Bloodstained Quotes

We've searched our database for all the quotes and captions related to Bloodstained. Here they are! All 100 of them:

Stood in firelight, sweltering. Bloodstain on chest like map of violent new continent. Felt cleansed. Felt dark planet turn under my feet and knew what cats know that makes them scream like babies in night. Looked at sky through smoke heavy with human fat and God was not there. The cold, suffocating dark goes on forever and we are alone. Live our lives, lacking anything better to do. Devise reason later. Born from oblivion; bear children, hell-bound as ourselves, go into oblivion. There is nothing else. Existence is random. Has no pattern save what we imagine after staring at it for too long. No meaning save what we choose to impose. This rudderless world is not shaped by vague metaphysical forces. It is not God who kills the children. Not fate that butchers them or destiny that feeds them to the dogs. It’s us. Only us. Streets stank of fire. The void breathed hard on my heart, turning its illusions to ice, shattering them. Was reborn then, free to scrawl own design on this morally blank world. Was Rorschach. Does that answer your Questions, Doctor?
Alan Moore (Watchmen)
The guard looked down at the scarlet bloodstains blooming on his chest. He appeared to think of something that he needed to say, but as his lips began to form the words, his knees gave up the strain of supporting his ruined bulk. He collapsed to the floor, his throat issuing a final sound like a bubbling casserole.
R.D. Ronald (The Zombie Room)
Now they show you how detergents take out bloodstains, a pretty violent image there. I think if you've got a T-shirt with a bloodstain all over it, maybe laundry isn't your biggest problem. Maybe you should get rid of the body before you do the wash.
Jerry Seinfeld
I bleed twelve weeks a year, so I know a thing or two about bloodstains.
Amanda Lovelace (The Witch Doesn't Burn in This One (Women Are Some Kind of Magic, #2))
A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Alina," the Darkling repeated, his fingers seeking mine. I was surprised to find fresh tears filling my eyes. He reached up and brushed his knuckles over the wetness on my cheek. The smallest smile touched his bloodstained lips. "Someone to mourn me." He dropped his hand, as if the weight were too much. "No grave," he gasped, his hand tightening on mine, "for them to desecrate.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
If you leave here, War can find you again. What are you going to do if that happens? (Tory) Leave bloodstains on his best shirt. (Acheron)
Sherrilyn Kenyon (One Silent Night (Dark-Hunter, #15))
Ah, Morganville. Where dressing to hide bloodstains was just good daily planning.
Rachel Caine (Bitter Blood (The Morganville Vampires, #13))
The cream-tiled walls were spattered here and there with old dried bloodstains, deep gouges that might have been clawmarks, and all kinds of graffiti. As usual, someone had spelt Cthulhu wrongly.
Simon R. Green (Something from the Nightside (Nightside, #1))
Julia looked back at Hadassah on the bloodstained sand. A great emptiness opened within her as she looked at the still form. Gone, too, was the salt that had kept her from completely corruption.
Francine Rivers (A Voice in the Wind (Mark of the Lion, #1))
Sitting here with one's knitting, one just sees the facts. -"The Blood-Stained Pavement
Agatha Christie (The Thirteen Problems (Miss Marple, #0.5))
I slowly stand, looking down at my clothes. I wish that there were bloodstains or tears, something to outwardly show how hurt I am.
Suzanne Young (The Program (The Program, #1))
I therefore hate the corrupt, slaveholding, women-whipping, cradle-plundering, partial and hypocritical Christianity of the land... I look upon it as the climax of all misnomers, the boldest of all frauds, and the grossest of all libels. Never was there a clearer case of 'stealing the livery of the court of heaven to serve the devil in.' I am filled with unutterable loathing when I contemplate the religious pomp and show, together with the horrible inconsistencies, which every where surround me. We have men-stealers for ministers, women-whippers for missionaries, and cradle-plunderers for church members. The man who wields the blood-clotted cowskin during the week fills the pulpit on Sunday, and claims to be a minister of the meek and lowly Jesus. . . . The slave auctioneer’s bell and the church-going bell chime in with each other, and the bitter cries of the heart-broken slave are drowned in the religious shouts of his pious master. Revivals of religion and revivals in the slave-trade go hand in hand together. The slave prison and the church stand near each other. The clanking of fetters and the rattling of chains in the prison, and the pious psalm and solemn prayer in the church, may be heard at the same time. The dealers in the bodies of men erect their stand in the presence of the pulpit, and they mutually help each other. The dealer gives his blood-stained gold to support the pulpit, and the pulpit, in return, covers his infernal business with the garb of Christianity. Here we have religion and robbery the allies of each other—devils dressed in angels’ robes, and hell presenting the semblance of paradise.
Frederick Douglass (Narrative of the Life of Frederick Douglass)
Mothers wash the bloodstained apparel of grooms On stream banks, Bridal wear burns to ash, Bridesmaids cry And the Jhelum flows.
Basharat Peer (Curfewed Night)
I think there is only one. Oh, there are gods everywhere, in the hollow hills, in the wind and the sea, in the very grass we walk on and the air we breathe, and in the bloodstained shadows where men like Belasius wait for them. But I believe there must be one who is God Himself, like the great sea, and all the rest of us, small gods and men and all, like rivers, we all come to Him in the end.
Mary Stewart (The Crystal Cave (Arthurian Saga, #1))
I reached out blindly, clasped a warm hand, faded from life and into peace. Well, that was what was supposed to happen.... Except an annoying, distracting tug kept pulling and yanking.... When I woke, I thought I had overcome the pull and stayed in the afterlife. Whiteness billowed over me in soft waves. My body was cushioned and cocooned in warmth. I stretched my legs and then tried to raise my arms, but my left arm wouldn't budge. Rolling over, I encountered a number of very unpleasant realities. I was alive. I was in a room. I was naked except for a blood-stained bandage wrapped tight around my stomach. Kerrick lay beside me. And his hand trapped mine. Kill. Me. Now.
Maria V. Snyder (Touch of Power (Healer, #1))
Clary saw the group of lycanthropes look up, alert as a group of hunting dogs senting game. She turned- And saw Luke, tired and bloodstained, coming through the double doors of the Hall. She ran toward him. Forgetting how upset she'd been when he'd left, and forgetting how angry he'd been with her for bringing them here, forgetting everything but how glad she was to see him. He looked surprised for a moment as she barreled toward him- then he smiled, and put his arms out, and picked her up as he hugged her, the way he'd done when she'd been very small. He smelled like blood and flannel and smoke, and for a moment she closed her eyes, thinking of the way Alec had grabbed onto Jace the moment he'd seen him in the Hall, because that was what you did with family when you'd been worried about them, you grabbed them and held on to them and told them how much they'd pissed you off, and it was okay, becaused no matter how angry you got, they still belonged to you. And what she had said to Valentine was true. Luke was her family.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
There’s bloodstains on my carpet, so I can’t have any vampire over, lest they lick they carpet while I’m urinating on it. Ugh, first world problems.
Jarod Kintz (This Book is Not for Sale)
At the word sacrifice, something sparked in the Fate's cold eyes. He held the girl tighter, carrying her in his bloodstained arms as he stood and started down the ancient hall. 'What are you doing?' A crack of alarm showed in the queen's implacable face. 'I'm going to fix this.' He continued marching forward, holding the girl close as he carried her back through the arch. The angels who'd been guarding it now wept. They cried tears of stone as the Fate set the girl at their feet and began wrenching stone after stone from the arch. 'Jacks of the Hollow,' warned the queen. 'Those arch stones can only be used one time to go back. They were not created for infinite trips to the past.' 'I know,' Jacks growled. 'I'm going to go back and stop your son from killing her.' The queen's face fell. For a moment, she looked as old as the years she'd spent lying in suspended state. 'This is not a small mistake to fix. If you do this, Time will take something equally valuable from you.' The Fate gave the queen a look more vicious than any curse. 'There is nothing of equal value to me.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
I see myself for what I am: a scared girl, alone in a cruel world, abandoned by family and friend, who would rather turn herself to bloodstained stone than let anyone get close enough to leave another scar. A girl who would rather die than serve anyone ever again. Even myself.
Margaret Owen (Little Thieves (Little Thieves, #1))
I knew that when the great guiding spirit cleaves humanity into two antagonistic halves, I would be with the people. I know this, I see it printed in the night sky that I, eclectic dissembler of doctrine and psychoanalyst of dogma, howling like one possessed, will assault the barricades or the trenches , will take my bloodstained weapon, and consumed with fury, slaughter any enemy who falls into my hands.
Ernesto Che Guevara
Luca saw her bloodstained hands as the clerk bound them with a rope, and Luca realized that she was a thing of horror, a beautiful thing of horror, the worst thing between heaven and hell: a fallen angel.
Philippa Gregory (Changeling (Order of Darkness, #1))
It's not that I'm some detached lab animal just conditioned to ignore violence, but my first instinct is maybe it's not too late to dab club soda on the bloodstain.
Chuck Palahniuk (Invisible Monsters)
When you got captured, I didn't know..." He trailed off, had to chug whiskey before he could continue. "If it'd be like..." "What?" "Like it was with Clotile." "Oh, Jackson, no. I was okay. I'm unharmed." "Didn't know if I'd get there too late," he said with a shudder. Then he crossed over to me, until we stood toe-to-toe. "Evie, if you ever get taken from me again, you better know that I'll be coming for you." He cupped my face with a bloodstained hand. "So you stay the hell alive! You don't do like Clotile, you doan take that way out. You and me can get through anything, just give me a chance."--his voice broke lower "just give me a chance to get to you." He buried his face in my hair, inhaling deeply. "There is nothing that can happen to you that we can't get past." ... "When you say we...?" He pulled back, gazing down at me, his eyes blazing. "I'm goan to lay it all out there for you. Laugh in my face--I don't care. But I'm goan to get this off my chest." "I won't laugh. I'm listening." "Evie, I've wanted you from the first time I saw you. Even when I hated you, I wanted you." He raked his fingers through his hair. "I got it bad, me." My heart felt like it'd stopped--so that I could hear him better. "For as long as you've been looking down your nose at me, I've been craving you, an envie like I've never known." "I don't look down at you! I'm too busy looking up to you." ... "The corners of his lips curled for an instant before he grew serious again. "You asked me if I had that phone with your pictures, if I'd looked at it. Damn right, I did! I saw you playing with a dog at the beach, and doing a crazy-ass flip off a high dive, and making faces for the camera. I learned about you"- his voice grew hoarse -"and I wanted more of you. To see you every day." With a humourless laugh, he admitted, "After the Flash, I was constantly sourcing ways to charge a goddamned phone--that would never make a call." I murmured, "I didn't know...I couldn't be sure." "It's you for me, peekon.
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
How did you do it?" I brought the teacup to my mouth for another sip. "How did you guide Sophie's soul? I thought you were a reaper." "He's both," Nash said from behind me, and I turned just as he followed my father through the front door, pulling his long sleeves down one at a time. He and my dad had just loaded Aunt Val's white silk couch into the back of my uncle's truck, so he wouldn't have to deal with the bloodstains when he and Sohie got back from the hospital. "Tod is very talented." Tod brushed the curl back from his face and scowled. Harmony spoke up from the kitchen as the oven door squealed open. "Both my boys are talented." "Both?" I repeated, sure I'd heard her wrong. Nash sighed and slid onto the chair his mother had vacated, then gestured toward the reaper with one hand. "Kaylee, meet my brother, Tod.
Rachel Vincent (My Soul to Take (Soul Screamers, #1))
Thorne’s gaze swooped down over Cinder’s bloodstained clothes and the weapon in each of her hands. One eyebrow tilted up. “Rough day?” Cinder
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Evie, if you ever get taken from me again, you better know that I’ll be coming for you.” He cupped my face with a bloodstained hand. “So you stay the hell alive! You doan do like Clotile, you doan take that way out. You and me can get through anything, just give me a chance”—his voice broke lower—“just give me a chance to get to you.” He buried his face in my hair, inhaling deeply. “There is nothing that can happen to you that we can’t get past.
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
The gentler and kinder the god, the more harsh and cruel its worshippers, for they hold to their conviction with taut certainty, febrile in its extremity, and so cannot abide dissenters. They will kill, they will torture, in that god’s name. And see in themselves no conflict, no matter how bloodstained their hands.
Steven Erikson (The Bonehunters (Malazan Book of the Fallen, #6))
The immappable world of our journey. A pass in the mountains. A bloodstained stone. The marks of steel upon it. Names carved in the corrosible lime among stone fishes and ancient shells. Things dimmed and dimming. The dry sea floor. The tools of migrant hunters. The dreams encased upon the blades of them. The peregrine bones of a prophet. The silence. The gradual extinction of rain. The coming of night.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
Jem gave a reasonable description of Boo: Boo was about six-and-a-half feet tall, judging from his tracks; he dined on raw squirrels and any cats he could catch, that's why his hands were bloodstained - if you ate animal raw, you could never wash the blood off. There was a long jagged scar that ran across his face; what teeth he had were yellow and rotten; his eyes popped, and he drooled most of the time.
Harper Lee (To Kill a Mockingbird)
When one watches some tired hack on the platform mechanically repeating the familiar phrases - bestial atrocities, iron heel, blood-stained tyranny, free peoples of the world, stand shoulder to shoulder - one often has a curious feeling that one is not watching a live human being but some kind of dummy, the appropriate noises are coming out of his larynx, but his brain is not involved
George Orwell (Politics and the English Language)
We are the centuries... We have your eoliths and your mesoliths and your neoliths. We have your Babylons and your Pompeiis, your Caesars and your chromium-plated (vital-ingredient impregnated) artifacts. We have your bloody hatchets and your Hiroshimas. We march in spite of Hell, we do – Atrophy, Entropy, and Proteus vulgaris, telling bawdy jokes about a farm girl name of Eve and a traveling salesman called Lucifer. We bury your dead and their reputations. We bury you. We are the centuries. Be born then, gasp wind, screech at the surgeon’s slap, seek manhood, taste a little godhood, feel pain, give birth, struggle a little while, succumb: (Dying, leave quietly by the rear exit, please.) Generation, regeneration, again, again, as in a ritual, with blood-stained vestments and nail-torn hands, children of Merlin, chasing a gleam. Children, too, of Eve, forever building Edens – and kicking them apart in berserk fury because somehow it isn’t the same. (AGH! AGH! AGH! – an idiot screams his mindless anguish amid the rubble. But quickly! let it be inundated by the choir, chanting Alleluias at ninety decibels.)
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
You should be warned, though, whatever else you take from this, that knowledge is always carnage. Power is a siren song, bloodstained and miserly hoarded. Forgiveness is not a given. Redemption is not a right.
Olivie Blake (The Atlas Complex (The Atlas, #3))
Feo shook her head; she couldn't speak. The moments in which the world turns suddenly kind can feel like a punctured lung. She stood in the marble hall and cried until tears flooded down her nose and chin and dropped on to the heads of the two bloodstained wolves at her feet.
Katherine Rundell (The Wolf Wilder)
I never tolerate disrespect or betrayal
S.R. Crawford (Bloodstained Betrayal)
I am no blank slate for love to write on. My heart has walls marred with cracks, bloodstains, and bullet holes; graffitied over by past lovers.
John Mark Green
The fat, pumpkin-colored moon rose, turning bloodstains into shadows. All of the colors of shirts and jackets and uniforms paled to the same shade of gray.
Laurie Halse Anderson (Forge (Seeds of America, #2))
It was so much easier to hate a man than a system: vast, inhuman, bloodstained.
Katherine Arden (The Warm Hands of Ghosts)
This place gives much, but it takes much more. Stripping away the empathy. The pity. Piece by piece. Death by death. And what will be left in the end? Mia looked about the Sky Altar. The faces. The bloodstains. The shadows. Blades, she realized. Blades.
Jay Kristoff (Nevernight (The Nevernight Chronicle, #1))
Graham switched on the lights and bloodstains shouted at him from the walls, from the mattress and the floor. The very air had screams smeared on it. He flinched from the noise in this silent room full of dark stains drying. Graham sat on the floor until his head was quiet. Still, still, be still.
Thomas Harris
The elevator doors opened to reveal a very large man brandishing a bloodstained antique phone receiver in a plastic bag and proclaiming, "I found this up him!" "You know," said Tallow, "I really have no response to that.
Warren Ellis (Gun Machine)
I was too miserable to take much consolation just from feeling good for a moment in a welter of shudders and salted, bloodstained tears.
Anne Rice (Memnoch the Devil (The Vampire Chronicles, #5))
[God's] love for us was displayed most clearly through the cross of Christ. There our Lord stretched out His bloodstained hands to say, "I love you this much!
Dillon Burroughs (Hunger No More: A 1-Year Devotional Journey Through the Psalms)
Pain has been and grief enough and bitterness and crying, Sharp ways and stony ways I think it was she trod; But all there is to see now is a white bird flying, Whose blood-stained wings go circling high—circling up to God!
Margaret Widdemer
He reached up and brushed his knuckles over the wetness on my cheek. The smallest smile touched his bloodstained lips. "Someone to mourn me." He dropped his hand, as if the weight were too much. "No grave," he gasped, his hand tightening on mine, "for them to desecrate." "All right," I said. The tears came harder. There will be nothing left. He shuddered. His eyelids drooped. "Once more," he said. "Speak my name once more." He was ancient, I knew that. But in this moment he was just a boy- brilliant, blessed with too much power, burdened by eternity. "Aleksander." His eyes fluttered shut. "Don't let me be alone," he murmured. And then he was gone.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Just so. And wonder, my friend, is the intellect’s most feared foe. Its path is love, and love is the language of humility. The rational mind would stand over it with a bloodstained sword, and in the empty bleakness of its eyes you will see its triumph.
Steven Erikson (Fall of Light (The Kharkanas Trilogy, #2))
Serve God and be cheerful, look upward, beyond, beyond the darkness of masks, the surprises of dawn, in the deep green grasses of the blood-stained world.
Bob Dylan
Just two broken souls meeting in a blood-stained bedroom, both lost until we are in each other’s arms.
K.A. Knight (Den of Vipers)
Yes, facts were necessary. But frankly, anyone could be trained to collect a bloodstain or find a hair. Or an affair. Or a bank balance that didn’t balance. But feelings? Only the bravest wandered into that fiery realm.
Louise Penny (Glass Houses (Chief Inspector Armand Gamache, #13))
His sister. His de'lai. A girl he'd never met until a few months ago, and yet had somehow always known. Brave in a way he'd never been. Dark and bloodstained and scarred to the bone. She had every reason in the world to be nothing but rage and hatred and misery. But he knew, as much as she tried to hide it, she hadn't let life turn her cold. She loved with a heart as fierce as lions. Gave in a way that left her bleeding, but never broken. Because even with all she'd lost, all she'd sacrificed, all the hurt heaped upon her shoulders, she'd still come back. She still came back for me. He could feel it, burning out in that storm of rage and shadows. The love she felt for him. Too bright to smother, even beneath the power of a god.
Jay Kristoff (Darkdawn (The Nevernight Chronicle, #3))
Once I had her clean, I wrapped her in a towel and carried her back to the bed. A small red bloodstain was on the sheets, and again the possessive monster inside me threw back his head and roared his pleasure. I stood there holding her and letting the proof I was the only man to be inside her wash over me. Blythe turned her head, and I felt her stiffen in my arms. “Oh, I can clean that up,” she said, starting to wiggle. I pulled her tighter to my chest. “No. I’m going to dry you off and hold you some more. I like seeing that blood. I did that,” The pleasure in my voice made Blythe smile.
Abbi Glines (Bad for You (Sea Breeze, #7))
You never quite appreciated the fit of a decent pair of jeans until you didn't have any that weren't bloodstained or ripped.
Melissa Grey (The Shadow Hour (The Girl at Midnight, #2))
No one can stay in a brutal, bloodstained place.
Jeanine Cummins (American Dirt)
Let's see if we can find from hydrogen peroxide for these bloodstains in the carpet,' Grace said. 'I prefer ammonia,' Mrs. Greene said. 'Hot water?' Grace asked. 'No, cold.' 'Interesting,' Grace said.
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
I'm thinking of that Florida lady again, the one who wanted a book about the lighter side of a child's death, and I know: all she wanted was permission to remember her child with pleasure instead of grief. To remember that he was dead, but to remember him without pain: he's dead but of course she still loves him, and that love isn't morbid or bloodstained or unsightly, it doesn't need to be shoved away.
Elizabeth McCracken (An Exact Replica of a Figment of My Imagination)
In the deserted forest, Firestar crouched beside Spottedleaf's trembling body. Blood welled at her neck, soaking Firestar's cheek as he pressed against her. "Spottedleaf! Please don't go". Dovewing heard a sob in his mew. "You promised you'd be there to welcome me". Spottedleaf gave a tiny shake of her head. "That was never going to happen my love. I cannot journey with you anymore. I'm so sorry". Firestar pawed at her. "No! I still need you!" "Let her go" A she-cat shimmered into view, her gray fur long and matted. "Yellowfang?" Firestar looked at her, his green eyes pleading. "Don't let her disappear. Please." "This was her destiny." Yellowfang touched her muzzle to Firestar's head. "Let her follow it." "But she said she'd wait for me in StarClan!" Firestar's mew caught in his throat. Spottedleaf looked up at him and opened her mouth as if she wanted to say something. A small gasp escaped her; then she fell limp. Her fur started to blur, leaving a faint outline and then nothing but bloodstained grass. Firestar's head drooped.
Erin Hunter
Whatever had killed him, it hadn't been human. His face was gone, simply torn away. Something had ripped his lips off. I could see his bloodstained teeth. His nose had been torn all the way up one side, and part of it dangled toward the floor. His head was misshapen, as though some enormous pressure had been put upon his temples, warping his skull in.
Jim Butcher (Fool Moon (The Dresden Files, #2))
Those who in the name of Faith embrace illusion, kill and are killed. Even the atheist gets God's blessings- Does not boast of his religion; With reverence he lights the lamp of Reason And pays his homage not to scriptures, But to the good in man. The bigot insults his own religion When he slays a man of another faith. Conduct he judges not in the light of Reason; In the temple he raises the blood-stained banner And worships the devil in the name of God. All that is shameful and barbarous through the Ages, Has found a shelter in their temples- Those they turn into prisons; O, I hear the trumpet call of Destruction! Time comes with her great broom Sweeping all refuse away. That which should make man free, They turn into fetters; That which should unite, They turn into sword; That which should bring love From the fountain of the Eternal, They turn into prison And with its waves they flood the world. They try to cross the river In a bark riddled with holes; And yet, in their anguish, whom do they blame? O Lord, breaking false religion, Save the blind! Break! O break The alter that is drowned in blood. Let your thunder strike Into the prison of false religion, And bring to this unhappy land The light of Knowledge.
Rabindranath Tagore
What has she done to deserve such scorn?' I said. He had the grace to look uncomfortable as he answered. 'Not her in particular, miss,' he said, 'Just her sort. People like her in general, I mean.' 'Oh Harry,' I said, 'there is no such thing as people in general. Everyone is someone very particular.
Catriona McPherson (Dandy Gilver and the Proper Treatment of Bloodstains (Dandy Gilver, #5))
One room in the hospital had not been cleaned up. No one, not even the nuns, had had the courage to enter the obstetric ward. When Joel Breman and the team went in, they found basins of foul water standing among discarded, bloodstained syringes. The room had been abandoned in the middle of childbirths, where dying mothers had aborted fetuses infected with Ebola. The team had discovered the red chamber of the virus queen at the end of the earth, where the life-form had amplified through mothers and their unborn children. (95)
Richard Preston (The Hot Zone: The Terrifying True Story of the Origins of the Ebola Virus)
How shall I put it? Beauty-yes, beauty is like a decayed tooth. It rubs against one's tongue, it hangs there, hurting one, insisting on its own existence, finally it gets so that one cannot stand the pain and one goes to the dentist to have the tooth extracted, Then, as one looks at the small, dirty, brown, blood-stained tooth lying in one's hand, one's thoughts are likely to be as follows: ‘Is this it? Is this all it was? That thing which caused me so much pain, which made me constantly fret about its existence, which was stubbornly rooted within me, is now merely a dead object. But is this thing really the,same as that thing? If this originally belonged to my outer existence, why-through what sort of providence-did it become attached to my inner existence and succeed in causing me so much pain? What was the basis of this creature's existence? Was the basis within me? Or was it within this creature itself? Yet this creature which has been pulled out of my mouth and which now lies in my hand is something utterly different. Surely it cannot be that?
Yukio Mishima (The Temple of the Golden Pavilion)
Brave in a way he’d never been. Dark and bloodstained and scarred to the bone. She had every reason in the world to be nothing but rage and hatred and misery. But he knew, as much as she tried to hide it, she hadn’t let life turn her cold. She loved with a heart as fierce as lions. Gave in a way that left her bleeding, but never broken. Because even with all she’d lost, all she’d sacrificed, all the hurt heaped upon her shoulders, she’d still come back.
Jay Kristoff (Darkdawn (The Nevernight Chronicle, #3))
What is power? Hesina had thought it was wielding the knife, or getting someone to wield it for her. Now she realized it was neither. Power was yielding. It was taking the bloodstained knife out of a thousand frenzied hands and making it hers alone.
Joan He (Descendant of the Crane)
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
George Saunders (Lincoln in the Bardo)
Brother,you who have the light, tell me mine. I am like a blind man. I go without direction and fumble along. I go under tempests and storms, blind with fantasy and crazy with harmony. That is my malady. Dreaming. Poetry is the iron jacket with a thousand bloody points I wear upon my soul. The bloodstained thorns spill the drops of my melancholy. And so I go, blind and crazy, through this bitter world; at times it seems to me that the path is very long, and at times that it's very short... And in this back-and-forth between eagerness and agony, I am full of woes I can hardly bear. Don't you hear the drops of my melancholy falling?
Rubén Darío (Songs of Life and Hope/Cantos de vida y esperanza (English and Spanish Edition))
Cults can hide in many places. They are so adept at blending into society and masking their true colours that often their victims do not realise that they were even in a cult until they have escaped it. Nor do they fully comprehend the severity of the brainwashing that they were subjected to, until they are finally free of it.
Natacha Tormey (Cults: A Bloodstained History)
How did I become this monster…this creature that feasts on the blood of innocents?  I stare at my bloodstained dress and feel nothing but hatred for what I have done.  To know how callously I killed before and felt no regret, now pains me.  I killed before with no remorse.  But tonight…tonight, what I have done is unbearable. 
Rhiannon Frater (The Tale Of The Vampire Bride (Vampire Bride, #1))
He reached up and brushed his knuckles over the wetness on my cheek. The smallest smile touched his bloodstained lips. "Someone to mourn me." He dropped his hand, as if the weight were too much. "No grave," he gasped, his hand tightening on mine, "for them to desecrate." "All right," I said. The tears came harder. There will be nothing left. He shuddered. His eyelids dropped. "Once more," he said. "Speak my name once more. He was ancient, I knew that. But in this moment he was just a boy - brilliant, blessed with too much power, burdened by eternity. "Aleksander." His eyes fluttered shut. "Don't let me be alone," he murmured. And then he was gone.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
During the wars of the Empire, while husbands and brothers were in Germany, anxious mothers gave birth to an ardent, pale, and neurotic generation. Conceived between battles, reared amid the noises of war, thousands of children looked about them with dull eyes while testing their limp muscles. From time to time their blood-stained fathers would appear, raise them to their gold-laced bosoms, then place them on the ground and remount their horses.
Alfred de Musset (The Confession of a Child of the Century)
The blood-stain has been much admired by tourists and others, and cannot be removed." "That is all nonsense," cried Washington Otis; "Pinkerton's Champion Stain Remover and Paragon Detergent will clean it up in no time," and before the terrified housekeeper could interfere, he had fallen upon his knees, and was rapidly scouring the floor with a small stick of what looked like a black cosmetic. In a few moments no trace of the blood-stain could be seen.
Oscar Wilde (The Canterville Ghost)
My sister and I had been born fair and dark, her looking like a girl in a fairy tale who would grow up sweet, a princess, and me like one who would grow into a cruel witch. I had seen the pictures in storybooks. I knew what I was, with my bloodstained hair. Girls like me were marked for the swans. How could they ever take a girl like Blanca?
Anna-Marie McLemore (Blanca & Roja)
It all fades. Memories fade. Heartaches fade. But although time makes it bearable and easier to smile, to live, it doesn’t erase the pain entirely.
Ella Fields (Bloodstained Beauty)
Conan, grim, blood-stained, naked but for a loin-cloth, shackles on his mighty limbs, his blue eyes blazing beneath the tangled black mane which fell over his low broad forehead.
Robert E. Howard (Conan the Barbarian: The Complete Collection)
The lover strips the beloved of her identity no less than the blood-stained priest his human or animal victim.
Georges Bataille (Erotism: Death and Sensuality)
A bear that would turn into a prince, she thought, and then smiled sadly to herself. Her prince was not a bear, but a madman. Alice had learned that you could not choose whom to love. If royalty appeared out of nowhere and offered her a future, she would have to turn away from it, because Alice could never love any other but the one with grey eyes and bloodstained hands.
Christina Henry (Red Queen (The Chronicles of Alice, #2))
Ms. Lane.”Barrons’ voice is deep, touched with that strange Old World accent and mildly pissed off. Jericho Barrons is often mildly pissed off. I think he crawled from the swamp that way, chafed either by some condition in it, out of it, or maybe just the general mass incompetence he encountered in both places. He’s the most controlled, capable man I’ve ever known. After all we’ve been through together, he still calls me Ms. Lane, with one exception: When I’m in his bed. Or on the floor, or some other place where I’ve temporarily lost my mind and become convinced I can’t breathe without him inside me this very instant. Then the things he calls me are varied and nobody’s business but mine. I reply: “Barrons,” without inflection. I’ve learned a few things in our time together. Distance is frequently the only intimacy he’ll tolerate. Suits me. I’ve got my own demons. Besides I don’t believe good relationships come from living inside each other’s pockets. I believe divorce comes from that. I admire the animal grace with which he enters the room and moves toward me. He prefers dark colors, the better to slide in and out of the night, or a room, unnoticed except for whatever he’s left behind that you may or may not discover for some time, like, say a tattoo on the back of one’s skull. “What are you doing?” “Reading,” I say nonchalantly, rubbing the tattoo on the back of my skull. I angle the volume so he can’t see the cover. If he sees what I’m reading, he’ll know I’m looking for something. If he realizes how bad it’s gotten, and what I’m thinking about doing, he’ll try to stop me. He circles behind me, looks over my shoulder at the thick vellum of the ancient manuscript. “In the first tongue?” “Is that what it is?” I feign innocence. He knows precisely which cells in my body are innocent and which are thoroughly corrupted. He’s responsible for most of the corrupted ones. One corner of his mouth ticks up and I see the glint of beast behind his eyes, a feral crimson backlight, bloodstaining the whites. It turns me on. Barrons makes me feel violently, electrically sexual and alive. I’d march into hell beside him. But I will not let him march into hell beside me. And there’s no doubt that’s where I’m going. I thought I was strong, a heroine. I thought I was the victor. The enemy got inside my head and tried to seduce me with lies. It’s easy to walk away from lies. Power is another thing. Temptation isn’t a sin that you triumph over once, completely and then you’re free. Temptation slips into bed with you each night and helps you say your prayers. It wakes you in the morning with a friendly cup of coffee, and knows exactly how you take it. He skirts the Chesterfield sofa and stands over me. “Looking for something, Ms. Lane?” I’m eye level with his belt but that’s not where my gaze gets stuck and suddenly my mouth is so dry I can hardly swallow and I know I’m going to want to. I’m Pri-ya for this man. I hate it. I love it. I can’t escape it. I reach for his belt buckle. The manuscript slides from my lap, forgotten. Along with everything else but this moment, this man. “I just found it,” I tell him.
Karen Marie Moning (Burned (Fever, #7))
That was a mite tacky, ma'am ... even for you." Elizabeth let her mouth fall open. "Even for me? What's that supposed to mean?" "It just means that people with" --He stared pointedly-- "your upbringing aren't usually the most polite folks around." ... "Listen Ranslett, if I've offended you I certainly didn't mean t--" "Sure you did. You just meant to do it in a way that would make yourself look bad." He turned to look at her more fully, and his eyes narrowed, though not in malice. “When you’ve got something to say that isn’t kind, Miss Westbrook, there’s no way to couch it so that it is. Or to hide from how it makes you look when you do. That’s something us good ol’ Southern boys learn real quick about women.” His accent thickened, comically so. “Your gender may say things with a smile, all soft and gentle-like, but some of you --- granted, not all --- have a dagger hidden in your skirts. Us country boys may not be as quick as some, ma’am, but it doesn’t take us too long to figure out who those woman are.” He winked at her. “We just check each other’s backs for the bloodstains.” He stood and reached behind him as though feeling for something. “Yep, feelin’ a little sticky back there.
Tamera Alexander (From a Distance (Timber Ridge Reflections, #1))
The legal reporter came out of his cubicle shouting that two bodies of unidentified girls were in the city morgue. Frightened, I asked him: What age? Young, he said. They may be refugees from the interior chased here by the regime's thugs. I sighed with relief. The situation encroaches on us in silence, like a bloodstain, I said. The legal reporter, at some distance now, shouted: "Not blood, Maestro,shit.
Gabriel García Márquez (Memories of My Melancholy Whores)
So the women would not forgive. Their passion remained intact, carefully guarded and nurtured by the bitter knowledge of all they had lost, of all that had been stolen from them. For generations they vilified the Yankee race so the thief would have a face, a name, a mysterious country into which he had withdrawn and from which he might venture again. They banded together into a militant freemasonry of remembering, and from that citadel held out against any suggestion that what they had suffered and lost might have been in vain. They created the Lost Cause, and consecrated that proud fiction with the blood of real men. To the Lost Cause they dedicated their own blood, their own lives, and to it they offered books, monographs, songs, acres and acres of bad poetry. They fashioned out of grief and loss an imaginary world in which every Southern church had stabled Yankee horses, every nick in Mama's furniture was made by Yankee spurs, every torn painting was the victim of Yankee sabre - a world in which paint did not stick to plaster walls because of the precious salt once hidden there; in which bloodstains could not be washed away and every other house had been a hospital.
Howard Bahr (The Black Flower: A Novel of the Civil War)
When one watches some tired hack on the platform mechanically repeating the familiar phrases -- bestial atrocities, iron heel, bloodstained tyranny, free peoples of the world, stand shoulder to shoulder -- one often has a curious feeling that one is not watching a live human being but some kind of dummy: a feeling which suddenly becomes stronger at moments when the light catches the speaker's spectacles and turns them into blank discs which seem to have no eyes behind them. And this is not altogether fanciful. A speaker who uses that kind of phraseology has gone some distance toward turning himself into a machine. The appropriate noises are coming out of his larynx, but his brain is not involved as it would be if he were choosing his words for himself. If the speech he is making is one that he is accustomed to make over and over again, he may be almost unconscious of what he is saying, as one is when one utters the responses in church. And this reduced state of consciousness, if not indispensable, is at any rate favorable to political conformity.
George Orwell (All Art is Propaganda: Critical Essays)
Now that it’s too late, now that I lie here dying on this bloodstained sand, I finally get it. I understand, now. I understand. I know what he meant. My father told me that to know the enemy is half the battle. I know you, now. That’s right. It’s you. All of you who sit in comfort and watch me die, who see the twitch of my bowels through my own eyes: You are my enemy. Corpses lie scattered around me, gleanings left in a wheat field by a careless reaper. Berne’s body cools beneath the bend of my back, and I can’t feel him anymore. The sky darkens over my head—but no, I think that’s my eyes; Pallas’ light seems to have faded. Every drop of the blood that soaks into this sand stains my hands and the hands of the monsters that put me here. That’s you, again. It’s your money that supports me, and everyone like me; it’s your lust that we serve. You could thumb your emergency cut-off, turn your eyes from the screen, walk out of the theatre, close the book . . . But you don’t. You are my accomplice, and my destroyer. My nemesis. My insatiable blood-crazed god. Ah, ahhh, Christ . . . it hurts.
Matthew Woodring Stover (Heroes Die (The Acts of Caine, #1))
When he awakened again he could stand, and did. He doused his head in cold water and drank four glasses of water. The water made him sick and after that he began to shake with a chill. He went into the bedroom and lay down on the bare blood-stained mattress, but got up almost immediately to go stumbling and staggering in haste back to the bathroom, where he got down on hands and knees and searched the floor until he had found the rusty razor-blade. He sat on the floor and put the razor-blade into his vest-pocket. Putting it in, his fingers touched his lighter. He took the lighter out and looked at it. A cunning gleam came into his one open eye as he looked at the lighter. The gleam was not sane.
Dashiell Hammett (The Glass Key)
Imagine this: Instead of waiting in her tower, Rapunzel slices off her long, golden hair with a carving knife, and then uses it to climb down to freedom. Just as she’s about to take the poison apple, Snow White sees the familiar wicked glow in the old lady’s eyes, and slashes the evil queen’s throat with a pair of sewing scissors. Cinderella refuses everything but the glass slippers from her fairy godmother, crushes her stepmother’s windpipe under her heel, and the Prince falls madly in love with the mysterious girl who dons rags and blood-stained slippers. Imagine this: Persephone goes adventuring with weapons hidden under her dress. Persephone climbs into the gaping chasm. Or, Persephone uses her hands to carve a hole down to hell. In none of these versions is Persephone’s body violated unless she asks Hades to hold her down with his horse-whips. Not once does she hold out on eating the pomegranate, instead biting into it eagerly and relishing the juice running down her chin, staining it red. In some of the stories, Hades never appears and Persephone rules the underworld with a crown of her own making. In all of them, it is widely known that the name Persephone means Bringer of Destruction. Imagine this: Red Riding Hood marches from her grandmother’s house with a bloody wolf pelt. Medusa rights the wrongs that have been done to her. Eurydice breaks every muscle in her arms climbing out of the land of the dead. Imagine this: Girls are allowed to think dark thoughts, and be dark things. Imagine this: Instead of the dragon, it’s the princess with claws and fiery breath who smashes her way from the confines of her castle and swallows men whole.
theappleppielifestyle
I turned and held the blade above us all as an ineffective shield. The bloodstain on the ceiling now spread almost wall to wall; in our corner, a single triangle of clean space remained. Elsewhere torrents of blood fell in curtains, roaring, driving, gusting like rain waves in a thunderstorm. The floor was awash. It pooled between the floorboards and lashed up against the wainscoting. The chandelier dripped with it: the crystals shone red. Now I knew why the chamber was without furniture of any kind, why it had been deserted for so many years. Now I knew why it had the name it did.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
Tantae molis erat to unleash the 'eternal natural laws' of the capitalist mode of production, to complete the process of separation between the workers and the conditions of their labour, to transform, at one pole, the social means of production and subsistence into capital, and at the opposite pole, the mass of the population into wage-labourers, into the free 'labouring poor', that artificial product of modern history. If money, according to Augier, 'comes into the world with a congenital bloodstain on one cheek,' capital comes dripping from head to toe, from every pore, with blood and dirt.
Karl Marx (Capital: A Critique of Political Economy Volume 1)
I tell you as well as myself: what we see with our own eyes is nothing other than a cloud concealing what we should perceive with our inner sight, while what we listen to with our ears is merely a ringing sound disturbing what we should understand with our hearts. When we see a man being taken to prion by a police officer let us not hasten to assume he is a wrong-doer. When we see a corpse, and a man standing beside it with bloodstained hands, let us not conclude that this is a victim and his assassin. When we hear one man singing and another lamenting, let us ascertain which one of the two is truly happy.
Kahlil Gibran (The Prophet)
Val turned, still naked, still impossibly beautiful. Only the gore spattered on his belly, chest, and arm, marred his perfection. He walked toward her and she couldn't help it. She backed away from him. He smiled. Sweetly. Like a boy. The dagger still in his left hand. And caught her arm with his right hand. "This is who I am, Séraphine. Naked, with blade and blood. I am vengeance. I am hate. I am sin personified. Never mistake me for the hero of this tale, for I am not and shall never be. I am the villain." And he laid his lips over hers and pushed his hot tongue into her mouth and kissed her until she couldn't breathe and it was only later that she found the bloodstains on her dress. Her lips had been sweet, like ripe figs, her mouth a cavern of delight. But her eyes- those dark inquisitor's eyes- had held only horror and disgust. Val sipped his China tea the next morning and gazed out the window. The sun shone on his garden, giving the illusion of warmth, though his empty chest was ice-cold. He could have explained to her that a razor-sharp blade was kinder than a hangman's noose. That death delivered in seconds with a few thrusts was preferable to a laughing, jabbering mob, gleeful at the jerking, agonizing execution. But those saint's eyes would've seen the hypocrisy.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
The Lowe family had always been the undisputed villains of their town’s ancient, bloodstained story, and no one understood that better than the Lowe brothers. The family lived on an isolated estate of centuries-worn stone, swatched in moss and shadowed in weeping trees. On mischief nights, children from Ilvernath sometimes crept up to its towering wrought iron fence, daring their friends to touch the padlock chained around the gate—the one engraved with a scythe. Grins like goblins, the children murmured, because children in Ilvernath loved fairy tales—especially real ones. Pale as plague and silent as spirits. They’ll tear your throat out and drink your soul. All these tales were deserved.
Amanda Foody, christine lynn Herman (All of Us Villains (All of Us Villains, #1))
You are to be men who will walk humbly with God, who will stand before Him in your God-given manhood, free from impurity, free from all contamination from the sensuality that is corrupting this age. You must be men who will despise all falsity and wickedness, who will dare to be true and brave, holding aloft the blood-stained banner of Prince Emmanuel.
Ellen Gould White (Messages to Young People)
The louder she screamed, the harder he whipped; and where the blood ran fastest, there he whipped longest. He would whip her to make her scream, and whip her to make her hush; and not until overcome by fatigue, would he cease to swing the blood-clotted cowskin. I remember the first time I ever witnessed this horrible exhibition. I was quite a child, but I well remember it. I never shall forget it whilst I remember anything. It was the first of a long series of outrages, of which I was doomed to be a witness and a participant. It struck me with awful force. It was the blood-stained gate, the entrance to the hell of slavery, through which I was about to pass.
Frederick Douglass
In the Queen's prayerbook, along with the blood-stain, was also a lock of hair and a crumb of pastry; Orlando now added to these keepsakes a flake of tobacco, and so, reading and smoking, was moved by the humane jumble of them all--the hair, the pastry, the blood-stain, the tobacco--to such a mood of contemplation as gave her a reverent air suitable in the circumstances, though she had, it is said, no traffic with the usual God.
Virginia Woolf
Abraxos hurtled in, wings spread as he made one pass and then a second, the canyon appearing too fast below. By the time he finished the second glide, almost close enough to touch that bloodstained leathery hide, Manon understood. He couldn’t stop Keelie—she was too heavy and he too small. Yet they could save Petrah. He’d seen Asterin make that jump, too. She had to get the unconscious witch out of the saddle. Abraxos roared at Keelie, and Manon could have sworn that he was speaking some alien language, bellowing some command, as Keelie made one final stand for her rider and leveled out flat. A landing platform. My Keelie, Petrah had said. Had smiled as she said it. Manon told herself it was for an alliance. Told herself it was for show. But all she could see was the unconditional love in that dying wyvern’s eyes as she unbuckled her harness, stood from the saddle, and leapt off Abraxos.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Gryffindor. You know why that was. Think.” “It only put me in Gryffindor,” said Harry in a defeated voice, “because I asked not to go in Slytherin. . . .” “Exactly,” said Dumbledore, beaming once more. “Which makes you very different from Tom Riddle. It is our choices, Harry, that show what we truly are, far more than our abilities.” Harry sat motionless in his chair, stunned. “If you want proof, Harry, that you belong in Gryffindor, I suggest you look more closely at this.” Dumbledore reached across to Professor McGonagall’s desk, picked up the blood-stained silver sword, and handed it to Harry. Dully,
J.K. Rowling (Harry Potter: The Complete Collection (Harry Potter, #1-7))
January? The month is dumb. It is fraudulent. It does not cleanse itself. The hens lay blood-stained eggs. Do not lend your bread to anyone lest it nevermore rise. Do not eat lentils or your hair will fall out. Do not rely on February except when your cat has kittens, throbbing into the snow. Do not use knives and forks unless there is a thaw, like the yawn of a baby. The sun in this month begets a headache like an angel slapping you in the face. Earthquakes mean March. The dragon will move, and the earth will open like a wound. There will be great rain or snow so save some coal for your uncle. The sun of this month cures all. Therefore, old women say: Let the sun of March shine on my daughter, but let the sun of February shine on my daughter-in-law. However, if you go to a party dressed as the anti-Christ you will be frozen to death by morning. During the rainstorms of April the oyster rises from the sea and opens its shell — rain enters it — when it sinks the raindrops become the pearl. So take a picnic, open your body, and give birth to pearls. June and July? These are the months we call Boiling Water. There is sweat on the cat but the grape marries herself to the sun. Hesitate in August. Be shy. Let your toes tremble in their sandals. However, pick the grape and eat with confidence. The grape is the blood of God. Watch out when holding a knife or you will behead St. John the Baptist. Touch the Cross in September, knock on it three times and say aloud the name of the Lord. Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain. Do not faint in September or you will wake up in a dead city. If someone dies in October do not sweep the house for three days or the rest of you will go. Also do not step on a boy's head for the devil will enter your ears like music. November? Shave, whether you have hair or not. Hair is not good, nothing is allowed to grow, all is allowed to die. Because nothing grows you may be tempted to count the stars but beware, in November counting the stars gives you boils. Beware of tall people, they will go mad. Don't harm the turtle dove because he is a great shoe that has swallowed Christ's blood. December? On December fourth water spurts out of the mouse. Put herbs in its eyes and boil corn and put the corn away for the night so that the Lord may trample on it and bring you luck. For many days the Lord has been shut up in the oven. After that He is boiled, but He never dies, never dies.
Anne Sexton
I took her to my favorite bookstore, where I loaded her up with Ian Rankin novels and she bullied me into buying a book on European snails. I took her to the chip shop on the corner, where she distracted me by giving a detailed-and-probably-bullshit account of her brother's sex life (drones, cameras, his rooftop pool) while she ate all my fried fish and left her own plate untouched. I took her for a walk along the Thames, where I showed her how to skip a stone and she nearly punctured a hole in a passing pontoon boat. We went to my favorite curry place. Twice. In one day. She'd gotten this look on her face when she took her first bite of their pakora, this blissful lids-lowered look, and two hours later I decided that it made up for the embarrassment I felt that night, when I found her instructing my sister, Shelby on the best way to bleach out bloodstains, using the curry dribble on my shirt as a test case. In short, it was both the best three days I'd ever had, my mother notwithstanding, and a fairly standard week with Charlotte Holmes.
Brittany Cavallaro (The Last of August (Charlotte Holmes, #2))
Though small, the shrine has a long history. In 1333—the Third Year of the Genko era—Lord Takeshigé Kikuchi ascended to it in order to implore the divine favor before going into battle. Victory was his, and in gratitude he had the shrine rebuilt. According to tradition, he himself carved the Worship Image, reciting a triple prayer after each stroke. This represented the god as standing on the mountain peak with one hand raised, gazing at the armed host he had blessed. It was an image of victory. Now, however, the morning after the rising, early on the auspicious Ninth Day of the Ninth Month, the time of the Chrysanthemum Festival, there were gathered around the shrine forty-six hunted survivors of a defeated force. Some standing, some sitting, they stared blankly about them, though the penetrating autumn chill made their wounds sting. The clear light of the rising sun cast a striped pattern as it shone down through the branches of the few old cedars that surrounded the shrine. Birds were singing. The air was fresh and clear. As for signs of last night’s sanguinary combat, these were visible in the soiled and bloodstained garments, the haggard visages, and the eyes that burned like live embers. Among the forty-six were Unshiro Ishihara, Kageki Abé, Kisou Onimaru, Juro Furuta, Tsunetaro Kobayashi, the brothers Gitaro and Gigoro Tashiro, Tateki Ura, Mitsuo Noguchi, Mikao Kashima, and Kango Hayami. Every man was silent, sunk deep in thought, looking off at the sea, or at the mountains, or at the smoke still rising from Kumamoto. Such were the men of the League at rest on the slope of Kimpo, some with fingers yellowed from brushing the petals of wild chrysanthemums that they had plucked while staring across the water at Shimabara Peninsula.
Yukio Mishima (Runaway Horses (The Sea of Fertility, #2))
The man who wields the blood-clotted cowskin during the week fills the pulpit on Sunday, and claims to be a minister of the meek and lowly Jesus. The man who robs me of my earnings at the end of each week meets me as a class- leader on Sunday morning, to show me the way of life, and the path of salvation. He who sells my sister, for purposes of prostitution, stands forth as the pious advocate of purity. He who proclaims it a religious duty to read the Bible denies me the right of learning to read the name of the God who made me. He who is the religious advocate of marriage robs whole millions of its sacred influence, and leaves them to the ravages of wholesale pollution. The warm defender of the sacredness of the family relation is the same that scatters whole families,— sundering husbands and wives, parents and children, sisters and brothers,—leaving the hut vacant, and the hearth desolate. We see the thief preaching against theft, and the adulterer against adultery. We have men sold to build churches, women sold to support the gospel, and babes sold to purchase Bibles for the poor heathen! all for the glory of God and the good of souls! The slave auctioneer’s bell and the church-going bell chime in with each other, and the bitter cries of the heart-broken slave are drowned in the religious shouts of his pious master. Revivals of religion and revivals in the slave-trade go hand in hand together. The slave prison and the church stand near each other. The clanking of fetters and the rattling of chains in the prison, and the pious psalm and solemn prayer in the church, may be heard at the same time. The dealers in the bodies and souls of men erect their stand in the presence of the pulpit, and they mutually help each other. The dealer gives his blood-stained gold to support the pulpit, and the pulpit, in return, covers his infernal business with the garb of Christianity. Here we have religion and robbery the allies of each other—devils dressed in angels’ robes, and hell presenting the semblance of paradise.
Frederick Douglass (Narrative of the Life of Frederick Douglass)
THE ANTHEM OF HOPE Tiny footprints in mud, metal scraps among thistles Child who ambles barefooted through humanity’s war An Elderflower in mud, landmines hidden in bristles Blood clings to your feet, your wee hands stiff and sore You who walk among trenches, midst our filth and our gore Box of crayons in hand, your tears tumble like crystals Gentle, scared little boy, at the heel of Hope Valley, The grassy heel of Hope Valley. And the bombs fall-fall-fall Down the slopes of Hope Valley Bayonets cut-cut-cut Through the ranks of Hope Valley Napalm clouds burn-burn-burn All who fight in Hope Valley, All who fall in Hope Valley. Bullets fly past your shoulder, fireflies light the sky Child who digs through the trenches for his long sleeping father You plant a kiss on his forehead, and you whisper goodbye Vain corpses, brave soldiers, offered as cannon fodder Nothing is left but a wall; near its pallor you gather Crayon ready, you draw: the memory of a lie Kind, sad little boy, sketching your dream of Hope Valley Your little dream of Hope Valley. Missiles fly-fly-fly Over the fields of Hope Valley Carabines shoot-shoot-shoot The brave souls of Hope Valley And the tanks shell-shell-shell Those who toiled for Hope Valley, Those who died for Hope Valley. In the light of gunfire, the little child draws the valley Every trench is a creek; every bloodstain a flower No battlefield, but a garden with large fields ripe with barley Ideations of peace in his dark, final hour And so the child drew his future, on the wall of that tower Memories of times past; your tiny village lush alley Great, brave little boy, the future hope of Hope Valley The only hope of Hope Valley. And the grass grows-grows-grows On the knolls of Hope Valley Daffodils bloom-bloom-bloom Across the hills of Hope Valley The midday sun shines-shines-shines On the folk of Hope Valley On the dead of Hope Valley From his Aerodyne fleet The soldier faces the carnage Uttering words to the fallen He commends their great courage Across a wrecked, tower wall A child’s hand limns the valley And this drawing speaks volumes Words of hope, not of bally He wipes his tears and marvels The miracle of Hope Valley The only miracle of Hope Valley And the grass grows-grows-grows Midst all the dead of Hope Valley Daffodils bloom-bloom-bloom For all the dead of Hope Valley The evening sun sets-sets-sets On the miracle of Hope Valley The only miracle of Hope Valley (lyrics to "the Anthem of Hope", a fictional song featured in Louise Blackwick's Neon Science-Fiction novel "5 Stars".
Louise Blackwick (5 Stars)
At length the colour on her cheeks resumed its stability and it seemed as if the spirit of the age—if such indeed it were—lay dormant for a time. Then Orlando felt in the bosom of her shirt as if for some locket or relic of lost affection, and drew out no such thing, but a roll of paper, sea-stained, blood-stained, travel-stained—the manuscript of her poem, 'The Oak Tree'. She had carried this about with her for so many years now, and in such hazardous circumstances, that many of the pages were stained, some were torn, while the straits she had been in for writing paper when with the gipsies, had forced her to overscore the margins and cross the lines till the manuscript looked like a piece of darning most conscientiously carried out. She turned back to the first page and read the date, 1586, written in her own boyish hand. She had been working at it for close three hundred years now. It was time to make an end. Meanwhile she began turning and dipping and reading and skipping and thinking as she read, how very little she had changed all these years. She had been a gloomy boy, in love with death, as boys are; and then she had been amorous and florid; and then she had been sprightly and satirical; and sometimes she had tried prose and sometimes she had tried drama. Yet through all these changes she had remained, she reflected, fundamentally the same.
Virginia Woolf (Orlando)
What would have happened? Lol does not probe very deeply into the unknown into which this moment opens. She has no memory, not even an imaginary one, she has not the faintest notion of this unknown. But what she does believe is that she must enter it, that that was what she has to do, that it would always have meant, for her mind as well as her body, both their greatest pain and their greatest joy, so commingled as to be undefinable, a single entity but unnamable for lack of a word. I like to believe--since I love her--that if Lol is silent in daily life, it is because, for a split second, she believed that this word might exist. Since it does not, she remains silent. It would have been an absence-word, a hole-word, whose center would have been hollowed out into a hole, the kind of hole in which all other words would have been buried. It would have been impossible to utter, it would have been made to reverberate. Enormous, endless, an empty gong, it would have held back anyone who wanted to leave, it would have convinced them of the impossible, it would have made them deaf to any other word save that one, in one fell swoop it would have defined the moment and the future themselves. By its absence this word ruins all the others, it contaminates them, it is also the dead dog on the beach at high noon, this hole of flesh. How were other words found? Hand-me-downs from God knows how many love affairs like Lol Stein's, affairs nipped in the bud, trampled upon, and from massacres, oh! you've no idea how many their are, how many blood-stained failures are strewn along the horizon, piled up there, and, among them, this word, which does not exist, is nonetheless there: it awaits you just around the corner of language, it defies you--never having been used--to raise it, to make it arise from its kingdom, which is pierced on every side and through which flows the sea, the sand, the eternity of the ball in the cinema of Lol Stein.
Marguerite Duras