Blood Lad Quotes

We've searched our database for all the quotes and captions related to Blood Lad. Here they are! All 65 of them:

So it is not an accident that the Nazi lads vent a particular fury against (Einstein). He does truly stand for what they most dislike, the opposite of the blond beast intellectualist, individualist, supernationalist, pacifist, inky, plump... How should they know the glory of the free-ranging intellect and soft objective sympathy to whom money and violence, drink and blood and pomp, mean absolutely nothing?
John Maynard Keynes
This," cried the Mayor, "is your town's darkest hour! The time for all Whos who have blood that is red To come to the aid of their country!" he said. "We've GOT to make noises in greater amounts! So, open your mouth, lad! For every voice counts!
Dr. Seuss (Horton Hears a Who!)
Careful what you wish for, lad, Rob thought. Blood’s not so easy to put back in, once you let it flow. Your own no more than anybody else’s.
Victor Milán (The Dinosaur Lords (The Dinosaur Lords, #1))
I tell you, lad, that men will believe is one says, "The Gods say..." They will believe if one says, "I had a Vision..." They will believe if one says, "It was told me on a tablet of hidden gold..." But, if one says, "History teaches," then they will not believe.
Sheri S. Tepper (King's Blood Four (Land of the True Game, #1))
You cling so tightly to your purity, my lad! How terrified you are of sullying your hands. Well, go ahead then, stay pure! What good will it do, and why even bother coming here among us? Purity is a concept of fakirs and friars. But you, the intellectuals, the bourgeois anarchists, you invoke purity as your rationalization for doing nothing. Do nothing, don’t move, wrap your arms tight around your body, put on your gloves. As for myself, my hands are dirty. I have plunged my arms up to the elbows in excrement and blood. And what else should one do? Do you suppose that it is possible to govern innocently?
Jean-Paul Sartre (Les Mains sales)
Were these boys in their right minds? Here were two boys with good intellect, one eighteen and one nineteen. They had all the prospects that life could hold out for any of the young; one a graduate of Chicago and another of Ann Arbor; one who had passed his examination for the Harvard Law School and was about to take a trip in Europe,--another who had passed at Ann Arbor, the youngest in his class, with three thousand dollars in the bank. Boys who never knew what it was to want a dollar; boys who could reach any position that was to boys of that kind to reach; boys of distinguished and honorable families, families of wealth and position, with all the world before them. And they gave it all up for nothing, for nothing! They took a little companion of one of them, on a crowded street, and killed him, for nothing, and sacrificed everything that could be of value in human life upon the crazy scheme of a couple of immature lads. Now, your Honor, you have been a boy; I have been a boy. And we have known other boys. The best way to understand somebody else is to put yourself in his place. Is it within the realm of your imagination that a boy who was right, with all the prospects of life before him, who could choose what he wanted, without the slightest reason in the world would lure a young companion to his death, and take his place in the shadow of the gallows? ...No one who has the process of reasoning could doubt that a boy who would do that is not right. How insane they are I care not, whether medically or legally. They did not reason; they could not reason; they committed the most foolish, most unprovoked, most purposeless, most causeless act that any two boys ever committed, and they put themselves where the rope is dangling above their heads.... Why did they kill little Bobby Franks? Not for money, not for spite; not for hate. They killed him as they might kill a spider or a fly, for the experience. They killed him because they were made that way. Because somewhere in the infinite processes that go to the making up of the boy or the man something slipped, and those unfortunate lads sit here hated, despised, outcasts, with the community shouting for their blood. . . . I know, Your Honor, that every atom of life in all this universe is bound up together. I know that a pebble cannot be thrown into the ocean without disturbing every drop of water in the sea. I know that every life is inextricably mixed and woven with every other life. I know that every influence, conscious and unconscious, acts and reacts on every living organism, and that no one can fix the blame. I know that all life is a series of infinite chances, which sometimes result one way and sometimes another. I have not the infinite wisdom that can fathom it, neither has any other human brain
Clarence Darrow (Attorney for the Damned: Clarence Darrow in the Courtroom)
Westward on the high-hilled plains Where for me the world began, Still, I think, in newer veins Frets the changeless blood of man. ... There, when hueless is the west And the darkness hushes wide, Where the lad lies down to rest Stands the troubled dream beside. There, on thoughts that once were mine, Day looks down the eastern steep, And the youth at morning shine Makes the vow he will not keep.
A.E. Housman (A Shropshire Lad)
Be still, my soul, be still; the arms you bear are brittle, Earth and high heaven are fixt of old and founded strong. Think rather,--call to thought, if now you grieve a little, The days when we had rest, O soul, for they were long. Men loved unkindness then, but lightless in the quarry I slept and saw not; tears fell down, I did not mourn; Sweat ran and blood sprang out and I was never sorry: Then it was well with me, in days ere I was born. Now, and I muse for why and never find the reason, I pace the earth, and drink the air, and feel the sun. Be still, be still, my soul; it is but for a season: Let us endure an hour and see injustice done. Ay, look: high heaven and earth ail from the prime foundation; All thoughts to rive the heart are here, and all are vain: Horror and scorn and hate and fear and indignation-- Oh why did I awake? when shall I sleep again?
A.E. Housman (A Shropshire Lad)
So long as Colin shut himself up in his room and thought only of his fears and weakness and his detestation of people who looked at him and reflected hourly on humps and early death, he was a hysterical half-crazy little hypochondriac who knew nothing of the sunshine and the spring and also did not know that he could get well and could stand upon his feet if he tried to do it. When new beautiful thoughts began to push out the old hideous ones, life began to come back to him, his blood ran healthily through his veins and strength poured into him like a flood. His scientific experiment was quite practical and simple and there was nothing weird about it at all. Much more surprising things can happen to any one who, when a disagreeable or discouraged thought comes into his mind, just has the sense to remember in time and push it out by putting in an agreeable determinedly courageous one. Two things cannot be in one place. "Where, you tend a rose, my lad, A thistle cannot grow.
Frances Hodgson Burnett (The Secret Garden)
As for you, you’re a parson,’ he muttered; ‘you did well; a parson’s a very happy man. The calling absorbs you, eh? And so you’ve taken to the good path. Well! you would never have been satisfied otherwise. Your relatives, starting like you, have done a deal of evil, and still they are unsatisfied. It’s all logically perfect, my lad. A priest completes the family. Besides, it was inevitable. Our blood was bound to run to that. So much the better for you; you have had the most luck.
Émile Zola (Abbe Mouret’s Transgression illustrated: Emile Zola (Classics,Literature))
Are we labouring at some Work too vast for us to perceive? Are our passions and desires mere whips and traces by the help of which we are driven? Any theory seems more hopeful than the thought that all our eager, fretful lives are but the turning of a useless prison crank. Looking back the little distance that our dim eyes can penetrate the past, what do we find? Civilizations, built up with infinite care, swept aside and lost. Beliefs for which men lived and died, proved to be mockeries. Greek Art crushed to the dust by Gothic bludgeons. Dreams of fraternity, drowned in blood by a Napoleon. What is left to us, but the hope that the work itself, not the result, is the real monument? Maybe, we are as children, asking, "Of what use are these lessons? What good will they ever be to us?" But there comes a day when the lad understands why he learnt grammar and geography, when even dates have a meaning for him. But this is not until he has left school, and gone out into the wider world. So, perhaps, when we are a little more grown up, we too may begin to understand the reason for our living
Jerome K. Jerome
Tenways showed his rotten teeth. ‘Fucking make me.’ ‘I’ll give it a try.’ A man came strolling out of the dark, just his sharp jaw showing in the shadows of his hood, boots crunching heedless through the corner of the fire and sending a flurry of sparks up around his legs. Very tall, very lean and he looked like he was carved out of wood. He was chewing meat from a chicken bone in one greasy hand and in the other, held loose under the crosspiece, he had the biggest sword Beck had ever seen, shoulder-high maybe from point to pommel, its sheath scuffed as a beggar’s boot but the wire on its hilt glinting with the colours of the fire-pit. He sucked the last shred of meat off his bone with a noisy slurp, and he poked at all the drawn steel with the pommel of his sword, long grip clattering against all those blades. ‘Tell me you lot weren’t working up to a fight without me. You know how much I love killing folk. I shouldn’t, but a man has to stick to what he’s good at. So how’s this for a recipe…’ He worked the bone around between finger and thumb, then flicked it at Tenways so it bounced off his chain mail coat. ‘You go back to fucking sheep and I’ll fill the graves.’ Tenways licked his bloody top lip. ‘My fight ain’t with you, Whirrun.’ And it all came together. Beck had heard songs enough about Whirrun of Bligh, and even hummed a few himself as he fought his way through the logpile. Cracknut Whirrun. How he’d been given the Father of Swords. How he’d killed his five brothers. How he’d hunted the Shimbul Wolf in the endless winter of the utmost North, held a pass against the countless Shanka with only two boys and a woman for company, bested the sorcerer Daroum-ap-Yaught in a battle of wits and bound him to a rock for the eagles. How he’d done all the tasks worthy of a hero in the valleys, and so come south to seek his destiny on the battlefield. Songs to make the blood run hot, and cold too. Might be his was the hardest name in the whole North these days, and standing right there in front of Beck, close enough to lay a hand on. Though that probably weren’t a good idea. ‘Your fight ain’t with me?’ Whirrun glanced about like he was looking for who it might be with. ‘You sure? Fights are twisty little bastards, you draw steel it’s always hard to say where they’ll lead you. You drew on Calder, but when you drew on Calder you drew on Curnden Craw, and when you drew on Craw you drew on me, and Jolly Yon Cumber, and Wonderful there, and Flood – though he’s gone for a wee, I think, and also this lad here whose name I’ve forgotten.’ Sticking his thumb over his shoulder at Beck. ‘You should’ve seen it coming. No excuse for it, a proper War Chief fumbling about in the dark like you’ve nothing in your head but shit. So my fight ain’t with you either, Brodd Tenways, but I’ll still kill you if it’s called for, and add your name to my songs, and I’ll still laugh afterwards. So?’ ‘So what?’ ‘So shall I draw?
Joe Abercrombie (The Heroes)
Always looking for me. He left red drops in the white, fallen from his fish knife. Not fish blood though. Man blood. Boy blood. Lad from Tucket lost his scalp to that knife. Scrap of hair and pink hung from the man’s belt. That was dripping too, hot and fresh. He’d
Beth Lewis (The Wolf Road)
Thy life's journey lies along its own path, Ian," she said, "and I cannot share thy journey - but I can walk beside thee. And I will." The woman standing behind them in the line heaved a deep, contented sigh. "Now, that's a very pretty and right thing to say, sweetheart," she said to Rachel, in approving tones. And, switching her gaze to Ian, looked him skeptically up and down. He was dressed in buckskins, clout, and calico shirt, and, bar the feathers in his hair and the tattoos, didn't look too outlandish, he thought. "You probably don't deserve her," the woman said, shaking her head doubtfully. "But try, there's a good lad.
Diana Gabaldon (Written in My Own Heart's Blood (Outlander, #8))
He's a terrible man, miss," Nanny Maude said. "Consorts with devils, he does, and drinks blood, and..." "He was at Culloden!" Lydia blurted out. "He was not even twenty years old, fighting for Bonnie Prince Charlie, and he saw his entire family slaughtered. He barely escaped with his life." There was a shocked silence. And then Nanny Maude cleared her throat. "I always said there was good in the lad. Indeed, and I tied to tell you so. Handsome, too, and I expect a good woman would put a stop to these parties of his.
Anne Stuart (Ruthless (The House of Rohan, #1))
The next day on the far side of the mountain we encountered the two lads that had deserted us. Hangin upside down in a tree. They'd been skinned and I can tell ye it does very little for a man's appearance.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The next day on the far side of the mountain we encountered the two lads that had deserted us. Hangin upside down in a tree. They’d been skinned and I can tell ye it does very little for a man’s appearance.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
That is who I want you to remember, lad. The man so filled with Arman's love that he could forgive his son for taking his life and the life of his bride. That is the man I knew. The king I served. Just you remember it.' 'But a man with many mistresses. A man who wouldn't have had that problem if he'd--' 'Aye, he was no porcelain saint. He was mixed, torn, pulled by light and darkness, as is every follower of Arman. That is what it is to know Arman and yet still live in this world. Pity those who do not know Arman, because in them there is nothing at all pulling them toward light.
Jill Williamson (From Darkness Won (Blood of Kings, #3))
You need to be careful around those posh boys when you go to Oxford. They may seem charming, but they’re not like nice dependable Yorkshire lads.
Georgiana Derwent (Oxford Blood (The Cavaliers, #1))
As the Liberty lads o'er the sea Bought their freedom, and cheaply, with blood So we, boys, we Will die fighting, or live free, And down with all kings but King Ludd
Lord Byron
IV REVEILLE Wake: the silver dusk returning Up the beach of darkness brims, And the ship of sunrise burning Strands upon the eastern rims. Wake: the vaulted shadow shaatters, Trampled to the floor it spanned, And the tent of night in tatters Straws the sky-pavilioned land. Up, lad, up, 'tis late for lying: Hear the drums of morning play; Hark, the empty highways crying "Who'll beyond the hills away?" Towns and countries woo together, Forelands beacon, belfries call; Never lad that trod on leather Lived to feast his heart with all. Up, lad: thews that lie and cumber Sunlit pallets never thrive; Morns abed and daylight slumber Were not meant for man alive. Clay lies still, but blood's a rover; Breath's a ware that will not keep Up, lad: when the journey's over There'll be time enough to sleep.
A.E. Housman (A Shropshire Lad)
He was just a small church parson when the war broke out, and he Looked and dressed and acted like all parsons that we see. He wore the cleric's broadcloth and he hooked his vest behind. But he had a man's religion and he had a stong man's mind. And he heard the call to duty, and he quit his church and went. And he bravely tramped right with 'em every- where the boys were sent. He put aside his broadcloth and he put the khaki on; Said he'd come to be a soldier and was going to live like one. Then he'd refereed the prize fights that the boys pulled off at night, And if no one else was handy he'd put on the gloves and fight. He wasn't there a fortnight ere he saw the sol- diers' needs, And he said: "I'm done with preaching; this is now the time for deeds." He learned the sound of shrapnel, he could tell the size of shell From the shriek it make above him, and he knew just where it fell. In the front line trench he laboured, and he knew the feel of mud, And he didn't run from danger and he wasn't scared of blood. He wrote letters for the wounded, and he cheered them with his jokes, And he never made a visit without passing round the smokes. Then one day a bullet got him, as he knelt be- side a lad Who was "going west" right speedy, and they both seemed mighty glad, 'Cause he held the boy's hand tighter, and he smiled and whispered low, "Now you needn't fear the journey; over there with you I'll go." And they both passed out together, arm in arm I think they went. He had kept his vow to follow everywhere the boys were sent.
Edgar A. Guest
wreckage before the sun went down. The final toll was a hundred and two. Eighty-eight of the dead were children. On the following Wednesday, while the city still lay in stunned silent contemplation of the tragedy, a woman found the head of nine-year-old Robert Dohay caught in the limbs of her back-yard apple tree. There was chocolate on the Dohay lad’s teeth and blood in his hair. He was the last of the known dead. Eight children and one adult were never accounted for. It was the worst tragedy in Derry’s history, even worse than the fire at the Black Spot in 1930, and it was never explained. All four of the Ironworks’ boilers were shut down. Not just banked; shut down. But:
Stephen King (It)
Some sheep were bleating away beside the track, pressed tight into a pen much too small. Foraged, no doubt, meaning stolen, some unlucky shepherd’s livelihood vanished down the gullets and out the arses of Black Dow’s army. Behind a screen of hides, not two strides from the flock, a woman was slaughtering ’em and three more doing the skinning and gutting and hanging the carcasses, all soaked to the armpits in blood and not caring much about it either. Two lads, probably just reached fighting age, were watching. Laughing at how stupid the sheep were, not to guess what was happening behind those hides. They didn’t see that they were in the pen, and behind a screen of songs and stories and young men’s dreams, war was waiting, soaked to the armpits and not caring.
Joe Abercrombie (The Heroes (First Law World, #5))
VIII 'Farewell to barn and stack and tree, Farewell to Severn shore. Terence, look your last at me, For I come home no more. 'The sun burns on the half-mown hill, By now the blood is dried; And Maurice amongst the hay lies still And my knife is in his side. 'My mother thinks us long away; 'Tis time the field were mown. She had two sons at rising day, To-night she'll be alone. 'And here's a bloody hand to shake, And oh, man, here's good-bye; We'll sweat no more on scythe and rake, My blood hands and I. 'I wish you strength to bring you pride, And a love to keep you clean, And I wish you luck, come Lammastide, At racing on the green. 'Long for me the rick will wait, And long will wait the fold, And long will stand the empty plate, And dinner will be cold.' IX On moonlit heath and lonesome bank The sheep beside me graze; And yon the gallows used to clank Fast by the four cross ways. A careless shepherd once would keep The flocks by moonlight there, And high amongst the glimmering sheep The dead man stood on air. They hang us now in Shrewsbury jail: The whistles blow forlorn. And trains all night groan on the rail To men that die at morn. There sleeps in Shrewsbury jail to-night, Or wakes, as may betide, A better lad, if things went right, Than most that sleep outside. And naked to the hangman's noose The morning clocks will ring A neck God made for other use Than strangling in a string. And sharp the link of life will snap, And dead on air will stand Heels that held up as straight a chap As treads upon the land. So here I'll watch the night and wait To see the morning shine, When he will hear the stroke of eight And not the stroke of nine; And wish my friend as sound a sleep As lads' I did not know, That shepherded the moonlit sheep A hundred years ago.
A.E. Housman (A Shropshire Lad)
Culloden, Scotland, April 1746 All around was the awful sound of moaning. It was not just mournful, but the sound of immense suffering, the cries of dying men. The battle had waged on, and the day was far spent. In dirt and blood, the soldiers waded on. Horizontal rain, snow, and wind made the normal battle conditions much worse. Near the edge of the field I stood holding a gun, pointing it at the lad who had once been my best friend. He was dressed in the red coat of a government soldier; I was not.
David Holdsworth (Angelos)
Tim Finnegan’s Wake by Dr. Thom Dedalus When God reeled in good auld Tim Finnegan, And looked into his green Irish peepers, Said He, “Now, what was I thinkin’? Poor lad, he ain’t one of the keepers.” To hell Tim descended without any fear, To the devil, whom not much is lost on, Said he, “I’m sure you’ll be comfortable here, Among all your old friends from South Boston.” Tim’s jokes night and day caused Satan to swear, As migraines crept behind blood red eyelids, “An eternity with you is just too much to bear. You’re going home to your wife and your nine kids.” So up pops Tim at his wake from his casket. “It can’t be,” went a howl from his wife. When he belched the sea from his own breadbasket, Said she, “Someone, hand me a knife.” Now Tim’s fishing off George’s Banks Catching codfish, haddock and hake. The happiest folk in town to give thanks, Is John Hancock for Finnegan’s wake. Finn’s now a legend among life underwriters, In Beantown and all over the States. In him beats the heart of a fighter. Sad to hear how they increased his rates. Finn’s tale is best told with a dram of Jameson. You’re entitled to whatever sense you can make. Just cause you’re dead, it don’t mean you’re gone. You may take comfort in Finnegan’s wake.
David B. Lentz (Bloomsday: The Bostoniad)
That fellow was like all of us: descended from good people who were stolen from their families and country, sailed over the sea, and forced into slavery. ‘We don’t let them steal our dignity,’ that preacher said. Richard, his name was. He said they cannot steal our honor, our strength, or our love.” “True words,” I said. “Do you know what he said about this America?” Henry asked. I shook my head. “Remember, lads?” Henry asked his mates. “Join with me. He said, ‘This land . . .’” A half dozen voices spoke with Henry, strong black men sharing the preacher’s words like a hymn or a prayer. “‘Which we have watered with our tears and our blood, is now our mother country.’” The words drifted up to the stars with the sparks from the fire. “We go to war, Missus Isabel,” Henry added, “in order to make our mother country, this land, free for everyone.
Laurie Halse Anderson (Ashes (Seeds of America, #3))
Maybe it was easier if you knew your child was dead. It was a thought that stopped him in his tracks sometimes but he knew that it was the truth. If the child was dead then you had to figure out a way forward. It was being locked in this permanent state of limbo that was keeping Sarah in bed.One night he had come home from the day with a story of one of the young lads sliding through some fairly big cow pats. The boy had landed on his butt and there had been laughter all round. Restrained laughter but, still, it was funny. He had sat on the edge of the bed and related the story to Sarah and she had smiled and then released a small giggle. Immediately he could see her regret it and he had watched her bite down hard on her lip. Hard enough to draw some blood. ‘It’s okay, Sarah,’ he had said gently. ‘It’s okay to laugh.’ ‘Bullshit, Doug,’ she had spat back at him. ‘How can you laugh if he’s not laughing? How can I laugh knowing that he may be suffering?’ ‘I . . . I . . .’ Doug had started, then he had left the room. If a child died did it end this struggle? Could you put your faith in God and heaven and know he was in a better place, laughing with other children? Was that how you were able to move on?
Nicole Trope (The Boy Under the Table)
The Hamians!' The centurion‟s voice was little better than a squeak. Julius snorted his disdain. 'What about the Hamians? Useless bow-waving women. All they‟re good for is hunting game. There‟s a war on, in case you hadn‟t noticed. We need infantrymen, big lads with spears and shields to strengthen our line. Archers are no bloody use in an infantry cohort.' He raised his meaty fist. 'No, mate, you‟re going to get what‟s coming your way.' The other man gabbled desperately, staring helplessly at the poised fist. 'There‟s two centuries of them, two centuries. Take them and the Tungrians and that‟s two hundred and fifty men.' Marcus spoke, having stood quietly in the background so far. 'So we could make a century of the best of them, dump the rest on the Second Cohort when we catch up with them and take back the century he sold them in return.' Julius turned his head to look at the younger man, keeping the transit officer clamped in place with seemingly effortless strength. 'Are you mad? There won‟t be a decent man among them. They‟ll be arse-poking, make-up-wearing faggots, the lot of them. All those easterners are, it‟s in the blood. They‟ll mince round the camp holding hands and tossing each other off in the bathhouse.
Anthony Riches (Arrows of Fury (Empire, #2))
He felt it. Misery, we must insist, had been good to him. Poverty in youth, when it succeeds, is so far magnificent that it turns the whole will towards effort, and the whole soul towards aspiration. Poverty strips the material life entirely bare, and makes it hideous; thence arise inexpressible yearnings towards the ideal life. The rich young man has a hundred brilliant and coarse amusements, racing, hunting, dogs, cigars, gaming, feasting, and the rest; busying the lower portions of the soul at the expense of its higher and delicate portions. The poor young man must work for his bread; he eats; when he has eaten, he has nothing more but reverie. He goes free to the play which God gives; he beholds the sky, space, the stars, the flowers, the children, the humanity in which he suffers, the creation in which he shines. He looks at humanity so much that he sees the soul, he looks at creation so much that he sees God. He dreams, he feels that he is great; he dreams again, and he feels that he is tender. From the egotism of the suffering man, he passes to the compassion of the contemplating man. A wonderful feeling springs up within him, forgetfulness of self, and pity for all. In thinking of the numberless enjoyments which nature offers, gives, and gives lavishly to open souls, and refuses to closed souls, he, a millionaire of intelligence, comes to grieve for the millionaires of money. All hatred goes out of his heart in proportion as all light enters his mind. And then is he unhappy? No. The misery of a young man is never miserable. The first lad you meet, poor as he may be, with his health, his strength, his quick step, his shining eyes, his blood which circulates warmly, his black locks, his fresh cheeks, his rosy lips, his white teeth, his pure breath, will always be envied by an old emperor. And then every morning he sets about earning his bread; and while his hands are earning his living, his backbone is gaining firmness, his brain is gaining ideas. When his work is done, he returns to ineffable ecstasies, to contemplation, to joy; he sees his feet in difficulties, in obstacle, on the pavement, in thorns, sometimes in the mire; his head is in the light. He is firm, serene, gentle, peaceful, attentive, serious, content with little, benevolent; and he blesses God for having given him these two estates which many of the rich are without; labour which makes him free, and thought which makes him noble. This is what had taken place in Marius.
Victor Hugo (Les Misérables)
You... you were telling me about your diet?" "Well, mostly I was raised on milk, potatoes, dulse, fish-" "I beg your pardon, did you say 'dulse'? What is that, exactly?" "A kind of seaweed," MacRae said. "As a lad, it was my job to go out at low tide before supper and cut handfuls of it from the rocks on shore." He opened a cupboard to view a small store of cooking supplies and utensils. "It goes in soup, or you can eat it raw." He glanced at her over his shoulder, amusement touching his lips as he saw her expression. "Seaweed is the secret to good health?" Merritt asked dubiously. "No, milady, that would be whisky. My men and I take a wee dram every day." Seeing her perplexed expression, her continued, "Whisky is the water of life. It warms the blood, keeps the spirits calm, and the heart strong." "I wish I liked whisky, but I'm afraid it's not to my taste." MacRae looked appalled. "Was it Scotch whisky?" "I'm not sure," she said. "Whatever it was, it set my tongue on fire." "It was no' Scotch, then, but rotgut. Islay whisky starts as hot as the devil's whisper... but then the flavors come through, and it might taste of cinnamon, or peat, or honeycomb fresh from the hive. It could taste of a long-ago walk on a winter's eve... or a kiss you once stole from your sweetheart in the hayloft. Whisky is yesterday's rain, distilled with barley into a vapor that rises like a will-o'-the-wisp, then set to bide its time in casks of good oak." His voice had turned as soft as a curl of smoke. "Someday we'll have a whisky, you and I. We'll toast health to our friends and peace to our foes... and we'll drink to the loves lost to time's perishing, as well as those yet to come.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Beneath Albright’s office, the colliery sprawled across the hillside, red brick buildings scattered as though hurled from a great height, a hotchpotch of mismatched structures spattered on the valley floor. At the bottom stood the winding house, wheels motionless, above it, the engineering sheds and workshops, canteen and bath house. All lay empty. No buzz and hum of machinery. No voices raised in laughter or dispute. Gwyn found it unsettling: his lads had been out a month and a half and already the power had drained from the place. In the stillness, he caught the echo of footsteps. The crunch of boots on gravel. Generations of long-gone Pritchards clocking in and out. He was bound to Blackthorn by the coal that clogged his veins and by a bond of duty. The strike left him as diminished as his pit, day dragging after idle day.
Kit Habianic (Until Our Blood is Dry)
The two young boys raced along the sidewalk, twisting their way between passers-by, their eyes frantically glancing behind them at the large pursuing policeman. Suddenly Mr. Thorn, a large, burley man dressed in black blocked their way and took them both by the collars. “So there you are!” He snatched the apple quickly from James’ hand. “What have we here?” He was about to take a bite of it, when he saw the officer racing towards them. “It’s all right officer. I have the young scoundrels and I’ll make full restitutions for their thievery.” He quickly fished coins from his pocket and with a conning smile, put them in the hand of the frowning Policeman. “And a little extra for your trouble, my good man. It’s such a small crime and the criminals so . . . minor.” The burly policeman rocked back and forth considering and then grunted, after all it was Christmas. “Very well sir. I’ll give these to the Vendor but I catch either of you snatching again, it’s behind bars with you and a good strong workhouse. You got me!” Jonas glanced down at his worn out boots, his face red with shame. “Oh yes sir.” James followed suit and then glanced up into the gruff face of the law. “Sorry, we were just hungry!” Mr. Thorn smiled and tipped his hat to the Policeman, who shaking his head, sauntered away. Immediately Mr. Thorn slapped Jonas hard across the face, drawing blood from his nose and then smacked James on the head, crushing his cap. He snatched the apple from James’ hand and pocketed them both. “So here you two no-accounts are? I’ve been searching high and wide for the lot of you. I left you at this corner and I expected to find you right where I left ya!” He then snatched the cup from Jonas’ hand with a scowl. He poured the coins into his hand and his greedy eyes took in the meager profits. Jonas immediately stammered justification for their absence. “We-we found a better corner to beg at, Mr. Thorn. I think we done all right.” Mr. Thorn cleared his throat considering and then his boisterous laughter echoed. He put his big arms around the two young lads. “Well, you done fine for us boys! We needs the money! We’ll have to have you two young Sirs representing our fine establishment again tomorrow, I do believe.” He chuckled cruelly. “We’ve great charity in our hearts for you kiddies but a soulful heart won’t put bread and molasses on the table.” He greedily poured the coins into his coat pocket. Both lads coughed mischievously at mention of such charitable actions. Thorn eyed them both to see if they are making fun of him, which they were. Jonas cleared his throat. “A bit of a tickle.” Thorn growled and gruffly took hold of the boy’s arm. “I’d tickle you both with a whip if I thought you was funning with me! Now boys, you’ve roughed my gentle nature. You know that I has nothing but love for the lot of you. My big heart swells at the sight of each and every one of you little bastards . . . I mean kiddies. Shall we on home?” “Here Jamey lad, you hold the cup. Give us a song the two of you, to beg alms by. I think I’m in the mood for “Oh Come All Ye Faithful”, but make it sweet or there’s a lashing for the both of ya!” Jonas and James exchanged tortured looks. Together the young Nicholas boys sweetly began to sing the song, as they moved through the crowd. The Tall Toymaker followed them down the sidewalk, trying not to be observed by Thorn. ”And a villain enters the scene, an ugly villain at that!
John Edgerton (The Spirit of Christmas)
Something like this could increase our membership tenfold. Nice, pure Aryan lad, with his whole future ahead of him, murdered by Paki immigrant scum. That’ll turn a few fence-sitters in our direction.
Peter Robinson (Blood At The Root (Inspector Banks, #9))
Buchanan tried to whip the devil out of me. “Find your tongue, lad!” Forgive this regression, but the man hated English. He may have hated everything by then, including me, but he was uncommon prickly when it came to English. You could tell by the way he bullied it. “The bastarde English,” the old man roared. “The verie whoore of a tongue.” We did our best to mimic him note for note, gesture for gesture. He hated that, too. The verie whoore. Old Greek before Breakfast Latin by Noon himself. The point is, what English I had was beaten or twisted into me. We were orphaned and crowned before we could speak or take our first step. No father. No mother. Too many uncles. Hounds for baying. Buchanan was the most religious of my keepers, and the unkindest of spirits among them. We have been told the young queen of Scots was once his student, and that he loved her. Just before giving her over to wreckage, methinks. Pious frauds. Their wicked Jesus. Then occasion smil’d. We were thirteen. The affection of Esme Stuart was one thing, lavished, as it was, so liberally upon us, but the music of his voice was another. We empowered our cousin, gave him name, station, a new sense of gravity, height, and reach, all the toys of privilege. We were told he spoke our mother’s French, the way it flutters about your neck like a small bird. But it was his English that moved us. For the first time, there was kindness in it, charity, heat and light. We didn’t know language could do such things, that could charm with such violence, make such a disturbance in us. Our cousin was our excess, our vice, our great transgression according to some, treason according to others. They came one night and stole him from us, that is, from me. They tore me out of his arms, called me wanton. Better that bairns should weepe, they said. Barking curs. We never saw our cousin again and were never the same after. But the charm was wound up. If we say we can taste words, we are not trying to be clever. And we are an insatiable king. Try now, if you can, to understand the nature of our thoughts touching the translation, its want of a poet. We will consult with Sir Francis. He is closer to the man, some say, than a brother. English is mistress between them. There, Bacon says, is empire. There, a great Britain. Where it is dull, where the glow . . . gleam . . . where the gleam of Majestie is absent or mute . . . When occasion smiles again, we will send for the man, Shakespere. Majestie has left its print on his art. After that hideous Scottish play, his best, darkest, and most complicated characters are . . . us. Lear. Antony. Othello. Fools all. All. The English language must be the best that is in us . . . We are but names, titles, antiquities, forgotten speeches, an accident of blood and historical memory. Aye . . . but this marvelously unexceptional little man. No more of this. By the unfortunate title of this history we must, it seems, prepare ourselves for a tragedy. Some will escape. Some will not. For bully Ben can never suffer a true rival. He killed an actor once for botching his lines. Actors. Southampton waits in our chambers. We will let him. First, to our thoughts. Only then to our Lord of Southampton.
David Teems (I RIDDE MY SOULE OF THEE AT LASTE: The Final Days of William Shakespere Including the Accounte of His Cruelle and Pitielesse Murder by Friend Fellow Poet ... Ben Jonson. (ASK FOR ME TOMORROW Book 1))
It is the time of dark and of cold,” she said, “when the fields are unyielding with frost and life sleeps in the earth. During this time, the world dreams, and in her dreams, she relieves the past. Images of the dead appear to those who are aware enough to perceive them.” “I know of this festival,” Shan said. “In our village, we would put out saucers of blood and milk for the spirits. Girls would wear red ribbons in their hair and the lads red garters on their knees. On the night of the Grave, we’d build a bonfire on the green, and dance in a circle to keep the spirits at bay.” “These are old customs,” said Sinaclara, “memories of old practices. In ancient times, the Night of the Grave was called Aya’even, which in the old tongue meant the forest of the dead. It is but one point on the great wheel of life, death, and rebirth. Because of its associations with darkness and the dead, it has within it inherent hope, for without death, there can not be life. This is why it is celebrated by those who no longer remember its true meaning. The memory of that hope lives on.
Storm Constantine (The Crown of Silence (The Chronicles of Magravandias, #2))
Today there is a strong smell of blood in the air. Literary anti-Semitism forges the moral weapon for murder. Sturdy and honest lads will take care of the rest.
Carl von Ossietzky
And Odo the hero, they bore him back home To the place that he’d known as a lad, They laid him to rest with his hat inside out And his wand snapped in two, which was sad.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Aye, I feared as much,” muttered Mora as she sat down across from Bridget and took a hearty drink of cider. “That big fool. He hasnae completed the mating. Tisnae good. Nay, ’tisnae good at all. Especially if that bitch Edmee finds out.” “Mora, what are ye talking about? The marriage has been consummated. Quite thoroughly.” “Ah, lass, the laird obviously waits to be sure ye have fully accepted him, accepted him for what he is, all that he is. He hasnae given ye the bite yet.” Bridget frowned, not certain she liked the implications of that. “He does bite me.” “Love bites, wee nips, but nay the bite. Being that he is a halfling, mayhap he doesnae have to. I hadnae considered that. Halflings are always different in some way from Purebloods.” After taking a long drink of cider to calm her rising temper, Bridget said, “Tell me, Mora, what ye mean by the mating and the bite. Ye keep starting to tell me, then wander off the subject, and, weel, end up talking more to yourself than to me.” “Pardon. Tis nay widely kenned. Tis one of the MacNachtons’ most closely guarded secrets. I learned of it because, weel, a wee bit o’er twenty years ago I was in love with a Pureblood. Ye ken my son David, aye?” “David is the son of a Pureblood? But he has reddish hair. I have seen him about during the day as weel.” “Aye, he is more our kind than theirs, but the MacNachton blood is in him. He is a strong, healthy lad, always was. And, though he can go about in the daylight, he has to be most careful, avoiding the full heat of the day and such as that. Seems way back in his father’s line one of his ancestors mated with a halfling. The wee added bit of our blood is what has made my David so blessed. The laird has seen that my lad is educated and he will be verra important to the clan. Already is in many ways.” “Can ye tell me who his father is, or is that a secret?” “Jankyn.” Mora laughed briefly at Bridget’s obvious shock, then sighed. “Aye, Jankyn doesnae look a day older than our son, aye? But he is my age. And that was some of the problem. Oh, I did love that lad.” “Jankyn is easy to love, e’en when ye wish ye had a thick stick in hand to clout him o’er the head.” Mora grinned and nodded, then grew serious. “It was both wondrous and awful, heaven and hell. Twas a delight when I was with him and a pure torment when I thought on the years ahead. I could see it as it is now all too clearly, with me as I am and him still looking like a bonnie lad of twenty. Ah, but he said he wished to marry me, and I was sorely tempted. Was near to saying aye when he told me the secret about the mating, about the bite.” Mora nodded when Bridget touched her own neck. “Aye, for ones such as us, ’tisnae just a wee thing, is it? We cannae heal as they can. We arenae as strong. Mayhap I just didnae love him enough. I couldnae do it. My heart, my body, aye. My blood? To let him feed on me, e’en just a wee bit? Nay, I couldnae. E’en when I kenned I carried David, I couldnae, and, being a Pureblood, Jankyn couldnae swear that he wouldnae do it. He couldnae be sure he would be able to stop himself from completing the mating.” “It has to be the neck? He couldnae just take a wee sip from somewhere else?” “Nay, I dinnae think so. Tis like this—when ye are together as mon and wife, just as he spills his seed, he bites ye and has a wee taste.” “Every time?” Bridget asked in alarm, thinking of all the times Cathal had nipped at her neck while they made love. “Wheesht, nay. Just the once.” “Oh, thank God. If ’twas every time, I wouldnae last out the week.” She blushed when Mora laughed heartily. “Aye, the laird does have the fever for ye. Nay, lass, ’tis just the once. Tis done on the wedding night. As the mon gives ye his seed, gives ye a part of him as it were, he takes a wee bit from ye. Tis a blending and ’tis what binds him to ye as a mate.” Bridget
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
He lifted his eyes to the captain’s. “This,” he said in a low voice, gesturing to the temple behind them, “it means something to you, doesn’t it?” Baltsaros frowned and tilted his head. For a moment Jon thought the captain was going to evade the question or lie. “Yes… and no,” replied Baltsaros slowly. “I know nothing of their gods.” “What of your gods?” asked Jon. “Do they demand blood as well?” The captain laughed. “I have no gods, Jon. God is a word men use to hide the truth of their desires,” the older man said, turning to watch Tom climb out of the river. “I have no such need. What is a god to you? A rule maker? A judge? A parent? Behind every god there is the very mortal hand of man, trust me.” “Then why, Baltsaros? Why do I feel like what just happened resonates very deeply with you?” whispered Jon. “It does, lad,” said Tom, his eyes locked on Baltsaros. “And yer goin’ to tell him every last bit, Da, so help me. But this ain’t the place for it, aye? Let’s get gone. We need a place to eat and bed down so we can get lookin’ again tomorrow mornin’.” Tom’s irritation and disappointment were obvious; Jon saw the first mate’s jaw muscles twitch under his dark-blond stubble as he stared hard at the captain. Baltsaros nodded and squeezed the water from the braid hanging over his shoulder as Jon stepped back into his boots, retying Tom’s belt around his hips. Though the hot sun was quickly drying their clothes, Jon was cold; the thought of a warm meal hurried his strides. It also took his mind off the taste of blood in his mouth.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
I thought ye were tired, lad?” asked Tom with a wide grin. “Mmmhmm. I am,” replied Jon with a little squeeze that made the first mate wince. “But I want to fuck you first. Then we sleep like the dead. Sound good? Fuck, that sounds good to me.
Bey Deckard (Fated: Blood and Redemption (Baal's Heart, #3))
Home, Sweet Home With a grunt, Jon pulled on the rope, helping to haul the buntline as the men above worked to quickly furl the sails and tie them. “Heave!” he yelled. “Heave, lads!” When the sails were finally secured, he stepped back and smiled up at Tom. The first mate climbed down the rigging quickly and jumped to the deck next to Jon. He could almost feel the excitement radiating off the big man as they watched the hidden lagoon of Madierus get closer. They had made exceptional time; the trip had taken them only four weeks thanks to an unusually strong late-summer wind. The crew was exhausted, but their supplies had lasted well, and nothing unusual had happened during the journey south. Tuli clapped Jon on the shoulder, and he turned. “It is beautiful!” exclaimed the tall ex-fisherman, his bright blue eyes wide. “Is there a… magic we should create for the arriving?
Bey Deckard (Fated: Blood and Redemption (Baal's Heart, #3))
Still feel sick?” Cullyn said. “I don’t. I didn’t think blood would smell like that.” “Well, it does, and it runs like that, too. Why do you think I didn’t want you riding with us?” “Did you know someone would get killed?” “I was hoping I could stop it, but I was ready for it. I always am, because I have to be. I truly did think those lads would break sooner than they did, you see, but there was one young wolf in the pack of rabbits. Poor bastard. That’s what he gets for his honor.” “Da? Are you sorry for him?” “I am. I’ll tell you something, my sweet, that no other man in Deverry would admit: I’m sorry for every man I ever killed, somewhere deep in my heart. But it was his Wyrd, and there’s nothing a man can do about his own Wyrd, much less someone else’s. Someday my own Wyrd will take me, and I’ve no doubt it’ll be the same one I’ve brought to many a man. It’s like a bargain with the gods. Every warrior makes it. Do you understand?” “Sort of. Your life for theirs, you mean?” “Just that. There’s nothing else a man can do.” Jill began to feel better. Thinking of it as Wyrd made it seem clean again. “It’s the only honor left to me, my bargain with my Wyrd,” Cullyn went on. “I told you once, never dishonor yourself. If ever you’re tempted to do the slightest bit of a dishonorable thing, you remember your father, and what one dishonor brought him—the long road and shame in the eyes of every honest man.” “But wasn’t it your Wyrd to have the dagger?” “It wasn’t.” Cullyn allowed himself a brief smile. “A man can’t make his Wyrd better, but it’s in his hands to make it worse.
Katharine Kerr
OI, champion! What the blast is goin’ on around here?! First, the lad’s house erupts, then that fairy princess land shows up,
H.W. Dante (Terraria: Flesh and Blood (Legends Book 4))
Father,” he said finally, “I don’t understand why the Council had to question Padan Fain.” With an effort he took his eyes off the woods and looked across Bella at Tam. “It seems to me, the decision you reached could have been made right on the spot. The Mayor frightened everybody half out of their wits, talking about Aes Sedai and the false Dragon here in the Two Rivers.” “People are funny, Rand. The best of them are. Take Haral Luhhan. Master Luhhan is a strong man, and a brave one, but he can’t bear to see butchering done. Turns pale as a sheet.” “What does that have to do with anything? Everybody knows Master Luhhan can’t stand the sight of blood, and nobody but the Coplins and the Congars thinks anything of it.” “Just this, lad. People don’t always think or behave the way you might believe they would. Those folk back there…let the hail beat their crops into the mud, and the wind take off every roof in the district, and the wolves kill half their livestock, and they’ll roll up their sleeves and start from scratch. They’ll grumble, but they won’t waste any time with it. But you give them just the thought of Aes Sedai and a false Dragon in Ghealdan, and soon enough they’ll start thinking that Ghealdan is not that far the other side of the Forest of Shadows, and a straight line from Tar Valon to Ghealdan wouldn’t pass that much to the east of us. As if the Aes Sedai wouldn’t take the road through Caemlyn and Lugard instead of traveling cross-country! By tomorrow morning half the village would have been sure the entire war was about to descend on us. It would take weeks to undo. A fine Bel Tine that would make. So Bran gave them the idea before they could get it themselves. They’ve seen the Council take the problem under construction, and by now they’ll be hearing what we decided. They chose us for the Village Council because they trust we can reason things out in the best way for everybody. They trust our opinions. Even Cenn’s, which doesn’t say much for the rest of us, I suppose. At any rate, they will hear there isn’t anything to worry about, and they’ll believe it. It is not that they couldn’t reach the same conclusion, or would not, eventually, but this way we won’t have Festival ruined, and nobody has to spend weeks worrying about something that isn’t likely to happen. If it does against all odds…well, the patrols will give us enough warning to do what we can.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
Clay lies still, but blood's a rover; Breath's a ware that will not keep Up, lad: when the journey's over There'll be time enough to sleep.
A.E. Housman (A Shropshire Lad)
Each season the people of Canterbury re-enact Becket’s death: it is the monkish version, because till now no other kind of history has been available. Crowds line the streets—excited, as if the tale might come out different this year. Hot pasties are sold. There are processions with drummers and pipes, and then the show begins. The knights get tuppence and some beer, but the lad who plays the saint gets a shilling, for the knights make him suffer, smashing him on the flags as the old archbishop was smashed. As Becket calls on Christ, a child crouching behind the altar squirts the scene with pig’s blood. The actor is carried away. Then everybody gets drunk.
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
Such a pretty lad,” she said. “I remember your brother very well. Good sport in that one.
Elizabeth Bear (Blood and Iron (Promethean Age, #1))
Alyssa Targaryen grew great with child. In 77 AC she gave her brave prince a son they named Viserys. Septon Barth described the boy as a “plump and pleasant lad, who laughed more than any babe I’ve ever known, and nursed so lustily he drank his wet nurse dry.
George R.R. Martin (Fire & Blood (A Targaryen History, #1))
Born in the waning days of 114 AC, the boy was a large, strapping lad, with brown hair, brown eyes, and a pug nose.
George R.R. Martin (Fire & Blood (A Targaryen History, #1))
And Odo the hero, they bore him back home To the place that he’d known as a lad, sang Slughorn plaintively. They laid him to rest with his hat inside out And his wand snapped in two, which was sad.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
That boy’s a terror,” continued Mr. Renshaw, pointing after him. “He’s not mine, understand—he’s my second wife’s by an earlier marriage. My lad’s quite different—fine young chap of twenty-five—accountant in Birmingham—settled down very nicely, he has. But David … well, it’s my belief there’s bad blood in him somewhere.” Chips went on listening—there was nothing else to do. “Been sacked from two schools already … a proper good-for-nothing, if you ask me.
James Hilton (To You, Mr. Chips: More Stories of Mr. Chips and the True Story Behind the World's Most Beloved Schoolmaster)
Clay lies still, but blood's a rover; Breath's a ware that will not keep Up, lad: when the journey's over There'll be time enough to sleep. V
A.E. Housman (A Shropshire Lad)
As you skip through the castle of vengeance, be sure to whistle a tune and admire the pictures on the walls. Murder a bastard. Bed a fine Irish lad. Light a field on fire. Taste a cake. Croon a song with a child, laugh with a friend. Stop to smell the roses, even when they’re splattered with the blood of your enemies,” Aidan said,
Shayne Silvers (Sinner (Feathers and Fire, #5))
This is how the lads can do it. This is how they march burning and pay no heed to cries for mercy and pity. They are no longer flesh and blood. They are weapons, and weapons are made of iron and steel.
J. Anderson Coats (Spindle and Dagger)
Linux had paid little attention to the games themselves. The sport of blood had never held him. Linux had a warrior’s scorn for gladiators and the maiming of man or beast as entertainment. But for Jacob, a young Judean lad with no concept of Roman games, it clearly had been a terrible shock. The boy’s occasional shudder indicated the level of his distress.
Janette Oke (The Hidden Flame (Acts of Faith, #2))
Later on, Orpheus stood beside the hearth fire in the center of the hall and sang about the day’s adventure. On his lips, the northern raiders were transformed from swift, deadly riders to winged and taloned monsters, part hawk, part woman. Because they could fly so high that spears and arrows couldn’t reach them, only men with the blood of the gods in their veins could end the havoc they caused. Luckily, a ship of heroes came ashore to rid the land of the hideous creatures. Zetes and Kalais, the sons of Boreas, had inherited the North Wind’s ability to fly and soon defeated the Harpies. They would trouble good Lord Phineas no more. Orpheus finished his song, and the men cheered and banged their fists on the tables so loudly that it seemed like they’d bring the roof down in pieces. As for me, I kept my mouth shut and my arms folded. Orpheus noticed my frosty look when he sat back down. “You didn’t like it,” he murmured. “They deserved better,” I replied stiffly. “They were brave fighters.” “I thought I made that clear. Just look at Zetes over there, grinning ear to ear in spite of a nasty arrow wound that probably still burns like Hephaestus’s own forge-fires. It might leave him half lame for life, but he won’t mind, because in my song, he owns the sky.” “You didn’t see the way he fought today,” I shot back. “He’s not worthy to own a mud puddle. They fought well, those women. They were as skilled and courageous as any man, so you turned them into monsters!” Orpheus was silent for a little while. Then he took a sip of wine and said, “They attacked without warning, they destroyed good ships for the sake of destruction, they violated the sanctity of a sacrifice to the gods, and they would have cut down a blind old man, king or not, if we hadn’t come ashore when we did. I won’t argue with you about their valor or their mastery of weapons and horses, but see them for what they are, lad. You say I’ve made them monsters, yet you’d make them gods. They’re women, human women, as praiseworthy and as flawed as any fighting men I’ve ever known, but plain truth makes a poor song.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
I sat up high, oak branch ’tween my knees, and watched the tattooed man stride about in the snow. Pictures all over his face, no skin left no more, just ink and blood. Looking for me, he was. Always looking for me. He left red drops in the white, fallen from his fish knife. Not fish blood though. Man blood. Boy blood. Lad from Tucket lost his scalp to that knife. Scrap of hair and pink hung from the man’s belt. That was dripping too, hot and fresh. He’d left the body in the thicket for the wolves to find. I
Beth Lewis (The Wolf Road)
You shouldn't trust anyone, lad, that's your first lesson and it'll keep you sharp.
Allan Walsh (The Crimson Guild (The Blood Rage Series Book 2))
So Jamie’s gone off wi’ your Lord John, the British army is after them, the tall lad I met on the stoop wi’ steam comin’ out of his ears is Jamie’s son—well, of course he is; a blind man could see that—and the town’s aboil wi’ British soldiers. Is that it, then?
Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
And then, on the day when his grandfather had turned him out of doors, he had been only a child, now he was a man. He felt it. Misery, we repeat, had been good for him. Poverty in youth, when it succeeds, has this magnificent property about it, that it turns the whole will towards effort, and the whole soul towards aspiration. Poverty instantly lays material life bare and renders it hideous; hence inexpressible bounds towards the ideal life. The wealthy young man has a hundred coarse and brilliant distractions, horse races, hunting, dogs, tobacco, gaming, good repasts, and all the rest of it; occupations for the baser side of the soul, at the expense of the loftier and more delicate sides. The poor young man wins his bread with difficulty; he eats; when he has eaten, he has nothing more but meditation. He goes to the spectacles which God furnishes gratis; he gazes at the sky, space, the stars, flowers, children, the humanity among which he is suffering, the creation amid which he beams. He gazes so much on humanity that he perceives its soul, he gazes upon creation to such an extent that he beholds God. He dreams, he feels himself great; he dreams on, and feels himself tender. From the egotism of the man who suffers he passes to the compassion of the man who meditates. An admirable sentiment breaks forth in him, forgetfulness of self and pity for all. As he thinks of the innumerable enjoyments which nature offers, gives, and lavishes to souls which stand open, and refuses to souls that are closed, he comes to pity, he the millionnaire of the mind, the millionnaire of money. All hatred departs from his heart, in proportion as light Free eBooks at Planet eBook.com 1167 penetrates his spirit. And is he unhappy? No. The misery of a young man is never miserable. The first young lad who comes to hand, however poor he may be, with his strength, his health, his rapid walk, his brilliant eyes, his warmly circulating blood, his black hair, his red lips, his white teeth, his pure breath, will always arouse the envy of an aged emperor. And then, every morning, he sets himself afresh to the task of earning his bread; and while his hands earn his bread, his dorsal column gains pride, his brain gathers ideas. His task finished, he returns to ineffable ecstasies, to contemplation, to joys; he beholds his feet set in afflictions, in obstacles, on the pavement, in the nettles, sometimes in the mire; his head in the light. He is firm serene, gentle, peaceful, attentive, serious, content with little, kindly; and he thanks God for having bestowed on him those two forms of riches which many a rich man lacks: work, which makes him free; and thought, which makes him dignified. This is what had happened with Marius. To tell the truth, he inclined a little too much to the side of contemplation. From the day when he had succeeded in earning his living with some approach to certainty, he had stopped, thinking it good to be poor, and retrenching time from his work to give to thought; that is to say, he sometimes passed entire days in meditation, absorbed, engulfed, like a visionary, in the mute voluptuousness of ecstasy and inward radiance. He had thus propounded the problem of his life: to toil as little as possible at material labor, in order to toil as much as possible at the labor which is impalpable; in other words, to bestow a few hours on real life, and to cast the rest to the 1168 Les Miserables infinite. As he believed that he lacked nothing, he did not perceive that contemplation, thus understood, ends by becoming one of the forms of idleness; that he was contenting himself with conquering the first necessities of life, and that he was resting from his labors too soon. It was evident that, for this energetic and enthusiastic nature, this could only be a transitory state, and that, at the first shock against the inevitable complications of destiny, Marius would awaken.
Hugo
He felt a moment’s passionate gratitude to her. He’d seen her look at the boy, and knew how she must feel. She’d known about the lad, of course, but seeing the flesh-and-blood proof that her husband had shared another woman’s bed wasn’t something a wife should be asked to put up with. Little wonder if she was inclined to stick pins in John, him pushing the lad under her nose as he had.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
It’s nay her fault, he thought fiercely. She’s done me nay wrong. They’d thought him dead—Marsali had told him so and told him that Lord John had wed Claire in haste following the news of Jamie’s death, in order to protect not only her but Fergus and Marsali as well, from imminent arrest. Aye, and then he took her to his bed! The knuckles of his left hand twinged as he curled his fist. “Never hit them in the face, lad.” Dougal had told him that a lifetime ago, as they watched a knockdown fight between two of Colum’s men in the courtyard at Leoch. “Hit them in the soft parts.
Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
The gates of Anat's house were shut, and the lads met the lady of the mountain. And then Anat went to battle in the valley, she fought between the two cities: she killed the people of the coast, she annihilated the men of the east. Heads rolled under her like balls, hands flew over her like locusts, the warriors' hands like swarms of grasshoppers. She fastened the heads to her back, she tied the hands to her belt. She plunged knee-deep into the soldiers' blood, up to her thighs in the warriors' gore; with a staff she drove off her enemies, with the string of her bow her opponents. And then Anat arrived at her house, the goddess reached her palace; there, not satisfied with her battling in the valley, her fighting between the two cities, she made the chairs into warriors, she made the tables into an army, the stools into heroes. She battled valiantly, and looked, Anat fought, and saw: her soul swelled with laughter, her heart was filled with joy, Anat's soul was exuberant, as she plunged knee-deep into the soldiers' blood, up to her thighs in the warriors' gore, until she was satisfied with her battling in the house, her fighting between the tables. The soldiers' blood was wiped from the house, oil of peace was poured from a bowl. The Virgin Anat washed her hands, the Mistress of the Peoples her fingers; she washed the soldiers' blood from her hands, the warriors' gore from her fingers. She made the chairs chairs again, the tables tables; she made the stools stools.
Michael David Coogan, Stories from Ancient Canaan