Blowing Kisses To Heaven Quotes

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God gives us all wings, and I'm using mine. The sun is out, And I have to fly, My wings will carry me. The wind will blow, And with my wings, I will reach the clouds, Shall I reach the sun? Nothing can stop me, I will spread my wings, As I do not fear falling, Today, I'll surely reach the heavens and kiss them.
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
Eat me, beat me, bite me, blow me. Suck me, fuck me, very slowly. If you kiss me, don't be hasty, use your tongue and make it tasty
Hilary Storm (Heaven Sent (Rebel Walking, #2))
TRIBUTE TO A DOG The one absolutely unselfish friend that man can have in this selfish world, the one that never deserts him, the one that never proves ungrateful or treacherous, is his dog. A man’s dog stands by him in prosperity and in poverty, in health and in sickness. He will sleep on the cold ground, where the wintry winds blow and the snow drives fiercely, if only he may be near his master’s side. He will kiss the hand that has no food to offer; he will lick the wounds and sores that come in encounter with the roughness of the world. He guards the sleep of his pauper master as if he were a prince. When all other friends desert, he remains. When riches take wing and reputation falls to pieces, he is as constant in his love as the sun in its journey through the heavens.
Dean Koontz (Watchers)
If heaven existed, it surely had to be against his lips, in his kisses and his arms around me. His kisses were tender, sweet, breathtaking, and too good to be true! Time ceased to exist. Gravity was a vague idea in my mind. I couldn’t let him go. I wanted more and more. I wanted his tongue and my tongue playing together, discovering and making me feel alive and happy. I wanted our lips sealed together, his arms around me, pulling me tight against his solid warm body. I wanted to melt and merge with him. They weren’t normal kisses; they were mind-blowing experiences!
Anna Santos (Soul-Mate (Immortal Love #1))
She gasps, tipping her chin back, studying me. What I’m not seeing is a get the fuck off me right now red light and it’s impossible to ask me to wait a second longer to taste her, not with the hollow rush of blood through my ears. “Have to kiss you, Bexley.” Another little sexy gasp and her pupils blow out to pure black. And then like it’s the biggest imposition to her, she huffs, chewing her lip again and presents her mouth. “Fine, get it over with.” Another time I will joke about how she’s taking one for the team or something equally lame like that, but I’m a frantic man and I’ve just been given the keys to heaven again. No way am I pumping the breaks on my lust to say some damn joke. My lips take hers; I try to go gentle, I really do, but there’s something so drugging about Bexley that pulls me in. Almost like she has full control over my body, because the kiss becomes feral in seconds.
V. Theia (Manhattan Storm (From Manhattan #3))
Coriolanus moved back to his seat - she knew where to find him now - to listen and to savor their actual reunion, which was only a song away. His eyes teared up when she began the song from the zoo. "Down in the valley, valley so low, Late in the evening, hear the train blow. The train, love, hear the train blow. Late in the evening, hear the train blow." Coriolanus felt an elbow nudge his ribs and looked over to see Sejanus beaming at him. It was nice, after all, to have someone else who knew the significance of the song. Someone who knew what they'd been through. "Go build me a mansion, build it so high, So I can see my true love go by. See him go by, love, see him go by. So I can see my true love go by." That's me, Coriolanus wanted to tell people around him. I'm her true love. And I saved her life. "Go write me a letter, send it by mail. Bake it and stamp it to the Capitol jail. Capitol jail, love, to the Capitol jail. Bake it and stamp it to the Capitol jail." Should he say hello first? Or just kiss her? "Roses are red, love; violets are blue. Birds in the heavens know I love you." Kiss her. Definitely, just kiss her. "Know I love you, oh, know I love you, Birds in the heavens know I love you. "Good night, everybody. Hope we see you next week, and until then, keep singing your song," said Lucy Gray, and the whole Covey took one final blow.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
The one absolutely unselfish friend that man can have in this selfish world, the one that never deserts him, the one that never proves ungrateful or treacherous, is his dog. A man’s dog stands by him in prosperity and in poverty, in health and in sickness. He will sleep on the cold ground, where the wintry winds blow and the snow drives fiercely, if only he may be near his master’s side. He will kiss the hand that has no food to offer; he will lick the wounds and sores that come in encounter with the roughness of the world. He guards the sleep of his pauper master as if he were a prince. When all other friends desert, he remains. When riches take wing and reputation falls to pieces, he is as constant in his love as the sun in its journey through the heavens. —SENATOR GEORGE VEST, 1870 Each
Dean Koontz (Watchers)
The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!
Rudyard Kipling
She would talk to him in the car, ask him something, then turn on the radio and find her question answered by the lyrics of a song; pick up a book and turn to a random page, to find the words that were exactly what she needed to hear. There is no such thing as coincidence, she would think, blowing a kiss of thanks to the heavens.
Jane Green (Family Pictures)
To fill the days up of his dateless year Flame from Queen Helen to Queen Guenevere? For first of all the sphery signs whereby Love severs light from darkness, and most high, In the white front of January there glows The rose-red sign of Helen like a rose: And gold-eyed as the shore-flower shelterless Whereon the sharp-breathed sea blows bitterness, A storm-star that the seafarers of love Strain their wind-wearied eyes for glimpses of, Shoots keen through February's grey frost and damp The lamplike star of Hero for a lamp; The star that Marlowe sang into our skies With mouth of gold, and morning in his eyes; And in clear March across the rough blue sea The signal sapphire of Alcyone Makes bright the blown bross of the wind-foot year; And shining like a sunbeam-smitten tear Full ere it fall, the fair next sign in sight Burns opal-wise with April-coloured light When air is quick with song and rain and flame, My birth-month star that in love's heaven hath name Iseult, a light of blossom and beam and shower, My singing sign that makes the song-tree flower; Next like a pale and burning pearl beyond The rose-white sphere of flower-named Rosamond Signs the sweet head of Maytime; and for June Flares like an angered and storm-reddening moon Her signal sphere, whose Carthaginian pyre Shadowed her traitor's flying sail with fire; Next, glittering as the wine-bright jacinth-stone, A star south-risen that first to music shone, The keen girl-star of golden Juliet bears Light northward to the month whose forehead wears Her name for flower upon it, and his trees Mix their deep English song with Veronese; And like an awful sovereign chrysolite Burning, the supreme fire that blinds the night, The hot gold head of Venus kissed by Mars, A sun-flower among small sphered flowers of stars, The light of Cleopatra fills and burns The hollow of heaven whence ardent August yearns; And fixed and shining as the sister-shed Sweet tears for Phaethon disorbed and dead, The pale bright autumn's amber-coloured sphere, That through September sees the saddening year As love sees change through sorrow, hath to name Francesca's; and the star that watches flame The embers of the harvest overgone Is Thisbe's, slain of love in Babylon, Set in the golden girdle of sweet signs A blood-bright ruby; last save one light shines An eastern wonder of sphery chrysopras, The star that made men mad, Angelica's; And latest named and lordliest, with a sound Of swords and harps in heaven that ring it round, Last love-light and last love-song of the year's, Gleams like a glorious emerald Guenevere's.
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
TRIBUTE TO A DOG The one absolutely unselfish friend that man can have in this selfish world, the one that never deserts him, the one that never proves ungrateful or treacherous, is his dog. A man’s dog stands by him in prosperity and in poverty, in health and in sickness. He will sleep on the cold ground, where the wintry winds blow and the snow drives fiercely, if only he may be near his master’s side. He will kiss the hand that has no food to offer; he will lick the wounds and sores that come in encounter with the roughness of the world. He guards the sleep of his pauper master as if he were a prince. When all other friends desert, he remains. When riches take wing and reputation falls to pieces, he is as constant in his love as the sun in its journey through the heavens. —SENATOR GEORGE VEST, 1870
Dean Koontz (Watchers)
Heaven’s Door" I’d search the world for Heaven’s Door, Over mountains and valleys, each sandy shore. I’d find the stairway, soaring through clouds, I'd climb each step, without making a sound. I’d arrive at the door of glimmering gold, I’d slip through unnoticed, not stirring a soul. I’d gasp at its beauty, at its rivers and trees, I’d stray from the paths, I’d hide among leaves. I’d tiptoe unseen, under sun and sky blue, I’d search every corner until I found you. I’d capture a tear, catch a glimpse of your hair, As you danced and you twirled, without any care. You’d smile and you’d laugh, like a bird you’d be free, I’d try not to cry, you’re there without me. I’d stay my hand from touching your face, From calling your name, to feel your embrace. You’d open your mouth and your voice would be pure, I’d treasure the sound, no more pain you’d endure. I’d stay ‘til the sunset, when I’d have to leave, A pain in my heart, my spirit in grief. I’d blow you a kiss, let it drift to the sky, I’d whisper ‘I love you’ and bid you goodbye. I'd pass through the door, I’d descend out of view, Knowing that one day, some day, I’d again be with you. - Elsie
Tillie Cole (Sweet Soul (Sweet Home, #4; Carillo Boys, #3))
TRIBUTE TO A DOG The one absolutely unselfish friend that man can have in this selfish world, the one that never deserts him, the one that never proves ungrateful or treacherous, is his dog. A man’s dog stands by him in prosperity and in poverty, in health and in sickness. He will sleep on the cold ground, where the wintry winds blow and the snow drives fiercely, if only he may be near his master’s side. He will kiss the hand that has no food to offer; he will lick the wounds and sores that come in encounter with the roughness of the world. He guards the sleep of his pauper master as if he were a prince. When all other friends desert, he remains. When riches take wing and reputation falls to pieces, he is as constant in his love as the sun in its journey through the heavens. —Senator George Vest, 1870
Dean Koontz (Watchers: A thriller of both heart-stopping terror and emotional power)
Elizabeth was standing at the edge of the grassy plateau, a few yards beyond where they’d held their shooting match. Wind ruffled through the trees, blowing her magnificent hair about her shoulders like a shimmering veil. He stopped a few steps away from her, looking at her, but seeing her as she had looked long ago-a young goddess in royal blue, descending a staircase, aloof, untouchable; an angry angel defying a roomful of men in a card room; a beguiling temptress in a woodcutter’s cottage, lifting her wet hair in front of the fire-and at the end, a frightened girl thrusting flowerpots into his hands to keep him from kissing her. He drew in a deep breath and shoved his hands into his pockets to keep from reaching for her. “It’s a magnificent view,” she commented, glancing at him. Instead of replying to her remark, Ian drew a long, harsh breath and said curtly, “I’d like you to tell me again what happened that last night. Why were you in the greenhouse?” Elizabeth suppressed her frustration. “You know why I was there. You sent me a note. I thought it was from Valerie-Charise’s sister-and I went to the greenhouse.” “Elizabeth, I did not send you a note, but I did receive one.” Sighing with irritation, Elizabeth leaned her shoulders against the tree behind her. “I don’t see why we have to go through this again. You won’t believe me, and I can’t believe you.” She expected an angry outburst; instead he said, “I do believe you. I saw the letter you left on the table in the cottage. You have a lovely handwriting.” Caught completely off balance by his solemn tone and his quiet compliment, she stared at him. “Thank you,” she said uncertainly. “The note you received,” he continued. “What was the handwriting like?” “Awful,” she replied, and she added with raised brows, “You misspelled ‘greenhouse.’” His lips quirked with a mirthless smile. “I assure you I can spell it, and while my handwriting may not be as attractive as yours, it’s hardly an illegible scrawl. If you doubt me, I’ll be happy to prove it inside.
Judith McNaught (Almost Heaven (Sequels, #3))
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her. He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there. Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms. Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed. Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.” Holy crap. Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss. “And now I lick,” he murmured. Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him. “No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.” Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way. “Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off. His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth. He spoke through his kiss. “I’m going to bite you now.” Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder. After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy. Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin. Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face. Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips. Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Ian saw only that the beautiful girl who had daringly come to his defense in a roomful of men, who had kissed him with tender passion, now seemed to be passionately attached not to any man, but to a pile of stones instead. Two years ago he’d been furious when he discovered she was a countess, a shallow little debutante already betrothed-to some bloodless fop, no doubt-and merely looking about for someone more exciting to warm her bed. Now, however, he felt oddly uneasy that she hadn’t married her fop. It was on the tip of his tongue to bluntly ask her why she had never married when she spoke again. “Scotland is different than I imagined it would be.” “In what way?” “More wild, more primitive. I know gentlemen keep hunting boxes here, but I rather thought they’d have the usual conveniences and servants. What was your hoe like?” “Wild and primitive,” Ian replied. While Elizabeth looked on in surprised confusion, he gathered up the remains of their snack and rolled to his feet with lithe agility. “You’re in it,” he added in a mocking voice. “In what?” Elizabeth automatically stood up, too. “My home.” Hot, embarrassed color stained Elizabeth’s smooth cheeks as they faced each other. He stood there with his dark hair blowing in the breeze, his sternly handsome face stamped with nobility and pride, his muscular body emanating raw power, and she thought he seemed as rugged and invulnerable as the cliffs of his homeland. She opened her mouth, intending to apologize; instead, she inadvertently spoke her private thoughts: “It suits you,” she said softly. Beneath his impassive gaze Elizabeth stood perfectly still, refusing to blush or look away, her delicately beautiful face framed by a halo of golden hair tossing in the restless breeze-a dainty image of fragility standing before a man who dwarfed her. Light and darkness, fragility and strength, stubborn pride and iron resolve-two opposites in almost every way. Once their differences had drawn them together; now they separated them. They were both older, wiser-and convinced they were strong enough to withstand and ignore the slow heat building between them on that grassy ledge. “It doesn’t suit you, however,” he remarked mildly. His words pulled Elizabeth from the strange spell that had seemed to enclose them. “No,” she agreed without rancor, knowing what a hothouse flower she must seem with her impractical gown and fragile slippers.
Judith McNaught (Almost Heaven (Sequels, #3))
One time, however, we were near quarrelling. He said the pleasantest manner of spending a hot July day was lying from morning till evening on a bank of heath in the middle of the moors, with the bees humming dreamily about among the bloom, and the larks singing high up overhead, and the blue sky and bright sun shining steadily and cloudlessly. That was his most perfect idea of heaven's happiness: mine was rocking in a rustling green tree, with a west wind blowing, and bright white clouds flitting rapidly above; and not only larks, but throstles, and blackbirds, and linnets, and cuckoos pouring out music on every side, and the moors seen at a distance, broken into cool dusky dells; but close by great swells of long grass undulating in waves to the breeze; and woods and sounding water, and the whole world awake and wild with joy. He wanted all to lie in an ecstasy of peace; I wanted all to sparkle and dance in a glorious jubilee. I said his heaven would be only half alive; and he said mine would be drunk: I said I should fall asleep in his; and he said he could not breathe in mine, and began to grow very snappish. At last, we agreed to try both, as soon as the right weather came; and then we kissed each other and were friends.
Emily Brontë (Wuthering Heights)
Like drops of water that fall on the rocks of the jungle, the silence is full of tenderness. Whisper softly my poetry unraveling your admiration. In the name of night. Everything I see is simplicity in your beautiful body Like an incandescent light that dispels the darkness Then it bounced on the rose petals in the dim moonlight. Blushing reconciles the anxiety of the soul Comforting a sore heart Your beauty is a flower that unites to dazzle the majesty of the universe. Ahhh love... Your beauty is like a waterfall from the height of a cliff that is so sensual, showing the magic of a perfect panorama. How seductive and alluring is your soft skin..... As gentle as the twilight wind blew the dandelions scattered under the night sky. As soft as a lump of cotton that lay white on the heart rug. As gentle as the caress of the night breeze, flaking your shiny black hair. Ahhh. Let my breath rest for a moment Here, Between two seas of wine flowing red I find on your lips. How beautiful is love When the stalks of a kiss fall lying down Tickling spoiled and whispering intimately about the love that is heaven behind your ear with a warm whisper blowing slowly And Slowly... caressing your face in a long soft moan Lull a thousand touches and then cast your body into a pleasure that you have not found. In the name of my chest. Let our restless tantrums grapple in the flames of burning love. Until our passion quells the passion, Wet and subside. ️
J.S. Dirga (Saga Moon Poem)
Seven Versions" 1. The Kiss Massive languor, languor hammered; Sentient languor, languor dissected; Languor deserted, reignite your sidereal fires; Holier languor, arise from love. The wood’s owl has come home. 2. Beyond Sunlight I can’t shakle one of your ankles as if you were a falcon, but nothing can prevent me from following, no matter how far, even beyond sunlight where Jesus becomes visible: I’ll follow, I will wait, I will never give up until I understand why you are going away from me. 3. A Man Wound His Watch In the darkness the man wound his watch before secreting it under his pillow. Then he went to sleep. Outside, the wind was blowing. You who comprehend the repercussions of the faintest gesture—you will understand. A man, his watch, the wind. What else is there? 4. For Which There Is No Name Let me have what the tree has and what it can never lose, let me have it and lose it again, blurred lines the wind draws with the darkness it gets from summer nights, formless indescribable darkness. Either give me back my gladness, or the courage to think about how it was lost to me. Give me back, not what I see, but my sight. Let me meet you again owning nothing but what is in the past. Let me inherit the very thing I am forbidden. And let me continue to seek, though I know it is futile, the only heaven that I could endure: unhurting you. 5. The Composer People said he was overly fond of the good life and ate like a pig. Yet the servant who brought him his chocolate in bed would sometimes find him weeping quietly, both plump pink hands raised slightly and conducting, evidently, in small brief genuflective feints. He experienced the reality of death as music. 6. Detoxification And I refuse to repent of my drug use. It gave me my finest and happiest hours. And I have been wondering: will I use drugs again? I will if my work wants me to. And if drugs want me to. 7. And Suddenlty It’s Night You stand there alone, like everyone else, the center of the world’s attention, a ray of sunlight passing through you. And suddenly it’s night. Franz Wright, iO: A Journal of New American Poetry, Vol I Issue I . (May 15th, 2011) The individual sections of “Seven Versions” ia based, loosely—some very loosely—on poems by Rene Char, Rumi, Yannis Ritsos, Natan Zach, Günther Eich, Jean Cocteau, and Salvatore Quasimodo.
Franz Wright
Slothrop is just settling down next to a girl in a prewar Worth frock and with a face like Tenniel’s Alice, same forehead, nose, hair, when from outside comes this most godawful clanking, snarling, crunching of wood, girls come running terrified out of the eucalyptus trees and into the house and right behind them what comes crashing now into the pallid lights of the garden but—why the Sherman Tank itself! headlights burning like the eyes of King Kong, treads spewing grass and pieces of flagstone as it manoeuvres around and comes to a halt. Its 75 mm cannon swivels until it’s pointing through the French windows right down into the room. “Antoine!” a young lady focusing in on the gigantic muzzle, “for heaven’s sake, not now. . . .” A hatch flies open and Tamara—Slothrop guesses: wasn’t Italo supposed to have the tank?—uh—emerges shrieking to denounce Raoul, Waxwing, Italo, Theophile, and the middleman on the opium deal. “But now,” she screams, “I have you all! One coup de foudre!” The hatch drops—oh, Jesus—there’s the sound of a 3-inch shell being loaded into its breech. Girls start to scream and make for the exits. Dopers are looking around, blinking, smiling, saying yes in a number of ways. Raoul tries to mount his horse and make his escape, but misses the saddle and slides all the way over, falling into a tub of black-market Jell-o, raspberry flavor, with whipped cream on top. “Aw, no . . .” Slothrop having about decided to make a flanking run for the tank when YYYBLAAANNNGGG! the cannon lets loose an enormous roar, flame shooting three feet into the room, shock wave driving eardrums in to middle of brain, blowing everybody against the far walls. A drape has caught fire. Slothrop, tripping over partygoers, can’t hear anything, knows his head hurts, keeps running through the smoke at the tank—leaps on, goes to undog the hatch and is nearly knocked off by Tamara popping up to holler at everybody again. After a struggle which shouldn’t be without its erotic moments, for Tamara is a swell enough looking twist with some fine moves, Slothrop manages to get her in a come-along and drag her down off of the tank. But loud noise and all, look—he doesn’t seem to have an erection. Hmm. This is a datum London never got, because nobody was looking. Turns out the projectile, a dud, has only torn holes in several walls, and demolished a large allegorical painting of Virtue and Vice in an unnatural act. Virtue had one of those dim faraway smiles. Vice was scratching his shaggy head, a little bewildered. The burning drape’s been put out with champagne. Raoul is in tears, thankful for his life, wringing Slothrop’s hands and kissing his cheeks, leaving trails of Jell-o wherever he touches. Tamara is escorted away by Raoul’s bodyguards. Slothrop has just disengaged himself and is wiping the Jell-o off of his suit when there is a heavy touch on his shoulder. “You were right. You are the man.” “That’s nothing.” Errol Flynn frisks his mustache. “I saved a dame from an octopus not so long ago, how about that?” “With one difference,” sez Blodgett Waxwing. “This really happened tonight. But that octopus didn’t.
Thomas Pynchon (Gravity's Rainbow)
say your goodbyes, our Ali. Give her a kiss – she’d like that.’ ‘If Mum is in heaven, she knows I should have been with her instead of sitting up the fell. She won’t love me any more.’ Tears began to fall from Alice’s eyes and she started sobbing, grief taking over her small, crumpled body. ‘Yes, she’ll know you were up the fell, but she wouldn’t have wanted it any other way. You always were headstrong, Mum knew that. That’s why it’s our job to look after Father. She asked that of us with her dying breath. So, don’t you worry, she loved you for the spirited person that you are – she told me so.’ Alice controlled her sobbing for a brief moment and bent to kiss her mother’s brow. Already the skin was cold and bluish white. The brief contact made her feel sick and her legs turned to jelly. What was she going to do without her mother? She almost dissolved into sobs again, but by holding her breath and blowing her nose she managed to bring her emotions under control. ‘There, our lass, she knows you loved her. Go and brush your hair, then come downstairs and make some supper before Mrs Batty gets here. She’ll want to lay Mum out in the parlour while her husband brings the coffin. Reckon it’ll be down to us to get everything ready – Father doesn’t seem up to it. I’ll see to the parlour while you do us all some bacon and eggs. We’ve not eaten all day, and you know Mother – she wouldn’t have wanted that, now, would she?’ ‘I did love her, our Will.’ Resolving to pull herself together and stop sniffling, Alice placed her hands on her hips and announced: ‘Don’t worry, I will look after everybody as Mother
Diane Allen (For the Sake of Her Family)
Then you repeat. The thing that goes badly wrong means that the someone we like has to take another step to get around the bad wrongness and back toward the something he wants VERY BADLY. He takes the next step, and everything goes even more badly wrong. Then he loses his map. Then his flashlight falls into a storm drain and he has an asthma attack and his seeing eye dog dies. Then the cop who pulls him over for speeding while driving drunk in the nude turns out to be the short-tempered father of the bride he is marrying tomorrow. Then it goes more badly wrong for the someone we like, much more badly. Then the party is attacked and scattered by a band of goblins, and then the Gollum is on his trail, and the lure of the Ring is slowly destroying his mind. Then he finds the blasted corpses of his foster parents killed by Imperial Storm Troopers, and his house burnt to the ground. Then Lex Luthor chains a lump of Kryptonite around his neck and pushes him into a swimming pool and fires twin stealth atomic rockets at the San Andreas Fault in California and at Hackensack, New Jersey. And the spunky but beautiful girl reporter falls into a crack in the earth and dies. Then he is stung by Shelob and dies. Then he is maimed by Darth Vader and discovers his arch foe is his very own father, and he loses his grip and falls. Then he steps out unarmed to confront Lord Voldemort and dies. Then Judas Iscariot kisses him, Peter denounces him, he is humiliated, spat upon, whipped, betrayed by the crowd, tortured, sees his weeping mother, and dies a painful, horrible death and dies. Then he is thrown overboard and swallowed by a whale and dies. Then he gets help, gets better, arises from his swoon, is raised from the dead, the stone rolls back, the lucky shot hits the thermal exhaust port, and the Death Star blows up, the Dark Tower falls, the spunky but beautiful girl reporter is alive again due to a time paradox, and he is given all power under heaven and earth and either rides off into the sunset, or goes back to the bat-cave, or ascends into heaven, and we roll the credits.
John C. Wright
I spread some fresh goat cheese onto a baguette and bit into it. The bread was flaky and buttery, clearly freshly baked this morning, and the cheese was tangy and tart. For an instant, the cheese, the taste, transported me to my childhood, to the kitchen I remembered- the one with the red-and-white-checked curtains- to many days of happiness, to the cheese I was eating right now. I didn't remember it tasting so good. "Oh my God," I mumbled with this mouthful of excitement, so delicious it was sinful. "Ma puce, is something wrong?" "No, this is the best meal I've had in weeks," I said. "It's sublime." "Bah," she said. "It's simple. But sometimes simple is the best, non?" I couldn't have agreed with her more. I wanted- no, needed- simple. Lately everything in my world was so complicated; I prayed for simple. "Madame Pélissier makes our goat cheese right on her farm- also other fresh cheeses like le Cathare, a goat cheese dusted with ash with the sign of the Occitania cross, as well as a Crottin du Tarn, which is the goat cheese we use for the pizza, and Lingot de Cocagne, which is a sheep's milk cheese. Do you want to do a little tasting of her cheeses?" "Would I? You bet." Clothilde ambled over to the refrigerator, returning with a platter of lumpy cheese heaven straight from the cooking gods' kitchen. "Et voila," she said, placing it down and bringing her fingers to her lips, blowing out a kiss. There were veiny cheeses marked with blue and green channels and spots, soft cheeses with natural or washed rinds, and fresh and creamy cheeses, like the goat cheese. The scents hit me, some mild with hints of lavender, some heavily perfumed, some earthy, and some garlicky.
Samantha Verant (The Secret French Recipes of Sophie Valroux (Sophie Valroux #1))
But in Westbrook, I have no idea what might come at us, but I know something is already in the works for both of us. I just need her to stand with me. “Why does it feel like this is just the beginning of a war?” She sniffles in my sweatshirt but I don’t fucking care. “That’s because we are in the middle of it and the enemy just showed up.” “She doesn’t want us together.” “They want us to dance to their tune for the sake of the great land.” “What do we do, Ace?” She questions, looking up at me. I lift my hand and wipe the remaining tears that fall on her cheek and my fingers. Her tears burn into my skin and I just want them fucking gone. I wish I had better words to tell her. I wish I had the courage to tell her that everything is going to be alright but I’m not going to lie to her. Everything is going to go to shit, but I refuse for that to include us. “We do what we do best.” “And what’s that?” I lean down and kiss her forehead, lingering there as I take a whiff of her. She smells like a heaven and temptation at the same time, I might just die in her scent. “We fuck shit up.” I groan, as I look down at her, feeling the tenseness of my entire body. She smiles then, a sad, tired smile. Tonight has been too much but I don’t think it’s over. Not for us anyway. “Promise me something.” She starts, looking up at me, with the wind blowing her hair into her face. I move the silky strands away, staring into her eyes—hard eyes filled with so much confusion right now. “Anything.” The entire world if you want it. The moon and the stars are yours, you rule them all. Me, baby. I promise you me. . . “Promise me that you will never lie to me. Or keep anything from me.” I had a feeling this was coming. At this point, I’m not sure if lying will keep her safe or if it will make things worse. Something tells me that the latter is much more probable now with the stench of war in the air. Will she lie to me too? “So long as you promise to do that too . . .” She nods her head, then reaches for my hand that cups her cheek. She loops our pinkies, mirroring something we used to do whenever the boys were around. I couldn’t bring myself to talk to her with the boys watching but sometimes, I could sense she was sad or she could sense that something was happening with me. So, she would come stand close to me, but we wouldn’t look at each other as our pinky fingers interlocked under the table, or at our backs where no one could see. God, I’m a sucker for this girl. Been a fool for her my whole life. “I promise.” We whisper at the same time.
Thandiwe Mpofu (Vicious Hate (Westbrook Blues #2))