Blown Away Love Quotes

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I think joy and sweetness and affection are a spiritual path. We're here to know God, to love and serve God, and to be blown away by the beauty and miracle of nature. You just have to get rid of so much baggage to be light enough to dance, to sing, to play. You don't have time to carry grudges; you don't have time to cling to the need to be right.
Anne Lamott
Love does not cost anything. Kind words and deeds do not cost anything. The real beauty of the world is equal for everyone to see. It was given by God equally to all, without restrictions. Everyone, was given a beautiful vehicle in which to express love to others. Feelings are free to express and give to ourselves and each other through our willingness to give and care. What is complicated about this... Why have we made others feel they have to climb mountains and swim oceans in order to make a difference. All we need to understand my friends, is that human life was given equally to us all, not partially but in totality. The sun was given to all. It does not shine on the few. So, just has nature is indifferent to our station or situation, we need to know that we are all equal. We need to focus on the things that are constant and not place our values on things that can be blown away with the next, great, wind. Value life in what ever house it dwells. For when it comes time that we are all stripped to bare bones before the divine and facing eternity, we will understand that the only law we were meant to follow, was to love ourselves and each other. Nothing more...nothing less.
Carla Jo Masterson
Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.” “Alex!” He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.” The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak. He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.
Lauren Oliver (Requiem (Delirium, #3))
Then why are you crying?” “Because of you!” I beat my fists on his chest. “Because I love you, and I don’t know what to do! I can solve almost any problem, but I can’t solve this. I don’t know how to deal with that. And I’m afraid! Afraid for you! Do you know what it’d do to me if something happens to you?” I stopped hitting him and clasped my hands over my own chest, as though there was a danger my heart might fall out. “This! This would break. Shatter. Crumble. Crumble until it was dust.” I dropped my hands. “Blown away on the wind until there was nothing left.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
What's the worth of sadness in front of happiness? Like a leaf that's blown away by the wind. What's the worth of despair in front of hope? Like a dirty stone that's thrown in a clean pond. What's the worth of chaos in front of peace? Like a flying kite that's string has been cut down. What's the worth of disunion in front of the union? Like a fish that's breathing but not in water.
Hareem Ch (Hankering for Tranquility)
Way far back in the beginning of the world was the whirlwind warning that we could all be blown away like chips and cry- Men with tired eyes realize it now, and wait to deform and decay- with maybe they have the power of love yet in their hearts just the same, I just don't know what that word means anymore- All I want is an ice cream cone
Jack Kerouac
They're a funny lot, suicides. I remember one man who couldn't get any work to do and his wife died, so he pawned his clothes and bought a revolver; but he made a mess of it, he only shot out an eye and he got alright. And then, if you please, with an eye gone and a piece of his face blown away, he came to the conclusion that the world wasn't such a bad place after all, and he lived happily ever afterwards. Thing I've always noticed, people don't commit suicide for love, as you'd expect, that's just a fancy of novelists; they commit suicide because they haven't got any money. I wonder why that is." "I suppose money's more important than love," suggest Philip.
W. Somerset Maugham (Of Human Bondage)
These feelings...the ugly feelings in my heart...should have been blown away...and buried deep in the sands...
Rei Tōma (Dawn of the Arcana, Vol. 9)
Once I thought I saw you in a crowded hazy bar, Dancing on the light from star to star. Far across the moonbeam I know that's who you are, I saw your brown eyes turning once to fire. You are like a hurricane There's calm in your eye. And I'm gettin' blown away To somewhere safer where the feeling stays. I want to love you but I'm getting blown away. I am just a dreamer, but you are just a dream, You could have been anyone to me. Before that moment you touched my lips That perfect feeling when time just slips Away between us on our foggy trip. You are like a hurricane There's calm in your eye. And I'm gettin' blown away To somewhere safer where the feeling stays. I want to love you but I'm getting blown away. You are just a dreamer, and I am just a dream. You could have been anyone to me. Before that moment you touched my lips That perfect feeling when time just slips Away between us on our foggy trip. You are like a hurricane There's calm in your eye. And I'm gettin' blown away To somewhere safer where the feeling stays. I want to love you but I'm getting blown away. The song was written in July 1975 after Young had just undergone an operation on his vocal chords after a cocaine-fueled night with friend. "We were all really high, fucked up. Been out partying. Wrote it sitting up at Vista Point on Skyline. Supposed to be the highest point in San Mateo County, which was appropriate. I wrote it when I couldn't sing. I was on voice rest. It was nuts - I was whistling it. I wrote a lot of songs when I couldn't talk.
Neil Young
I am burning. I have to live, I have to sing, I want to transform myself into a thousand different characters and carry their life with me onto the stage where it's so bright and so dark at the same time, just knowing there are three thousand people out there longing to be swept away by the passion that's about to flood out from scarlet curtains, to this I consecrate my body and my soul, I can give no more than all of myself, I feel my heart is a throbbing engine and my voice is the valve, like a wailing train, it has to sing or blow up, there's too much fuel, too much fire, and what am I to do with this voice if I can't let it out, it's not just singing. I am here as a speck, but I don't feel scared or about to be blown away, I feel like all New York is a warm embrace just waiting to enfold me. I am in love. But not with a person. I am passionately in love with my life.
Ann-Marie MacDonald (Fall on Your Knees)
Come out, come out, little Harry!" she called in her mock-baby voice, which echoed off the polished wooden floors. "What did you come after me for, then? I thought you were here to avenge my dear cousin!" "I am!" shouted Harry, and a score of ghostly Harrys seemed to chorus I am! I am! I am! all around the room. "Aaaaaah... did you love him, little baby Potter?" Hatred rose in Harry such as he had never known before. He flung himself out from behind the fountain and bellowed "Crucio!" Bellatrix screamed. The spell had knocked her off her feet, but she did not writhe and shriek with the pain as Neville had -- she was already on her feet again, breathless, no longer laughing. Harry dodged behind the garden fountain again -- her counterspell hit the head of the handsome wizard, which was blown off and landed twenty feet away, gouging long scratches into the wooden floor. "Never used an Unforgivable Curse before, have you, boy?" she yelled. She had abandoned her baby voice now. "You need to mean them, Potter! You need to really want to cause pain -- to enjoy it -- righteous anger won't hurt me for long -- I'll show you how it is done, shall I? I'll give you a lesson--!
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Tessa, Will, and Jem had raised James in love, and had surrounded him with love and the goodness it could produce. But they had given him no armor against the evil. They had wrapped his heart in silks and velvet, and then he had given it to Grace Blackthorn, and she had spun for it a cage of razor wire and broken glass, burned it to bits, and blown away the remains, another layer of ashes in this place of beautiful horrors.
Cassandra Clare (The Midnight Heir (The Bane Chronicles, #4))
So at the heart of all things is the germ of their overthrow; the closer you are to the heart, the closer to the reversal. Nowhere to go but down. You reach the core and then you're blown away--
Ahdaf Soueif (The Map of Love)
There were times when I was blown away by the virgin beauty of the land. Kind of like that guy who lost his shit on the internet at the full double rainbow across the sky. Remember that guy? He kept asking what it meant, and it is not so difficult a question to answer. It means that we are loved, like all living things that Gaia sustains. There is a poetry in the canapes of forests and in the gentle roll of hills. A song in the wind and a benediction in the kiss of the sun. There are stories in the chuckle of waters in creeks and epics told in the tides of oceans. There are trees, Granuaile, that seem sometimes like they have grown all their lives just to feel the touch of my hand upon their trunks. They are so welcoming to me. You will feel that welcome in your hands some day. You'll feel it in your toes as you walk upon the earth. I cannot wait to see that love bloom in your eyes....' Tears glistened at the edges of her eyes... She knew precisely what I meant. She understood. And she became almost unbearably beautiful to me in that moment.
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
Why, why is this? Think'st thou I'ld make a lie of jealousy, To follow still the changes of the moon With fresh suspicions? No; to be once in doubt Is once to be resolved: exchange me for a goat, When I shall turn the business of my soul To such exsufflicate and blown surmises, Matching thy inference. 'Tis not to make me jealous To say my wife is fair, feeds well, loves company, Is free of speech, sings, plays and dances well; Where virtue is, these are more virtuous: Nor from mine own weak merits will I draw The smallest fear or doubt of her revolt; For she had eyes, and chose me. No, Iago; I'll see before I doubt; when I doubt, prove; And on the proof, there is no more but this,-- Away at once with love or jealousy!
William Shakespeare (Othello)
What grief is not taken away by time? What passion will survive an unequal battle with it? I knew a man in the bloom of his still youthful powers, filled with true nobility and virtue, I knew him when he was in love, tenderly, passionately, furiously, boldly, modestly, and before me, almost before my eyes, the object of his passion - tender, beautiful as an angel - was struck down by insatiable death. I never saw such terrible fits of inner suffering, such furious scorching anguish, such devouring despair as shook the unfortunate lover. I never thought a man could create such a hell for himself, in which there would be no shadow, no image, nothing in the least resembling hope... They tried to keep an eye on him; they hid all instruments he might have used to take his own life. Two weeks later he suddenly mastered himself: he began to laugh, to joke; freedom was granted him, and the first thing he did was buy a pistol. One day his family was terribly frightened by the sudden sound of a shot. They ran into the room and saw him lying with his brains blown out. A doctor who happened to be there, whose skill was on everyone's lips, saw signs of life in him, found that the wound was not quite mortal, and the man, to everyone's amazement, was healed. The watch on him was increased still more. Even at the table they did not give him a knife to and tried to take away from him anything that he might strike himself with; but a short while later he found a new occasion and threw himself under the wheels of a passing carriage. His arms and legs were crushed; but again they saved him. A year later I saw him in a crowded room; he sat at the card table gaily saying 'Petite ouverte,' keeping one card turned down, and behind him, leaning on the back of his chair, stood his young wife, who was sorting through his chips.
Nikolai Gogol (The Collected Tales of Nikolai Gogol)
This book is for the mothers who've had to say goodbye too soon. I see you, I hear you, and I honor your hearts with wings. You are the strongest individuals alive, and I'm blown away by your strength, your ability to love, and your ability to not quit on life.
Brittainy C. Cherry (Disgrace)
To stand a storm and get blown away by her whisper.
Saleem Sharma
Occasionally my mother called from California. My parents had hurried and difficult conversations. She asked after Buckley and Linsey and Holiday. She asked how the house was holded up and whether there was anything he needed to tell her. 'We still miss you,' he said in December 1977, when the leaves had all fallen and been blown or raked away but even still, with the ground waiting to recieve it, there had been no snow. 'I know that,' she said. 'What about teaching? I thought that was your plan,' 'It was,' she conceded. She was on the phone in the office of the winery. Things had slowed up after the lunch crowd, but five limos of old ladies, three sheets to the wind, were soon due in. She was silent and then she said something that no one, least of all my father, could have argued with. 'Plans change.' ~pgs 226; Changing plans
Alice Sebold (The Lovely Bones)
Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.
Shaun Tan (Tales from Outer Suburbia)
For the city, his city, stood unchanging on the edge of time: the same burning dry city of his nocturnal terrors and the solitary pleasures of puberty, where flowers rusted and salt corroded, where nothing had happened for four centuries except a slow aging among withered laurels and putrefying swamps. In winter sudden devastating downpours flooded the latrines and turned the streets into sickening bogs. In summer an invisible dust as harsh as red-hot chalk was blown into even the best-protected corners of the imagination by mad winds that took the roofs off the houses and carried away children through the air.
Gabriel García Márquez (Love in the Time of Cholera)
... WHEN ONE LOOKS INTO THE DARKNESS THERE IS ALWAYS SOMETHING THERE... Far-off, most secret, and inviolate Rose, Enfold me in my hour of hours; where those Who sought thee in the Holy Sepulchre, Or in the wine-vat, dwell beyond the stir And tumult of defeated dreams; and deep Among pale eyelids, heavy with the sleep Men have named beauty. Thy great leaves enfold The ancient beards, the helms of ruby and gold Of the crowned Magi; and the king whose eyes Saw the pierced Hands and Rood of elder rise In Druid vapour and make the torches dim; Till vain frenzy awoke and he died; and him Who met Fand walking among flaming dew By a grey shore where the wind never blew, And lost the world and Emer for a kiss; And him who drove the gods out of their liss, And till a hundred morns had flowered red Feasted, and wept the barrows of his dead; And the proud dreaming king who flung the crown And sorrow away, and calling bard and clown Dwelt among wine-stained wanderers in deep woods: And him who sold tillage, and house, and goods, And sought through lands and islands numberless years, Until he found, with laughter and with tears, A woman of so shining loveliness That men threshed corn at midnight by a tress, A little stolen tress. I, too, await The hour of thy great wind of love and hate. When shall the stars be blown about the sky, Like the sparks blown out of a smithy, and die? Surely thine hour has come, thy great wind blows, Far-off, most secret, and inviolate Rose? Out of sight is out of mind: Long have man and woman-kind, Heavy of will and light of mood, Taken away our wheaten food, Taken away our Altar stone; Hail and rain and thunder alone, And red hearts we turn to grey, Are true till time gutter away. ... the common people are always ready to blame the beautiful.
W.B. Yeats (The Secret Rose and Rosa Alchemica by W.B.Yeats, Fiction, Literary, Classics)
My soul will not sleep For want of my sister The river runs between us And I am sick with loss. My pool is broken By ripples unending, For the wind has blown her far away, The wind has blown her far away. Oh, sister, your perfume Is like honey dropped in water. Like spices and pomegranates, You stain my mouth with longing. My pool is broken By ripples unending; The wind has blown your odor far away, The wind has blown your odor far away. The gods have made your love Like the advance of flames on straw, My longing like the downward stoop Of the falcon in bright flight. My pool is broken By ripples unending. I will fly to you on wind far away, I will fly to you on wind far away. I am a hunted goose, a hunted one; The beauty of your shining hair Is a bait to trap me in your net; Your eyes, a snare of meryu-wood. Gratefully I fall Into ripples unending. Hunt me, sister, far away. Hunt me, sister, far away.
L.M. Ironside (The Crook and Flail (The She-King, #2))
Once the seed of love peneterates deep down and takes its root, it cannot be blown away, even by the immortal gusts of wind!
Supriya Kaur Dhaliwal
Then why are you crying?” “Because of you!” I beat my fists on his chest. “Because I love you, and I don’t know what to do! I can solve almost any problem, but I can’t solve this. I don’t know how to deal with that. And I’m afraid! Afraid for you! Do you know what it’d do to me if something happens to you?” I stopped hitting him and clasped my hands over my own chest, as though there was a danger my heart might fall out. “This! This would break. Shatter. Crumble. Crumble until it was dust.” I dropped my hands. “Blown away on the wind until there was nothing left.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
In the novel Fight Club, the character Jack’s apartment is blown up. All of his possessions—“every stick of furniture,” which he pathetically loved—were lost. Later it turns out that Jack blew it up himself. He had multiple personalities, and “Tyler Durden” orchestrated the explosion to shock Jack from the sad stupor he was afraid to do anything about. The result was a journey into an entirely different and rather dark part of his life. In Greek mythology, characters often experience katabasis—or “a going down.” They’re forced to retreat, they experience a depression, or in some cases literally descend into the underworld. When they emerge, it’s with heightened knowledge and understanding. Today, we’d call that hell—and on occasion we all spend some time there. We surround ourselves with bullshit. With distractions. With lies about what makes us happy and what’s important. We become people we shouldn’t become and engage in destructive, awful behaviors. This unhealthy and ego-derived state hardens and becomes almost permanent. Until katabasis forces us to face it. Duris dura franguntur. Hard things are broken by hard things. The bigger the ego the harder the fall. It would be nice if it didn’t have to be that way. If we could nicely be nudged to correct our ways, if a quiet admonishment was what it took to shoo away illusions, if we could manage to circumvent ego on our own. But it is just not so. The Reverend William A. Sutton observed some 120 years ago that “we cannot be humble except by enduring humiliations.” How much better it would be to spare ourselves these experiences, but sometimes it’s the only way the blind can be made to see.
Ryan Holiday (Ego Is the Enemy)
She came by..... I couldn't help but look...only to look and she smiled back!Wheeew, she blown me away,to realize i made her my goal from the hands of the man he have at present....A family of her own i never want to destroy laid on the line.... a story was made, a secret was solemnly shared by two...Oh i loved her and she loved me too.... most of the time she got scared, i got scared too..for fighting aginst the odds and she stayed back...i stood up to break....flew just to fall....only to realize a love i have no control of and no one can......i am not to bid goodbye ...I can't ...only to keep a love unrequited like mine.
Bob Villarosa
The initial flattery and attention will get the narcissist off to a flying start, and when the love-bombing follows, the codependent will be blown away. Somebody loves him, at last. No wonder he will become hooked so quickly. Even when the nonsense starts- the silent treatment etc. - this is behaviour he recognises and is conditioned to. He just has to keep trying that little bit harder, in order to win back the narcissist´s approval.
A.B. Jamieson (Prepare to be tortured: - the price you will pay for dating a narcissist)
So it had long been a secret pleasure of Lydia’s that, hidden among all the more popular goods, she was able to make a home for some of her best-loved secret treasures, gems that had blown open her mind and changed her life, books that in some cases had never even been translated into Spanish but that she stocked anyway, not because she expected she’d ever sell them, but simply because it made her happy to know they were there. There were perhaps a dozen of these books, stashed away on their ever-changing shelves, enduring among a cast of evolving neighbors. Now and again when a book moved her, when a book opened a previously undiscovered window in her mind and forever altered her perception of the world, she would add it to those secret ranks.
Jeanine Cummins (American Dirt)
Those rose-tinted glasses look good on you, Sunshine.” Sunshine? I was sure he meant that mockingly, but the butterflies in my stomach stirred to life anyway, fanning away my anger. Traitors. “Thanks. You can borrow them. You need them more than I do,” I said pointedly. A low chuckle slipped from his throat, and I almost fell to the floor in shock. Tonight was turning out to be a night of firsts. Alex’s hand trailed up my spine until it rested on the back of my neck, leaving a cascade of tingles in their wake. “I feel it dripping all over me.” He did not—what? An inferno consumed my body. “You’re—you—no, I’m not!” I sputtered, pushing him away and scrambling off him. My core pulsed. Oh my God, what if I was? I couldn’t look, afraid I’d see a telltale wet spot on his jeans. I’d have to move to Antarctica. Build myself an ice cave and learn to speak penguin because I could never show my face in Hazelburg, D.C., or any city where I could run into Alex Volkov again. His chuckle blossomed into a full-blown laugh. The effect of his real smile was so devastating, even amid my mortification, that all I could do was stare at the way his face lit up and the sparkle that transformed his eyes from beautiful to downright breathtaking. Holy crap. Perhaps I should be grateful he never smiled, because if that was what he looked like while doing it…womankind didn’t stand a chance. “I’m talking about your bleeding heart,” he drawled. “What did you think I was talking about?” “I—you—” Forget Antarctica. I had to move to Mars. Alex’s laughter subsided, but the twinkle in his eyes remained.
Ana Huang (Twisted Love (Twisted, #1))
The taste for books was an early one. As a child he was sometimes found at midnight by a page still reading. They took his taper away, and he bred glow-worms to serve his purpose. They took the glow-worms away, and he almost burnt the house down with a tinder. To put it in a nutshell, leaving the novelist to smooth out the crumpled silk and all its implications, he was a nobleman afflicted with a love of literature. Many people of his time, still more of his rank, escaped the infection and were thus free to run or ride or make love at their own sweet will. But some were early infected by a germ said to be bred of the pollen of the asphodel and to be blown out of Greece and Italy, which was of so deadly a nature that it would shake the hand as it was raised to strike, and cloud the eye as it sought its prey, and make the tongue stammer as it declared its love. It was the fatal nature of this disease to substitute a phantom for reality, so that Orlando, to whom fortune had given every gift--plate, linen, houses, men-servants, carpets, beds in profusion--had only to open a book for the whole vast accumulation to turn to mist. The nine acres of stone which were his house vanished; one hundred and fifty indoor servants disappeared; his eighty riding horses became invisible; it would take too long to count the carpets, sofas, trappings, china, plate, cruets, chafing dishes and other movables often of beaten gold, which evaporated like so much sea mist under the miasma. So it was, and Orlando would sit by himself, reading, a naked man.
Virginia Woolf
The little girl dipped her pipette in the water, then held it up to the lightbulb dangling over the table. In the liquid drop that was slowly stretching, she had captured the entire room: the window and its four panes with the waning daylight, the chest covered with a red rug, the sink with the handle of a saucepan poking out, the big photo tacked to the wall showing an almond tree bowed under a storm, its blossoms torn off, blown away, tiny angel flights or sacrificed lives. 'The world's tiny... it's a pity we can't keep droplets for all the beautiful things we see. And for people. I'd love that. I'd put them in...' Zaide broke off, shaking her head. 'No. You can't put them anywhere. But it's beautiful.' I whispered, 'Yes, the world is beautiful.
Christine Féret-Fleury (The Girl Who Reads on the Métro)
Alex, please.” He balls his fists. “Stop saying my name. You don’t know me anymore.” “I do know you.” I’m still crying, swallowing back spasms in my throat, struggling to breathe. This is a nightmare and I will wake up. This is a monster-story, and he has come back to me a terror-creation, patched together, broken and hateful, and I will wake up and he will be here, and whole, and mine again. I find his hands, lace my fingers through his even as he tries to pull away. “It’s me, Alex. Lena. Your Lena. Remember? Remember 37 Brooks, and the blanket we used to keep in the backyard—” “Don’t,” he says. His voice breaks on the word. “And I always beat you in Scrabble,” I say. I have to keep talking, and keep him here, and make him remember. “Because you always let me win. And remember how we had a picnic one time, and the only thing we could find from the store was canned spaghetti and some green beans? And you said to mix them—” “Don’t.” “And we did, and it wasn’t bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.” I’m gasping, feeling as though I am about to drown; I’m reaching for him blindly, grabbing at his collar. “Stop.” He grabs my shoulders. His face is an inch from mine but unrecognizable: a gross, contorted mask. “Just stop. No more. It’s done, okay? That’s all done now.” “Alex, please—” “Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.” “Alex!” He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.” The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak. He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.” “Please.” I don’t know how I stay on my feet, why I don’t shatter into dust right there, why my heart keeps beating when I want it so badly to stop. “Please don’t do this, Alex.” “Stop saying my name.
Lauren Oliver (Requiem (Delirium, #3))
David is looking up into the immensity of God’s creation, yet he still knows he has a relationship with the One who made the sun and the moon and the stars and the heavens. He’s blown away by God’s indirect answer. All this, yet God still cares for us. All this, yet the God of the universe still knows our names. All this, yet God has chosen us. He’s made us his sons and daughters. He loves us. He cherishes us.
Louie Giglio (Goliath Must Fall: Winning the Battle Against Your Giants)
I am burning. I have to live, I have to sing, I want to transform myself into a thousand different characters and carry their life with me onto the stage where it's so bright and so dark at the same time, just knowing there are three thousand people out there longing to be swept away by the passion that's about to flood out from scarlet curtains, to this I consecrate my body and my soul, I can give no more than all of myself, I feel my heart is a throbbing engine and my voice is the valve, like a wailing train, it has to sing or blow up, there's too much fuel, too much fire, and what am I to do with this voice if I can't let it out, it's not just singing. I am here as a speck, but I don't feel scared or about to be blown away, I feel like all New York is a warm embrace just waiting to enfold me. I am in love. But not with a person. I am passionately in love with my life.
Ann-Marie MacDonald (Fall on Your Knees)
Virginity being blown down man will quicklier be blown up; marry, in blowing him down again, with the breach yourselves made you lose your city. It is not politic in the commonwealth of nature to preserve virginity. Loss of virginity is rational increase, and there was never virgin got till virginity was first lost. That you were made of is mettel to make virgins. Virginity, by being once lost may be ten times found; by being ever kept it is ever lost. ‘Tis too cold a companion. Away with ‘t! There’s little can be said in’t; ’tis against the rule of nature. To speak on the part of virginity, is to accuse your mothers; which is most infallible disobedience. He that hangs himself is a virgin; virginity murthers itself, and should be buried in highways out of all sanctified limit, as a desperate offendress against nature. Virginity breeds mites, much like a cheese; consumes itself to the very paring, and so dies with feeding his own stomach. Besides, virginity is peevish, proud, idle, made of self-love which is the most inhibited sin in the canon. Keep it not; you cannot choose but loose by’t. Out with ‘t! Within the year it will make itself two, which is a goodly increase, and the principal itself not much the worse. Away with ‘t! Tis a commodity that will lose the gloss with lying; the longer kept, the less worth: off with ’t, while ’tis vendible; answer the time of request. Virginity, like an old courtier, wears her cap out of fashion; richly suited, but unsuitable: just like the brooch and the toothpick, which wear not now. Your date is better in your pie and your porridge than in your cheek; and your virginity, your old virginity, is like one of our French withered pears: it looks ill, it eats drily. Marry, 'tis a withered pear; it was formerly better; marry, yet 'tis a withered pear! Will you anything with it?
William Shakespeare
One question can determine whether you are dealing with either a conspiracy theorist or someone who may be able to explain some questionable phenomena: “What evidence would prove this isn’t true?” If the answer is nothing, back away slowly. You’re dealing with a full-blown conspiracy theorist! There’s no use in the conversation aside from the entertainment value. If you take it seriously, you’ll only spin around in dizzying logic circles until you fall flat on your face.
Amanda Carpenter (Gaslighting America: Why We Love It When Trump Lies to Us)
She had a face of snow, cut from that white cool marble that makes the finest Irish women; a long swan neck, a generous if quivering mouth, and eyes a soft and luminous green. So beautiful were those eyes, and her profile against the blown tree branches, that something in me turned, agonized, and died. I felt that killing wrench men feel when beauty passes and will not pass again. You want to cry out: Stay. I love you. But you do not speak. And the summer walks away in her flesh, never to return.
Ray Bradbury (Bradbury Stories: 100 of His Most Celebrated Tales)
It was late afternoon and she was sitting alone in her breakfast room, blankly staring out a window at bad weather, when she heard rapid, fierce footfalls striding toward her. “Stop crying.” Arin’s tone was brutal. Kestrel lifted fingertips to her cheek. They came away wet. “You shouldn’t be here,” she said, her voice hoarse. The breakfast room was one into which men were not allowed. “I don’t care.” He tugged Kestrel to her feet, and the shock of it forced her gaze to his. The blacks of his eyes were blown wide with feeling. With anger. “Stop it,” he said. “Stop pretending to mourn someone who wasn’t your blood.” His hand was iron around her wrist. She pulled free, the cruelty of what he had said bringing fresh tears to her eyes. “I loved her,” Kestrel whispered. “You loved her because she did anything you wanted.” “That’s not true.” “She didn’t love you. She could never love you. Where is her real family, Kestrel?” She didn’t know. She had been afraid to ask. “Where is her daughter? Her grandchildren? If she loved you, it was because she had no choice, and there was no one else left.” “Get out,” she told him, but he was already gone.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Fa!” She gave me a nudge with her shoulder. “You talk as if some lord should come riding down from the keep and carry me off.” I thought of August with his stuffy manners, or Regal simpering at her. “Eda forbid. You’d be wasted on them. They wouldn’t have the wit to understand you, or the heart to appreciate you.” Molly looked down at her work-worn hands. “Who would, then?” she asked softly. Boys are fools. The conversation had grown and twined around us, my words coming as naturally as breathing to me. I had not intended any flattery, or subtle courtship. The sun was beginning to dip into the water, and we sat close by one another and the beach before us was like the world at our feet. If I had said at that moment, “I would, ” I think her heart would have tumbled into my awkward hands like ripe fruit from a tree. I think she might have kissed me, and sealed herself to me of her own free will. But I couldn’t grasp the immensity of what I suddenly knew I had come to feel for her. It drove the simple truth from my lips, and I sat dumb and half a moment later Smithy came, wet and sandy, barreling into us, so that Molly leaped to her feet to save her skirts, and the opportunity was lost forever, blown away like spray on the wind.
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot, But being too happy in thine happiness,— That thou, light-winged Dryad of the trees In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow. Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays; But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; White hawthorn, and the pastoral eglantine; Fast fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves. Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that oft-times hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is fam'd to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:—Do I wake or sleep? - Ode to a Nightingale
John Keats (The Complete Poems)
Exiting the building, we shield our eyes with our hands and raise our voices. The wind has really picked up and is sending dirt, dust and debris airborne. A few windblown pedestrians, struggling to walk down the sidewalk, appear as though they might get blown away. I ask Tiger where he wants to go. "ANYWHERE…I DON'T CARE. AS LONG AS IT'S NOT FAR." "LET'S GRAB A CAB. WE CAN'T WALK IN THIS." As I open the backdoor of a Yellow Cab parked at the curb, the cabbie turns and gives me a mean look. "Are you the Floro's?" he asked. Tiger follows me into the backseat, as I answer- That we are. Tiger asked, "And you are?" The cabbie grunts- "ALEXANDER the fuck'n GREAT.
Giorge Leedy (Uninhibited From Lust To Love)
People have asked me, “What’s your favorite part about your ministry to your fans?” My favorite part is that Jesus shows up and shows off. So why not go back to KoRn and hang out with these people? Didn’t Jesus leave all his perfection and beauty from his spiritual paradise at home as a King on his throne to come to the earth to hang out with us dirty, lying, cheating, messed-up, selfish humans? Are any of us better than the fans at KoRn concerts? No! Every single human being on the planet is just as in need of God’s love as the next. We all need Jesus, and my mind has been thoroughly blown away by the fact that I was chosen for this extremely unique call into the metal scene.
Brian Welch (With My Eyes Wide Open: Miracles & Mistakes on My Way Back to KoRn)
The power of her climax rolled over him, firing his senses. If he’d had any doubts, this would have blown them all away. He was blown away by the experience. Everything was new again—with her. “Mmm. I’m glad you feel that way.” Her sexy tone whispered through his mind. “I feel the same.” “I know, my love.” He eased away after licking the wounds on her neck closed with a little zap of his magic. “You are my light, Megan. My sun. My world.” Her breath caught, and he knew she was as touched by what they shared as he was. All was finally right with his world. She was the center of his universe, and he’d never be alone again. They’d never be alone again. It was a calming, sustaining thought.
Bianca D'Arc (Inferno (Tales of the Were, #2))
Mestre. Say the word without hissing the conurbated villain, and pitying its citizens. As quickly as they can, two million tourists pass through, or by, Mestre each year, and each one will be struck by the same thought as they wonder at the aesthetic opposition that it represents. Mestre is an ugly town but ugly only in the same way that Michael Jackson might be desccribed as eccentric or a Tabasco Vindaloo flambéed in rocket fuel might be described as warm. Mestre is almost excremental in its hideousness: a fetid, fly-blown, festering, industrial urbanization, scarred with varicose motorways, flyovers, rusting railway sidings and the rubbish of a billion holidaymakers gradually burning, spewing thick black clouds into the Mediterranean sky. A town with apparently no centre, a utilitarian ever-expandable wasteland adapted to house the displaced poor, the shorebound, outpriced, domicile-deprived exiles from its neighbouring city. For, just beyond the condom- and polystyrene-washed, black-stained, mud shores of Marghera, Mestre's very own oil refinery, less than a mile away across the waters of the lagoon in full sight of its own dispossessed citizens, is the Jewel of Adriatic. Close enough for all to feel the magnetism, there stands the most beautiful icon of Renaissance glory and, like so much that can attract tourism, a place too lovely to be left in the hands of its natives, the Serenissima itself, Venice.
Marius Brill (Making Love: A Conspiracy of the Heart)
Who’s that hot piece of cowboy standing with Nathan?” She pointed toward one end of the barn by a stack of hay bales. A scowl tightened all the muscles in his face as he followed the length of her arm to the direction of her fingertip. Before he could answer, she was already pulling him again. This time toward his cousin. “Nate, who’s your friend?” she asked, not bothering with hellos. Letting go of Caleb’s hand and leaving him feeling empty, she shifted her weight to her toes when she stopped in front of Preston. “Your eyes remind me of those old Sprite bottles. I found one at a flea market once. I think it’s still lying around somewhere in my room.” Nathan’s chuckle caught her attention. “Diana Alexander, let me introduce you to Preston Grant. He’s a childhood friend of mine and Caleb’s. Pres, this is Didi.” “Can I paint you naked?” she asked, unabashed, looking up at him. Nathan’s chuckles became full-blown laughter. She hiked her thumb at Caleb. His scowl deepened. “This one’s too shy.” “It’s nice to meet you, Didi,” Preston said. He seemed unperturbed by her request. The bastard. She danced to Nathan’s side and leaned in conspiratorially, not taking her eyes away from Preston. “Between you and me,” she whispered loud enough for Caleb and the object of her fascination to hear, “just how far does his tan go?” That had done it. The words came out of his mouth without thinking. “If you’re going to paint someone naked, it will be me.” With impatience running through his veins, he laced their fingers together and tugged. “Come on.
Kate Evangelista (No Love Allowed (Dodge Cove, #1))
I have been so great a lover: filled my days So proudly with the splendour of Love's praise, The pain, the calm, and the astonishment, Desire illimitable, and still content, And all dear names men use, to cheat despair, For the perplexed and viewless streams that bear Our hearts at random down the dark of life. Now, ere the unthinking silence on that strife Steals down, I would cheat drowsy Death so far, My night shall be remembered for a star That outshone all the suns of all men's days. Shall I not crown them with immortal praise Whom I have loved, who have given me, dared with me High secrets, and in darkness knelt to see The inenarrable godhead of delight? Love is a flame; -- we have beaconed the world's night. A city: -- and we have built it, these and I. An emperor: -- we have taught the world to die. So, for their sakes I loved, ere I go hence, And the high cause of Love's magnificence, And to keep loyalties young, I'll write those names Golden for ever, eagles, crying flames, And set them as a banner, that men may know, To dare the generations, burn, and blow Out on the wind of Time, shining and streaming.... These I have loved: White plates and cups, clean-gleaming, Ringed with blue lines; and feathery, faery dust; Wet roofs, beneath the lamp-light; the strong crust Of friendly bread; and many-tasting food; Rainbows; and the blue bitter smoke of wood; And radiant raindrops couching in cool flowers; And flowers themselves, that sway through sunny hours, Dreaming of moths that drink them under the moon; Then, the cool kindliness of sheets, that soon Smooth away trouble; and the rough male kiss Of blankets; grainy wood; live hair that is Shining and free; blue-massing clouds; the keen Unpassioned beauty of a great machine; The benison of hot water; furs to touch; The good smell of old clothes; and other such -- The comfortable smell of friendly fingers, Hair's fragrance, and the musty reek that lingers About dead leaves and last year's ferns.... Dear names, And thousand other throng to me! Royal flames; Sweet water's dimpling laugh from tap or spring; Holes in the ground; and voices that do sing; Voices in laughter, too; and body's pain, Soon turned to peace; and the deep-panting train; Firm sands; the little dulling edge of foam That browns and dwindles as the wave goes home; And washen stones, gay for an hour; the cold Graveness of iron; moist black earthen mould; Sleep; and high places; footprints in the dew; And oaks; and brown horse-chestnuts, glossy-new; And new-peeled sticks; and shining pools on grass; -- All these have been my loves. And these shall pass, Whatever passes not, in the great hour, Nor all my passion, all my prayers, have power To hold them with me through the gate of Death. They'll play deserter, turn with the traitor breath, Break the high bond we made, and sell Love's trust And sacramented covenant to the dust. ---- Oh, never a doubt but, somewhere, I shall wake, And give what's left of love again, and make New friends, now strangers.... But the best I've known, Stays here, and changes, breaks, grows old, is blown About the winds of the world, and fades from brains Of living men, and dies. Nothing remains. O dear my loves, O faithless, once again This one last gift I give: that after men Shall know, and later lovers, far-removed, Praise you, "All these were lovely"; say, "He loved.
Rupert Brooke
Every night, I sit in the rocking chair in the nursery when I give Willow her bedtime bottle. Tonight, I burped her halfway through her feeding like always. Then I sat her on my knees facing me and made funny faces. She looked right into my eyes. And she smiled. She’s ten weeks old and she just gave me her very first smile. I wish I’d taken a picture. I’m probably supposed to be documenting everything better for her baby book or whatever. She’s going to have a terrible baby book. But at least she’ll have a father who loves her. Because when she smiled at me tonight, I finally felt it. Love. A rush of love. I was so blown away by it I laughed, which made her smile at me even more. Then I hugged her small body and breathed in the smell of her Johnson’s baby shampoo. I could feel her heartbeat. Up until tonight, I was pretty sure Willow didn’t like me, and I understood why she didn’t. I didn’t blame her for resenting the idiot, bumbling guy who started doing for her all the things her gorgeous, familiar mother had done before. But tonight . . . tonight my little girl smiled at me. She gave her very first smile to me because I’m her person now. I’m her daddy and, in her way, I think she might love me, too. When I laid her against the inside of my elbow to feed her the rest of her bottle, her hand made a fist in the fabric of my shirt. She watched me as she drank down her formula. I’m tired and lonely. Parenting is far more difficult than I understood when I was a son and not yet a father. I miss my freedom and my friends and the life I had before Sylvie told me she was pregnant. I miss who I used to be. But tonight my daughter, a tiny girl in pink pajamas, smiled at me. Because I’m her person. Letter
Becky Wade (Then Came You (A Bradford Sisters Romance, #0.5))
I thought about whatever subliminal impulse had put me on the train to Farmingdale. Seeing Reva in full-blown Reva mode both delighted and disgusted me. Her repression, her transparent denial, her futile attempts to tap into the pain with me in the car, it all satisfied me somehow. Reva scratched at an itch that, on my own, I couldn’t reach. Watching her take what was deep and real and painful and ruin it by expressing it with such trite precision gave me reason to think Reva was an idiot, and therefore I could discount her pain, and with it, mine. Reva was like the pills I took. They turned everything, even hatred, even love, into fluff I could bat away. And that was exactly what I wanted—my emotions passing like headlights that shine softly through a window, sweep past me, illuminate something vaguely familiar, then fade and leave me in the dark again.
Ottessa Moshfegh (My Year of Rest and Relaxation)
The mental pictures I have of my parents and grandparents and my childhood are beginning to break up into small fragments and get blown away from me into empty space, and the same wind is sucking me toward it ever so gently, so gently as not even to raise a hair on my head (though the truth is that there are very few of them to be raised). I'm starting to take the idea of death as the end of life somewhat harder than before. I used to wonder why people seemed to think that life is tragic or sad. Isn't it also comic and funny? And beyond all that, isn't it amazing and marvelous? Yes, but only if you have it. And I am starting not to have it. The pictures are disintegrating, as if their molecules were saying, "I've had enough," ready to go somewhere else and form a new configuration. They betray us, those molecules, we who have loved them. They treat us like dirt.
Ron Padget
My arm reaches up. I don't know if I'm reaching for the pipe or for him. I want to touch his skin. I want to breathe in what he breathes. The yellow swirl. I want to be the yellow swirl. I want him to breathe me in, be sent riding on oxygen molecules deep into lungs. I want to travel through his body, seeing what makes him happy, attaching myself to whatever place in him sparks to life on my arrival. His blood. His tissues. His muscles. I want to burrow inside the folds like a wind-blown dusting of snow so that each time I melt away, he seeks me out again. There's no delineation between the pipe and the smoke and his body. It's all whole, I want in. I want him. 'Please,' I say softly, 'let me try.' Without letting go of the pipe, he swings his hand holding the lighter with incredible force, backhanding my face. My jaw pops. The lighter swings back under the pipe undulating back and forth, inhaling the curl as it rises from the tar, exactly the same as before he hit me, only now he's staring at me, hating me.
Josh Kilmer-Purcell (I Am Not Myself These Days)
―The thing about memory is that you can feel it eroding slowly, being stolen away from you by time. It starts with the way you stop hearing his voice in your head. Then it's the color of the shirt he wore last Christmas. Before you know it, your memories have become fragmented, as if the small details were grains of sand blown away by the wind. I should be grateful that I'm starting to remember you less. Instead, I felt lonely. Pieces of you that I once held dear are being ripped apart into tiny shreds of information my brain thinks I can afford to forget. I can feel my heart fighting. It loves the feel of you though for the most part, you hurt. I looked for you in places where I knew I would never find you, in faces I knew I would never recognize. I looked for you hoping that through the sheer force of my will I would find your eyes staring back. But that's the thing about memory - you can feel it eroding slowly, being stolen away from you by time. I want to remember you. But I'm no longer entirely sure I really remember you. It kills me. Have you started remembering me less too?
Nessie Q. (I'm Sorry. I Know It's Too Late... But This is How I Loved You)
I Never Told You You can fill a book with everything I never said Or the lines of a poem Or an Empty pool Or an empty bedroom, the candles all blown out I never told you how the reflection of myself in your eyes Was the only mirror I could bear to look at Or how I fought every day To transfuse the girl I saw there with the girl I am I tried to breathe in the words you made me: beautiful good brave I tried to be them for you even though they were weighted with impossibility I never told you how I always feared the rough edges of myself were too sharp for you and how I fought everyday to blunt them To bring down the walls To let you in without cutting you because I could never bear to hurt you like the others did Every day a fierce pride roared in me I was so lucky to know the truth I was the beneficiary of your radiance I basked in it and felt special And if not for the pain of your solitude I would have been content to be the only one I never told you How your touch made me feel like laughing and crying and singing all at once How your hand passing over my skin where atrocities Had not yet sloughed off, Skin cells remembering the worst touches Was like a tide washing over the ruddy sand And leaving it whole and smooth You made my skin forget Gave me new memories New sensations that didn't drag the shadows from the past In your arms I could start again, Start over. There is no greater gift in all the world Than you to the wreckage that is me... I never told you How I longed to kiss away your every bruise until there was no evidence No ghosts of your own suffering To put your pieces back together Seal the cracks Vanish them like they never were And never, ever Leave a scar I never told you I would take your pain if I could I would drink it down And take my comfort In making you ache a little less For a little while Did I? I'll never know because I never told you that I loved you I love you I love you It's too lat to say it now The time has passed for words How pathetic and small and weak On the phone Or on a piece of paper Starving Without the force of my own vitality My voice My breath My blood singing n my veins for you To give them power They are lost I love you It's too late but I love you And I'm sorry I never told you.
Emma Scott (How to Save a Life (Dreamcatcher, #1))
The area around the fifty-yard line had been set up with a stage and seating. The kids held my hands as we went to the elevator, ready to go out. "Can you believe we're in Cowboys Stadium for Daddy?" I asked them, trying to rally my spirits as well as theirs. "He would be so blown away." I think they nodded. The elevator opened. We got in. The car went down, and suddenly we were walking onto the runway that led to the field. Pay attention to what’s around you. This is unbelievable! The bagpipers began to move, the tap of their shoes on the concrete apron echoing loudly. The cadence centered me. The pipes began to mourn and my spirit swelled, the music propelling me forward. The casket was marched out and placed front and center. The pallbearers and Navy honor guard stood at attention. I was moving in a cocoon of numbing grief and overwhelming awe. There was a prayer, speeches--each moment moved me in a different way. The easy jokes, the devotional hymns, each had its own effect. I began to float. When I’d asked people to talk about Chris at the ceremony, I’d made a point of reminding them of his humor and asking if possible to add some lighter touches to their speeches, roasting him, even; it was all so Chris. But now some of the light jokes tripped a wire: Don’t talk bad about him! Don’t you dare! Then in the next moment I’d realize he would have been leading the laughs, and it was all good again. I couldn’t force a smile, though.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
We paused to breathe and I slid my arms around his neck and held his face the way I'd wanted to for so long. My fingers weaved into his wind-blown hair and tugged the back of his head, pulling his lips toward mine once more. There would be time for breathing later. "I love you," I whispered when our lips finally parted. "The biggest lie I ever told was telling you I didn't. And if I ever claim you're not romantic, please remind me of the time we were 1.200 feet in the air in December and I needed to fan myself." I saw a smile overtake his eyes and felt it overtake his mouth. "I mean, seriously, Will," I said, my breath still coming back to me. He pulled away, which was the last thing I wanted, and laughed. "But I'm also just a boy, standing in front of a girl..." I threw my head back in joyous laughter. "You don't have to ask me to love you, Whitaker. It's done." "Actually..." He kissed my hand and lowered onto one knee. "I was going to say "asking her to marry him." The hand that wasn't linked with mine was holding a beautiful emerald cut diamond ring. "Sorry there's not a box," he said with a wink. My breath caught in my throat. "But, how did you...why do you..." "Sorry, but Kevin's on my team. I claimed him pretty early. And he understands, in a way you still don't seem to, that not even Willie Mays and Hank Aaron could provide me with the motivation that you could. Besides, McCaffrey, even I'm not stupid enough to fall for that ridiculous plan you hatched." His smile grew wider and he kissed my hand once more. "But I just like that you try." I Ieaned down to kiss him. Tears flooded my cheeks, but still I said nothing. "You're killing me here. And frankly, I'm not sure how long my knee can stay on this cold concrete." He smiled and asked, "Will you marry me or not?" I sniffed. "Have you asked my father's permission?" I began laughing as he jumped up to face me. "Oh, you think that's funny, do you?" "Too soon?" He captured my mouth once again, and I threw my arms around his neck before pulling away from his kiss, just long enough to whisper, "My answer is yes." I smiled against his lips and added, "I really thought you'd never ask.
Bethany Turner (Wooing Cadie McCaffrey)
In chem, Peter sits a row in front of me. I write him a note. Why would you tell Josh that we’re-- I hesitate and then finish with a thing? I kick the back of his chair, and he turns around and I hand him the note. He slouches in his seat to read it; then I watch as he scribbles something. He tips back in his chair and drops the note on my desk without looking at me. A thing? Haha. I press down so hard my pencil tip chips off. Please answer the question. We’ll talk later. I let out a frustrated sigh and Matt, my lab partner, gives me a funny look. After class Peter is swept away with all his friends; they leave in a big group. I’m packing up my backpack when he returns, alone. He hops up on the table. “So let’s talk,” he says, super casual. I clear my throat and try to gather my bearings. “Why did you tell Josh we were--” I almost say “a thing” again, but then change it to “together?” “I don’t get what you’re so upset about. I did you a favor. I could have just as easily blown up your spot.” I pause. He’s right. He could have. “So why didn’t you?” “You’ve sure got a funny way of saying thank you. You’re welcome, by the way.” Automatically I say, “Thank you.” Wait. Why am I thanking him? “I appreciate you letting me kiss you, but--” “You’re welcome,” he says again. Ugh! He’s so insufferable. Just for that I’m going to toss a little dig his way. “That was…really generous of you. To let me do that. But I’ve already explained to Josh that it’s not going to work out with us because Genevieve has you whipped, so it’s all good. You can stop pretending now.” Peter glares at me. “I’m not whipped.” “But aren’t you, though? I mean, you guys have been together since the seventh grade. You’re basically her property.” “You don’t know what you’re talking about,” Peter scoffs. “There was a rumor last year that she made you get a tattoo of her initials on your butt for her birthday.” I pause. “So did you?” I reach around him and fake try to lift up the back of his shirt. He yelps and jumps away from me, and I collapse in a fit of giggles. “So you do have a tattoo!” “I don’t have a tattoo!” he yells. “And we’re not even together anymore, so can you stop with this shit? We broke up. We’re over. I’m done with her.” “Wait, didn’t she break up with you?” I ask. Peter shoots me a dirty look. “It was mutual.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Well, first of all,” he began, “I really…I really like you.” He looked into my eyes in a seeming effort to transmit the true meaning of each word straight into my psyche. All muscle tone disappeared from my body. Marlboro Man was so willing to put himself out there, so unafraid to put forth his true feelings. I simply wasn’t used to this. I was used to head games, tactics, apathy, aloofness. When it came to love and romance, I’d developed a rock-solid tolerance for mediocrity. And here, in two short weeks, Marlboro Man had blown it all to kingdom come. There was nothing mediocre about Marlboro Man. He had more to say; he didn’t even pause to wait for a response. That, in his universe, was what a real man did. “And…” He hesitated. I listened. His voice was serious. Focused. “And I just flat don’t want you to leave,” he declared, holding me close, resting his chin on my cheek, speaking directly into my ear. I paused. Took a breath. “Well--” I began. He interrupted. “I know we’ve just been doing this for two weeks, and I know you’ve already made your plans, and I know we don’t know what the future holds, but…” He looked at me and cupped my face in his hand, his other hand on my arm. “I know,” I agreed, trying to muster some trite response. “I--” He broke in again. He had some things to say. “If I didn’t have the ranch, it’d be one thing,” he said. My pulse quickened. “But I…my life is here.” “I know,” I said again. “I wouldn’t…” He continued, “I don’t want to get in the middle of your plans. I just…” He paused, then kissed me on the cheek. “I don’t want you to go.” I was tongue-tied as usual. This was so strange for me, so foreign--that I could feel so strongly for someone I’d known for such a short time. To talk about our future would be premature; but to totally dismiss that we’d happened upon something special wouldn’t be right, either. Something extraordinary had occurred between us--that fact was indisputable. It was the timing that left so much to be desired. We were both bleary eyed, tired. Falling asleep standing up in each other’s arms. Nothing more could be said that night; nothing could be resolved. He knew it, I knew it; so we settled on a long, lasting kiss and an all-encompassing hug before he turned around and walked away. Starting his diesel pickup. Driving down my parents’ street. Driving back to his ranch.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Space is cold and stiff, but Time is alive. Space divides, but Time brings everything to everything else. It does not course outside of you and you do not swim upon it like a drifting log. Time flows through you: you yourself are in flow. You are the river. Are you grieving? Trust Time: soon you will be laughing. Are you laughing? You cannot hold fast your laughing, for soon you will be weeping. You are blown from mood to mood, from one state to another, from waking to sleeping and from sleeping again to waking. You cannot go on wandering for long. You come to a halt, you are tired, you are hungry, you must sit down, you eat, you stand again, you begin anew to wander. You suffer: from the distance unattainable, you glimpse the Deed which you long. But the stream is constantly moving you and one morning the hour of action has arrived. You are a child, and never (so you think) will you escape the helplessness of childhood, which locks you into four windowless walls. But look: your wall itself movable and yielding, and your whole being becomes re-fashioned into a youth. From within yourself there rise hidden springs that leap up to yourself. Posibilities open up before you like flowers, and one day the world has grown all around you. Softly, Time transports you from one curve to another. New vistas and horizons unfold at your side as you pass by. You begin to love the change: you've discovered an extraordinary adventure is afoot. You sense a direction, you feel a new impulse, you can smell the sea. And you see that what changes in you changes also in everything around you. Every point you hurriedly pass by is itself in movement. Every point is being whirled in some direction: its own long history is following its course: but each point knows the ending of its history no more than you know that of yours. You glance up to heaven, Sublime is the rotation of its suns, but these are each heavily laden with their planetary systems as with grapes, and they dash away from one another into already-prepared distances and unfathomable spaces. You smash atoms and they swarm about in more confusion that if you had stamped your foot on an anthill. You seek a mainstay and a temperament law in the temperate mid-region of our earth, but here, too, there is nothing but constant event changing history, and no one can forecast for you even next week's clouds.
Hans Urs von Balthasar
His months of teaching experience were now a lost age of youth and innocence. He could no longer sit in his office at Fort McNair, look out over the elm trees and the golf course, and encompass the world within "neat, geometric patterns" that fit within equally precise lectures. Policy planning was a very different responsibility, but explaining just how was "like trying to describe the mysteries of love to a person who has never experienced it." There was, however, an analogy that might help. "I have a largish farm in Pennsylvania."...it had 235 acres, on each of which things were happening. Weekends, in theory, were days of rest. But farms defied theory: Here a bridge is collapsing. No sooner do you start to repair it than a neighbor comes to complain about a hedge row which you haven't kept up half a mile away on the other side of the farm. At that very moment your daughter arrives to tell you that someone left the gate to the hog pasture open and the hogs are out. On the way to the hog pasture, you discover that the beagle hound is happily liquidating one of the children's pet kittens. In burying the kitten you look up and notice a whole section of the barn roof has been blown off and needs instant repair. Somebody shouts from the bathroom window that the pump has stopped working, and there's no water in the house. At that moment, a truck arrives with five tons of stone for the lane. And as you stand there hopelessly, wondering which of these crises to attend to first, you notice the farmer's little boy standing silently before you with that maddening smile, which is halfway a leer, on his face, and when you ask him what's up, he says triumphantly 'The bull's busted out and he's eating the strawberry bed'. Policy planning was like that. You might anticipate a problem three or four months into the future, but by the time you'd got your ideas down on paper, the months had shrunk to three to four weeks. Getting the paper approved took still more time, which left perhaps three or four days. And by the time others had translated those ideas into action, "the thing you were planning for took place the day before yesterday, and everyone wants to know why in the hell you didn't foresee it a long time ago." Meanwhile, 234 other problems were following similar trajectories, causing throngs of people to stand around trying to get your attention: "Say, do you know that the bull is out there in the strawberry patch again?
John Lewis Gaddis (George F. Kennan: An American Life)
This dance was the dance of death, and they danced it for George Buffins, that they might be as him. They danced it for the wretched of the earth, that they might witness their own wretchedness. They danced the dance of the outcasts for the outcasts who watched them, amid the louring trees, with a blizzard coming on. And, one by one, the outcast outlaws raised their heads to watch and all indeed broke out in laughter but it was a laughter without joy. It was the bitter laugh one gives when one sees there is no triumph over fate. When we saw those cheerless arabesques as of the damned, and heard that laughter of those trapped in the circles of hell, Liz and I held hands, for comfort. They danced the night into the clearing, and the outlaws welcomed it with cheers. They danced the perturbed spirit of their master, who came with a great wind and blew cold as death into the marrow of the bones. They danced the whirling apart of everything, the end of love, the end of hope; they danced tomorrows into yesterdays; they danced the exhaustion of the implacable present; they danced the deadly dance of the past perfect which fixes everything fast so it can’t move again; they danced the dance of Old Adam who destroys the world because we believe he lives forever. The outlaws entered into the spirit of the thing with a will. With ‘huzzahs’ and ‘bravos’, all sprang up and flung themselves into the wild gavotte, firing off their guns. The snow hurled wet, white sheets in our faces, and the wind took up the ghastly music of the old clowns and amplified it fit to drive you crazy. Then the snow blinded us and Samson picked us up one by one and slung us back in that shed and leaned up hard against the door, forcing it closed against the tempest with his mighty shoulders. Though bullets crashed into the walls and the wind came whistling through the knotholes and picked up burning embers from the fire, hurling them about until we thought we might burn to death in the middle of the snow and ice, the shed held firm. It rocked this way and that way and it seemed at any moment the roof might be snatched away, but this little group of us who, however incoherently, placed our faiths in reason, were not exposed to the worst of the storm. The Escapee, however, faced with this insurrection of militant pessimism, turned pale and wan and murmured to himself comforting phrases of Kropotkin, etc., as others might, in such straits, recite the rosary. When the storm passed, as pass it did, at last, the freshly fallen snow made all as new and put the camp fire out. Here, there was a shred of scarlet satin and, there, Grik’s little violin with the strings broken but, of the tents, shacks, muskets and cuirasses of the outlaws, the clowns and the clowns themselves, not one sight, as if all together had been blown off the face of the earth.
Angela Carter (Nights at the Circus (Oberon Modern Plays))
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.
Viet Thanh Nguyen (The Sympathizer)
All beauty calls you to me, and you seem, Past twice a thousand miles of shifting sea, To reach me. You are as the wind I breathe Here on the ship's sun-smitten topmost deck, With only light between the heavens and me. I feel your spirit and I close my eyes, Knowing the bright hair blowing in the sun, The eager whisper and the searching eyes. Listen, I love you. Do not turn your face Nor touch me. Only stand and watch awhile The blue unbroken circle of sea. Look far away and let me ease my heart Of words that beat in it with broken wing. Look far away, and if I say too much, Forget that I am speaking. Only watch, How like a gull that sparking sinks to rest, The foam-crest drifts along a happy wave Toward the bright verge, the boundary of the world. I am so weak a thing, praise me for this, That in some strange way I was strong enough To keep my love unuttered and to stand Altho' I longed to kneel to you that night You looked at me with ever-calling eyes. Was I not calm? And if you guessed my love You thought it something delicate and free, Soft as the sound of fir-trees in the wind, Fleeting as phosphorescent stars in foam. Yet in my heart there was a beating storm Bending my thoughts before it, and I strove To say too little lest I say too much, And from my eyes to drive love’s happy shame. Yet when I heard your name the first far time It seemed like other names to me, and I Was all unconscious, as a dreaming river That nears at last its long predestined sea; And when you spoke to me, I did not know That to my life’s high altar came its priest. But now I know between my God and me You stand forever, nearer God than I, And in your hands with faith and utter joy I would that I could lay my woman’s soul. Oh, my love To whom I cannot come with any gift Of body or of soul, I pass and go. But sometimes when you hear blown back to you My wistful, far-off singing touched with tears, Know that I sang for you alone to hear, And that I wondered if the wind would bring To him who tuned my heart its distant song. So might a woman who in loneliness Had borne a child, dreaming of days to come, Wonder if it would please its father’s eyes. But long before I ever heard your name, Always the undertone’s unchanging note In all my singing had prefigured you, Foretold you as a spark foretells a flame. Yet I was free as an untethered cloud In the great space between the sky and sea, And might have blown before the wind of joy Like a bright banner woven by the sun. I did not know the longing in the night– You who have waked me cannot give me sleep. All things in all the world can rest, but I, Even the smooth brief respite of a wave When it gives up its broken crown of foam, Even that little rest I may not have. And yet all quiet loves of friends, all joy In all the piercing beauty of the world I would give up– go blind forevermore, Rather than have God blot from out my soul Remembrance of your voice that said my name. For us no starlight stilled the April fields, No birds awoke in darking trees for us, Yet where we walked the city’s street that night Felt in our feet the singing fire of spring, And in our path we left a trail of light Soft as the phosphorescence of the sea When night submerges in the vessel’s wake A heaven of unborn evanescent stars.
Sara Teasdale (The Collected Poems)
All beauty calls you to me, and you seem” All beauty calls you to me, and you seem, Past twice a thousand miles of shifting sea, To reach me. You are as the wind I breathe Here on the ship's sun-smitten topmost deck, With only light between the heavens and me. I feel your spirit and I close my eyes, Knowing the bright hair blowing in the sun, The eager whisper and the searching eyes. Listen, I love you. Do not turn your face Nor touch me. Only stand and watch awhile The blue unbroken circle of the sea. Look far away and let me ease my heart Of words that beat in it with broken wing. Look far away, and if I say too much, Forget that I am speaking. Only watch, How like a gull that sparkling sinks to rest, The foam-crest drifts along a happy wave Toward the bright verge, the boundary of the world. I am so weak a thing, praise me for this, That in some strange way I was strong enough To keep my love unuttered and to stand Altho' I longed to kneel to you that night You looked at me with ever-calling eyes. Was I not calm? And if you guessed my love You thought it something delicate and free, Soft as the sound of fir-trees in the wind, Fleeting as phosphorescent stars in foam. Yet in my heart there was a beating storm Bending my thoughts before it, and I strove To say too little lest I say too much, And from my eyes to drive love's happy shame. Yet when I heard your name the first far time It seemed like other names to me, and I Was all unconscious, as a dreaming river That nears at last its long predestined sea; And when you spoke to me, I did not know That to my life's high altar came its priest. But now I know between my God and me You stand forever, nearer God than I, And in your hands with faith and utter joy I would that I could lay my woman's soul. Oh, my love To whom I cannot come with any gift Of body or of soul, I pass and go. But sometimes when you hear blown back to you My wistful, far-off singing touched with tears, Know that I sang for you alone to hear, And that I wondered if the wind would bring To him who tuned my heart its distant song. So might a woman who in loneliness Had borne a child, dreaming of days to come, Wonder if it would please its father's eyes. But long before I ever heard your name, Always the undertone's unchanging note In all my singing had prefigured you, Foretold you as a spark foretells a flame. Yet I was free as an untethered cloud In the great space between the sky and sea, And might have blown before the wind of joy Like a bright banner woven by the sun. I did not know the longing in the night-- You who have waked me cannot give me sleep. All things in all the world can rest, but I, Even the smooth brief respite of a wave When it gives up its broken crown of foam, Even that little rest I may not have. And yet all quiet loves of friends, all joy In all the piercing beauty of the world I would give up--go blind forevermore, Rather than have God blot from out my soul Remembrance of your voice that said my name. For us no starlight stilled the April fields, No birds awoke in darkling trees for us, Yet where we walked the city's street that night Felt in our feet the singing fire of spring, And in our path we left a trail of light Soft as the phosphorescence of the sea When night submerges in the vessel's wake A heaven of unborn evanescent stars.
Sara Teasdale (Rivers to the Sea)
I have been so great a lover: filled my days So proudly with the splendour of Love's praise, The pain, the calm, and the astonishment, Desire illimitable, and still content, And all dear names men use, to cheat despair, For the perplexed and viewless streams that bear Our hearts at random down the dark of life. Now, ere the unthinking silence on that strife Steals down, I would cheat drowsy Death so far, My night shall be remembered for a star That outshone all the suns of all men's days. Shall I not crown them with immortal praise Whom I have loved, who have given me, dared with me High secrets, and in darkness knelt to see The inenarrable godhead of delight? Love is a flame:—we have beaconed the world's night. A city:—and we have built it, these and I. An emperor:—we have taught the world to die. So, for their sakes I loved, ere I go hence, And the high cause of Love's magnificence, And to keep loyalties young, I'll write those names Golden for ever, eagles, crying flames, And set them as a banner, that men may know, To dare the generations, burn, and blow Out on the wind of Time, shining and streaming . . . . These I have loved: White plates and cups, clean-gleaming, Ringed with blue lines; and feathery, faery dust; Wet roofs, beneath the lamp-light; the strong crust Of friendly bread; and many-tasting food; Rainbows; and the blue bitter smoke of wood; And radiant raindrops couching in cool flowers; And flowers themselves, that sway through sunny hours, Dreaming of moths that drink them under the moon; Then, the cool kindliness of sheets, that soon Smooth away trouble; and the rough male kiss Of blankets; grainy wood; live hair that is Shining and free; blue-massing clouds; the keen Unpassioned beauty of a great machine; The benison of hot water; furs to touch; The good smell of old clothes; and other such— The comfortable smell of friendly fingers, Hair's fragrance, and the musty reek that lingers About dead leaves and last year's ferns. . . . Dear names, And thousand other throng to me! Royal flames; Sweet water's dimpling laugh from tap or spring; Holes in the ground; and voices that do sing; Voices in laughter, too; and body's pain, Soon turned to peace; and the deep-panting train; Firm sands; the little dulling edge of foam That browns and dwindles as the wave goes home; And washen stones, gay for an hour; the cold Graveness of iron; moist black earthen mould; Sleep; and high places; footprints in the dew; And oaks; and brown horse-chestnuts, glossy-new; And new-peeled sticks; and shining pools on grass;— All these have been my loves. And these shall pass, Whatever passes not, in the great hour, Nor all my passion, all my prayers, have power To hold them with me through the gate of Death. They'll play deserter, turn with the traitor breath, Break the high bond we made, and sell Love's trust And sacramented covenant to the dust. ——Oh, never a doubt but, somewhere, I shall wake, And give what's left of love again, and make New friends, now strangers. . . . But the best I've known Stays here, and changes, breaks, grows old, is blown About the winds of the world, and fades from brains Of living men, and dies. Nothing remains. O dear my loves, O faithless, once again This one last gift I give: that after men Shall know, and later lovers, far-removed, Praise you, 'All these were lovely'; say, 'He loved.
Rupert Brooke
he is a sence of unrest the new birth maybe is not that good....bitterness...except for his grandson ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 8 | posición 123-125 | Añadido el miércoles, 6 de mayo de 2015 23:07:16 Ethan was still as good-looking as he’d been before, a fact that annoyed her as much as anything else. It seemed like a life of crime should cast its mark on your appearance. But he still had the same strong features, vivid green eyes, and lean, fit body. His hair had been blazing red when he was a kid, but it had darkened now to an auburn. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 9 | posición 127-128 | Añadido el miércoles, 6 de mayo de 2015 23:07:49 Ethan’s plans, the way he always had. He’d always trusted Ethan. So had she. The thought upset ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 9 | posición 132-134 | Añadido el miércoles, 6 de mayo de 2015 23:09:09 He’d seemed to transform while he was away from the skinny boy she’d known before. He’d broadened across the shoulders and chest, and he’d suddenly become really good-looking. Very good-looking. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 9 | posición 134-135 | Añadido el miércoles, 6 de mayo de 2015 23:09:22 The lingering crush on him Ashley had had all her life had morphed into full-blown love. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 28 | posición 427-427 | Añadido el jueves, 7 de mayo de 2015 7:39:32 hot-wire a car. Why ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 38 | posición 574-574 | Añadido el jueves, 7 de mayo de 2015 18:22:07 He screeched to a halt. As soon as he slammed it into ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 42 | posición 641-642 | Añadido el jueves, 7 de mayo de 2015 19:30:10 He was the antithesis of the nice, clean, stable life she wanted to build for herself. He was bossy, and arrogant, and infuriating, and condescending, and presumptuous, and smug, and without compassion, and bossy… ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 42 | posición 643-644 | Añadido el jueves, 7 de mayo de 2015 19:30:23 And he had looked so funny in that cowboy hat. And he had the most delicious laugh she had ever heard. And sometimes, like when he’d fake-kissed her earlier, there was a warmth in his eyes that was so unexpected, so breathtaking… ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 62 | posición 945-945 | Añadido el jueves, 7 de mayo de 2015 20:55:59 As long as you don’t hog the covers.” ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 82 | posición 1253-1254 | Añadido el jueves, 7 de mayo de 2015 23:37:15 he wasn’t a bad guy at heart. He’d never been truly a bad guy. For the first time in the last eighteen months, she knew it for sure. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 94 | posición 1438-1439 | Añadido el viernes, 8 de mayo de 2015 7:45:17 she felt like it was only humane to let him know she was okay. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 179 | posición 2744-2745 | Añadido el viernes, 8 de mayo de 2015 21:04:11 was uncomfortably hot and smushed. Attempting to rouse herself ========== Mis recortes - Tu subrayado en la posición 1-6 | Añadido el sábado, 9 de mayo de 2015 13:59:08 When I Break (Ryan, Kendall) - Tu subrayado en la posición 518-519 | Añadido el viernes, 13 de marzo de 2015 20:31:52 Her voice was light, clear, and appealing. ========== When We Fall (Kendall Ryan) - Tu subrayado en la página 105 | posición 1601-1601 | Añadido el lunes, 16 de marzo de 2015 11:42:37 Two long and hard days had passed since Knox told me. ========== Unravel Me (Ryan, Kendall) - Tu nota en la página 20 | posición 304 | Añadido el martes, 17 de marzo de 2015 1:24:23 interesante ====
Anonymous
I don’t like to think too much about you, in my head, that only makes a mess of us both. But of course what I live for now is for you and me to live together. I’m frightened, really...I feel my inside turn to water sometimes, and there you are, going to have a child by me. But never mind. All the bad times that ever have been, haven’t been able to blow the crocus out: not even the love of women. So they won’t be able to blow out my wanting you, nor the little glow there is between you and me. We’ll be together next year. And though I’m frightened, I believe in your being with me. A man has to fend and fettle for the best, and then trust in something beyond himself. You can’t insure against the future, except by really believing in the best bit of you, and in the power beyond it. So I believe in the little flame between us. For me now, it’s the only thing in the world. I’ve got no friends, not inward friends. Only you. And now the little flame is all I care about in my life.. It’s my Pentecost, the forked flame between me and you... Me and God is a bit uppish, somehow. But the little forked flame between me and you: there you are! That’s what I abide by, and will abide by... “That’s why I don’t like to start thinking about you actually. It only tortures me, and does you no good. I don’t want you to be away from me. But if I start fretting it wastes something. Patience, always patience. This is my fortieth winter. And I can’t help all the winters that have been. But this winter I’ll stick to my little pentecost flame, and have some peace. And I won’t let the breath of people blow it out. I believe in a higher mystery, that doesn’t let even the crocus be blown out. And if you’re in Scotland and I’m in the Midlands, and I can’t put my arms round you, and wrap my legs round you, yet I’ve got something of you. My soul softly flaps in the little pentecost flame with you, like the peace of fucking. We fucked a flame into being. Even the flowers are fucked into being between the sun and the earth. But it’s a delicate thing, and takes patience and the long pause. “So I love chastity now, because it is the peace that comes of fucking. I love being chaste now. I love it as snowdrops love the snow. I love this chastity, which is the pause of peace of our fucking, between us now like a snowdrop of forked white fire. And when the real spring comes, when the drawing together comes, then we can fuck the little flame brilliant and yellow, brilliant. But not now, not yet! Now is the time to be chaste, it is so good to be chaste, like a river of cool water in my soul. I love the chastity now that it flows between us. It is like fresh water and rain. How can men want wearisomely to philander! What a misery to be like Don Juan, and impotent ever to fuck oneself into peace, and the little flame alight, impotent and unable to be chaste in the cool between-whiles, as by a river. “Well, so many words, because I can’t touch you. If I could sleep with my arms round you, the ink could stay in the bottle. We could be chaste together just as we can fuck together. But we have to be separate for a while, and I suppose it is really the wiser way. If only one were sure. “Never mind, never mind, we won’t get worked up. We really trust in the little flame, in the unnamed god that shields it from being blown out. There’s so much of you here with me, really, that it’s a pity you aren’t all here. “Never mind about Sir Clifford. If you don’t hear anything from him, never mind. He can’t really do anything to you. Wait, he will want to get rid of you at last, to cast you out. And if he doesn’t, we’ll manage to keep clear of him. But he will. In the end he will want to spew you out as the abominable thing. “Now I can’t even leave off writing to you. “But a great deal of us is together, and we can but abide by it, and steer our courses to meet soon. John Thomas says good night to lady Jane, a little droopingly, but with a hopeful heart.
D.H. Lawrence
Meet Wesley Breaux: Truly seeing him now for the first time since I’d moved home, I was honestly blown away. His golden hair shone in the morning sun but couldn’t completely hide the few strands of silver that were there. His baby face was leaner then it had been but still round with tiny wrinkles at the corners of his eyes and mouth. Just a couple of inches taller than me at five ten he’d never been overly muscular but instead had a slim, trim build. When he opened his brown eyes, I no longer saw inquisitiveness but the years had given them wisdom. I now understood the presence he presented to the rest of the world. While I would always love the boy I’d known for years, my heart fluttered a bit at the idea of getting to know the man he’d become.
P.M. Briede (Smoldering Embers (Charlotte Grace #1))
Okay, so technically it was your second date, but you’d gotten together before that, and you’ve known him for a while. It’s not like he’s a total stranger. Do you love him?” “Yeah, I think I do. I mean, I guess. It feels like love, but maybe it’s just lust. But yeah, I think I’m in love with the guy.” “How do you know it’s love and not just infatuation? You were kind of blown away when he said he was interested. Maybe it’s more fascination and hero worshipping.” “Hero worshipping?  Seriously, work with me here. I mean, it feels real.” “Okay, so let’s figure this out. What kind of real is it? Like you want to have his babies real, or like if he lost a testicle, didn’t have a job, and couldn’t have sex anymore because he gained five hundred pounds and his asthma stopped him from having hot sex, you’d still be by his side real?” “What kind of question is that?” “You know what I’m saying, don’t be coy. If you just want babies, it’s still infatuation. If you’d sit by his side as he got his testicle removed and gained a bunch of weight and couldn’t find his dick to put it inside of you anymore, would you still want him?” “Sam!” “What? It’s a legitimate question. You don’t have questions like that to measure things?” “Not to that extreme.” “Seriously, there’s a method to my madness. Picture this, he can’t find his winky anymore, it’s hidden between his legs, he can’t reach, he’s out of breath when he tries, and the most you can do is blow him, like that’s it. He might diddle you time to time so you aren’t feeling too hopeless in the sex department, and he doesn’t want you straying. Would you still be there?” Becky sighed, going with the flow of the conversation. “Fine, yes, I’d still be with him. He’s more to me than some hard body to have sex with. I really like the guy. I like talking to him, laughing with him, and learning more about him.” “Nice. I think you may very well be in love, Becks. Now if you could find me a guy like that…” “The one that can’t find his wiener? Or someone to love?” “Hey, I’ll help him find his wiener if he’s awesome.
Ava Catori (The Big, Not-So-Small, Curvy Girls Dating Agency (Plush Daisies, #1))
This is getting weird,” Lip said, flipping through some of the others.  “Do you think these are code?” “Could be.  Don’t know.  Not our speed, though.  We’re going to need to call in some favors to get them run.” Lip nodded.  “That shouldn’t be a problem.  We’ll use our go-to boy.” “Lawrence?” “He owes us.” Lawrence Simpson.  He still worked at the NSA.  Man was a lifer.  And he owed them big. “They’ve got the Black Widow now,” Lip said.  “I’d love to work with that baby.” The Black Widow.  The NSA’s colossal Cray supercomputer.  Thing could scan through millions of emails, phone calls, you name it, in seconds.  It could find patterns, search for key words, and do it on a scale that was unfathomable. “Keep dreaming,” Marks said. Lip could get carried away.  Like the NSA was going to let ‘em use that.  Thing was needed for its job.  Like spying on the world. First time on the job Marks was pretty blown away.  Didn’t faze him in the least now, knowing that the NSA captured every bit of correspondence every day and every second from around the world.  Phone calls, cell or land lines.  Domestic and international.  Emails.  Text messages.  Fuckin’ everything. It was all captured, scanned and stored.  And Lip and he had a hand in helping with that.  Still were helping.  Information in motion.  There were always new pipes that needed to be tapped, more splitters to put in place somewhere around the world.  Dubai, Chóngqing, Bangalore…  Marks and Lip, just two of your friendly cable box installers.  No job too small or too far away. Marks eyed the walls again.  In a micro sense this was almost like a snapshot of the soup.  Random and nonsensical.  Just a bunch of non-related groups lumped together. He examined some of the newspaper clippings.  It was weird to see the paper content. 
Dave Buschi (Proportionate Response (Marks and Lip))
By: J.D Beautiful tale “A compelling portrayal of passionate love. This perfectly encapsulates the feelings of sexual tension, true love and the mounting difficulties commonly associated with young DL relationships. Well written. You are a very gifted Author.”       By: Jennifer Blake     Blown away! “This was a passionate, riveting, hypnotic, dreamy prose that left me aching for more! #TeamDreAndJevaughn.”                                                                                             Food for Thought             “Me only have one ambition, y'know. I only have one thing I really like to see happen. I like to see mankind live together - black, white, Chinese, everyone - that's all.”        ―Bob Marley                                         “God
J.S. Lewis (Jamaican American Thug Drama (Jamaican American Thug Drama Saga #1))
For as many as 25,000 other children who reach their eighteenth birthdays each year, the emotions are similar. But there is a defining difference. These are young people who step through a doorway into a world full of unknowns, without the connections and supports that other children take for granted. Something has happened in their lives that forever makes them different: Usually through no fault of their own, they were taken away from their families and placed in foster care.1 They entered a bureaucratic system peopled with strangers who had complete control over where they lived, where they went to school, and even whether they ever saw their families again. The supports in their lives were not people who loved them, but people who were paid for the roles they played—caseworkers, judges, attorneys, and either shift workers in group homes or a succession of often kind, but always temporary, foster parents. In most states, on the day that a child in foster care turns eighteen, these supports largely disappear. The people who once attended to that child’s needs are now either unable or unwilling to continue; a new case demands their time, a new child requires the bed. There is often no one with whom to share small successes. And with no one to approach for advice, garden-variety emergencies—a flat tire, a stolen wallet, a missing birth certificate—escalate into full-blown crises.
Martha Shirk (On Their Own: What Happens to Kids When They Age Out of the Foster Care System)
And the forest of the black rings the sound For the pain of others Giving so much love around To her sister and brothers. Take their pain Kissing and caring for the the hurt inside Asking for nothing to gain Giving her all, to be by their side. Yet, she suffers the wrath As she was born for this task Often walking alone in the path Crying pain inside but wearing a happy mask. The forest now is green The happiness has arrived For she gives love Many times unseen. The healing of others she has no choice She does so naturally Using her powers of love with her heart and voice Giving healing and love to others so naturally. Many times she does not want the the power to feel Many times she want to break apart For her ability to heal is real She was born this way...from the start. Hear the echoes of the love sing their song As she sleeps tonight for the healing that has blown Healing to the sound of of goodness away through the wrong For tonight...again after healing...she sleeps alone
Albert Alexander Bukoski
People die of love. I’m one of the few who’ll admit it. That doesn’t mean it isn’t true. Take all the people who died yesterday, or last week, or last year. Subtract all the suicides and the so-called accidents of the brokenhearted. Take away the men who got blown away for being in the wrong bed at the wrong moment, the women in abusive marriages who died of cancer because they couldn’t find any other exit from their lives. All the AIDS deaths except from the needles and the transfusions, the ones they call the innocent victims. Like if you have sex, you’re guilty. Deserved just what you got. Now tell me who all you’ve got left. Without love the world would be overpopulated, except that without love it wouldn’t be populated at all. Love giveth and love taketh away and all that crap. You’ll probably say all those people died from the lack of love, but I say it’s two sides of the same coin. So it’s the same coin.
Catherine Ryan Hyde
Benefits of Going Green The benefits of going green are sometimes not similar to obvious right away. For some people, because of this that going green can be so difficult. They have to see immediate or near immediate results of their green efforts. Unfortunately, some benefits take a while and dedication. Now and dedication can be a good thing about going green in itself. When we become more commited to an environmentally friendly lifestyle we study that lifestyle, the aspects of the life-style that is effective on our behalf and then we study new tips that make the lifestyle much better to create. Other merits of going green can be found especially zones of green lifestyles. Benefits of Going Green at Home Going green at your home is among the few places that green lifestyle benefits are shown quickly or in the next short space of time. The first home benefit that many individuals who go green see, is a drop in utility bills and spending. As people commence to make subtle and full blown changes in the volume of energy they use and the manner they make use of it, the utility bills will drop. This benefit shows itself within the first three billing cycles no matter the effective changes. Spending also reduces. The spending pattern of green lifestyles shows a spending reduction because of switching from disposable items to reusable items, pricey chemical items for DIY natural options and swapping out appliances for higher energy levels effiencent models. Simply not only are the advantages observed in healthier lifestyle options, but on top of that they are seen in healthier financial options. Benefits to Going Green at Work Going green at work is problematic to implement and hard to see immediate results from. However, the avantages of going green in the workplace might be incredibly financially beneficial regarding the business. A clear benefit for businesses going green that is the alleviates clutter and increased organization. By utilizing green techniques in your business such as cloud storage, going paperless and energy usage techniques a business will save many dollars each month. This is a clear benefit, but the additional advantage is increased business. Consumers, businesses and sales professionals love aligning themselves with green businesses. It shows an ecological awareness and connection and it has verified that the green business cares about the approach to life of their total clients. The green business logo and concept means the advantage of a higher customer base and increased sales. Advantages and benefits of Going Green within the Community Community advantages and benefits of going green are the explanation as to why many individuals begin contribution in the green movement. Community efforts do take time and effort to develop. Recycling centers, landscaping endeavors and urban gardening projects take community efforts and dedication. These projects can build wonderful benefits regarding the community. Initially the advantages will show in areas similar to a decrease in waste, increased organic gardening options and recycling endeavors to diminish waste in landfills. Eventually the avantages of going green locally can present a residential district bonding, closer knit communities and environmental benefits which will reach to reduced air pollution. There can also be an increase in local food production and local companies booming which helps the regional economy. There are numerous other benefits of going green. These benefits might be comprehensive and might change the thought of how communities, states and personal lifestyles are changed.
Green Living
What does it mean that the conservative church that’s growing in America is an end-times church? What does it mean that we are raising a generation of children to believe that they are the last generation? What is going to happen if we keep on telling them, ‘Don’t care about the environment, and bring on the war, because we’re going to be lifted out of here, and you can forget about loving your neighbors, because they’re just going to get blown away’?
Katherine Stewart (The Good News Club: The Christian Right's Stealth Assault on America's Children)
My heart has rooms that sigh with dust And ashes in the hearth. They must be cleaned and blown away By daylight’s breath. But I cannot essay the task, For even dust to me is dear; For dust and ashes still recall, My love was here. I know not how to say Farewell, When Farewell is the word That stays alone for me to say Or will be heard. But I cannot speak out that word Or ever let my loved one go: How can I bear it that these rooms Are empty so? I sit among the dust and hope That dust will cover me. I stir the ashes in the hearth, Though cold they be. I cannot bear to close the door, To seal my loneliness away While dust and ashes yet remain Of my love’s day.
Stephen R. Donaldson (White Gold Wielder (The Second Chronicles of Thomas Covenant, #3))
He said that the blood was not his own, but that of a comrade a few feet away who had been blown apart by an enemy grenade. And after having left the rice paddies of Vietnam, he eventually took up residence in the pew of a small mid-western church. For he said that he had been covered by the blood of one friend in combat and by blood of another on a cross in another sort of combat. And such was his love for both that he committed to forget neither.
Craig D. Lounsbrough
Hey, Shell-bell," I say, leaning over her and wiping her face with a napkin. "It's the first day of school. Wish me luck." Shelley holds jerky arms out and gives me a lopsided smile. I love that smile. "You want to give me a hug?" I ask her, knowing she does. The doctors always tell us the more interaction Shelley gets, the better off she'll be. Shelley nods. I fold myself in her arms, careful to keep her hands away from my hair. When I straighten, my mom gasps. It sounds to me like a referee's whistle, halting my life. "Brit, you can't go to school like that." "Like what?" She shakes her head and sighs in frustration. "Look at your shirt." Glancing down, I see a large wet spot on the front of my white Calvin Klein shirt. Oops. Shelley's drool. One look at my sister's drawn face tells me what she can't easily put into words. Shelley is sorry. Shelley didn't mean to mess up my outfit. "It's no biggie," I tell her, although in the back of my mind I know it screws up my "perfect" look. Frowning, my mom wets a paper towel at the sink and dabs at the spot. It makes me feel like a two-year-old. "Go upstairs and change." "Mom, it was just peaches," I say, treading carefully so this doesn't turn into a full-blown yelling match. The last thing I want to do is make my sister feel bad. "Peaches stain. You don't want people thinking you don't care about your appearance." "Fine." I wish this was one of my mom's good days, the days she doesn't bug me about stuff. I give my sister a kiss on the top of her head, making sure she doesn't think her drool bothers me in the least. "I'll see ya after school," I say, attempting to keep the morning cheerful. "To finish our checker tournament.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
She looked up at Christopher compassionately. “I think your problem will fade in time, as mine has. And then it might come back every once in a while, but only briefly. It won’t always be this bad.” Torchlight flickered in Christopher’s eyes as he stared at her. He reached out and drew her close with slow, stunning tenderness. One of his hands cradled her jaw, his long fingers textured with calluses. To Beatrix’s bewilderment, he eased her head against his shoulder. His arms were around her, and nothing had ever felt so wonderful. She leaned against him in a daze of pleasure, feeling the even rise and fall of his chest. He toyed with the tiny wisps at the nape of her neck, the brush of his thumb on her skin sending a rapturous quiver down her spine. “I have a silver cuff link of yours,” Beatrix said unsteadily, her cheek pressed to the smooth fabric of his coat. “And a shaving brush. I went to take back the shaving brush, and stole the cuff link instead. I’ve been afraid to try and return them, because I’m fairly certain I would only end up stealing something else.” A sound of amusement rustled in his chest. “Why did you take the shaving brush in the first place?” “I told you, I can’t help--” “No. I meant, what were you feeling anxious about?” “Oh, that’s not important.” “It’s important to me.” Beatrix drew back just enough to look up at him. You. I was anxious about you. But what she said was, “I don’t remember. I have to go back inside.” His arms loosened. “I thought you weren’t worried about your reputation.” “Well, it can survive a little damage,” Beatrix said reasonably. “But I’d rather not have the whole thing blown to smithereens.” “Go, then.” His hands fell away from her, and she began to walk away. “But Beatrix…” She paused and glanced at him uncertainly. “Yes?” His gaze held hers. “I want my shaving brush back.” A slow grin curved her lips. “I’ll return it soon,” she promised, and left him alone in the moonlight.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
RJ gets to work in the kitchen on the dinner he is preparing, allowing me to sous chef. He seasons duck breasts with salt, pepper, coriander, and orange zest. Puts a pot of wild rice on to cook, asks me to top and tail some green beans. We open a bottle of Riesling, sipping while we cook, and I light a fire. The place gets cozy, full of delicious smells and the crackling fire. We ignore the dining table in favor of sitting on the floor in front of the fire, and tuck in. "This is amazing," I tell him, blown away by the duck, perfectly medium-rare and succulent, with crispy, fully rendered skin. "Really, honey, it couldn't be better." "Thank you, baby. That's a major compliment. And I have to say, I love cooking with you." "I love cooking with you." And I did. I never once felt like I wanted to jump in or make a change, or suggest a different choice. I followed him as I would have followed any chef, and the results of trusting him are completely delicious, literally and figuratively.
Stacey Ballis (Off the Menu)
I remember Galileo describing the mind as a piece of paper blown around by the wind, and I loved the sight of it sticking to a tree, or jumping into the backseat of a car, and for years I watched paper leap through my cities; but yesterday I saw the mind was a squirrel caught crossing Route 80 between the wheels of a giant truck, dancing back and forth like a thin leaf, or a frightened string, for only two seconds living on the white concrete before he got away, his life shortened by all that terror, his head jerking, his yellow teeth ground down to dust. It was the speed of the squirrel and his lowness to the ground, his great purpose and the alertness of his dancing, that showed me the difference between him and paper. Paper will do in theory, when there is time to sit back in a metal chair and study shadows; but for this life I need a squirrel, his clawed feet spread, his whole soul quivering, the loud noise shaking him from head to tail. O philosophical mind, O mind of paper, I need a squirrel finishing his wild dash across the highway, rushing up his green ungoverned hillside.
Gerald Stern
Niobe earned the ire of the gods by bragging about her seven lovely daughters and seven “handsome sons—whom the easily offended Olympians soon slaughtered for her impertinence. Tantalus, Niobe’s father, killed his own son and served him at a royal banquet. As punishment, Tantalus had to stand for all eternity up to his neck in a river, with a branch loaded with apples dangling above his nose. Whenever he tried to eat or drink, however, the fruit would be blown away beyond his grasp or the water would recede. Still, while elusiveness and loss tortured Tantalus and Niobe, it is actually a surfeit of their namesake elements that has decimated central Africa. There’s a good chance you have tantalum or niobium in your pocket right now. Like their periodic table neighbors, both are dense, heat-resistant, noncorrosive metals that hold a charge well—qualities that make them vital for compact cell phones. In the mid-1990s cell phone designers started demanding both metals, especially tantalum, from the world’s largest supplier, the Democratic Republic of Congo, then called Zaire. Congo sits next to Rwanda in central Africa, and most of us probably remember the Rwandan butchery of the 1990s. But none of us likely remembers the day in 1996 when the ousted Rwandan government of ethnic Hutus spilled into Congo seeking “refuge. At the time it seemed just to extend the Rwandan conflict a few miles west, but in retrospect it was a brush fire blown right into a decade of accumulated racial kindling. Eventually, nine countries and two hundred ethnic tribes, each with its own ancient alliances and unsettled grudges, were warring in the dense jungles. Nonetheless, if only major armies had been involved, the Congo conflict likely would have petered out. Larger than Alaska and dense as Brazil, Congo is even less accessible than either by roads, meaning it’s not ideal for waging a protracted war. Plus, poor villagers can’t afford to go off and fight unless there’s money at stake. Enter tantalum, niobium, and cellular technology. Now, I don’t mean to impute direct blame. Clearly, cell phones didn’t cause the war—hatred and grudges did. But just as clearly, the infusion of cash perpetuated the brawl. Congo has 60 percent of the world’s supply of the two metals, which blend together in the ground in a mineral called coltan. Once cell phones caught on—sales rose from virtually zero in 1991 to more than a billion by 2001—the West’s hunger proved as strong as Tantalus’s, and coltan’s price grew tenfold. People purchasing ore for cell phone makers didn’t ask and didn’t care where the coltan came from, and Congolese miners had no idea what the mineral was used for, knowing only that white people paid for it and that they could use the profits to support their favorite militias. Oddly, tantalum and niobium proved so noxious because coltan was so democratic. Unlike the days when crooked Belgians ran Congo’s diamond and gold mines, no conglomerates controlled coltan, and no backhoes and dump trucks were necessary to mine it. Any commoner with a shovel and a good back could dig up whole pounds of the stuff in creek beds (it looks like thick mud). In just hours, a farmer could earn twenty times what his neighbor did all year, and as profits swelled, men abandoned their farms for prospecting. This upset Congo’s already shaky food supply, and people began hunting gorillas for meat, virtually wiping them out, as if they were so many buffalo. But gorilla deaths were nothing compared to the human atrocities. It’s not a good thing when money pours into a country with no government.
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
Almost like a waterfall gushing in-between my legs at this moment at this time. Kissing, loving, and creasing me like, as my mud-covered toes, as I sink them in the dirt. My legs are so weakly holding me upright, after standing so long.' 'Ultimately, the pounding rains get more powerful. Making me fall to the ground with a soft thud, now covered by the clay. Where I will remain until I feel that I can get up and over what has transpired from the day of hell I had and what has happened to me. That's if I can, like if I can accept this all, as I look down at me. I feel the dropping rain is weeping for me, like 'God’s tears, even after this I still believe in.' 'The pain triples within me also like the thoughts all at the same time, I start rolling around, like a pig in mud. I have the sensation like I have been ripped in two parts in my centered hips and vagina.' 'However, it is like it is all pounding down on me at once. I look, up to the sky, lying on my backside. It jostles me, the thought of what it is that I want to do… with myself to escape.' 'Even with all this rain. I feel that my vagina will surely never feel the same, or like it's clean again. It's all because of them!' 'No!' I scream. 'The rainwater can only wash away somewhat of what they have done to me. Never all of it… never- ever! It cannot wash away all my fears that I have. They have sucked my bean above the hole! Tugged on the hood, until I thought they would bite it off me completely. That is why I'm bleeding! Nevertheless, the school would not do anything about this, over I was the one that started it all; as the instigator.' 'They rubbed and touched me in all the places, yet this one the most. They ripped my black hole wide open, with their hateful fingernails and slashing teeth.' 'I cannot run away from them. They always find me! Always, I have nowhere to run or to hide!' 'I cannot stop them from fingering, stabbing, and sucking on me! My nipples are raw! They beat me up for enjoyment. Pledging with 'God' saying this has to stop. Yet it goes on every school day.' 'I must get away from them. I need to getaway! ('I just need to okay!') It is like these visions of what my life's existence about comes and goes away from me.' I see my life before I live it out in its entirety.' 'Sometimes, it's like I am black, I am not biased, bigoted, discriminatory, prejudiced, antiblack, and racialist, let's get that clear; yet this is the category, I was placed in, as a girl owned by man, that think I should never do anything more than be something like a worker in a field, as a slave to pay back my debts to be who I am to them in their hate.' 'The air that is around me now, is making my slit labia skin hurt with burn and sting. Burning hotter than a flame, before snuffed out! I know how a candle feels, struggling not to be blown out by the rushing air, or being snuffed out.' 'It's like they have a new addiction and that is the hole in my body that makes me a lady.' 'Just if you are wondering, I put my teddy in my backpack right after getting off the bus, after getting hazed by having him. after all, he is very significant to me.' 'I walk over to my bookbag, and see him down in their look at me, and find my one pink notebook. I open it to that one page I penned, the one that I have dogeared. 'There it is!' I say as I rip it out, it recollects the day.' 'The paper is jagged and wet, but I have an adieu note in my hand. I made it earlier in school, at lunch, when I was sitting alone; on this wrinkled up pink notebook paper. The black ink is running like a watercolor all over all my trembling, quivering, shivering, and childlike penmanship handwriting. All it has on it are all words that need to be said, about my existence in life, not living! Decidedly not.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
Otherwise, whatever you are resisting, you promise yourself one hundred times, "I will not do this, I will not get angry, I'll not be rough to people," and you will see when the time comes, your emotion comes like a storm and all your affirmations are just washed away. All your promises get blown
Ravi Shankar (The Path of Love, Narada's Bhakti Sutras)
The room is still quite cold when the list of achievements is read but the atmosphere quickens when you hear what they loved, what they held in their affections…you realize what you learn you have lost [in someone dying] is you’ve lose what they loved and everything else is like chafe blown away.
David Whyte (Midlife and the Great Unknown: Finding Courage and Clarity Through Poetry)
This is the beginning of how husbands and wives forbear and forgive. They are blown away by being chosen, set apart, and loved by God. Husbands, devote yourselves to seeing and savoring this. Wives, do the same. Get your life from this. Get your joy from this. Get your hope from this—that you are chosen, set apart, and loved by God. Plead with the Lord that this would be the heartbeat of your life and your marriage. On this basis now—on the basis of this profound, new, God-centered identity as chosen, holy, and loved—we are told what to “put on.” That is, we are told what kind of attitude and behavior fits with, and flows from, being chosen, set apart, and loved by God through Christ.
John Piper (This Momentary Marriage: A Parable of Permanence)
Alma could not feel the absurdity of this, and she merely said, "'Every Other Week' seems to be going on just the same as ever." "Yes, the trouble has all blown over, I believe. Fulkerson," said Beaton, with a return to what they were saying, "has managed the whole business very well. But he exaggerates the value of my advice." "Very likely," Alma suggested, vaguely. "Or, no! Excuse me! He couldn't, he couldn't!" She laughed delightedly at Beaton's foolish look of embarrassment. He tried to recover his dignity in saying, "He's 'a very good fellow, and he deserves his happiness." "Oh, indeed!" said Alma, perversely. "Does any one deserve happiness?" "I know I don't," sighed Beaton. "You mean you don't get it." "I certainly don't get it." "Ah, but that isn't the reason." "What is?" "That's the secret of the universe," She bit in her lower lip, and looked at him with eyes, of gleaming fun. "Are you never serious?" he asked. "With serious people always." "I am serious; and you have the secret of my happiness—" He threw himself impulsively forward in his chair. "Oh, pose, pose!" she cried. "I won't pose," he answered, "and you have got to listen to me. You know I'm in love with you; and I know that once you cared for me. Can't that time—won't it—come back again? Try to think so, Alma!" "No," she said, briefly and seriously enough. "But that seems impossible. What is it I've done what have you against me?" "Nothing. But that time is past. I couldn't recall it if I wished. Why did you bring it up? You've broken your word. You know I wouldn't have let you keep coming here if you hadn't promised never to refer to it." "How could I help it? With that happiness near us—Fulkerson—" "Oh, it's that? I might have known it!" "No, it isn't that—it's something far deeper. But if it's nothing you have against me, what is it, Alma, that keeps you from caring for me now as you did then? I haven't changed." "But I have. I shall never care for you again, Mr. Beaton; you might as well understand it once for all. Don't think it's anything in yourself, or that I think you unworthy of me. I'm not so self-satisfied as that; I know very well that I'm not a perfect character, and that I've no claim on perfection in anybody else. I think women who want that are fools; they won't get it, and they don't deserve it. But I've learned a good deal more about myself than I knew in St. Barnaby, and a life of work, of art, and of art alone that's what I've made up my mind to." "A woman that's made up her mind to that has no heart to hinder her!" "Would a man have that had done so?" "But I don't believe you, Alma. You're merely laughing at me. And, besides, with me you needn't give up art. We could work together. You know how much I admire your talent. I believe I could help it—serve it; I would be its willing slave, and yours, Heaven knows!" "I don't want any slave—nor any slavery. I want to be free always. Now do you see? I don't care for you, and I never could in the old way; but I should have to care for some one more than I believe I ever shall to give up my work. Shall we go on?" She looked at her sketch. "No, we shall not go on," he said, gloomily, as he rose. "I suppose you blame me," she said, rising too. "Oh no! I blame no one—or only myself. I threw my chance away.
William Dean Howells (A Hazard of New Fortunes (Modern Library Classics))
My ship, myself, whose course to love doth bend, Sore beaten doth her mast of comfort spend; Her cable, reason, breaks from anchor, hope; Fancy, her tackling, torn away doth fly; Ruin, the wind, hath blown her from her scope; Bruised with waves of care, but broken is On rock, despair, the burial of my bliss.
Philip Sydney (The Countess of Pembroke's Arcadia)
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget. When Lana was finished, the audience clapped, whistled, and stomped, but I sat silent and stunned as she bowed and gracefully withdrew, so disarmed I could not even applaud.
Viet Thanh Nguyen (The Sympathizer)
Love is only for the brave,” he said. “Frankly, I recommend you stay away from it. You are too soft to endure love for very long.” I disagreed with him, explaining that I had been in love numerous times in my life, and knew the pain and the ecstasy of the feelings. “That’s not love, that’s romance,” he said. “Love is like a mill,” he explained, “Love grinds you down. It cracks you open and breaks you out of your shell, so you no longer recognize who you are. You become like a fine dust that can be blown away by the wind if you are not careful. Love then mixes you with a dash of spring water and pummels you, kneads you, and then places you on a hot stone by the fire to bake, so that you can become like the corn bread in the sacred feast of the Inti Raymi.” “I’ve experienced that,” I mentioned to Don Manuel. I was thinking of my recent divorce, and how painful that had been. I had felt the heat of the fire and been singed by the flames. “You know little about love,” he said. “You are like a kernel of corn that got too close to the fire and exploded, like a canchita” (popcorn).
Alberto Villoldo (The Heart of the Shaman: Stories and Practices of the Luminous Warrior)
Most Americans are truly kind people. Every time I’ve been to a red state, a part of the country where I do not align with the locals politically, religiously, romantically, or even ethically, I have been welcomed with open arms. I’ve been blown away by the friendliness of the locals. There are definitely plenty of cunts, too. But I find that the people are not filled with genuine hate, just fear and wrong information.
Daniel Sloss (Everyone You Hate Is Going to Die: And Other Comforting Thoughts on Family, Friends, Sex, Love, and More Things That Ruin Your Life)
In love, oaths are the sins of a pure heart and are dust in the wind. Let them be blown away by the grace of Venus.
Jacek Bocheński (Naso the Poet: The Loves and Crimes of Rome's Greatest Poet (The Notorious Roman Trilogy))
I've made my thoughts clear enough on what I want from you.' He'd never met someone able to imply so much in so few words, in placing so much emphasis on you as to make it an outright insult. Cassian clenched his jaw. And didn't bother to restrain himself when he said, 'I'm tired of playing these bullshit games.' She kept her chin high, the portrait of queenly arrogance. 'I'm not.' 'Well, everyone else is. Perhaps you can find it in yourself to try a little harder this year.' Those striking eyes slid toward him, and it was an effort to stand his ground. 'Try?' 'I know that's a foreign word to you.' Nesta stopped at the bottom of the street, right along the icy Sidra. 'Why should I have to try to do anything?' Her teeth flashed. 'I was dragged into this world of yours, this court.' 'Then go somewhere else.' Her mouth formed a tight line at the challenge. 'Perhaps I will.' But he knew there was no other place to go. Not when she had no money, no family beyond this territory. 'Be sure to write.' She launched into a walk again, keeping along the river's edge. Cassian followed, hating himself for it. 'You could at least come live at the House,' he began, and she whirled on him. 'Stop,' she snarled. He halted in his tracks, wings spreading slightly to balance him. 'Stop following me. Stop trying to haul me into your happy little circle. Stop doing all of it.' He knew a wounded animal when he saw one. Knew the teeth they could bare, the viciousness they displayed. But it couldn't keep him from saying, 'Your sisters love you. I can't for the live of me understand why, but they do. If you can't be bothered to try for my happy little circle's sake, then at least try for them.' A void seemed to enter those eyes. An endless, depthless void. She only said, 'Go home, Cassian.' He could count on one hand the number of times she'd used his name. Called him anything other than you or that one. She turned away- toward her apartment, her grimy part of the city. It was instinct to lunge for her free hand. Her gloved fingers scraped against his calluses, but he held firm. 'Talk to me, Nesta. Tell me-' She ripped her hand out of his grip. Stared him down. A mighty vengeful queen. He waited, panting, for the verbal lashing to begin. For her to shred him into ribbons. But Nesta only stared at him, her nose crinkling. Stared, then snorted- and walked away. As if he were nothing. As if he weren't worth her time. The effort. A low-born Illyrian bastard. This time, when she continued onward, Cassian didn't follow. He watched her until she was a shadow against the darkness- and then she vanished completely. He remained staring after her, that present in his hands. Cassian's fingertips dug into the soft wood of the small box. He was grateful the streets were empty when he hurled the box into the Sidra. Hurled it hard enough that the splash echoed off the buildings flanking the river, ice cracking from the impact. Ice instantly re-formed over the hole he'd blown over. As if it, and the present, had never been.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
September 15 “And a man shall be as an hiding-place from the wind, and a covert from the tempest.” Isaiah 32:2 WHO this man is we all know. Who could he be but the Second Man, the Lord from Heaven, the Man of sorrows, the Son of man? What a hiding-place he has been to his people! He bears the full force of the wind himself, and so he shelters those who hide themselves in him. We have thus escaped the wrath of God, and we shall thus escape the anger of men, the cares of this life, and the dread of death. Why do we stand in the wind when we may so readily and so surely get out of it by hiding behind our Lord? Let us this day run to him, and be at peace. Often the common wind of trouble rises in its force and becomes a tempest, sweeping everything before it. Things which looked firm and stable rock in the blast, and many and great are the falls among our carnal confidences. Our Lord Jesus, the glorious Man, is a covert which is never blown down. In him we mark the tempest sweeping by, but we ourselves rest in delightful serenity. This day let us just stow ourselves away in our hiding-place, and sit and sing under the protection of our covert. Blessed Jesus! Blessed Jesus! How we love thee! Well we may, for thou art to us a shelter in the time of storm.
Charles Haddon Spurgeon (The Chequebook of the Bank of Faith: Precious Promises Arranged for Daily Use with Brief Comments)
The magistrate's expression changed as quickly as if a gust of wind had blown his anger away. What replaced it forced me to glance away. It struck me too much as the same look Papinias got on his face when he discovered a new book to add to his ever-growing collection.
Tammie Painter (Domna, Part One: The Sun God's Daughter (Domna #1))
The pennycandystore beyond the El is where i first fell in love with unreality Jellybeans glowed in the semi-gloom of that september afternoon A cat upon the counter moved among the licorice sticks and tootsie rolls and Oh Boy Gum Outside the leaves were falling as they died A wind had blown away the sun A girl ran in Her hair was rainy Her breasts were breathless in the little room Outside the leaves were falling and they cried Too soon! too soon!
Lawrence Ferlinghetti
The afterlife is unpredictable. Laugh today cry tomorrow. What is however is that we will all be lying six feet underground or dust blown away in the wind. It does not matter if this is America or Vietnam. The way of beauty is in shared experience. Love is life. Why make things so damn difficult for one another? War has already done its share. Put down the mirror of vanity, careers, status, And enjoy each other's company while it lasts. If one cannot do this, then do not manipulate what has not been worked through with deluded ideas of peace and desirelessness It is avoidance, and we shall regard it as such. ------------------------- Thế giới bên kia là không thể đoán trước. Cười hôm nay khóc ngày mai. Tuy nhiên điều gì là tất cả chúng ta sẽ nằm cách sáu feet dưới lòng đất hoặc bụi thổi bay trong gió. Nó không quan trọng nếu đây là Mỹ hay Việt Nam. Cách làm đẹp là trong trải nghiệm được chia sẻ. Yêu là tạo cơ hội cho cuộc sống. Tại sao làm mọi thứ trở nên khó khăn cho nhau? Chiến tranh đã bị cướp bóc và hư hỏng. Đặt gương của vanity, nghề nghiệp, trạng thái, Và tận hưởng công ty của nhau trong khi nó kéo dài. Nếu người ta không thể làm điều này, thì đừng thao túng những gì đã không được làm việc thông qua với những ý tưởng lừa đảo về hòa bình và không mong muốn Nó là tránh, và chúng ta sẽ coi nó như vậy.
VD.
The afterlife is unpredictable. Laugh today cry tomorrow. What is however is that we will all be lying six feet underground or dust blown away in the wind. It does not matter if this is America or Vietnam. The way of beauty is in shared experience. The opportunity of life is love. Why make things so damn difficult for one another? War has already done its share. Put down the mirror of vanity, careers, status, And enjoy each other's company while it lasts. If one cannot do this, then do not manipulate what has not been worked through Ideas of peace and desirelessness are deluded. It is avoidance, and we shall regard it as such. ------------------------- Thế giới bên kia là không thể đoán trước. Cười hôm nay khóc ngày mai. Tuy nhiên điều gì là tất cả chúng ta sẽ nằm dưới lòng đất hoặc bụi thổi bay trong gió. Nó không quan trọng nếu đây là Mỹ hay Việt Nam. Cách làm đẹp là trong trải nghiệm được chia sẻ. Yêu là tạo cơ hội cho cuộc sống. Tại sao làm mọi thứ trở nên khó khăn cho nhau? Chiến tranh đã bị cướp bóc và hư hỏng. Đặt gương tính cách hư ảo, nghề nghiệp, trạng thái, Và tận hưởng công ty của nhau trong khi nó kéo dài. Nếu người ta không thể làm điều này, thì đừng thao túng những gì đã không được làm việc thông qua với những ý tưởng lừa đảo về hòa bình và không mong muốn Nó là tránh, và chúng ta sẽ coi nó như vậy.
VD.
...If you are never to see yourself depicted... Not in story nor song nor poem nor painting nor prose... No shred of a tale by some distant kindred soul who saw and knew and felt then as you do now, and else another who loved and bore witness... Never see yourself except as crude caricature, mythical beast, or Magdalene penitent... You believe no other like you ever existed. You begin to wonder if you even exist at all. Unquiet women, defiant women--we live invisible lives, and if we are seen and seen by strangers, we are reduced to monsters. Vampires, who have no reflection in a looking glass. Mermaids, who die and become sea foam, blown away by the wind. We will take up and take back the tools to tell our stories as our own. Civilizations may rise and fall and rewrite the history of the dead, as so often they do. But we were here... and we lived, and loved, and mattered.
Marguerite Bennett (Insexts Vol. 2: the Necropolis)
each other. No words were needed, they both felt the same. What a load of bollocks. They’d known each other two minutes. How could they be in love? Joan was just going over the top. The four glasses clinked together. “Tuck in guys. This is one of my better dishes. My mam helped with it too so I know it’s going to be top notch.” Trevor rubbed his hands together and grabbed his fork. There were no flies on him he was tucking in. Food was his comfort and now Joan was off the market he needed it more than ever. Mabel picked at the food on her plate, nibbling, watching everyone else around her. Patrick sat next to Joan and every chance he got he kissed her, held her hand. He knew he was on show here tonight and he was making sure he ticked all the boxes. * Cath and Katrina were chatting in the yard. The winds were blowing with force. They both looked freezing as they marched around the concrete yard. There were high steel fences with barbed wire on the top of it. There was no way out. Katrina needed a friendly ear, some advice, someone to ease her heavy heart. Once she’d filled Cath in on everything that had happened they both sat on a bench not far from the fence.  The screws watched them with caution and never took their eyes from them. They were high-risk prisoners. Cath let out a laboured breath and bit down hard on her bottom lip. “For crying out loud didn’t I tell you to keep away from that prick. Look what’s happened now. You’ve fucking blown it. You were getting out of this shit-hole in a few more months and you’ve gone and fucked it all. Where is your head at woman, you should of steered well clear of any trouble?” Katrina snivelled, her eyes flooding with tears. “I know, I just wanted to hurt him like he’s hurt me. I loved that man with all my heart and he just fucked off and left me. I’ve lost it all Cath. My kids, my home, everything I ever loved. How can I tell my kids I’m not coming home? It will break their hearts. I’ve made promises to them. A better life, no more trouble. Their mother home for good.” “They’ve not charged you yet. Wait until it’s set in stone and then you know what you’re dealing with.” Cath held her in her arms and squeezed her tight. She knew as much as the other person that she wasn’t getting out of jail anytime soon. The crime she’d committed would be all over the news soon and the public would know who she was. She’d seen it so many times before. Once an offender was named, the nation would be all over it. No doubt Norman would be made out to be the hero too. There would be no story about the way he treated this woman, no mention of all the women he’d abused in the past. Maybe someone should have grassed him up. Katrina had warned him if he she got her collar felt there would be repercussions. Why hadn’t she put his name in the picture yet? Now was the time to put her cards on the table and look after number one. Maybe if she turned Queen’s evidence she could get a deal with the prosecution. A lesser sentence, a few years knocked off. Cath was aware of this but to be a Judas was another matter. Katrina would have to
Karen Woods (Sins)