Blowing Own Trumpet Quotes

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Walls protect and walls limit. It is in the nature of walls that they should fall. That walls should fall is the consequence of blowing your own trumpet.
Jeanette Winterson (Oranges Are Not the Only Fruit)
So the final conclusion would surely be that whereas other civilizations have been brought down by attacks of barbarians from without, ours had the unique distinction of training its own destroyers at its own educational institutions, and then providing them with facilities for propagating their destructive ideology far and wide, all at the public expense. Thus did Western Man decide to abolish himself, creating his own boredom out of his own affluence, his own vulnerability out of his own strength, his own impotence out of his own erotomania, himself blowing the trumpet that brought the walls of his own city tumbling down, and having convinced himself that he was too numerous, labored with pill and scalpel and syringe to make himself fewer. Until at last, having educated himself into imbecility, and polluted and drugged himself into stupefaction, he keeled over--a weary, battered old brontosaurus--and became extinct.
Malcolm Muggeridge (Vintage Muggeridge: Religion and Society)
I feel almost physically ill in the presence of boring people who consider themselves especially interesting and who blow their own trumpets.
Karl Ove Knausgård (A Man in Love)
I have no problem with uninteresting or unoriginal people – they may have other, more important attributes, such as warmth, consideration, friendliness, a sense of humor or talents such as being able to make a conversation flow to generate an atmosphere of ease around them, or the ability to make a family function – but I feel almost physically ill in the presence of boring people who consider themselves especially interesting and who blow their own trumpets.
Karl Ove Knausgård (A Man in Love)
Always blow your own trumpet, blowing someone else’s is unhygienic
Benny Bellamacina
That walls should fall is the consequence of blowing your own trumpet.
Jeanette Winterson (Oranges Are Not the Only Fruit)
A society where you’re not allowed to blow your own trumpet is so much more nuanced, sophisticated and interesting than the grim world of literalism that’s being ushered in.
David Mitchell (Back Story)
RON: Then I would like to--I think I should be him. I mean, it wouldn't be--exactly nice being Voldemort--but without wishing to blow my own trumpet--I am probably the most chilled out of all of us and... so maybe transfiguring into him--into the Dark Lord--will do less damage to me than--any of you more--intense--people.
J.K. Rowling (Harry Potter and the Cursed Child: Parts One and Two (Harry Potter, #8))
There are different sorts of treachery, but betrayal is betrayal wherever you find it. She burnt a lot more than the letters that night in the backyard. I don't think she knew. In her head she was still queen, but not my queen any more, not the White Queen any more. Walls protect and walls limit. It is in the nature of walls that they should fall. That walls should fall is the consequence of blowing your own trumpet.
Jeanette Winterson (Oranges Are Not the Only Fruit)
People who enroll themselves in the schools of pride, eventually graduate with and high degree of fall. Failure employs “prides” scholars. Get rusticated now!
Israelmore Ayivor (The Great Hand Book of Quotes)
It is difficult to resist the conclusion that 20th century man has decided to abolish himself, tired of the struggle to be himself, he has created boredom out of his own affluence, impotence out of his own erotomania and vulnerability out of his own strength. He himself blows the trumpet that brings the walls of his own cities crashing down, until at last having educated himself into imbecility, having drugged and polluted himself into stupefaction, he keels over a weary old Brontosaurus and becomes extinct.
Malcom Muggeridge
Pausing on the threshold, he looked in, conscious not so much of the few familiar sticks of furniture - the trucklebed, the worn strip of Brussels carpet, the chipped blue-banded ewer and basin, the framed illuminated texts on the walls - as of a perfect hive of abhorrent memories. That high cupboard in the corner, from which certain bodiless shapes had been wont to issue and stoop at him cowering out of his dreams; the crab-patterned paper that came alive as you stared; the window cold with menacing stars; the mouseholes, the rusty grate - trumpet of every wind that blows - these objects at once lustily shouted at him in their own original tongues. ("Out Of The Deep")
Walter de la Mare (Great Tales of Terror and the Supernatural (Modern Library))
If it were done when 'tis done, then 'twere well It were done quickly: if the assassination Could trammel up the consequence, and catch With his surcease success; that but this blow Might be the be-all and the end-all here, But here, upon this bank and shoal of time, We'ld jump the life to come. But in these cases We still have judgment here; that we but teach Bloody instructions, which, being taught, return To plague the inventor: this even-handed justice Commends the ingredients of our poison'd chalice To our own lips. He's here in double trust; First, as I am his kinsman and his subject, Strong both against the deed; then, as his host, Who should against his murderer shut the door, Not bear the knife myself. Besides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongued, against The deep damnation of his taking-off; And pity, like a naked new-born babe, Striding the blast, or heaven's cherubim, horsed Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind. I have no spur To prick the sides of my intent, but only Vaulting ambition, which o'erleaps itself And falls on the other.
William Shakespeare (Macbeth)
Walls protect and walls limit. It is in the nature of walls that they should fall. That walls should fall is the consequence of blowing your own trumpet.
Jeanette Winterson (Oranges Are Not the Only Fruit (Winterson, Jeanette))
We’re sliding into a society where the first thing you need to do to demonstrate that you’re any good at something is to say that you are. Under the old rules, boasts were assumed empty until proved otherwise. You had to impress with your actions, draw attention to yourself subtly without being seen to do so. It’s a hell of a lot more fun than the pantomime of self-belief we see on reality TV today. A society where you’re not allowed to blow your own trumpet is so much more nuanced, sophisticated and interesting than the grim world of literalism that’s being ushered in.
David Mitchell (Back Story)
Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky’s commotion, Loose clouds like earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull’d by the coil of his crystàlline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave’s intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem’d a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain’d and bow’d One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither’d leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken’d earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?
Percy Bysshe Shelley (Ode to the West Wind and Other Poems)
POLLARD had known better, but instead of pulling rank and insisting that his officers carry out his proposal to sail for the Society Islands, he embraced a more democratic style of command. Modern survival psychologists have determined that this “social”—as opposed to “authoritarian”—form of leadership is ill suited to the early stages of a disaster, when decisions must be made quickly and firmly. Only later, as the ordeal drags on and it is necessary to maintain morale, do social leadership skills become important. Whalemen in the nineteenth century had a clear understanding of these two approaches. The captain was expected to be the authoritarian, what Nantucketers called a fishy man. A fishy man loved to kill whales and lacked the tendency toward self-doubt and self-examination that could get in the way of making a quick decision. To be called “fishy to the backbone” was the ultimate compliment a Nantucketer could receive and meant that he was destined to become, if he wasn’t already, a captain. Mates, however, were expected to temper their fishiness with a more personal, even outgoing, approach. After breaking in the green hands at the onset of the voyage—when they gained their well-deserved reputations as “spit-fires”—mates worked to instill a sense of cooperation among the men. This required them to remain sensitive to the crew’s changeable moods and to keep the lines of communication open. Nantucketers recognized that the positions of captain and first mate required contrasting personalities. Not all mates had the necessary edge to become captains, and there were many future captains who did not have the patience to be successful mates. There was a saying on the island: “[I]t is a pity to spoil a good mate by making him a master.” Pollard’s behavior, after both the knockdown and the whale attack, indicates that he lacked the resolve to overrule his two younger and less experienced officers. In his deference to others, Pollard was conducting himself less like a captain and more like the veteran mate described by the Nantucketer William H. Macy: “[H]e had no lungs to blow his own trumpet, and sometimes distrusted his own powers, though generally found equal to any emergency after it arose. This want of confidence sometimes led him to hesitate, where a more impulsive or less thoughtful man would act at once. In the course of his career he had seen many ‘fishy’ young men lifted over his head.” Shipowners hoped to combine a fishy, hard-driving captain with an approachable and steady mate. But in the labor-starved frenzy of Nantucket in 1819, the Essex had ended up with a captain who had the instincts and soul of a mate, and a mate who had the ambition and fire of a captain. Instead of giving an order and sticking with it, Pollard indulged his matelike tendency to listen to others. This provided Chase—who had no qualms about speaking up—with the opportunity to impose his own will. For better or worse, the men of the Essex were sailing toward a destiny that would be determined, in large part, not by their unassertive captain but by their forceful and fishy mate.
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex (National Book Award Winner))
In every affair consider what precedes and what follows, and then undertake it. Otherwise you will begin with spirit, indeed, careless of the consequences, and when these are developed, you will shamefully desist. “I would conquer at the Olympic Games.” But consider what precedes and what follows, and then, if it be for your advantage, engage in the affair. You must conform to rules, submit to a diet, refrain from dainties; exercise your body, whether you choose it or not, at a stated hour, in heat and cold; you must drink no cold water, and sometimes no wine—in a word, you must give yourself up to your trainer as to a physician. Then, in the combat, you may be thrown into a ditch, dislocate your arm, turn your ankle, swallow an abundance of dust, receive stripes [for negligence], and, after all, lose the victory. When you have reckoned up all this, if your inclination still holds, set about the combat. Otherwise, take notice, you will behave like children who sometimes play wrestlers, sometimes gladiators, sometimes blow a trumpet, and sometimes act a tragedy, when they happen to have seen and admired these shows. Thus you too will be at one time a wrestler, and another a gladiator; now a philosopher, now an orator; but nothing in earnest. Like an ape you mimic all you see, and one thing after another is sure to please you, but is out of favor as soon as it becomes familiar. For you have never entered upon anything considerately; nor after having surveyed and tested the whole matter, but carelessly, and with a halfway zeal. Thus some, when they have seen a philosopher and heard a man speaking like Euphrates[3]—though, indeed, who can speak like him?—have a mind to be philosophers, too. Consider first, man, what the matter is, and what your own nature is able to bear. If you would be a wrestler, consider your shoulders, your back, your thighs; for different persons are made for different things. Do you think that you can act as you do and be a philosopher, that you can eat, drink, be angry, be discontented, as you are now? You must watch, you must labor, you must get the better of certain appetites, must quit your acquaintances, be despised by your servant, be laughed at by those you meet; come off worse than others in everything—in offices, in honors, before tribunals. When you have fully considered all these things, approach, if you please—that is, if, by parting with them, you have a mind to purchase serenity, freedom, and tranquillity. If not, do not come hither; do not, like children, be now a philosopher, then a publican, then an orator, and then one of Caesar’s officers. These things are not consistent. You must be one man, either good or bad. You must cultivate either your own reason or else externals; apply yourself either to things within or without you—that is, be either a philosopher or one of the mob.
Epictetus (The Enchiridion (Illustrated))
There seemed no door, anywhere, behind which blood did not call out, unceasingly, for blood; no woman, whether singing before defiant trumpets or rejoicing before the Lord, who had not seen her father, her brother, her lover, or her son cut down without mercy; who had not seen her sister become part of the white man's great whorehouse, who had not, all too narrowly, escaped that house herself; no man, preaching, or cursing, strumming his guitar in the lone, blue evening, or blowing in fury and ecstasy his golden horn at night, who had not been made to bend his head and drink white men’s muddy water; no man whose manhood had not been, at the root, sickened, whose loins had not been dishonored, whose seed had not been scattered into oblivion and worse than oblivion, into living shame and rage, and into endless battle. Yes, their parts were all cut off, they were dishonored, their very names were nothing more than dust blown disdainfully across the field of time — to fall where, to blossom where, bringing forth what fruit hereafter, where? — their very names were not their own. Behind them was the darkness, nothing but the darkness, and all around them destruction, and before them nothing but the fire — a bastard people, far from God, singing and crying in the wilderness!
James Baldwin (Go Tell It on the Mountain)
33The word of the Lord came to me: 2 “Son of man, speak to your people and tell them: Suppose I bring the sword against a land, and the people of that land select a man from among them, appointing him as their watchman, 3 and he sees the sword coming against the land and blows his trumpet to warn the people. 4 Then, if anyone hears the sound of the trumpet but ignores the warning, and the sword comes and takes him away, his blood will be on his own head. 5 Since he heard the sound of the trumpet but ignored the warning, his blood is on his own hands. If he had taken warning, he would have saved his life. 6 However, if the watchman sees the sword coming but doesn't blow the trumpet, so that the people aren't warned, and the sword comes and takes away their lives, then they have been taken away because of their iniquity, but I will hold the watchman accountable for their blood. 7 “As for you, son of man, I have made you a watchman for the house of Israel. When you hear a word from My mouth, give them a warning from Me. 8 If I say to the wicked, ‘Wicked one, you will surely die,' but you do not speak out to warn him about his way, that wicked person will die for his iniquity, yet I will hold you responsible for his blood. 9 But if you warn a wicked person to turn from his way and he doesn't turn from it, he will die for his iniquity, but you will have saved your life.
Anonymous (HCSB: Holman Christian Standard Bible)
So the final conclusion would surely be that whereas other civilizations have been brought down by attacks of barbarians from without, ours had the unique distinction of training its own destroyers at its own educational institutions, and then providing them with facilities for propagating their destructive ideology far and wide, all at the public expense. Thus did Western Man decide to abolish himself, creating his own boredom out of his own affluence, his own vulnerability out of his own strength, his own impotence out of his own erotomania, himself blowing the trumpet that brought the walls of his own city tumbling down, and having convinced himself that he was too numerous, labored with pill and scalpel and syringe to make himself fewer. Until at last, having educated himself into imbecility, and polluted and drugged himself into stupefaction, he keeled over--a weary, battered old brontosaurus--and became extinct.
Malcolm Muggeridge (Vintage Muggeridge: Religion and Society)
if you don’t like my trumpet go try blowing one of your own.
Pete Townshend (Who I Am: A Memoir)
Yet, in order to hear the call of his kingdom, we must silence the trumpets of our own ego, success, and pride that we continually blow.
Dwell (Inhabit: A Lenten Devotional)
Live like there is no tommorow cause tommorow is never promised. You can lead a horse to water but you can't make it drink. God does not judge us on our fathers sins. Father son and holy spirit I hold you nearest. To be a mother you need to actually be there and represent what a mother is. You don’t get to be the mother if you show up after the kids are already grown up. She’s like all those animals at the end of the story who show up to eat the Little Red Hen’s bread. The train crawls out of the Tapachula station. From here on, he thinks, nothing bad can happen. People come here to prosper. You have nothing here. What have you accomplished? You can't live through or claim there your children if you weren't there for them. The garden is a metaphor of opposites man women good evil up down everything has a opposite. God had already planned my destiny before I was created. Treat others how they treat you or how you want to be treated. My kids are my world and I will protect them from your evil manipulative narcissistic ways. Forgive but never forget. Knowledge is power. You don't own me. I only owe my servitude to the family I created and God. Love thy father who art in heaven. Your only Australian if you live in Australia. If you live in America your American stop trying to get freinds and likes based on where other people think your from. Don't blow your own trumpet. A bad worker blames his tools. No worries mate she'll be right. Couldn't hand a man a grander spanner The game was a fizzer. I wouldn't piss on them even if they were on fire. If you think I'm bad you should see my sister. She gives me cupcakes for my birthday. Happy birthday man whore. She's like that white girl at the gangbang party Your mother and father would be proud lol. narcissistic siblings keep score and feel compelled to outplay a sibling. They often triangulate in the family, playing two against one. Children reared in narcissistic homes rarely feel connected to one another as adults which is a good thing. Suck a big black cock casey. And mum try too lol and dad I'm not even gonna bother keep paying that child support mum and keep it for yourself and your drugs and alcohole dad Lord knows
Rhys dean
don't believe in tradition. don't believe in any legacy. don't take anything for granted. don't dominate anyone. don't follow the majority. be alone. be your own fighter. never give up. practice daily. don't blow your own trumpet. it's okay to be the underdog. be hungry. never be satisfied. and you shall win.
Avijeet Das
Advent blows from the sea, which at sunset tonight shone green and smooth as iron-rich glass: blows daily upon us, all the sky above pregnant with saints and slender heralds' trumpets. Another year of wedding dresses abandoned in the heart of winter, never called for, hanging in quiet satin ranks now, their white-crumpled veils begun to yellow, rippling slightly only at your passing, spectator . . . visitor to the city at all the dead ends. . . . Glimpsing in the gowns your own reflection once or twice, halfway from shadow, only blurred flesh-colors across the peau de soie, urging you in to where you can smell the mildew's first horrible touch, which was really the idea—covering all trace of her own smell, middleclass bride-to-be perspiring, genteel soap and powder. But virgin in her heart, in her hopes. None of your bright-Swiss or crystalline season here, but darkly billowed in the day with cloud and the snow falling like gowns in the country, gowns of the winter, gentle at night, a nearly windless breathing around you.
Thomas Pynchon (Gravity’s Rainbow)
Marina Fisher doesn’t just blow her own trumpet, she toots a whole brass section.
Cara Hunter (The Whole Truth (DI Adam Fawley, #5))
When I received my prayer language, it felt like proof the Holy Spirit had X-rayed my life from up in heaven and called it good. It was my key to the kingdom, my guarantee that when the seventh trumpet sounded and Jesus returned in a cloud of glory, I'd be summoned up to meet the faithful. But now, four years later, I was ready to turn that key in. It had become too heavy. If I kept carrying it around, then I couldn't pick up anything else. So I sat there in the bathroom at that church in Baltimore and whispered to God that I was bowing out. To soften the blow and make it less terrifying, I told God I was taking a sabbatical from believing. A break. I'd probably be back, but for now I needed to go off on my own.
Jessica Wilbanks (When I Spoke in Tongues: A Story of Faith and Its Loss)