He felt her gentle fingers at the side of his fevered face, and he stared up at her pleadingly, unable to form a word. Oh God, Evie, don’t let him—
“All right,” Evie said softly, staring at him. Sebastian’s heart stopped as he thought she was speaking to the doctor…giving permission to bleed him. But she moved to the chair and deftly untied Sebastian’s wrist, and began to massage the reddened skin with her fingertips.
She stammered a little as she spoke. “Dr. H-Hammond…Lord St. Vincent does not w-want the procedure. I must defer to his wishes.”
To Sebastian’s eternal humiliation, his breath caught in a shallow sob of relief.
“My lady,” Hammond countered with grave anxiety, “I beg you to reconsider. Your deference to the wishes of a man who is out of his head with fever may prove to be the death of him. Let me help him. You must trust my judgment, as I have infinitely more experience in such matters.”
Evie sat carefully on the side of the bed and rested Sebastian’s hand in her lap. “I do respect your j-j—” She stopped and shook her head impatiently at the sound of her own stammer. “My husband has the right to make the decision for himself.”
Sebastian curled his fingers into the folds of her skirts. The stammer was a clear sign of her inner anxiety, but she would not yield. She would stand by him. He sighed unsteadily and relaxed, feeling as if his tarnished soul had been delivered into her keeping.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist.
Mindy giggles as she replies, ”I guess so.”
After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles.
Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?”
“We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.”
Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering.
I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy.
Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.”
I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.”
Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle?
Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers.
“Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear.
I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.”
Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says.
Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.”
Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.”
“Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs.
“Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.”
Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.
”
”
Mary Crawford (Until the Stars Fall from the Sky (Hidden Beauty #1))
“
Dear Familiar Place,
I am lost. I wonder who lives behind my eyes. I guess a lost little child who never grew up. However, I was forced to grow up, but I never had a chance to experience the sweet and playful side of life. I notice that at the moment, it is only me sitting on you—usually, I would have to share you with two or three people. After I leave, you will not be marked until a lonely broken soul will claim you. Just for tonight, they will have something to claim as their own. I wonder who will claim you tonight? I thank you for keeping me warm the best way you could. I am sure you are one of everyone’s best friends. I bet you have a lot of stories to tell. I am looking at the clouds and wondering how long the cloud will last in my life. I’ve had so many cloudy days; sadly, I forget how the sun looks and feels. My eyes are sensitive to the daylight, but they are immune to the darkness with just the right kind of light from the stars. During the day, my mood is cloudy, uncertain, blurred, depressing, and there is so much fog I can’t see the sun, nor do I have a head's up that the rain is coming. I wish just one day my mood could at least be fair skies. I’ll accept cool and fair skies. I mean, at least for once, could my life be fair instead of constantly feeling anxiety and my soul tied in two knots or more? I retraced my thoughts and noticed the wind was blowing. I smile slightly because the leaves are playing with each other as the breeze shows them some unconditional love. I wonder what unconditional love is? In my world, unconditional love is blowing dandelions in the daytime and hugging the stars during the night. I guess that’s all the love I need.
Wishing for brighter days.
”
”
Charlena E. Jackson (Pinwheels and Dandelions)
“
Rosie and Johnny's relationship was being ripped to shreds, with the press and public pawing over the pieces like wild dogs.
The emotional chasm between Dominic and Pet had been torn even wider.
Apparently, Sylvie had been wasting time, money, and ingredients for months, constantly defending this woman to Jay.
And someone intimately connected to the Starlight Circus had just called her décor "kitsch."
"Penny," she said very calmly, with a smile just as vague, just as airy, and just as malicious, "get the fuck out of my home."
Penny tossed her head---and froze as Mabel walked toward her, hips swinging, also smiling.
That smile had more eerie impact than every lighting effect in the Dark Forest combined.
The intern took a step back, but halted in momentary confusion when Mabel offered her the lollipop.
She took the candy skull automatically, and then shrieked as Mabel---tiny, deceptively delicate Mabel---made a blur of a movement with her foot and Penny tumbled across her shoulders.
Whistling, Mabel walked toward the back door and out into the alley, wearing Penny around her neck like a scarf. Through the window, Sylvie watched as her assistant calmly threw the intern into the dumpster.
As a stream of profanity drifted from the piles of rubbish--most of which, incidentally, was all the ingredients Penny had purposely wasted--Mabel returned to the kitchen.
"I'll be off, then," she said, collecting her bag and coat from their hook.
"Have a good night," Sylvie returned serenely.
As Mabel passed her, without turning her head or altering her expression, their hands fleetingly clasped.
The door swung closed, leaving Sylvie alone with Dominic in a lovely, clean kitchen, while her former intern made a third cross attempt to clamber from the trash.
”
”
Lucy Parker (Battle Royal (Palace Insiders, #1))
“
* When the coughing stopped, there was nothing but the nothingness of life moving on with a shuffle, or a near-silent twitch.
* Mistakes, mistakes, it’s all I seem capable of at times
*No matter how many times she was told that she was loved, there was no recognition that the proof was in the abandonment.
*It’s much easier, she realized, to be on the verge of something than to actually be it
*When death captures me,” the boy vowed, “he will feel my fist on his face.”.
*he’d turned for one last look at his family as he left the apartment. Perhaps then the guilt would not have been so heavy. No final goodbye.
No final grip of the eyes.
Nothing but goneness.
*Wrecked, but somehow not torn into pieces.
*Life had altered in the wildest possible way, but it was imperative that they act as if nothing at all had happened.
*“If we gamble on a Jew,” said Papa soon after, “I would prefer to gamble on a live one,” and from that moment, a new routine was born.
*you should know it yourself—a young man is still a boy, and a boy sometimes has the right to be stubborn.”
*The fire was nothing now but a funeral of smoke, dead and dying, simultaneously.
*Even death has a heart..
* In truth, I think he was afraid. Rudy Steiner was scared of the book thief’s kiss. He must have longed for it so much. He must have loved her so incredibly hard. So hard that he would never ask for her lips again and would go to his grave without them.
*There is death.
Making his way through all of it.
On the surface: unflappable, unwavering.
Below: unnerved, untied, and undone.
*That damn snowman,” she whispered. “I bet it started with the snowman—fooling around with ice and snow in the cold down there.”
Papa was more philosophical. “Rosa, it started with Adolf.”
*There were broken bodies and dead, sweet hearts. Still, it was better than the gas
*They were French, they were Jews, and they were you.
*Sometimes she sat against the wall, longing for the warm finger of paint to wander just once more down the side of her nose, or to watch the sandpaper texture of her papa’s hands. If only she could be so oblivious again, to feel such love without knowing it, mistaking it for laughter and bread with only the scent of jam spread out on top of it.
*Himmel Street was a trail of people, and again, Papa left his accordion. Rosa reminded him to take it, but he refused. “I didn’t take it last time,” he explained, “and we lived.” War clearly blurred the distinction between logic and superstition.
*Silence was not quiet or calm, and it was not peace.
*“I should have known not to give the man some bread. I just didn’t think.”
“Papa, you did nothing wrong.”
“I don’t believe you.
* I’m an idiot.”
No, Papa.
You’re just a man..
*What someone says and what happened are usually two different things
* despised by his homeland, even though he was born in it
*“Of course I told him about you,” Liesel said.
She was saying goodbye and she didn’t even know it.
*Say something enough times and you never forget it
*robbery of his life?
*Those kinds of souls always do—the best ones. The ones who rise up and say, “I know who you are and I am ready. Not that I want to go, of course, but I will come.” Those souls are always light because more of them have been put out. More of them have already found their way to other places
*One could not exist without the other, because for Liesel, both were home. Yes, that’s what Hans Hubermann was for Liesel Meminger
*DEATH AND LIESEL
It has been many years since all of that, but there is still plenty of work to do. I can promise you that the world is a factory. The sun stirs it, the humans rule it. And I remain. I carry them away.
”
”
Markus Zusak (THE BOOK THIEF)
“
To begin with, it has nothing to do with archaism, with the salvaging of obsolete words and turns of speech, or with the setting-up of a "standard English" which must never be departed from. On the contrary, it is especially concerned with the scrapping of every word or idiom which has outworn its usefulness. It has nothing to do with correct grammar and syntax, which are of no importance so long as one makes one's meaning clear, or with the avoidance of Americanisms, or with having what is called "good prose style." On the other hand it is not concerned with fake simplicity and the attempt to make written English colloquial. Nor does it even imply in every case preferring the Saxon word to the Latin one, though it does imply using the fewest and shortest words that will cover one's meaning. What is above all needed is to let the meaning choose the word, and not the other way about. In prose the worst thing one can do with words is to surrender to them. When you think of a concrete object, you think wordlessly, and then, if you want to describe the thing you have been visualizing, you probably hunt about till you find the exact words that seem to fit it. When you think of something abstract you are more inclined to use words from the start, and unless you make a conscious effort to prevent it, the existing dialect will come rushing in and do the job for you, at the expense of blurring or even changing your meaning. Probably it is better to put off using words as long as possible and get one's meaning as clear as one can through pictures or sensations. Afterwards one can choose--not simply accept--the phrases that will best cover the meaning, and then switch round and decide what impression one's words are likely to make on another person. This last effort of the mind cuts out all stale or mixed images, all prefabricated phrases, needless repetitions, and humbug and vagueness generally.
”
”
George Orwell (All Art is Propaganda: Critical Essays)
“
Put shortly, these are the two views, then. One, that man is intrinsically good, spoilt by circumstance; and the other that he is intrinsically limited, but disciplined by order and tradition to something fairly decent. To the one party man's nature is like a well, to the other like a bucket. The view which regards man as a well, a reservoir full of possibilities, I call the romantic; the one which regards him as a very finite and fixed creature, I call the classical.
One may note here that the Church has always taken the classical view since the defeat of the Pelagian heresy and the adoption of the sane classical dogma of original sin.
It would be a mistake to identify the classical view with that of materialism. On the contrary it is absolutely identical with the normal religious attitude. I should put it in this way: That part of the fixed nature of man is the belief in the Deity. This should be as fixed and true for every man as belief in the existence of matter and in the objective world. It is parallel to appetite, the instinct of sex, and all the other fixed qualities. Now at certain times, by the use of either force or rhetoric, these instincts have been suppressed - in Florence under Savonarola, in Geneva under Calvin, and here under the Roundheads. The inevitable result of such a process is that the repressed instinct bursts out in some abnormal direction. So with religion. By the perverted rhetoric of Rationalism, your natural instincts are suppressed and you are converted into an agnostic. Just as in the case of the other instincts, Nature has her revenge. The instincts that find their right and proper outlet in religion must come out in some other way. You don't believe in a God, so you begin to believe that man is a god. You don't believe in Heaven, so you begin to believe in a heaven on earth. In other words, you get romanticism. The concepts that are right and proper in their own sphere are spread over, and so mess up, falsify and blur the clear outlines of human experience. It is like pouring a pot of treacle over the dinner table. Romanticism then, and this is the best definition I can give of it, is spilt religion.
”
”
T.E. Hulme
“
The appeasers had been powerful; they had controlled The Times and The BBC; they had been largely drawn from the upper classes, and their betrayal of England's greatness would be neither forgotten nor forgiven by those who, gulled by the mystique of England's class system, had believed as Englishmen had believed for generations that public school boys governed best. The appeasers destroyed oligarchic rule which, though levelers may protest, had long governed well. If ever men betrayed their class, these were they.
Because their possessions were great, the appeasers had much to lose should the Red flag fly over Westminster. That was why they had felt threatened by the hunger riots of 1932. It was also the driving force behind their exorbitant fear and distrust of the new Russia. They had seen a strong Germany as a buffer against bolshevism, had thought their security would be strengthened if they sidled up to the fierce, virile Third Reich. Nazi coarseness, Anti-Semitism, the Reich's darker underside, were rationalized; time, they assured one another, would blur the jagged edges of Nazi Germany. So, with their eyes open, they sought accommodation with a criminal regime, turned a blind eye to its iniquities, ignored its frequent resort to murder and torture, submitted to extortion, humiliation, and abuse until, having sold out all who had sought to stand shoulder to shoulder with Britain and keep the bridge against the new barbarism, they led England herself into the cold damp shadow of the gallows, friendless save for the demoralized republic across the Channel. Their end came when the House of Commons, in a revolt of conscience, wrenched power from them and summoned to the colors the one man who had foretold all that had passed, who had tried, year after year, alone and mocked, to prevent the war by urging the only policy which would have done the job. And now, in the desperate spring of 1940, he resolved to lead Britain and her fading empire in one last great struggle worthy of all they had been and meant, to arm the nation, not only with weapons but also with the mace of honor, creating in every English breast a soul beneath the ribs of death.
”
”
William Manchester (The Last Lion: Winston Spencer Churchill: Alone, 1932-40)
“
Areli kicked her dragon upwards and followed Aquilina and Fides through the lanterns and rock, out into clean mountain air. Aquilina had picked only the two, whom she said were hands down the greatest riders on the team, to ride with her. Areli didn’t know how to respond to that, except to turn red and cover her mouth with surprise. And now she was flying, not in an arena, but in free air, a privilege given to only the best professional riders.
They flew over the city. The buildings looked like small blocks and the carriages looked like gold-colored ants roaming about. The sweep of the cool air was refreshing against Areli’s face.
They flew over the trees leading to Emperor Abhiraja’s forest, which looked like nothing but a tossed salad from their view. And then they were over Emperor Abhiraja’s trees. Back at the boarding facility, before they left, Aquilina told them there was only one rule if they were to ride with her . . . keep up.
Aquilina veered down towards the trees. Fides took after her and Areli followed. Areli sat hard into her seat and pulled the reins to her right. She leaned her leg into Kaia’s left shoulder and held on tight to the saddle horn. Kaia leaned her body and they knifed through the air. Areli shifted her legs and hands, chasing after Fides and Aquilina.
They slipped through a tiny gap in the tops of the massive trees. Areli saw the red of Fidelja’s dragon ahead of her, and then it disappeared. She saw shades of brown and green coming up fast. Areli pulled on the reins, keeping her hands light, and sunk into the seat, leveling off their descent into the forest.
She immediately started kicking Kaia forward as she saw Fides dragon’s tail wrap past a tree. Areli commanded Kaia in a way she never had before. Using every skill she ever learned, she cued Kaia right, then left, then into a roll to get through two narrowly placed trees, and then up, always following the blur of red in front of her.
They came out above the trees again and then they swooped back down. This time it was into the Columns of Abhi. They curved around the large rock structures like a knife full of butter caressing a freshly baked roll. Areli didn’t think she could feel this exhilarated. But there was something utterly breathtaking about flying without walls, without spectators or trainers. This was true freedom, according to Areli. Freedom from homework, freedom from fears, freedom from worries. This was the place where she could be . . . just to be.
”
”
Jeffrey Johnson (The Column Racer (Column Racer, #1))
“
I started blasting my gun. Letting loose a stream of words like I'd never used before. True to form, Misty didn't stay put and stood at my side. Tears stained her cheeks. Her gun firing wildly. It was a blur. The next thing I knew, no zombies were left standing and we knelt at Kali's side. I took out a rag and wiped the feathers from his face. We could tell he was still alive. His chest rising and falling in jerks. "Kali, how bad are you hurt?" I asked with an unsteady voice. "I'm okay, guys. Did we get all of them?" he whispered. "Nate, he's been bit all over!" I looked down at his body, covered in white feathers, speckled with splotches of deep red. "Yep. You got 'em, even those freak chickens." "Nate, I'm thirsty," his voice shaky and cracking. "Okay, buddy. We've got water in the truck." "No, not water. How about a glass of lemonade?" "Kali, what are you saying?" Misty's voice was tense as a piano string. "Hurry, Nate. I'm getting weak—the lemonade." I think running into the crowd of zombies would have been easier than this. Maybe that's why Kali chucked a rock at my head—he knew he could count on me for this. I ripped off a small water gun I had taped on my suit and tore off the cap. "Oh, Nate, don't. Maybe there's something we can do. Maybe—" she stopped. I put my hand behind Kali's neck and felt a slight burn, probably zombie snot. Misty took one of his hands and held it to her chest. "You were so brave, Kali, so brave." My hands didn't shake anymore; they were numb, as if they didn't belong to me. I manipulated them the best I could—like using chopsticks. Lifting Kali's head, I poured the juice into his mouth until it was gone. He was burning up; his skin felt like it was on fire. "I never thought I'd have friends, real friends—thank you, guys." He closed his eyes and I felt the muscles in his neck go limp. Gently, I put his head down and cleaned my blistering hand with the rag. Misty wiped her tears as I put the rag over Kali's face. "No, thank you, kid." We sat there still, silent except for the small cries that we both let slip out. Misty, still holding his hand. Me, staring down at my hands, soaked in tears. I don't know how much time passed. It could have been five minutes; it might have been an hour. Suddenly, the feathers moved, flying in every direction. Looking up, I saw a helicopter coming down in front of us—one of those big black military ones. It landed and three men stepped out. They wore protective gear like you see in those alien movies. I worried a little about what they might have planned for us. I've seen enough movies to know those government types can't be trusted—especially when they're in those protective suits. "What happened here? How did you manage to negate the virus?" one of the hooded figures asked. "Zombie juice," I replied. "Zombie juice?" "Actually it was the Super Zombie Juice Mega Bomb," Misty added as she stood and took my hand.
”
”
M.J.A. Ware (Super Zombie Juice Mega Bomb (A Zombie Apocalypse Novel Book 1))
“
What’ll it be?” Steve asked me, just days after our wedding. “Do we go on the honeymoon we’ve got planned, or do you want to go catch crocs?”
My head was still spinning from the ceremony, the celebration, and the fact that I could now use the two words “my husband” and have them mean something real. The four months between February 2, 1992--the day Steve asked me to marry him--and our wedding day on June 4 had been a blur.
Steve’s mother threw us an engagement party for Queensland friends and family, and I encountered a very common theme: “We never thought Steve would get married.” Everyone said it--relatives, old friends, and schoolmates. I’d smile and nod, but my inner response was, Well, we’ve got that in common. And something else: Wait until I get home and tell everybody I am moving to Australia.
I knew what I’d have to explain. Being with Steve, running the zoo, and helping the crocs was exactly the right thing to do. I knew with all my heart and soul that this was the path I was meant to travel. My American friends--the best, closest ones--understood this perfectly. I trusted Steve with my life and loved him desperately.
One of the first challenges was how to bring as many Australian friends and family as possible over to the United States for the wedding. None of us had a lot of money. Eleven people wound up making the trip from Australia, and we held the ceremony in the big Methodist church my grandmother attended.
It was more than a wedding, it was saying good-bye to everyone I’d ever known. I invited everybody, even people who may not have been intimate friends. I even invited my dentist. The whole network of wildlife rehabilitators came too--four hundred people in all.
The ceremony began at eight p.m., with coffee and cake afterward. I wore the same dress that my older sister Bonnie had worn at her wedding twenty-seven years earlier, and my sister Tricia wore at her wedding six years after that. The wedding cake had white frosting, but it was decorated with real flowers instead of icing ones.
Steve had picked out a simple ring for me, a quarter carat, exactly what I wanted. He didn’t have a wedding ring. We were just going to borrow one for the service, but we couldn’t find anybody with fingers that were big enough. It turned out that my dad’s wedding ring fitted him, and that’s the one we used. Steve’s mother, Lyn, gave me a silk horseshoe to put around my wrist, a symbol of good luck.
On our wedding day, June 4, 1992, it had been eight months since Steve and I first met. As the minister started reading the vows, I could see that Steve was nervous. His tuxedo looked like it was strangling him. For a man who was used to working in the tropics, he sure looked hot. The church was air-conditioned, but sweat drops formed on the ends of his fingers. Poor Steve, I thought. He’d never been up in front of such a big crowd before.
“The scariest situation I’ve ever been in,” Steve would say later of the ceremony. This from a man who wrangled crocodiles!
When the minister invited the groom to kiss the bride, I could feel all Steve’s energy, passion, and love. I realized without a doubt we were doing the right thing.
”
”
Terri Irwin (Steve & Me)
“
This shift forms a dramatic visual illustration of what China’s alternate internet universe does best: solving practical problems by blurring the lines between the online and offline worlds.
”
”
Kai-Fu Lee (AI Superpowers: China, Silicon Valley, and the New World Order)
“
An Ant in the Mouth of the Furnace
Sorrow likes itself most when it’s
At its best being
A barrier
Impenetrable. An obstacle.
A veil that can’t be torn.
When beyond its deckled edges
sorrow won’t let you see.
As if you were a blue blur on paper
intended to be a child’s image of heaven.
And it takes more bearing
because more of it is always coming.
And it takes up space where space has never been.
Where there is no space.
Where no space has ever been.
And it will not move.
And brings all else to a standstill.
To no longer be in a state of grief is also a state.
To encounter the respite it is
Is to judge
Sometimes one’s self
Other times others.
There must be a name somewhere
For what’s not there
For what doesn’t
By its aggravating presence
Begin to replicate what’s gone.
Goat in the snow.
My life’s work.
Man overboard.
Black & blue overcoat.
Orange eyes. Bleeding wall.
Ring-tailed neck riverbed blanket.
It’s not
As though
After all
Suits every blue circumstance
As if
— what’s that —
— what comes after —
After which is
Is no other
After afterall
No after other
All as if at
Last all that
That grieving
It is over —
So as to make room for another
You are doing something
With someone who isn’t here
How many conversations
With who isn’t
Able to talk back
Is one human allotted?
Things were only
Like they were
Because we were
Having them together.
Having them without you
Is another thing altogether
Before when
You once were
Here we was
A something never failing
We could
Be counted on
We would
Have always been
What we were
No wonder
”
”
Dara Wier (In the Still of the Night (Wave Books))
“
I remember driving there in the afternoon, and I remember getting there and loading the gear in. I don’t remember the sound check. We had one, I think, but we had no idea what to do because we’d never done one before. No one had the foggiest. Not knowing what to do made it exciting, though. Like, now, everybody’s got a stage manager and a sound guy, lights, and so on. The bands know all about sound checks and levels, equipment and all that. Now they even have music schools to teach you that kind of stuff. Back then you knew fuck-all. You didn’t have anyone professional, just your mates, who, like you, were clueless; you had a disco PA and a sleepy barmaid. It’s something I find quite sad about groups today, funnily enough, the careerism of it all. I saw this program once, a “battle of the bands” sort of thing. It had Alex James from Blur on it and Lauren Laverne and some twat from a record company, and they’d sit there saying what they thought of the band: “Your bass player’s shit and your image needs work; lose the harmonica player.” All the bands just stood there and took it, going, “Cheers, man, we’ll go off and do that.” I couldn’t believe it. I joined a band to tell everyone to fuck off, and if somebody said to me, “Your image is shit,” I’d have gone, “Fuck off, knob head!” And if someone had said, “Your music’s shit,” I would have nutted them. That to me is what’s lacking in groups. They’ve missed out that growing-up stage of being bloody-minded and fucking clueless. You have to have ultimate self-belief. You have to believe right from the word go that you’re great and that the rest of the world has to catch up with you. Of us lot, Ian was the best at that. He believed in Joy Division completely. If any of us got downhearted it was always him who would cheer us up and get us going again. He’d put you back on track.
”
”
Peter Hook (Unknown Pleasures: Inside Joy Division)
“
As Regina McGowan pulled her silver Volvo SUV into the driveway in front of the huge, farmhouse-style home, all Megan could see was boys. Boys everywhere. All seven of them plus their dad, running and laughing and shoving each other around on the front lawn, engaged in what appeared to be a full-contact, tackle version of ultimate Frisbee. They were playing shirts and skins. Shirts and mighty-fine-lookin’ skins.
Megan’s pulse pounded in her ears. Forget evil, laughing little monsters. These guys had been touched by the Abercrombie gods. They were a blur of toned, suntanned perfection.
For a few seconds, Megan had trouble focusing on any one of them, but then one of the skins scored a goal and jumped up, arms thrust in the air, whooping in triumph as he clutched the Frisbee in one hand. His six-pack abs were dotted with sweat and a couple of stray pieces of torn grass. His smile sent shivers right through Megan’s core. He had shaggy blond hair, a square chin, and the most perfect shoulder muscles Megan had ever seen. One of his brothers slapped him on the back and pointed toward the Volvo. He turned around and looked right at Megan.
The rest of the world ceased to exist.
“Well, here we are,” Regina said, killing the engine. “Megan?”
He smiled slowly--a perfect, open, happy smile.
“Megan?”
Something touched Megan’s arm.
“Oh! Uh…yeah?” Megan whipped her eyes away from Mr. Perfection and blushed.
Regina’s brown eyes twinkled with amusement and sympathy. “You can live in the car if you want to, but they’ll find a way to get to you anyway.”
“Oh…uh…” God, did she just catch me drooling all over one of her kids? Gross!
“Don’t worry. They promised me they would be on their best behavior,” Regina said, unbuckling her seat belt. She swung her long dark hair over her shoulder as she got out of the car and leaned down to look at Megan. “My advice? Just be yourself. I’m sure you’ll be fine.”
Megan managed to smile and Regina slammed the car door. Be myself. Yeah. Right. Because that’s gotten me so far in the past.
”
”
Kate Brian (Megan Meade's Guide to the McGowan Boys)
“
Life isn’t the orderly black-and-white business we’d prefer it to be. It’s messy and complicated and horribly blurred around the edges. All we can ever do is make the best of it. And maybe grab at those fleeting chances of happiness.’ ‘But never at the expense of anyone else’s
”
”
Erica James (Gardens of Delight)
“
Wait,” I say, digging into my camera bag. “I want a picture with all of you. Us. Together.”
Dad takes the camera from me and I stand in the middle of everyone. Nestled under Chiara’s and Matilde’s arms, I find it easier to smile than I expect. I’m surrounded by people who care for me, and who I care for, all because I wanted a chocolate pastry for breakfast in Rome.
The shutter clicks and I pry myself from their embrace. At the door I turn and look at each face once more, knowing that this will likely be the last time I’ll see most of them. Matilde, who welcomed me, an American stranger, into her home, even kicking her own children out of their room. Luca, a quiet boy with a good heart. I have confidence he’ll be ten times the man his brother’s been. Bruno, the gorgeous smooth talker. If my dad had a clue about what’s gone on between us this summer, he’d have him beat up all over again.
Chiara. One of my very best friends who I didn’t even know existed a few months ago. All-knowing, beautiful Chiara.
Throat tight, eyes blurred with tears, I wave to them all one last time and turn to Dad, his hand on the doorknob. “I’m ready. Let’s go home.
”
”
Kristin Rae (Wish You Were Italian (If Only . . . #2))
“
For A Sales Team
I encourage clients to generally set up their dashboards in a three column format, including:
Left: Current month activity (amount of stuff going on).
Center: current month results/deals.
Right: Long-term results (year-to-date).
Example screenshot, blurred for privacy: Example Sales Development Rep Dashboard
Every sales rep should set up their own personal dashboard, so they can see the state of their own business at a glance (and it makes it easier for their manager to coach/help them).
Below, I have laid out a three-column dashboard
”
”
Aaron Ross (Predictable Revenue: Turn Your Business Into A Sales Machine With The $100 Million Best Practices Of Salesforce.com)
“
Sensing reprieve, grasping for it with eager disbelief, she lifted her lashes in confusion to see the same emotion reflected in his cobalt eyes.
He began to tremble, as if the lance weighed a thousand pounds. And suddenly she knew that as much as he longed to murder her, a part of him couldn’t, wouldn’t throw the lance. It made no sense. She could see nothing but hatred written on his chiseled face. He had surely killed hundreds of times and would kill again.
Slowly he lowered his arm and stared at her as if she had bested him in some way. Then, so quickly she couldn’t be sure she saw it, pain flashed across his face. “So you’re sweet?” His smile dripped ice. “We shall see, woman, we shall see.”
He said “woman” as if he were spitting bile and slid his lance arrow to her chin. She had heard of women being disfigured by Indians and expected him to slash her as he outlined her mouth and the slope of her nose. Breathless fear brought moisture to her brow. Black spots danced, blurring her vision.
She blinked and forced herself to focus on him. Laughter twinkled in his eyes. She realized that since he had decided not to kill her, he was, for some reason she couldn’t imagine, playing a hideous game, terrifying her to test her mettle. She caught hold of his lance and shoved it aside, lifting her head in defiance. Chuckling low in his chest, he leaned over his thigh, making a fist in her hair. His grip brought tears to her eyes.
As he turned her face to study her, he said, “You have more courage than you have strength, Yellow Hair. It is not wise to fight when you cannot win.”
Looking up at his carved features and the arrogant set of his mouth, she longed for the strength to jerk him off his horse. He wasn’t just taunting her, he was challenging her, mocking her.
“You will yield. Look at me and know the face of your master. Remember it well.”
Riding high on humiliation, Loretta forgot Amy, Aunt Rachel, everything. An image of her mother’s face flashed before her. Never, as long as she had life in her body, would she yield to him. She worked her parched mouth and spat. Nothing came out, but the message rang clear.
“Nei mah-heepicut!” Releasing her, he struck her lightly on the arm. Wheeling his horse, he glanced toward the windows of the house and thumped his chest with a broad fist. “I claim her!
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
When we start focusing too much on one person, every other relation becomes blurred for us.
”
”
Garima Soni - words world
“
Rebecca Gleeson (an everyday schoolgirl on her way to school on the Monday morning eight o’clock train.) The Kingdom of Nought is a time tale legacy: accompanying her on the train Rebecca’s arch nemeses Rona Chadwick, the school bully. Rebecca a fan of poetry and fairy tales. “Tales of kindness and friendship.” She would say to herself. Rebecca was a reader of wonderful books that have a cult following. Unknown to Rebecca far away at the start of the universe dark and evil forces start to unbalance the natural order of day and night, good and evil. Weird things begin to happen as both Rebecca and Rona are transported back in time to The Kingdom of Nought to reinstate the benevolent balance within the kingdom. The adventure for the schoolgirls starts out strange and gets stranger, in the best way possible. Their meeting with the witch Sycorax is as creepy and evocative as you’d hope. The story combines mathematical realism with fantasy, blurring the edges in a way that high-lights that place where stories and real life convene, where magic contains truth. As you open the book and turn the pages you enter a strange place out-side time with amazing creatures and spectacular landscapes. An extremely addictive story that will take you to a magical place with a most unusual conclusion.
”
”
M.J. O'Farrell (The Kingdom of Nought)
“
Armies have always been viewed with suspicion in democratic societies because they are the least democratic of all social institutions. They are, in fact, not democratic at all. Governments which have tried to eliminate the officer class or to blur the distinction between officer and man have not been successful. Armies stand as disturbing reminders that democratic processes are not always the best, living and perpetual proof that, in at least this one area, the caste system works.
”
”
Byron Farwell (Mr. Kipling's Army: All the Queen's Men)
“
What did it feel like to you?” My mind is still spinning, my thoughts dizzy and blurred. I’ve never felt anything like that before, so I have little to compare it to, but I try to explain it the best I can. “Like every star in the galaxy tumbled to Earth and crawled beneath my skin.” A
”
”
Jennifer Hartmann (Lotus)
“
There’s no need to fret about what’s out of sight (or what you don’t know). Focus on moving forward, doing your best with the knowledge you have. Trust that as you go, “whatever you need or deserve will appear”.
Here’s the key, Sweetheart: we don’t need a roadmap to our best life. All we need is the commitment to move forward with what we have & the belief that we deserve it. The incredible, all-encompassing energy within us will take care of the rest.
Darling listen – finding & maintaining your inner balance, knowing & allowing what drives you forward.. will pave your unique path to success. See where lines have blurred & choose what aligns with you to live your best day, every day.
I wish & hope that all the good things come & stay present in your life. May your positive experiences compound & gradually build into something truly great. Blessings!
”
”
Rajesh Goyal
“
Even when we've passed each other... I've tried my best not to get a good look at him. He's been a blur, a sketch, a blueprint of a person. But here in front of me, all those details thag make him Russel fill my senses to the point where my knees go weak... I have to be over him. At the very least, i have to be on my way there. Otherwise, it would mean he could have my darkness and my sunshine... I want a guarantee he won't run when it gets hard. I want something I know he cannot give me: certainty.
”
”
Rachel Lynn Solomon (Weather Girl)
“
All along that beach I saw what looked like the abandoned remnants of an outdoor training gym—bench presses, a manual elliptical, pull-up bars. Time and the elements seemed to have gotten the best of the equipment, and in the blur of our passing I saw yellow paint peeling from the machines to reveal the rusting metal beneath. I assumed that these pieces were the remains of some public works project gone wrong, and the sight of this ostensible failure immediately became a sign of our collective dysfunction, of the “Negro race’s” irredeemably savage state. And hearing that voice in my mind, I came to a terrible realization: After all the work of my parents, all the Ashanti to Zulu and Bringing the Rain to Kapiti Plain, after all the drums and dance classes, after all the African names, after the entire arsenal of vindication, I was still afraid that the Niggerologists were right about us.
”
”
Ta-Nehisi Coates (The Message)