Blooms Tattoo Quotes

We've searched our database for all the quotes and captions related to Blooms Tattoo. Here they are! All 15 of them:

If it takes a million kisses for her not to think about the scars that surround her heart tattoo, then I'll kiss her there a million and one times.
Colleen Hoover (It Starts with Us (It Ends with Us, #2))
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
There is a certain kind of girl the goblins crave. You could walk across a high school campus and point them out: not her, her. The pert, lovely ones with butterfly tattoos in secret places, sitting on their boyfriends' laps? No, not them. The girls watching the lovely ones sitting on their boyfriends' laps? Yes. Them. The goblins want girls who dream so hard about being pretty their yearning leaves a palpable trail, a scent goblins can follow like sharks on a soft bloom of blood. The girls with hungry eyes who pray each night to wake up as someone else. Urgent, unkissed, wishful girls. Like Kizzy.
Laini Taylor (Lips Touch: Three Times)
The Mother’s Prayer for Its Daughter First, Lord: No tattoos. May neither the Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For Childhood is short—a Tiger Flower blooming Magenta for one day— And Adulthood is long and Dry-Humping in Cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, That I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes. Amen
Tina Fey (Bossypants)
He saved me from the light by showing me the beautiful depravity that could be found in the dark. My beloved devil made every withering parcel of my being bloom and thrive by nurturing it with his sinister mind. He tattooed himself across my heart and took up permanent residence inside my head.
Natalie Bennett (Savages (Badlands, #1))
TATTOOED NUMBERS, AS BLOOM had already established, were used to identify prisoners at just one concentration camp—the Auschwitz complex in Upper Silesia—and then just from 1941 onward. Only prisoners selected for work received a serial number, Epstein explained. Those who were sent directly to the gas chambers—including the elderly, the weak, and children—were not tattooed, although in the early days of the camp those who were in the infirmary or marked for execution were also tattooed on the chest using a metal stamp made up of interchangeable centimeter-long needles that allowed the tattoo to be created using a single blow, after which ink was rubbed into the wound. The digits were generally tattooed on the outer side of the left forearm, although some prisoners from transports in 1943 received tattoos on the inner forearm. The numbering sequences used varied over time, according to intake and the nature of the prisoners involved. An AU series denoted a Soviet prisoner, a Z series a Gypsy. A and B sequences up to 20,000 were used to identify male and female prisoners arriving at the camp after 1944, although an administrative error resulted in the B series exceeding 20,000. The Nazis’ original intention was to get as far as the final letter of the alphabet if required.
John Connolly (A Song of Shadows (Charlie Parker, #13))
Chapter Eight Jack shifted his gaze between the packet and Fabien’s pale face, then slowly got to his feet. Go to the police, that was what they should do. Let them deal with it. But what kind of trouble would that land Fabien in? “I’ll sort it.” Jack made his way up to the chimney, stuffed the packet into the black bin liner he found up there, and wedged it between the pots. That would buy them some time to think about how to help Fabien. He returned to the others. Fabien was still looking green and shaky, but was on his feet and putting on his hat. “I’ll help you get down to the street,” said Beth. “It’s okay. I’ll go back through the attic. Grandad will be wondering where I am.” The boy hobbled up the incline, back the way he’d come, and they heard him stagger down the other side. Jack banged his fist against the chimney wall, sending loose cement dust showering onto the tiles. “I wish he’d told me what was going on. I could have helped. I wondered why he wanted me to teach him shadow jumping.” “He’s scared,” said Beth. “Don’t be too hard on him. Kai’s got him where he wants him. It’s Kai you should be angry with, not Fabien.” “Who’s Kai working for?” Jack let out a worried breath. “I mean, he might be a thug, but he’s not got a lot of brains, has he?” Beth pressed her lips together in thought. “You’re right. He can’t be doing this alone.” Jack’s encounter with Kai from a few months ago was inked on his memory like a tattoo. He touched his ribs as if the bruising was still there, but of course the physical injuries were gone. Not so for Fabien, Jack thought, remembering the livid mark blooming on the
J.M. Forster (Twilight Robbery (Shadow Jumper #2))
I looked expectantly to the window but there were no plates lined up. Instead Scott, the young, tattooed sous chef, passed me a sliver of tomato. The insides were tie-dyed pink and red. "A Marvel-Striped from Blooming Hills Farm," he said, as if I had asked him a question. I cupped it while it dripped. He pinched up flakes of sea salt from a plastic tub and flicked it on the slice. "When they're like this don't fuck with them. Just a little salt." "Wow," I said. And I meant it. I had never thought of a tomato as a fruit----the ones I had known were mostly white in the center and rock hard. But this was so luscious, so tart I thought it victorious. So----some tomatoes tasted like water, and some tasted like summer lightning.
Stephanie Danler (Sweetbitter)
This woman is not someone he would have forgotten. She is extraordinarily tall and slender, her body wrapped in overlapping fronds of shimmering blue silk. Silver bangles encircle her velvet-sheathed arms in serpentine coils. Her scalp is smoothly shaven save for a braided topknot that blooms out to cover her ears and shoulders in an indigo cascade. A web of fine black lines covers her face, weaving a ‘third eye’ upon her forehead, its spiral iris framed by widespread wings. The traveller cannot tell whether the pattern is tattooed or incised into her alabaster skin, nor decide upon her age, for she seems suspended between youth and maturity, but her allure is unquestionable. Timeless. The name he knows her by is Euryale, though he suspects that is only one of many and not the truest.
Peter Fehervari (The Reverie (Warhammer Horror))
Jones had an impressive amount of tattoos. His entire right arm was covered and most of his left, too. He also had defined muscles, nipple bars, and a happy trail that I wanted to explore for a few days. I’d already eye-fucked Mack halfway to pregnancy and back, but that didn’t stop me from looking again. Then there was Xavier. The man put off so much body heat that I wanted to crawl into his lap to play the rest of the game. He was massive, with a wide chest dusted with hair and a hard stomach that seemed like a perfect spot for me to eat breakfast, lunch, and dinner off of. Still, I won the second hand.
Rebel Bloom (Three-Night Stand)
His arm comes around my waist from behind. He slides a hand up my stomach and takes a firm hold of one of my breasts. His other hand feathers my shoulder as he moves the hair away from my neck. I squeeze my eyes shut, just as his fingers begin to trace across my skin, up to my shoulder. He slowly runs his finger over the heart and a shudder runs over my whole body. His lips meet my skin, right over the tattoo, and then he sinks his teeth into me so hard, I scream. I try to pull away from him, but he has such a tight grip on me he doesn’t even budge. The pain from his teeth piercing my collarbone rips through my shoulder and down my arm. I immediately start crying. Sobbing. “Ryle, let me go,” I say, my voice pleading. “Please. Walk away.” His arms are cutting into mine as he holds me tightly from behind. He spins me, but my eyes are still closed. I’m too scared to look at him. His hands are digging into my shoulders as he pushes me toward the bed. I start trying to fight him off of me, but it’s useless. He’s too strong for me. He’s angry. He’s hurt. And he’s not Ryle. My back meets the bed and I frantically scoot back toward the headboard, trying to get away from him. “Why is he still here, Lily?” His voice isn’t as composed as it was in the kitchen. He’s really angry now. “He’s in everything. The magnet on the fridge. The journal in the box I found in our closet. The fucking tattoo on your body that used to be my favorite goddamn part of you!” He’s on the bed now. “Ryle,” I beg. “I can explain.” Tears streak down my temples and into my hair. “You’re angry. Please don’t hurt me, please. Walk away, and when you come back, I’ll explain.” His hand grips my ankle and he yanks me until I’m beneath him. “I’m not angry, Lily,” he says, his voice disturbingly calm now. “I just think I haven’t proved to you how much I love you.” His body comes down against mine and he takes my wrists with one hand above my head, pressing them against the mattress. “Ryle, please.” I’m sobbing, trying to push him off of me with any part of my body. “Get off me. Please.” No, no, no, no. “I love you, Lily,” he says, his words crashing against my cheek. “More than he ever did. Why can’t you see that?” My fear folds in on itself, and I become diluted with rage. All I can see when I squeeze my eyes shut is my mother crying on our old living room couch; my father forcing himself on top of her. Hatred rips through me and I start screaming. Ryle tries to muffle my screams with his mouth. I bite down on his tongue. His forehead comes crashing down against mine. In an instant, all the pain fades as a blanket of darkness rolls over my eyes and consumes me.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
She brushed the goat away and slipped off the shirt, revealing a black ribbed tank top underneath. It put the flower garden climbing up her arm and spreading across her shoulder on full display. She'd gotten the tattoos one at a time, one or two a year, ever since her meltdown. Each one stood for something specific in the language of flowers. A white chrysanthemum bloomed on the inside of her wrist for truth. A fern frond arched across her inner arm for sincerity. Delicate yellow sprigs of rue traced their way up her bicep for grace and clarity. A pink rose for happiness peeked from her shoulder blade. Together they symbolized a woman who was discovering her true path in life, uncovering her authentic self on the journey.
Rachel Linden (The Magic of Lemon Drop Pie)
A beautiful, dark-haired young woman stood there. Staring up at us, squinting and sniffing. A smile bloomed on her red—her bloody mouth. She smiled in my general direction. Revealing blood-coated teeth. Stryga. The Weaver had waited. Hiding here. Until we arrived. She brushed a snow-white hand over the tattoo of a crescent moon now on her forearm. Rhys’s bargain-mark. A reminder—and warning.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
I’m waiting for him to tattoo his scars with something beautiful and not be afraid to show it to the world. I want to give him what he gave me, but I don’t know how and it kills me.
Jewel E. Ann (Idle Bloom)
Grief was another foreign country, and Daniel was alone. Recklessness for the sake of recklessness, to chase away the despair of not being enough, a tattoo that burned like the Beijing sun and his father's palm across his cheek, skin blooming red with broken capillaries.
Grace D. Li (Portrait of a Thief)