Blur Band Quotes

3. The lovely landscape of southern Ohio betrayed by strip mining, the thick gold band on the adulterer’s finger the blurred programs of the offshore pirate station are causes for hesitation. Here in the matrix of need and anger, the disproof of what we thought possible failures of medication doubts of another’s existence —tell it over and over, the words get thick with unmeaning— yet never have we been closer to the truth of the lies we were living, listen to me: the faithfulness I can imagine would be a weed flowering in tar, a blue energy piercing the massed atoms of a bedrock disbelief. 1971

Standing on the bridge, looking across at that empty city, everything in the compass of my gaze had been set there by a human hand. Somehow those pylons had been strung with wire, and those towers raised, and roofs tiled. There had been food and drink for millions of mouths. I don't cry easy, but my vision blurred as I stared on the ruins of what we had been, and I watched the small band of men in rags move toward it to pick at it like birds on the carcass of some giant.

He scraped through the dark sand to the center house, two stories, both pouring bands of light into the fog. There was warmth and gaiety within, through the downstairs window he could see young people gathered around a piano, their singing mocking the forces abroad on this cruel night. She was there, proptected by happiness and song and the good. He was separated from her only by a sand yard and a dark fence, by a lighted window and by her protectors. He stood there until he was trembling with pity and rage. Then he fled, but his flight was slow as the flight in a dream, impeded by the deep sand and the blurring hands of the fog. He fled from the goodness of that home, and his hatred for Laurel throttled his brain. If she had come back to him, he would not be shut out, an outcast in a strange, cold world.

The twin rivulets gleamed on his prison cheeks, and then the image became blurred and she felt a corresponding wetness on her own – tears for Daphne that were also tears for him; for lovers who could never be described as star-crossed because they had had no stars. For them heaven had drawn an implacable band of dark across its constellations and the dark was lit by nothing except the trust they had had in each other not to tell the truth because the truth had seemed too dangerous to tell.

Through the blurred edges of this period, a new wave of bands had been gestating and plotting their grand entrance. Those who materialized included U2, Depeche Mode, Spandau Ballet, Culture Club, Tears for Fears, the Smiths, and Duran Duran. While we each had entirely distinctive sounds and outlooks, there was a common thread: We had all experienced the U.K. during the seventies, under the same gray skies, enduring political turbulence and social unrest. We were different reflections of similar views, reactionaries to our surroundings. Some chose to express the darkness, others looked toward the light. In Duran Duran’s case, we attempted to strike a balance between the two. We wanted to lift people’s spirits, rather than fight misery with misery. If you limit yourself to grainy black and white, you can create some beautiful imagery, but sometimes we simply wanted to use full, widescreen technicolor.

INTRODUCTION TO GENDER AND SOCIETY The Second Sex by Simone de Beauvoir A classic analysis of the Western conception of the woman. Feminism Is for Everybody by bell hooks A primer about the power and potential of feminist action. We Should All Be Feminists by Chimamanda Ngozi Adichie Feminism redefined for the twenty-first century. QUEER THEORY AND INTERSECTIONAL FEMINISM Gender Trouble by Judith Butler A classic, and groundbreaking, text about gender and the boundaries of identity. Gender Outlaw by Kate Bornstein A 1990s-era memoir of transition and nonbinary identity. This Bridge Called My Back ed. Cherríe Moraga and Gloria Anzaldúa A collection of essays about the intersections between gender, class, sexuality, and race. Sister Outsider by Audre Lorde A landmark collection of essays and speeches by a lauded black lesbian feminist. The Woman Warrior by Maxine Hong Kingston A memoir of growing up as a Chinese American woman. MODERN HISTORY How We Get Free: Black Feminism and the Combahee River Collective ed. Keeanga-Yamahtta Taylor A history of the Combahee River Collective, a group of radical black feminists operating in the 1960s and 1970s. And the Band Played On by Randy Shilts Investigative reportage about the beginning of the AIDS crisis. A Queer History of the United States by Michael Bronski An LGBT history of the United States, from 1492 to the present. CONTEMPORARY QUESTIONS Blurred Lines: Rethinking Sex, Power, and Consent on Campus by Vanessa Grigoriadis An exploration of the effects of the sexual revolution in American colleges. The End of Men: And the Rise of Women by Hanna Rosin A book about the shifting power dynamics between men and women. Bad Feminist by Roxane Gay Essays about the author’s experiences as a woman and our cultural understanding of womanhood. All the Single Ladies by Rebecca Traister An investigation into the lives of twenty-first-century unmarried women. GENDER AND SEXUALITY IN FICTION Rubyfruit Jungle by Rita Mae Brown A groundbreaking lesbian coming-of-age novel, originally published in 1973. Giovanni’s Room by James Baldwin A classic of morality and desire, set in 1950s Paris, about an American man and his relationship with an Italian bartender. Angels in America by Tony Kushner A Pulitzer Prize–winning play about the Reagan-era AIDS epidemic. Oranges Are Not the Only Fruit by Jeanette Winterson A coming-of-age and coming-out novel about a woman growing up in an evangelical household.

I remember driving there in the afternoon, and I remember getting there and loading the gear in. I don’t remember the sound check. We had one, I think, but we had no idea what to do because we’d never done one before. No one had the foggiest. Not knowing what to do made it exciting, though. Like, now, everybody’s got a stage manager and a sound guy, lights, and so on. The bands know all about sound checks and levels, equipment and all that. Now they even have music schools to teach you that kind of stuff. Back then you knew fuck-all. You didn’t have anyone professional, just your mates, who, like you, were clueless; you had a disco PA and a sleepy barmaid. It’s something I find quite sad about groups today, funnily enough, the careerism of it all. I saw this program once, a “battle of the bands” sort of thing. It had Alex James from Blur on it and Lauren Laverne and some twat from a record company, and they’d sit there saying what they thought of the band: “Your bass player’s shit and your image needs work; lose the harmonica player.” All the bands just stood there and took it, going, “Cheers, man, we’ll go off and do that.” I couldn’t believe it. I joined a band to tell everyone to fuck off, and if somebody said to me, “Your image is shit,” I’d have gone, “Fuck off, knob head!” And if someone had said, “Your music’s shit,” I would have nutted them. That to me is what’s lacking in groups. They’ve missed out that growing-up stage of being bloody-minded and fucking clueless. You have to have ultimate self-belief. You have to believe right from the word go that you’re great and that the rest of the world has to catch up with you. Of us lot, Ian was the best at that. He believed in Joy Division completely. If any of us got downhearted it was always him who would cheer us up and get us going again. He’d put you back on track.

If Pulcheria were able to pose as the human embodiment of the Theotokos, in so doing she would be blurring the line between Christianity and the rituals of imperial cult, which had existed since pagan times. This would also raise the disturbing question, whether it was the bishop or the imperial family who had the right to define the nature of Christian piety and liturgical practice. A law of Theodosius II promulgated in 425, for example, reassures those who fail to participate in some public ceremony related to civic cult in order to attend a church service because 'due reverence is paid to the emperor when God is worshipped'. This law reveals that Christian liturgy had now taken precedence over the old civic cult, but it also shows a blurring between the person of the emperor and the person of Christ. One can see why a bishop of Constantinople might have resisted this. Nestorius may have suspected that Theodosius was using Pulcheria to draw the Church even more tightly under the control of the imperial family.

He wrapped his arms around her. “Have I told you today how happy I am that you gave up the good fight and moved back in with me?” “Not today,” she said, sucking in his sex-and-sin scent. “But last night you mentioned it quite a few times.” She’d tried for six weeks to live by herself in the apartment over Gracie’s garage, thinking she needed to experience life on her own before living with Mitch. She’d hated every minute of it. When she’d taken to sneaking into the farmhouse and crawling into bed with him in the middle of the night, he’d finally put his foot down. She sighed. Contentment had her curling deeper into his embrace. She didn’t care if it was wrong: Mitch and this farmhouse made her happy. “Maddie,” he said, his voice catching in a way that had her lifting her chin. “You know I love you.” “I know. I love you too.” His fingers brushed a lock of hair behind her chin. “Come with me.” He clasped her hand and led her into the bedroom before motioning her to the bed. She sat, and he walked over to the antique dresser and took a box out of the dresser. He walked back to the bed and sat down next to her. “I wanted to give this to you tonight, but then I saw you standing in the doorway and I knew I couldn’t wait.” Maddie looked at the box, it was wooden, etched with an intricate fleur-de-lis design on it and words in another language. “What is it?” “It was my grandmother’s. They bought it on their honeymoon. It’s French. It says, ‘There is only one happiness in life: to love and be loved.’” “It’s beautiful.” That he would give her something so treasured brought the threat of tears to her eyes. He handed it to her. “Open it.” She took the box and suddenly her heart started to pound. She lifted the lid and gasped, blinking as her vision blurred. Mitch grasped her left hand. “I know it’s only been three months, but in my family, meeting the night your car breaks down is a sign of a long, happy marriage.” Maddie couldn’t take her eyes off the ring. It was a gorgeous, simple platinum band with two small emerald stones flanking what had to be a three-carat rectangular diamond. She looked at Mitch. “Maddie Donovan, will you please marry me?” “Yes.” She kissed him, a soft, slow, drugging kiss filled with hope and promises. There was no hesitation. Not a seed of worry or shred of doubt. Her heart belonged to only one man, and he was right in front of her. “It would be my honor.” He slipped the ring on her finger. “My grandma would be thrilled that you have her ring.” “It’s hers?” It sparkled in the sunlight. It looked important on her hand. “It’s been in the family vault since she died. My mom sent it a couple of weeks ago. She’s been a little pushy about the whole thing. I think she’s worried I’ll do something to screw it up and she’ll lose the best daughter-in-law ever.” Maddie laughed. “I love her, too.” He ran his finger over the platinum band. “I changed the side stones to emeralds because they match your eyes. Do you think I made the right choice?” She put her hands on the sides of his face. “It is the most gorgeous ring I have ever laid eyes on. I love it. I love you. You know I’d take you with a plastic ring from Wal-Mart.” “I know.” She kissed him. “But I’m not going to lie: this is a kick-ass ring.” He grinned. “You know, I think that’s what my grandma used to say.” “She was obviously a smart woman.” “For the record, don’t even think about running.” Mitch pushed her back on the bed and captured her beneath him. “I will hunt you down to the ends of the earth and bring you back where you belong.” She reached for him, this man who’d been her salvation. “I will run down the aisle to meet you.

Of course, many of the fans who came to wait for us were women. You could count on that. There were certain women who would follow the group from city to city. Others would be local girls who liked Styx, or who liked the rock scene in general. In the beginning, the number of women (or girls, it was sometimes hard to tell their age) who turned out for our performances surprised me. In time, though, you just expected it. The faces began to blur together from city to city, and for all I knew, it could have been the same group of fifty or so scantily clad women who were transported and plopped down in front of the stage door in each different city. Most of them never made it beyond the back door. The lucky ones found a way to get backstage passes. But even the ones allowed backstage rarely got attention from any of the guys in the band. After a certain point, it just gets a little monotonous—even if you’re straight and single. If you’re married, or worse yet, gay, it gets old very quickly. This meant that our road crew got very lucky, very often. If the girls couldn’t get to anyone in the band, the roadies were the next best thing. And the roadies were never too busy or too tired to take one for the team. In exchange, the girls got access to hang out backstage while Styx performed. Everyone seemed happy enough with the system. While

Sadie hated that word fine. It was a Band-Aid, a sugar-coated pill to mask the bitterness beneath. Fine was what you used when it was anything but. But fine was what she had to be because if it wasn’t, everything would unravel. Sadie so often walked the line between who people expected her to be and who she really was, the lines blurred until sometimes she forgot who she actually wanted to be. But

In 2012, when Amanda Melin, a scientist who studies animal vision, met Tim Caro, a scientist who studies animal patterns, their conversation naturally turned to zebras. Caro had become the latest in a long line of biologists to wonder why zebras have such conspicuous black-and-white patterns. One of the earliest and most prominent hypotheses, he told Melin, was that the stripes counterintuitively act as camouflage. They mess with the eyes of predators like lions and hyenas by breaking up the zebra’s outline, or by helping it to blend in among the vertical trunks of trees, or by causing a confusing blur when it runs. Melin was dubious. “I had a look on my face,” she recalls. “I said, ‘I think most of the carnivores are hunting at night, and their visual acuity is going to be so much worse than humans’. They probably can’t see the stripes.’ And Tim went, ‘What?’ ” Humans outshine almost every other animal at resolving detail. Our exceptionally sharp vision, Melin realized, gives us a rarefied view of a zebra’s stripes. She and Caro calculated that on a bright day, people with excellent eyesight can distinguish the black-and-white bands from 200 yards away. Lions can only do so at 90 yards and hyenas at 50 yards. And those distances roughly halve at dawn and dusk, when these predators are more likely to hunt. Melin was right: The stripes can’t possibly act as camouflage because predators can only make them out at close range, by which point they can almost certainly hear and smell the zebra. At most distances, the stripes would just fuse together into a uniform gray. To a hunting lion, a zebra mostly looks like a donkey.[*10]

Jack, R U alrite? That was the first text I got from Tom, my best friend. I peeked out from under the comforter to read it, then wrapped the blanket around my head again without replying. I wasn’t in the mood to deal with him right now. I wasn’t in the mood to deal with anyone. I just wanted to lie in the dark and pretend I didn’t exist. The cell phone buzzed again. I sighed. I made a little hole, just large enough for my eye, and stared angrily at the phone. I wanted it to realize what it was doing was wrong. That I wanted to be left alone. The phone stared back at me, a small notification light flashing on the top of the device. I picked it up and looked again. R U there? I heard U askd Jasmine 2 the dance! R U crazy??? D: )-:< I wished I was crazy. That would have made everything so much simpler. When I retreated back into my cave this time, I tried putting my pillow on my head too, hoping that it would stop the sound of the phone from cutting into my solitude. I closed my eyes as tightly as I could and tried to wish everything back to normal. That works sometimes in the movies, right? BUZZ BUZZ. “Agh!” I jumped slightly as the phone somehow buzzed even louder this time (how did it do that?) and the pillow flew off my head. Sunlight shone in through the window, blinding me. I squinted and waited for my room to blur into focus. The white walls, my posters of awesome superheroes, my laptop, my guitar… I grumbled as I leaned over and looked at my phone screen again. Wat abt HOLLY? UR GRLFRND? Ppl are sayn she is very upset! I threw the phone down on my bed. It bounced twice and ended up balancing on the edge of the mattress. I didn’t blame Holly. I was also very upset. A few weeks ago, my life had been pretty much perfect. I had the hottest girl in school as my girlfriend, I was a star player on the football team, I had a band that was definitely going to be famous someday soon, and it was all going my way. Now it was all gone, swirling towards disaster. Actually, disaster was a while back. Now things were definitely swirling towards complete chaos. My life was destroyed and I was hiding in my bed. That doesn’t happen in the movies. My phone buzzed again.

​At the party to celebrate their number 1 single, Liam goaded Blur’s guitarist Graham Coxon, boasting how his band were now more successful. Their rivalry had officially begun.

Praise the Torn Child. I have nothing to offer you besides what I’m always offering you, my breath, not the fruit of my thievery but the practice of it, the gesture which is an object in and of itself. I give my love, my grief, my cut red hands. Praise be the blur you leave in your wake. The smear between dignity and indignity, kindness and unkindness, the prefix and its root. There is no religion about you but I will loyally and devotedly pretend. I grow up, my band goes out, we pillage together and bring home our spoils, and I recite the story of your torture and of mine. I say your name every time I’m tattooed, when I’m branded, when my wounds are sewn shut and patched over.