Bloody Moon Quotes

We've searched our database for all the quotes and captions related to Bloody Moon. Here they are! All 100 of them:

I laugh, and my lipstick leaves a red stain like a bloody crescent moon on the top of the beer can.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Oh Blimey O‘Reilly's pantyhose...what is the point of Shakespeare? I know he is a genius and so on, but he does rave on. What light doth through yonder window break? It's the bloody moon, for God's sake, Will, get a grip!!
Louise Rennison (Knocked Out by My Nunga-Nungas (Confessions of Georgia Nicolson, #3))
Tonight was a borrowed grace, innocent of the future. They sat in miserable and desperate silence, wishing and regretting while the bloody moon traced its ponderous path across the sky.
R.F. Kuang (The Burning God (The Poppy War, #3))
She'd said that revenge was not sweet, that it was bloody. She was wrong. It *was* sweet. For one fleeting, glorious moment you felt incredible satisfaction. Then it was gone, empty, and you had to go on living. The power high that filled me with her light had faded, and all I tasted now were bitter ashes.
Sunny (Mona Lisa Blossoming (Monère: Children of the Moon, #2))
Full moon calls thee-- Shai-hulud shall thou see; Red the night, dusky sky, Bloody death didst thou die. We pray to a moon: she is round-- Luck with us will then abound, What we seek for shall be found In the land of solid ground.
Frank Herbert (Dune (Dune #1))
Where once there had been life, now was death. And out of death, thus, was life sustained. And in that bloody compact, both the living and the dead were joined in a loop as ancient and immutable as the moon that arced above them.
Nicholas Evans (The Loop)
Stand back, akri-wolf! The Simi’s gonna huff and puff and melt that door down. And you might not want to be too close when I do it, ‘cause melted wolf is tough on the enamel and akra-Aimee might not like it if you turn into a puddle of bloody goo. Besides, burning wolf is kind of smelly to the Simi’s delicate nostrils. (Simi)
Sherrilyn Kenyon (Bad Moon Rising (Dark-Hunter, #18; Were-Hunter, #4; Hellchaser, #2))
in the last thousand years: empires have risen and fallen and I have loved you, plagues have leaped from rat to daughter and I have loved you humanity has conquered sea and sky and I have loved you kings have been slain and forests razed and witches burned and and gold struck and maps redrawn and fortunes traded and volcanoes erupted and moons landed and cathedrals sculpted and rivers dirtied and masterpieces painted and battlefields bloodied and I love you, and I have loved you, and I will love you.
Laura Steven (Our Infinite Fates)
And if I order you to stay?" I asked, after a few moments. Pritkin didn't say anything. I looked up but I couldn't see him very well. He'd leaned forward, out of the sign's bloody light, and only a little filtered in from the lounge. But when he finally answered, his voice was calm. "I would stay. And protect you as best I can.
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
This not flirting and just-being-friends business was going to be bloody hard.
Jill Mansell (To the Moon and Back)
Be careful of the curse that falls on young lovers Starts so soft and sweet and turns them to hunters A man who's pure of heart and says his prayers by night May still become a wolf when the autumn moon is bright If you could only see the beast you've made of me I held it in but now it seems you've set it running free The saints can't help me now, the ropes have been unbound I hunt for you with bloody feet across the hallow'd ground
Florence Welch
I write to make peace with the things I cannot control. I write to create red in a world that often appears black and white. I write to discover. I write to uncover. I write to meet my ghosts. I write to begin a dialogue. I write to imagine things differently and in imagining things differently perhaps the world will change. I write to honor beauty. I write to correspond with my friends. I write as a daily act of improvisation. I write because it creates my composure. I write against power and for democracy. I write myself out of my nightmares and into my dreams. I write in a solitude born out of community. I write to the questions that shatter my sleep. I write to the answers that keep me complacent. I write to remember. I write to forget…. I write because I believe in words. I write because I do not believe in words. I write because it is a dance with paradox. I write because you can play on the page like a child left alone in sand. I write because it belongs to the force of the moon: high tide, low tide. I write because it is the way I take long walks. I write as a bow to wilderness. I write because I believe it can create a path in darkness…. write as ritual. I write because I am not employable. I write out of my inconsistencies. I write because then I do not have to speak. I write with the colors of memory. I write as a witness to what I have seen. I write as a witness to what I imagine…. I write because it is dangerous, a bloody risk, like love, to form the words, to say the words, to touch the source, to be touched, to reveal how vulnerable we are, how transient we are. I write as though I am whispering in the ear of the one I love.
Terry Tempest Williams (Red: Passion and Patience in the Desert)
Trust is fleeting, while betrayal is timeless. Alas, life is crowded with lies. So be bloody, be brave, be happy. For at the end of every tale, nobody is who they seem to be. . . . —
Brian Lee Durfee (The Forgetting Moon (Five Warrior Angels, #1))
This wasn’t what she expected. Never, in her wildest dreams. This... this was the Blood Queen of Garbhán Isle? Scourge of the Madron lands? Destroyer of Villages? Demon Killer of Women and Children? She who had blood pacts with the darkest of gods? This was Annwyl the Bloody? Talaith watched, fascinated, as Annwyl held onto Morfyd the Witch’s wrists. Morfyd — the Black Witch of Despair, Killer of the Innocent, Annihilator of Souls, and all around Mad Witch of Garbhán Isle or so she was called on the Madron lands — had actually tried to sneak up on Annwyl to put ointment on the nasty wound the queen had across her face. But as soon as the warrior saw her, she squealed and grabbed hold of her. Now Annwyl lay on her back, Morfyd over her, trying her best to get Annwyl to stop being a ten year old. “If you just let me—” “No! Get that centaur shit away from me, you demon bitch!” “Annwyl, I’m not letting you go home to my brother looking like that. You look horrific.” “He’ll have to love me in spite of it. Now get off!” ... “Ow!” “Crybaby.” No, this isn’t what Talaith expected. Annwyl the Blood Queen was supposed to be a vicious, uncaring warrior bent on revenge and power. She let her elite guard rape and and pillage wherever they went, and she used babies as target practice while their mothers watched in horror. That’s what she was supposed to be and that’s what Talaith expected to find. Instead, she found Annwyl. Just Annwyl. A warrior who spent most of her resting time reading or mooning over her consort. She was silly, charming, very funny, and fiercely protective of everyone. Her elite guard, all handpicked by Annwyl, were sweet, vicious fighters and blindingly loyal to their queen.
G.A. Aiken (About a Dragon (Dragon Kin, #2))
That was the trouble. The land is too big out there, and after a while it starts to swallow you up. I reached a point when I couldn't take it anymore. All that bloody silence and emptiness. You try to find your bearings in it, but it's too big, the dimensions are too monstrous, and eventually, I don't know how else to put it, eventually it just stops being there. There's no world, no land, no nothing. It comes down to that, Fogg, in the end it's all a figment. The only place you exist is in your head.
Paul Auster (Moon Palace)
The full moon cast an eerie glow through thick ancient dark woods. In the shadows around a tree, the serial killer ran his knife lovingly over Chelsea’s trussed dead body. She lay, as if posed for a photo, wearing only bloody pink underpants.
H Raven Rose (Dark Eros)
Watch your back, wolf. There’s a pall over this place and the bears are racking up enemies faster than Wal-Mart rakes in sales. When the time comes, it’s going to get bloody. (Thorn) I wouldn’t have it any other way. (Fang) Don’t be so arrogant. Long before I was the debonair sophisticate standing in front of you, I was a warlord. I put more blood on my blade than Madame la Guillotine. The one thing all that battle taught me is that no one walks away without scars. No one. (Thorn)
Sherrilyn Kenyon (Bad Moon Rising (Dark-Hunter, #18; Were-Hunter, #4; Hellchaser, #2))
Nightfall, when the moon is born... ...Hides a shadow that lurks in the dark. it seeks the bloody of a damsel. The creature know as vampire.
Kazuko Furumiya
When the cities are gone, he thought, and all the ruckus has died away, when sunflowers push up through the concrete and asphalt of the forgotten interstate freeways, when the Kremlin and the Pentagon are turned into nursing homes for generals, presidents and other such shitheads, when the glass-aluminum skyscraper tombs of Phoenix Arizona barely show above the sand dunes, why then, why then, why then by God maybe free men and wild women on horses, free women and wild men, can roam the sagebrush canyonlands in freedom—goddammit!—herding the feral cattle into box canyons, and gorge on bloody meat and bleeding fucking internal organs, and dance all night to the music of fiddles! banjos! steel guitars! by the light of a reborn moon!—by God, yes! Until, he reflected soberly, and bitterly, and sadly, until the next age of ice and iron comes down, and the engineers and the farmers
Edward Abbey (The Monkey Wrench Gang)
Ivypool backed away. She twisted and ducked under him as he leaped, but his claws sank into her tail and pinned her to the ground. Thistleclaw and Snowtuft attacked from opposite sides, snarling, slicing her ears. She struggled away from them, crashing into hard muscle. Hawkfrost was behind her now. He stabbed his claws into her shoulders. With a gasp, Ivypool saw his teeth flashing beside her throat. Then a black pelt flashed over the top of the gorse. Paws landed with a thump beside her. "Get off her!" Hollyleaf yowled. Ivypool's world spun as the black warrior slammed into Hawkfrost and sent him reeling into the gorse. Free from Hawkfrost's claws, Ivypool turned on Thistleclaw and Snowtuft. She began slashing with her front paws, remembering in a crystalline moment every moon of training. Hollyleaf reared up beside her, matching her blow for blow, as though she instinctively knew where Ivypool would strike next. Blood sprayed the forest floor as Ivypool sliced Snowtuft's muzzle and tore Thistleclaw's nose. Turning she kicked with hind legs and knocked Thistleclaw backward, then sank her teeth into Snowtuft's neck. The white warrior screeched and ripped free from her jaws. Ivypool tasted his blood as he hared away through the bracken. She met Thistleclaw's gaze. Fear sparked in his eyes as she spat out a bloody clump of Snowtuft's fur. "Run," she hissed. "Because if you stay, I will kill you". Mouth open, Thistleclaw fled, disappearing through the gorse. A shriek exploded behind Ivypool. She turned and saw Hollyleaf swipe at Hawkfrost's muzzle. The force of the blow sent the Dark Forest warrior crashing away. He dropped with a thump and scrabbled to his paws. Blood dripping from his cheek, one eye swollen shut, he glanced at Hollyleaf and tore his way through the gorse. Ivypool stared at the black she-cat. "You saved my life!" Hollyleaf staggered and fell to the ground. "Hollyleaf!" Ivypool darted to her side and saw blood pulsing from a wound in her neck. Panic formed a hard lump in Ivypool's belly. Grasping Hollyleaf's scruff in her teeth, she began to half drag, half carry her Clanmate toward the ThunderClan border. Jayfeather would know what to do. "I'll get you home," Ivypool growled through gritted teeth. "I promise I'll get you home".
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
Down dropt the breeze, the sails dropt down, 'Twas sad as sad could be; And we did speak only to break The silence of the sea! All in a hot and copper sky, The bloody Sun, at noon, Right up above the mast did stand, No bigger than the Moon. Day after day, day after day, We stuck, nor breath nor motion; As idle as a painted ship Upon a painted ocean.
Samuel Taylor Coleridge (The Rime of the Ancient Mariner and Other Poems)
And around the time the moon and sun are coexisting in the sky, turning the room inside out with that eerie, yet calming pale glow, I have a terrible thought: I like him. I really, really like him. Like, love-like him. Like, with my metaphorical heart. Like, if I had an x-ray, it would show an arrow lodged right into the center of that bloody, bleeding mass of muscle in my chest. And I know, somehow, that things have changed between us.
Amber Smith (The Way I Used to Be (The Way I Used to Be, #1))
The Emperor is dead! So too his right hand - now cold, now severed! But mark these dying shadows, twinned and flowing bloody and beaten, down and away from mortal sight... From sceptre's rule dismissed, from gild candelabra the light now fled, from a hearth ringed in hard jewels seven years this warmth has bled... The Emperor is dead. So too his master'd companion, the rope cut clean. But mark this burgeoning return - faltering dark, the tattered shroud - embracing children in Empire's dying light. Hear now the dirge faint reprised, before the sun's fall, this day spills red on buckled earth, and in obsidian eyes vengeance chimes seven times..." ―Call to Shadow, Felisin (I.i. 1-18)
Steven Erikson (Gardens of the Moon (Malazan Book of the Fallen, #1))
Lord Loss sows all the sorrows of the world Lord Loss seeds the grief-starched trees In the center of the web, lowly Lord Loss bows his head Mangled hands, naked eyes Fanged snakes his soul line Curled inside like textured sin Bloody, curdled sheets for skin In the center of the web, vile Lord Loss torments the dead Over strands of red, Lord Loss crawls Dispensing pain, despising all Shuns friends, nurtures foes Ravages hope, breeds woe Drinks moons, devours suns Twirls his thumbs till the reaper comes In the center of the web, lush Lord Loss is all that’s left
Darren Shan (Hell's Heroes (Demonata, #10))
It isn't only political power that grows out of the barrel of a gun. So does a whole definition of reality. A set. And the action that has to happen on that particular set and on none other." "Don't be so bloody patronizing," I objected.... "That's just Marx: the ideology of the ruling class becomes the ideology of the whole society." "Not the ideology. The Reality." He lowered his handkerchief. "This was a public park until they changed the definition. Now, the guns have changed the Reality. It isn't a public park. There's more than one kind of magic." "Just like the Enclosure Acts," I said hollowly. "One day the land belonged to the people. The next day it belonged to the landlords." "And like the Narcotics Acts," he added. "A hundred thousand harmless junkies became criminals overnight, by Act of Congress, in nineteen twenty-seven. Ten years later, in thirty-seven, all the pot-heads in the country became criminals overnight, by Act of Congress. And they really were criminals, when the papers were signed. The guns prove it. Walk away from those guns, waving a joint, and refuse to halt when they tell you. Their Imagination will become your Reality in a second.
Robert Anton Wilson (The Eye in the Pyramid (Illuminatus, #1))
Blue Duck could never avoid a moment of fear, when his father's eyes became the eyes of a snake. He choked off his insult -- he knew that if he spoke, he might, in an instant, find himself fighting Buffalo Hump. He had seen it before, with other warriors. Someone would say one word too many, would fail to see the snake in his father's eyes, and the next moment Buffalo Hump would be pulling his long bloody knife from between the other warrior's ribs. Blue Duck waited. He knew that it was not a day to fight his father.
Larry McMurtry (Comanche Moon (Lonesome Dove, #4))
The girl did not see me. She inspected her palm, holding it up to the silver moon like an offering. Blood trickled, dark against the rocks. The magic I could taste was untamed— fierce and angry. She lifted her hand to her mouth, tongue hungry, and when she pulled it away her lips were smeared bloody red.
Fran Dorricott (Wild and Wicked Things)
The pale-faced moon looks bloody on the earth
William Shakespeare (Richard II)
Michael Lee was the sun, moon and stars, maybe even the whole bloody solar system, as far as his family were concerned. No wonder he was so arrogant.
Sarra Manning (Adorkable)
The ocean cradles the bloodied moon in its aquatic arms like a mother holds her crying babe.
Moonie
Especially men. They take away your freedom. Or rather, they don't take it, you bloody well give it away like a wuss, as if you're programmed to. And freedom is worth more than men.
Jo Nesbø (Killing Moon (Harry Hole, #13))
It was a lie, of course, and she was prepared to confess it to her priest. But she’d be damned if she’d tell him she’d been playing with his music. Her pride was worth the penance. He felt a quiver in his heart that he took for sympathy. “There, Brenna darling. Have you gone and fallen in love on me?” She jerked, whirled, gaped at him. He was watching her with such—such bloody affection, such patience and sympathy. She could have beaten him black and blue. Instead, she just shoved clear of him and snatched up her toolbox. “Shawn Gallagher, you are truly a great idiot of a man.” With her nose in the air and her tools clanking, she stalked out. He only shook his head, then went back to his cleaning up. With that little quiver around his heart again, he wondered who it was that O’Toole had set her sights on. Whoever, Shawn thought, slamming a cupboard door just a little too forcefully, the man had better be worthy of her.
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
She didn't know that I was dead inside, that I had ruled out the chance of joy ever again. Of that night and every other night to follow. I had fully settled into my unhappiness and wore it comfortably. So comfortably in fact, that it was barely perceptible to others. It just fitted me so well. My suit of misery hung happily on me. So happily that she assumed I could have "a lovely night" in it. The loveliness she referred to was so extremely far out of reach for me. It as far as... the bloody moon.
Dawn French (Oh Dear Silvia)
He waved cheerfully, then opened the door, tripped over the threshold, and as his balance was already impaired, nearly went face down on the floor for the second time that day. He caught himself, hung on to the side of the counter, and waited for the pub kitchen to stop revolving. With the careful steps of the drunk, he walked over to the cupboard to get out a pan for frying, a pot for boiling. Shawn was singing in his break-your-heart voice, about the cold nature of Peggy Gordon. And with one eye closed, his body swaying gently, he dripped lemon juice into a bowl. “Oh, fuck me, Shawn. You are half pissed.” “More than three-quarters if the truth be known.” He lost track of the juice and added a bit more to be safe. “And how are you, Aidan, darling?” “Get way from there before you poison someone.” Insulted, Shawn swiveled around and had to brace a hand on the counter to stay upright. “I’m drunk, not a murderer. I can make a g.d. fish cake in me sleep. This is my kitchen, I’ll thank you to remember, and I give the orders here.” He poked himself in the chest with his thumb on the claim and nearly knocked himself on his ass. Gathering dignity, he lifted his chin. “So go on with you while I go about my work.” “ What have you done to yourself?” “The devil cat caught me hand. Forgetting his work, Shawn lifted a hand to scowl at the red gashes. Oh, but I’ve got plans for him, you can be sure of that.” “At the moment, I’d lay odds on the cat. Do you know anything about putting fish cakes together?” Aidan asked Darcy. “Not a bloody thing,” she said cheerfully. “Then go and call Kathy Duffy, would you, and ask if she can spare us an hour or so, as we have an emergency?” “An emergency?” Shawn looked glassily around. “Where?
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
He dragged his mouth along her jaw. She smelled so good, so feminine. He moved his mouth to her neck, and instantly, she went taut and recoiled. Right. He was a vampire. Worth about as much as a stray dog. And this stray dog was humping her leg. She must be mortified. Fucking humiliating. He shoved himself off her, averting his gaze so she wouldn’t see the color change in his eyes that signified arousal. She was too aware of his desire as it was, and he was an idiot for letting it go as far as it had. With a curse, he grabbed up his ruined shirt. It was bloody, dirty, and torn to shit. It wasn’t wearable, but he put it to good use while he waited for his heart rate and breathing to return to pre-hump-the-enemy levels.
Larissa Ione (Bound by Night (MoonBound Clan Vampire, #1))
The bay trees in our country are all wither'd, And meteors fright the fixed stars of heaven; The pale-fac'd moon looks bloody on the earth, And lean-look'd prophets whisper fearful change; Rich men look sad, and ruffians dance and leap- The one in fear to lose what they enjoy, The other to enjoy by rage and war. These signs forerun the death or fall of kings.
William Shakespeare (Richard II)
The beer tastes good to my throat, cold and bitter, and the three boys and the beer and the queer freeness of the situation make me feel like laughing forever. So I laugh, and my lipstick leaves a red stain like a bloody crescent moon on the top of the beer can. I am looking very healthy and flushed and bright eyed, having both a good tan and a rather excellent fever.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
We fell in love with that little peep-show projection on the inside of an iris, pictures that amount to nothing more than the thirsty moon over a spot of bloody ground. Those weren’t the nothings we restless sleepwalkers knew, no place no home no song. So we heard her and we followed until she went where we couldn't follow. She went down beyond the mountains and disappeared between the crease of sky and land, like a great eyelid folding shut. No one knows what happened out in the Black Hills, but I imagine she lies buried in a rusty coffin under the stars. And on nights when the desert crickets sing her tune, they say one day she will rise again. On that day, there is no telling the kind of vengeance she'll demand of us. Fair is fair. They say when she fell from Heaven she wore a crown of jagged stars that slit the skies throat. They say she loved them all, in the secret corners of their shallow sleep. Strangers, at the last. They say a lot of things. They’re all lies. Everything is already written.
James Curcio (Party at the World’s End)
The Oreo cookie invented, the Titanic sinks, Spanish flu, Prohibition, women granted the right to vote, Lindbergh flies solo across the Atlantic, penicillin invented, stock market crashes, the Depression, Amelia Earhart, the atom is split, Prohibition ends, Golden Gate Bridge is built, Pearl Harbor, D-Day, the Korean War, Disneyland, Rosa Parks, Laika the dog is shot into space, hula hoops, birth control pill invented, Bay of Pigs, Marilyn Monroe dies, JFK killed, MLK has a dream, Vietnam War, Star Trek, MLK killed, RFK killed, Woodstock, the Beatles (George, Ringo, John, and Paul) break up, Watergate, the Vietnam War ends, Nixon resigns, Earth Day, Fiddler on the Roof, Olga Korbut, Patty Hearst, Transcendental Meditation, the ERA, The Six Million Dollar Man. "Bloody hell," I said when she was done. "I know. It must be a lot to take in." "It's unfathomable. A Brit named his son Ringo Starr?" She looked pleasantly surprised: she'd thought I had no sense of humor. "Well, I think his real name was Richard Starkey.
Melanie Gideon (Valley of the Moon)
It takes me a while to drag him out, he's got himself stuck to the axle, and by the time I am done and stand over the body something strange has started to happen. The alley's filled with a half-dozen cats, runty little things with their ribs showing and their tails worn high like they're pointing to the moon. I stand there, breathing froth into the snowflakes and watch them gather round me, soft kitty paws, and now and then a patrol car rolls past in the distance. The cats are circling us, tails cocked at the moon, their muzzles bloodied by the tail lights' glow. They are vicious bastards, let me tell you: frost on their whiskers, eyes like cut glass, a half-dozen pairs, on me and the dead man. And then they start licking. Licking at the snow I mean, the blood in the snow, they lap it up like mother's milk. And all the while from their throats, from their whole bodies, there issues this sound, you hear it with your skin, it's like an engine running under your palm. That's when I realize they are purring, man, purring as they feed on the midget's death.
Dan Vyleta (Pavel & I)
Out of Dindymus heavily laden Her lions draw bound and unfed A mother, a mortal, a maiden, A queen over death and the dead. She is cold, and her habit is lowly, Her temple of branches and sods; Most fruitful and virginal, holy, A mother of gods. She hath wasted with fire thine high places, She hath hidden and marred and made sad The fair limbs of the Loves, the fair faces Of gods that were goodly and glad. She slays, and her hands are not bloody; She moves as a moon in the wane, White-robed, and thy raiment is ruddy, Our Lady of Pain.
Algernon Charles Swinburne (Poems & Ballads (First Series))
I’ll start in the air,” I said, far more steadily than I thought I could, considering. I knelt to tie the shirt around his thigh, cinching it tight above the wound; he stiffened but let me finish the knot. “The air first, the airship, and then-then I’ll dive.” “You can’t swim,” broke in Armand. “You told me that you can’t.” “Maybe I can now. If I’m a dragon.” “Don’t be an idiot! If you can’t swim, you can’t swim, Eleanore! You’ll drown out there, and what the bloody hell do you think you’re going to do anyway to a U-boat? Bite it open?” I stood again. “Yes! If I must! I don’t hear you coming up with a better-“ “You’ll die out there!” “Or we’ll all die here!” “We’re going to find another way!” “You two work on that. I’m off.” I fixed them both with one last, vehement look, the Turn rising inside me. Remember this. Remember them, this moment, this heartbreak, these two boys. Remember that they loved you. Armand had reached for my shoulders. “I forbid-Eleanore, please, no-“ “No,” echoed Jesse, speaking at last. “You’re not going after the submarine, Lora. You won’t need to.” Armand and I paused together, glancing down at him. I stood practically on tiptoe, so ready to become my other self. Jesse climbed clumsily to his feet. When he swayed, we both lunged to catch him. “Armand will take me to the shore. I’ll handle the U-boat.” “How?” demanded Armand at once. But I understood. I could read him so well now, Jesse-of-the-stars. I understood what he meant to do, and what it would cost him. I felt myself shaking my head. Above us, the airship propellers thumped louder and louder. “Yes,” said Jesse, smiling his lovely smile at me. “I already sense your agreement. Death and the Elemental were stronger joined than apart, remember? This is our joining. Don’t waste any more time quarreling with me about it. That’s not your way.” He leaned down to me, a hand tangled in my hair. His mouth pressed to mine, and for the first time ever I didn’t feel bliss at his touch. I felt misery. “Go on, Lora-of-the-moon,” he murmured against my lips. “You’re going to save us. I know you will.” I glared past him to the harsh, baffled face of Armand. “Will you help him? Do you swear it?” “I-yes, I will. I do.” I disentangled Jesse’s hand, kissed it, stepped back, and let the Turn consume me, smoke rising and rising, leaving the castle and all I loved behind me for the wild open sky.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
For the sun child and the new god will give birth to a new era and the great creators will fall one by one, reshaping our homes and hearths “A bloody path has been chosen,” he went on, because of course. There apparently was no stopping this. “The Great War fought by the few is coming, and in the end, the sun will fall and the moon will reign until the new sun rises.” My brows rose. Sort of sounded like a normal day to me.I officially had no words. At all. None. Ewan the nymph dropped to one knee. “Goodbye Seth, the God of Life . . .” A shiver blasted down my spine as a bolt of lightning struck off the coast, slamming into the ocean. The nymph bowed its head. “The God of Death.
Jennifer L. Armentrout (The Struggle (Titan, #3))
The Drunken Fisherman" Wallowing in this bloody sty, I cast for fish that pleased my eye (Truly Jehovah's bow suspends No pots of gold to weight its ends); Only the blood-mouthed rainbow trout Rose to my bait. They flopped about My canvas creel until the moth Corrupted its unstable cloth. A calendar to tell the day; A handkerchief to wave away The gnats; a couch unstuffed with storm Pouching a bottle in one arm; A whiskey bottle full of worms; And bedroom slacks: are these fit terms To mete the worm whose molten rage Boils in the belly of old age? Once fishing was a rabbit's foot-- O wind blow cold, O wind blow hot, Let suns stay in or suns step out: Life danced a jig on the sperm-whale's spout-- The fisher's fluent and obscene Catches kept his conscience clean. Children, the raging memory drools Over the glory of past pools. Now the hot river, ebbing, hauls Its bloody waters into holes; A grain of sand inside my shoe Mimics the moon that might undo Man and Creation too; remorse, Stinking, has puddled up its source; Here tantrums thrash to a whale's rage. This is the pot-hole of old age. Is there no way to cast my hook Out of this dynamited brook? The Fisher's sons must cast about When shallow waters peter out. I will catch Christ with a greased worm, And when the Prince of Darkness stalks My bloodstream to its Stygian term . . . On water the Man-Fisher walks.
Robert Lowell
I have the body but of a weak, feeble woman,” she told her troops as the Spanish Armada sailed for home in 1588, “but I have the heart and stomach of a king, and of a king of England too.” Relishing opposites, the queen was constant only in her patriotism, her insistence on keeping ends within means, and her determination—a requirement for pivoting—never to be pinned down. 38 Her hopes for religion reflected this. Knowing the upheavals her country had undergone—Henry VIII’s expulsion of the pope from English Catholicism, the shift to strict Protestantism in Edward VI’s brief reign, the harsh reversion to Rome under Mary—Elizabeth wanted a single church with multiple ways of worship. There was, she pointed out, “only one Jesus Christ.” Why couldn’t there be different paths to Him? Theological quarrels were “trifles,” or, more tartly, “ropes of sand or sea-slime leading to the Moon.” 39 Until they affected national sovereignty. God’s church, under Elizabeth, would be staunchly English: whether “Catholic” or “Protestant” mattered less than loyalty. This was, in one sense, toleration, for the new queen cared little what her subjects believed. She would watch like a hawk, though, what they did. “Her Majesty seems to me incomparably more feared than her sister,” Feria warned Philip—which was saying something since that lady had been “bloody” Mary. “We have lost a kingdom,
John Lewis Gaddis (On Grand Strategy)
Our voices sounded small in the noisy darkness. We called her name again and again. We waved our flashlights in hope that she’d see their bobbing light. We were hoarse from calling. And desperate when she didn’t answer. The faint trail gave out, and we began circling back to the house without realizing it until we saw the lights in the windows. “We need to call the police,” Dad said. “We don’t know the land the way they do. We’ll get lost ourselves if we keep going.” Wordlessly, we made our way home. Mom was on the front porch, shivering in her warmest down coat. “You didn’t find her?” “No.” Dad stopped to hug her. Mom clung to him. They stood there whispering to each other, as if they’d forgotten about me. I waited, shifting my weight from one frozen foot to the other, afraid Bloody Bones might be watching us from the trees. Not that I believed he actually existed, not in my world, the real world, the five-senses world. But with the wind blowing and the moon sailing in and out of clouds like a ghost racing across the sky, I could almost believe I’d crossed a border into another world, where anything could be true—even conjure women and spells and monsters. The police came sooner than we’d expected. We heard their sirens and saw their flashing lights before they’d even turned into the driveway. Four cars and an ambulance stopped at the side of the house. Doors opened, men got out. A couple of them had dogs, big German shepherds who
Mary Downing Hahn (Took: A Ghost Story)
Dog Talk … I have seen Ben place his nose meticulously into the shallow dampness of a deer’s hoofprint and shut his eyes as if listening. But it is smell he is listening to. The wild, high music of smell, that we know so little about. Tonight Ben charges up the yard; Bear follows. They run into the field and are gone. A soft wind, like a belt of silk, wraps the house. I follow them to the end of the field where I hear the long-eared owl, at wood’s edge, in one of the tall pines. All night the owl will sit there inventing his catty racket, except when he opens pale wings and drifts moth-like over the grass. I have seen both dogs look up as the bird floats by, and I suppose the field mouse hears it too, in the pebble of his tiny heart. Though I hear nothing. Bear is small and white with a curly tail. He was meant to be idle and pretty but learned instead to love the world, and to romp roughly with the big dogs. The brotherliness of the two, Ben and Bear, increases with each year. They have their separate habits, their own favorite sleeping places, for example, yet each worries without letup if the other is missing. They both bark rapturously and in support of each other. They both sneeze to express plea- sure, and yawn in humorous admittance of embarrassment. In the car, when we are getting close to home and the smell of the ocean begins to surround them, they both sit bolt upright and hum. With what vigor and intention to please himself the little white dog flings himself into every puddle on the muddy road. Somethings are unchangeably wild, others are stolid tame. The tiger is wild, the coyote, and the owl. I am tame, you are tame. The wild things that have been altered, but only into a semblance of tameness, it is no real change. But the dog lives in both worlds. Ben is devoted, he hates the door between us, is afraid of separation. But he had, for a number of years, a dog friend to whom he was also loyal. Every day they and a few others gathered into a noisy gang, and some of their games were bloody. Dog is docile, and then forgets. Dog promises then forgets. Voices call him. Wolf faces appear in dreams. He finds himself running over incredible lush or barren stretches of land, nothing any of us has ever seen. Deep in the dream, his paws twitch, his lip lifts. The dreaming dog leaps through the underbrush, enters the earth through a narrow tunnel, and is home. The dog wakes and the disturbance in his eyes when you say his name is a recognizable cloud. How glad he is to see you, and he sneezes a little to tell you so. But ah! the falling-back, fading dream where he was almost there again, in the pure, rocky weather-ruled beginning. Where he was almost wild again, and knew nothing else but that life, no other possibility. A world of trees and dogs and the white moon, the nest, the breast, the heart-warming milk! The thick-mantled ferocity at the end of the tunnel, known as father, a warrior he himself would grow to be. …
Mary Oliver (Dog Songs: Poems)
You need to get home, both of you. Louis, I’d like to keep the letters here, if you don’t mind. I want to go over them again.” I came to my feet. “And ask the stars about them?” Jesse nodded. Armand only shook his head, gloomy. There were bruises under his eyes that hadn’t been there yesterday. “Ask the-fine. Splendid. Keep them if you like. Burn them. Turn them to gold or silver or lead. In the morning I’ll wake up and none of this will have happened.” “No, lordling,” I said to him. “You’re never going to wake like that again, and you’re never going to be able to forget.” “Bugger you, waif.” “And you.” He walked past both of us without another glance or another word, opened the door, and disappeared into the night. I went to Jesse and wrapped my arms around him. After only a second’s hesitation, his arms lifted to embrace me, too. “I don’t want to go,” I whispered. I felt his chest expand beneath my cheek. “This is going to be much more difficult than I anticipated.” “Which part?” “All of it.” He brought a hand to my hair, his fingers weaving through. “Things are about to change rapidly now, Lora. He’ll come back to us stronger and stronger. He’s going to crave you more and more, and not having you will eat him raw.” I frowned up at him. “What do you mean?” Jesse tucked a strand behind my ear, his eyes emerald dark, his lashes tipped with candlelight. “It will be in his nature. He’ll feel compelled to claim you, and he won’t stop trying to do that. Ever. When that happens-“ “That is not bloody going to happen.” “When that happens,” he said again resolutely, “I want you to remember two things. One: I’ve loved you since before he even knew you lived. Two: Spare a little pity for him. This isn’t entirely his fault. He was born into his role, just as you and I were. But, Lora-of-the-moon-only a little pity, all right?” “My pity may reach as deep and wide as the ocean,” I answered. “But my heart is already claimed.” To prove it, I clutched his shirt and lifted myself to my toes and brought my lips to his. Sweeter than raspberry jam, warmer than candle flame, softer than bread. People often spoke with religious rapture of milk and honey, but if I had nothing but Jesse to consume for the rest of my days, I’d die a heathen beast, content.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
Telegrams for the astronauts poured in by the thousands. One, however, stood out from the rest. It came not from a world leader or celebrity or other luminary, but from an anonymous stranger. It had traveled over whites-only lunch counters in the South, through jungles in Vietnam where young men fell, over the coffins of two of America’s great civil rights leaders. It had blown across the streets bloodied by protesters and police, past a segregationist presidential campaign, into radios playing songs of alienation and revolt. It had made its way through ten million American souls who didn’t have enough to eat, alongside generations that no longer trusted each other, into a White House where a no-longer-loved president slept. It read: THANKS. YOU SAVED 1968.
Robert Kurson (Rocket Men: The Daring Odyssey of Apollo 8 and the Astronauts Who Made Man's First Journey to the Moon)
The family were wild," she said suddenly. "They tried to marry me off. And then when I'd begun to feel that after all life was scarcely worth living I found something"—her eyes went skyward exultantly—"I found something!" Carlyle waited and her words came with a rush. “Courage—just that; courage as a rule of life, and something to cling to always. I began to build up this enormous faith in myself. I began to see that in all my idols in the past some manifestation of courage had unconsciously been the thing that attracted me. I began separating courage from the other things of life. All sorts of courage—the beaten, bloody prize-fighter coming up for more—I used to make men take me to prize-fights; the déclassé woman sailing through a nest of cats and looking at them as if they were mud under her feet; the liking what you like always; the utter disregard for other people's opinions—just to live as I liked always and to die in my own way—Did you bring up the cigarettes?" He handed one over and held a match for her silently. "Still," Ardita continued, "the men kept gathering—old men and young men, my mental and physical inferiors, most of them, but all intensely desiring to have me—to own this rather magnificent proud tradition I'd built up round me. Do you see?" "Sort of. You never were beaten and you never apologized." "Never!" She sprang to the edge, poised or a moment like a crucified figure against the sky; then describing a dark parabola plunked without a slash between two silver ripples twenty feet below. Her voice floated up to him again. "And courage to me meant ploughing through that dull gray mist that comes down on life—not only over-riding people and circumstances but over-riding the bleakness of living. A sort of insistence on the value of life and the worth of transient things." She was climbing up now, and at her last words her head, with the damp yellow hair slicked symmetrically back, appeared on his level. "All very well," objected Carlyle. "You can call it courage, but your courage is really built, after all, on a pride of birth. You were bred to that defiant attitude. On my gray days even courage is one of the things that's gray and lifeless." She was sitting near the edge, hugging her knees and gazing abstractedly at the white moon; he was farther back, crammed like a grotesque god into a niche in the rock. "I don't want to sound like Pollyanna," she began, "but you haven't grasped me yet. My courage is faith—faith in the eternal resilience of me—that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high, and my eyes wide—not necessarily any silly smiling. Oh, I've been through hell without a whine quite often—and the female hell is deadlier than the male." "But supposing," suggested Carlyle, "that before joy and hope and all that came back the curtain was drawn on you for good?" Ardita rose, and going to the wall climbed with some difficulty to the next ledge, another ten or fifteen feet above. "Why," she called back, "then I'd have won!
F. Scott Fitzgerald (The Offshore Pirate)
screen T.V. A comfortable and well-stocked family room, including a wet bar with a locked liquor cabinet and a closet with door standing open, shelves packed with tennis rackets and snowshoes and ice skates. All the accoutrements of a well-off, athletic family in a room now tainted with the overwhelming presence of death. The father was slumped in a club chair in front of the television with a rifle at his feet and a bloody cavern where his head had been. Blood and brains sprayed the carpet beneath him. At first glimpse just about anyone would see it as a suicide. “Basement is concrete block,” Epps said. “Family probably never heard the shot.” “The gun his?” Roarke asked, and heard the edge in his voice. “From the cabinet upstairs. Guy is a sportsman,” Aceves answered.
Alexandra Sokoloff (Blood Moon (The Huntress/FBI Thrillers, #2))
Now that things are super awkward, I walk to the car, and hop in the back seat. “Front seat, Violet,” Mom immediately fires back. But I point at the sunroof. “Emit’s not going to fit any other way.” “This is the absolute worst week of my entire bloody existence,” Emit seems to say in a decisive tone, staring at the car like it’s the most offensive thing ever. Mom even hesitates, and makes another frustrated sound as she presses a button on the fob to start the car. We all need sensitivity training, because we watch without an ounce of shame, as he truly struggles to put himself in what is possibly one of the smallest cars ever. The other three would struggle some too. When Emit’s head pops through the opening sunroof, Vance scrubs a hand over his face. “This is why you have rebellions,” Arion says with a restrained smile. “You can’t be taken seriously.
Kristy Cunning (Gypsy Moon (All The Pretty Monsters, #4))
She rubbed the skin off your headstone of a sternum and painted a sad picture of herself in your eyes. We fell in love with that little peep-show projection on the inside of an iris, pictures that amount to nothing more than the thirsty moon over a spot of bloody ground. Those weren’t the nothings we restless sleepwalkers knew, no place no home no song. So we heard her and we followed until she went where we couldn't follow. She went down beyond the mountains and disappeared between the crease of sky and land, like a great eyelid folding shut. No one knows what happened out in the Black Hills, but I imagine she lies buried in a rusty coffin under the stars. And on nights when the desert crickets sing her tune, they say one day she will rise again. On that day, there is no telling the kind of vengeance she'll demand of us. Fair is fair. They say when she fell from Heaven she wore a crown of jagged stars that slit the skies throat. They say she loved them all, in the secret corners of their shallow sleep. Strangers, at the last. They say a lot of things. They’re all lies. Everything is already written.
James Curcio (Party at the World’s End)
I’ve . . . decided . . . not to die,” she said, in a voice little more than a whisper. “Oh. Good.” He was afraid to touch her, for fear of hurting her, but couldn’t bear not to. He laid a hand as lightly as he could over hers, finding it cool in spite of the heat trapped in the small attic. “I could, you know.” She closed one eye and looked accusingly at him with the other. “I want to; this is . . . bloody horrible.” “I know,” he whispered, and brought her hand to his lips. Her bones were frail, and she hadn’t the strength to squeeze his hand; her fingers lay limp in his. She closed her eyes and breathed audibly for a little. “Do you know why?” she said suddenly, opening her eyes. “No.” He’d thought of making some jesting remark about her needing to write down her receipt for making ether, but her tone was dead serious, and he didn’t. “Because,” she said, and stopped with a small grimace that squeezed his heart. “Because,” she said through clenched teeth, “I know what it felt . . . like when I . . . thought you were dead, and—” A small gasp for breath, and her eyes locked on his. “And I wouldn’t do that to you.” Her bosom fell and her eyes closed. It was a long moment before he could speak. “Thank ye, Sassenach,” he whispered, and held her small, cold hand between his own and watched her breathe until the moon rose.
Diana Gabaldon (Written in My Own Heart's Blood (Outlander, #8))
Anyway, if my lips were rose petals they’d taste too bitter. If my cheeks were apples they’d crawl with apple worms. If my eyes were stars they’d be dead by the time you saw them. If I moved you like the moon I’d disappear once a month. If my teeth were Chiclets you’d want to chew on them and spit them out. If my hands were birds you couldn’t hold them; they’d peck you bloody. Is my skin alabaster? Then it’s cold and hard and one day someone will skin me, make me into a cold hard box tinged with pink or yellow, to hold unguents, then how will you love me? If my vagina is a cool, dark forest you’ll certainly be lost, you have no sense of direction. If my vagina is a cave-watch out! It’s prone to seismic shifts and avalanche. If my vagina is a river of honey: orange, lavender, fine herbs, hazelnut, all too sweet. If my ears are shells I can’t hear you, only the ocean anyway. And if my voice is music, it is unintelligible. Don’t say anything. I am not a flower, but a body with rules and predictable, cellular qualities. My eyelashes and fingernails and skin and spit are organized by proteins designed to erode at a pre-encoded date and time, no matter what you do or do not do to me- I am remarkably like an animal. More like a heifer than a sunrise, I want to bite, stroke, swallow you so stop lying there trying to think of something to say and trying to understand me. I am the body next to but unlike yours. You already know me. You already know what I’m made of.
Rachel Zucker
Perhaps I ought to stuff up these sleeping things and go to bed. But I’m still too wide awake I’d only writhe about. If I had got him on the phone if we’d talked pleasantly I should have calmed down. He doesn’t give a fuck. Here I am torn to pieces by heartbreaking memories I call him and he doesn’t answer. Don’t bawl him out don’t begin by bawling him out that would muck up everything. I dread tomorrow. I shall have to be ready before four o’clock I shan’t have had a wink of sleep I’ll go out and buy petits fours that Francis will tread into the carpet he’ll break one of my little ornaments he’s not been properly brought up that child as clumsy as his father who’ll drop ash all over the place and if I say anything at all Tristan will blow right up he never let me keep my house as it ought to be yet after all it’s enormously important. Just now it’s perfect the drawing room polished shining like the moon used to be. By seven tomorrow evening it’ll be utterly filthy I’ll have to spring-clean it even though I’ll be all washed out. Explaining everything to him from a to z will wash me right out. He’s tough. What a clot I was to drop Florent for him! Florent and I we understood one another he coughed up I lay on my back it was cleaner than those capers where you hand out tender words to one another. I’m too softhearted I thought it was a terrific proof of love when he offered to marry me and there was Sylvie the ungrateful little thing I wanted her to have a real home and a mother no one could say a thing against a married woman a banker’s wife. For my part it gave me a pain in the ass to play the lady to be friends with crashing bores. Not so surprising that I burst out now and then. “You’re setting about it the wrong way with Tristan” Dédé used to tell me. Then later on “I told you so!” It’s true I’m headstrong I take the bit between my teeth I don’t calculate. Maybe I should have learned to compromise if it hadn’t been for all those disappointments. Tristan made me utterly sick I let him know it. People can’t bear being told what you really think of them. They want you to believe their fine words or at least to pretend to. As for me I’m clear-sighted I’m frank I tear masks off. The dear kind lady simpering “So we love our little brother do we?” and my collected little voice: “I hate him.” I’m still that proper little woman who says what she thinks and doesn’t cheat. It made my guts grind to hear him holding forth and all those bloody fools on their knees before him. I came clumping along in my big boots I cut their fine words down to size for them—progress prosperity the future of mankind happiness peace aid for the underdeveloped countries peace upon earth. I’m not a racist but don’t give a fuck for Algerians Jews Negroes in just the same way I don’t give a fuck for Chinks Russians Yanks Frenchmen. I don’t give a fuck for humanity what has it ever done for me I ask you. If they are such bleeding fools as to murder one another bomb one another plaster one another with napalm wipe one another out I’m not going to weep my eyes out. A million children have been massacred so what? Children are never anything but the seed of bastards it unclutters the planet a little they all admit it’s overpopulated don’t they? If I were the earth it would disgust me, all this vermin on my back, I’d shake it off. I’m quite willing to die if they all die too. I’m not going to go all soft-centered about kids that mean nothing to me. My own daughter’s dead and they’ve stolen my son from me.
Simone de Beauvoir (The Woman Destroyed)
But no. There’s always summat or someone sticking their nebby nose in. There’s always new enemies lining up left, right and bloody centre, and all for what. All for being born under a queer moon into the wrong family, that’s what. Cursed from birth and that. Shat out like a bloody turd and treated like one ever since.
Benjamin Myers (Pig Iron)
Isn’t it so strange how you can’t get away from the moon, try as you might, and yet you can’t touch it? It remains perpetually in front of you as though you could stretch your arm out and grab it with your fingers, but it is just out of reach. Happiness can feel like that. Like it is something other people experience but it only flirts with you and haunts you every time you glance out the window.
Levi Lusko (The Last Supper on the Moon: NASA's 1969 Lunar Voyage, Jesus Christ’s Bloody Death, and the Fantastic Quest to Conquer Inner Space)
The moon landing is, hands down, the greatest thing mankind has ever done. The cross is the greatest thing that has ever been done.
Levi Lusko (The Last Supper on the Moon: NASA's 1969 Lunar Voyage, Jesus Christ’s Bloody Death, and the Fantastic Quest to Conquer Inner Space)
A beautiful, dark-haired young woman stood there. Staring up at us, squinting and sniffing. A smile bloomed on her red—her bloody mouth. She smiled in my general direction. Revealing blood-coated teeth. Stryga. The Weaver had waited. Hiding here. Until we arrived. She brushed a snow-white hand over the tattoo of a crescent moon now on her forearm. Rhys’s bargain-mark. A reminder—and warning.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Toy, are you ill?” Tuon brought the mare close and peered up into his face. Concern filled her big eyes. “You’ve gone pale as the moon.” “I’m right as spring water,” he muttered. She was close enough for him to kiss if he bent his head, but he did not move. He could not. He was thinking so furiously he had nothing left for motion. Somehow only the Light knew, the Eelfinn had gathered the memories they had planted in his head, but how could they harvest memory from a corpse? A corpse in the world of men, at that. He was certain they never came to this side of that twisted doorframe ter’angreal for longer than minutes at a time. A way occurred to him, one he did not like, not a scrap. Maybe they created some sort of link to any human who visited them, a link that allowed them to copy all of a man’s memories after that right up to the moment he died. In some of those memories from other men he was white-haired, in some only a few years older than he really was, and everything in between, but there were none of childhood or growing up. What were the odds of that, if they had just stuffed him with random bits and pieces, likely things they considered rubbish or had done with? What did they do with memories, anyway? They had to have some reason for gathering them beyond giving them away again. No, he was just trying to avoid where this led. Burn him, the bloody foxes were inside his head right then! They had to be. It was the only explanation that made sense.
Robert Jordan (Knife of Dreams (The Wheel of Time, #11))
And tonight when you see the moon, remember this: It isn't the critic who counts. It's the lunatics who end up changing the world, one small step at a time.
Levi Lusko (The Last Supper on the Moon: NASA's 1969 Lunar Voyage, Jesus Christ's Bloody Death, and the Fantastic Quest to Conquer Inner Space)
And of course I did the only reasonable thing a grown boy would do: I sat there and gawked.
Levi Lusko (The Last Supper on the Moon: NASA's 1969 Lunar Voyage, Jesus Christ’s Bloody Death, and the Fantastic Quest to Conquer Inner Space)
I was standing in a parking lot, the roof above me cracking and splitting apart, the place about to collapse. The roar of a crowd sounded from beyond the building and I ran to a barred window, looking outside where the Lunar Brotherhood were rioting. Ryder was being dragged through them and I fought with the bars to try and get out, my magic failing me as I bellowed his name. They stabbed him, shouting traitor as they made him bleed, dragging him to a huge stone statue of a Centaur rearing up and pointing to the stars. They wound a vine over its outstretched arm and strung Ryder up and the mob worked to rip him to pieces in a bloody execution. “No!” I cried, panic consuming me as I sought out other paths, ways to avoid this fate, but they were closing in, so many of them curving back onto this one. “How do I save him?” I demanded of the stars as I tried to find a way out. “This day will come,” they whispered inside my head. “How do I stop it?” I begged. “You cannot,” they answered. “Please, I’ll do anything,” I said in desperation. “You will see this come to pass, Gabriel Nox, son of fate,” they answered. “I can’t, I won’t let it happen,” I insisted as my heart began to crack in my chest. “How can I make sure he doesn’t die?” “You ask the wrong questions,” they answered, their voices seeming to slip away into the distance. “What’s the right question?” I begged, feeling them leaving me behind with the weight of this unthinkable destiny laid out before me. They disappeared from my mind like a dying wind and my anxiety flared. “How do I save him?” I cried, but they were gone and I stood alone in an endless expanse of white, too bright to see anything beyond it. I squinted against the light, struggling to focus and suddenly the world shifted. I stood at the base of a dark mountain in Alestria and up ahead of me was a hooded figure leading the Black Card behind them up a rocky path. I could sense the very time and date this would happen. It was one week away on the full moon. King was going to hold a ritual larger than they ever had before. And that would be our chance to strike. But if we failed, I didn’t hold out much hope for the people of Solaria.
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
Audrey parked the car under an ancient scarred maple and turned off the engine. Home, sweet home. A ball of gray fur dropped off the maple branch and landed on her hood. Audrey jumped in her seat. Jesus. The raccoon danced up and down on the hood, chittering in outrage, bright eyes glowing with orange like two bloody moons. “Ling the Merciless! You get off my car this instant!” The raccoon spun in place, her gray fur standing on end, put her hand-paws on the windshield, and tried to bite the glass. “What is it with you?” Audrey popped the car door open.
Ilona Andrews (Fate's Edge (The Edge, #3))
The messengers I sent were two boys barely older than Reuben whom I chose not only because they would be able to make the journey with the speed of gazelles but also because they were so fresh-faced and young that the sight of them might persuade Esau that my intentions in returning were peaceful. I told them that when they saw him they must be sure to address him with great courtesy and deference. His servant Jacob, they were to say, had been living for the past twenty years with Laban and was returning home now in hope that he might find favor in his brother’s eyes. They must be sure to say that I was his servant Jacob. Would he give his cavernous, wet toothed smile at that? Or would it send a murderous growl rumbling out of his red beard? Maybe he was the same Esau who had smothered me with kisses even when I had bought the moon and stars from him for a pot of beans. Or maybe my treachery had festered in him all these years like an arrowhead so that when he finally got his hands on me, he would break my back over his knees like a dry stick. It took the two boys the better part of a week to return. They had seen Esau. He had just come back from the hunt with six quail hung from his belt, they said, and the bloody brush of a fox like a plume in his headband. When they gave him their message, he let out such a roar that they thought their hour had come. Then he took one of them in the crook of each arm and almost crushed the breath out of them against his chest. “Tell him I will come meet him,” he said. They told me his whole body shook as if from fever. “I will start out tomorrow,” he said. “Tell him I will bring a hundred men with me. Tell him,” he said, “that I will bring four hundred men with me.” He started laughing and clapping his hands at that. He clapped them together with his palms cupped to make it like the pounding of drums. His men clapped too. He had to shout to make himself heard over the din of it. “Tell him I have never forgotten him!” he cried. “Never! Never!” They said his eyes were bloodshot and teary. There was spittle on his lips. They said when he reached out to grab them again, they ducked and ran. They thought he had gone mad.
Frederick Buechner (The Son of Laughter)
The mistakes that feel less forgivable are those that hurt someone you love. Worse still is when you discover your error only years later. Often, there’s nothing to be done. Too much time has passed to make amends. And those mistakes—ach, it’s bloody difficult to forgive yourself when you should’ve known better, should’ve known to pick your head up and cast about to see what might happen as a result of your actions.
Karen Odden (Under a Veiled Moon (Inspector Corravan, #2))
You misread me.” I let all the humor fall off my face, my response a bite of bloody flesh spat at him with a sawtooth snarl. “I find it fucking tragic.
Sarah A. Parker (When the Moon Hatched (Moonfall, #1))
Opening the door, he saw the bloody head of Presley staring up at him from the welcome mat. In the midnight sky, the full moon looked like a giant vanilla wafer in a sea of black licorice shining down on him. When he smelled the reek of rancid meat on the wind, he knew he wasn’t alone.
Billy Wells (In Your Face Horror- Volume 1)
Loretta’s gaze shifted to the child he held. Running forward with upraised arms, she cried, “Amy! Oh, Amy! He found you! Thanks be to God!” Hunter wasn’t sure exactly what he had been expecting from Loretta when he delivered the child to her. Gratitude, surely. He had ridden nonstop for twelve days. And now she ignored him as if he weren’t there? Her God had not fought the bloody battle with Santos; Hunter had. Hunter knew it was bad of him, but he was glad when Amy clung to his waist and hid her face in the hollow of his shoulder. At least she knew who had brought her here.
Catherine Anderson (Comanche Moon (Comanche, #1))
So we go to fight, do we?” “I go.” “Then we go with you.” Hog fastened his gaze on the huddled shape under the mesquite bush for a moment. “You’d do the same.” Hunter mounted up. “You’re certain you want to go? I’ll understand if you stay.” “I am with you. Do you plan to leave any of them alive?” “This Comanche will show them the same mercy they showed her.” Hunter’s lips thinned. “None at all.” Amy was still sleeping when Hunter returned three hours later with Santos’s bloody scalp dangling from his stallion’s bridle. Her honor had been reclaimed…with a vengeance.
Catherine Anderson (Comanche Moon (Comanche, #1))
The ravenous, rabid poet awaits the midnight moon. She’ll trick and out wit her unsuspecting lover, the beginning of a bloody swoon.
Melody Lee (Moon Gypsy)
Take me for a lesson and a cheap one at that. I’m named for the secret, vital core of a ship. Ballast is the weight down in the deep of you that keeps a vessel upright in dark water. ... Oh, the cargo you carry will do it for a while, or even the heft of a crew, mates and mettles, if you love them enough. But a ship’s not a ship till she’s got ballast of her own. Down in the belly, a big massy mess of rope and wood and hardtack and love letters and harpoons and old lemons. Anything that ever fascinated the ship, made it sail true, patched it or broke it, anything the ship loved or longed for, anything it could use. Bo’sun gets in a fistfight with a deckhand over a missing cannonball and they bloody each other up some, but that ball’s just circled down into the baby ballast. Some’ll tell you a ship’s not born till she gets a name or has a bottle of wanderwhiskey broke over her bow, but it’s not so. Without ballast, she’s just wood. ... It all just sort of sinks down and jumbles up together into something hot and heavy inside you, and the weight of everything you ever wanted in the world will keep you steady even when the worst winds blow.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
The moon hung low, a bloody slash of color against the deepest ink of night. There were no stars to be seen. Clouds, thick and a shade lighter than the sky, moved at a lazy crawl, casting long, malevolent shadows against the backdrop of the Black Hills Forest. Trees, their skeletal branches extended to the sky in prayerful worship, swayed in a strong breeze. The wind was chilly, nipping at my nose with a frostbitten kiss. The only light for miles came off the neon pulse
R.S. Black (The Night Collection (The Night, #1-2))
The sort where moon don’t rhyme with June, and you’re not up to your backside in bloody buttercups. Songs that aren’t about your mum and dad. A bit rough, a beat that busts up the old way, the old stodge, the empire and knowing your place and excuse me and the dressing up and doing what you’re told.
Francis Beckett (1956: The Year That Changed Britain)
To me, Texas signified strange days, querulous wanderings, bloody fairy tales, hot, moon-filled nights, earthworms, and unbought flowers. Texas was women to me: my aunt dying of cancer, my grandmother’s hunchbacked sister, and Eloisa. All laughing, laughing.
Denise Chávez (The Last of the Menu Girls (Vintage Contemporaries))
Alone with her, MacRieve paced, glancing at her repeatedly and muttering in Gaelic. She understood a bit of the language—her mother was a druid, after all—and knew enough curse words and the term for witch to pick up the general thrust of his thoughts. Over MacRieve’s muttering, she could hear the others’ conversation outside. Rydstrom began by explaining what would happen if Mari didn’t call her coven before the full moon and how MacRieve had been handed the task of escorting her back. The others decided that they would be the ones to see her home for myriad reasons. First, they planned to kill MacRieve directly and so didn’t see him available for the role of escort. Secondly, they wanted to protect “the little mortal”—the archers, because the three saw her as one among the fey, and Cade, because, as he said, “I bloody feel like it.” In that case, Rydstrom wanted them to spare the Lykae to allow him to be an extra sword. They would need him, they reasoned, to protect Mari on the journey to civilization because it was more perilous now than when she’d come on her own. The human armies were on the move and posed a real threat to her. But the others despised MacRieve, couldn’t trust him, and all agreed that “Bowen the Bitter doesn’t exactly play well with others.” Bowen the Bitter? How appropriate. They also agreed that they didn’t know a more brutal, ruthless, and underhanded immortal than Bowen MacRieve. MacRieve scowled in their direction, then turned back to her, as if he hoped she hadn’t heard that. He opened his mouth to speak but closed it. What did he want to say to her? What could he say? “Oh, my bad for setting you up for torture and terror, and I know you will never be the same again, but . . .
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
Your Grace,” she said, quietly. “Did you have a good dinner?” “What are you doing here?” He frowned, ignoring her question. “This is hardly proper, Miss Mackenzie. If you wished to speak with me, you should have waited until morning.” The blatant deception fanned the flames of Maggie’s fury. “I have no wish to speak with you at all,” she cried. “Nor to be near you in any way. Yet here I am. Commanded once again. Summoned once again.” She felt herself begin to shake. “I tell you, it ends now. I will not stand it. No matter what you believe I am. I will not be that to you, Lance Carlisle.” She called him by the name she had known him by in her childhood. When she had believed him a prince. “Your uncle may have used me as he liked, but I will not be used again.” She could hear herself, practically shouting now. Any footman passing by in the hall would hear. Well, let them. In the heat of her words, her arms had fallen to her sides. Her hands were clenched now, her fingernails biting sharply into her palms. She gasped, looking down, to see traces of blood from small half-moon indentations. The duke was looking at her, his mouth partly open. The cravat he had been undoing, hung untied around his neck. Now he snatched it off with one hand, as he looked at her bloodied hands. “Maggie,” he said, his voice low. “What are you talking about? What have you done? I did not ask you here. Will you not talk sense and tell me what has happened?” She watched him take a deep breath. “I do not know how to convince you of this, but I only wish to help. That is the God’s honest truth of it, Maggie. I have no wish to harm you.” “You called me here, to your room. You told her you wanted me,” Maggie whispered. There was a tinge of doubt in her voice now. Could he hear it? She watched his face change, harden with anger. Against her?
Fenna Edgewood (A Duke for All Seasons (Must Love Scandal, #3))
-BLOODY HELL, HE JUST PUNCHED THE MOON!
James Roberts (Transformers: Lost Light #6)
The sweet thunder of this purr shook the old walls, made the shutters batter the windows until they burst apart and let in the white light of the snowy moon. Tiles came crashing down from the roof; I heard them fall into the courtyard far below. The reverberations of his purring rocked the foundations of the house, the walls began to dance. I thought: 'It will all fall, everything will disintegrate.' He dragged himself closer and closer to me, until I felt the harsh velvet of his head against my hand, then a tongue, abrasive as sandpaper. 'He will lick the skin off me!' And each stroke of his tongue ripped off skin after successive skin, all the skins of a life in the world, and left behind a nascent patina of shining hairs. My earrings turned back to water and trickled down my shoulders; I shrugged the drops off my beautiful fur.
Angela Carter (The Bloody Chamber and Other Stories)
The pale-face moon looks bloody on the earth
William Shakespeare (The Complete Works of Williams Shakespeare)
And you matter to me. I pray that, even though things in your life are scary or uncertain or up in the air right now, you know you can rest. You can rest because you are not alone. You can rest because of who Jesus is and what he has done. You can rest because nothing you do can make him love you more or less, and because no matter how hard life gets, nothing that happens to you can destroy you. You are free because he is the resurrection and the life. Not someday. Today. Right now.
Levi Lusko (The Last Supper on the Moon: NASA's 1969 Lunar Voyage, Jesus Christ’s Bloody Death, and the Fantastic Quest to Conquer Inner Space)
Oh, but how I do miss our lovely city,” he sighed. “In Alexandria, there was beauty and learning and tolerance. Here, I see ugly buildings and people who want only to watch the bloody gladiatorial games.” He threw up his hands in disgust. “Where are the libraries? Where are the scholars, the poets? This is a place of brutes and beasts, not brains.
Vicky Alvear Shecter (Cleopatra's Moon)
The Moon stranded in pear-tree branches like golden pirogue on a Christmas tree, on lips of raspberry the legends fall silent of the hearts bloodied by a midnight's decree —
Zuzanna Ginczanka
Garden of the Dragons (The ’Halla, Vol. # 3) Chapter Ten Excerpt (original editing) ... Hachiman, surveys he the woe, Wipes his brow, hate does flow. A ruined life, heh, a loss of face, He must have her now, to his disgrace (Wed to Kari now, locked in time and place). Battle over, moon still shines, Lilies float soft in quiet time. Scented visions and memories sear remains, Of this terrible night of what was feigned. Visuals lithe, of sword and blade, Disguise the carnage and the pain. Petals soft, they hide our gaze, And cover the ground and its grave. Flowers and moon in water light, T'winkills the calm of a zen-burst night. Now to life, the poem to seek repose, And bury beneath those riddles she holds. Nectars sweet, precious flowers, A fragranted grave that allures and empowers. Heart~beat, heart~beat, tells the way, Of things long remembered and a far lost day. How many memories, Kari knew, That stain with age, being so few. Samurai remembers - feels it as a man, Clutches he his fist; wind in hand. . . . ". . .I have searched for you a very long time." "Do not waste breath, kill. It is our way here." "Not before I have my say, Corpse-eater." "No wonder you took so long to find me." "I have had a lot of time for thought," quietly he, "- T'is a shame we could not agree." "No more room for that," forcefully he snapped, "You dishonored me twice and now, I will take one back." "- Not enough? Hachi," said cordially she, "If you are going to - cut the artery, please." Tilt she her neck, exposed but her vein, Samurai frowned, decidedly vain. Looked he at his hands - "They're already too bloody for today." "Hummph. Such trite man'ers are atrocious. For yourself you are much too engaged." ("Yet, a moment and it is done," thought he, "But to gain it thus, a hollow travesty. I must face her in all her strength, The bladed Valkyrie, the one called great"). "I could kill you now, but I'd rather not, This room is too unbecoming for the proper job." "Charmed that you still think so highly of me." "- Only then of your haunted beauty, I shall be free." Feeling that weight, slowly dropped he his blade, Time enough - rituals to cleanse and to pray. Tossed his sword, pined her down - Smooshed her face to the floor, Pinching it to a frown. "Oh no, my little angel, you have it all wrong! I mean only to kill you when you are strong. Do not fear, I won't let anyone harm you in strife, In the meantime, try not to flirt with your life. Stay healthy - then we shall settle our love, unrequite." A biting grin creased Samurai's scarved face, "Let us fix it properly, according to my r'ace." "Bushido," mouthed Kari, her voice empty as the word. "And there will be no running away this time - Rest assured." Slowly withdrew he and left the room, "Bastard," spit Kari, caustic of his doom. The girl breathing vexiously, then calmly in the dark, The door closed, silent, the light dribbling out. Sounds below, drip mute in time, Reality presses, she makes her fate thind. And Skuld drinking, contemplates she her sibylline, It was her hour now, the night of the wolverine.
Douglas M. Laurent
the Mother, there’s some children she holds tighter than others, wanting them back with her because they’re too bloody good for this world,
Sam Hall (Lone Wolf (Reach for the Moon, #1))
And we did speak only to break   The silence of the sea! "All in a hot and copper sky,   The bloody sun at noon, Right up above the mast did stand.   No bigger than the moon. "Day after day, day after day,   We stuck, nor breath, nor motion; As idle as a painted ship   Upon a painted ocean.
Marmaduke Park (Thrilling Stories Of The Ocean From Authentic Accounts Of Modern Voyagers And Travellers; Designed For The Entertainment And Instruction Of Young People)
The bright moon reflects your radiant face Your snowcapped cheekbones supply water of grace My heavy heart desires an audience with your face Come forward or must return, your command I will embrace. Nobody for good measures girded your fields Such trades no one in their right mind would chase. Our dormant fate will never awake, unless You wash its face and shout brace, brace! Send a bouquet of your face with morning breeze Perhaps inhaling your scent, your fields we envision & trace. May you live fulfilled and long, O wine-bearer of this feast Though our cup was never filled from your jug or your vase. My heart is reckless, please, let Beloved know Beware my friend, my soul your soul replace. O God, when will my fate and desires hand in hand Bring me to my Beloved hair, in one place? Step above the ground, when you decide to pass us by On this path lie bloody, the martyrs of human race. Hafiz says a prayer, listen, and say amen May your sweet wine daily pour upon my lips and my face. O breeze tell us about the inhabitants of city of Yazd May the heads of unworthy roll as a ball in your polo race. Though we are far from friends, kinship is near We praise your goodness and majestic mace. O Majesty, may we be touched by your grace I kiss and touch the ground that is your base
Hafiz: Tongue of the Hidden: A Selection of Ghazals from his Divan
From new title ATOMICAS Shatter the Dream A WORD from the ATOMICAS I wake up every morning hearing the bell for Round One La Porcelana Fight until they can’t KISS US Army SGT. Team Black Damaged women are the most dangerous kind, because they already know they can survive. My enemies will not be so fortunate. OVERLOAD Mess with the ATOMICAS and I will rust your blood. Rusty If I ever let my head down, it will only be to admire my shoes. Ms. Newton Throw me to the wolves. I will return leading the pack RABID and Theodore Chaos is loved by the wild, not the weak FERAL and Genovese I will destroy my enemies in the most beautiful way possible, and when I leave, they will know why storms are named after people. Sea Wasp A Princess becomes an ATOMICA when she slays her own dragons. Shatterdream I will shake my bloody knuckles in my enemy’s face. A fight with the ATOMICAS is a fight to the death. I’ll slap an egg out of you. Thunder Girl I like my sunshine with a shot of hurricane. CRISIS In my defense, Mother, the moon was full, and I was the only witch unburned. Merga Starpattern I go from zero to beating you silly really quick. ZAG I’m stuck between a rock and someone I want to hit with it. Conduit Wink at Death and then beat him down like it’s your job. VOX I would rather be strong and scary than pretty and useless. I fight things that would set your soul on fire. Poltergeist
D.W. Hill (Girl Wanted: Apply in Person: The ATOMICAS Series)
My life was written on paper and preserved on paper - all those bloody scholars scratching their notes and their thought and their observations. If I had died, they would have inscribed my demise on paper and never shed a tear. And here is Luna, the same as I was. And here am I holding on to the one word that could explain everything, and the girl cannot read it or even hear it.
Kelly Barnhill (The Girl Who Drank the Moon)
One Day Eight Years Ago - Poem by Jibanananda Das It was heard: to the post-mortem cell he had been taken; last night—in the darkness of Falgoon-night When the five-night-old moon went down— he was longing for death. His wife lay beside—the child therewith; hope and love abundant__in the moonlight—what ghost did he see? Why his sleep broke? Or having no sleep at all since long—he now has fallen asleep in the post-mortem cell. Is this the sleep he’d longed for! Like a plagued rat, mouth filled with crimson froth now asleep in the nook of darkness; And will not ever awake anymore. ‘Never again will wake up, never again will bear the endless—endless burden of painful waking—’ It was told to him when the moon sank down—in the strange darkness by a silence like the neck of a camel that might have shown up at his window side. Nevertheless, the owl stays wide awake; The rotten still frog begs two more moments in the hope for another dawn in conceivable warmth. We feel in the deep tracelessness of flocking darkness The unforgiving enmity of the mosquito-net all around; The mosquito loves the stream of life awake in its monastery of darkness. From sitting in blood and filth, flies fly back into the sun; How often we watched moths and flies hovering in the waves of golden sun. The close-knit sky, as if—as it were, some scattered lives, possessed their hearts; The wavering dragonflies in the grasp of wanton kids Fought for life; As the moon went down, in the impending gloom With a noose in hand you approached the aswattha, alone, by yourself, For you’d learnt a human would ne’er live the life of a locust or a robin The branch of aswattha Had it not raged in protest? And the flock of fireflies Hadn’t they come and mingled with the comely bunch of daffodils? Hadn’t the senile blind owl come over and said: ‘the age-old moon seems to have been washed away by the surging waters? Splendid that! Let’s catch now rats and mouse! ’ Hadn’t the owl hooted out this cherished affair? Taste of life—the fragrance of golden corn of winter evening— seemed intolerable to you; — Content now in the morgue In the morgue—sultry with the bloodied mouth of a battered rat! Listen yet, tale of this dead; — Was not refused by the girl of love, Didn’t miss any joy of conjugal life, the bride went ahead of time and let him know honey and the honey of reflection; His life ne’er shivered in demeaning hunger or painful cold; So now in the morgue he lies flat on the dissection table. Know—I know woman’s heart—love—offspring—home—not all there is to things; Wealth, achievement, affluence apart there is some other baffling surprise that whirls in our veins; It tires and tires, and tires us out; but there is no tiring in the post mortem cell and so, there he rests, in the post mortem cell flat on the dissection table. Still I see the age-old owl, ah, Nightly sat on the aswattha bough Winks and echoes: ‘The olden moon seems to be carried away by the flooding waters? That’s splendid! Let’s catch now rats and mouse—’ Hi, granny dear, splendid even today? Let me age like you—and see off the olden moon in the whirlpool at the Kalidaha; Then the two of us will desert life’s abundant reserve.
Jibanananda Das (Selected Poems (English and Bengali Edition))
Our feast, our wedding Will be auspicious to the world. God fit the feast and wedding To our length like a proper garment. Venus and the moon Will be matched to each other, The parrot with sugar. The most beautifully-faced Beloved Makes a different kind of wedding every night. With the favor of our Sultan's prosperity, Hearts become spacious And men pair up with each other. Troubles and anxieties are all gone. Here tonight, You go again To the wedding and feasting. O beauty who adorned our city, You will be groom to the beauties. How nicely You walk in our neighborhood, Coming to us so beautifully. O our river, O One Who is searching for us, How nicely You flow in our stream. How nicely You flow with our desires, Unfastening the binding of our feet. You make us walk so nicely, holding our hand, O Joseph of our world. Cruelty suits You well. It's a mistake for us to expect Your loyalty. Step as You wish on our bloody Soul. O Soul of my Soul, pull our Souls To our Beloved's temple. Take this piece of bone. Give it as a gift to our Huma*. O wise ones, give thanks To our Sultan's kindness, who adds Souls to Soul, Keep dancing, O considerate ones. Keep whirling and dancing. At the wedding night of rose and Nasrin* I hang the drum on my neck. Tonight, the tambourine and small drum Will become our clothes. Be silent! Venus becomes the Cupbearer tonight And offers glasses to our sweetheart, Whose skin is fair and rosy, Who takes a glass and drinks. For the sake of God, because of our praying, Now Sufis become exuberant At the assembly of God's Absence. They put the belt of zeal on their waists And start Sama'*. One group of people froth like the sea, Prostrating like waves. The other group battles like swords, Drinking the blood of our glasses. Be silent! Tonight, the Sultan Went to the kitchen. He is cooking with joy. But a most unusual thing, Tonight, the Beloved is cooking our Halva
Jalal ad-Din Muhammad ar-Rumi
Aubade with Pericardium and Visitor" What a wreck the sky is this morning, slashed through the middle and all bloody at the seams. When the new moon falls on the first of the month it seems unlucky, such absorbing darkness it’s hard to get out of bed. I open my mouth to test a thought by voicing it without a boundary of truth, and the heart in its watery pillowslip clenches to cushion itself from harm. Early I slipped outside and there was a fish on a line beside the coppery lake and a snake waited, his black body thick as a wrist. It was such an easy meal he swallowed it whole, jaw hinged open wide while his body molded around it; I mean the fins bulged in his throat as it slid down. Songs ought to be sung, and when possible, stories ought to be told as they happened, not from the shortest distance, not unattached, not asleep. Today I rose in the wreck but I didn’t know what to keep, the memory or what it left behind: you, small chair; you, empty belly; you, knock on the dark door.
Charlotte Boulay (Foxes on the Trampoline: Poems)
There are at least three moments a month when you are ready to leap across a conter or a front seat to strangle someone: the woman at France Télecom who won't give you the fax ribbons that are there on the counter in front of her because she can't find them on the computer inventory ... the bus driver who won't let an exhausted pregnant woman out the front door of the bus (you're suppose to exit from the rear) from sheer bloody-mindedness. ... My trouble is that I think like a Frenchman: I transform every encounter into a competition in satus and get enraged when I lose it. –100
Adam Gopnik (Paris to the Moon)
There are at least three moments a month when you are ready to leap across a conter or a front seat to strangle someone: the woman at France Télecom who won't give you the fax ribbons that are there on the counter in front of her because she can't find them on the computer inventory ... the bus driver who won't let an exhausted pregnant woman out the front door of the bus (you're suppose to exit from the rear) from sheer bloody-mindedness. ... My trouble is that I think like a Frenchman: I transform every encounter into a competition in status and get enraged when I lose it. –100
Adam Gopnik (Paris to the Moon)
There are at least three moments a month when you are ready to leap across a counter or a front seat to strangle someone: the woman at France Télecom who won't give you the fax ribbons that are there on the counter in front of her because she can't find them on the computer inventory ... the bus driver who won't let an exhausted pregnant woman out the front door of the bus (you're suppose to exit from the rear) from sheer bloody-mindedness. ... My trouble is that I think like a Frenchman: I transform every encounter into a competition in status and get enraged when I lose it.
Adam Gopnik (Paris to the Moon)
No! No!’ Henrietta wails. ‘Not the police!’ ‘Good grief, it’s fine!’ I tell her. ‘There’s nothing wrong with them. They’re here to help us!’ She shakes her head vociferously. ‘No! They’re part of the organisation! The deep state! They’re part of the machine!’ ‘The same machine that faked the moon landings?’ ‘Yes!’ ‘Bloody hell. Where do you get all this nonsense from?’ ‘YouTube!’ ‘Oh, of bloody course, YouTube.
Nick Spalding (Logging Off)
And in his dream Sol had stood and said, “You can’t be serious.” And he had walked on through darkness, the red orbs glowing now like bloody moons hanging above an indistinct plain, and when he stopped to rest the immense voice said:
Dan Simmons (Hyperion (Hyperion Cantos, #1))
film
Levi Lusko (The Last Supper on the Moon: NASA's 1969 Lunar Voyage, Jesus Christ’s Bloody Death, and the Fantastic Quest to Conquer Inner Space)
I’d mulch her enemies with my bare hands to see those dimples. Or at the very least, pave a bloody path for her to slaughter them herself.
Sarah A. Parker (When the Moon Hatched (Moonfall, #1))