“
I do not love; I do not love anybody except myself. That is a rather shocking thing to admit. I have none of the selfless love of my mother. I have none of the plodding, practical love. . . . . I am, to be blunt and concise, in love only with myself, my puny being with its small inadequate breasts and meager, thin talents. I am capable of affection for those who reflect my own world.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
Kindness eases change.
Love quiets fear.
And a sweet and powerful
Positive obsession
Blunts pain,
Diverts rage,
And engages each of us
In the greatest,
The most intense
Of our chosen struggles.
”
”
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
“
Do not love half lovers
Do not entertain half friends
Do not indulge in works of the half talented
Do not live half a life
and do not die a half death
If you choose silence, then be silent
When you speak, do so until you are finished
Do not silence yourself to say something
And do not speak to be silent
If you accept, then express it bluntly
Do not mask it
If you refuse then be clear about it
for an ambiguous refusal is but a weak acceptance
Do not accept half a solution
Do not believe half truths
Do not dream half a dream
Do not fantasize about half hopes
Half a drink will not quench your thirst
Half a meal will not satiate your hunger
Half the way will get you no where
Half an idea will bear you no results
Your other half is not the one you love
It is you in another time yet in the same space
It is you when you are not
Half a life is a life you didn't live,
A word you have not said
A smile you postponed
A love you have not had
A friendship you did not know
To reach and not arrive
Work and not work
Attend only to be absent
What makes you a stranger to them closest to you
and they strangers to you
The half is a mere moment of inability
but you are able for you are not half a being
You are a whole that exists to live a life
not half a life
”
”
Kahlil Gibran
“
God is the only being who is good, and the standards are set by Him. Because God hates sin, He has to punish those guilty of sin. Maybe that's not an appealing standard. But to put it bluntly, when you get your own universe, you can make your own standards.
”
”
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
“
There is no new beginning. No second chance.
You turned to me and I wasn't there.
You are dead. If I had taken your call, you would be alive.
It's as blunt as that.
I'm sorry.
”
”
Rosamund Lupton (Sister)
“
She's like a sister. People say we're such opposites, but that's what makes us such good friends. She's incredibly blunt. I love that about her. If some guy has said or done something to me she doesn't like, she'll grab my cell phone and say, 'I'm deleting his number.
”
”
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
“
Speaking a painful truth should be done only in love - like wielding a sword with no hilt - it should pain oneself in direct proportion to the amount of force exerted.
”
”
Criss Jami (Healology)
“
Are you afraid?" Volker questioned while sitting at the table and getting comfortable.
"No. But I have incredible luck with dice and I am ruthless. You will lose, gentlemen. I will destroy your lands, take your women, ravish your men, and make your children my slave labor. I will own every castle, house, and farm that is within my reach. I won't be satisfied until I own all of it and you. I will destroy you all, gentlemen, and, to be quite blunt, I don't think you can handle it."
Van covered his mouth to keep from laughing out loud and he didn't dare look at his sister. Verner stepped back, motioning to the table. "Now I must insist."
"As you wish." Irene sighed and stood. She glanced at Van and gave him a quick wink before turning back to his uncle. "I do hope you're a 'sobber,' Mr. Van Holtz. Nothing I love more than the lamenting of the men I annihilate."
"I can't believe you made him cry."
"I did not. He just teared up a little."
"Yeah. I think it was when you told him, 'I now control your ports and own your manhood.'"
"His wife laughed.
”
”
Shelly Laurenston (When He Was Bad (Magnus Pack, #3.5; Pride, #0.75; Smith's Shifter World, #3.5))
“
She was lonely without Blunt, but she was lonelier at the idea that the world went on as though she had not loved him.
”
”
Colm Tóibín (The Empty Family)
“
When you meet a dark angel don't you ever for one minute believe they are bad because they have faced the worst demons and lived to guide you through yours. It really isn't an easy job they have been asked to do, but then neither was standing on the front line during the war in heaven.
”
”
Shannon L. Alder
“
As Marcus considered various ways to open the subject of Daisy, Swift surprised him with a blunt statement. “My lord, there is something I would like to discuss with you.”
Marcus adopted a pleasantly encouraging expression. “Very well.”
“It turns out that Miss Bowman and I have reached an…understanding. After considering the logical advantages on both sides, I have made a sensible and pragmatic decision that we should—”
“How long have you been in love with her?” Marcus interrupted, inwardly amused.
Swift let out a tense sigh. “Years,” he admitted.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
During a party, Luis Buñuel, seduced by Carrington’s beauty and emboldened by the notion that she had transcended all bourgeois morality, proposed (with his characteristic bluntness) that she become his mistress. Without even waiting for her answer, he gave her the key to the secret studio that he used as a love nest and told her to meet him at three o’clock the next afternoon. Early the next morning, Leonora went to visit the place alone. She found it tasteless: It looked exactly like a motel room. Taking advantage of the fact that she was in her menstrual period, she covered her hands with blood and used them to make bloody handprints all over the walls in order to provide a bit of decoration for that anonymous, impersonal room. Buñuel never spoke to her again.
”
”
Alejandro Jodorowsky (The Spiritual Journey of Alejandro Jodorowsky: The Creator of El Topo)
“
Wish I had known what seemed so strong has been and gone.
”
”
James Blunt (James Blunt - All the Lost Souls Piano, Vocal and Guitar Chords)
“
You’re beautiful, he said bluntly, and I didn’t expect you to be.
”
”
Dianne K. Salerni (The Caged Graves)
“
As she watched while Gabriel sorted through the medicine spoons, she decided to take the bull by the horns. “You probably already know this,” she said bluntly, “but I love you. In fact, I love you so much that I don’t mind your monotonous handsomeness, your prejudice against certain root vegetables, or your strange preoccupation with spoon-feeding me. I’m never going to obey you. But I’m always going to love you.” The
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Many collectors died in process of searching for new species, and despite persistent reports that the men died from drowning, gunshot and knife wounds, snakebite, trampling by cattle, or blows in the head with blunt instruments, it is generally accepted that in each case the primary cause of death was orchid fever.
”
”
Eric Hansen (Orchid Fever: A Horticultural Tale of Love, Lust, and Lunacy)
“
She wanted to tell the girl: It’s complicated. I am now a person I never imagined I would be, and I don’t know how to square that. I would like to be content, but instead I am stuck inside a prison of my own creation, where I torment myself endlessly, until I am left binge-eating Fig Newtons at midnight to keep from crying. I feel as though societal norms, gendered expectations, and the infuriating bluntness of biology have forced me to become this person even though I’m having a hard time parsing how, precisely, I arrived at this place. I am angry all the time. I would one day like to direct my own artwork toward a critique of these modern-day systems that articulates all this, but my brain no longer functions as it did before the baby, and I am really dumb now. I am afraid I will never be smart or happy or thin again. I am afraid I might be turning into a dog.
Instead, she said, smiling, I love it. I love being a mom.
”
”
Rachel Yoder (Nightbitch)
“
Well,” she finally said, “he’s coming back shortly, so you are absolved of your responsibilities.”
“No.” The word came from him like an oath, emerging from the very core of his being.
She looked at him in impatient confusion. “What do you mean?”
He stepped forward. He wasn’t sure what he was doing. He knew only that he couldn’t stop. “I mean no. I don’t want to be absolved.”
Her lips parted. He took another step. His heart was pounding, and something within him had gone hot, and greedy, and if there was anything in the world besides her, besides him—he did not know it.
“I want you,” he said, the words blunt, and almost harsh, but absolutely, indelibly true.
“I want you,” he said again, and he reached out and took her hand. “I want you.”
“Marcus, I—”
“I want to kiss you,” he said, and he touched one finger to her lips. “I want to hold you.”
And then, because he couldn’t have kept it inside for one second longer, he said, “I burn for you.”
He took her face in his hands and he kissed her. He kissed her with everything that had been building within him, every last aching, hungry burst of desire. Since the moment he had realized he loved her, this passion had been growing within him. It had probably been there all along, just waiting for him to realize it.
He loved her.
”
”
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
“
To Have Without Holding:
Learning to love differently is hard,
love with the hands wide open, love
with the doors banging on their hinges,
the cupboard unlocked, the wind
roaring and whimpering in the rooms
rustling the sheets and snapping the blinds
that thwack like rubber bands
in an open palm.
It hurts to love wide open
stretching the muscles that feel
as if they are made of wet plaster,
then of blunt knives, then
of sharp knives.
It hurts to thwart the reflexes
of grab, of clutch, to love and let
go again and again. It pesters to remember
the lover who is not in the bed,
to hold back what is owed to the work
that gutters like a candle in a cave
without air, to love consciously,
conscientiously, concretely, constructively.
I can't do it, you say it's killing
me, but you thrive, you glow
on the street like a neon raspberry,
You float and sail, a helium balloon
bright bachelor's buttons blue and bobbing
on the cold and hot winds of our breath,
as we make and unmake in passionate
diastole and systole the rhythm
of our unbound bonding, to have
and not to hold, to love
with minimized malice, hunger
and anger moment by moment balanced.
”
”
Marge Piercy
“
Someday. Just as it wasn't only something to be afraid of, it also was not something that existed only in the future. She and Henry had their someday moments. To see them all again, to hear them, to feel them without the blunting filter of fear: It was like nothing Flora could have imagined.
To die was not the worst thing that could have happened. The worst thing was that she'd almost missed the wonder of love.
”
”
Martha Brockenbrough (The Game of Love and Death)
“
God is Change, And in the end, God prevails. But meanwhile… Kindness eases Change. Love quiets fear. And a sweet and powerful Positive obsession Blunts pain, Diverts rage, And engages each of us In the greatest, The most intense Of our chosen struggles
”
”
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
“
You light the Spark in my Bonfire Heart.
”
”
James Blunt
“
She thought she'd get out clean, but the foyer monitor blinked on as she reached for her jacket. "Going somewhere, Lieutenant?"
"Jesus, Roarke, why not just knock me over the head with a blunt instrument. Keeping tabs on me?"
"As often as possible. Wear your coat if you're going out. That jacket isn't warm enough for this weather."
"I'm just going into Central for a couple of hours."
"Wear the coat," he repeated, "and the gloves in the pocket. I'm sending one of the four-wheels around."
She opened her mouth, but he'd already vanished. "Nag, nag, nag," she muttered, then nearly jolted when he swam back on-screen.
"I love you, too," he said easily, and she heard his chuckle as the image faded again.
”
”
J.D. Robb (Conspiracy in Death (In Death, #8))
“
Asking for love as a trans person, with the blunt hammer weight that word carries, feels like walking on fragile, cracking ice. Asking for love as the angry mess I am feels like inviting dark water to swallow me whole. Of course I didn’t want to test his love for me. I knew it would have a breaking point. I just didn’t want to learn where that was.
”
”
Z.R. Ellor (May the Best Man Win)
“
It would be something fine if we could learn how to bless the lives of children. They are the people of new life. Children are the only people nobody can blame. They are the only ones always willing to make a start; they have no choice. Children are the ways the world begin again and again.
"But in general, our children have no voice--that we will listen to. We force, we blank them into the bugle/bell regulated lineup of the Army/school, and we insist on silence.
"But even if we cannot learn to bless their lives (our future times), at least we can try to find out how we already curse and burden their experience: how we limit the wheeling of their inner eyes, how we terrify their trust, and how we condemn the raucous laughter of their natural love. What's more, if we will hear them, they will teach us what they need; they will bluntly formulate the tenderness of their deserving.
”
”
June Jordan
“
What had happened was this. When still young, I had gotten the idea from somewhere that I might be able to write... Maybe the deadly notion came from liking to read so much. Maybe I was in love with the image of being a writer. Whatever. It had been a really bad idea. Because I couldn't write, at least not by the bluntly and frequently expressed standards of anyone in a position to offer any encouragement and feedback.
”
”
Paul Di Filippo (Fuzzy Dice)
“
If you are surprised that, so soon after a secret agent tried to kill me, I was wondering whether the man with whom I’d had sex liked liked me, remember that being in love is a form of blunt-force trauma. I was concussed with love for him. I bent my head to the cudgel.
”
”
Kaliane Bradley (The Ministry of Time)
“
But this was not what Blue was told. Again and again, she had her fingers spread wide, her palm examined, her cards plucked from velvet-edged decks and spread across the fuzz of a family friend’s living room carpet. Thumbs were pressed to the mystical, invisible third eye that was said to lie between everyone’s eyebrows. Runes were cast and dreams interpreted, tea leaves scrutinised and séances conducted.
All the women came to the same conclusion, blunt and inexplicably specific. What they all agreed on, in many different clairvoyant languages, was this:
If Blue was to kiss her true love, he would die.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
I love my father, but he can be a stereotypical scientist sometimes; blunt to the point of being cruel. He doesn’t realize how demoralizing it is to watch him dismiss someone who doesn’t have their entire life mapped out by the age of twenty-four.
”
”
Karen M. McManus (Nothing More to Tell)
“
Miranda, there is nothing I would rather do that fuck you. She flinched at his bluntness and Ethan's frown darkened. Don't recoil from that word. It is exactly what I want. I don't want to make love to you like a gentleman. I want to pound into you. I want to tie you down and make you beg. I want to lick every inch of your body until you're so wet with need that I almost slide out of you on every damned stroke.
”
”
Jess Michaels
“
Being the dutiful soldier he was, he didn’t waste energy on trivial matters. If something needed to be done, he did it. If something needed to be said, he said it. Honestly, bluntly and finally. And he loved her. Just because. No explanation necessary. Consequences be damned.
”
”
Mia Dymond (Outspoken Angel (SEALS, Inc., #2))
“
Jesus is exactly what I would hope God would be: a blunt-speaking, underdog-loving, field-leveling, jaw-droppingly brilliant, authority-challenging, short-story-telling, self-sacrificing, bring-the-children-to-Me . . . healer.
”
”
Brant Hansen (Blessed Are the Misfits: Great News for Believers who are Introverts, Spiritual Strugglers, or Just Feel Like They're Missing Something)
“
It was not simply that I frenziedly desired what I could not have. That was but a blunt and unrefined kind of suffering. I was condemned to be with her even in her very rejection of me. And how long and how slow and how long-drawn-out that rejection would be. Still temptation would follow where she was. Endlessly she would give herself to others taking me with her. Like an obscene puny familiar I would sit in the corners of bedrooms where she kissed and loved. She would make consort with my foes, she would adore those that mocked me, she would drink contempt for me from alien lips. And all the time my very soul would travel with her, invisible and crying soundlessly with pain.
”
”
Iris Murdoch (The Black Prince)
“
Simone was tall and lovely. She was usually very natural; there was nothing heartbreaking in her eyes or her voice. But on a sensual level, she so bluntly craved any upheaval that the faintest call from the senses gave her a look directly suggestive of all things linked to deep sexuality, such as blood, suffocation, sudden terror, crime; things indefinitely destroying human bliss and honesty.
”
”
Georges Bataille (Story of the Eye)
“
When men speak of love, when they profess it in so many ways, we listen. Even when we do not love, we are loath to hurt you, even when we are disgusted, we hide our aversion, we do not say bluntly “We do not love you.” Instead, we often put on a very good show of loving, and if at some point, the mask slips, the men cry out “You have betrayed me!” and everyone listens, everyone sympathizes.
”
”
Sarat Chandra Chattopadhyay (Devdas)
“
And a strange, deadly war is raging around the world. Yet, each person who has lost a loved one surely knows secretly, deeply, that no war, no act of revenge, no daisy-cutters dropped on someone else’s loved ones or someone else’s children, will blunt the edges of their pain or bring their own loved ones back. War cannot avenge those who have died. War is only a brutal desecration of their memory.
”
”
Arundhati Roy (Come September (AK Press Audio))
“
Only two weeks since he had left, and it was already happening. Time, blunting the edges of those sharp memories. Laila bore down mentally. What had he said? It seemed vital, suddenly, that she know.
Laila closed her eyes. Concentrated.
With the passing of time, she would slowly tire of this exercise. She would find it increasingly exhausting to conjure up, to dust off, to resuscitate once again what was long dead. There would come a day, in fact, years later, when Laila would no longer bewail his loss. Or not as relentlessly; not nearly. There would come a day when the details of his face would begin to slip from memory's grip, when overhearing a mother on the street call after her child by Tariq's name would no longer cut her adrift. She would not miss him as she did now, when the ache of his absence was her unremitting companion—like the phantom pain of an amputee.
Except every once in a long while, when Laila was a grown woman, ironing a shirt or pushing her children on a swing set, something trivial, maybe the warmth of a carpet beneath her feet on a hot day or the curve of a stranger's forehead, would set off a memory of that afternoon together. And it would come rushing back. The spontaneity of it. Their astonishing imprudence...
It would flood her, steal her breath.
But then it would pass. The moment would pass. Leave her feeling deflated, feeling noting but a vague restlessness.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Have you ever been in love?”
“Colin. For the love of God.”
“I have,” he said bluntly. “And when you lose love, it tears a hole out of you. The pain can be gruesome. I thought I lost Madeline once, and I swear for a few days I thought I might never be whole again.”
“Perhaps you should write a poem about it. Add another verse to your song.
”
”
Julie Anne Long (A Notorious Countess Confesses (Pennyroyal Green, #7))
“
As his widow, she knew who she was and what she had inherited. She had loved him in her way and sometimes missed him. She knew what words like "loved" and "missed" meant when she thought of her husband. When she thought of Blunt, on the other hand, she was unsure what anything meant except the sonnets she had written about their love affair.
”
”
Colm Tóibín
“
My arms broke free from my control. My left hand reached for his face, his hair, to wind my fingers in it.
My right hand was faster, was not mine.
Melanie's fist punched his jaw, knocked his face away from mine with a blunt, low sound. Flesh against flesh, hard and angry.
The force of it was not enough to move him far, but he scrambled away from me the instant our lips were no longer connected, gaping with horrorstruck eyes at my horrorstruck expression.
I stared down at the still-clenched fist, as repulsed as if I'd found a scorpion growing on the end of my arm. A gasp of revulsion choked its way out of my throat. I grabbed the right wrist with my left hand, desperate to keep Melanie from using my body for violence again.
I glanced up at Jared. He was staring at the fist I restrained, too, the horror fading, surprise taking its place. In that second, his expression was entirely defenseless. I could easily read his thoughts as they moved across his unlocked face.
This was not what he had expected. And he's had expectations; that was plain to see. This had been a test. A test he'd thought he was prepared to evaluate. But he'd been surprised.
Did that mean pass or fail?
The pain in my chest was not a surprise. I already knew that a breaking heart was more than an exaggeration.
In a flight-or-fight situation, I never had a choice; it would always be flight for me. Because Jared was between me and the darkness of the tunnel exit, I wheeled and threw myself into the box-packed hole.
I was sobbing because it had been a test, and, stupid, stupid, stupid, emotional creature that I was, I wanted it to be real.
Melanie was writhing in agony inside me, and it was hard to make sense of the double pain. I felt as thought I was dying because it wasn't real; she felt as though she was dying because, to her, it had felt real enough. In all that she'd lost since the end of the world, so long ago, she'd never before felt betrayed.
'No one's betrayed you, stupid,' I railed at her.
'How could he? How?' she ranted, ignoring me.
We sobbed beyond control.
One word snapped us back from the edge of hysteria.
From the mouth of the hole, Jared's low, rough voice - broken and strangely childlike - asked, "Mel?"
"Mel?" he asked again, the hope he didn't want to feel colouring his tone.
My breath caught in another sob, an aftershock.
"You know that was for you, Mel. You know that. Not for h- it. You know I wasn't kissing it."
"If you're in there, Mel..." He paused.
Melanie hated the "if". A sob burst up through my lungs and I gasped for air.
"I love you," Jared said. "Even if you're not there, if you can't hear me, I love you.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
My love, lie down beside me.
Let us gaze at the stars above.
Wonder with me
At how we came to be.
Hold me now and for all eternity
”
”
Lily G. Blunt (Let Your Heart Decide)
“
Martin was very blunt with the ladies, no messing around: ‘Are you interested, love? Otherwise I’ve got a pie in the oven.’ He was a charmer.
”
”
Lenny Henry (Who Am I, Again?)
“
Our worth is measured by how we treat the people we love – something my grandfather used to say – and the blunt truth was that I loved my peculiar family more.
”
”
Ransom Riggs (A Map of Days (Miss Peregrine's Peculiar Children, #4))
“
She loves her kids and is just trying to get through the hard times without losing her mind. She’s too exhausted to be anything but blunt. She’s Sopha King Tyerd. So fucking tired. She’s who I became when I stopped pretending that I had it all under control and realized that raising kids isn’t about perfection, holiday cards, or Pinterest meals. It’s about experiencing the ups and the downs with the people who mean the most to you in the world.
”
”
Bunmi Laditan (Toddlers Are A**holes: It's Not Your Fault)
“
Bluntly and quietly, in a series of simple, forthright sentences, she dismantled the architecture of unhappiness that had been growing up around us for the past several days. She was calling from the office she said, and had to talk in a low voice, 'but if you can hear me, Sid' she began, 'there are four things I want you to know. First, I haven't stopped thinking about you since I left the house this morning. Second, I've decided to have the baby, and we're never going to use the word "abortion" again. Third, don't bother to make dinner. [...] Fourth, make sure Mr. Johnson's ready for action. I'm going to attack you the minute I walk in the door, my love, so be prepared.
”
”
Paul Auster (Oracle Night)
“
From time to time our national history has been marred by forgetfulness of the Jeffersonian principle that restraint is at the heart of liberty. In 1789 the Federalists adopted Alien and Sedition Acts in a shabby political effort to isolate the Republic from the world and to punish political criticism as seditious libel. In 1865 the Radical Republicans sought to snare private conscience in a web of oaths and affirmations of loyalty. Spokesmen for the South did service for the Nation in resisting the petty tyranny of distrustful vengeance. In the 1920's the Attorney General of the United States degraded his office by hunting political radicals as if they were Salem witches. The Nation's only gain from his efforts were the classic dissents of Holmes and Brandeis.
In our own times, the old blunt instruments have again been put to work. The States have followed in the footsteps of the Federalists and have put Alien and Sedition Acts upon their statute books. An epidemic of loyalty oaths has spread across the Nation until no town or village seems to feel secure until its servants have purged themselves of all suspicion of non-conformity by swearing to their political cleanliness.
Those who love the twilight speak as if public education must be training in conformity, and government support of science be public aid of caution.
We have also seen a sharpening and refinement of abusive power. The legislative investigation, designed and often exercised for the achievement of high ends, has too frequently been used by the Nation and the States as a means for effecting the disgrace and degradation of private persons. Unscrupulous demagogues have used the power to investigate as tyrants of an earlier day used the bill of attainder.
The architects of fear have converted a wholesome law against conspiracy into an instrument for making association a crime. Pretending to fear government they have asked government to outlaw private protest. They glorify "togetherness" when it is theirs, and call it conspiracy when it is that of others.
In listing these abuses I do not mean to condemn our central effort to protect the Nation's security. The dangers that surround us have been very great, and many of our measures of vigilance have ample justification. Yet there are few among us who do not share a portion of the blame for not recognizing soon enough the dark tendency towards excess of caution.
”
”
John F. Kennedy
“
Whatever is worse than man-splaining, this is it. This is man-terrogating. Before, at the Promenade, his questions—they were blunt, too abrupt. But they didn’t feel this way, at least. These are vaguely accusatory and not-so-vaguely superior.
”
”
Kate Clayborn (Love Lettering)
“
After all, she had announced at our introduction in September that she "simply loves children," Miss Fabricant, with a blunt snub of a nose like a Charlotte potato and hips like Idahos, the infeasible assertion seems to decode, "I want to get married.
”
”
Lionel Shriver (We Need to Talk About Kevin)
“
Then the prophetess said to the witcher: "I shall give you this advice: wear boots made of iron, take
in hand a staff of steel. Then walk until the end of the world. Help yourself with your staff to break the land before you and wet it with your tears. Go through fire and water, do not stop along the way,
do not look behind you. And when the boots are worn, when your staff is blunt, once the wind and the heat has dried your eyes so that your tears no longer flow, then at the end of the world you may
find what you are looking for and what you love...
The witcher went through fire and water, he did not look back. He did not take iron boots or a staff
of steel. He took only his sword. He did not listen to the words of prophets. And he did well because she was a bad prophet.
”
”
Andrzej Sapkowski (Czas pogardy (Saga o Wiedźminie, #2))
“
To belong to a clan, to a tight group of people allied by blood and loyalties and the mutual ownership of closeted skeletons. To see the family vices and virtues in a dozen avatars instead of in two or three. To know always, whether you were in Little Rock or Menton, that there was one place to which you belonged and to which you would return. To have that rush of sentimental loyalty at the sound of a name, to love and know a single place, from the newest baby-squall on the street to the blunt cuneiform of the burial ground . . .
Those were the things that not only his family, but thousands of Americans had missed. The whole nation had been footloose too long, Heaven had been just over the next range for too many generations. Why remain in one dull plot of earth when Heaven was reachable, was touchable, was just over there? The whole race was like the fir tree in the fairy-tale which wanted to be cut sown and dressed up with lights and bangles and colored paper, and see the world and be a Christmas tree.
Well, he said, thinking of the closed banks, the crashed market that had ruined thousands and cut his father’s savings in half, the breadlines in the cities, the political jawing and the passing of the buck. Well, we’ve been a Christmas tree, and now we’re in the back yard and how do we like it?
”
”
Wallace Stegner
“
So fare thee well, poor devil of a Sub-Sub, whose commentator I am. Thou belongest to that hopeless, sallow tribe which no wine of this world will ever warm; and for whom even Pale Sherry would be too rosy-strong; but with whom one sometimes loves to sit, and feel poor-devilish, too; and grow convivial upon tears; and say to them bluntly, with full eyes and empty glasses, and in not altogether unpleasant sadness—Give it up, Sub-Subs! For by how much the more pains ye take to please the world, by so much the more shall ye for ever go thankless!
”
”
Herman Melville (Moby-Dick or, The Whale)
“
Whatever variety evolution brings forth... Every new dimension of world-response...means another modality for God's trying out his hidden essence and discovering himself through the surprises of world-adventure...the heightening pitch and passion of life that go with the twin rise of perception and motility in animals. The ever more sharpened keenness of appetite and fear, pleasure and pain, triumph and anguish, love and even cruelty - their very edge is the deity's gain. Their countless, yet never blunted incidence - hence the necessity of death and new birth - supplies the tempered essence from which the Godhead reconstitutes itself. All this, evolution provides in the mere lavishness of its play and sternness of its spur. Its creatures, by merely fulfilling themselves in pursuit of their lives, vindicate the divine venture. Even their suffering deepens the fullness of the symphony. Thus, this side of good and evil, God cannot lose in the great evolutionary game.
”
”
Hans Jonas
“
To have without holding
Learning to love differently is hard,
love with the hands wide open, love
with the doors banging on their hinges,
the cupboard unlocked, the wind
roaring and whimpering in the rooms
rustling the sheets and snapping the blinds
that thwack like rubber bands
in an open palm.
It hurts to love wide open
stretching the muscles that feel
as if they are made of wet plaster,
then of blunt knives, then
of sharp knives.
It hurts to thwart the reflexes
of grab, of clutch ; to love and let
go again and again. It pesters to remember
the lover who is not in the bed,
to hold back what is owed to the work
that gutters like a candle in a cave
without air, to love consciously,
conscientiously, concretely, constructively.
I can’t do it, you say it’s killing
me, but you thrive, you glow
on the street like a neon raspberry,
You float and sail, a helium balloon
bright bachelor’s button blue and bobbing
on the cold and hot winds of our breath,
as we make and unmake in passionate
diastole and systole the rhythm
of our unbound bonding, to have
and not to hold, to love
with minimized malice, hunger
and anger moment by moment balanced.
”
”
Marge Piercy (The Moon Is Always Female: Poems)
“
I think bourgeois fathers – wing-collar workers in pencil-striped pants, dignified, office-tied fathers, so different from young American veterans of today or from a happy, jobless Russian-born expatriate of fifteen years ago – will not understand my attitude toward our child. Whenever you held him up, replete with his warm formula and grave as an idol, and waited for the postlactic all-clear signal before making a horizontal baby of the vertical one, I used to take part both in your wait and in the tightness of his surfeit, which I exaggerated, therefore rather resenting your cheerful faith in the speedy dissipation of what I felt to be a painful oppression; and when, at last, the blunt little bubble did rise and burst in his solemn mouth, I used to experience a lovely relief as you, with a congratulatory murmur, bent low to deposit him in the white-rimmed twilight of his crib.
”
”
Vladimir Nabokov (Speak, Memory)
“
I love her with all my soul. Why, she is a child! She's a child now — a real child. Oh! you know nothing about it at all, I see."
"And are you assured, at the same time, that you love Aglaya too?"
"Yes — yes — oh; yes!"
"How so? Do you want to make out that you love them BOTH?"
"Yes — yes — both! I do!"
"Excuse me, prince, but think what you are saying! Recollect yourself!"
"Without Aglaya — I — I MUST see Aglaya! — I shall die in my sleep very soon — I thought I was dying in my sleep last night. Oh! if Aglaya only knew all — I mean really, REALLY all! Because she must know ALL — that's the first condition towards understanding. Why cannot we ever know all about another, especially when that other has been guilty? But I don't know what I'm talking about — I'm so confused. You pained me so dreadfully. Surely — surely Aglaya has not the same expression now as she had at the moment when she ran away? Oh, yes! I am guilty and I know it — I know it! Probably I am in fault all round — I don't quite know how — but I am in fault, no doubt. There is something else, but I cannot explain it to you, Evgenie Pavlovitch. I have no words; but Aglaya will understand. I have always believed Aglaya will understand — I am assured she will."
"No, prince, she will not. Aglaya loved like a woman, like a human being, not like an abstract spirit. Do you know what, my poor prince? The most probable explanation of the matter is that you never loved either the one or the other in reality.
”
”
Fyodor Dostoevsky (The Idiot)
“
In a word, and bluntly: as they walked around Sankt Pauli, it came to Pelletier and Espinoza that the search for Archimboldi could never fill their lives. They could read him, they could study him, they could pick him apart, but they couldn’t laugh or be sad with him, partly because Archimboldi was always far away, partly because the deeper they went into his work, the more it devoured its explorers. In a word: in Sankt Pauli and later at Mrs. Bubis’s house, hung with photographs of the late Mr. Bubis and his writers, Pelletier and Espinoza understood that what they wanted to make was love, not war.
”
”
Roberto Bolaño (2666)
“
I hope you like big men, sweetness.” My eyes dropped reflexively back to the hand still moving rhythmically between his legs; the blunt knob playing hide and seek as he lazily palmed himself. “Think you can handle all this? I guess we’ll find out soon enough ‘cause you’re getting this cock, all of it, and you’re gonna take every fucking inch.
”
”
Candace Vianna (The Science of Loving)
“
When you lost a heart dog, you didn’t just put that love away. It stayed with you, and pain from that loss, though blunted, could still cut deeply.
”
”
Sara Driscoll (Storm Rising (FBI K-9, #3))
“
He felt as though his capacity for loving had been blunted, the nerve endings severed.
”
”
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
“
I'll be right here. Good luck, or break a leg, or something.”
As Jay and Gregory turned and headed into the crowd, my traitorous eyes returned to the corner and found another pair or eyes staring darkly back.
I dropped my gaze for three full seconds, and then lifted my eyes again, hesitant. The drummer was still staring at me, oblivious to the three girls trying to win back his attention. He put up one finger at the girls and said something that looked like, “Excuse me.”
Oh, my goodness. Was he...? Oh, no. Yes, he was walking this way.
My nerves shot into high alert. I looked around, but nobody else was near. When I looked back up, there he was, standing right in front of me. Good gracious, he was sexy-a word that had not existed in my personal vocabulary until that moment. This guy was sexy like it was his job or something.
He looked straight into my eyes, which threw me off guard, because nobody ever looked me in the eye like that. Maybe Patti and Jay, but they didn't hold my stare like he was doing now. He didn't look away, and I found that I couldn't take my gaze off those blue eyes.
“Who are you?” he asked in a blunt, almost confrontational way.
I blinked. It was the strangest greeting I'd ever received.
“I'm...Anna.”
“Right. Anna. How very nice.” I tried to focus on his words and not his luxuriously accented voice, which made everything sound lovely. He leaned in closer. “But who are you?”
What did that mean? Did I need to have some sort of title or social standing to enter his presence?
“I just came with my friend Jay?” Oh, I hated when I got nervous and started talking in questions. I pointed in the general direction of the guys, but he didn't take his eyes off me. I began rambling. “They just wrote some songs. Jay and Gregory. That they wanted you to hear. Your band, I mean. They're really...good?”
His eyes roamed all around my body, stopping to evaluate my sad, meager chest. I crossed my arms. When his gaze landed on that stupid freckle above my lip, I was hit by the scent of oranges and limes and something earthy, like the forest floor. It was pleasant in a masculine way.
“Uh-huh.” He was closer to my face now, growling in that deep voice, but looking into my eyes again. “Very cute. And where is your angel?”
My what? Was that some kind of British slang for boyfriend? I didn't know how to answer without continuing to sound pitiful. He lifted his dark eyebrows, waiting.
“If you mean Jay, he's over there talking to some man in a suit. But he's not my boyfriend or my angel or whatever.”
My face flushed with heat and I tightened my arms over my chest. I'd never met anyone with an accent like his, and I was ashamed of the effect it had on me. He was obviously rude, and yet I wanted him to keep talking to me. It didn't make any sense.
His stance softened and he took a step back, seeming confused, although I still couldn't read his emotions. Why didn't he show any colors? He didn't seem drunk or high. And that red thing...what was that? It was hard not to stare at it.
He finally looked over at Jay, who was deep in conversation with the manager-type man.
“Not your boyfriend, eh?” He was smirking at me now. I looked away, refusing to answer.
“Are you certain he doesn't fancy you?” Kaidan asked. I looked at him again. His smirk was now a naughty smile.
“Yes,” I assured him with confidence. “I am.”
“How do you know?”
I couldn't very well tell him that the only time Jay's color had shown mild attraction to me was when I accidentally flashed him one day as I was taking off my sweatshirt, and my undershirt got pulled up too high. And even then it lasted only a few seconds before our embarrassment set in.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Every time they come close they get a shock when they find he is not rigidly Religious as they assumed. On the contrary he is a free spirited spontaneous bird who can accept as well as challenge any set of random beliefs. He is not confined by your ideal character and goodie talks that follow it. He can be open, He can be blunt, yet he knows Love is always at the forefront.
”
”
Rabjot Singh
“
I see them walking hand in hand at sunset to get a few minutes away—after they put the kids to bed, of course. I see her looking up from her typewriter to watch him walk by, knowing if she gets her work done for the day, he’ll be waiting. I see them laughing, and living, and fighting—always passionate but fair. They’re careful with each other because they know what they have, they know how rare it is, how lucky they were to survive it all with that love intact. They’re still magnetic, still make love like they’ll never get enough, still open, bluntly honest, yet tender.” His
”
”
Rebecca Yarros (The Things We Leave Unfinished)
“
Because the reason I don't know much about love is that I've really only ever loved one woman. But every day with her is like being a pirate in a magical land far away full of adventures and treasures. Making her laugh is a bit like wearing rain boots that are a little too big and jumping into the deepest of puddles.
I'm blunt and sharp and full of black and white. She's all my color.
”
”
Fredrik Backman
“
As she watched while Gabriel sorted through the medicine spoons, she decided to take the bull by the horns. "You probably already know this," she said bluntly, "but I love you. In fact, I love you so much that I don't mind your monotonous handsomeness, your prejudice against certain root vegetables, or your strange preoccupation with spoon-feeding me. I'm never going to obey you. But I'm always going to love you."
The declaration wasn't exactly poetic, but it seemed to be what he'd needed to hear.
The spoons clattered on the table. In the next moment, he sat on the bed and gathered her against his chest. "Pandora," he said huskily, holding her against his violently thumping heart. "I love you more than I can bear. You're everything to me. You're the reason the earth turns and morning follows night. You're the meaning of primroses and why kissing was invented. You're the reason my heart beats. God help me, I'm not strong enough to survive without you. I need you too much... I need you...
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
In that still place she, hoarded in herself, Grew, seldom seen: not less among us lived Her fame from lip to lip. Who had not heard Of Rose, the Gardener’s daughter? Where was he, So blunt in memory, so old at heart, At such a distance from his youth in grief, That, having seen, forgot? The common mouth, So gross to express delight, in praise of her Grew oratory. Such a lord is Love, And Beauty such a mistress of the world.
”
”
Alfred Tennyson (The Complete Works: Alfred, Lord Tennyson)
“
Leo had asked gently. “Let’s look at the situation honestly, Win. You have nothing in common with him. You’re a lovely, sensitive, literate woman, and he’s … Merripen. He likes to chop wood for entertainment. And apparently it falls to me to point out the indelicate truth that some couples are well-suited in the bedroom but not anywhere else.” Win had been shocked out of her tears by his bluntness. “Leo Hathaway, are you suggesting—” “Lord Ramsay now, thank you,” he had teased. “Lord Ramsay, are you suggesting that my feelings for Merripen are carnal in nature?” “They’re certainly not intellectual,” Leo had said, and grinned as she punched him in the shoulder.
”
”
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
“
What is called politics is comparatively something so superficial and inhuman, that practically I have never fairly recognized that it concerns me at all. The newspapers, I perceive, devote some of their columns specially to politics or government without charge; and this, one would say, is all that saves it; but as I love literature and to some extent the truth also, I never read those columns at any rate. I do not wish to blunt my sense of right so much.
”
”
Henry David Thoreau (Life Without Principle)
“
The Loneliness of the Military Historian
Confess: it's my profession
that alarms you.
This is why few people ask me to dinner,
though Lord knows I don't go out of my way to be scary.
I wear dresses of sensible cut
and unalarming shades of beige,
I smell of lavender and go to the hairdresser's:
no prophetess mane of mine,
complete with snakes, will frighten the youngsters.
If I roll my eyes and mutter,
if I clutch at my heart and scream in horror
like a third-rate actress chewing up a mad scene,
I do it in private and nobody sees
but the bathroom mirror.
In general I might agree with you:
women should not contemplate war,
should not weigh tactics impartially,
or evade the word enemy,
or view both sides and denounce nothing.
Women should march for peace,
or hand out white feathers to arouse bravery,
spit themselves on bayonets
to protect their babies,
whose skulls will be split anyway,
or,having been raped repeatedly,
hang themselves with their own hair.
There are the functions that inspire general comfort.
That, and the knitting of socks for the troops
and a sort of moral cheerleading.
Also: mourning the dead.
Sons,lovers and so forth.
All the killed children.
Instead of this, I tell
what I hope will pass as truth.
A blunt thing, not lovely.
The truth is seldom welcome,
especially at dinner,
though I am good at what I do.
My trade is courage and atrocities.
I look at them and do not condemn.
I write things down the way they happened,
as near as can be remembered.
I don't ask why, because it is mostly the same.
Wars happen because the ones who start them
think they can win.
In my dreams there is glamour.
The Vikings leave their fields
each year for a few months of killing and plunder,
much as the boys go hunting.
In real life they were farmers.
The come back loaded with splendour.
The Arabs ride against Crusaders
with scimitars that could sever
silk in the air.
A swift cut to the horse's neck
and a hunk of armour crashes down
like a tower. Fire against metal.
A poet might say: romance against banality.
When awake, I know better.
Despite the propaganda, there are no monsters,
or none that could be finally buried.
Finish one off, and circumstances
and the radio create another.
Believe me: whole armies have prayed fervently
to God all night and meant it,
and been slaughtered anyway.
Brutality wins frequently,
and large outcomes have turned on the invention
of a mechanical device, viz. radar.
True, valour sometimes counts for something,
as at Thermopylae. Sometimes being right -
though ultimate virtue, by agreed tradition,
is decided by the winner.
Sometimes men throw themselves on grenades
and burst like paper bags of guts
to save their comrades.
I can admire that.
But rats and cholera have won many wars.
Those, and potatoes,
or the absence of them.
It's no use pinning all those medals
across the chests of the dead.
Impressive, but I know too much.
Grand exploits merely depress me.
In the interests of research
I have walked on many battlefields
that once were liquid with pulped
men's bodies and spangled with exploded
shells and splayed bone.
All of them have been green again
by the time I got there.
Each has inspired a few good quotes in its day.
Sad marble angels brood like hens
over the grassy nests where nothing hatches.
(The angels could just as well be described as vulgar
or pitiless, depending on camera angle.)
The word glory figures a lot on gateways.
Of course I pick a flower or two
from each, and press it in the hotel Bible
for a souvenir.
I'm just as human as you.
But it's no use asking me for a final statement.
As I say, I deal in tactics.
Also statistics:
for every year of peace there have been four hundred
years of war.
”
”
Margaret Atwood (Morning In The Burned House: Poems)
“
So fare thee well, poor devil of a Sub-Sub, whose commentator I am. Thou belongest to that hopeless, sallow tribe which no wine of this world will ever warm; and for whom even Pale Sherry would be too rosy-strong; but with whom one sometimes loves to sit, and feel poor-devilish, too; and grow convivial upon tears; and say to them bluntly, with full eyes and empty glasses, and in not altogether unpleasant sadness— Give it up, Sub-Subs! For by how much more pains ye take to please the world, by so much the more shall ye for ever go thankless! Would that I could clear out Hampton Court and the Tuileries for ye! But gulp down your tears and hie aloft to the royal-mast with your hearts; for your friends who have gone before are clearing out the seven-storied heavens, and making refugees of long pampered Gabriel, Michael, and Raphael, against your coming. Here ye strike but splintered hearts together—there, ye shall strike unsplinterable glasses!
”
”
Herman Melville (Moby-Dick)
“
Miss Bennet, I shall be completely blunt and honest and beg your pardon if I cross a line in some manner; however, I sense you are requesting a candid response.” He paused, awaiting her favour until she nodded. “I feel drawn to you in a way I do not totally understand, yet there it is. I have never felt so inclined towards another. What this connection bodes for the future, I do not know. You are pretty, intelligent, honest, proper, and many other fine qualities I believe I could list without hesitation. I think it entirely probable you and I would be perfect for each other. It is my intention to discover if this is possible. I do not wish to trifle with your emotions, nor do I wish to have my own sensibilities manipulated; therefore, if you cannot imagine even the remotest chance of returning affection, tell me now and I shall abide by your pleasure. On the other hand, if you sense, even vaguely, a returned interest in me, then let us proceed with willing minds and hearts.
”
”
Sharon Lathan (Loving Mr. Darcy: Journeys Beyond Pemberley (Darcy Saga #2))
“
Okay, i admit it," Connor looked away, "I'm a little disappointed."
"Excuse me?" snapped Kevin, sure he hadn't heard right.
"Well, now that I'm thoroughly and diligently queer, I expected more manly love-talk, you know? Not like Pretty Baby and feeding you graped and stuff," he snorted.
"Uh, you mean like, hey you bastard I don't have a beer and nobody's sucking my dick, what's wrong with this picture?"
"Oh," Connor climbed Kevin a little, his cock becoming interested again. "That's the spirit."
"Like, I've got handcuffs and I'm not afraid to yo use them, that kind of talk?"
"Oh, officer, show me your nightstick."
"I'm not even a cop anymore."
"No but oddly enough, I am." Connor grinned, holding Kevin's hands above his head. "And you there, are looking a little guilty."
"Oh man," Kevin bit his lip. "I just can't help myself, Officer Dougal. I've been such a bad, bad boy."
"Oh, well then, son, I guess you'll just have to spead 'em." He slid down beneath the covers, "This will require some in depth observation, I think."
Kevin's cock was getting hard again as Connor's tongue lapped all the way down on it then back up again, teasing the little slit in the top.
"Yep, just as I thought, blunt instrument. I'm afraid you'll have to come with me...
”
”
Z.A. Maxfield (The Long Way Home)
“
I didn’t sneer!” said Juliana hastily. “I’d no notion you behaved so dreadfully badly to her. You said
you forced her aboard your yacht, but I never supposed that you really frightened her enough to make
her fire at you. You need not be in a rage with me for saying so, Dominic, but when I saw Mary at
your house she was so placid I made sure you’d not treated her so very brutally after all. Had you?”
“Yes,” said Vidal bluntly. He looked at Juliana. “You think it was vastly romantic for Mary to be
carried off by me, don’t you? You think you would enjoy it, and you cannot conceive how she should
be afraid, can you? Then think, my girl! Think a little! You are in my power at this moment, I may
remind you. What if I make you feel it? What if I say to start with that you shall eat your dinner, and
force it down your throat?”
Juliana shrank back from him involuntarily. “Don’t, Vidal! Don’t come near me!” she said, frightened
by the expression in his face.
He laughed. “Not so romantic, is it, Ju? And to force you to eat your dinner would be a small thing
compared with some other things I might force you to do. Sit down, I’m not going to touch you.”
She obeyed, eyeing him nervously. “I—I wish I hadn’t come with you!” she said.
“So did Mary, with more reason. But Mary would have died sooner than let me see that she was afraid.
And Mary, my love, is not my cousin.
”
”
Georgette Heyer (Devil's Cub (Alastair-Audley, #2))
“
There's not much to say about loneliness, for it's not a broad subject. Any child, alone in her room, can journey across its entire breadth, from border to border, in an hour.
Though not broad, our subject is deep. Loneliness is deeper than the ocean. But here, too, there is no mystery. Our intrepid child is liable to fall quickly to the very bottom without even trying. And since the depths of loneliness cannot sustain human life, the child will swim to the surface again in short order, no worse for wear.
Some of us, though, can bring breathing aids down with us for longer stays: imaginary friends, drugs and alcohol, mind-numbing entertainment, hobbies, ironclad routine, and pets. (Pets are some of the best enablers of loneliness, your own cuddlesome Murphy notwithstanding.) With the help of these aids, a poor sap can survive the airless depths of loneliness long enough to experience its true horror -- duration.
Did you know, Myren Vole, that when presented with the same odor (even my own) for a duration of only several minutes, the olfactory nerves become habituated -- as my daughter used to say -- to it and cease transmitting its signal to the brain?
Likewise, most pain loses its edge in time. Time heals all -- as they say. Even the loss of a loved one, perhaps life's most wrenching pain, is blunted in time. It recedes into the background where it can be borne with lesser pains. Not so our friend loneliness, which grows only more keen and insistent with each passing hour. Loneliness is as needle sharp now as it was an hour ago, or last week.
But if loneliness is the wound, what's so secret about it? I submit to you, Myren Vole, that the most painful death of all is suffocation by loneliness. And by the time I started on my portrait of Jean, I was ten years into it (with another five to go). It is from that vantage point that I tell you that loneliness itself is the secret. It's a secret you cannot tell anyone. Why?
Because to confess your loneliness is to confess your failure as a human being. To confess would only cause others to pity and avoid you, afraid that what you have is catching. Your condition is caused by a lack of human relationship, and yet to admit to it only drives your possible rescuers farther away (while attracting cats).
So you attempt to hide your loneliness in public, to behave, in fact, as though you have too many friends already, and thus you hope to attract people who will unwittingly save you. But it never works that way. Your condition is written all over your face, in the hunch of your shoulders, in the hollowness of your laugh. You fool no one.
Believe me in this; I've tried all the tricks of the lonely man.
”
”
David Marusek (Counting Heads (Counting Heads, #1))
“
Smiling, Simon stared into the depths of his brandy.
“What a difficult evening you’ve had,” he heard Westcliff remark sardonically. “First you were compelled to carry Miss Peyton’s nubile young body all the way to her bedroom …then you had to examine her injured leg. How terribly inconvenient for you.”
Simon’s smile faded. “I didn’t say that I had examined her leg.”
The earl regarded him shrewdly. “You didn’t have to. I know you too well to presume that you would overlook such an opportunity.”
“I’ll admit that I looked at her ankle. And I also cut her corset strings when it became apparent that she couldn’t breathe.” Simon’s gaze dared the earl to object.
“Helpful lad,” Westcliff murmured.
Simon scowled. “Difficult as it may be for you to believe, I receive no lascivious pleasure from the sight of a woman in pain.”
Leaning back in his chair, Westcliff regarded him with a cool speculation that raised Simon’s hackles. “I hope you’re not fool enough to fall in love with such a creature. You know my opinion of Miss Peyton—”
“Yes, you’ve aired it repeatedly.”
“And furthermore,” the earl continued, “I would hate to see one of the few men of good sense I know to turn into one of those prattling fools who run about pollenating the atmosphere with maudlin sentiment—”
“I’m not in love.”
“You’re in something,” Westcliff insisted. “In all the years I’ve known you, I’ve never seen you look so mawkish as you did outside her bedroom door.”
“I was displaying simple compassion for a fellow human being.”
The earl snorted. “Whose drawers you’re itching to get into.”
The blunt accuracy of the observation caused Simon to smile reluctantly. “It was an itch two years ago,” he admitted. “Now it’s a full-scale pandemic.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
Not used to be being bested, are you?"
"No," he said bluntly. "Poseidon could outrun your mare, and you know it. But I'm not about to risk galloping over a field I don't know. There could have been rabbit holes."
"Of course.Rabbit holes.I understand."
He frowned,about to defend his actions further, when he noted a twinkle in her gaze. The little minx was taunting him. For some reason, that improved his mood, and he said with a smile, "Sophia, my love, don't tempt a sinner. I am not afraid of you or your horse, and you damn well know it."
"I'm sure you have a reason for not wishing to race," she returned in a demure voice, though her eyes sparkled with laughter. "I am just not certain you have a just cause."
"I have both. The reason for not racing you is the potential harm to the animals; and the just cause is that I wish to keep you alone for as long as possible. And that will be more difficult to do once we reach the house."
Her brows rose, a faint color touching her cheeks. "Oh."
His lips twitched. "That's all you can say now? After all that posturing? You are a tease,my lady."
"I don't consider myself so."
"No woman does, and yet most are.
”
”
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
“
So my words of positivity. Let me be blunt. It's gonna get really bad! I know what's coming and I wish I didn't. Why I have been advocating for people who just won't believe how bad it is gonna get. IT IS NOT POLITICAL! But I am here. YOU ARE TOO. I am looking at you in the eye. YOU WILL BE OKAY! Just STAY HOME! Put your affairs in order and ride this thing out. There IS a life after this for most of us. WE will all be a different person than we are today but that is okay! KNOW THAT! Experience changes us. Mold us. Make us who we are. YOU WILL BE FINE! WE are stronger together. What we need right now is LOVE. I'm that really liberal Cristian. I am ordained actually. ALL I say LOVE Thy Neighbor! Be kind after this and love and accept love back! Don't be proud. Accept help! There is a life after this!
”
”
Johnny Corn
“
Love can’t be proven. You can spend your life looking for proof that people love you, but you’re going to find it thin on the ground. Some people will say they love you when clearly they don’t give a crap about you. Other people will swear they don’t care but would cross a mountain for you. The only thing you have to go by is a person’s actions. Do they act like they love you? Or do they act like they don’t?
”
”
C.L. Lynch (Chemistry (Stella Blunt #1))
“
Four hours in, and Regulus is reading in the sitting room with Marcel on one side and Malcolm on the other. It's the only book in the house they have for kids, one that was James' when he was a child. Malcolm is very invested, his fingers twisting Regulus' sleeve as he leans on his arm, inhaling in palpable excitement every time Regulus turns a page. On the other side, meanwhile, Marcel is passed the fuck out, drooling on Regulus' other arm, head resting in the crook of his elbow.
When Sirius shows back up, it's with apologies for taking so long, and gratitude for Regulus helping him out. He holds out his hands in offering, ready to go, and Marcel twists up to whisper in Malcolm's ear. Malcolm looks down at Marcel, then looks at Regulus, then looks at Sirius with his brave face on.
Malcolm says, bluntly, "We want to stay here.
”
”
Zeppazariel (Crimson Rivers)
“
To be loved by a pure young girl, to be the first to reveal to her the strange mystery of love, is indeed a great happiness, but it is the simplest thing in the world. To take captive a heart which has had no experience of attack, is to enter an unfortified and ungarrisoned city. Education, family feeling, the sense of duty, the family, are strong sentinels, but there are no sentinels so vigilant as not to be deceived by a girl of sixteen to whom nature, by the voice of the man she loves, gives the first counsels of love, all the more ardent because they seem so pure.
The more a girl believes in goodness, the more easily will she give way, if not to her lover, at least to love, for being without mistrust she is without force, and to win her love is a triumph that can be gained by any young man of five-and-twenty. See how young girls are watched and guarded! The walls of convents are not high enough, mothers have no locks strong enough, religion has no duties constant enough, to shut these charming birds in their cages, cages not even strewn with flowers. Then how surely must they desire the world which is hidden from them, how surely must they find it tempting, how surely must they listen to the first voice which comes to tell its secrets through their bars, and bless the hand which is the first to raise a corner of the mysterious veil!
But to be really loved by a courtesan: that is a victory of infinitely greater difficulty. With them the body has worn out the soul, the senses have burned up the heart, dissipation has blunted the feelings. They have long known the words that we say to them, the means we use; they have sold the love that they inspire. They love by profession, and not by instinct. They are guarded better by their calculations than a virgin by her mother and her convent; and they have invented the word caprice for that unbartered love which they allow themselves from time to time, for a rest, for an excuse, for a consolation, like usurers, who cheat a thousand, and think they have bought their own redemption by once lending a sovereign to a poor devil who is dying of hunger without asking for interest or a receipt.
Then, when God allows love to a courtesan, that love, which at first seems like a pardon, becomes for her almost without penitence. When a creature who has all her past to reproach herself with is taken all at once by a profound, sincere, irresistible love, of which she had never felt herself capable; when she has confessed her love, how absolutely the man whom she loves dominates her! How strong he feels with his cruel right to say: You do no more for love than you have done for money. They know not what proof to give. A child, says the fable, having often amused himself by crying "Help! a wolf!" in order to disturb the labourers in the field, was one day devoured by a Wolf, because those whom he had so often deceived no longer believed in his cries for help. It is the same with these unhappy women when they love seriously. They have lied so often that no one will believe them, and in the midst of their remorse they are devoured by their love.
”
”
Alexandre Dumas (La dame aux camélias)
“
Somehow, he created an environment that was both demanding and incredibly fun. He suppressed a smile at our silliness—just letting the corner of his mouth turn up slightly so we could see his amusement—and told us bluntly when our work wasn’t good enough. We loved him. But we also feared him, in a healthy way. Because he made us feel important, because he so obviously cared about what he was doing and about us, we desperately wanted to please him.
”
”
James Comey (A Higher Loyalty: Truth, Lies, and Leadership)
“
Being a woman, I have found the road rougher than had I been born a man. Different defenses, different codes of ethics, different approaches to problems and personalities are a woman's lot. I have preferred to shun what is known as feminine wiles, the subterfuge of subtlety, reliance on tears and coquetry to shape my way. I am forthright, often blunt. I have learned to be a realist despite my romantic, emotional nature. I have no illusions that age, the rigors of my profession, disappointments, and unfulfilled dreams have not left their mark.
I am proud that I have carved my path on earth almost entirely by my own efforts, proud that I have compromised in my career only when I had no other recourse, when financial or contractual commitments dictated. Proud that I have never been involved in a physical liaison unless I was deeply attracted or in love. Proud that, whatever my worldly goods may be, they have been achieved by my own labors.
”
”
Joan Fontaine (No Bed of Roses: An Autobiography)
“
So fare thee well, poor devil of a Sub-Sub, whose commentator I am. Thou belongest to that hopeless, sallow tribe which no wine of this world will ever warm; and for whom even Pale Sherry would be too rosy-strong; but with whom one sometimes loves to sit, and feel poor-devilish, too; and grow convivial upon tears; and say to them bluntly, with full eyes and empty glasses, and in not altogether unpleasant sadness: Give it up, Sub-Subs! For by how much the more pains ye take to please the world, by so much the more shall ye for ever go thankless! Would that I could clear out Hampton Court and the Tuileries for ye! But gulp down your tears and hie aloft to the royal-mast with your hearts; for your friends who have gone before are clearing out the seven-storied heavens, and making refugees of long-pampered Gabriel, Michael, and Raphael, against your coming. Here ye strike but splintered hearts together; there, ye shall strike unsplinterable glasses!
”
”
Herman Melville (Moby-Dick or, The Whale)
“
Sarai was a lovely woman still, and even after two dozen years he could grow hard if she looked at him a certain way. Sometimes, he wondered about Vistorini, and how he could live a life without a woman’s warmth in his bed. Or children. What would it be, to miss the sight of them, sweet-faced infants growing, changing, year by year, finding their paths to an honorable maturity? He wondered if the wine his friend drank so excessively was a way to blunt those needs, so natural, so God given.
”
”
Geraldine Brooks (People of the Book)
“
That you don’t want to see me anymore?” “No, that’s not it,” she said. “I’m fine seeing you and talking like this. I enjoy it a lot. But I don’t want to go back to your place.” “You mean you can’t make love with me?” “I can’t,” Sara said bluntly. “Because I have some—emotional issues?” “That’s right. You have some problems you’re carrying around, some things that might go much deeper than you realize. But I think they’re the kind of problems you can overcome, if you really make up your mind to do so.
”
”
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
“
In talks I was doing on racial justice, I began talking about the United States’ three racialized holocausts: the large-scale death and destruction of cultures that resulted from the genocide of indigenous people on which the country was founded; the African slave trade that was central to the country’s emergence as an industrial power; and the post-WWII assault on the developing world that secured the country’s dominance in the contemporary world. Millions died in these projects, in which hideous levels of violence to expand one group’s wealth and power were justified, overtly or covertly, by the alleged racial superiority of whites. Some people were turned off, objecting that my language was too strong, but many more found the bluntness refreshing and told me the framework was helpful. These experiences taught me that watering down analysis and language to reach the largest possible audience often backfired—people who disagree aren’t persuaded, and those looking for a compelling argument tend to drift away.
”
”
Robert Jensen (Plain Radical: Living, Loving and Learning to Leave the Planet Gracefully)
“
She could have shot herself, scratched herself, or indulged in other forms of self mutilation, but she chose what she probably felt was the weakest option-to at least endure the discomfort of the weather."
"The minutes were cruel. Hours were punishing. Standing above him at all moments of awakeness was the hand of time, and it didn't hesitate to wring him out. It smiled and squeezed and let him live. What great malice there could be in allowing someone to live."
"And I stop listening to me, because to put it bluntly, i tire me. When I start thinking like that, I become so exhausted, and I don't have the luxury of indulging fatigue. I am compelled to continue on, because although it's not true for every person on earth, it's true for the vast majority-that death waits for no man-and if he does, he doesn't usually wait very long."
"Please believe me when I say I picked up each soul that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear.
”
”
Markus Zusak (The Book Thief)
“
Let us be blunt, even at the risk of being misunderstood: the true Christian is not the denominational party member but he who through being a Christian has become truly human; not he who slavishly observes a system of norms, thinking as he does so only of himself, but he who has become freed to simple human goodness. Of course, the principle of love, if it is to be genuine, includes faith. Only thus does it remain what it is. For without faith, which we have come to understand as a term expressing man’s ultimate need to receive and the inadequacy of all personal achievement, love becomes an arbitrary deed. It cancels itself out and becomes self-righteousness: faith and love condition and demand each other reciprocally. Similarly, in the principle of love there is also present the principle of hope, which looks beyond the moment and its isolation and seeks the whole. Thus our reflections finally lead of their own accord to the words in which Paul named the main supporting pillars of Christianity: “So faith, hope, love abide, these three; but the greatest of these is love” (1 Cor 13:13).
”
”
Pope Benedict XVI (Introduction To Christianity)
“
The black-haired man she had seen in the courtyard was indeed McKenna. He was even larger and more imposing than he had seemed at a distance. His features were blunt and strong, his bold, wide-bridged nose set with perfect symmetry between the distinct planes of his cheekbones. He was too masculine to be considered truly handsome- a sculptor would have tried to soften those uncompromising features. But somehow his hard face was the perfect setting for those lavish eyes, the clear blue-green brilliance shadowed by thick black lashes. No one else on earth had eyes like that.
"McKenna," she said huskily, searching for any resemblance he might bear to the lanky, love-struck boy she had known. There was none. McKenna was a stranger now, a man with no trace of boyishness. He was sleek and elegant in well-tailored clothes, his glossy black hair cut in short layers that tamed its inherent tendency to curl. As he drew closer, she gathered more details... the shadow of bristle beneath his close-shaven skin, the glitter of a gold watch chain in his waistcoat, the brutal swell of muscle in his shoulders and thighs as he sat on a rock nearby.
”
”
Lisa Kleypas (Again the Magic (Wallflowers, #0))
“
Catti-brie had to believe that now, recalling the scene in light of the drow's words. She had to believe that her love for Wulfgar had been real, very real, and not misplaced, that he was all she had thought him to be.
Now she could. For the first time since Wulfgar's death, Cattie-brie could remember him without pangs of guilt, without the fears that, had he lived, she would not have married him. Because Drizzt was right; Wulfgar would have admitted the error despite his pride, and he would have grown, as he always had before. That was the finest quality of the man, an almost childlike quality, that viewed the world and his own life as getting better, as moving toward a better way in a better place.
What followed was the most sincere smile on Cattie-brie's face in many, many months. She felt suddenly free, suddenly complete with her past, reconciled and able to move forward with her life.
She looked at the drow, wide-eyed, with a curiosity that seemed to surprise Drizzt. She could go on, but what exactly did that mean?
Slowly, Cattie-brie began shaking her head, and Drizzt came to understand that the movement had something to do with him. He lifted a slender hand and brushed some stray hair back from her cheek, his ebony skin contrasting starkly with her light skin, even in the quiet light of night.
"I do love you," the drow admitted. The blunt statement did not catch Catti-brie by surprise, not at all. "As you love me," Drizzt went on, easily, confident that his words were on the mark. "And I, too, must look ahead now, must find my place among my friends, beside you, without Wulfgar."
"Perhaps in the future," Catti-brie said, her voice barely a whisper.
"Perhaps," Drizzt agreed. "But for now..."
"Friends," Catti-brie finished.
Drizzt moved his hand back from her cheek, held it in the air before her face, and she reached up and clasped it firmly.
Friends
”
”
R.A. Salvatore (Siege of Darkness (Forgotten Realms: Legacy of the Drow, #3; Legend of Drizzt, #9))
“
If Colonel Lowe doesn’t treat you like a goddess, he’ll have me to answer to,” he said gruffly. She mustered a little laugh. “Please, no basket of fish on his desk.” “Trust me, I’ll be far more creative if he hurts you.” The diamond powder weighed in his hands. “You will want this,” he said as he extended the sack to her. “Zack, I don’t want any gifts.” He picked up her hand and pressed it into her palm. “It’s diamond powder. I heard you were in short supply, and Caleb Magruder has a mill that can produce it.” Her eyes widened in surprise, and she peeked inside. It looked as if she was about to cry as she pulled the drawstrings closed. “Zack, I can’t accept this. It wouldn’t be right.” “Take it. What would I do with diamond powder?” He tried to sound light-hearted, as if this glorious woman had not just trampled on the dreams he had been building for three years. She still looked hesitant, which was insane because he knew she craved that diamond powder like a drowning man craved a life raft. He sighed impatiently. “If you don’t take it, I’ll throw it in the lake. You know I will.” She must have believed him, because she relented and accepted the gift. “Thank you,” she said quietly. “Thank you for everything, Zack.” “You deserve it,” he said bluntly. “I’ve never seen anyone work as hard as you.” “Don’t be nice to me,” she said. “I’ll start bawling like a watering pot if you do.” His hand looked big and clumsy against her delicate cheek. He was such a sap where this woman was concerned. Had been from the first time he ever clapped eyes on her. “Don’t shed any tears over me. I’m not worth it.” He had to get out of there before he made a complete fool of himself. Before he fell to his knees and begged her not to fling herself at a man who would never feel a fraction of the soaring love he had for her. Stepping aside and letting Richard Lowe court his woman made his gut tie itself into knots, but it had to be done.
”
”
Elizabeth Camden (Into the Whirlwind)
“
Let me put it bluntly: anyone who says money isn’t important doesn’t have any! Rich people understand the importance of money and the place it has in our society. On the other hand, poor people validate their financial ineptitude by using irrelevant comparisons. They’ll argue, “Well, money isn’t as important as love.” Now, is that comparison dumb or what? What’s more important, your arm or your leg? Maybe they’re both important. Listen up, my friends: Money is extremely important in the areas in which it works, and extremely unimportant in the areas in which it doesn’t. And although love may make the world go round, it sure doesn’t pay for the building
”
”
T. Harv Eker (Secrets of the Millionaire Mind: Mastering the Inner Game of Wealth)
“
On a trip to London with Jobs, Ive had the thankless task of choosing the hotel. He picked the Hempel, a tranquil five- star boutique hotel with a sophisticated minimalism that he thought Jobs would love. But as soon as they checked in, he braced himself, and sure enough his phone rang a minute later. “I hate my room,”Jobs declared. “It’s a piece of shit, let’s go.”So Ive gathered his luggage and went to the front desk, where Jobs bluntly told the shocked clerk what he thought. Ive realized that most people, himself among them, tend not to be direct when they feel something is shoddy because they want to be liked, “which is actually a vain trait.”That was an overly kind explanation. In any case, it was not a trait Jobs had.
”
”
Walter Isaacson (Steve Jobs)
“
This conditioning of children to fear nonconformity and blindly obey ensures continued obedience as adults. The difficult task of learning how to make moral choices, how to accept personal responsibility, how to deal with the chaos of human life is handed over to God-like authority figures. The process makes possible a perpetuation of childhood. It allows the adult to bask in the warm glow and magic of divine protection. It masks from them and from others the array of human weaknesses, including our deepest dreads, our fear of irrelevance and death, our vulnerability and uncertainty. It also makes it difficult, if not impossible, to build mature, loving relationships, for the believer is told it is all about them, about their needs, their desires, and above all, their protection and advancement. Relationships, even within families, splinter and fracture. Those who adopt the belief system, who find in the dictates of the church and its male leaders a binary world of right and wrong, build an exclusive and intolerant comradeship that subtly or overtly shuns and condemns the “unsaved.” People are no longer judged by their intrinsic qualities, by their actions or capacity for self-sacrifice and compassion, but by the rigidity of their obedience. This defines the good and the bad, the Christian and the infidel. And this obedience is a blunt and effective weapon against the possibility of a love that could overpower the dictates of the hierarchy. In many ways it is love the leaders fear most, for it is love that unleashes passions and bonds that defy the carefully constructed edifices that keep followers trapped and enclosed. And while they speak often about love, as they do about family, it is the cohesive bonds created by family and love they war against.
”
”
Chris Hedges (American Fascists: The Christian Right and the War on America)
“
DEATH’S DIARY: THE PARISIANS Summer came. For the book thief, everything was going nicely. For me, the sky was the color of Jews. When their bodies had finished scouring for gaps in the door, their souls rose up. When their fingernails had scratched at the wood and in some cases were nailed into it by the sheer force of desperation, their spirits came toward me, into my arms, and we climbed out of those shower facilities, onto the roof and up, into eternity’s certain breadth. They just kept feeding me. Minute after minute. Shower after shower. I’ll never forget the first day in Auschwitz, the first time in Mauthausen. At that second place, as time wore on, I also picked them up from the bottom of the great cliff, when their escapes fell awfully awry. There were broken bodies and dead, sweet hearts. Still, it was better than the gas. Some of them I caught when they were only halfway down. Saved you, I’d think, holding their souls in midair as the rest of their being—their physical shells—plummeted to the earth. All of them were light, like the cases of empty walnuts. Smoky sky in those places. The smell like a stove, but still so cold. I shiver when I remember—as I try to de-realize it. I blow warm air into my hands, to heat them up. But it’s hard to keep them warm when the souls still shiver. God. I always say that name when I think of it. God. Twice, I speak it. I say His name in a futile attempt to understand. “But it’s not your job to understand.” That’s me who answers. God never says anything. You think you’re the only one he never answers? “Your job is to …” And I stop listening to me, because to put it bluntly, I tire me. When I start thinking like that, I become so exhausted, and I don’t have the luxury of indulging fatigue. I’m compelled to continue on, because although it’s not true for every person on earth, it’s true for the vast majority—that death waits for no man—and if he does, he doesn’t usually wait very long. On June 23, 1942, there was a group of French Jews in a German prison, on Polish soil. The first person I took was close to the door, his mind racing, then reduced to pacing, then slowing down, slowing down …. Please believe me when I tell you that I picked up each soul that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear. I took them all away, and if ever there was a time I needed distraction, this was it. In complete desolation, I looked at the world above. I watched the sky as it turned from silver to gray to the color of rain. Even the clouds were trying to get away. Sometimes I imagined how everything looked above those clouds, knowing without question that the sun was blond, and the endless atmosphere was a giant blue eye. They were French, they were Jews, and they were you.
”
”
Markus Zusak (The Book Thief)
“
When other birds are still, the screech owls take up the strain, like mourning women their ancient u-lu-lu. Their dismal scream is truly Ben Jonsonian.( Wise midnight hags! It is no honest and blunt tu-whit tu-who of the poets, but, without jesting, a most solemn graveyard ditty, the mutual consolations of suicide lovers remembering the pangs and the delights of supernal love in the infernal groves. Yet I love to hear their wailing, their doleful responses, trilled along the woodside; reminding me sometimes of music and singing birds; as if it were the dark and tearful side of music, the regrets and sighs that would fain be sung. They are the spirits, the low spirits and melancholy forebodings, of fallen souls that once in human shape night-walked the earth and did the deeds of darkness, now expiating their sins with their wailing hymns or threnodies in the scenery of their transgressions. They give me a new sense of the variety and capacity of that nature which is our common dwelling. Oh-o-o-o-o that I never had been bor-r-r-r-n! sighs one on this side of the pond, and circles with the restlessness of despair to some new perch on the gray oaks. Then — that I never had been bor-r-r-r-n! echoes another on the farther side with tremulous sincerity, and — bor-r-r-r-n! comes faintly from far in the Lincoln woods.
I was also serenaded by a hooting owl. Near at hand you could fancy it the most melancholy sound in Nature, as if she meant by this to stereotype and make permanent in her choir the dying moans of a human being — some poor weak relic of mortality who has left hope behind, and howls like an animal, yet with human sobs, on entering the dark valley, made more awful by a certain gurgling melodiousness — I find myself beginning with the letters gl when I try to imitate it — expressive of a mind which has reached the gelatinous, mildewy stage in the mortification of all healthy and courageous thought. It reminded me of ghouls and idiots and insane howlings. But now one answers from far woods in a strain made really melodious by distance — Hoo hoo hoo, hoorer hoo; and indeed for the most part it suggested only pleasing associations, whether heard by day or night, summer or winter.
I rejoice that there are owls. Let them do the idiotic and maniacal hooting for men. It is a sound admirably suited to swamps and twilight woods which no day illustrates, suggesting a vast and undeveloped nature which men have not recognized. They represent the stark twilight and unsatisfied thoughts which all have. All day the sun has shone on the surface of some savage swamp, where the double spruce stands hung with usnea lichens, and small hawks circulate above, and the chickadee lisps amid the evergreens, and the partridge and rabbit skulk beneath; but now a more dismal and fitting day dawns, and a different race of creatures awakes to express the meaning of Nature there.
”
”
Henry David Thoreau (Walden)
“
Colby arrived the next day, with stitches down one lean cheek and a new prosthesis. He held it up as Cecily came out to the car to greet him. He held it up as Cecily came out to the car to greet him. “Nice, huh? Doesn’t it look more realistic than the last one?”
“What happened to the last one?” she asked.
“Got blown off. Don’t ask where,” he added darkly.
“I know nothing,” she assured him. “Come on in. Leta made sandwiches.”
Leta had only seen Colby once, on a visit with Tate. She was polite, but a little remote, and it showed.
“She doesn’t like me,” Colby told Cecily when they were sitting on the steps later that evening.
“She thinks I’m sleeping with you,” she said simply.” So does Tate.”
“Why?”
“Because I let him think I was,” she said bluntly.
He gave her a hard look. “Bad move, Cecily.”
“I won’t let him think I’m waiting around for him to notice me,” she said icily. “He’s already convinced that I’m in love with him, and that’s bad enough. I can’t have him know that I’m…well, what I am. I do have a little pride.”
“I’m perfectly willing, if you’re serious,” he said matter-of-factly. His face broke into a grin, belying the solemnity of the words. “Or are you worried that I might not be able to handle it with one arm?”
She burst out laughing and pressed affectionately against his side. “I adore you, I really do. But I had a bad experience in my teens. I’ve had therapy and all, but it’s still sort of traumatic for me to think about real intimacy.”
“Even with Tate?” he probed gently.
She wasn’t touching that line with a pole. “Tate doesn’t want me.”
“You keep saying that, and he keeps making a liar of you.”
“I don’t understand.”
“He came to see me last night. Just after I spoke to you.” He ran his fingers down his damaged cheek.
She caught her breath. “I thought you got that overseas!”
“Tate wears a big silver turquoise ring on his middle right finger,” he reminded her. “It does a bit of damage when he hits people with it.”
“He hit you? Why?” she exclaimed.
“Because you told him we were sleeping together,” he said simply. “Honest to God, Cecily, I wish you’d tell me first when you plan to play games. I was caught off guard.”
“What did he do after he hit you?”
“I hit him, and one thing led to another. I don’t have a coffee table anymore. We won’t even discuss what he did to my best ashtry.”
“I’m so sorry!”
“Tate and I are pretty much matched in a fight,” he said. “Not that we’ve ever been in many. He hits harder than Pierce Hutton does in a temper.” He scowled down at her. “Are you sure Tate doesn’t want you? I can’t think of another reason he’d try to hammer my floor with my head.”
“Big brother Tate, to the rescue,” she said miserably. She laughed bitterly. “He thinks you’re a bad risk.”
“I am,” he said easily.
“I like having you as my friend.”
He smiled. “Me, too. There aren’t many people who stuck by me over the years, you know. When Maureen left me, I went crazy. I couldn’t live with the pain, so I found ways to numb it.” He shook his head. “I don’t think I came to my senses until you sent me to that psychologist over in Baltimore.” He glanced down at her. “Did you know she keeps snakes?” he added.
“We all have our little quirks.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
I Never Told You
You can fill a book with everything I never said
Or the lines of a poem
Or an Empty pool
Or an empty bedroom, the candles all blown out
I never told you how the reflection of myself in your eyes
Was the only mirror I could bear to look at
Or how I fought every day
To transfuse the girl I saw there with the girl I am
I tried to breathe in the words you made me:
beautiful
good
brave
I tried to be them for you even though they were weighted with impossibility
I never told you
how I always feared the rough edges of myself were too sharp for you
and how I fought everyday to blunt them
To bring down the walls
To let you in
without cutting you because I could never bear to hurt you like the others did
Every day
a fierce pride roared in me
I was so lucky to know the truth
I was the beneficiary of your radiance
I basked in it and felt special
And if not for the pain of your solitude
I would have been content to be the only one
I never told you
How your touch made me feel like laughing and crying and singing all at once
How your hand passing over my skin where atrocities
Had not yet sloughed off,
Skin cells remembering the worst touches
Was like a tide washing over the ruddy sand
And leaving it whole and smooth
You made my skin forget
Gave me new memories
New sensations that didn't drag the shadows from the past
In your arms I could start again,
Start over.
There is no greater gift in all the world
Than you
to the wreckage
that is me...
I never told you
How I longed to kiss away your every bruise
until there was no evidence
No ghosts of your own suffering
To put your pieces back together
Seal the cracks
Vanish them like they never were
And never, ever
Leave a scar
I never told you
I would take your pain if I could
I would drink it down
And take my comfort
In making you ache a little less
For a little while
Did I?
I'll never know because I never told you that I loved you
I love you
I love you
It's too lat to say it now
The time has passed for words
How pathetic and small and weak
On the phone
Or on a piece of paper
Starving
Without the force of my own vitality
My voice
My breath
My blood singing n my veins for you
To give them power
They are lost
I love you
It's too late but I love you
And I'm sorry
I never told you.
”
”
Emma Scott (How to Save a Life (Dreamcatcher, #1))
“
If Christianity is to receive a rejuvenation it must be by other means than any now being used. If the church in the second half of this century is to recover from the injuries she suffered in the first half, there must appear a new type of preacher. The proper, ruler-of-the-synagogue type will never do. Neither will the priestly type of man who carries out his duties, takes his pay and asks no questions, nor the smooth-talking pastoral type who knows how to make the Christian religion acceptable to everyone. All these have been tried and found wanting.
Another kind of religious leader must arise among us. He must be of the old prophet type, a man who has seen visions of God and has heard a voice from the Throne. When he comes (and I pray God there will be not one but many) he will stand in flat contradiction to everything our smirking, smooth civilization holds dear. He will contradict, denounce and protest in the name of God and will earn the hatred and opposition of a large segment of Christendom. Such a man is likely to be lean, rugged, blunt-spoken and a little bit angry with the world. He will love Christ and the souls of men to the point of willingness to die for the glory of the one and the salvation of the other. But he will fear nothing that breathes with mortal breath.
”
”
A.W. Tozer (Of God and Men)
“
The phone rang. It was a familiar voice.
It was Alan Greenspan. Paul O'Neill had tried to stay in touch with people who had served under Gerald Ford, and he'd been reasonably conscientious about it. Alan Greenspan was the exception. In his case, the effort was constant and purposeful. When Greenspan was the chairman of Ford's Council of Economic Advisers, and O'Neill was number two at OMB, they had become a kind of team. Never social so much. They never talked about families or outside interests. It was all about ideas: Medicare financing or block grants - a concept that O'Neill basically invented to balance federal power and local autonomy - or what was really happening in the economy. It became clear that they thought well together. President Ford used to have them talk about various issues while he listened. After a while, each knew how the other's mind worked, the way married couples do.
In the past fifteen years, they'd made a point of meeting every few months. It could be in New York, or Washington, or Pittsburgh. They talked about everything, just as always. Greenspan, O'Neill told a friend, "doesn't have many people who don't want something from him, who will talk straight to him. So that's what we do together - straight talk."
O'Neill felt some straight talk coming in.
"Paul, I'll be blunt. We really need you down here," Greenspan said. "There is a real chance to make lasting changes. We could be a team at the key moment, to do the things we've always talked about."
The jocular tone was gone. This was a serious discussion. They digressed into some things they'd "always talked about," especially reforming Medicare and Social Security. For Paul and Alan, the possibility of such bold reinventions bordered on fantasy, but fantasy made real.
"We have an extraordinary opportunity," Alan said. Paul noticed that he seemed oddly anxious. "Paul, your presence will be an enormous asset in the creation of sensible policy."
Sensible policy. This was akin to prayer from Greenspan. O'Neill, not expecting such conviction from his old friend, said little. After a while, he just thanked Alan. He said he always respected his counsel. He said he was thinking hard about it, and he'd call as soon as he decided what to do.
The receiver returned to its cradle. He thought about Greenspan. They were young men together in the capital. Alan stayed, became the most noteworthy Federal Reserve Bank chairman in modern history and, arguably the most powerful public official of the past two decades. O'Neill left, led a corporate army, made a fortune, and learned lessons - about how to think and act, about the importance of outcomes - that you can't ever learn in a government.
But, he supposed, he'd missed some things. There were always trade-offs. Talking to Alan reminded him of that. Alan and his wife, Andrea Mitchell, White House correspondent for NBC news, lived a fine life. They weren't wealthy like Paul and Nancy. But Alan led a life of highest purpose, a life guided by inquiry.
Paul O'Neill picked up the telephone receiver, punched the keypad.
"It's me," he said, always his opening.
He started going into the details of his trip to New York from Washington, but he's not much of a phone talker - Nancy knew that - and the small talk trailed off.
"I think I'm going to have to do this."
She was quiet. "You know what I think," she said.
She knew him too well, maybe. How bullheaded he can be, once he decides what's right. How he had loved these last few years as a sovereign, his own man. How badly he was suited to politics, as it was being played. And then there was that other problem: she'd almost always been right about what was best for him.
"Whatever, Paul. I'm behind you. If you don't do this, I guess you'll always regret it."
But it was clearly about what he wanted, what he needed.
Paul thanked her. Though somehow a thank-you didn't seem appropriate.
And then he realized she was crying.
”
”
Suskind (The Price of Loyalty: George W. Bush, the White House, and the Education of Paul O'Neill)
“
literature does itsnbest to maintain that its concern is with the mind ; that the body is a sheet of plain glass through which the soul
looks straight and clear, and, save for one or two passions such as desire and greed, is null , negligible and nonexistent. On the contrary, the very opposite is true. All day, all night the body intervenes; blunts or sharpens, colours or discolours, turns to wax in the warmth of
June, hardens to tallow in the murk of February. The creature within can only gaze through the pane—smudged or rosy; it cannot separate off from the body like the sheath of a knife or the pod of a pea for a single instant;
it must go through the whole unending procession of changes, heat and cold, comfort and discomfort, hunger and satisfaction, health and illness, until there comes the inevitable catastrophe; the body smashes itself to smithereens, and the soul (it is said) escapes. But of all this daily drama of the body there is no record. People write always about the doings of the mind; the thoughts that come
to it; its noble plans; how it has civilised the universe. They show it ignoring the body in the philosopher's turret; or kicking the body, like an old leather football, across leagues of snow and desert in the pursuit of conquest or discovery. Those great wars which it wages by itself,
with the mind a slave to it, in the solitude of the bedroom against the assault of fever or the oncome of melancholia, are neglected. Nor is the reason far to seek. To look these things squarely in the face would need the courage
of a lion tamer; a robust philosophy; a reason rooted in the bowels of the earth. Short of these, this monster, the body, this miracle, its pain, will soon make us taper into mysticism, or rise, with rapid beats of the wings, into the raptures of transcendentalism. More practically
speaking, the public would say that a novel devoted to influenza lacked plot; they would complain that there was no love in it—wrongly however, for illness often takes on the disguise of love, and plays the same odd tricks,
investing certain faces with divinity, setting us to wait, hour after hour, with pricked ears for the creaking of a stair, and wreathing the faces of the absent (plain enough in health, Heaven knows) with a new significance, while the mind concocts a thousand legends and romances
about them for which it has neither time nor liberty in health.
”
”
Virginia Woolf (On Being Ill)