Blue Label Quotes

When I'm born I'm black, when I grow up I'm black, when I'm in the sun I'm black, when I'm sick I'm black, when I die I'm black, and you... when you're born you're pink, when you grow up you're white, when you're cold you're blue, when you're sick you're blue, when you die you're green and you dare call me colored

There must be some Tommy Hilfiger event horizon, beyond which it is impossible to be more derivative, more removed from the source, more devoid of soul.

So are you bisexual?” I had asked, and Todd had laughed at my insistence on label. “I guess I'm bipossible,” he had said.

شفاه ال Blue Label كيف نسيت ؟؟ كانت وابدأ شفاه لبنى !

Since Dominic's been sleeping with me, the mice have been trying various labels on him, looking for one that fits. My personal favorite was the week they spent calling him "the God of Absolutely Never Smiling, No, Not Ever.

Blue got herself back together and then turned on the radio. Adam hadn't even realized the ancient tape deck worked, but after a hissing few seconds, a tape inside jangled a tune. Noah began to sing along at once. 'Squash one, squash two-' Adam pawed for the radio at the same time as Blue. The tape ejected with enough force that Noah stretched a hand to catch it. 'That song. What are you doing with that in your player?' Demanded Blue. 'Do you listen to that recreationally? How did that song escape from the Internet?' Noah cackled and showed them the cassette. It boasted a handmade label marked with Ronan's handwriting: PARRISH'S HONDAYOTA ALONE TIME. The other side was A SHITBOX SINGALONG. 'Play it! Play it!' Noah said gaily, waving the tape. 'Noah. Noah! Take that away from him,' Adam said.

Creo que lo más difícil de vivir es mantener el complicado empeño por ser feliz".

Adam twisted off the lid. Inside was a colorless lotion that smelled of mist and moss. Replacing the lid with a frown, he turned the container over, looking for more identifying features. On the bottom, Ronan's handwriting labeled it merely: manibus. For your hands.

Blue was filled with the uncomfortable certainty that she probably needed to label the stack BLUE SARGENT IS A HYPOCRITE in her own handwriting.

Oh, Ruth. I wish we had our own words to describe ourselves, to connect us.” Ruth stood up and opened the broiler. “I don’t need another label,” she sighed. “I just am what I am. I call myself Ruth. My mother is Ruth Anne; my grandmother was Anne. That’s who I am. That’s where I come from.” I shrugged. “I don’t want another label either. I just wish we had words so pretty we’d go out of our way to say them out loud.

Your sexuality -- and how you identify -- is nobody else's business. You can change your mind, or not change your mind. Those labels exist for you, and not so that everyone else can try to force you into a box. Especially if that box is their close-minded idea of fucking normal.

El amor -ese día lo entendí- no es más que un profundo sentimiento de derrota

C-3PO —Thou shalt not label me A mindless, brute philosopher! Nay, nay, Thou overladen glob of grease, thou imp, Thou rubbish bucket fit for scrap, thou blue And silver pile of bantha dung! Now, come, And get thee hence away lest someone sees.

find it interesting that in history all one had to do to discredit a woman was label her a witch. How do we discredit a strong woman today?” The class stared back at Wilson, not understanding. And then it clicked. “You label her a bitch,” I offered boldly. The

Near him were two men in hip-hop uniform, spotless footwear and new baggy jeans and tilted Yankees caps. Shopping for blue jeans at Macy’s, Dismas had discovered that hip-hop labels were as expensive as, if not more expensive than some of the high-end names he coveted. Functional clothing designed to absorb sweat and repel mud cost as much as designer eveningwear. Phat Farm, Armani, same difference.

Other people labeled things impossible not because they couldn’t be done, but because no one was doing them.

La memoria es un juego violento en el que, en ocasiones, el silencio hace ruido.

Being gay wasn't his complete identity, but it felt like an important part of himself. And he wanted to be the one to control who knew.

Blue turned the bottle to the back label. Ingredients: Whatever we could grow this year, plus water.

The problem with today’s world is that we’re so used to fucking labels we must identify as something, whatever, anything— but HUMANS. The day we stop this obsession with male, female, black, white, godly, godless, conservative, liberal, gay, straight, rich, poor, and just call ourselves HUMANS, this desperate blue planet will become a better place for all.

The prompt Paris morning struck its cheerful notes—in a soft breeze and a sprinkled smell, in the light flit, over the garden-floor, of bareheaded girls with the buckled strap of oblong boxes, in the type of ancient thrifty persons basking betimes where terrace-walls were warm, in the blue-frocked brass-labelled officialism of humble rakers and scrapers, in the deep references of a straight-pacing priest or the sharp ones of a white-gaitered red-legged soldier. He watched little brisk figures, figures whose movement was as the tick of the great Paris clock, take their smooth diagonal from point to point; the air had a taste as of something mixed with art, something that presented nature as a white-capped master-chef. The

Looking up, I stare into the most unique and beautiful shade of blue that a pair of eyes has ever possessed. Of that I am certain. Blue just shouldn’t be that multi-faceted and twinkling. There should be a law or something. Or at least a warning label: Caution, these eyes may cause female knees to tremble. Looking up, I stare into the most unique and beautiful shade of blue that a pair of eyes has ever possessed. Of that I am certain. Blue just shouldn’t be that multi-faceted and twinkling. There should be a law or something. Or at least a warning label: Caution, these eyes may cause female knees to tremble. Before I can help it, I scan the rest of him. Sweet Mary. This guy had lucked out in the gene department. Tall, slender, beautiful. Honey colored hair that had natural highlights that could even catch the crappy airport light, broad shoulders, slim hips, long legs. He is tan and golden with a bright, white smile. I am surely staring at Apollo, the god of the sun.

Es extraño, princesa, contigo me gustaría ir a caminar por el Sambil o a caernos a latas en un cine; me gustaría llevarte a ver las nutrias del Parque del Este o a comernos un banana split en la 4D. Contigo, más que tirar, me gustaría hacer el amor.

There are no colours. There are things and light that appear to have colours. Our mind labels them as Red, Green, Blue etc. But they too are just labels, not colours. Colours are non-existent. But non-existence is more real and alive than existence. Your real self (soul) resides in non-existence.

Labels are just labels, just handles to let us grasp things, pick them up, turn them over in our hands.

Noah cackled and showed them the cassette. It boasted a handmade label marked with Ronan’s handwriting: PARRISH’S HONDAYOTA ALONE TIME. The other side was A SHITBOX SING-ALONG.

A fin de cuentas, la única cosa sensata que hacían las personas en el mundo era mantener el empeño por amarse.

Under the sea, we're all mer. We're all they/them. And we don't have this strange obsession with sex organs, since we don't have any.

Reality, at first glance, is a simple thing: the television speaking to you now is real. Your body sunk into that chair in the approach to midnight, a clock ticking at the threshold of awareness. All the endless detail of a solid and material world surrounding you. These things exist. They can be measured with a yardstick, a voltammeter, a weighing scale. These things are real. Then there’s the mind, half-focused on the TV, the settee, the clock. This ghostly knot of memory, idea and feeling that we call ourself also exists, though not within the measurable world our science may describe. Consciousness is unquantifiable, a ghost in the machine, barely considered real at all, though in a sense this flickering mosaic of awareness is the only true reality that we can ever know. The Here-and-Now demands attention, is more present to us. We dismiss the inner world of our ideas as less important, although most of our immediate physical reality originated only in the mind. The TV, sofa, clock and room, the whole civilisation that contains them once were nothing save ideas. Material existence is entirely founded on a phantom realm of mind, whose nature and geography are unexplored. Before the Age of Reason was announced, humanity had polished strategies for interacting with the world of the imaginary and invisible: complicated magic-systems; sprawling pantheons of gods and spirits, images and names with which we labelled powerful inner forces so that we might better understand them. Intellect, Emotion and Unconscious Thought were made divinities or demons so that we, like Faust, might better know them; deal with them; become them. Ancient cultures did not worship idols. Their god-statues represented ideal states which, when meditated constantly upon, one might aspire to. Science proves there never was a mermaid, blue-skinned Krishna or a virgin birth in physical reality. Yet thought is real, and the domain of thought is the one place where gods inarguably ezdst, wielding tremendous power. If Aphrodite were a myth and Love only a concept, then would that negate the crimes and kindnesses and songs done in Love’s name? If Christ were only ever fiction, a divine Idea, would this invalidate the social change inspired by that idea, make holy wars less terrible, or human betterment less real, less sacred? The world of ideas is in certain senses deeper, truer than reality; this solid television less significant than the Idea of television. Ideas, unlike solid structures, do not perish. They remain immortal, immaterial and everywhere, like all Divine things. Ideas are a golden, savage landscape that we wander unaware, without a map. Be careful: in the last analysis, reality may be exactly what we think it is.

Indie; I think the ten-minute song is going to be really good. Jenna: I hope you didn't tell him that. Indie: No, I told him it's unmarketable. Hudson: And what did he say? Indie: He said I sounded like a Suit., specifically like Jenna Holden, and that Jenna Holden was hired to get him Balmain deals and negotiate fat deals with record labels, not produce his next album. He also said he'd once caught you nodding your head at a Maroon 5 song, and the fact that you're not dead to him after that is a miracle in itself, so you should not push your luck. Again, his words, not mine.>/b>

The weirdest thing about Tibet is that the most popular beer is Pabst Blue Ribbon. Everywhere, even on the slopes of Everest, cans of Pabst lay alongside the road labeled, 'Established in Milwaukee in 1849'.

Two uniformed officers approached him at speed. Both were wearing Salvation Army badges and carrying some fearsomely bulky weapons labelled as ‘Googles’. One of them drew his Google and aimed it barrel-forward at my grandfather.

But I knew the first question Mom asked Gail was, Is it a boy or a girl? Because, for some reason, that is the first thing everybody wants to know the minute you're born. Should we label it with pink or blue? Wouldn't want anyone to mistake the gender of an infant! What is that so important?

I had asked Todd once if he was gay, and he had said he didn’t care if someone was a man or a woman, he was more interested in the person’s inside. “So are you bisexual?” I had asked, and he had laughed at my insistence on a label. “I guess I’m bipossible,” he had said, and pressed a warm, careless kiss on my lips.

I see it as symbolic. The label no longer fits. His emotional parsimoniousness just got sucked away by the beautiful blue sky. I lean forward and reach my hand behind my back, then take my sign off, and I toss it out the window, too. I am no longer an ex-stripper's daughter, either. I have gone from invisible Vera Dietz to invincible Vera Dietz.

Adam hadn't even realized the ancient tape deck worked, but after a hissing few seconds, a tape inside jangled a tun. Noah began to sing along at once. "Squash one, squash two--" Adam pawed for the radio at the same time as Blue. The tape ejected with enough force that Noah stretched a hand to catch it. "That song. What are you doing with that in your player?" demanded Blue. "Do you listen to that recreationally? How did that song escape from the internet?" Noah cackled and showed them the cassette. It boasted a handmade label marked with Ronan's handwriting: Parrish's Hondayota Alone Time. The other side was A Shitbox Singalong. "Play it! Play it!" Noah said gaily, waving the tape. "Noah. Noah! Take that away from him," Adam said.

Sonnet of Human Resources There is no blue collar, no white collar, just honor. And honor is defined by character not collar. There is no CEO, no janitor, just people. Person's worth lies, not in background, but behavior. Designation is reference to expertise, not existence. Respect is earned through rightful action, not label. Designation without humanity is resignation of humanity, For all labels without love cause nothing but trouble. The term human resources is a violation of human rights. For it designates people as possession of a company. Computers are resources, staplers are resources, but people, Aren't resources, but the soul of all company and society. I'm not saying, you oughta rephrase it all in a civilized way. But at the very least, it's high time with hierarchy we do away.

That assumption—that labeling and sorting children based on gender doesn’t really matter as long as everyone is treated fairly—would hold true if children only paid attention to the more overt, obvious messages we adults send. If children only listened to our purposeful messages, parenting would be easy. Most (but not all) parents and teachers take great effort in treating their children fairly, regardless of gender. Parents don’t need to say to their daughters, “You probably won’t enjoy math” or say to their sons, “Real boys don’t play with dolls.” Most parents wouldn’t dream of saying these blatant stereotypes to their kids. But research has shown that when we label (and sort and color-code) by gender, children do notice. And it matters—children are learning whether you mean to be teaching them or not.

We have plenty of matches in our house We keep them on hand always Currently our favourite brand Is Ohio Blue Tip Though we used to prefer Diamond Brand That was before we discovered Ohio Blue Tip matches They are excellently packaged Sturdy little boxes With dark and light blue and white labels With words lettered In the shape of a megaphone As if to say even louder to the world Here is the most beautiful match in the world It’s one-and-a-half-inch soft pine stem Capped by a grainy dark purple head So sober and furious and stubbornly ready To burst into flame Lighting, perhaps the cigarette of the woman you love For the first time And it was never really the same after that All this will we give you That is what you gave me I become the cigarette and you the match Or I the match and you the cigarette Blazing with kisses that smoulder towards heaven.

Love Poem We have plenty of matches in our house We keep them on hand always Currently our favourite brand Is Ohio Blue Tip Though we used to prefer Diamond Brand That was before we discovered Ohio Blue Tip matches They are excellently packaged Sturdy little boxes With dark and light blue and white labels With words lettered In the shape of a megaphone As if to say even louder to the world Here is the most beautiful match in the world It’s one-and-a-half-inch soft pine stem Capped by a grainy dark purple head So sober and furious and stubbornly ready To burst into flame Lighting, perhaps the cigarette of the woman you love For the first time And it was never really the same after thatAll this will we give you That is what you gave me I become the cigarette and you the match Or I the match and you the cigarette Blazing with kisses that smoulder towards heaven.

You know,” began Bunny, “they’re a funny couple of words, aren’t they – ‘political correctness’? I’m a muck savage from the shitty end of Cork, and nobody’s idea of diplomat material, but it strikes me that those two words are simply a derogatory label for what used to be known as basic manners. I live by a very simple rule because I’m a very simple man: people deserve respect until they prove they don’t. I don’t really care who they are, where they’re from or what they look like.

if they label you soft, feather weight and white-livered, if the locker room tosses back its sweaty head, and laughs at how quiet your hands stay, if they come to trample the dandelions roaring in your throat, you tell them that you were forged inside of a woman who had to survive fifteen different species of disaster to bring you here, and you didn’t come to piss on trees. you ain’t nobody’s thick-necked pitbull boy, don’t need to prove yourself worthy of this inheritance of street-corner logic, this blood legend, this index of catcalls, “three hundred ways to turn a woman into a three course meal”, this legacy of shame, and man, and pillage, and man, and rape, and man. you boy. you won’t be some girl’s slit wrists dazzling the bathtub, won’t be some girl’s, “i didn’t ask for it but he gave it to me anyway”, the torn skirt panting behind the bedroom door, some father’s excuse to polish his gun. if they say, “take what you want”, you tell them you already have everything you need; you come from scabbed knuckles and women who never stopped swinging, you come men who drank away their life savings, and men who raised daughters alone. you come from love you gotta put your back into, elbow-grease loving like slow-dancing on dirty linoleum, you come from that house of worship. boy, i dare you to hold something like that. love whatever feels most like your grandmother’s cooking. love whatever music looks best on your feet. whatever woman beckons your blood to the boiling point, you treat her like she is the god of your pulse, you treat her like you would want your father to treat me: i dare you to be that much man one day. that you would give up your seat on the train to the invisible women, juggling babies and groceries. that you would hold doors, and say thank-you, and understand that women know they are beautiful without you having to yell it at them from across the street. the day i hear you call a woman a “bitch” is the day i dig my own grave. see how you feel writing that eulogy. and if you are ever left with your love’s skin trembling under your nails, if there is ever a powder-blue heart left for dead on your doorstep, and too many places in this city that remind you of her tears, be gentle when you drape the remains of your lives in burial cloth. don’t think yourself mighty enough to turn her into a poem, or a song, or some other sweetness to soften the blow, boy, i dare you to break like that. you look too much like your mother not t

Wine talks; ask anyone. The oracle at the street corner; the uninvited guest at the wedding feast; the holy fool. It ventriloquizes. It has a million voices. It unleashes the tongue, teasing out secrets you never meant to tell, secrets you never knew. It shouts, rants, whispers. It speaks of great plans, tragic loves and terrible betrayals. It screams with laughter. It chuckles softly to itself. It weeps in front of its own reflection. It revives summers long past and memories best forgotten. Every bottle a whiff of other times, other places, every one- from the commonest Liebfraumilch to the imperious Vueve Clicquot- a humble miracle. Everyday magic, Joe had called it. The transformation of base matter into the stuff of dreams. Layman's alchemy. Take these six in Jay's cellar, for instance. The Specials. Not wines really meant for keeping, but he kept them all the same. For nostalgia's sake. For a special, yet-to-be-imagined occasion. Six bottles, each with its own small handwritten label and sealed with candle wax. Each had a cord of a different color knotted around its neck; raspberry red, elderflower green, blackberry blue, rose hip yellow, damson black. The last bottle was tied with a brown cord. Specials '75, said the label, the familiar writing faded to the color of old tea.

Si no me gustaras no te habría invitado a almorzar en McDonalds; si no me gustaras nunca te habría llevado a mi casa ni habríamos ido a la rumba de Titina. Si no me gustaras, no estarías acá. Yo no me meto en moteles de carretera con todo el mundo. Creeme que si, en lugar de estar contigo, estuviera con tu amiga Natalia, la muy perra no podría caminar por los calambres en los muslos. Pero contigo es diferente. Es extraño, princesa, contigo me gustaría ir a caminar por el Sambil o caernos a latas en un cine; me gustaría llevarte a ver las nutrias del Parque del Este o a comernos un banana split en la 4D. Contigo mas que tirar me gustaría hacer el amor.

Danny’s Song” by Kenny Loggins “Reminder” by Mumford & Sons “Barton Hollow” by The Civil Wars “Like a Bridge Over Troubled Waters” by Simon and Garfunkel “I and Love and You” by The Avett Brothers “Make You Feel My Love” by Adele “Can’t Break Her Fall” by Matt Kearney  “Stillborn” by Black Label Society “Come On Get Higher” by Matt Nathanson “I Won’t Give Up” by Jason Mraz “This Girl” by City & Colour “My Funny Valentine” by Ella Fitzgerald “Dream a Little Dream of Me” by Ella Fitzgerald and Louis Armstrong “Stormy Blues” by Billie Holiday “I would be Sad” by The Avett Brothers “Hello, I’m Delaware” by City & Colour “99 Problems” by Hugo (originally written and performed by Jay-Z) “It’s Time” by Imagine Dragons “Let It Be Me” by Ray LaMontagne “Rocketship” by Guster “Don’t Drink The Water” by Dave Matthews Band “Blackbird” by The Beatles

here are many things that I’ve always known about myself, but my gender just isn’t one of them. I didn’t know that I was a girl. And forgive the double negative, but I wasn’t sure that I wasn’t a boy, either. I just knew that gender was kinda stupid and that I wanted to play with Barbies, get dirty in the creek behind my house, and kiss the blue Power Ranger real bad. As people, our identities change over our lifetimes. This applies to transgender and cisgender people alike. Everyone has a gender that evolves. Even if you identify as a woman, what it means to be a woman is never the same from day to day. Or, if you identify as a man, the way that your manhood manifests will be different throughout your life. The idea that gender is consistent is a flawed premise to begin with. By resisting convenient labels and embracing authentic ambiguity, I want to challenge the tenet that gender must be consistent and immediately legible to others.

For some years, Trieste was a murky exchange for the commodities most coveted in the deprived societies of Hungary, Czechoslovakia, Bulgaria, Romania and Yugoslavia. Jeans, for example, were then almost a currency of their own, so terrific was the demand on the other side of the line, and the trestle tables of the Ponterosso market groaned with blue denims of dubious origin ("Jeans Best for Hammering, Pressing and Screwing", said a label I noted on one pair). There was a thriving traffic in everything profitably resellable, smuggleable or black-marketable - currencies, stamps, electronics, gold. Not far from the Ponterosso market was Darwil's, a five-storey jewellers' shop famous among gold speculators throughout central Europe. Dazzling were its lights, deafening was its rock music, and through its blinding salons clutches of thick-set conspiratorial men muttered and wandered, inspecting lockets through eye-glasses, stashing away watches in suitcases, or coldly watching the weighing of gold chains in infinitesimal scales.

The bottom drawer. Last chance. Camping equipment. Vuarnet sunglasses, three pairs without cases. She had three, six, ten of everything. Except! Except! And there it was. There it was. The gold. His gold. At the bottom of the bottom drawer, where he should have begun in the first place, in among a jumble of old schoolbooks and more teddy bears, a simple Scotties box, design of white, liliac, and pale green flowers on a lemony-white background "Each box of Scotties offers the softness and strength you want for your family..." You're no fool, D. Handwritten label on the box read, "Recipes." You cunning girl. I love you. Recipes. I'll give you teddy bears up the gazoo! Inside the Scotties box were her recipes - "Deborah's Sponge Cake," "Deborah's Brownies", "Deborah's Chocolate Chip Cookies," "Deborah's Divine Lemon Cake" - neatly written in blue ink in her hand. A fountain pen. The last kid in America to write with a fountain pen. You won't last five minutes in Bahia. A short, very stout woman was standing in the doorway of Deborah's bedroom screaming.

Before you decide,” MacRieve interrupted, “know that if you were my mate, I’d make sure you had whatever you needed to be comfortable.” Her lips parted when he pulled her bag from behind him and proceeded to dig through it. “Like your toothbrush.” He held up her pink toothbrush. He’d retrieved her things from her car? And rooted through her personal possessions. She’d seen MacRieve’s ferocity, and now she was getting a good glimpse of his sly side, his tricksy side. She could see what Rydstrom had been talking about. MacRieve seemed . . . wolfish. Then she remembered what else she had in her bag. Oh, great Hekate. Dread settled in the pit of her stomach. Mari had private things in there—rocket of the pocket-type private things. Like a tube of lipstick that wasn’t really one. “Or this.” He carelessly flicked her birth control patch. “Doona know what it does, but I ken that people who use patches for whatever reason might be eager for a new one.” He displayed her iPod next. “It’s my understanding that females your age canna go long without listening to music or they become irrational and impossible to deal with. And how long’s it been for you, then?” He drew out a blue-labeled bottle and shook it. “You had several bottles of Orangina in your Jeep. Must like it, do you no’?” Not the Orangina! Her mouth watered even more. “And here’s your bit of Mayan gold that you’re probably keen to hold on to.” He held up the weighty headdress. Stunning. She hazily remembered seeing it in the severed hand of an incubus, as if in offer, but she’d thought the piece had been lost into that crater. If MacRieve gave the incubi’s headdress to her, it would be her first payment as a mystical mercenary. No, resist him! To act like his mate? To follow his orders? She could resist the food and the Orangina. She could even resist gold, but there he went digging once more. He’d find it. But maybe he wouldn’t know what it really was— “And your lipstick,” he said with a wicked glint in his eyes. Oh, no, he knew, and he was playing with her. She was going to die of mortification. Her face grew hot when he added, “You must be in sore need of this after three weeks without.

I still have no choice but to bring out Minerva instead.” “But Minerva doesn’t care about men,” young Charlotte said helpfully. “She prefers dirt and rocks.” “It’s called geology,” Minerva said. “It’s a science.” “It’s certain spinsterhood, is what it is! Unnatural girl. Do sit straight in your chair, at least.” Mrs. Highwood sighed and fanned harder. To Susanna, she said, “I despair of her, truly. This is why Diana must get well, you see. Can you imagine Minerva in Society?” Susanna bit back a smile, all too easily imagining the scene. It would probably resemble her own debut. Like Minerva, she had been absorbed in unladylike pursuits, and the object of her female relations’ oft-voiced despair. At balls, she’d been that freckled Amazon in the corner, who would have been all too happy to blend into the wallpaper, if only her hair color would have allowed it. As for the gentlemen she’d met…not a one of them had managed to sweep her off her feet. To be fair, none of them had tried very hard. She shrugged off the awkward memories. That time was behind her now. Mrs. Highwood’s gaze fell on a book at the corner of the table. “I am gratified to see you keep Mrs. Worthington close at hand.” “Oh yes,” Susanna replied, reaching for the blue, leatherbound tome. “You’ll find copies of Mrs. Worthington’s Wisdom scattered everywhere throughout the village. We find it a very useful book.” “Hear that, Minerva? You would do well to learn it by heart.” When Minerva rolled her eyes, Mrs. Highwood said, “Charlotte, open it now. Read aloud the beginning of Chapter Twelve.” Charlotte reached for the book and opened it, then cleared her throat and read aloud in a dramatic voice. “’Chapter Twelve. The perils of excessive education. A young lady’s intellect should be in all ways like her undergarments. Present, pristine, and imperceptible to the casual observer.’” Mrs. Highwood harrumphed. “Yes. Just so. Hear and believe it, Minerva. Hear and believe every word. As Miss Finch says, you will find that book very useful.” Susanna took a leisurely sip of tea, swallowing with it a bitter lump of indignation. She wasn’t an angry or resentful person, as a matter of course. But once provoked, her passions required formidable effort to conceal. That book provoked her, no end. Mrs. Worthington’s Wisdom for Young Ladies was the bane of sensible girls the world over, crammed with insipid, damaging advice on every page. Susanna could have gleefully crushed its pages to powder with a mortar and pestle, labeled the vial with a skull and crossbones, and placed it on the highest shelf in her stillroom, right beside the dried foxglove leaves and deadly nightshade berries. Instead, she’d made it her mission to remove as many copies as possible from circulation. A sort of quarantine. Former residents of the Queen’s Ruby sent the books from all corners of England. One couldn’t enter a room in Spindle Cove without finding a copy or three of Mrs. Worthington’s Wisdom. And just as Susanna had told Mrs. Highwood, they found the book very useful indeed. It was the perfect size for propping a window open. It also made an excellent doorstop or paperweight. Susanna used her personal copies for pressing herbs. Or occasionally, for target practice. She motioned to Charlotte. “May I?” Taking the volume from the girl’s grip, she raised the book high. Then, with a brisk thwack, she used it to crush a bothersome gnat. With a calm smile, she placed the book on a side table. “Very useful indeed.

When I burst into the terminal, my eyes swept around, bouncing from person to person in the crowded, bustling space. My stomach fell a little when I didn’t see him, but I knew he probably couldn’t come this far. He was probably at baggage claim. I looked around for a sign to point me in the right direction and finally saw one labeled Baggage Claim with an arrow pointing off to the left. But I didn’t follow the arrow. My eyes fixed on someone standing beneath the sign. His hands were jammed into the pockets of his well-worn slouchy jeans. The relaxed action pulled the waistband low, highlighting his flat, narrow waist his Henley tee molded to. As usual, he was wearing his varsity jacket and his blond hair was a mess. My gaze locked on his sapphire-blue eyes and didn’t let go. His eyes, ohmigod, his eyes. The blue was so intense it served as an emergency brake on everything in my life. The second I looked at him, everything else came to a screeching halt. I no longer noticed the huge crowd rushing around. The anxiety-causing flight was just a distant memory, and the two weeks I spent longing for his touch became something I would live through ten times over just to be in this moment with him again. His lips pulled into a smile and the charm that oozed from every pore in his body made me almost lightheaded. Romeo pulled his hands out of his pockets and straightened, motioning for me. I rushed across the space separating us, my bag slapping against my side as I, for once, gracefully maneuvered around the people in my path. His chuckle brushed over me when I was just steps away, and I threw myself at him with a little sigh of relief. My legs wrapped around his waist and his arms locked around my back. I burrowed my head into his shoulder and inhaled deep, taking in his distinctive scent. “Rim,” he murmured, his voice low. I pulled back and his lips were on mine instantly. The moment our lips touched, he stilled, his body and mouth pausing against mine. Before I could wonder why, he muttered a garbled curse against my mouth and then his lips began to move. He kissed me softly but fiercely. There was so much possession in the way he kissed me, in the way his arms locked around me that my heart stuttered. I parted my lips so his tongue could sweep inside, and when my tongue met his, desire, hot and heavy, unfurled within me. Someone chuckled as they walked by, and Romeo retreated slightly, still letting his mouth linger on mine before completely pulling away. He rested his forehead against mine and he smiled. “I really fucking missed you.” “Me too,” I whispered. -Romeo & Rimmel

She was interviewing one of my favorite television actors, Don Johnson of Miami Vice. As he reclined on a couch in his lovely home, Don told Barbara about the joys and difficulties in his life. He talked of past struggles with drug and alcohol abuse and work addiction. Then he spoke of his relationships with women—how exciting and attractive he found them. I could see his energy rise and his breath quicken as he spoke. An air of intoxication seemed to fill the room. Don said his problem was he liked women too much and found it hard to be with one special partner over a long period. He would develop a deep friendship and intimacy, but then his eyes would wander. I thought to myself, this man has been sexually abused! His problems sounded identical to those of adult survivors I counsel in my practice. But then I reconsidered: Maybe I’ve been working too hard. Perhaps I’m imagining a sexual abuse history that isn’t really there. Then it happened. Barbara leaned forward and, with a smile, asked, “Don, is it true that you had your first sexual relationship when you were quite young, about twelve years old, with your seventeen-year-old baby-sitter?” My jaw dropped. Don grinned back at Barbara. He cocked his head to the side; a twinkle came into his blue eyes. “Yeah,” he said, “and I still get excited just thinking about her today.” Barbara showed no alarm. The next day I wrote Barbara Walters a letter, hoping to enlighten her about the sexual abuse of boys. Had Don been a twelve-year-old girl and the baby-sitter a seventeen-year-old boy, we wouldn’t hesitate to call what had happened rape. It would make no difference how cooperative or seemingly “willing” the victim had been. The sexual contact was exploitive and premature, and would have been whether the twelve-year-old was a boy or a girl. This past experience and perhaps others like it may very well be at the root of the troubles Don Johnson has had with long-term intimacy. Don wasn’t “lucky to get a piece of it early,” as some people might think. He was sexually abused and hadn’t yet realized it.   Acknowledging past sexual abuse is an important step in sexual healing. It helps us make a connection between our present sexual issues and their original source. Some survivors have little difficulty with this step: They already see themselves as survivors and their sexual issues as having stemmed directly from sexual abuse. A woman who is raped sees an obvious connection if she suddenly goes from having a pleasurable sex life to being terrified of sex. For many survivors, however, acknowledging sexual abuse is a difficult step. We may recall events, but through lack of understanding about sexual abuse may never have labeled those experiences as sexual abuse. We may have dismissed experiences we had as insignificant. We may have little or no memory of past abuse. And we may have difficulty fully acknowledging to ourselves and to others that we were victims. It took me years to realize and admit that I had been raped on a date, even though I knew what had happened and how I felt about it. I needed to understand this was in fact rape and that I had been a victim. I needed to remember more and to stop blaming myself before I was able to acknowledge my experience as sexual abuse.

My favourite part of my new book so far: Chapter 48: Creatures of The Night A figure stood in the stairwell beneath the Smoke's Poutinerie close to Simcoe Street and Adelaide Street West. He munched his pulled pork poutine and watched the strange object glide through the fog that engulfed the tall blue R.B.C. building. “Nice night for a stroll,” smiled The Rooster. Upon heading North, Fred had decided to take a detour and glide the exact opposite way: South. It was why he was now flying through the fog that suspended over the R.B.C. building. Through the billowing cloud he sailed and higher up into the air as he was heading towards the business district of Toronto where all the skyscrapers were. As Fred got closer, he understood why they were labeled as skyscrapers: they basically scraped the sky. But the view from up here was fantastic. It was a rainy and cold night, but Fred felt very warm in his upgraded suit. Soon, he was zooming past the green windowed T.D. building and back towards the North side of Yonge Street. However, as he sailed home, he began to worry about Allen. The Rooster had already cut up his ex-girlfriend so what would he do to Allen? Allen had been a friend to Fred when no one else had been there. Of course, he used to have many friends in preschool, elementary school, and high school but no one he clicked with. Allen McDougal was really the only family he had left and he didn't want The Rooster to kill his old friend in any way. I must radio him, thought Fred as he shot past Dundas Square. But when he pressed the button on the helmet that alerted his Butler's phone, there was no answer. Damn it. They've already got him.

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-Write out a conversation with your inner voice. Begin the entry with a question directed to yourself, then write your mental response. It may help to label the different voices A and B. Dialogue writing is a very effective way to get to the heart of the matter. The following passage is an example of typical dialogue writing: A: Tomorrow is a big day. You have an interview at a college. How do you feel? B: I am really nervous. This is the first interview and I don’t know what it is going to be like. A: What are you afraid of? B: I’m afraid I’ll stutter and say something stupid. I’m worried the person will ask a question and I won’t know what to say. A: What do you want to discuss? B: I think it is good that I was on the basketball team for four years. That shows commitment and dedication. I also got decent grades and earned a blue ribbon at the science fair. A: What about your hobbies outside of school? B: I really like to read. I could mention that. I could talk also about the vacations my family has taken. They are pretty interesting. I enjoy my part-time retail job. A: It sounds like you do a lot. B: I guess I am good at organizing my life and accomplishing what needs to be done. Hey, that would sound good in an interview! -Try focused “freewriting.” Pick one topic, such as school, friends, or family, and write everything that comes to mind about that topic. Write for at least ten minutes or until you’re certain that you have run out of things to write. -Write your belief system. Start by writing “I believe…” at the top of a clean page. Then write whatever comes to mind. It may help to ask yourself questions when you get stuck such as “What do I believe about friendship?” “What is my personal style?” or “What are my gifts and abilities?” -Write about an event from your perspective, then write about the same event from someone else’s point of view. For example, if you had a hard time answering a question during class, write about how you felt, what you thought, and how you behaved. Next, pretend you are the teacher writing about the same event. What do you think he or she was thinking? How did he or she act? This exercise is a great way to show that there are multiple ways of seeing the same situation.

Numbers express quantities. In the submissions to my online survey, however, respondents frequently attributed qualities to them. Noticeably, colors. The number that was most commonly described as having its own color was four (52 votes), which most respondents (17) said was blue. Seven was next (28 votes), which most respondents (9) said was green, and in third place came five (27 votes), which most respondents (9) said was red. Seeing colors in numbers is a manifestation of synesthesia, a condition in which certain concepts can trigger incongruous responses, and which is thought to be the result of atypical connections being made between parts of the brain. In the survey, numbers were also labeled “warm,” “crisp,” “chagrined,” “peaceful,” “overconfident,” “juicy,” “quiet” and “raw.” Taken individually, the descriptions are absurd, yet together they paint a surprisingly coherent picture of number personalities. Below is a list of the numbers from one to thirteen, together with words used to describe them taken from the survey responses. One Independent, strong, honest, brave, straightforward, pioneering, lonely. Two Cautious, wise, pretty, fragile, open, sympathetic, quiet, clean, flexible. Three Dynamic, warm, friendly, extrovert, opulent, soft, relaxed, pretentious. Four Laid-back, rogue, solid, reliable, versatile, down-to-earth, personable. Five Balanced, central, cute, fat, dominant but not too much so, happy. Six Upbeat, sexy, supple, soft, strong, brave, genuine, courageous, humble. Seven Magical, unalterable, intelligent, awkward, overconfident, masculine. Eight Soft, feminine, kind, sensible, fat, solid, sensual, huggable, capable. Nine Quiet, unobtrusive, deadly, genderless, professional, soft, forgiving. Ten Practical, logical, tidy, reassuring, honest, sturdy, innocent, sober. Eleven Duplicitous, onomatopoeic, noble, wise, homey, bold, sturdy, sleek. Twelve Malleable, heroic, imperial, oaken, easygoing, nonconfrontational. Thirteen Gawky, transitional, creative, honest, enigmatic, unliked, dark horse. You don’t need to be a Hollywood screenwriter to spot that Mr. One would make a great romantic hero, and Miss Two a classic leading lady. The list is nonsensical, yet it makes sense. The association of one with male characteristics, and two with female ones, also remains deeply ingrained.

Don't label people things like jock, emo, goth, nerd, geek, prep, etc. because you can never describe a person even yourself with a single word and completely understand them.

La música puede ser una máscara o un casco con el que algunos posan en el álbum fotográfico del tiempo.

Just his luck: in the middle of one of the oldest Muslim cities in the world, he’d stumbled into a gay bar. All I needed! Honeyed gazes followed him as he walked firmly to the bar, which was manned by a fellow with white skin, blue eyes, and blond hair. Sharko glanced at his watch—the taxi had dropped him off ten minutes early—and nodded toward an amber-colored bottle labeled OLD BRENT. “Whiskey, please.

When labels start coming into our heads (loathsome, ugly, loser, winner), we should question them—recognize a label as the insubstantial thing it is, and let it go.

Two steps forward, two steps backward,” said Gil. “The current is worse out here. We are not getting anywhere.” “Just give me a little time,” I said. I thought of a turtle out of water, slow, plodding, finally getting somewhere, but not very fast. “We’ll get there eventually,” I added. “Slow, but sure.” Henny bailed out a few tablespoons of water. “We might sink first,” he said. “We should go back.” “Hang on to your cushion,” said Gil. “That should give you a sense of security.” Henny grabbed the cushion and held it out for us to examine. “Look at this thing,” he said. “Cracked, split, stained, torn, with a little fish-hook on the handle. Here’s a label. Maybe it has directions.” Henny gasped. “Do not use this as a flotation device,” he read aloud. “Why can’t I use this as a flotation device? You said I could use it.” Henny’s voice squeaked. “You can use it,” Gil said. “I’m telling you, you can use it.” “Well, now,” said Henny. “That is simply a great relief. Sure I can use it. But will it hold me up?” Gil picked up his book and started to read. “Did you know that everyone wanted to trade Lewis and Clark for blue beads?” he said. “Have you ever found any blue beads?” “You’re trying to change the subject,” said Henny. “I want to know if this cushion will hold me up.

l’after-shave, le badge, le barbeque, le best-seller, le blue-jean, le blues, le bluff, le box-office, le break, le bridge, le bulldozer, le business, le cake, la call-girl, le cashflow, le check-in, le chewing-gum, le club, le cocktail, la cover-girl, le cover-story, le dancing, le design, le discount, le do-it-yourself, le doping, le fan, le fast-food, le feedback, le freezer, le gadget, le gangster, le gay, le hall, le handicap, le hold-up, le jogging, l’interview, le joker, le kidnapping, le kit, le knock-out, le label, le leader, le look, le manager, le marketing, le must, les news, le parking, le pickpocket, le pipeline, le planning, le playboy, le prime time, le pub, le puzzle, se relaxer, le self-service, le software, le snack, le slogan, le steak, le stress, le sweatshirt, le toaster and le week-end.

La piel, indistintivamente, goza o duele.

His philosophy: buy the cleaner that had the brightest color, the one that looked like it would instantly kill you if you threw your head back and chugged. He was naturally drawn to the purples and blues, deciding on something called Kaboom, not because of anything on the label, but because of its name. He imagined Mickey’s bathroom exploding beneath a violet mushroom cloud, giving him just enough time to bolt out of the house and tuck-and-roll onto the patchy front lawn.

No hace falta ir tan lejos, me dije, el infierno es la memoria.

And I myself woke up one day and realized all the people in my old life hated me… but somehow I didn’t care. We each became immune to the Blue Plague, which labels all resistance as racist, bigoted, Nazi scumbags.

You always liked this one, I think,” says the nice blond girl, taking out a shimmering gray-blue scarf from the pile in front of her. Oh God, yes. I remember this one. It’s made of silky velvet, overprinted in a paler blue and dotted with iridescent beads. As I stare at it, I can feel little invisible strings, silently tugging me toward it. I have to touch it. I have to wear it. It’s the most beautiful thing I’ve ever seen. The girl looks at the label. “Reduced from £340 to £120.” She comes and drapes the scarf around my neck and I gape at my reflection.

Isaac took a long swig from the unmarked bottle. He'd tasted her cider before, but this bottle was completely different, yet just as wonderful. The apple was more prominent, yet not sweet, almost funky but in a good, blue-cheese way. He held the bottle up to the light and could see the sediment swirling in the bottom. "This is amazing- so different from the other one." Sanna grinned. "You really like Olive? I wasn't sure when I blended it. Not everyone likes the murkiness." "Olive?" Sanna leaned against the counter, putting her weight on her wrist as she studied him for a long moment, her eyes squinting. She took a long drink from her own bottle. "I see colors when I make ciders. I can't explain it. Each juice has its own hue. That's what those paintings represent." She pointed at the watercolors over the fireplace. "A new color comes to me, and I blend the juices until I can re-create it in the flavor. And this one is Olive." "You color-code your ciders?" He struggled to understand what she was telling him. "No." She reached across the counter and pulled her journal toward her. She opened it and handed it to Isaac. As she sipped her cider, he studied the page, then the next page, then the next. On each was a swatch of layered color, all wildly different from one another- reds, greens, teals, colors he didn't really have names for. Next to the colors were measurements, apple varieties, percentages, and flavor notes. Scribbles filled the margins and equations contained both numbers and words. Things like sugars and acidity were measured and tested. It was part recipe book, part coloring book, and part wine label, with a hint of spell book. Looking at it was like opening a tiny door into the back of her head. She saw things that no one else did, an imaginary world of cider only she could see. "You can see the color in your head?" "It's the easiest way to explain it. A color pops into my head, and I know what it will taste like. When I blend the different raw ciders together, I know I have it right when it matches what I've imagined.

Not meaning to disrespect the Lincolns in any way, but they’re looking into this because they’re paid to look into it. Not because they necessarily think there’s anything to go on.” He paused. “However, if they come up with something solid. I mean solid. Real proof a crime has been committed here. Something that will stand up in court, then we’ll take another look. But until then …” He closed the file folder in front of him with a swish, sat back, adjusted his navy-blue tie, and looked at Hank. Hank studied Diego a moment and then finally stood. “All right. Thanks, Captain,” he said reluctantly as he turned and left the room. Hank knew Diego had done the logical thing. As head of the Richmond Hill Police Department, Captain Diego had worked his way up through the ranks and was well respected by the men under him. That wasn’t to say Diego was always right, of course, but he was the captain. He sighed and stabbed speed dial on his cell phone. “Jake here.” “Hey, Jake, the captain closed the file. Mrs. Macy’s death has officially been labeled a suicide by the coroner.” “So the investigators found nothing either?” Jake asked. “Nope. I have all the reports right here. If you guys are going to be home for a while, I’ll drop them over.” “Sure,” Jake said. “We’re here now. Come on over.” “Be right there.” Hank touched the cell phone and ended the call, shoving it into his pocket. He made photocopies of the papers, went to his desk, and slipped them into his briefcase. Before leaving, he poked his head back into Diego’s office. “Can we at least have an autopsy done?” he asked. Diego sighed. “All right. I’ll get the coroner to do a full autopsy. Then we’ll close the case.” “Thanks, Captain,” Hank said. He turned and left the precinct. Thursday, August 18th, 9:22 a.m. JAKE SWUNG the front door open when Hank knocked. “Come on in. Annie’s in the kitchen. There’s some fresh coffee on.” He led the way and Hank followed. Annie greeted Hank with a smile as he and Jake dropped into chairs at the kitchen table. Jake slouched back, using another chair to prop up his feet, while Annie poured three steaming mugs of coffee. She set them on the table with cream and sugar and sat at the end. Hank opened his briefcase and removed the folder of reports. He dropped them on the table in front of Annie. “It’s all here,” he said. “Police report. Coroner’s report. Doctor’s report. Drug screen.” Annie flipped open the folder and browsed the papers while Hank and Jake prepared their coffee. Lots of sugar in

Promoting your name is not promoting your Label. Religious Leader Petra Cecilia Maria Hermans The Religion Of The Blue Circle

The image of my father's ashes drifting down into the clear water among the spawning salmon played across the screen of my mind. I counted off all the deaths I had seen, the tally of which remarked upon the fate of all living things, which is to be eaten, whether by whales, eagles, bears, or the microbes of the grave. But this is part and parcel of the continuation of life...the translation of bidies into more bodies, and life into life. The litter of shattered crab shell at my feet gave brilliant red testimony to how death becomes life, is necessary for life, and this being so, is beyond being labeled as good or bad.

The typical department was shaped by its organizational culture more than by statutes, regulations or the lofty pronouncements of the mayor or the police commissioner. If officer A saw officer B struggling with someone on the street, he was expected to jump in and help his colleague without question. Anyone who failed to do so would thereafter be scorned by his peers. Informers too were despised, particularly in Irish-dominated forces with a folk memory of British spies in the old country. A cop who was labeled a coward or a stool pigeon would become an outcast.

Lego Motorcycle. The toy Lego motorcycle is shown assembled (A) and in pieces (B). It has fifteen pieces so cleverly constructed that even an adult can put them together. The design exploits constraints to specify just which pieces fit where. Physical constraints limit alternative placements. Cultural and semantic constraints provide the necessary clues for further decisions. For example, cultural constraints dictate the placement of the three lights (red, blue, and yellow) and semantic constraints stop the user from putting the head backward on the body or the pieces labeled “police” upside down.

You were brushing your hair,” he guessed. “Which means you were almost ready for bed. I apologize for intruding.” He wandered to her vanity and picked up a brush inlaid with ivory. “It was a gift from the old earl,” she said, watching him fingering her belongings. He ran his thumbnail down the teeth of her comb and picked up a blue ribbon coiled in a tray of hairpins. “I have been considering how best to apologize to you,” he said, winding the ribbon around his finger, “but I’m not sure exactly what label to put on my transgression.” Call it a kiss, Emmie silently rejoined. “And was an apology the purpose of this conversation?” she asked, not knowing where in the room to put herself. She wasn’t about to sit on the bed, and not on the fainting couch by the cold hearth either. She also didn’t want to sit at her vanity, not with him standing there, acquainting his big, tanned hands with her belongings. “I’m not just here to apologize.” He smiled a slow, lazy smile at her. Not one of his company smiles, not a smile he’d give to Winnie or Lord Amery either. “Come sit, Emmie.” He patted the low back of the chair at her vanity. “You are uneasy, wondering when I’ll say something uncouth or alienate another neighbor. I regret that.” He patted the back of the chair again, and on dragging feet, Emmie crossed the room. She seated herself and expected the earl to take the end of the fainting couch or to slouch against the mantel. He caught her completely off guard by standing behind her and drawing her hair over her shoulders. “I miss doing this for my sisters,” he said, running the brush down the length of her hair, “and even for Her Grace when I was very young.” “She raised you?” Emmie asked, knowing she should grab the brush from him. “From the age of five on. You have utterly glorious hair. Winnie will be the envy of her peers if she ends up with hair like this.” He drew a fat coil up to his nose and inhaled, then let it drop and resumed his brushing. “You should not be doing this,” Emmie said, but even that weak admonition was an effort. “I should not be letting you do this.” “I interrupted you. It’s only fair I should perform the task I disturbed. Besides, I wanted to talk to you about this trip Douglas has proposed.” Emmie

If you love her, you tell her. Not with a text, or a phone call. You tell her only when you get to see the dimples on her face and the blue in her eyes. You tell her only when you can feel the sweat on your brow and the jitters in your palms. You tell her when you can hear your heart beating louder than the sound of your own voice. When there's no turning back to just being friends. Because you know, deep down, you could never just be friends with her. She's too incredible for that. You tell her when you've decided that she's the one you're after, and you don't ever plan on settling for second best. You've put all your chips on the table, ready to risk it all on the next hand. Deciding to wear your heart on your sleeve should come with a warning label: 'proceed with caution. Heart is fragile and is prone to being hurt.' To be vulnerable, and real, and honest is a rarity. You tell her. Even if it hurts you. Because the words she utters next could change everything.... [I love you too.]

For this expanse of dharmas just as it is, the conventional term "ultimate reality" is used. You might object, "What do you mean? If it is not an object of any consciousness whatsoever, one is not even able to focus on it. Therefore, how can it at the same time be presented as the ultimate?" In general, in all this labeling with conventional terms, it is not the case that the direct observer of a given phenomenon is doing the labeling. [For example,] when one labels [something] with the conventional term "blue utpala,"""5 the observer of that is a [visual] sense consciousness. But this [consciousness itself] does not conceive of the attribute that is the name "utpala" or the attribute "blue color," [646] because it is nothing but mere direct and nonconceptual experiencing.

Marc walked down the jet way, blinking into the rising sun. He dug in the bag for the USAF-issue sunglasses that he habitually carried and wiped them clean. Lucy was waiting at the foot of the ramp, dressed in the same kind of almost-neutral clothing as he was. She was peering at a sheaf of paper maps, and among the sheets Marc saw a blow-up of the satellite image he had provided to Rubicon, the errant picture salvaged from the comm files. ‘We can make this by late afternoon if we hustle,’ she told him. ‘A helo would draw too much attention. We’ll take the highway.’ She jerked her thumb at a battered Land Rover parked in the shadow of the jet. Malte, the taciturn driver, was in the process of loading the 4x4 with two equipment cases, one labelled with a red stripe, another with blue. ‘Is he coming with us?’ Lucy shook her head. ‘Just you and me, pal.

Aditya is fond of his whisky but prefers to drink at home when he is with his family. Deepak loves Beck's and Heineken beer with his Sunday lunches. His evening preference is Johnnie Walker's Blue Label. He holds the glass but hardly drinks, only taking small sips every once in a while. A smart strategy, especially when he has to hop parties for networking. Ram doesn't drink. For Paresh, even tea is poison. Rajan finds beer too strong and, given a chance, will dilute it. Vinod, the 'original Brit' as some of his colleagues dub him, is always measured in drinking, like his steps while walking. They are all very different from one another; they have their whims, their fancies, their idiosyncrasies, but they have coexisted wonderfully well in professional harmony.

I’m an addict, a knobhead, and a bitter arsehole who can’t even sit still when his enemy receives a Grammy. Everyone can—and does—see my scars. No exceptions. My soul is empty, because I whored it out. I signed fat contracts with huge labels to get big money. For the last six years, they’ve dictated my every move. And whatever they didn’t suck out of me, the crowd did. Because every night you go on that stage, Indie, you give your fans your everything. Every. Fucking. Thing. Then you wake up the next day and do it all over again.

I’ve always considered myself straight, and now it seems kinda silly to have to put a label on what you’re into. I'm into Gus, and I want to explore more of what that looks like.

Sometimes, I lean out my split-pane window that seems to be high off the ground, and I can hear the whistling wind stream through the leaves of the growth of trees, sometimes this reminds me about being in the garden and golden fields when my eyes are closed. But, when my eyes were open, I realized that it is just the wind rushing through the various hills and valleys of ‘The Land of Many Steeples.’ I do not know what it is… but there is just something about letting your hair blow in the breeze, which feels so amazing. I feel that it is just one of the amazing moments in time, which I have experienced. Oh, just the same can be said, about me standing in the rain, freely and naturally on a warm spring day, while I am filling the ground squish under my toes. Yes, likewise can be said for the winters when I come home from the hellhole, and see the fireplace with its warm glow, from outside the frost chilled arched windows of the tort section of the house that is part of the dwelling. ‘It is amazing also because I know that I will soon be warm and comfortable, and out of this uniform that labels me as one of them.’ In the wintertime, the snowdrifts, the pointed part of the roof along with the weathervane are covered in a blanket of white, ‘The Land of Many Steeples’ sparkles, and soft with an almost spooky light blue cast in the moonlight. The trees down the lane drip with ice like a crystal cave, but- yet we all carve a pathway down the road that leads to the hell and then back to the emptiness. Snow days are rare, but that does not matter to me either way because I cannot truly share it with anyone it seems, as you all know. So, would you be my friend if I asked you? Would you spend some time with me? Can I depend on you; I would be there for you! So, on any day in any weather condition, unless the fog is rising from the valley, I can see in the distance ‘The Land of Many Steeples’, a far cry from this country land, where the dwelling of lost and lonely dreams is upon. Then there are some days there are thunderstorms outside my window, and it takes me back to the past, like when I was in that dark room. I do not think anyone gets over their past, the past that haunts me, and a past that the tower uses against me. Yes, you can change your name. Change your hair, and change your style, but the words of slander will remain. The only thing I can do is find someone that does not care about what the words mean or say, or just plainly pray for it to all go away.

The first single was tracked at Media Arts Studio in Hermosa Beach, south of L.A.; the label copy helpfully dates the session—October 9, 1980. The producer is identified as “Screwy Louie.” The A side is a cover of “Under the Boardwalk,” the Drifters’ 1964 R&B ballad. David Hidalgo takes the soaring lead (his first solo vocal on record), effortlessly duplicating the tug of Johnny Moore’s original performance. But the number receives a twist in the band’s hands: in place of the lush string instrumental break on the Bert Berns–produced original, one hears a Tex–Mex button accordion solo. The flip was a rendering of “Volver, Volver,” a bolero penned by Fernando Z. Maldonado that had been an enormous hit for the Mexican ranchera superstar Vicente Fernández in 1976. Returning to his original role as the group’s ballad specialist, Cesar Rosas takes the lead vocal. Here the band offers an old-school East Side spin on the swaying, lushly romantic number, bringing some unidentified friends into the studio to scream and howl in the background, in the manner of the “live” supporting casts on Cannibal and the Headhunters’ “Land of 1000 Dances” or the Premiers’ “Farmer John.

many of the 1977–1978 punk generation “flopped the hardcore testo rage rite,” and gravitated to a new breed of roots-based rock bands with a foot planted in the O.G. punk firmament. These included Top Jimmy and the Rhythm Pigs, a brawny, hard-drinking blues–rock unit fronted by “Top Jimmy” Koncek, a close friend of and sometime roadie for the punk band X; the Gun Club, a feral, unpredictable punk–blues unit led by vocalist–songwriter Jeffrey Lee Pierce, a blues devotee and frequent contributor to Slash magazine; and Phast Phreddie and Thee Precisions, a cranked-up R&B unit featuring singer Fred “Phast Phreddie” Patterson, former co-editor of Back Door Man, the first fanzine to explore L.A. punk. By late 1980, the NYC-by-way-of-Cleveland psychobilly quartet the Cramps had relocated to Los Angeles. The Flesh Eaters—one of the earliest L.A. punk bands, led by singer–songwriter Chris D. (born Chris Desjardins), another Slash contributor and head of the magazine’s in-house subsidiary label, Ruby Records—would begin to probe punk–blues terrain with the 1981 album A Minute to Pray, A Second to Die, a swampy collection on which the bandleader was backed by members of X and the Blasters.

The Blasters proved to be the most prominent and popular of these acts by far. Originally a quartet, the band was bred in Downey, just down the freeway from East L.A. In their teens, brothers Phil and Dave Alvin were bitten by the blues bug; they became habitués of the L.A. club the Ash Grove, where many of the best-known folk and electric blues performers played, and they sought out the local musicians who could teach them their craft, learning firsthand from such icons as Big Joe Turner, T-Bone Walker, and Little Richard’s saxophonist Lee Allen (who would ultimately join the band in the ’80s). But the Blasters’ style was multidimensional: they could play R&B, they loved country music, and they were also dyed-in-the-wool rockabilly fans who were initially embraced by the music’s fervent L.A. cultists. Their debut album, 1980’s American Music, was recorded in a Van Nuys garage by the Milan, Italy–born rockabilly fanatic Rockin’ Ronnie Weiser, and released on his indie label Rollin’ Rock Records, which also issued LPs by such first-generation rockabilly elders as Gene Vincent, Mac Curtis, Jackie Waukeen Cochran, and Ray Campi. By virtue of Phil Alvin’s powerful, unmannered singing and Dave Alvin’s adept guitar playing and original songwriting, the Blasters swiftly rose to the top of a pack of greasy local bands that also included Levi and the Rockats (a unit fronted by English singer Levi Dexter) and the Rockabilly Rebels (who frequently backed Ray Campi). Los Lobos were early Blasters fans, and often listened to American Music in their van on the way to their own (still acoustic) gigs. Rosas says, “We loved their first record, man. We used to play the shit out of that record. Dave [Hidalgo] was the one who got a copy of it, and he put it on cassette.

The album was filled out with a faithful, ripping cover of “I Got Loaded,” a slice of swampy R&B celebrating the joys of alcoholism originally cut by Little Bob & the Lollipops on the La Louisianne label in 1965;

His mind went to other parts of that strange conversation: weirding room. He looked to his left where she had pointed. We Fremen. So that was a Fremen. He paused for the mnemonic blink that would store the pattern of her face in his memory—prune-wrinkled features darkly browned, blue-on-blue eyes without any white in them. He attached the label: The Shadout Mapes.

Something drew her attention. Her eyes narrowed as if to bring a distant object into focus. "I have a new sense,” she realized. “I feel myself standing on the surface of a vast library.” She turned in a circle, scanning the featureless blue plain. “I feel the presence of well-ordered data.” She reached out, and to Kona’s surprise, a curving side path appeared in response to her beckoning gesture. Files sprang up on the path, each one a thin, vertical pane large enough to step into. The first file in the stack showed a branching map of the library with all its major sections neatly labeled.

Toda mi vida ha sido una búsqueda de cosas que no han llegado, una recreación tremendista de lo que vendrá, de lo que queda por vivir.

Mi mamá, sin decirlo, censura mi silencio. Piensa que he sido indiferente a nuestra tragedia. No soporto su hundimiento público ni su política exhibicionista de la lástima

«¿No te da ladilla?». «No, es divertido. La Historia de Venezuela es muy divertida». «No sé, a mí nunca me gustó la Historia». «La Historia como la dan en el colegio es una mierda pero créeme que si le entras por tu cuenta es un tripeo. Todos esos héroes eran unos mamarrachos.

Sé que no soportaré el momento en el que lo que quiero se transforme en lo que quise; cuando lo que aspiro se confunda con lo que aspiré, cuando existir no sea más que un eterno reproche, una denuncia contra los sueños caducados

Es fácil criticar y juzgar cuando no se hace ningún sacrificio.

One of the first scientific papers to write about exercise-induced myokines labeled them “hope molecules.” Ultra-endurance athletes talk about the metaphor of putting one foot in front of the other—how learning that you can take one more step, even when it feels like you can’t possibly keep going, builds confidence and courage. The existence of hope molecules reveals that this is not merely a metaphor. Hope can begin in your muscles. Every time you take a single step, you contract over two hundred myokine-releasing muscles. The very same muscles that propel your body forward also send proteins to your brain that stimulate the neurochemistry of resilience. Importantly, you don’t need to run an ultramarathon across the Arctic to infuse your bloodstream with these chemicals. Any movement that involves muscular contraction—which is to say, all movement—releases beneficial myokines. It seems likely that some ultra-endurance athletes are drawn to the sport precisely because they have a natural capacity to endure. The extreme circumstances of these events allow them to both challenge and enjoy that part of their personality. Yet it’s also possible that the intense physical training contributes to the mental toughness that ultra-endurance athletes demonstrate. Endurance activities like walking, hiking, jogging, running, cycling, and swimming, as well as high-intensity exercise such as interval training, are especially likely to produce a myokinome that supports mental health. Among those who are already active, increasing training intensity or volume—going harder, faster, further, or longer—can jolt muscles to stimulate an even greater myokine release. In one study, running to exhaustion increased irisin levels for the duration of the run and well into a recovery period—an effect that could be viewed as an intravenous dose of hope. Many of the world’s top ultra-endurance athletes have a history of depression, anxiety, trauma, or addiction. Some, like ultrarunner Shawn Bearden, credit the sport with helping to save their lives. This, too, is part of what draws people to the ultra-endurance world. You can start off with seemingly superhuman abilities to endure, or you can build your capacity for resilience one step at a time. Months after I spoke with Bearden, an image from his Instagram account appeared in my feed. It was taken from the middle of a paved road that stretches toward a mountain range, with grassy fields on either side. The sky is blue, except for a huge dark cloud that appears to be hovering directly over the person taking the photo. I remembered how Bearden had described his depression as a black thundercloud rolling in. Under the Instagram photo, Bearden had written, “Tons of wind today, making an easy run far more challenging. So happy to be able to do this. Every day above ground is a good day.” Below, a single comment cheered him on, like a fellow runner on the trail: “Amen to this! Keep striving.

Whether it is labeled as sacred versus profane, gospel versus blues, God’s work versus the devil’s music, the classic (and still pervasive) African-American paradigm that holds church matters and popular culture in diametric opposition, that separates true spirituality from such music as jazz, held no sway in Coltrane’s self-erected system. How could it, when he had found salvation through a saxophone? With the clarity of youth, he divined a common source—and common goal—to both pursuits.

Adam hadn't even realized the ancient tape deck worked, but after a hissing few seconds, a tape inside jangled a tune. Noah began to sing along at once. "Squash one, squash two--" Adam pawed for the radio at the same time as Blue. The tape ejected with enough force that Noah stretched a hand to catch it. "That song. What are you doing with that in your player?" demanded Blue. "Do you listen to that recreationally? How did that song escape from the internet?" Noah cackled and showed them the cassette. It boasted a handmade label marked with Ronan's handwriting: Parrish's Hondayota Alone Time. The other side was A Shitbox Singalong. "Play it! Play it!" Noah said gaily, waving the tape. "Noah. Noah! Take that away from him," Adam said.

He? Elder Crab warned us about this. About humans' obsession with gender, and how labels and rules mean so much to them when it comes to the body.

Blue is the color that represents the male sex label, but it is also the color of melancholy, depression, and the ice-blue chill of death.

There is a beast that dwells in the shadows of all of us. If it were to approach, you would not notice until it landed heavily on your shoulders, until it dragged you down with a solid sense of hopelessness. By the time you feel this weight, it is too late to escape. Your energy, your enthusiasm, and your sense of direction are already being devoured from within.

We expect the male labeled to be silent and strong, and thus not admit to vulnerabilities. Depression is the king of vulnerabilities, and so shame silences you.

If boys don’t cry, then you shouldn’t have to tell your son that boys don’t cry. I never have to tell my dog that dogs don’t meow. She doesn’t meow, will never meow, and me telling her this tidbit is pretty irrelevant. Repeatedly telling a crying boy that boys don’t cry is ignoring the obvious: that boys do, in fact, cry. What these admonitions do, besides defy logic, is teach boys that negative or sad emotions are something only girls are allowed to express. This shapes their emotion schemas, the ideas we hold about what emotions feel like, how they should be labeled, and how they should be expressed. We aren’t born with these schemas; we are taught them. Boys are taught that sadness is not okay, and expressing sadness is definitely not okay, despite sadness being a normal human emotion experienced by people around the world. We all know that emotions don’t disappear; they have to come out in some way. For boys, while crying and sadness are not okay, anger is allowable.