“
Somewhere
someone
thinks they love
someone else
exactly like
I
love you.
Somewhere
someone shakes
from the ripple
of a thousand butterflies
inside a
single stomach.
Somewhere
someone
is packing their
bags
to see the world
with someone
else.
Somewhere
someone
is reaching through
the most
terrifying few
feet of space
to hold the
hand
of someone
else.
Somewhere
someone
is watching
someone else’s
chest
rise and fall
with the
breath
of slumber.
Somewhere
someone
is pouring
ink like blood
onto pages
fighting
to say the truth
that has
no words.
Somewhere
someone
is waiting
patient
but exhausted
to just
be
with someone
else.
Somewhere
someone
is opening
their eyes
to a sunrise
in someplace
they have never
seen.
Somewhere
someone
is pulling out
the petals
twisting the
apple stem
picking up
the heads up penny
rubbing the
rabbits foot
knocking on
wood
throwing
coins into
fountains
hunting for
the only clover
with only 4 leaves
skipping over
the cracks
snapping the
wishbone
crossing their
fingers
blowing out
the candles
sending dandelion
seeds into the
air
ushering eyelashes
off their thumbs
finding the first
star
and waiting for
11:11 on
their clock
to spend their
wishes
on someone
else.
Somewhere
someone
is saying
goodbye
but somewhere
someone else
is saying
hello.
Somewhere
someone
is sharing their first
or their last
kiss
with their
or no longer their
someone
else.
Somewhere
someone
is wondering
if how they feel
is how the other
they
feels about them
and if both theys
could ever become
a they
together.
Somewhere
someone
is the decoder ring
to all of
the great mysteries
of life
for someone
else.
Somewhere
someone
is the treasure map.
Somewhere
someone
thinks they love
someone else
exactly like
I
love you.
Somewhere
someone
is wrong.
”
”
Tyler Knott Gregson
“
I've hoped for this for so many years, waited for someone to come along whom you could finally love more than your family, someone who would turn you inside-out and toss you off your path,' His mother looked positively gleeful in the face of his misery. 'Someone just like Nicola for you to blow it with.
”
”
Bella Andre (From This Moment On (San Francisco Sullivans, #2; The Sullivans, #2))
“
It’s the beating of my heart.
The way I lie awake, playing with shadows slowly climbing up my wall. The gentle moonlight slipping through my window and the sound of a lonely car somewhere far away, where I long to be too, I think. It’s the way I thought my restless wandering was over, that I’d found whatever I thought I had found, or wanted, or needed, and I started to collect my belongings. Build a home. Safe behind the comfort of these four walls and a closed door.
Because as much as I tried or pretended or imagined myself as a part of all the people out there,
I was still the one locking the door every night.
Turning off the phone and blowing out the candles so no one knew I was home.
’cause I was never really well around the expectations of my personality
and I wanted to keep to myself.
and because I haven’t been very impressed lately.
By people,
or places.
Or the way someone said he loved me and then slowly changed his mind.
”
”
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
“
I understand your position, Dave. It’s a big story, and you worked hard to get it. But if you don’t drop me at the Europa, I’ll blow your head off. Imagine how big that story would be.
There’s no need for these histrionics. We’ll go to the Holiday Inn. You can rest, shower, debrief. You’ll be among friends.
Last chance, Dave. You can be the hero or the headline. Your call.
Let’s talk it out.
No. You talk too much.
He started a new line of argument, but before the words passed his lips his brains passed them on the way out. A dirty reddish slime painted the windshield; it covered the dashboard and console. It poured and dripped from the ceiling to the seat. The driver was covered on one side of his head and body. The mess made the crowded taxi undrivable.
-Also, someone crapped their pants.
”
”
John Payton Foden (Magenta)
“
What people do isn't determined by where they live. It happens to be their damned fault. They decided to watch TV instead of thinking when they were in high school. They decided to blow-off courses and drink beer instead of reading and trying to learn something. They decided to chicken out and be intolerant bastards instead of being openminded, and finally they decided to go along with their buddies and do things that were terribly wrong when there was no reason they had to. Anyone who hurts someone else decides to hurt them, goes out of their way to do it. . . . The fact that it's hard to be a good person doesn't excuse going along and being an asshole. If they can't overcome their own fear of being unusual, it's not my fault, because any idiot ought to be able to see that if he just acts reasonably and makes a point of not hurting others, he'll be happier.
”
”
Neal Stephenson (The Big U)
“
Could somebody please invade America? I know it's not exactly prime real estate and can just about produce corn and shitty TV, but someone really needs to help them blow off some steam.
”
”
Yahtzee Croshaw
“
One minute it was Ohio winter, with doors closed, windows locked, the panes blind with frost, icicles fringing every roof, children skiing on slopes, housewives lumbering like great black bears in their furs along the icy streets.
And then a long wave of warmth crossed the small town. A flooding sea of hot air; it seemed as if someone had left a bakery door open. The heat pulsed among the cottages and bushes and children. The icicles dropped, shattering, to melt. The doors flew open. The windows flew up. The children worked off their wool clothes. The housewives shed their bear disguises. The snow dissolved and showed last summer's ancient green lawns.
Rocket summer. The words passed among the people in the open, airing houses. Rocket summer. The warm desert air changing the frost patterns on the windows, erasing the art work. The skis and sleds suddenly useless. The snow, falling from the cold sky upon the town, turned to a hot rain before it touched the ground.
Rocket summer. People leaned from their dripping porches and watched the reddening sky.
The rocket lay on the launching field, blowing out pink clouds of fire and oven heat. The rocket stood in the cold winter morning, making summer with every breath of its mighty exhausts. The rocket made climates, and summer lay for a brief moment upon the land....
”
”
Ray Bradbury (The Martian Chronicles)
“
My son used to believe that he could look at a plane in flight and make it explode in midair by simply thinking it. He believed, at thirteen, that the border between himself and the world was thin and porous enough to allow him to affect the course of events. An aircraft in flight was a provocation too strong to ignore. He’d watch a plane gaining altitude after taking off from Sky Harbor and he’d sense an element of catastrophe tacit in the very fact of a flying object filled with people. He was sensitive to the most incidental stimulus and he thought he could feel the object itself yearning to burst. All he had to do was wish the fiery image into his mind and the plane would ignite and shatter. His sister used to tell him, Go ahead, blow it up, let me see you take that plane out of the sky with all two hundred people aboard, and it scared him to hear someone talk this way and it scared her too because she wasn’t completely convinced he could not do it. It’s the special skill of an adolescent to imagine the end of the world as an adjunct to his own discontent. But Jeff got older and lost interest and conviction. He lost the paradoxical gift for being separate and alone and yet intimately connected, mind-wired to distant things.
”
”
Don DeLillo (Underworld)
“
Or, I could just sit in the bushes and pump the hand pump
until the plumbing was superpressurized to 110 psi. This way, when
someone goes to flush a toilet, the toilet tank will explode. At 150 psi, if
someone turns on the shower, the water pressure will blow off the shower
head, strip the threads, blam, the shower head turns into a mortar shell.
Tyler only says this to make me feel better. The truth is I like my boss.
Besides, I'm enlightened now. You know, only Buddha-style behavior.
”
”
Chuck Palahniuk (Fight Club)
“
Just because someone out there has it worse doesn’t make your pain any less significant. It happened to you, not them. It’s your pain that you suffer with. You’re a brave, strong, woman, and I don’t think you should blow off your pain just because someone else has it bad.
”
”
Lisa Helen Gray (Myles (Carter Brothers, #3))
“
If you’re determined to commit suicide, you’ll blow your brains out or you’ll jump off a tall building. You’ll do something that you can’t take back, in other words. When you ‘try to kill yourself’ by taking too many pills – like I did – you know you’re probably gonna get found by someone. So all you’re doing is sending a message.
”
”
Ozzy Osbourne (I Am Ozzy)
“
it’s a terrible feeling when you first fall in love. your mind gets completely taken over, you can’t function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don’t care as you can’t hear what they’re saying anyway, and it doesn’t matter since your not really there. things you cared about before don’t seem to matter anymore and things you didn’t think you cared about suddenly do. I must become a brilliant cook, I don’t want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It’s a kind of hell, but you feel like your in heaven.
even your body goes out of control, you can’t eat, you don’t sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything’s just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don’t seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down under your love blanket for more, knowing it’s uncomfortable but compulsory.
and then, once you think you’ve got him, the panic sets in. what if he goes off me? what if I blow it, say the wrong thing? what if he meets someone better than me? Prettier, thinner, funnier, more like him? who doesn’t bite there nails? perhaps he doesn’t feel the same, maybe this is all in my head and this is just a quick fling for him. why did I tell him that stupid story about not owning up that I knew who spilt the ink on the teachers bag and so everyone was punished for it? does he think I'm a liar? what if I'm not very good at that blow job thing and he’s just being patient with me? he says he loves me; yes, well, we can all say words, can’t we? perhaps he’s just being polite.
of course you do your best to keep all this to yourself, you don’t want him to think you're a neurotic nutcase, but now when he’s away doing Real Life it’s agony, your mind won’t leave you alone, it tortures you and examines your every moment spent together, pointing out how stupid you’ve been to allow yourself to get this carried away, how insane you are to imagine someone would feel like that about you. dad did his best to reassure me, but nothing he said made a difference - it was like I wanted to see Simon, but didn’t want him to see me.
”
”
Annabel Giles (Birthday Girls)
“
The highest compliment you can give someone is to ask them their opinion.
”
”
John C. Maxwell (No Limits: Blow the CAP Off Your Capacity)
“
know I’m living outside my values when I am…drum roll…this is a huge issue for me…resentful. Resentment is my barometer and my early warning system. It’s the canary in the coal mine. It shows up when I stay quiet in order not to piss off someone. It shows up when I put work before my well-being, and it blows the doors off the hinges when I’m not setting good boundaries.
”
”
Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
“
You murder someone at the Ice Capades and the place goes apeshit. You blow someone’s head off in a war zone, people step over the body and have a snack.
”
”
Richard Kadrey (Aloha from Hell (Sandman Slim, #3))
“
The first time someone young and vibrant dies - someone you look up to, someone you relate to - it blows you back, right off your feet. Oh *#ck, we're all gonna die, nobody knows when, nobody knows how, you think. And in that moment, you realize how little control you have over your own destiny. From the time you're born, you have no control; you can't choose your parents, and, unless you're suicidal, you can't choose you're death. The only thing you can do is choose the person you love, be kind to others, and make your brutally short stint on earth as pleasant as possible.
”
”
Renee Carlino (Before We Were Strangers)
“
I'd like to start this week with a request, and this one goes out to the followers of the three Abrahamic religions: the Muslims, Christians, and Jews. It's just a little thing, really, but do you think that when you've finished smashing up the world and blowing each other to bits and demanding special privileges while you do it, do you think that maybe the rest of us could sort of have our planet back? I wouldn't ask, but I'm starting to think that there must be something written in the special books that each of you so enjoy referring to that it's ok to behave like special, petulant, pugnacious, pricks.
Forgive the alliteration, but your persistent, power-mad punch-ups are pissing me off. It's mainly the extremists obviously, but not exclusively. It's a lot of 'main-streamers' as well. Let me give you an example of what I'm talking about.
Muslims: listen up my bearded and veily friends! Calm down, ok? Stop blowing stuff up. Not everything that said about you is an attack on the prophet Mohammed and Allah that needs to end in the infidel being destroyed. Have a cup of tea, put on a Cat Stevens record, sit down and chill out. I mean seriously, what's wrong with a strongly-worded letter to The Times?
Christians: you and your churches don't get to be millionaires while other people have nothing at all. They're your bloody rules; either stick to them or abandon the faith. And stop persecuting and killing people you judge to be immoral. Oh, and stop pretending you're celibate -- it's a cover-up for being a gay or a nonce. Right, that's two ticked off.
Jews! I know you're god's 'Chosen People' and the rest of us are just whatever, but when Israel behaves like a violent, psychopathic bully and someone mentions it that doesn't make them antisemitic. And for the record, your troubled history is not a license to act with impunity now.
”
”
Marcus Brigstocke
“
WARNING: DO NOT READ BEYOND THIS PAGE!
Good.
Now I know I can trust you.
You’re curious. You’re brave. And you’re not afraid
to lead a life of crime.
But let’s get something straight: if, despite my
warning, you insist on reading this book, you can’t
hold me responsible for the consequences.
And, make no bones about it, this is a very
dangerous book.
No, it won’t blow up in your face. Or bite your head
off. Or tear you limb from limb.
It probably won’t injure you at all. Unless
somebody throws it at you, which is a possibility that
should never be discounted.
Generally speaking, books don’t cause much harm.
Except when you read them, that is. Then they cause
all kinds of problems.
Books can, for example, give you ideas. I don’t
know if you’ve ever had an idea before, but, if you
have, you know how much trouble an idea can get
you into.
Books can also provoke emotions. And emotions
sometimes are even more troublesome than ideas.
Emotions have led people to do all sorts of things
they later regret – like, oh, throwing a book at someone else.
But the main reason this book is so dangerous is
that it concerns a secret.
A big secret.
”
”
Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
“
Self-discipline is central to the leadership of institutions and to reforming them. A favorite saying of mine is "Never miss a good chance to shut up." I won't tell you how many times in a congressional hearing I just wanted to scream. How often in the White House Situation Room I wanted to say, "That's the dumbest idea I ever heard." How often in a briefing at the CIA or the Pentagon I wanted to tell someone where to stick his PowerPoint slides. Senior leaders want to blow off steam-shout at people- all the time. But to be an effective leader, you have to suppress those urges.
”
”
Robert M. Gates (A Passion for Leadership: Lessons on Change and Reform from Fifty Years of Public Service)
“
Patience, Montag. Let the war turn off the 'families.' Our civilization is flinging itself to pieces. Stand back from the centrifuge."
"There has to be someone ready when it blows up."
"What? Men quoting Milton? Saying, I remember Sophocles? Reminding the survivors that man has his good side, too? They will only gather up their stones to hurl at each other. Montag, go home. Go to bed. Why waste your final hours racing about your cage denying you're a squirrel?
”
”
Ray Bradbury (Fahrenheit 451)
“
Elain fell into step beside me, peering at Lucien. He noticed it. 'I heard you made the killing blow,' he said.
Elain studied the trees ahead. 'Nesta did. I just stabbed him.'
Lucien seemed to fumble for a response, but I said to him, 'So where now? Off with Vassa?' I wondered if he'd heard of Tamlin's role- the help he'd given us. A look at my friend showed me he had. Someone, perhaps my mate, had informed him.
Lucien shrugged. 'First- here. To help. Then...' Another glance at Elain. 'Who knows?'
I nudged Elain, who blinked at me, then blurted. 'You could come to Velaris.'
He saw all of it, but nodded graciously. 'It would be my pleasure.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
When you find yourself in conflict with someone stronger and more rigid, allow them a momentary victory. Seem to bow to their superiority. Then, by being formless and adaptable, slowly insinuate yourself into their soul. This way you will catch them off guard, for rigid people are always ready to ward off direct blows but are helpless against the subtle and insinuating. To succeed at such a strategy you must play the chameleon—conform on the surface, while breaking down your enemy from the inside.
”
”
Robert Greene (The 48 Laws of Power)
“
Love is.... it's bringing an umbrella when rain is forecasted, but, like not for you. It's serenading someone off-key in the kitchen while they chop red peppers lenghtwise because they know you like them better that way. It's pulling the car in backward at night because your parner gets edgy when they have to back into morning traffic. It's buying moisturizer in bulk because one time they mentioned they liked the scent.
It's noticing things.Seeing parts of them even they might not know exist because you've been studying them since the moment you first laid eyes on them. It's memorizing their phone number even if you have it programmed because God forbid you ever lost your contacts. It's reading their mood by the song blaring through their headphones. It's experiencing something so extraordinary you can't tell if it was just that mind-blowing or if it's only because they were there with you that you were so affected by it.
”
”
Erin Hahn (More Than Maybe)
“
I've been saved again and again by angels all around me. Not just from the insane stupidity of banging blow, but from becoming an aimless flounderer. A person who maybe talked a good line about doing shit but never ever put in the word to see things through. I could've easily dug myself into a hole, become someone who never got a clear picture off cause and effect, holistic health, or emotional well-being. I bow before the guardian angels that always showed me a light and a way up. My sanctuaries of friendship, books, basketball, music, and nature kept me sane.
”
”
Flea (Acid for the Children)
“
I kind of was beginning to feel like I was being underutilized [as Teen Ambassador to the UN]. I mean, there were a lot more important issues out there for teens that I could have been bringing international attention to than what kids see out their windows. I mean, instead of sitting in the White House press office for three hours after school every Wednesday, or attending International Festival of the Child concerts, I could have been out there alerting the public to the fact that in some countries, it is still perfectly legal for men to take teen brides -- even multiple teen brides! What was that all about?
And what about places like Sierra Leone, where teens and even younger kids routinely get their limbs chopped off as "warnings" against messing with the warring gangs that run groups of diamond traffickers? And hello, what about all those kids in countries with unexploded land mines buried in the fields where they'd like to play soccer, but can't because it's too dangerous?
And how about a problem a little closer to home? How about all the teenagers right here in America who are taking guns to school and blowing people away? Where are they getting these guns, and how come they think shooting people is a viable solution to their problems? And why isn't anybody doing anything to alleviate some of the pressures that might lead someone to think bringing a gun to school is a good thing? How come nobody is teaching people like Kris Parks to be more tolerant of others, to stop torturing kids whose mothers make them wear long skirts to school?
”
”
Meg Cabot (All-American Girl (All-American Girl, #1))
“
I heard that "discretion is the better part of valor" from someone. Dunno exactly what that means but if it means not gettin' my fool haed blowed off then I'm all for it. -- Merle Johnson (Chicago Chase)
”
”
R.L. Kiser (Chicago Chase (Educated Injun #2))
“
To lose someone you love is something you'll regard as the hardest of all blows to bear, while all the time this will be as silly as crying because the leaves fall from the beautiful trees that add to the charm of your home.
[...] At one moment chance will carry off one of them, at another moment another; but the falling of the leaves is not difficult
to bear, since they grow again, and it is no more hard to bear the loss of those whom you love and regard as brightening your existence; for even if they do not grow again they are replaced. "But their successors will never be quite the same." No, and neither will you.
”
”
Seneca (Letters from a Stoic)
“
They say certain people aren’t good soldiers because if they’re in a foxhole all night—you know, if you’re creative and smart, you’re thinking about all the different ways someone is going to blow your head off. But if you’re not that smart, you’re just like chilling out. And I feel like that in life. I’m just in the foxhole all fucking day thinking about everything that’s going to go wrong in every possible way.
”
”
Judd Apatow (Sick in the Head: Conversations About Life and Comedy)
“
It’s weird being alone in the museum. It’s dark and eerily quiet: Only the after-hours lights are on—just enough to illuminate the hallways and stop you from tripping over your own feet—and the background music that normally plays all the time is shut off.
I quickly organize the flashlights and check their batteries, and when I don’t hear Porter walking around, I stare at the phone sitting at the information desk. How many chances come along like this? I pick up the receiver, press the little red button next to the word ALL, and speak into the phone in a low voice. “Paging Porter Roth to the information desk,” I say formally, my voice crackling through the entire lobby and echoing down the corridors. Then I press the button again and add, “While you’re at it, check your shoes to make sure they’re a match, you bastard. By the way, I still haven’t quite forgiven you for humiliating me. It’s going to take a lot more than a kiss and a cookie to make me forget both that and the time you provoked me in the Hotbox.”
I’m only teasing, which I hope he knows. I feel a little drunk on all my megaphone power, so I page one more thing:
“PS—You look totally hot in those tight-fitting security guard pants tonight, and I plan to get very handsy with you at the movies, so we better sit in the back row.”
I hang up the phone and cover my mouth, silently laughing at myself. Two seconds later, Porter’s footfalls pound down Jay’s corridor—Boom! Boom! Boom! Boom! He sounds like a T. rex running from Godzilla. He races into the lobby and slides in front of the information desk, grabbing onto the edge to stop himself, wild curls flying everywhere. His grin is enormous.
“Whadidya say ’bout where you want to be puttin’ your hands on me?” he asks breathlessly.
“I think you have me confused with someone else,” I tease.
His head sags against the desk. I push his hair away from one of his eyes. He looks up at me and asks, “You really still haven’t forgiven me?”
“Maybe if you put your hands onme, I might.”
“Don’t go getting my hopes up like that.”
“Oh, your hopes should be up. Way up.”
“Dear God, woman,” he murmurs. “And here I was, thinking you were a classy dame.”
“Pfft. You don’t know me at all.”
“I aim to find out. What are we still doing here? Let’s blow this place and get to the theater, fast.
”
”
Jenn Bennett (Alex, Approximately)
“
Not really,” I confess with a sigh. “I’ve seen a game or two, but honestly, it’s too slow for my liking. Seems like you guys play for five seconds, and then someone blows a whistle and you stand around for hours before the next play starts.
”
”
Elle Kennedy (The Deal (Off-Campus, #1))
“
If it’s danger you seek you can go to war, blow the whistle on someone powerful, piss off someone unhinged, walk in a field during a lightning storm, tease a rattlesnake, or lose yourself in the right embrace. Some people live for it, others suffer in spite of it.
”
”
Donna Lynn Hope
“
Priests create a smoke screen around our anxiety, our despair, our terror and our demons. They paint mind-blowing pictures that make us jittery, unhappy and afraid. Priests are nothing but alarmists, pessimists and doom merchants. Calamity Jane personified. But at this stage, they’ve got us. We’ve been knocking off our neighbour’s wife or robbing post offices and we’re just about ready to turn our faces to the wall and abandon hope. We want someone with the power to grant us amnesty from our immorality, and to us the priests appear as Sir Galahad, Boadicea, Rambo or Joan of Arc. Stout fellows, all of them. “I have the fucking answer,” they cry, “Sign here, you plebs.”
And we do! 2.2 billion of us! Why? I’ll tell you why. Because we’ve been sold. We feel plagued by conscience and answerable to God only. And the only way we can get to God is through Her second in command ….. the priest.
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
I would choose you." The words were out before he thought better of them, and there was no way to pull them back.
Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully.
"As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters.
And a fine general you are.
There could be no better leader.
You may be prickly, but that what Ravka needs.
So many easy replies.
Instead he said, "As my queen."
He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far.
"Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets."
"I do trust you more than myself sometimes- and I think very highly of myself."
Hadn't she said there was no one else she'd choose to have her back in a fight?
But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines.
"I would make you my queen because I want you. I want you all the time."
She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision."
He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you."
Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop.
"I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day."
She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm.
Then she pulled back her hand, cradling her fingers as if they'd been singed.
"You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs."
"And if you're the queen I want?"
...
She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon."
Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung.
"Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?"
Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
Was I sleeping, while the others suffered? Am I sleeping now? To-morrow, when I wake, or think I do, what shall I say of to-day? That with Estragon my friend, at this place, until the fall of night, I waited for Godot? That Pozzo passed, with his carrier, and that he spoke to us? Probably. But in all that what truth will there be? (Estragon, having struggled with his boots in vain, is dozing off again. Vladimir looks at him.) He’ll know nothing. He’ll tell me about the blows he received and I’ll give him a carrot. (Pause.) Astride of a grave and a difficult birth. Down in the hole, lingeringly, the grave-digger puts on the forceps. We have time to grow old. The air is full of our cries. (He listens.) But habit is a great deadener. (He looks again at Estragon.) At me too someone is looking, of me too someone is saying, He is sleeping, he knows nothing, let him sleep on. (Pause.) I can’t go on! (Pause.) What have I said?
”
”
Samuel Beckett (Waiting for Godot)
“
A bomber flight had been moving east all the time they talked, and only now did the two men stop and listen, feeling the great jet sound tremble inside themselves. “Patience, Montag. Let the war turn off the ‘families.’ Our civilization is flinging itself to pieces. Stand back from the centrifuge.” “There has to be someone ready when it blows up.
”
”
Ray Bradbury (Fahrenheit 451)
“
Given our condition, and the explicit duty God has given us for dealing with it – namely to be killing sin while it is in us – we must be actively at work doing it. Someone who is assigned to kill an enemy, but leaves before striking the killing blow and finally finishing him off, leaves his assignment incomplete (see Galatians 6:9, Hebrews 12:1, and 2 Corinthians 7:1).
”
”
John Owen (The Mortification of Sin)
“
Whenever someone tells me they’re expecting their first baby and they’re nervous, I tell them the following: “Oh my goodness, that’s wonderful. I am so happy for you. Listen, of course you’re nervous but here’s the deal: you’re ready for all the bad stuff. You’ve been very tired before. You’ve been in pain before. You’ve been worried about money before. You’ve felt like an incapable moron before. So you’ll be fine with the difficult parts! You’re already a pro. What you’re NOT ready for is the wonderful parts. NOTHING can prepare you for how amazing this will be. There is no practice for that. There is no warm-up version. You are about to know joy that will blow your fucking mind apart. Happiness before this? HA HA. Mystery? LOL. Wonder? Fuck off! You are about to see something magical and new that you have no map for! None! This is it. Are you ready for that? Are you? No! No, you’re not! Also, please let me babysit when you’re finally ready to let someone else hold your beautiful little nugget! First time’s free, second time is eighteen bucks an hour.” This speech is particularly good for dads-to-be, since they’re usually more nervous than the moms-to-be.
”
”
Rob Delaney (A Heart That Works)
“
Last month, on a very windy day, I was returning from a lecture I had given to a group in Fort Washington. I was beginning to feel unwell. I was feeling increasing spasms in my legs and back and became anxious as I anticipated a difficult ride back to my office. Making matters worse, I knew I had to travel two of the most treacherous high-speed roads near Philadelphia – the four-lane Schuylkill Expressway and the six-lane Blue Route.
You’ve been in my van, so you know how it’s been outfitted with everything I need to drive. But you probably don’t realize that I often drive more slowly than other people. That’s because I have difficulty with body control. I’m especially careful on windy days when the van can be buffeted by sudden gusts. And if I’m having problems with spasms or high blood pressure, I stay way over in the right hand lane and drive well below the speed limit.
When I’m driving slowly, people behind me tend to get impatient. They speed up to my car, blow their horns, drive by, stare at me angrily, and show me how long their fingers can get. (I don't understand why some people are so proud of the length of their fingers, but there are many things I don't understand.) Those angry drivers add stress to what already is a stressful experience of driving.
On this particular day, I was driving by myself. At first, I drove slowly along back roads. Whenever someone approached, I pulled over and let them pass. But as I neared the Blue Route, I became more frightened. I knew I would be hearing a lot of horns and seeing a lot of those long fingers.
And then I did something I had never done in the twenty-four years that I have been driving my van. I decided to put on my flashers. I drove the Blue Route and the Schuylkyll Expressway at 35 miles per hour.
Now…Guess what happened?
Nothing! No horns and no fingers.
But why?
When I put on my flashers, I was saying to the other drivers, “I have a problem here – I am vulnerable and doing the best I can.” And everyone understood. Several times, in my rearview mirror I saw drivers who wanted to pass. They couldn’t get around me because of the stream of passing traffic. But instead of honking or tailgating, they waited for the other cars to pass, knowing the driver in front of them was in some way weak.
Sam, there is something about vulnerability that elicits compassion. It is in our hard wiring. I see it every day when people help me by holding doors, pouring cream in my coffee, or assist me when I put on my coat. Sometimes I feel sad because from my wheelchair perspective, I see the best in people. But those who appear strong and invulnerably typically are not exposed to the kindness I see daily.
Sometimes situations call for us to act strong and brave even when we don't feel that way. But those are a few and far between. More often, there is a better pay-off if you don't pretend you feel strong when you feel weak, or pretend that you are brave when you’re scared. I really believe the world might be a safer place if everyone who felt vulnerable wore flashers that said, “I have a problem and I’m doing the best I can. Please be patient!
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
His sword sinks into my side, into my stomach.
I look up at him for a moment, eyes wide.
He seems as surprised as I feel.
Somehow, despite knowing better, part of me still believed he would pull a killing blow.
Madoc, who was my father ever since he murdered my father. Madoc, who taught me how to swing a sword to actually hit someone and not just their blade. Madoc, who sat me on his knee and read to me and told me he loved me.
I fall to my knees. My legs have collapsed under me. His blade comes free, slick with my blood. My leg is wet with it. I am bleeding out.
I know what happens next. He's going to deliver the final blow. Lopping off my head. Stabbing through my heart. The strike that's a kindness, really. After all, who wants to die slowly when you can die fast?
Me.
I don't want to die fast. I don't want to die at all.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
Nothing takes the edge off a stressful day better than watching someone getting decapitated by an ax murderer. When I’m feeling a little depressed, nothing blows away the blues like hearing the screams of an unlucky hunter while mutated bears shred him into mulch. Just the thought of someone unable to get their car engine to start while their undead relative smacks the windshield with a hammer drops my anxiety to a manageable level.
”
”
S.A. Bradley (Screaming for Pleasure: How Horror Makes You Happy and Healthy)
“
The old woman sat in her leather recliner, the footrest extended, a dinner tray on her lap. By candlelight, she turned the cards over, halfway through a game of Solitaire. Next door, her neighbors were being killed. She hummed quietly to herself. There was a jack of spades. She placed it under the queen of hearts in the middle column. Next a six of diamonds. It went under the seven of spades. Something crashed into her front door. She kept turning the cards over. Putting them in their right places. Two more blows. The door burst open. She looked up. The monster crawled inside, and when it saw her sitting in the chair, it growled. “I knew you were coming,” she said. “Didn’t think it’d take you quite so long.” Ten of clubs. Hmm. No home for this one yet. Back to the pile. The monster moved toward her. She stared into its small, black eyes. “Don’t you know it’s not polite to just walk into someone’s house without an invitation?” she asked. Her voice stopped it in its tracks. It tilted its head. Blood—from one of her neighbor’s no doubt—dripped off its chest onto the floor. Belinda put down the next card. “I’m afraid this is a one-player game,” she said, “and I don’t have any tea to offer you.” The monster opened its mouth and screeched a noise out of its throat like the squawk of a terrible bird. “That is not your inside voice,” Belinda snapped. The abby shrunk back a few steps. Belinda laid down the last card. “Ha!” She clapped. “I just won the game.” She gathered up the cards into a single deck, split it, then shuffled. “I could play Solitaire all day every day,” she said. “I’ve found in my life that sometimes the best company is your own.” A growl idled again in the monster’s throat. “You cut that right out!” she yelled. “I will not be spoken to that way in my own home.” The growl changed into something almost like a purr. “That’s better,” Belinda said as she dealt a new game. “I apologize for yelling. My temper sometimes gets the best of me.
”
”
Blake Crouch (The Last Town (Wayward Pines, #3))
“
I am thirty-two years old, and the best I can do on a Saturday is accompany my married friends to a craft fair. The thought inspired an instant twitch of self-loathing, because it was such a lame lament. You put something like that in your suicide note, and the cops would have a good laugh. “My wife burned dinner,” someone would say. “I think I’ll hang myself.” Another wit would say, “Hell, nothing but reruns on. I’m gonna get the shotgun out of the attic and blow my damned head off.” Wally found himself resenting these imagined cops. What did they know about his life?
”
”
Ellen Datlow (Lovecraft Unbound)
“
But now Max wanted Gina to look out the window.
“The cavalry had arrived,” he told her.
Someone was standing directly in front of the tank. Whoever he was—a boy, dressed like a surfer, on crutches—was holding one hand out in front of him like a traffic cop signaling halt.
The tank, of course, had rolled to a stop.
And Gina realized this was no ordinary surfer, this was Jules Cassidy.
Jules was alive!
And here she’d thought she was all cried out.
Max laughed as he peered out through the slit that passed as a windshield for the tank. “He has no idea that we’re in here,” he said.
Damn, Jules looked like he’d been hit by a bus.
“Jesus, he has some balls.” Jules turned to the interpreter, who still didn’t quite believe that they weren’t going to kill him. “Open the hatch.”
“Yes, sir.” He poked his head out.
“Do you speak English?” Max could hear Jules through the opening.
“Yes, sir.”
“Tell your commanding officer to back up. In fact, tell him to leave the area. I’m in charge of this situation now. My name is Jules Cassidy and I’m an American, with the FBI. There are Marine gunships on their way, they’ll be here any minute. They have armor-penetrating artillery—they’ll blow you to hell, so back off.”
“Tell him Jones wants to know if the gunships are really coming, or if that’s just something he learned in FBI Bullshitting 101.”
The interpreter passed the message along.
As Max watched, surprise and relief crossed Jules’s face.
“Is Max in there, too?” Jules asked.
“Yes, sir,” the interpreter said.
“Well, shit.” Jules grinned. “I should’ve stayed in the hospital.”
“I hear helicopters!” Gina’s voice came through the walkie-talkie. “I can see them, too! They’re definitely American!”
Max took a deep breath, keyed the talk button. And sang. “Love me tender, love me sweet, never let me go . . .
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
When Glenn was in my bed, I would light up a cigarette and blow it toward him so that he would smell like cigarettes when he got home, hoping it would tip off his wife and move some sort of needle. I’d spend my days imagining that something happened to her or them—usually it was a tragedy, not just a divorce—that would necessitate me moving into his house and taking care of his kids. I thought of that time now, how I imagined wanting someone else’s life instead of doing the work of imagining my own. God, what a fucking idiot I was. My dreams were so small. My desires were so basic and showed such a lack of imagination.
”
”
Taffy Brodesser-Akner (Fleishman Is in Trouble)
“
From: James Grayson
To: Luke Whitford
Dec 12
I sucked him off again.
From: Luke Whitford
To: James Grayson
Dec 12
What? Details, mate! Were you drunk again?
From: James Grayson
To: Luke Whitford
Dec 12
We weren’t drunk. It was a normal evening. We were just hanging out, played some video games, had a pizza—you know, all the normal things. And then…then I was on my knees again.
Honestly, I don’t know how it happened! He didn’t say a word. We looked at each other and I just dropped to my knees in front of him. And he let me. He let me, Luke! I know we should have talked first, should have said something, but I couldn’t. I was scared to freak him out. I could feel how tense he was. He just stared at me hard, his face totally impossible to read. So I went for it. Fuck, it was the hottest thing I’ve ever done. Now I understand why people say that sex is better with someone you love. I’d never understood those people who raved about sucking dick, but Jesus, I could spend days sucking Ryan’s. And he got really rough, you know. Like, he fucked my mouth, not just passively allowed me to blow him.
From: Luke Whitford
To: James Grayson
Dec 12
Okaaay. Let’s pretend this isn’t awkward at all and I’m not turned on. What happened after that?
You couldn’t have passed out again. You weren’t drunk this time.
”
”
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
“
Shepard clears his throat again. “I need to tell you something, a few somethings. Because now is the time to tell you. Before we get serious. But it’s going to make it seem like I think we’re more serious than we are. I just don’t want to miss my window for being honest with you.” “Shepard, you’re making me nervous.” He groans. “I’m sorry. Don’t be nervous.” My hands were on his shoulders. I drop them into my lap. “Don’t pull away,” he says. “Just tell me, Shepard! Are you engaged to more than one demon?” “No! But … you know I’ve been in a lot of unusual magickal situations…” “Right.” “And you know about my thirdborn…” “I know that a giant you call a friend is going to eat your thirdborn.” He closes one eye and bites his bottom lip. “I may also have promised someone my firstborn.” “Shepard, your firstborn…” He squeezes my waist. “It’s all right, I told you—I’m not having kids.” “Who gets your firstborn?” “An imp. Or three.” “Aren’t imps the same as demons?” “Never say that to an imp.” “How did this even happen?” “We were playing impdice. I thought they were joking about the wager.” “We are going to kill these imps.” “Penelope…” He bites his lip again. “There’s more.” “More? Your secondborn?” “No, I’ve got dibs on that one…” He’s grimacing. “But I did lose my last name.” Every time he talks, my jaw drops lower and my eyebrows climb higher. “How on earth did you lose your last name?” “Told it to the wrong fairy.” My hands are in the air. “How have you met so many fairies!” “I fell in with a crew of them…” “Shepard—hell’s spells, is your name even Shepard?” “Yes! I only lost my last name. And I only ‘magickally and profoundly’ lost it; I can still say it, I can still wear name tags. There’s just one more thing—one more big thing…” He closes both eyes for a second. “I have a, um, well … I don’t have a sexually transmitted disease. But I am a carrier. Only other merpeople can get it. So it’s probably not relevant. Unless you want to sleep with a merperson. And also me. Me first. Which I’m not suggesting…” Hell’s spells … Shepard. I climb off his lap.
”
”
Rainbow Rowell (Any Way the Wind Blows (Simon Snow, #3))
“
and confused if someone does not appreciate their niceness. Others often sense this and avoid giving them feedback not only, effectively blocking the nice person’s emotional growth, but preventing risks from being taken. You never know with a nice person if the relationship would survive a conflict or angry confrontation. This greatly limits the depths of intimacy. And would you really trust a nice person to back you up if confrontation were needed? 3. With nice people you never know where you really stand. The nice person allows others to accidentally oppress him. The “nice” person might be resenting you just for talking to him, because really he is needing to pee. But instead of saying so he stands there nodding and smiling, with legs tightly crossed, pretending to listen. 4. Often people in relationship with nice people turn their irritation toward themselves, because they are puzzled as to how they could be so upset with someone so nice. In intimate relationships this leads to guilt, self-hate and depression. 5. Nice people frequently keep all their anger inside until they find a safe place to dump it. This might be by screaming at a child, blowing up a federal building, or hitting a helpless, dependent mate. (Timothy McVeigh, executed for the Oklahoma City bombing, was described by acquaintances as a very, very nice guy, one who would give you the shirt off his back.) Success in keeping the anger in will often manifest as psychosomatic illnesses, including arthritis, ulcers, back problems, and heart disease. Proper Peachy Parents In my work as a psychotherapist, I have found that those who had peachy keen “Nice Parents” or proper “Rigidly Religious Parents” (as opposed to spiritual parents), are often the most stuck in chronic, lowgrade depression. They have a difficult time accessing or expressing any negative feelings towards their parents. They sometimes say to me “After all my parents did for me, seldom saying a harsh word to me, I would feel terribly guilty complaining. Besides, it would break their hearts.” Psychologist Rollo May suggested that it is less crazy-making to a child to cope with overt withdrawal or harshness than to try to understand the facade of the always-nice parent. When everyone agrees that your parents are so nice and giving, and you still feel dissatisfied, then a child may conclude that there must be something wrong with his or her ability to receive love. -§ Emotionally starving children are easier to control, well fed children don’t need to be. -§ I remember a family of fundamentalists who came to my office to help little Matthew with his anger problem. The parents wanted me to teach little Matthew how to “express his anger nicely.” Now if that is not a formula making someone crazy I do not know what would be. Another woman told me that after her stinking drunk husband tore the house up after a Christmas party, breaking most of the dishes in the kitchen, she meekly told him, “Dear, I think you need a breath mint.” Many families I work with go through great anxiety around the holidays because they are going to be forced to be with each other and are scared of resuming their covert war. They are scared that they might not keep the nice garbage can lid on, and all the rotting resentments and hopeless hurts will be exposed. In the words to the following song, artist David Wilcox explains to his parents why he will not be coming home this Thanksgiving: Covert War by David Wilcox
”
”
Kelly Bryson (Don't Be Nice, Be Real)
“
Once again this unspeakable man had caused her to make a complete fool of herself, and the realization made her eyes blaze with renewed fury as she turned her head and looked at him.
Despite Ian’s apparent nonchalance he had been watching her closely, and he stiffened, sensing instinctively that she was suddenly and inexplicably angrier than before. He nodded to the gun, and when he spoke there was no more mockery in his voice; instead it was carefully neutral. “I think there are a few things you ought to consider before you use that.”
Though she had no intention of using it, Elizabeth listened attentively as he continued in that same helpful voice. “First of all, you’ll have to be very fast and very calm if you intend to shoot me and reload before Jake there gets to you. Second, I think it’s only fair to warn you that there’s going to be a great deal of blood all over the place. I’m not complaining, you understand, but I think it’s only right to warn you that you’re never again going to be able to wear that charming gown you have on.” Elizabeth felt her stomach lurch. “You’ll hang, of course,” he continued conversationally, “but that won’t be nearly as distressing as the scandal you’ll have to face first.”
Too disgusted with herself and with him to react to that last mocking remark, Elizabeth put her chin up and managed to say with great dignity, “I’ve had enough of this, Mr. Thornton. I did not think anything could equal your swinish behavior at our prior meetings, but you’ve managed to do it. Unfortunately, I am not so ill-bred as you and therefore have scruples against assaulting someone who is weaker than I, which is what I would be doing if I were to shoot an unarmed man. Lucinda, we are leaving,” she said, then she glanced back at her silent adversary, who’d taken a threatening step, and she shook her head, saying with extreme, mocking civility, “No, please-do not bother to see us out, sir, there’s no need. Besides, I wish to remember you just as you are at this moment-helpless and thwarted.” It was odd, but now, at the low point of her life, Elizabeth felt almost exhilarated because she was finally doing something to avenge her pride instead of meekly accepting her fate.
Lucinda had marched out onto the porch already, and Elizabeth tried to think of something to dissuade him from retrieving his gun when she threw it away outside. She decided to repeat his own advice, which she began to do as she backed away toward the door. “I know you’re loath to see us leave like this,” she said, her voice and her hand betraying a slight, fearful tremor. “However, before you consider coming after us, I beg you will take your own excellent advice and pause to consider if killing me is worth hanging for.”
Whirling on her heel, Elizabeth took one running step, then cried out in pained surprise as she was jerked off her feet and a hard blow to her forearm sent the gun flying to the floor at the same time her arm was yanked up and twisted behind her back. “Yes,” he said in an awful voice near her ear, “I actually think it would be worth it.”
Just when she thought her arm would surely snap, her captor gave her a hard shove that sent her stumbling headlong out into the yard, and the door slammed shut behind her.
“Well! I never,” Lucinda said, her bosom heaving with rage as she glowered at the closed door.
“Neither have I,” said Elizabeth, shaking dirt off her hem and deciding to retreat with as much dignity as possible. “We can talk about what a madman he is once we’re down the path, out of sight of the house. So if you’ll please take that end of the trunk?”
With a black look Lucinda complied, and they marched down the path, both of them concentrating on keeping their backs as straight as possible.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
When my firstborn turned six months old, I decided that this milestone was definitely worth celebrating. And what started as a one-off event quickly became a family tradition: For my kids' half birthdays I make half a cake (it looks like someone just cut a cake down the middle and made the other half disappear), and we sing every other syllable of the "Happy Birthday" song (I'm really good at complicating things, and singing only the first half of the song seemed unfair to the second half). We don't do gifts or a big bash, and we don't blow out candles and make wishes, because wishes should be made only full throttle. We just end the day with a little celebration after dinner, something kind of silly and fun. And cake. Because everything in life should end with sugar.
”
”
Kristina Kuzmic (Hold On, But Don't Hold Still)
“
Little Sleep's-Head Sprouting Hair
in the Moonlight
1
You scream, waking from a nightmare.
When I sleepwalk
into your room, and pick you up,
and hold you up in the moonlight, you cling to me
hard,
as if clinging could save us. I think
you think
I will never die, I think I exude
to you the permanence of smoke or stars,
even as
my broken arms heal themselves around you.
2
I have heard you tell
the sun, don't go down, I have stood by
as you told the flower, don't grow old,
don't die. Little Maud,
I would blow the flame out of your silver cup,
I would suck the rot from your fingernail,
I would brush your sprouting hair of the dying light,
I would scrape the rust off your ivory bones,
I would help death escape through the little ribs of your body,
I would alchemize the ashes of your cradle back into wood,
I would let nothing of you go, ever,
until washerwomen
feel the clothes fall asleep in their hands,
and hens scratch their spell across hatchet blades,
and rats walk away from the culture of the plague,
and iron twists weapons toward truth north,
and grease refuse to slide in the machinery of progress,
and men feel as free on earth as fleas on the bodies of men,
and the widow still whispers to the presence no longer beside her
in the dark.
And yet perhaps this is the reason you cry,
this the nightmare you wake screaming from:
being forever
in the pre-trembling of a house that falls.
3
In a restaurant once, everyone
quietly eating, you clambered up
on my lap: to all
the mouthfuls rising toward
all the mouths, at the top of your voice
you cried
your one word, caca! caca! caca!
and each spoonful
stopped, a moment, in midair, in its withering
steam.
Yes,
you cling because
I, like you, only sooner
than you, will go down
the path of vanished alphabets,
the roadlessness
to the other side of the darkness,
your arms
like the shoes left behind,
like the adjectives in the halting speech
of old folk,
which once could call up the lost nouns.
4
And you yourself,
some impossible Tuesday
in the year Two Thousand and Nine, will walk out
among the black stones
of the field, in the rain,
and the stones saying
over their one word, ci-gît, ci-gît, ci-gît,
and the raindrops
hitting you on the fontanel
over and over, and you standing there
unable to let them in.
5
If one day it happens
you find yourself with someone you love
in a café at one end
of the Pont Mirabeau, at the zinc bar
where wine takes the shapes of upward opening glasses,
and if you commit then, as we did, the error
of thinking,
one day all this will only be memory,
learn to reach deeper
into the sorrows
to come—to touch
the almost imaginary bones
under the face, to hear under the laughter
the wind crying across the black stones. Kiss
the mouth
that tells you, here,
here is the world. This mouth. This laughter. These temple bones.
The still undanced cadence of vanishing.
6
In the light the moon
sends back, I can see in your eyes
the hand that waved once
in my father's eyes, a tiny kite
wobbling far up in the twilight of his last look:
and the angel
of all mortal things lets go the string.
7
Back you go, into your crib.
The last blackbird lights up his gold wings: farewell.
Your eyes close inside your head,
in sleep. Already
in your dreams the hours begin to sing.
Little sleep's-head sprouting hair in the moonlight,
when I come back
we will go out together,
we will walk out together among
the ten thousand things,
each scratched in time with such knowledge, the wages
of dying is love.
”
”
Galway Kinnell
“
What on earth did we do wrong? What harm did we inflict? What did we do to you? Who are you to judge us?
Who gave you the right? Are you the representatives of mankind, or what? Who appointed you? Was it God? Yourselves? You don't care if someone loves to go bowling or shooting! You don't care if someone wants to be a doctor or a flight attendant! So why can't we love someone of the same gender? What makes you say that the way we love is wrong? Because we're not "normal"? Because we don't abide by the provisions of God? The laws of nature?
Well, fuck you. What a load of bullshit. You want to create a land for God? Good. Then let's bring back the regulations on sex positions first! Don't use condoms, and only fuck in the missionary position, damn it! Since sex should only be for childbirth, and any other pleasure is against the will of God, am I right? Come to think of it, you guys are fucking disgusting. I mean, I know you all fuck doggy-style and blow each other! So I guess you're all going to hell as well! The same goes for singles who don't copulate at all! If the union of man and woman is what is "normal", singles are the most abnormal of all! You're all going to hell, too! On, and let's just kill all the ugly people, fat people, and poor people while we're at it. Then it'll be heaven on earth, with no abnormal beings! Where the normal are free to kill the abnormal! If you ask me, you uneducated, narrow-minded scumbags are the ones that degrade human nobility! You're fucking revolting! Ignorant morons! Do you feel good? Or pissed off? Mad?
Then come at me! Instead of being fucking cowards, bashing someone that's all tied up. Won't it be more fun to beat up a person of color? Kill me before I infect your brains and turn all of you into homosexuals! Kill me first! Stupid scumbags!
”
”
JUNS (Dark Heaven)
“
What does a freelance researcher do?”
“Researches things.” He winks at me and helps lift my bike onto a cobblestone walkway. “It’s not an interesting or particularly sexy job. Nobody wants to date a perpetual studier, but I bet there’s an army of guys crawling over each other to get to you.”
More like crawling away. “You’re ridiculous. Who’d ever want to date me?”
“Someone like you? There’d be a line at your door as soon as work got out.”
“Oh, would you be in the line?” Sarcasm. Not a real question. I don’t care if he responds—heat burns my toes, ears, and everything in-between—well, maybe I care a little.
Jack pauses and gazes into me. “Yeah … I’m in the line … and I’m better than all the other guys so you should really pick me. I’m funny. I’m strong, like, I could sweep you off your feet and run without breaking a sweat. I can also blow milk through my nose, but only if I’m drunk and the milk is warm.
”
”
Caroline George (The Vestige)
“
Was I sleeping, while the others suffered? Am I sleeping now? Tomorrow, when I wake, or think I do, what shall I say of today? That with Estragon my friend, at this place, until the fall of night, I waited for Godot? That Pozzo passed, with his carrier, and that he spoke to us? Probably. But in all that what truth will there be? [Estragon, having struggled with his boots in vain, is dozing off again. Vladimir looks at him.] He'll know nothing. He'll tell me about the blows he received and I'll give him a carrot. [Pause.] Astride of a grave and a difficult birth. Down in the hole, lingeringly, the gravedigger puts on the forceps. We have time to grow old. The air is full of our cries. [He listens.] But habit is a great deadener. [He looks again at Estragon.] At me too someone is looking, of me too someone is saying. He is sleeping, he knows nothing, let him sleep on. [Pause.] I can't go on! [Pause.] What have I said?
”
”
Samuel Beckett (Waiting for Godot)
“
Was I sleeping, while the others suffered? Am I sleeping now? Tomorrow, when I wake, or think I do, what shall I say of today? That with Estragon my friend, at this place, until the fall of night, I waited for Godot? That Pozzo passed, with his carrier, and that he spoke to us? Probably. But in all that what truth will there be?
( Estragon, having struggled with his boots in vain, is dozing off again. Vladimir looks at him. ) He'll know nothing. He'll tell me about the blows he received and I'll give him a carrot. ( Pause. ) Astride of a grave and a difficult birth. Down in the hole, lingeringly, the grave digger puts on the forceps. We have time to grow old. The air is full of our cries. ( He listens. ) But habit is a great deadener. ( He looks again at Estragon. ) At me too someone is looking, of me too someone is saying, He is sleeping, he knows nothing, let him sleep on. ( Pause. ) I can't go on! ( Pause. ) What have I said?
”
”
Samuel Beckett (Waiting for Godot)
“
I talk about my feeling of living with one foot in madness, the distortions of reality, the fog that descends at certain moments, unsettling as amnesia. (What am I doing in this classroom? Why, in this mirror, does my face look so weird? I wrote that? What could I have meant?) I talk about how, no matter how much I sleep, I’m exhausted. About the number of times I bump into something, or drop something, or trip over my own feet. Stepping off the curb into the path of a car that would have struck me if someone standing by hadn’t jerked me back. The days when I don’t eat, the days when I eat nothing but junk. Absurd fears: What if there’s a gas leak and the building blows up? Losing or misplacing stuff. Forgetting to do my taxes. These are all symptoms of bereavement, the therapist tells me unnecessarily. Doctor Obvious. But you know, Apollo, I say after my fourth or fifth session, I think I really am beginning to feel a little better. •
”
”
Sigrid Nunez (The Friend)
“
Someone else’s laundry is already whipping around in the perennial wind that blows above the city: long white T-shirts dancing in the sun like captive angels. Sam finds a rack that is unoccupied and, with slow and firm movements, squeezes out her washload and hangs it up. she will check on their progress in a couple more hours.
She takes a shower and goes back to bed. The phone is ringing, a fragile hopeful sound. The eighth ring is cut off. Sam allows her mind a few fanciful arabesque before deciding it probably wasn’t anyone she would want to talk to. She thinks with relief of how efficiently she has washed the boy and his treacherous molecules of his perspiration, his scent, his heat, his maleness, our of her clothing, out of the very fibers of her being.
There he goes, hello, good-bye, dissipating in the azure sky, bleached of all meaning by the sun and wind.
I live to do the laundry, she thinks, and smiles; she has not felt this clever in a long time.
”
”
Lakambini A. Sitoy (Jungle Planet and Other Stories)
“
I would choose you." The words were out before he thought better of them, and there was no way to pull them back.
Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully.
"As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters.
And a fine general you are.
There could be no better leader.
You may be prickly, but that's what Ravka needs.
So many easy replies.
Instead he said, "As my queen."
He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far.
"Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets."
"I do trust you more than myself sometimes- and I think very highly of myself."
Hadn't she said there was no one else she'd choose to have her back in a fight?
But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines.
"I would make you my queen because I want you. I want you all the time."
She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision."
He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you."
Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop.
"I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day."
She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm.
Then she pulled back her hand, cradling her fingers as if they'd been singed.
"You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs."
"And if you're the queen I want?"...
She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon."
Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung.
"Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?"
Zoya opened the door to the Cargo hold.Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
”
”
Leigh Bardugo
“
What would it be like to fall all that way? Would you scream? Would you have time to shut your eyes before you hit the ground? And when you landed, you would look like a crumpled thing – not real, kind of like a rag doll in clothes – and one of your shoes would have fallen off and you wouldn’t move at all. There wouldn't be much blood, only a thin trickle from the corner of your mouth. People would rush over to you, bend over you, and someone would pull out a mobile phone and call an ambulance. By the time the ambulance arrived, a small gaggle of bystanders would have formed and one of the would be looking up, pointing at the third-floor balcony. When the ambulance arrived, the green paramedics would put a fat white collar around your neck, press your chest and blow in your mouth. But after a while they would stop, look at their watches, write something down, lift you onto a stretcher, replace your missing shoe, smooth down your skirt, then cover you with a white sheet and lift you into the ambulance. And you would never see her again.
”
”
Tabitha Suzuma (From Where I Stand)
“
Chicken Roast
Puff your plume in anger and fight, cock,
delight the owner of knife
smear sting with pollen and flap your wings
As I said: Twist the arms and keep them bent
roll the rug and come down the terrace
after disturbed sleep
Shoeboots-rifle-whirring bullets-shrieks
The aged undertrial in the next cell weeps and wants to go home
Liberate me let me go let me go home
On its egg in the throne the gallinule doses
asphyxiate in dark
fight back, cock, die and fight, shout with the dumb
Glass splinters on tongue-breast muscles quiver
Fishes open their gills and enfog water
A piece of finger wrapped in pink paper
With eyes covered someone wails in the jailhouse
I can't make out if man or woman
Keep this eyelash on lefthand palm-
and blow off with your breath
Fan out snake-hood in mist
Cobra's abdomen shivers in the hiss of female urination
Deport to crematorium stuffing blood-oozing nose
in cottonwool
Shoes brickbats and torn pantaloons enlitter the streets
I smear my feet with the wave picked up from a stormy sea
That is the alphabet I drew on for letters.
(Translation of Bengali original 'Murgir Roast')
”
”
মলয় রায়চৌধুরী ( Malay Roychoudhury )
“
Hermione!”
She stirred, then sat up quickly, pushing her hair out of her face.
“What’s wrong? Harry? Are you all right?”
“It’s okay, everything’s fine. More than fine. I’m great. There’s someone here.”
“What do you mean? Who--?”
She saw Ron, who stood there holding the sword and dripping onto the threadbare carpet. Harry backed into a shadowy corner, slipped off Ron’s rucksack, and attempted to blend in with the canvas.
Hermione slid out of her bunk and moved like a sleepwalker toward Ron, her eyes upon his pale face. She stopped right in front of him, her lips slightly parted, her eyes wide. Ron gave a weak, hopeful smile and half raised his arms.
Hermione launched herself forward and started punching every inch of him that she could reach.
“Ouch--ow--gerroff! What the--? Hermione--OW!”
“You--complete--arse--Ronald--Weasley!”
She punctuated every word with a blow: Ron backed away, shielding his head as Hermione advanced.
“You--crawl--back--here--after--weeks--and--weeks--oh, where’s my wand?”
She looked as though ready to wrestle it out of Harry’s hands and he reacted instinctively.
“Protego!”
The invisible shield erupted between Ron and Hermione: The force of it knocked her backward onto the floor. Spitting hair out of her mouth, she leapt up again.
“Hermione!” said Harry. “Calm--”
“I will not calm down!” she screamed. Never before had he seen her lose control like this; she looked quite demented. “Give me back my wand! Give it back to me!”
“Hermione, will you please--”
“Don’t you tell me what to do, Harry Potter!” she screeched. “Don’t you dare! Give it back now! And YOU!”
She was pointing at Ron in dire accusation: It was like a malediction, and Harry could not blame Ron for retreating several steps.
“I came running after you! I called you! I begged you to come back!”
“I know,” Ron said, “Hermione, I’m sorry, I’m really--”
“Oh, you’re sorry!”
She laughed, a high-pitched, out-of-control sound; Ron looked at Harry for help, but Harry merely grimaced his helplessness.
“You come back after weeks--weeks--and you think it’s all going to be all right if you just say sorry?”
“Well, what else can I say?” Ron shouted, and Harry was glad that Ron was fighting back.
“Oh, I don’t know!” yelled Hermione with awful sarcasm. “Rack your brains, Ron, that should only take a couple of seconds--”
“Hermione,” interjected Harry, who considered this a low blow, “he just saved my--”
“I don’t care!” she screamed. “I don’t care what he’s done! Weeks and weeks, we could have been dead for all he knew--”
“I knew you weren’t dead!” bellowed Ron, drowning her voice for the first time, and approaching as close as he could with the Shield Charm between them. “Harry’s all over the Prophet, all over the radio, they’re looking for you everywhere, all these rumors and mental stories, I knew I’d hear straight off if you were dead, you don’t know what it’s been like--”
“What it’s been like for you?”
Her voice was now so shrill only bats would be able to hear it soon, but she had reached a level of indignation that rendered her temporarily speechless, and Ron seized his opportunity.
“I wanted to come back the minute I’d Disapparated, but I walked straight into a gang of Snatchers, Hermione, and I couldn’t go anywhere!”
“A gang of what?” asked Harry, as Hermione threw herself down into a chair with her arms and legs crossed so tightly it seemed unlikely that she would unravel them for several years.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Look, you and I are in the same boat,” he said softly. “We’re loners in the crew. Unlike Bailey, we don’t want to hook-up for good. We just want to let off some steam. We could be friends with benefits.”
“Fuck buddies, huh?”
“I like your term better,” Vaughn said, giving a flash of anger at the men still eyeing us. “I might need to leave you, so I can kick their asses.”
“I think I can manage without you.”
“Was that a masturbation hint?”
“No, but you bring up a very good point. I could blow off steam on my own.”
Vaughn finished his beer then smiled. “I’ll give you oral. No vibrator in the world can say the same.”
Holding his gaze, I was silent until finishing my beer. Finally, I gave Vaughn a smile and nodded. “One night of empty awesome sex. Tomorrow, we act like acquaintances, not even friends. I want to be someone you barely remember exists.”
“No problem, gingersnap. Do you like Harleys? Mine really likes snuggling between a hot girl’s thighs.”
“Stop while you’re ahead.”
Standing up, Vaughn held out a hand. I ignored his gesture and stood up on my own. When I noticed the two guys still watching us, I flipped them off before taking Vaughn’s arm.
“Like they ever had a chance,” I muttered and Vaughn’s smile grew.
“Takes a special man to talk a girl out of abstinence.”
“Whatever you need to tell yourself.
”
”
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))
“
Come here, little one.”
“I want to go back.”
He hoped she stood there arguing for a time. “Obey your husband.”
She wrinkled her nose. “It’s broad daylight.”
“Keemah, come.”
Growing tired of just looking when he could be touching, Hunter cocked his head and let her see him leering. He was awarded a fetching glimpse of slender, creamy thighs and honey gold. She gasped and dropped to her knees as if someone had dealt a blow to the backs of her legs.
Tucking her skirt under her knees, she cried, “Have you no shame?”
His answer was a slow grin. Seizing her wrist, he drew her toward him. “There is no shame. You are my woman.”
Pulled off balance, she fell across his chest. Squirming, but halfheartedly, she said, “There’s a time and a place for everything, and this isn’t it.”
“No?” He ran a hand under her blouse. “I say it is a very good time.”
She jerked when his fingers scaled her ribs. “That tickles.”
Without warning he rolled with her, coming out on top. He kissed her lightly on the lips while he moved his hand from her ribs to her breast. The small mound of warm flesh fit perfectly in his hand, the crest springing taut against his palm. Scarlet flamed on her cheeks. Unable to resist, Hunter lifted her blouse and moved off her to look, one thigh slanted across both of hers to keep her still. He had guessed right; when she was shy, she grew pink all over.
“Hunter!” She tried to shove the leather down. “Someone might come!”
“No one comes.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
When He Needs to Understand the Power of His Own Words Death and life are in the power of the tongue, and those who love it will eat its fruit. PROVERBS 18:21 MANY MEN DON’T FULLY COMPREHEND the power and impact of their words. Just by reason of being male, a man’s voice has the strength to be intimidating. A man can say something casually, carelessly, or insensitively without even realizing that he has frightened or hurt someone. Not all men use their voice to that degree, but many do. A man has the power to heal or harm the heart of those to whom he speaks, and never is that more true than within his marriage and family. What your husband says to you or your children—and the way he says it—can build up or tear down. His words can strengthen family relationships or break them apart. You cannot have a successful and fulfilling marriage when your husband is careless or thoughtless in the words he speaks or the manner in which he speaks them. When a husband speaks hurtful words to his wife, he strikes her soul with a damaging blow far greater than he may realize. If your husband ever does that, pray he will understand his potential to intimidate or even wound. Ask God to help your husband hear what he is saying and the way he says it even before he says it. The book of Proverbs says, “He who guards his mouth preserves his life, but he who opens wide his lips shall have destruction” (13:3). Pray that God will fill your husband’s heart with an abundance of His love, patience, kindness, and goodness so that they overflow in the words he speaks to you and your children. If your husband has never hurt another with his words, then thank God for that and pray he never will. Pray that his gentle spirit will rub off on the other men around him. My Prayer to God LORD, I pray You would lead my husband in the way he speaks to me and our family. Help him to build up with his words and not tear down. Teach him to bless and not curse, to encourage and not discourage, to inspire and not intimidate. I pray when he must speak words that are hard for others to hear, help him speak them from a kind heart. Your Word says that out of the overflow of our hearts we speak (Matthew 12:34). If ever his heart is filled with anger, resentment, or selfishness, I pray he will see that as sin and repent of it. Fill him instead with an abundance of Your love, peace, and joy. Help him to understand that “life and death are in the power of the tongue” and there are consequences to the words he says (Proverbs 18:21). Where my husband has been abusive or hurtful in the words he has spoken to me, I pray You would convict his conscience about that and cause him to see the damage he is doing to me and to our marriage. If I have spoken words to him that have caused harm to our relationship, forgive me. Enable me to speak words that will bring healing. Help us both to think carefully about what we say to each other and to our children and how we say it (Proverbs 15:28). Enable us to always consider the consequences of the words we speak. I know we have a choice about what we say and the way we say it. Help us both to always make the right choice. In Jesus’ name I pray.
”
”
Stormie Omartian (The Power of a Praying Wife Devotional)
“
He’s a murdering chud,” Zil was yelling.
“What do you want to do? Lynch him?” Astrid demanded.
That stopped the flow for a second as kids tried to figure out what “lynch” meant. But Zil quickly recovered.
“I saw him do it. He used his powers to kill Harry.”
“I was trying to stop you from smashing my head in!” Hunter shouted.
“You’re a lying mutant freak!”
“They think they can do anything they want,” another voice shouted.
Astrid said, as calmly as she could while still pitching her voice to be heard, “We are not going down that path, people, dividing up between freaks and normals.”
“They already did it!” Zil cried. “It’s the freaks acting all special and like their farts don’t stink.”
That earned a laugh.
“And now they’re starting to kill us,” Zil cried.
Angry cheers.
Edilio squared his shoulders and stepped into the crowd. He went first to Hank, the kid with the shotgun. He tapped him on the shoulder and said, “Give me that thing.”
“No way,” Hank said. But he didn’t seem too certain.
“You want to have that thing fire by accident and blow someone’s face off?” Edilio held his hand out. “Give it to me, man.”
Zil rounded on Edilio. “You going to make Hunter give up his weapon? Huh? He’s got powers, man, and that’s okay, but the normals can’t have any weapon? How are we supposed to defend ourselves from the freaks?”
“Man, give it a rest, huh?” Edilio said. He was doing his best to sound more weary than angry or scared. Things were already bad enough. “Zil, you want to be responsible if that gauge goes off and kills Astrid? You want to maybe give that some thought?”
Zil blinked. But he said, “Dude, I’m not scared of Sam.”
“Sam won’t be your problem, I will be,” Edilio snapped, losing patience. “Anything happens to her, I’ll take you down before Sam ever gets the chance.”
Zil snorted derisively. “Ah, good little boy, Edilio, kissing up to the chuds. I got news for you, dilly dilly, you’re a lowly normal, just like me and the rest of us."
“I’m going to let that go,” Edilio said evenly, striving to regain his cool, trying to sound calm and in control, even though he could hardly take his eyes off the twin barrels of the shotgun. “But now I’m taking that shotgun.”
“No way!” Hank cried, and the next thing was an explosion so loud, Edilio thought a bomb had gone off. The muzzle flash blinded him, like camera flash going off in his face.
Someone yelled in pain.
Edilio staggered back, squeezed his eyes shut, trying to adjust. When he opened them again the shotgun was on the ground and the boy who’d accidentally fired it was holding his bruised hand, obviously shocked.
Zil bent to grab the gun. Edilio took two steps forward and kicked Zil in the face. As Zil fell back Edilio made a grab for the shotgun. He never saw the blow that turned his knees to water and filled his head with stars.
He fell like a sack of bricks, but even as he fell he lurched forward to cover the shotgun.
Astrid screamed and launched herself down the stairs to protect Edilio.
Antoine, the one who had hit Edilio, was raising his bat to hit Edilio again, but on the back swing he caught Astrid in the face.
Antoine cursed, suddenly fearful. Zil yelled, “No, no, no!”
There was a sudden rush of running feet. Down the walkway, into the street, echoing down the block.
”
”
Michael Grant (Hunger (Gone, #2))
“
I struggle with an embarrassing affliction, one that as far as I know doesn’t have a website or support group despite its disabling effects on the lives of those of us who’ve somehow contracted it. I can’t remember exactly when I started noticing the symptoms—it’s just one of those things you learn to live with, I guess. You make adjustments. You hope people don’t notice. The irony, obviously, is having gone into a line of work in which this particular infirmity is most likely to stand out, like being a gimpy tango instructor or an acrophobic flight attendant. The affliction I’m speaking of is moral relativism, and you can imagine the catastrophic effects on a critic’s career if the thing were left to run its course unfettered or I had to rely on my own inner compass alone. To be honest, calling it moral relativism may dignify it too much; it’s more like moral wishy-washiness. Critics are supposed to have deeply felt moral outrage about things, be ready to pronounce on or condemn other people’s foibles and failures at a moment’s notice whenever an editor emails requesting twelve hundred words by the day after tomorrow. The severity of your condemnation is the measure of your intellectual seriousness (especially when it comes to other people’s literary or aesthetic failures, which, for our best critics, register as nothing short of moral turpitude in itself). That’s how critics make their reputations: having take-no-prisoners convictions and expressing them in brutal mots justes. You’d better be right there with that verdict or you’d better just shut the fuck up. But when it comes to moral turpitude and ethical lapses (which happen to be subjects I’ve written on frequently, perversely drawn to the topics likely to expose me at my most irresolute)—it’s like I’m shooting outrage blanks. There I sit, fingers poised on keyboard, one part of me (the ambitious, careerist part) itching to strike, but in my truest soul limply equivocal, particularly when it comes to the many lapses I suspect I’m capable of committing myself, from bad prose to adultery. Every once in a while I succeed in landing a feeble blow or two, but for the most part it’s the limp equivocator who rules the roost—contextualizing, identifying, dithering. And here’s another confession while I’m at it—wow, it feels good to finally come clean about it all. It’s that … once in a while, when I’m feeling especially jellylike, I’ve found myself loitering on the Internet in hopes of—this is embarrassing—cadging a bit of other people’s moral outrage (not exactly in short supply online) concerning whatever subject I’m supposed to be addressing. Sometimes you just need a little shot in the arm, you know? It’s not like I’d crib anyone’s actual sentences (though frankly I have a tough time getting as worked up about plagiarism as other people seem to get—that’s how deep this horrible affliction runs). No, it’s the tranquillity of their moral authority I’m hoping will rub off on me. I confess to having a bit of an online “thing,” for this reason, about New Republic editor-columnist Leon Wieseltier—as everyone knows, one of our leading critical voices and always in high dudgeon about something or other: never fearing to lambaste anyone no matter how far beneath him in the pecking order, never fearing for a moment, when he calls someone out for being preening or self-congratulatory, as he frequently does, that it might be true of himself as well. When I’m in the depths of soft-heartedness, a little dose of Leon is all I need to feel like clambering back on the horse of critical judgment and denouncing someone for something.
”
”
Laura Kipnis (Men: Notes from an Ongoing Investigation)
“
Another woman catches sight of Fischerle's hump on the ground and runs screaming into the street: 'Murder! Murder!' She takes the hump for a corpse. Further details - she knows none. The murderer is very thin, a poor sap, how he came to do it, you shouldn't have thought it of him. Shot may be, someone suggests. Of course, everyone heard the shot. Three streets off, the shot had been heard. Not a bit of it, that was a motor tyre. No, it was a shot! The crowd won't be done out of its shot. A threatening attitude is assumed towards the doubters. Don't let him go. An accessory. Trying to confuse the trail! Out of the building comes more news. The woman's statements are revised. The thin man has been murdered. And the corpse on the floor? It's alive. It's the murderer, he had hidden himself. He was tring to creep away between the corpse's legs when he was caught. The more recent information is more detailed. The little man is a dwarf. What do you expect, a cripple! The blow was actually struck by another. A redheaded man. Ah, those redheads. The dwarf put him up to it. Lynch him! The woman gave the alarm. Cheers for the woman! She screamed and screamed. A Woman! Doesn't know what fear is. The murderer had threatened her. The redhead. It's always the Reds. He tore her collar off. No shooting. Of course not. What did he say? Someone must have invented the shot. The dwarf. Where is he? Inside. Rush the doors! No one else can get in. It's full up. What a murder! The woman had a plateful. Thrashed her every day. Half dead, she was. What did she marry a dwarf for? I wouldn't marry a dwarf. And you with a big man to yourself. All she could find. Too few men, that's what it is. The war! Young people to-day...Quite young he was too. Not eighteen. And a dwarf already. Clever! He was born that way. I know that. I've seen him. Went in there. Couldn't stand it. Too much blood. That's why he's so thin. An hour ago he was a great, fat man. Loss of blood, horrible! I tell you corpses swell. That's drowned ones. What do you know about corpses? Took all the jewellery off the corpse he did. Did it for the jewellery. Just outside the jewellery department it was. A pearl necklace. A baroness. He was her footman. No, the baron. Ten thousand pounds. Twenty thousand! A peer of the realm! Handsome too. Why did she send him? Should he have let his wife? It's for her to let him. Ah, men. She's alive though. He's the corpse. Fancy dying like that! A peer of the realm too Serve him right. The unemployed are starving. What's he want with a pearl necklace. String 'em up I say! Mean it too. The whole lot of them. And the Theresianum too. Burn it! Make a nice blaze.
”
”
Elias Canetti (Auto-da-Fé)
“
Long story short, I got lured into a trap. A Mage using that concealment spell tried to knife me. Then someone else tried to blow my brains out with a bullet."
"A Mage attacked you?" Alain asked, feeling a sick sensation inside.
"She tried. I knew they'd been watching me. I didn't give them any reason to try to kill me." Mari looked at him. "Did I?"
"It is my fault," Alain admitted. "Even though I have tried to keep them from finding out who you are, they still believe that you are dangerous."
She gave him another look, then shook her head. "From the looks of things, I'm mainly dangerous to my friends and myself. Just how much trouble did you actually get in because of spending time with me in Dorcastle?"
Alain looked into the fire. "My Guild did not believe that I had been with you in Dorcastle. The elders thought that the woman I had been seen with in that city was a common I had sought out because she researched the Mechanic I had met in Ringhmon."
"Why would you want to find a common who looked like me?" Mari asked.
"For physical satisfaction." The simple statement would have created no reaction in a Mage, but he saw the outraged look in Mari's face and hurriedly added more. "I would not have done that. But the elders assumed that I did. I told you that they believed I was attracted to you."
"Alain, 'attracted to' doesn't bring to mind the idea of finding another woman who resembles me so that you can pretend that you're—" she choked off the words, glaring into the night.
"The elders assumed that. I never wanted it. I would never do it. There is no other woman like you."
Somehow he must have said the right thing, because she relaxed. "But because of that belief of theirs," Mari said, "your elders thought you might look for me again."
"They actually thought that you would seek me," Alain explained. "They were very concerned that you would..." His "social skills" might need work, but Alain realized that he probably should not say the rest.
Too late. Mari bent a sour look his way. "What did they think I would do?"
"It is not important."
"Alain..."
He exhaled slowly, realizing that Mari would not give up on this question. "The elders thought that you would seek to ensnare me, using your physical charms, and through me work to strike at the Mage Guild."
She stared back in disbelief. "Ensnare? They actually used the word ensnare?"
"Yes. Many times."
"Using my physical charms?" Mari seemed unable to decide whether to laugh or get angry. She looked down at herself. "I'm a little low on ammunition when it comes to physical charms, or hadn't these elders of yours noticed?"
"You are beautiful beyond all other women," Alain objected.
Mari rolled her eyes. "And you ate seriously deluded. I hadn't realized how badly until this moment.
”
”
Jack Campbell (The Hidden Masters of Marandur (The Pillars of Reality, #2))
“
Evie shook her head in confusion, staring from her husband’s wrathful countenance to Gully’s carefully blank one. “I don’t understand—”
“Call it a rite of passage,” Sebastian snapped, and left her with long strides that quickly broke into a run.
Picking up her skirts, Evie hurried after him. Rite of passage? What did he mean? And why wasn’t Cam willing to do something about the brawl? Unable to match Sebastian’s reckless pace, she trailed behind, taking care not to trip over her skirts as she descended the flight of stairs. The noise grew louder as she approached a small crowd that had congregated around the coffee room, shouts and exclamations renting the air. She saw Sebastian strip off his coat and thrust it at someone, and then he was shouldering his way into the melee. In a small clearing, three milling figures swung their fists and clumsily attempted to push and shove one another while the onlookers roared with excitement.
Sebastian strategically attacked the man who seemed the most unsteady on his feet, spinning him around, jabbing and hooking with a few deft blows until the dazed fellow tottered forward and collapsed to the carpeted floor. The remaining pair turned in tandem and rushed at Sebastian, one of them attempting to pin his arms while the other came at him with churning fists.
Evie let out a cry of alarm, which somehow reached Sebastian’s ears through the thunder of the crowd. Distracted, he glanced in her direction, and he was instantly seized in a mauling clinch, with his neck caught in the vise of his opponent’s arm while his head was battered with heavy blows. “No,” Evie gasped, and started forward, only to be hauled back by a steely arm that clamped around her waist.
“Wait,” came a familiar voice in her ear. “Give him a chance.”
“Cam!” She twisted around wildly, her panicked gaze finding his exotic but familiar face with its elevated cheekbones and thick-lashed golden eyes. “They’ll hurt him,” she said, clutching at the lapels of his coat. “Go help him— Cam, you have to—”
“He’s already broken free,” Cam observed mildly, turning her around with inexorable hands. “Watch— he’s not doing badly.”
One of Sebastian’s opponents let loose with a mighty swing of his arm. Sebastian ducked and came back with a swift jab.
“Cam, why the d-devil aren’t you doing anything to help him?”
“I can’t.”
“Yes, you can! You’re used to fighting, far more than he—”
“He has to,” Cam said, his voice quiet and firm in her ear. “He’ll have no authority here otherwise. The men who work at the club have a notion of leadership that requires action as well as words. St. Vincent can’t ask them to do anything that he wouldn’t be willing to do himself. And he knows that. Otherwise he wouldn’t be doing this right now.”
Evie covered her eyes as one opponent endeavored to close in on her husband from behind while the other engaged him with a flurry of blows. “They’ll be loyal to him only if he is w-willing to use his fists in a pointless display of brute force?”
“Basically, yes.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
You don't get to ask questions,' I said, and he looked up at me, exhaustion and pain lining his face, my blood shining on his lips. Part of me hated the words, for acting like this while he was wounded, but I didn't care. 'You only get to answer them. And nothing more.'
Wariness flooded his eyes, but he nodded, biting off another mouthful of the weed and chewing.
I stared down at him, the half-Illyrian warrior who was my soul-bonded partner.
'How long have you know that I'm your mate?'
Rhys stilled. The entire world stilled.
He swallowed. 'Feyre.'
'How long have you know that I'm your mate.'
'You... You ensnared the Suriel?' How he'd pieced it together, I didn't give a shit.
'I said you don't get to ask questions.'
I thought something like panic might have flashed over his features. He chewed again on the plant- as if it instantly helped, as if he knew that he wanted to be at his full strength to face this, face me. Colour was already blooming on his cheeks, perhaps from whatever healing was in my blood.
'I suspected for a while,' Rhys said, swallowing once more. 'I knew for certain when Amarantha was killing you. And when we stood on the balcony Under the Mountain- right after we were freed, I felt it snap into place between us. I think when you were Made, it... it heightened the smell of the bond. I looked at you then and the strength of it hit me like a blow.'
He'd gone wide-eyed, had stumbled back as if shocked- terrified. And had vanished.
That had been over half a year ago.
My blood pounded in my ears. 'When were you going to tell me?'
'Feyre.'
'When were you going to tell me?'
'I don't know. I wanted to yesterday. Or whenever you'd noticed that it wasn't just a bargain between us. I hoped you might realise when I took you to bed, and-'
'Do the others know?'
'Amren and Mor do. Azriel and Cassian suspect.'
My face burned. They knew- they- 'Why didn't you tell me?'
'You were in love with him; you were going to marry him. And then you... you were enduring everything and it didn't feel right to tell you.'
'I deserved to know.'
'The other night you told me you wanted a distraction, you wanted fun. Not a mating bond. And not to someone like me- a mess.' So the words I'd spat after the Court of Nightmares had haunted him.
'You promised- you promised no secrets, no games. You promised.'
Something in my chest was caving in on itself. Some part of me I'd thought long gone.
'I know I did,' Rhys said, the glow returning to his face. 'You think I didn't want to tell you? You think I liked hearing you wanted me only for amusement and release? You think it didn't drive me out of my mind so completely that those bastards shot me out of the sky because I was too busy wondering if I should just tell you, or wait- or maybe take whatever pieces that you offered me and be happy with it? Or that maybe I should let you go so you don't have a lifetime of assassins and High Lords hunting you down for being with me?'
'I don't want to hear this. I don't want to hear you explain how you assumed that you knew best, that I couldn't handle it-'
'I didn't do that-'
'I don't want to hear you tell me that you decided I was to be kept in the dark while you friends knew, while you all decided what was right for me-'
'Feyre-'
'Take me back to the Illyrian camp. Now.'
He was panting in great, rattling gulps. 'Please.'
But I stormed to him and grabbed his hand. 'Take me back now.'
And I saw the pain and sorrow in his eyes. Saw it and didn't care, not as that thing in my chest was twisting and breaking. Not as my heart- my heart- ached, so viciously that I realised it'd somehow been repaired in these past few months. Repaired by him.
And now it hurt.
Rhys saw all that and more on my face, and I saw nothing but agony in his as he rallied his strength, and, grunting in pain, winnowed us into the Illyrian camp.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
But now, strange as it seems, a peasant's small, scrawny. light brown nag is harnessed to such a large cart, one of those horses he's seen it often that sometimes strain to pull some huge load of firewood or hay. Especially if the cart has gotten stuck in the mud or a rut. The peasants always whip the horse so terribly, so very painfully, sometimes even across its muzzle and eyes, and he would always feel so sorry, so very sorry to witness it that he would feel like crying, and his mother would always lead him away from the window. Now things are getting extremely boisterous: some very large and extremely drunken peasants in red and blue shirts, their heavy coats slung over their shoulders. come out of the tavern shouting, singing. and playing balalaikas. “Git in. everyone git in!" shouts one peasant, a young lad with a thick neck and a fleshy face, red as a beet, “I'll take ya all. Git in!" But there is a burst of laughter and shouting:
“That ol’ nag ain't good for nothin'!"
“Hey, Mikolka, you must be outta yer head to hitch that ol' mare to yer cart!"
“That poor ol' horse must be twenty if she's a day, lads!"
“Git in, I'll take ya all!" Mikolka shouts again,jumping in first, taking hold of the reins, and standing up straight in the front of the cart. “Matvei went off with the bay," he cries from the cart, “and as for this ol' mare here, lads, she's only breakin' my heart: I don't give a damn ifit kills ’er; she ain't worth her salt. Git in, I tell ya! I'll make 'er gallop! She’ll gallop, all right!" And he takes the whip in his hand, getting ready to thrash the horse with delight.
"What the hell, git in!" laugh several people in the crowd. "You heard 'im, she'll gallop!"
“I bet she ain't galloped in ten years!"
"She will now!"
“Don't pity 'er, lads; everyone, bring yer whips, git ready!" "That's it! Thrash 'er!" They all clamber into Mikolka's cart with guffaws and wisecracks. There are six lads and room for more. They take along a peasant woman, fat and ruddy. She's wearing red calico, a headdress trimmed with beads, and fur slippers; she‘s cracking nuts and cackling. The crowd’s also laughing; as a matter of fact, how could one keep from laughing at the idea of a broken down old mare about to gallop, trying to pull such a heavy load! Two lads in the cart grab their whips to help Mikolka. The shout rings out: “Pull!" The mare strains with all her might, but not only can’t she gallop, she can barely take a step forward; she merely scrapes her hooves, grunts, and cowers from the blows of the three whips raining down on her like hail. Laughter redoubles in the cart and among the crowd, but Mikolka grows angry and in his rage strikes the little mare with more blows, as if he really thinks she’ll be able to gallop. “Take me along, too, lads!" shouts someone from the crowd who’s gotten a taste of the fun.
“Git in! Everyone, git inl" cries Mikolka. “She'll take everyone. I‘ll flog 'er!" And he whips her and whips her again; in his frenzy, he no longer knows what he’s doing.
“Papa, papa," the boy cries to his father. “Papa, what are they doing? Papa, they‘re beating the poor horse!"
“Let's go, let's go!" his father says. “They’re drunk, misbehaving, those fools: let’s go. Don't look!" He tries to lead his son away. but the boy breaks from his father‘s arms; beside himself, he runs toward the horse. But the poor horse is on her last legs. Gasping for breath, she stops, and then tries to pull again, about to drop.
“Beat 'er to death!" cries Mikolka. ”That's what it's come to. I‘ll flog ‘er!"
“Aren't you a Christian. you devil?" shouts one old man from the crowd.
“Just imagine, asking an ol' horse like that to pull such a heavy load,” adds another.
“You‘ll do 'er in!" shouts a third.
“Leave me alone! She’s mine! I can do what I want with 'er! Git in, all of ya! Everyone git in I'm gonna make 'er gallop!
”
”
Fyodor Dostoevsky (Crime and Punishment)
“
I want you to know that I see your face when someone parks over the line in a crowded parking lot and inadvertently wastes a whole second spot, and I know your scowl isn’t really about the parking space. When you stop to pick up trash on a sidewalk or put the to-go menus back in their rack at the sandwich shop, you wish you didn’t have to. You’d rather everyone else pull their weight, but if they won’t, you will. You like having work to do, but it’s hard for you to work alongside people who cut corners and blow off responsibilities. It feels like they’re doing these things to spite you, like they slack off because they know you’ll catch whatever balls they drop. You can’t fathom how they can feel okay letting so many things remain half done. This leaves you in a constant state of simmering, low-grade resentment, and you feel guilty about occasionally having the urge to throw your laptop at someone’s face. You wish these things didn’t get to you. You want to live and let live.
”
”
Mary Laura Philpott (I Miss You When I Blink: Essays)
“
The first time someone young and vibrant dies—someone you look up
to, someone you relate to—it blows you back, right off your feet. Oh, fuck,
we’re all gonna die, nobody knows when, nobody knows how, you think. And
in that moment, you realize how little control you have over your own
destiny. From the time you’re born, you have no control; you can’t choose
your parents, and, unless you’re suicidal, you can’t choose your death. The
only thing you can do is choose the person you love, be kind to others, and
make your brutally short stint on earth as pleasant as possible.
”
”
Renee Carlino (Before We Were Strangers)
“
Eris went on, “Always mix truth and lies, General. Didn’t those warrior-brutes teach you about how to withstand an enemy’s torture?” Cassian knew. He’d been tortured and interrogated and never once broken. “Beron tortured you?” Eris rose, tucking his book under an arm. “Who cares what my father does to me? He believed my story about the shadowsinger’s spies informing him that a valuable asset had been kidnapped by Briallyn, and that you lot were disgusted to arrive and find it was me, rather than someone from the Summer or Winter Courts or whoever stoops to associate with you.” Cassian unpacked each word. Beron had tortured his own son for information, rather than thanking the Mother for returning him. But Eris had held out. Fed Beron another lie. And then there was the way Eris had spoken about the other courts. Something had been off in his words, his tight expression. Was the male jealous? Cassian opened his mouth, more than ready to launch that question at him and bestow a stinging blow. Yet he hesitated. Looked into Eris’s eyes. The male had been raised with every luxury and privilege—on paper. But who knew what terrors Beron had inflicted upon him? Cassian knew Beron had murdered Lucien’s lover. If the High Lord of Autumn had been willing to do that, what wouldn’t he do?
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Dimly, he remembered a view of Syon House on the other side of the river. He knew of someone who had held their wedding reception there, their wedding breakfast. The idea of a wedding breakfast seemed enchanting to him. He thought of Melody; a throng of people, the ghosts of his past, were the guests. And he saw it at last, farther away than he had thought, like a house painted onto the backdrop of a stage in muted colours. Was this why he had come? The lion on the ramparts reminded him of himself and his own inadequacies and his mane tied down. He veered off through the trees in the direction that the wind seemed to blow him. The leaves of eucalyptus, oak and pine roared at him behind his back.
”
”
Katharine Davies (The Madness of Love)
“
The rains had arrived, but the sky was not overcast that afternoon. There was a slightly warm breeze blowing. The wet, sun-kissed grass and plants gave off their characteristic smell, which rose up like heavy exhalations from the tired ground. An obstinate bird tweeted her complaints to Mother Nature all afternoon. The postmaster had been sitting idle all day, watching the smooth, wet green leaves shiver on the trees and the stray patches of sun-lit clouds in the sky. Right then, he longed for the company of someone close to his heart—some human form who felt love and affection for him, someone to talk to. He began to wonder if the bird’s complaints were to the same effect. Even the rustling of the leaves that lonely and desolate afternoon spoke to him of the same ache as the one in his heart.
— Rabindranath Tagore, from the short story “The Postmaster
”
”
Bhaskar Chattopadhyay (14 Stories That Inspired Satyajit Ray)
“
The Jenkins family, who took her in after the Kindertransport, gave her their surname. She didn’t expect to see any of her family again. This was supposed to be a fresh start for her, here in England. Her mother, God bless her, was already dead. Her father was in trouble with the authorities.’
‘For doing what?’ Though I had pretty much guessed the answer: he was Jewish.
‘It’s just so stupid,’ I said, drying the plate rather roughly. ‘How can you hate someone just because of how they live their life?’
Mrs. Henderson sighed. ‘People like to have something to hate – it makes life easier when things go wrong if there’s someone to blame. Think about what happened here today with that pilot, Olive.’
She meant how quickly the crowd turned on him. It was frightening how easily normal, pleasant people got whipped up into nastiness. The possibility that something similar had happened to Esther’s family disturbed me.
‘But it’s worse than that, isn’t it?’ I said, thinking ‘The German pilot was a fighter from the enemy side. Esther’s family were… well… just people.’
‘Yes, my dear,’ Mrs. Henderson sighed again, blowing damp strands of hair off her face. ‘Normal, educated, cultured people. It was all very well, the Kindertransport, but what good’s a child without its parents? You saw what it did to Esther.’
‘Well, I’m glad they’re all here,’ I said. ‘I’m glad you helped them.’
Mrs. Henderson looked sad. ‘But we can’t save everyone… our government needs to take some responsibility and do much, much more. We should be helping them flee Hitler, not turning them away. We’ve had to smuggle these good people in like criminals.
”
”
Emma Carroll (Letters from the Lighthouse)
“
Equation: mv In English: Mass times velocity The special part: It has a specific direction assigned to it. Mass and velocity are multiplied together to get the magnitude of the momentum, so a large 200-pound man jogging 5 miles per hour (mph) (200 * 5 = 1000) and a petite 100-pound woman running 10 mph (100 * 10 = 1000) will each hit you with the same momentum and knock you back just as hard. The only difference between mass and velocity when it comes to momentum is that the velocity is what gives momentum its direction. This means if you tackle someone, the direction of the momentum you transfer to your opponent is the same as the direction you were running before the tackle. This may seem like a trivial statement at first, but the directional component of momentum is the key to redirecting and controlling an otherwise unstoppable blow. A high-momentum strike, or “push” strike, has the ability to move your opponent, or parts of your opponent, and that is an incredibly powerful tool to have in a fight. If your opponent is rigid, light on his feet, or if you strike him near his center of mass, a high-momentum strike can push him back, knock him off balance, push the air out of his lungs, or even send him to the floor if the stars are aligned properly. If your opponent is loose, a high-momentum strike to the hands can move them away from his face and leave him open. Whether he is loose or stiff, a high-momentum strike to the chin can make your opponent’s head rotate quickly about the base of his skull, resulting in a knockout.
”
”
Jason Thalken (Fight Like a Physicist: The Incredible Science Behind Martial Arts (Martial Science))
“
Well, shit. He bowed his head and squeezed his eyes shut as it dawned on him. She had been grieving her mom today, had been probably screaming inside as the agony tormented her, but instead of coming to him—her mate—for any kind of comfort or even to just confide in him or cry on his shoulder, she had retreated within herself. Because she hadn’t felt like she could come to him, had probably thought that he wouldn’t want her to. Then when he, like a bastard, refused to give her the space she needed, she had finally sought comfort. The fact that the only place she thought she could find it was a shoe box filled with memories of her dead true mate was like a blow to Trey’s gut. A blow he deserved. Guilt knifed through him as he thought about how much of a prick he had been to Taryn. Dante was right. Although this mating was temporary, that didn’t mean that Trey should be able to just cast her aside. She had become his responsibility the second he claimed her, but all he’d done was try to escape that responsibility when he got a little spooked by his wolf and some primal instincts. He had frozen her out, just as she had done to him today. The feelings of rejection, anger, and desolation he had experienced earlier were things that she had obviously been suffering with all this time. In total silence. Shit, she hadn’t deserved that, hadn’t deserved his cold shoulder, especially when she was being so loyal to their deal. It was a wonder that she hadn’t left—it wasn’t as if she couldn’t have sneaked off. It was clear by the way she had led them on a merry chase and covered her tracks so well that she had the ability at least to try to make a run for it. It wasn’t as though fear of him kept her here. She hadn’t once expressed any fear of him, not even when his wolf had gone feral. Although Roscoe was dead and she didn’t need Trey anymore, she had stayed to fulfill her end of the deal. Even though he’d been a total ass. Even though his grandmother constantly strove to make her feel unwelcome. Even though it meant having to lie to her friends and repeatedly claim that her true mate had been nothing but a good friend. One thing was for sure—she was a better person than he would ever be. She was someone who any male would be proud to have as his mate, temporary or not.
”
”
Suzanne Wright (Feral Sins (The Phoenix Pack, #1))
“
Sometimes, I lean out my split-pane window that seems to be high off the ground, and I can hear the whistling wind stream through the leaves of the growth of trees, sometimes this reminds me about being in the garden and golden fields when my eyes are closed. But, when my eyes were open, I realized that it is just the wind rushing through the various hills and valleys of ‘The Land of Many Steeples.’ I do not know what it is… but there is just something about letting your hair blow in the breeze, which feels so amazing. I feel that it is just one of the amazing moments in time, which I have experienced. Oh, just the same can be said, about me standing in the rain, freely and naturally on a warm spring day, while I am filling the ground squish under my toes.
Yes, likewise can be said for the winters when I come home from the hellhole, and see the fireplace with its warm glow, from outside the frost chilled arched windows of the tort section of the house that is part of the dwelling. ‘It is amazing also because I know that I will soon be warm and comfortable, and out of this uniform that labels me as one of them.’ In the wintertime, the snowdrifts, the pointed part of the roof along with the weathervane are covered in a blanket of white, ‘The Land of Many Steeples’ sparkles, and soft with an almost spooky light blue cast in the moonlight.
The trees down the lane drip with ice like a crystal cave, but- yet we all carve a pathway down the road that leads to the hell and then back to the emptiness. Snow days are rare, but that does not matter to me either way because I cannot truly share it with anyone it seems, as you all know. So, would you be my friend if I asked you? Would you spend some time with me? Can I depend on you; I would be there for you!
So, on any day in any weather condition, unless the fog is rising from the valley, I can see in the distance ‘The Land of Many Steeples’, a far cry from this country land, where the dwelling of lost and lonely dreams is upon. Then there are some days there are thunderstorms outside my window, and it takes me back to the past, like when I was in that dark room. I do not think anyone gets over their past, the past that haunts me, and a past that the tower uses against me. Yes, you can change your name. Change your hair, and change your style, but the words of slander will remain. The only thing I can do is find someone that does not care about what the words mean or say, or just plainly pray for it to all go away.
”
”
Marcel Ray Duriez (Nevaeh Struggle with Affections)
“
The first time someone young and vibrant dies—someone you look up to, someone you relate to—it blows you back, right off your feet. Oh, fuck, we’re all gonna die, nobody knows when, nobody knows how, you think. And in that moment, you realize how little control you have over your own destiny. From the time you’re born, you have no control;
”
”
Renee Carlino (Before We Were Strangers)
“
The first time someone young and vibrant dies—someone you look up to, someone you relate to—it blows you back, right off your feet. Oh, fuck, we’re all gonna die, nobody knows when, nobody knows how, you think. And in that moment, you realize how little control you have over your own destiny. From the time you’re born, you have no control; you can’t choose your parents, and, unless you’re suicidal, you can’t choose your death. The only thing you can do is choose the person you love, be kind to others, and make your brutally short stint on earth as pleasant as possible.
”
”
Renee Carlino (Before We Were Strangers)
“
What’s not on the table, at the G-MAFIA or BAT, is optimizing for empathy. Take empathy out of the decision-making process, and you take away our humanity. Sometimes what might make no logical sense at all is the best possible choice for us at a particular moment. Like blowing off work to spend time with a sick family member, or helping someone out of a burning car, even if that action puts your own life in jeopardy.
”
”
Amy Webb (The Big Nine: How the Tech Titans and Their Thinking Machines Could Warp Humanity)
“
Someone once said to me, ‘Well, at least your dad died doing what he loved.’ My dad was fifty-four! I said, ‘What does your mother do?’ He said, ‘Oh, she’s a housewife.’ I said, ‘Let’s go over to her house while she’s doing the laundry and I’ll blow her fucking head off. At least she will have died doing what she loved.
”
”
Kliph Nesteroff (The Comedians: Drunks, Thieves, Scoundrels, and the History of American Comedy)
“
Another bullet hit Hajji Murad in the left side. He lay down in the ditch and again pulled some cotton wool out of his beshmet and plugged the wound. This wound in the side was fatal and he felt that he was dying. Memories and pictures succeeded one another with extraordinary rapidity in his imagination. now he saw the powerful Abu Nutsal Khan, dagger in hand and holding up his severed cheek as he rushed at his foe; then he saw the weak, bloodless old Vorontsov with his cunning white face, and heard his soft voice; then he saw his son Yusuf, his wife Sofiat, and then the pale, red-bearded face of his enemy Shamil with its half-closed eyes. All these images passed through his mind without evoking any feeling within him -- neither pity nor anger nor any kind of desire: everything seemed so insignificant in comparison with what was beginning, or had already begun, within him.
Yet his strong body continued the thing that he had commenced. Gathering together his last strength he rose from behind the bank, fired his pistol at a man who was just running towards him, and hit him. The man fell. Then Hajji Murad got quite out of the ditch, and limping heavily went dagger in hand straight at the foe.
Some shots cracked and he reeled and fell. Several militiamen with triumphant shrieks rushed towards the fallen body. But the body that seemed to be dead suddenly moved. First the uncovered, bleeding, shaven head rose; then the body with hands holding to the trunk of a tree. He seemed so terrible, that those who were running towards him stopped short. But suddenly a shudder passed through him, he staggered away from the tree and fell on his face, stretched out at full length like a thistle that had been mown down, and he moved no more.
He did not move, but still he felt.
When Hajji Aga, who was the first to reach him, struck him on the head with a large dagger, it seemed to Hajji Murad that someone was striking him with a hammer and he could not understand who was doing it or why. That was his last consciousness of any connection with his body. He felt nothing more and his enemies kicked and hacked at what had no longer anything in common with him.
Hajji Aga placed his foot on the back of the corpse and with two blows cut off the head, and carefully -- not to soil his shoes with blood -- rolled it away with his foot. Crimson blood spurted from the arteries of the neck, and black blood flowed from the head, soaking the grass.
Karganov and Hajji Aga and Akhmet Khan and all the militiamen gathered together -- like sportsmen round a slaughtered animal -- near the bodies of Hajji Murad and his men (Khanefi, Khan Mahoma, and Gamzalo they bound), and amid the powder-smoke which hung over the bushes they triumphed in their victory.
the nightingales, that had hushed their songs while the firing lasted, now started their trills once more: first one quite close, then others in the distance.
It was of this death that I was reminded by the crushed thistle in the midst of the ploughed field.
”
”
Leo Tolstoy (Hadji Murád)
“
Nete Pete and the Killer Forest
"Blah-blah-blah. You're the superhero. I'm the princess. Save me."
Tree of Knowledge
"Feed me. Preposterous. How could someone feed a book?"
Adventures Wanted
"'Fishing is boring.' 'Do you fish in Davy Jones' Locker? Have you everheard of the Kraken?'"
Can You Swim?
"Blood stained her desk seat from a coming of age secret. Her classmates taunted her from that moment on."
Smoke Legend
"Crackles of warmth from the blaze shifted light across the merchant's face. The young boy held fast to his father's knee. Enticing legends began to breathe."
Hunting Cabin
"Perle, ghosts don't exist. Unless you count the deer we're going to bag."
Red Cap
"'Wait,' cried Polka, 'By Wutan! Devour me and no future roe will favor your blows!'"
Cat Run
"She held out a pair of stockings with a run in one leg. 'What dove did you skin these off of?'"
Laura DeGrave "Popcorn Krunchers Shorts with Bite
”
”
Laura Degrave (Popcorn Krunchers: Shorts with Bite)
“
Nete Pete and the Killer Forest
"Blah-blah-blah. You're the superhero. I'm the princess. Save me."
Tree of Knowledge
"Feed me. Preposterous. How could someone feed a book?"
Adventures Wanted
"'Fishing is boring.' 'Do you fish in Davy Jones' Locker? Have you ever heard of the Kraken?'"
Can You Swim?
"Blood stained her desk seat from a coming of age secret. Her classmates taunted her from that moment on."
Smoke Legend
"Crackles of warmth from the blaze shifted light across the merchant's face. The young boy held fast to his father's knee. Enticing legends began to breathe."
Hunting Cabin
"Perle, ghosts don't exist. Unless you count the deer we're going to bag."
Red Cap
"'Wait,' cried Polka, 'By Wutan! Devour me and no future roe will favor your blows!'"
Cat Run
"She held out a pair of stockings with a run in one leg. 'What dove did you skin these off of?'"
Laura DeGrave "Popcorn Krunchers Shorts with Bite
”
”
Laura Degrave
“
Angua hesitated. Cheri’s axe was making blurred orbits around the golem while its wielder yelled more terrible battle cries. Angua couldn’t make out any words but many dwarf cries didn’t bother with words. They went straight for emotions in sonic form. Chips of pottery ricocheted off the crates as each blow landed. “What did she yell?” Angua said, as she pulled Carrot out of the way. “It’s the most menacing dwarf battle-cry there is! Once it’s been shouted someone has to be killed!” “What’s it mean?” “Today Is A Good Day For Someone Else To Die!
”
”
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
“
Recoiling backwards from the horror, his flight catapulted him headlong over the rail of the balcony. His piercing scream drowned out the uproarious Happy Birthday greeting from his wife, friends, and neighbors flooding into the hallway and the living room to begin the celebration. In midair, when someone turned on the lights in the dining room, Gary saw the monster from the master bedroom pulling off her rubber mask and looking down at him from the railing with sad eyes. It was Janine, his next-door neighbor. In the seconds before Gary lost consciousness after breaking his neck on the ceramic tile floor, he saw the entire room fill with balloons and confetti. Gwen looked ravishing in her favorite cocktail dress blowing a noisemaker and tossing a streamer into the air. A huge banner with the words, “Happy Halloween, Gary on Your 40th Birthday… A Night To Remember” was the last thing he saw before the grim reaper gobbled him up. Gwen had done it again. She had planned a truly memorable party that no one in attendance would ever forget. Gary died on the same day he was born, October 31.
”
”
Billy Wells (Don't Look Behind You)
“
I am one smart remark or missing ketchup packet away from blowing someone’s face off.
”
”
Anonymous
“
Reagan,” Dad barks. I blow out a quick breath and say very nicely, “Yes, Dad.” “Chase Gerald’s father just called.” He looks at where my hand is tangled with Pete’s, and if death rays that shoot from the eyes existed, then Pete would be a puddle of ashes on the ground. “Is that the guy from the drugstore?” Pete whispers. I nod, slicing my eyes toward Pete for a second. “What did he want?” I can already guess, and my heart sinks at the very thought of it. “He said Chase came home talking about you being at the drugstore with some thug.” He glares at Pete, and Pete stiffens, his hand tightening on mine. “Did you explain who Pete is?” I ask. I don’t want to leave anyone with a misconception about Pete. “I told him that he’s someone my daughter is crushing on, but that I wasn’t worried about it because she’s a smart girl with her head on straight.” His voice rises on the last words, and his glare at Pete grows even fiercer. “I’m not crushing,” I protest. But I so am. Dad faces me. “Then what would you call it?” I don’t know what to call it because I don’t know what it is. I shrug. Pete stiffens more when I do that than he has since Dad came through the gate. “Chase wanted to know if you might want to go to the party at the country club tomorrow.” “I already told him no,” I say. But I can already see the look on my dad’s face. That’s not going to work. “I told him you’d love to.” He opens the gate and stops, looking at me from over his shoulder. “He’s picking you up at six.” I growl under my breath. Mainly because there’s not much more I can do since Dad is gone. The gate slams shut behind him. I pull my hand from Pete’s. “Where are you going?” Pete asks. “To catch my dad so I can tell him I’m not going.” “Do you want to go?” he asks. He watches me closely, his blue eyes blinking slowly. “If I wanted to go, I wouldn’t have told him no.” I heave a sigh. He steps back from me and takes all the warmth I was basking in a minute ago with him. “I think you should go,” he says quietly. “Why?” I ask softly. Something is really, really wrong. He doesn’t usually distance himself like this. “Your dad wants you to go,” he says with a shrug. “You don’t want to piss him off.” He starts to walk down the length of the pool. He signs to the boys, and they all start to put away the balls and the floats and they line up by the door. “I’ll see you later,” he calls quietly. Then he leads the boys from the pool area back toward their cabins. What did I do wrong? I seriously have no idea.
”
”
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
“
Someone bumps into my shoulder, and I look up. Her ex-boyfriend smirks up at me. I am a few inches taller than him and I like that. “Pardon me,” I say. I turn to walk away when what I really want to do is flatten him. “Pardon you for what?” he asks. “Fucking my girlfriend?” I crack my knuckles really quickly because what I’m about to do is going to hurt. He doesn’t even see it coming. I punch him directly in the face, and he goes down like one of those blow-up clowns that falls over when you hit it. He lies there, rubbing his jaw. “Don’t ever talk about her like that again,” I say. I shake out the pain in my hand. It hurts, but it’s a good hurt. I’d be willing to make it hurt a lot more if he’ll get up and say something else. I adjust my jeans over my thighs and squat down next to him. People are stopping in the street to look at us, but I don’t care. He’s lying there in his fancy suit, looking like a jackass. Probably because he is one. He’s a stupid motherfucker if he thinks he can talk about Sky like that. I stick out my hand. “Want some help getting up?” I ask. Warily, he reaches for my extended palm. He lets me pull him to his feet, and I make a production of brushing him off. “That’s enough,” he says. “Yeah,” I warn. “It was. Don’t let it happen again.” He knows what I’m talking about.
”
”
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
“
Billy's one and only moment of candor was when I parked him in front of my computer to play a game. He took one look at the Noah's Ark display and his whole face flinched like someone had hit him. He told me that the snow leopard is extinct. The last surviving specimen died in a zoo a few weeks back. "The snow leopard was my favorite," he said. Then he sat down at the computer and within about 30 seconds he was lost in a realistic prison interior, shooting the guards' heads off, blowing doors open, getting killed.
”
”
Michel Faber (The Book of Strange New Things)
“
Furi narrowed his eyes again and stepped into Syn’s space. “Are you gay, Detective?”
There it was. The million-dollar question. Was he gay? He’d never asked himself that. He’d only slept with women before, but had never felt anything more for them than an easy friends-with-benefits involvement. Rhodes was the only person that he’d ever felt a connection with. A man. Syn felt his mouth move, but no sound was coming out. Fuck.
Furi looked at him skeptically. “Uh huh. Just like I thought. Who are you working for? Him. He send you? Did he hire you to find me? Are you a private detective?”
That accusation cut through Syn's speechlessness. “Whoa. I work for the city of Atlanta. What are you talking about? Who is him? Is someone after you?” Syn didn’t realize he’d grabbed Furi’s shoulders, forcing him to look into his eyes until Furi threw his arms up and dislodged Syn’s grip.
“Take your goddamn hands off of me! I’m sick of people thinking they can put their fucking hands on me! Stay the fuck away from me, Detective.” Furi shoved past him and reached for the door.
Syn jumped in front of it before Furi could get it open. He yelled right back at Furi, “My name is Syn! I’m not here as a Detective! I don’t know who him is, nor do I work for him.” Syn put up air quotes for the word him. “I just wanted to talk to you!”
“About what?” Furi yelled. They were in each other’s faces, chest bumping each other.
“I don’t fucking know! About you. About me. About the damn Falcons' game last week. About the weather. About why there’s so many goddamn reality TV shows. About what-the-hell-ever! That’s what people do when they want to get to know someone!” Syn stepped back and gripped his hair blowing out a long frustrated breath. He felt so ridiculous, was so annoyed that he was seconds away from just walking away. “Fuck! I didn’t think dating was this damn hard.
”
”
A.E. Via
“
It couldn’t have been that bad that he had to hurt you, Leo.”
“Oh no, it was bad. It was the fucking first twenty minutes of Saving Private Ryan bad, Jax.” Day paced as he listened to his brother go on about God accepting responsibility for his own actions.
“Jax, don’t get me wrong, I’m highly pissed off with my partner. I’m pissed off to the highest of pisstivity. But I still have to know that he’s okay. That crazy brother of his really landed some hard blows on him and God didn’t fight back at all.”
“Because it’s his baby brother. That I do get,” Jax said softly. “But I can’t check on him, Leo, because believe me, there is nothing here to clue me in on where he may have went.” Jax paused before speaking again. “I must say I’m curious how he got all that heavy furniture out of here if he was in as bad a shape as you say.”
“Well, that wouldn’t be too hard to do. A lot of people owe God favors—both of us actually. If God called someone for help, they’d drop everything and come to help.” Day took a deep breath. “The same as I would if he had called me.” Day’s voice was strained from the hurt in his chest and he had no doubt that Jax was picking up on it.
“That asshole,” Jax snapped.
“Whoa, big brother. Don’t go cursing away your do-gooder image. You know you’re not a vulgar-language type of person…leave that for us heathens.” Day laughed humorlessly.
Day heard his brother laugh an irritated chuckle at him for trying to lighten the situation.
“Fine. But, after he apologizes numerous times, I’m going to give him a piece of my mind,” Jax said.
Day did smile that time. He had no doubt his brother would do just that.
”
”
A.E. Via
“
No time. Art Teacher was behind him. Myron slid to the side and threw a roundhouse right. Art Teacher ducked it, but Myron was ready. He stopped mid-punch and looped his arm around the man’s neck. Myron had him in a headlock. But now, with a grotesque rebel yell, Ascot leapt toward Myron. Tightening his grip on the neck, Myron aimed a mule kick. Ascot let it land on his chest. He made his body soft and rolled with the blow, holding on to Myron’s leg. Myron lost his balance. Art Teacher managed to free himself then. He threw a knife hand, aiming for Myron’s throat. Myron tucked so that the blow hit his chin. It rattled his teeth. Ascot held on to Myron’s leg. Myron tried to kick him off. Art Teacher was laughing now. The front door burst open again. Myron prayed it was Win. It wasn’t. Dominick Rochester arrived. He was out of breath. Myron wanted to call out a warning to Mrs. Seiden, but that was when a pain unlike any other he had felt ripped through him. Myron let loose a blood-curdling howl. He looked down at his leg. Ascot had his head lowered. He was biting Myron’s leg. Myron screamed again, the sound mixing in with the laughter and cheers coming from Art Teacher. “Go, Jeb! Woo-hoo!” Myron kept kicking, but Ascot dug in deeper, holding on, growling like a terrier. The pain was excruciating, all-encompassing. Panic filled Myron. He stamped down with his free leg. Ascot held on with his teeth. Myron kicked harder, finally landing a kick on top of the man’s head. He pushed hard. His flesh ripped off as he finally pried himself free. Ascot sat up and spit something out of his mouth. Myron realized with horror that it was a meaty chunk of leg. Then they were on him. All three. Piled on. Myron ducked his head and started swinging. He connected with somebody’s chin. There was a grunt and a curse. But someone else hit him in the stomach. He felt the teeth on his leg again, the same spot, opening up the wound. Win. Where the hell was Win . . . ?
”
”
Harlan Coben (Promise Me (Myron Bolitar, #8))
“
Where are you going, Albert?”
Albert said nothing. How rare, Quinn thought: Albert speechless.
“Not really your concern, Quinn,” Albert said finally.
“You’re running out.”
Albert sighed. To his three companions he said, “Go ahead and get in the boat. The Boston Whaler. Yes, that one.” Turning back to Quinn he said, “It’s been good doing business with you. If you want, you can come with us. We have room for one more. You’re a good guy.”
“And my crews?”
“Limited resources, Quinn.”
Quinn laughed a little. “You’re a piece of work, aren’t you, Albert?”
Albert didn’t seem bothered. “I’m a businessman. It’s about making a profit and surviving. It so happens that I’ve kept everyone alive for months. So I guess I’m sorry if you don’t like me, Quinn, but what’s coming next isn’t about business. What’s coming next is craziness. We’re going back to the days of starvation. But in the dark this time. Craziness. Madness.”
His eyes glinted when he said that last word. Quinn saw the fear there. Madness. Yes, that would terrify the eternally rational businessman.
“All that happens if I stay,” Albert continued, “is that someone decides to kill me. I’ve already come too close to being dead once.”
“Albert, you’re a leader. You’re an organizer. We’re going to need that.”
Albert waved an impatient hand and glanced over to see that the Boston Whaler was ready. “Caine’s a leader. Sam’s a leader. Me?” Albert considered it for a second and shook the idea off. “No. I’m important, but I’m not a leader. Tell you what, though, Quinn: in my absence you speak for me. If that helps, good for you.”
Albert climbed down into the Boston Whaler. Pug started the engine and Leslie-Ann cast off the ropes. Some of the last gasoline in Perdido Beach sent the boat chugging out of the marina.
“Hey, Quinn!” Albert shouted back. “Don’t come to the island without showing a white flag. I don’t want to blow you up!
”
”
Michael Grant (Fear (Gone, #5))
“
like the time he’d dashed into Minton’s out of the pouring rain and seen this kid playing tenor, making it wail and wriggle around like the horn was a bird whose neck he was trying to wring. Breathing heavy, dripping rain on the floor, he listened to the loops and knots of sound tying and untying themselves. Hearing the horn squealing and wailing that way was like seeing a child he loved getting hit. He’d never seen the guy before, so he just rolled up to the stage, waited for the guy to end his solo, and said, as if it was his horn the guy’d been messing with: —Tenor ain’t supposed to sound that fast. Grabbed it out of the guy’s hands and laid it gentle on a table. —What’s your name? —Charlie Parker. —Well, Charlie, you gonna make cats crazy blowing the horn that way. Then laughed that big snorting laugh, like someone blowing their nose hilariously, and walked out into the rain again, a sheriff who had just taken a dangerous weapon off a drunk cowboy. He
”
”
Geoff Dyer (But Beautiful: A Book about Jazz)
“
Lana leveled the gun at Penny. “Stop,” Lana said.
Penny’s reddened face grew pale. Whatever visions she was inflicting on the people below her stopped. Kids cried in pain, sobbed from the memories.
“Oh, everyone has to kiss your butt, don’t they, Healer.” Penny spit that last word. She made her hands into claws and pawed at the air. Her lips were drawn back in a teeth-baring animal snarl.
“If I shoot you, I won’t heal you,” Lana said calmly.
That caught Penny off guard. But she recovered quickly. She put her head down and started to laugh. It began low and rose a few decibels at a time.
Lana’s arm burst into flame.
A noose was flung from the ruined church wall. The rope dropped over her head, landed on her shoulders, and tightened around her throat.
The limestone beneath her feet was suddenly a forest of knives all stabbing up at her.
“Yeah,” Lana said. “That won’t work on me. I’ve gone one-on-one with the gaiaphage. He could teach you a few things. Stop it. Now. Or bang.”
Penny’s laugh choked off. She looked hurt. As if someone had said something cruel to her. The visions ceased as suddenly as if someone had switched off a TV.
“I’m kind of opposed to murder,” Lana said. “But if you don’t turn and walk away, I’ll blow a hole right where your heart is supposed to be.”
“You can’t…” Penny said. “You… No.”
“I missed killing a monster once. I’ve always regretted it,” Lana said. “But you’re a human. Sort of. So you get this chance: walk. Keep walking.”
For what felt like a very long time Penny stood staring at Lana. Not with hatred, but with disbelief. Lana saw her very, very clearly: a head resting atop the sights of her pistol.
Penny took a step back. Then another. There was a wild look of defiance, but then it died.
Penny spun on her heel and walked quickly away.
”
”
Michael Grant (Fear (Gone, #5))
“
I have friends like that—very straightforward and responsible, good at what they do, good home life. But they get stressed, and they blow off steam by posting aggressive comments on the web. Their web personality is different from their real personality. They keep them separate. They just laugh and say it’s okay to write whatever you can’t say in the real world, no matter how critical or negative it is. That does seem to be one purpose of the Internet for a lot of people.”
Kotaro nodded.
“But I think my friends are wrong. Their posts will never disappear. They think they’re just putting opinions out there. They don’t use real names. They say what they think. They assume no one pays attention for more than a few moments. That’s a big mistake.”
“Most of what goes on the net, stays on the net—somewhere.”
“That’s not what I mean. No matter how carefully they choose their words, whatever they say, the words they use stay inside them. Everything is cumulative. Words don’t ‘disappear.’
“Maybe they post a comment saying a certain actress should just die. They think they’ve blown off steam by criticizing someone no one likes anyway. But those words—’I hope she dies’—stay inside the writer, along with the feeling that it’s acceptable to write things like that. All that negativity accumulates, and someday the weight of it will change the writer.
“That’s what words do. However they’re expressed, there’s no way people can separate their words from themselves. They can’t escape the influence of their own thoughts. They can divide their comments among different handles and successfully hide their identity, but they can’t hide from themselves. They know who they are. You can’t run from yourself.”
Mom would say, “What goes around, comes around.”
“So be careful, Kotaro. If the real world is stressing you out, deal with your stress in the real world, no matter how dumb you think it makes you look. Okay?
”
”
Miyuki Miyabe (The Gate of Sorrows)
“
You have to tell him at some point. It’s like a Band-Aid—you should just rip it off. If you don’t, it’ll haunt you forever. Or he’ll find out from someone else, which is worse.”
Mom comes in then with a tray of tea for all of us. “I couldn’t have put it any better myself, Beth.”
“What?” I ask, almost spilling the hot tea onto my precious laptop.
“Beth’s right. You need to just ’fess up and take things from there.” She blows on her tea, calm as a spring breeze. “I knew it had to have something to do with a boy. You never get sick. A broken leg or a concussion I would’ve believed, but not a virus. And I could tell by your demeanor that this was a sickness of the heart, not the body.”
“There you go again with your romance novel logic.” I shake my head.
She points a scolding finger at me. “Don’t discount romance novels. What do you think that stuff you write for your blog is? You call it ‘fanfic’ but it could absolutely be categorized as romance. Love, finding that other person who understands you, is a part of everyone’s life. Some of the most beautiful and poignant words I’ve ever read have been in romance novels.”
“Okay, first off,” Beth says, “we’ll talk about your fanfiction another time. Secondly, your mom is totally right. ’Fess up already.
”
”
Leah Rae Miller (Romancing the Nerd (Nerd, #2))