Blonde Woman Quotes

I wish back then I’d known the Dolly Parton joke: “I’m not offended by all the dumb blonde jokes because I know I’m not dumb. And I also know that I’m not blonde.

He took a bite, swallowed. "God. If asparagus tasted like that all the time, I'd be vegetarian, too." Some people in a lacquered wooden boat approached us on the canal below. One of them, a woman with curly blond hair, maybe thirty, drank from a beer then raised her glass towards us and shouted something. "We don't speak Dutch," Gus shouted back. One of the others shouted a translation: "The beautiful couple is beautiful.

I make jokes about it, but it's the truth that I kind of patterned my look after the town tramp. I didn't know what she was, just this woman who was blond and piled her hair up, wore high heels and tight skirts, and, boy, she was the prettiest thing I'd ever seen. Momma used to say, "Aw, she's just trash," and I thought, That's what I want to be when I grow up. Trash.

The problem with being a modern woman, I thought, as the front door swung wide, is that you have to pretend to be stronger than you are.

Your punishment if you're a woman. Not loved enough.

When a woman is secure with herself, she isn't afraid to define herself and defy public opinion. She has her own look. Her own style. Her own charisma. Her own brand of charm. A man wants something he doesn't see every day. Not in terms of a redhead versus a blonde. He wants the rare woman who can think for herself.

Suspense is like a woman. The more left to the imagination, the more the excitement. ... The conventional big-bosomed blonde is not mysterious. And what could be more obvious than the old black velvet and pearls type? The perfect ‘woman of mystery’ is one who is blonde, subtle and Nordic. ... Although I do not profess to be an authority on women, I fear that the perfect title [for a movie], like the perfect woman is difficult to find.

Her name is Denise, and she has green eyes and red hair. Well, this week. Last week her hair was dyed blonde, and she had blue eyes. Or maybe that was a different woman. I don’t know. All I know is that she is my soul mate.

She tends the fire Burning his letters. They turn black like thin mourning dresses. Yellow names, leaping; above them a blonde woman's hair on her bare shoulders. Red hollow glowing beneath. Illusion of passion. Like fragile layers of widow weeds, matted bluish, shiny, worn and buttons, yes, cheap buttons and words. Her fingers touch the smooth skin on her breasts. She tends the fire.

The speaker at the meeting, a blonde woman in a fine tailored suit, shared how alcoholism had stolen her own childhood, and had now come back for her child.

Maybe she was drunk - the woman never could drink. One little sniff of tequila and she was off into some blonde la-la land.

She was a big blonde woman with more curves than the highway out front and just the right number of hills and valleys.

How do I know what I'm up for if you won't tell me what this is about?' 'It's about a friend,' she said simply. 'A blond woman with a sunshine laugh and the courage to light the world on fire.

I remember exactly what you were wearing, [...] Dark suit, red tie, gold watch, and a blond woman.

When you love a woman, you love yourself, and it's terrible really, how it seems perfectly possible to swallow the other. With a man you want to join, you want your ribs to connect like handcuffs. But with a woman if you swallow, she becomes you.

Interesting shade #23 Lush Golden Blonde highlights. Heyyyyyy.... The woman in the awful suit was me! The woman in the cheap shoes was me!

But then I realized, they weren't calling out for their own mothers. Not those weak women, those victims. Drug addicts, shopaholics, cookie bakers. They didn't mean the women who let them down, who failed to help them into womanhood, women who let their boyfriends run a train on them. Bingers, purgers, women smiling into mirrors, women in girdles, women on barstools. Not those women with their complaints and their magazines, controlling women, women who asked, what's in in for me? Not the women watching TV while they made dinner, women who dyed their hair blond behind closed doors trying to look twenty-three. They didn't mean the mothers washing dishes wishing they'd never married, the ones in the ER, saying they fell down the stairs, not the ones in prison saying lonliness is the human condition, get used to it. The wanted the real mother, the blood mother, the great womb, mother of fierce compassion, a woman large enough to hold all the pain, to carry it away. What we needed was someone who bled, someone deep and rich as a field, a wide-hipped mother, awesome, immense, women like huge soft couches, mothers coursing with blood, mothers big enough, wide enough for us to hid in, to sink down to the bottom of, mothers who would breathe for us when we could not breathe anymore, who would fight for us, who would kill for us, die for us.

The guy in the Red Sox hat came in with an astonishingly beautiful blond woman at his side. He stood close to her, and though they weren't touching, it was clear that they were a couple. They just belonged together.

If another woman had been around, this would never have happened." "Whatever you're trying to say, just spit it out." "Come on, Heath. I'm not blond, leggy, or stacked. I was the default setting. Even my fiance never said I was sexy." "Your ex-fiance wears lipstick, so I wouldn't take that to heart. I promise, Annabelle, you're very sexy. That hair..." "Do not start in on my hair. I was born with it, okay. It's like making fun of someone with a birth defect.

A famous philosopher (either Aristotle or Judith Krantz, I forget who) once said about being a woman in Los Angeles: If you're blonde and beautiful, you're interchangeable. If you're not, you're invisible.

ALTERNATE UNIVERSE IN WHICH I AM UNFAZED BY THE MEN WHO DO NOT LOVE ME when the businessman shoulder checks me in the airport, i do not apologize. instead, i write him an elegy on the back of a receipt and tuck it in his hand as i pass through the first class cabin. like a bee, he will die after stinging me. i am twenty-four and have never cried. once, a boy told me he doesn’t “believe in labels” so i embroidered the word chauvinist on the back of his favorite coat. a boy said he liked my hair the other way so i shaved my head instead of my pussy. while the boy isn’t calling back, i learn carpentry, build a desk, write a book at the desk. i taught myself to cum from counting ceiling tiles. the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it. my mother says this is not the meaning of unfazed. when the boy says i curse too much to be pretty and i tattoo “cunt” on my inner lip, my mother calls this “being very fazed.” but left over from the other universe are hours and hours of waiting for him to kiss me and here, they are just hours. here, they are a bike ride across long island in june. here, they are a novel read in one sitting. here, they are arguments about god or a full night’s sleep. here, i hand an hour to the woman crying outside of the bar. i leave one on my best friend’s front porch, send my mother two in the mail. i do not slice his tires. i do not burn the photos. i do not write the letter. i do not beg. i do not ask for forgiveness. i do not hold my breath while he finishes. the man tells me he does not love me, and he does not love me. the man tells me who he is, and i listen. i have so much beautiful time.

She tried to break from his hold, and he tightened his grip. “You’re safe. I killed the rogues.” The woman stilled and searched his face, the wildness still heavy in her blue eyes. “You’re a wolf.” He smiled and nodded. “And you’re a tiger.” “A white tiger.” To match her white-blond hair. “And a beautiful one.

Hubert's wife, Mindy, was a tiny powerhouse of a woman with a halo of wild blond hair and eye makeup so complex it took me a while to locate her pupils. She was clearly the brains of the operation, such as she was.

I climbed the stairway (there was no elevator) and put the key in. The door swung open. Somebody had changed all the furniture around, put in a new rug. No, the furniture was new, too. There was a woman on the couch. She looked all right. Young. Good legs. Blonde. 'Hello,' I said, 'care for a beer?' 'Hi!' she said. 'All right, I'll have one.' 'I like the way this place is fixed up,' I told her. 'I did it myself.' 'But why?' 'I just felt like it,' she said. We each drank at the beer. 'You're all right,' I said. I put my beercan down and gave her a kiss. I put my hand on one of her knees. It was a nice knee. Then I had another swallow of beer. 'Yes,' I said, 'I really like the way this place looks. It's really going to lift my spirits.' 'That's nice. My husband likes it too.' 'Now why would your husband...What? Your husband? Look, what's this apartment number?' '309.' '309? Great Christ! I'm on the wrong floor! I live in 409.

At a time when she was engaged to Stilton Cheesewright, I remember recording in the archives that she was tall and willowy with a terrific profile and luxuriant platinum blond-hair, the sort of girl who might, as far as looks were concerned, have been the star unit of the harem of one of the better-class sultans.

I find the blonde woman, her hair up in a perfect ballerina bun, or whatever the fuck those are called,

Jay just blinked at me. “Let me get this straight. You were talking to a gorgeous blonde woman in a tight red skirt and heels, with a chest that has Playboy ringing her once a month for an interview, who was smiling and flirting with you like crazy and all you noticed was that she looked cold and her lipstick was bright?” Oh. Whoops. We were talking about breasts. Straight men usually notice breasts, don’t they? Shit!

Ten Best Song to Strip 1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly. 2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars. 3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.) 4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.) 5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude. 6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come." 7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.) 8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me. 9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else. 10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.

Pentru că au sâni rotunzi, cu gurguie care se ridică prin bluză când le e frig, pentru că au fundul mare şi grăsuţ, pentru că au feţe cu trăsături dulci ca ale copiilor, pentru că au buze pline, dinţi decenţi şi limbi de care nu ţi-e silă. Pentru că nu miros a transpiraţie sau a tutun prost şi nu asudă pe buza superioară. Pentru că le zâmbesc tuturor copiilor mici care trec pe lângă ele. Pentru că merg pe stradă drepte, cu capul sus, cu umerii traşi înapoi şi nu răspund privirii tale când le fixezi ca un maniac. Pentru că trec cu un curaj neaşteptat peste toate servitutile anatomiei lor delicate. Pentru că în pat sunt îndrăzneţe şi inventive nu din perversitate, ci ca să-ţi arate că te iubesc. Pentru că fac toate treburile sâcâitoare şi mărunte din casă fără să se laude cu asta şi fără să ceară recunoştinţă. Pentru că nu citesc reviste porno şi nu navighează pe site-uri porno. Pentru că poartă tot soiul de zdrăngănele pe care şi le asortează la îmbrăcăminte după reguli complicate şi de neînţeles. Pentru că îşi desenează şi-şi pictează feţele cu atenţia concentrată a unui artist inspirat. Pentru că au obsesia pentru subţirime a lui Giacometti. Pentru că se trag din fetiţe. Pentru că-şi ojează unghiile de la picioare. Pentru că joacă şah, whist sau ping-pong fără sa le intereseze cine câştigă. Pentru că şofează prudent în maşini lustruite ca nişte bomboane, aşteptând să le admiri când sunt oprite la stop şi treci pe zebră prin faţa lor. Pentru că au un fel de-a rezolva probleme care te scoate din minţi. Pentru că au un fel de-a gândi care te scoate din minţi. Pentru că-ţi spun „te iubesc” exact atunci când te iubesc mai puţin, ca un fel de compensaţie. Pentru că nu se masturbează. Pentru că au din când în când mici suferinţe: o durere reumatică, o constipaţie, o bătătură, şi-atunci îţi dai seama deodată că femeile sunt oameni, oameni ca şi tine. Pentru că scriu fie extrem de delicat, colecţionând mici observaţii şi schiţând subtile nuanţe psihologice, fie brutal şi scatologic ca nu cumva să fie suspectate de literatură feminină. Pentru că sunt extraordinare cititoare, pentru care se scriu trei sferturi din poezia şi proza lumii. Pentru că le înnebuneşte „Angie” al Rolling-ilor. Pentru că le termină Cohen. Pentru că poartă un război total şi inexplicabil contra gândacilor de bucătărie. Pentru că până şi cea mai dură bussiness woman poartă chiloţi cu înduioşătoare floricele şi danteluţe. Pentru că e aşa de ciudat să-ntinzi la uscat, pe balcon, chiloţii femeii tale, nişte lucruşoare umede, negre, roşii şi albe, parte satinate, parte aspre, mirându-te ce mici suprafeţe au de acoperit. Pentru că în filme nu fac duş niciodată înainte de-a face dragoste, dar numai în filme. Pentru că niciodată n-ajungi cu ele la un acord în privinţa frumuseţii altei femei sau a altui bărbat. Pentru că iau viaţa în serios, pentru că par să creadă cu adevărat în realitate. Pentru că le interesează cu adevărat cine cu cine s-a mai cuplat dintre vedetele de televiziune. Pentru că ţin minte numele actriţelor şi actorilor din filme, chiar ale celor mai obscuri. Pentru că dacă nu e supus nici unei hormonizări embrionul se dezvoltă întotdeauna într-o femeie. Pentru că nu se gândesc cum să i-o tragă tipului drăguţ pe care-l văd în troleibuz. Pentru că beau porcării ca Martini Orange, Gin Tonic sau Vanilia Coke. Pentru că nu-ţi pun mâna pe fund decât în reclame. Pentru că nu le excită ideea de viol decât în mintea bărbaţilor. Pentru că sunt blonde, brune, roşcate, dulci, futeşe, calde, drăgălaşe, pentru că au de fiecare dată orgasm. Pentru că dacă n-au orgasm nu îl mimează. Pentru că momentul cel mai frumos al zilei e cafeaua de dimineaţă, când timp de o oră ronţăiţi biscuiţi şi puneţi ziua la cale. Pentru că sunt femei, pentru că nu sunt bărbaţi, nici altceva. Pentru că din ele-am ieşit şi-n ele ne-ntoarcem, şi mintea noastră se roteşte ca o planetă greoaie, mereu şi mereu, numai în jurul lor.

He looks way too comfortable sitting there on my couch. A blond Adonis with his golden chest and sculpted muscles and perfectly chiseled face. If the hockey thing doesn’t work out for him, he ought to consider going into modeling. Dean Di Laurentis oozes sexuality. He could slap his face on a laxative label and every woman in the world would be praying for constipation just to have an excuse to buy it.

The part of the tradition that I knew best was mostly written (or rewritten for children) in England and northern Europe. The principal characters were men. If the story was heroic, the hero was a white man; most dark-skinned people were inferior or evil. If there was a woman in the story, she was a passive object of desire and rescue (a beautiful blond princess); active women (dark, witches) usually caused destruction or tragedy. Anyway, the stories weren’t about the women. They were about men, what men did, and what was important to men.

I appear to have no time for blondes--except for Bugs Bunny, dressed up as a woman, as he seduces the fool Fudd. That is a woman I could be, definitely: a cartoon man-rabbit dressed up as a girl, trying to have sex with a stuttering bald man. I could definitely do that.

And the other woman's breasts didn't look nearly as swollen as hers," Aspen went on. Pick snorted. "I'd say." The blonde shot him a glare. "Who the hell are you, anyway?" He grinned at her. "Pick." She blinked. "Pick what? I'm not picking out your name." "No, that's my name, Tinker Bell. Pick, short for Patrick Jacob Ryan. You like?

They were both lean and blond and weather-beaten, and one evening, as they were portaging gear from their respective Zodiacs, Libby unzipped her survival suit and tied the sleeves around her waist so she could move more freely. Nate said, "You look good in that." No one, absolutely no one, looks good in a survival suit (unless a Day-Glo orange marshmallow man is your idea of a hot date), but Libby didn't even make the effort to roll her eyes. "I have vodka and a shower in my cabin," she said. "I have a shower in my cabin, too," Nate said. Libby just shook her head and trudged up the path to the lodge. Over her shoulder she called, "In five minutes, there's going to be a naked woman in my shower. You got one of those?" "Oh," said Nate.

Felicia managed to stagger to her feet, open the front door, and limp haltingly to the white limousine idling on the snowy street outside the house. Murphy went to the window to watch Felicia get into the limo and depart. "Yeah," I said, deadpan. "The little blond woman has two of them.

You go to a party or whatever, and you spend the whole night zeroing in on the woman in red, the blonde in the corner, the girl with the big laugh, and then, as you are leaving, you see someone out of the corner of your eye, her hair glinting in the light, her long neck tilted slightly as she listens intently to the person next to her. And you know she's the one you should of talked to.

I had just started my new paragraph when the classroom door opened and a woman and a fat blond girl walked in. Sharon sits behind me and I heard her say, “Ugh.” Diane sits beside me and she whispered, “I hope she isn’t going to be in this room.

She had a woman’s swagger at twelve-and-a-half. Hair: strawberry-blonde, and I vaguely recall a daisy in the crook of her ear. She was an inch taller than me, two with the ponytail; smooth cheeks and darling brown eyes that marbled in luscious contrast with her magnolia skin; cream, melting to peach, melting to pink. She beamed like a cherub without the baby fat; a tender neck; pristine lips that would never part for a dirty word. Her body--of no interest to me at the time--was wrapped from neck to toes with home-made footie pajamas, the kind they make for toddlers, but I didn’t laugh; the girl filled that silly one-piece ensemble as if it were couture.

Blonde hair and black hair are the two poles of human nature. Black hair signifies virility, courage, frankness, activity, whereas blonde hair symbolises femininity, tenderness, weakness, and passivity. Therefore a blonde is in fact doubly a woman. A princess can only be blonde. That's also why, to be as feminine as possible, women dye their hair yellow- but never black" "I'm curious about how pigments exercise their influence over the human soul", said Bertlef doubtfully. "it's not a matter of pigments. A blonde unconsciously adapts herself to her hair. Especially if the blonde is a brunette who dyes her hair yellow. She tries to be faithful to her hair colour and behaves like a fragile creature, a shallow doll, she demands tenderness and service, courtesy and alimony, she's incapable of doing anything for herself, all refinement on the outside and coarseness on the inside. If black hair became a universal fashion, life on this world would clearly be better. It would be the most useful social reform ever achieved.

Is Obama Anything but Black? So lots of folk—mostly non-black—say Obama’s not black, he’s biracial, multiracial, black-and-white, anything but just black. Because his mother was white. But race is not biology; race is sociology. Race is not genotype; race is phenotype. Race matters because of racism. And racism is absurd because it’s about how you look. Not about the blood you have. It’s about the shade of your skin and the shape of your nose and the kink of your hair. Booker T. Washington and Frederick Douglass had white fathers. Imagine them saying they were not black. Imagine Obama, skin the color of a toasted almond, hair kinky, saying to a census worker—I’m kind of white. Sure you are, she’ll say. Many American Blacks have a white person in their ancestry, because white slave owners liked to go a-raping in the slave quarters at night. But if you come out looking dark, that’s it. (So if you are that blond, blue-eyed woman who says “My grandfather was Native American and I get discrimination too” when black folk are talking about shit, please stop it already.) In America, you don’t get to decide what race you are. It is decided for you. Barack Obama, looking as he does, would have had to sit in the back of the bus fifty years ago. If a random black guy commits a crime today, Barack Obama could be stopped and questioned for fitting the profile. And what would that profile be? “Black Man.

say that Finnegan Lane was something of a womanizer was like telling someone that it was a little steamy in the South in the summertime. Old, young, fat, thin, blonde, brunette, bald, toothless, face like a steel trap, Finn didn’t care as long as it was breathing, female, and had the breasts to prove it. He wasn’t even particular about how perky they were.

A twenty-five-cent word sprang unbidden into my mind: “noctilucent.” The word described the glow of a cat’s eyes at night, but it also seemed right for the woman in the photograph. She was a moonbeam turned flesh, pale with white-blond hair and wide-set light green eyes. Beautiful was not an appropriate word; she looked otherworldly. She looked impossible.

He pushed my back against the stall door, kissing me. Edward had tried kissing me, but I'd been so shocked I'd barely had time to explore how it felt. Lucy had told me stories of shady corners and sweaty palms. But this was passionate. Wild. Something I'd never known. "Have you kissed a girl before?" I whispered. He ran his thumb over my cheek. His eyes lingered on my lips. "Yes," he said. I thought of Alice, her pretty blonde hair, the split lip that made her so vulnerable. But it wasn't her name he said. "A woman at the docks in Brisbane. She didn't mean anything. I was lonely. It wasn't love." A prostitute, he meant.

... were trying to tell the dumb blonde to close her mouth, but the woman clearly took her hair color very seriously.

I liked to think I was a smart woman. My vagina, on the other hand, was the equivalent of a dumb blonde. And that blonde wanted what she wanted.

The sight of this half naked man in Susan’s apartment calling Aiden’s woman Suzy, infuriated him even further. He pushed past him. “I have to speak to her right now,” he said. A petite blonde sauntered out of the bedroom wearing a man’s shirt. But before he could open his mouth, the bruiser grabbed him, hauled him out into the hall, pulled back, and wound up. The force of the blow sent Aiden careening into the opposite wall. “Wrong Susan,” Aiden said, sliding to the floor.

This producer was a woman, a type I became acquainted with at the beginning of my stand-up career in Denver. I cared little for them: blondes in high heels who were so anxious to reach the professional level of the men they worshipped, fawned over, served, built up, and flattered that they would stab other women in the back. They are the ultimate weapon used by men against actual feminists who try to work in media, and they are never friends to other women, you can trust me on that.

Inside the shop, a blond woman reached for a peach silk number on display. What Millie would give to go inside the store and let her own fingers graze the fabric of that gown. Layers of peach silk draped down the back of the dress, then fell into a line of buttons along the fitted waistline and hips. The whole gown was like a summer dream.

Other women in tennis—blond women with big boobs and long legs—often get modeling contracts at age seventeen. They show up on the cover of men’s magazines within a year or so of hitting the court for the first time. But not thicker women, like me. Or dark-skinned women like Carla Perez or Suze Carter. Not women who are British Chinese, like Nicki, or downright scary in their intensity like her either. Not the women who aren’t skinny and white and smiling. And yet, no matter what type of woman you are, we all still have one thing in common: Once we are deemed too old, it doesn’t matter who we used to be.

I stare at his forearms. I can make out a naked woman with a snake going up her vagina. She’s holding a knife, slitting her own throat. There are three playing cards on the back of his right hand: the Queen of Spades, the Jack of Hearts and the Joker. Red flames lick his elbow. There’s a watch tattooed on his left wrist with ‘Fuck Time’ inscribed on its face. Fuck o’clock. He’s not that tall, but his body is carefully cut. The lines of his face, his cheekbones and jaw, are sharp and precise. I can see the tufts of his blond underarm hairs and under them the ladder of his ribs. He’s beautiful, in the way that a knife is beautiful.

Matias frowned.  Damn, he’d had a vision of this gorgeous woman naked?  He hadn’t thought he could despise his memory loss any more than he did, but the hits kept on coming.  Wait.  The blonde had said vision... as in the future?  “We’re fated to have sex?”  “No!”  Quinn shook her head so quickly and vehemently that her teeth all but rattled. “You sure?  You can’t seem to stay away from me.”  He looked down at their close proximity.  “I knew I should have left you to rot in the psych ward strapped to that bed.” Matias frowned.  He was having a hard time keeping up with the conversation.  “Kinky.  Or is that another dream you had starring yours truly?

Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.

Jodi in tactical gear was something to behold. Pert, a lot shorter than I am, blond hair tucked under a helmet, cinched into body armor never intended to mold to the body of a curvy woman. Ugly but efficient attire. Someone needs to talk to armor designers about female body shapes and style.

Josey?” She heard her mother’s voice in the hall, then the thud of her cane as she came closer. “Please don’t tell her I’m here,” the woman in the closet said, with a strange sort of desperation. Despite the cold outside, she was wearing a cropped white shirt and tight dark blue jeans that sat low, revealing a tattoo of a broken heart on her hip. Her hair was bleached white-blond with about an inch of silver-sprinkled dark roots showing. Her mascara had run and there were black streaks on her cheeks. She looked drip-dried, like she’d been walking in the rain, though there hadn’t...

Rosie and Mary had taken only a 10 percentage of this privilege - they were three minutes late leaving their room and took the second bus that went past rather than the first just so they could feel themselves standing at a bus stop in Manhattan, New York, surrounded by people who were short, dark and voluble rather than tall, blond and silent. The fatal part was the bus they got on. They, of course stood, because they had been taught to do so, out of respect to everyone else in the whole world - they were from the Midwest and deference was their habit and their training. ......."Did you see that?" "What?" replied Mary "That woman." "God, she was rude," said Mary. And from that statement Rosalind knew that Mary would live the rest of her life in the Midwest, which she did.

I am both nowhere and everywhere. You may not think you have something in common with your neighbor, but you do: me. I’m the barely spotted presence, the dark-haired, blond-haired, stocky, slight, seen from the back, glimpsed in half-light thread that will continue to connect you even as you fail to look out for each other.

you see, my whole life is tied up to unhappiness it's father cooking breakfast and me getting fat as a hog or having no food at all and father proving his incompetence again i wish i knew how it would feel to be free it's having a job they won't let you work or no work at all castrating me (yes it happens to women too) it's a sex object if you're pretty and no love or love and no sex if you're fat get back fat black woman be a mother grandmother strong thing but not woman gameswoman romantic woman love needer man seeker dick eater sweat getter fuck needing love seeking woman it's a hole in your shoe and buying lil sis a dress and her saying you shouldn't when you know all too well that you shouldn't but smiles are only something we give to properly dressed social workers not each other only smiles of i know your game sister which isn't really a smile joy is finding a pregnant roach and squashing it not finding someone to hold let go get off get back don't turn me on you black dog how dare you care about me you ain't go no good sense cause i ain't shit you must be lower than that to care it's a filthy house with yesterday's watermelon and monday's tears cause true ladies don't know how to clean it's intellectual devastation of everybody to avoid emotional commitment "yeah honey i would've married him but he didn't have no degree" it's knock-kneed mini skirted wig wearing died blond mamma's scar born dead my scorn your whore rough heeeled broken nailed powdered face me whose whole life is tied up to unhappiness cause it's the only for real thing i know

Just as Cam left Ivo Jenner’s apartments, St. Vincent met him in the hall. There was a scowl on the blond man’s face, and a vein of chilling arrogance in his tone. “If my wife finds comfort in trite Gypsy homilies, I have no objection to your offering them. However, if you ever kiss her again, no matter how platonic the fashion, I’ll make a eunuch of you.” The fact that St. Vincent could stoop to petty jealousy when Ivo Jenner was not yet cold in his bed might have outraged some men. Cam, however, regarded the autocratic viscount with speculative interest. Deliberately calibrating his reply to test the other man, Cam said softly, “Had I ever wanted her that way, I would have had her by now.” There it was— a flash of warning in St. Vincent’s ice-blue eyes that revealed a depth of feeling he would not admit to. Cam had never seen anything like the mute longing that St. Vincent felt for his own wife. No one could fail to observe that whenever Evie entered the room, St.Vincent practically vibrated like a tuning fork. “It is possible to care about a woman without wanting to bed her,” Cam pointed out. “But it appears that you don’t agree. Or are you so obsessed with her that you can’t fathom how anyone else could fail to feel the same?” “I’m not obsessed with her,” St. Vincent snapped. Leaning a shoulder against the wall, Cam stared into the man’s hard eyes, his usual reserve of patience nearly depleted. “Of course you are. Anyone could see it.” St. Vincent gave him a warning glance. “Another word,” he said thickly, “and you’ll go the way of Egan.” Cam raised his hands in a mocking gesture of self-defense. “Warning taken.

Lucky Harris was getting to him. His sexy little captive had gotten under his skin. He wanted her, and yet he could not bring himself to discipline and dominate her as he knew she secretly desired. For the first time since the death of his traitor wife, Sebastian was afraid, afraid of his own feelings. The bright-eyed blonde affected him as no woman ever had. It wasn't just her responsive cries or her tempting body; it was her strong opinions, her outrageous attitude, that irreverent sense of humor. Lucky made him laugh, but it was more than that. She made him feel alive.

I’d made my legs black, and my hair blonde. I’d lengthened and darkened my eyelashes, dusted a flush of pink onto my cheeks and painted my lips a shade of dark red which was rarely found in nature. I should, by rights, look less like a human woman than I’d ever done, and yet it seemed that this was the most acceptable, the most appropriate appearance that I’d ever made before the world.

Ed Lim’s daughter, Monique, was a junior now, but as she’d grown up, he and his wife had noted with dismay that there were no dolls that looked like her. At ten, Monique had begun poring over a mail-order doll catalog as if it were a book–expensive dolls, with n ames and stories and historical outfits, absurdly detailed and even more absurdly expensive. ‘Jenny Cohen has this one,’ she’d told them, her finger tracing the outline of a blond doll that did indeed resemble Jenny Cohen: sweet faced with heavy bangs, slightly stocky. 'And they just made a new one with red hair. Her mom’s getting it for her sister Sarah for Hannukkah.’ Sarah Cohen had flaming red hair, the color of a penny in the summer sun. But there was no doll with black hair, let alone a face that looked anything like Monique’s. Ed Lim had gone to four different toy stores searching for a Chinese doll; he would have bought it for his daughter, whatever the price, but no such thing existed. He’d gone so far as to write to Mattel, asking them if there was a Chinese Barbie doll, and they’d replied that yes, they offered 'Oriental Barbie’ and sent him a pamphlet. He had looked at that pamphlet for a long time, at the Barbie’s strange mishmash of a costume, all red and gold satin and like nothing he’d ever seen on a Chinese or Japanese or Korean woman, at her waist-length black hair and slanted eyes. I am from Hong Kong, the pamphlet ran. It is in the Orient, or Far East. Throughout the Orient, people shop at outdoor marketplaces where goods such as fish, vegetables, silk, and spices are openly displayed. The year before, he and his wife and Monique had gone on a trip to Hong Kong, which struck him, mostly, as a pincushion of gleaming skyscrapers. In a giant, glassed-in shopping mall, he’d bought a dove-gray cashmere sweater that he wore under his suit jacket on chilly days. Come visit the Orient. I know you will find it exotic and interesting. In the end he’d thrown the pamphlet away. He’d heard, from friends with younger children, that the expensive doll line now had one Asian doll for sale – and a few black ones, too – but he’d never seen it. Monique was seventeen now, and had long outgrown dolls.

Slender and lissome, Zilia had skin of the purest white and features the very emblem of candor and modesty; her large dark blue eyes, more tender than lively, seemed to express love at the height of delicacy, sentiment at its most voluptuous. Her mouth was deliciously formed, her teeth white and beautiful; she seemed a little pale until one's gaze fell upon her and then she burst to life, fresh as a rose. Her brow was noble, her hair, so nicely patterned, ashen blonde in great quantity, elegantly matched by the gracious contours of her veil, streaming across alabaster breasts, always exposed in accord with the fashion of the country—all finally lent this pretty woman the air of a goddess of youth. She had just reached her 16th year, still growing despite all, her arms lithe and fingers to our eyes so very supple and slender.

Once upon a time, mystery fans had to solve puzzles on their own; now, you not only didn’t need to be the one to solve it, you didn’t even need to be hanging around on the website where someone else had solved it. An Ana Lucia flashback episode in the second season showed Jack’s father, Christian, visiting a blonde Australian woman. Not long after it aired, I saw someone on the Television Without Pity message boards passing along a theory they had read on a different site suggesting that this woman was Claire’s mother, that Christian was her father, and that Jack and Claire were unwitting half-siblings. I hadn’t connected those dots myself, but the theory immediately made sense to me. When I interviewed Cuse that summer, he mentioned Christian Shephard, and I said, “And he’s Claire’s father, too, right?” Cuse looked like he was about to have a heart attack.

War thoughts again. I think back to the business cards from that health shop earlier on. I think about miniature wars that individuals fight all the time. They fight against cellulite, or negative emotions, or addictions, or stress. I think about how we can now hire all different sorts of mercenaries to help us fight against ourselves…Therapists, manicurists, hairdressers, personal trainers, life coaches. But what’s it all for? What do all these little wars achieve? Although it is a part of my life too, and I want to be thin and pretty and not laughed at in the street and not so stressed and mad that I start screaming on the tube, it suddenly seems a little bit ridiculous. All the time we do these things we are trying to enlist ourselves into a bigger war. We are trying to join up, constantly, with the enemy. - Hitler tried to impose his shiny, blonde, neat, sparkling world on us all and we resisted. So how is it that when McDonald’s and Disney and The Gap and L’Oreal and all the others try to do the same thing we all just say, ‘OK’? Hitler needed marketing, that’s all. His propaganda was, of course, brilliant for its time, everyone knows that. What a great idea, to make people feel that they belong to something, that their identity makes them special. If Hilter had bee able to enlist a twenty-first-century marketing department, would he have been able to sell Nazism to everyone? Why not? You can just see a beautiful, thin woman with her long blonde hair moving softly in the breezes, and the tagline ‘Because I’m worth it’.

The Oakland chapter’s “bondsman” is a handsome middle-aged woman with platinum-blond hair named Dorothy Connors. She has a pine-paneled office, drives a white Cadillac and treats the Angels gently, like wayward children. “These boys are the backbone of the bail-bond business,” she says. “Ordinary customers come and go, but just like clockwork, the Angels come down to my office each week to make their payments. They really pay the overhead.

A few months ago on a school morning, as I attempted to etch a straight midline part on the back of my wiggling daughter's soon-to-be-ponytailed blond head, I reminded her that it was chilly outside and she needed to grab a sweater. "No, mama." "Excuse me?" "No, I don't want to wear that sweater, it makes me look fat." "What?!" My comb clattered to the bathroom floor. "Fat?! What do you know about fat? You're 5 years old! You are definitely not fat. God made you just right. Now get your sweater." She scampered off, and I wearily leaned against the counter and let out a long, sad sigh. It has begun. I thought I had a few more years before my twin daughters picked up the modern day f-word. I have admittedly had my own seasons of unwarranted, psychotic Slim-Fasting and have looked erroneously to the scale to give me a measurement of myself. But these departures from my character were in my 20s, before the balancing hand of motherhood met the grounding grip of running. Once I learned what it meant to push myself, I lost all taste for depriving myself. I want to grow into more of a woman, not find ways to whittle myself down to less. The way I see it, the only way to run counter to our toxic image-centric society is to literally run by example. I can't tell my daughters that beauty is an incidental side effect of living your passion rather than an adherence to socially prescribed standards. I can't tell my son how to recognize and appreciate this kind of beauty in a woman. I have to show them, over and over again, mile after mile, until they feel the power of their own legs beneath them and catch the rhythm of their own strides. Which is why my parents wake my kids early on race-day mornings. It matters to me that my children see me out there, slogging through difficult miles. I want my girls to grow up recognizing the beauty of strength, the exuberance of endurance, and the core confidence residing in a well-tended body and spirit. I want them to be more interested in what they are doing than how they look doing it. I want them to enjoy food that is delicious, feed their bodies with wisdom and intent, and give themselves the freedom to indulge. I want them to compete in healthy ways that honor the cultivation of skill, the expenditure of effort, and the courage of the attempt. Grace and Bella, will you have any idea how lovely you are when you try? Recently we ran the Chuy's Hot to Trot Kids K together as a family in Austin, and I ran the 5-K immediately afterward. Post?race, my kids asked me where my medal was. I explained that not everyone gets a medal, so they must have run really well (all kids got a medal, shhh!). As I picked up Grace, she said, "You are so sweaty Mommy, all wet." Luke smiled and said, "Mommy's sweaty 'cause she's fast. And she looks pretty. All clean." My PRs will never garner attention or generate awards. But when I run, I am 100 percent me--my strengths and weaknesses play out like a cracked-open diary, my emotions often as raw as the chafing from my jog bra. In my ultimate moments of vulnerability, I am twice the woman I was when I thought I was meant to look pretty on the sidelines. Sweaty and smiling, breathless and beautiful: Running helps us all shine. A lesson worth passing along.

He stood looking down at me with a white towel wrapped around his waist. I always imagined what he might look like after seven years, but even my wildest dreams couldn’t have conjured up what I was actually met with. His messy black hair had now been replaced by longish sexy waves that curled around his ears. He was wearing glasses. He looked even sexier in glasses. Even from here, I could see the piercing gray of his eyes through them. His inked body was bigger, even more built than before. He lifted a cigarette to his mouth and even amidst the shock of seeing him, disappointment set in that he was smoking again. Elec blew out the smoke as his eyes stayed fixed on mine. He wasn’t smiling. He just looked at me intently. His powerful stare alone had put all of my senses on high alert, throwing my body out of whack. My head was pounding, my eyes were teary, my ears were beating, my mouth was watering, my nipples were hard, my hands were trembling, my knees were shaking and my heart…I couldn’t describe what was going on inside my chest. Before I could process any of this, a woman with blonde hair came up from behind him and wrapped her arms around his waist.

Is she pretty?” That would be a hell yes. Big soft eyes, full pink lips. Legs and tight skirts. And those damn cowboy boots. And the yoga pants and bra top she wore sailing. Long blond hair—-at least he thought it was long; she always kept it wound up and clipped in a messy bun. He’d dated white girls before, a time or two. But never someone that white, from Texas. Or that young. She was what, fifteen years younger, at least. An itty-bitty thing who could throw a grown man to the ground. “Yeah,” he said. “She’s real pretty.

Are you doing reporting for the Enquirer now, Patricia?” “Oh, please. It’s a perfectly logical question.” “Hey, Patty,” Sam called in a carrying voice, “can you call back? We’re right in the middle of having sex.” Patricia gasped. “That woman is the most—” Richard hung up the phone. “You really shouldn’t antagonize her like that,” he said mildly, leaning down to finish their kiss. “She started it. And I still don’t know why she hates me so much. You divorced her nearly two years before we met.” “She hates you because I love you.

When I get my kingdom back . . . ,” Nightshade began. “Stop there,” said Tiffany. “Why do you want your kingdom back? What good has it done you? Think about it, for I am the human who has looked after you, the only person you might call a friend.” She looked seriously at the elf. “I have told you that I—we—would be happy if you were to be Queen of the Elves again, but only if you can truly learn from your time here. Be prepared to live in peace, teach your elves that the world has changed and that there is no space for them here.” There was hope in her voice now, a hope that human and elf might be able to change the stories of humans and elves. A princess doesn’t have to be blond and blue-eyed and have a shoe size smaller than her age, she thought. People can trust witches, and not fear the old woman in the woods, the poor old woman whose only crime was to have no teeth and to talk to herself. And perhaps an elf could learn to know mercy, to discover humanity. . . . “If you learn things,” she finished softly, “you might find yourself building a different kind of kingdom.

I really like you, Evelyn.” I looked at her sideways. She laughed at me. “I know that’s probably not something most actresses mean in this town, but I don’t want to be like most actresses. I really like you. I like watching you on-screen. I like how the moment you show up in a scene, I can’t look at anything else. I like the way your skin is too dark for your blond hair, the way the two shouldn’t go together and yet seem so natural on you. And to be honest, I like how calculating and awful you kind of are.” “I am not awful!” Celia laughed. “Oh, you definitely are. Getting me fired because you think I’ll show you up? Awful. That’s just awful, Evelyn. And walking around bragging about how you use people? Just terrible. But I really like it when you talk about it. I like how honest you are, how unashamed. So many women around here are full of crap with everything they say and do. I like that you’re full of crap only when it gets you something.” “This laundry list of compliments seems to have a lot of insults in it,” I said. Celia nodded, hearing me. “You know what you want, and you go after it. I don’t think there is anyone in this town doubting that Evelyn Hugo is going to be the biggest star in Hollywood one of these days. And that’s not just because you’re something to look at. It’s because you decided you wanted to be huge, and now you’re going to be. I want to be friends with a woman like that. That’s what I’m saying. Real friends. None of this Ruby Reilly, backstabbing, talking-about-each-other-behind-our-backs crap. Friendship. Where each of us gets better, lives better, because we know the other.” I

She was wearing a sleeveless smock, blue with little pale red flowers on it. Her shoulder-length, ash-blond hair was fastened with a clip at the back of her neck. Her bare arms were pale. Her gestures of lifting the iron, using it, setting it down again, and then folding and putting away the laundry were an exercise in slow concentration, as were her movements as she bent over and then straightened up again. Her face as it was then has been overlaid in my memory by the faces she had later. If I see her in my mind’s eye as she was then, she doesn’t have a face at all, and I have to reconstruct it. High forehead, high cheekbones, pale blue eyes, full lips that formed a perfect curve without any indentation, square chin. A broad-planed, strong, womanly face. I know that I found it beautiful. But I cannot recapture its beauty.

A boat with an awning and containing four women came slowly downstream towards them. The woman at the oars was small, lean, and past her prime. She wore her hair pinned up inside an oilskin hat. Opposite her a big blonde dressed in a man's jacket was lying on her back at the bottom of the boat with a foot resting on the thwart on either side of the oarswoman. The blonde was smoking a cigarette and with each jerk of the oars her bosom and belly quivered. At the very stern of the boat under the awning two beautiful, tall, slender girls, one blonde and the other brunette, sat with their arms round each other's waists watching their two companions. A shout went up from La Grenouillere: "Aye-aye! Lesbos!" and suddenly a wild clamor broke out. In the terrifying scramble to see, glasses were knocked over and people started climbing on the tables. Everyone began to chant "Lesbos! Lesbos! Lesbos!" The words merged into a vague howl before suddenly starting up again, rising into the air, filling the plain beyond, resounding in the dense foliage of the tall surrounding trees and echoing in the distance as if aimed at the sun itself.

Doris Wales was a woman with straw-blond hair whose body appeared to have been dipped in corn oil; then she must have put her dress on, wet. The dress grabbed at all her parts, and plunged and sagged over the gaps in her body; a lover’s line of hickeys, or love bites – ‘love-sucks,’ Franny called them – dotted Doris’s chest and throat like a violent rash; the welts were like wounds from a whip. She wore plum-covered lipstick, some of which was on her teeth, and she said, to Sabrina Jones and me, ‘You want hot-dancin’ music, or slow-neckin’ music? Or both?’ ‘Both,’ said Sabrina Jones, without missing a beat, but I felt certain that if the world would stop indulging wars and famines and other perils, it would still be possible for human beings to embarrass each other to death. Our self-destruction might take a little longer that way, but I believe it would be no less complete.

Then what’s wrong?” He couldn’t be that obtuse. “You’re kidding, right?” “Ah, yeah, gotcha. Modesty issue, huh?” He drove in a deceptively relaxed way. “Look, yours isn’t the first tail I’ve ever seen, okay?” Fury stole Priss’s breath. She reacted without thinking, slugging his hard in the shoulder. “Ow!” He grabbed her wrist and tossed her hand back at her. “I was trying to comfort you, woman.” “Comfort!” He couldn’t be serious. No man could be that dense. “You’re a . . . a Neanderthal!” “Am not.” Flattened by his careless attitude, Priss stared at him in disbelief. He was a gorgeous guy, but still a jerk. Shaggy blond hair, darker and more unkempt than Trace’s, piercing green eyes, a strong jaw and . . . she peeked at his naked chest . . . Built. Her chin lifted. “Where in the world did they even find you?” It had to be under a rock. Or deep in a cave. He glared at her. “They who?” “Trace and Dare.” Giving her a cautious frown, Jackson rubbed at one bloodshot, swollen eye. “That’s top secret.” That’s top secret, she mouthed, making fun of him, lashing out in her embarrassment. He went rigid with affront. “Goddamn it, woman, you blinded me, nutted me, and damn near clubbed me to death. Now you have to ridicule me, too?” He dared to complain to her? “You snuck into my bathroom. You saw me naked!” “Yeah.” His mouth twitched. He nodded just a little. “Yeah, I did.” As he turned on his headlights and pulled onto the street, he said in an aside, “Sorry ’bout that.” He did not sound sorry, not in the least. “Didn’t mean to stare.” He’d been staring? She should kill him. She really shoulder. But . . . she might need him for protection. And Trace probably wouldn’t like it if she offed one of his operatives. “Naked woman and all.” Jackson gestured lamely. “It’s instinct, ya know? Guy’s gotta look.

A woman with super long platinum blonde hair, a fake tan, injected bubble gum pink lips, and a large boob job came in. Phoebe showed her where to set up in front of us and we all sat patiently. "Hello, I’m Tandy" I almost rolled my eyes at her name, given her appearance. She placed a case on the coffee table in front of us, opened it, and pulled out rubber penises. I almost shot my drink out of my nose, again. "I will be instructing you on proper blow job technique." "Oh my God, Phoebe." I shouted at her. "Yeah," Viola clapped her hands and reached out to be the first to get a rubber practice penis.

I went to the room in Great Jones Street, a small crooked room, cold as a penny, looking out on warehouses, trucks and rubble. There was snow on the windowledge. Some rags and an unloved ruffled shirt of mine had been stuffed into places where the window frame was warped and cold air entered. The refrigerator was unplugged, full of record albums, tapes, and old magazines. I went to the sink and turned on both taps all the way, drawing an intermittent trickle. Least is best. I tried the radio, picking up AM only at the top of the dial, FM not at all." The industrial loft buildings along Great Jones seemed misproportioned, broad structures half as tall as they should have been, as if deprived of light by the great skyscraper ranges to the north and south." Transparanoia owns this building," he said. She wanted to be lead singer in a coke-snorting hard-rock band but was prepared to be content beating a tambourine at studio parties. Her mind was exceptional, a fact she preferred to ignore. All she desired was the brute electricity of that sound. To make the men who made it. To keep moving. To forget everything. To be that sound. That was the only tide she heeded. She wanted to exist as music does, nowhere, beyond maps of language. Opal knew almost every important figure in the business, in the culture, in the various subcultures. But she had no talent as a performer, not the slightest, and so drifted along the jet trajectories from band to band, keeping near the fervers of her love, that obliterating sound, until we met eventually in Mexico, in somebody's sister's bed, where the tiny surprise of her name, dropping like a pebble on chrome, brought our incoherent night to proper conclusion, the first of all the rest, transactions in reciprocal tourism. She was beautiful in a neutral way, emitting no light, defining herself in terms of attrition, a skinny thing, near blond, far beyond recall from the hard-edged rhythms of her life, Southwestern woman, hard to remember and forget...There was never a moment between us that did not measure the extent of our true connection. To go harder, take more, die first.

...he had simply typed the words something beautiful into the Google images box. Up came a picture of some leaves against the sun. A picture of a blonde photoshop-smooth woman and baby sleeping. A picture of a bird. A picture of Mother Teresa. A picture of a modernist building made of shiny metal. A picture of two people sticking knives into their own hands. Google is so strange. It promises everything, but everything isn’t there. You type in the words for what you need, and what you need becomes superfluous in an instant, shadowed instantaneously by the things you really need, and none of them answerable by Google

Jane Russell! My physical therapist had never heard of her. “Gentlemen Prefer Blondes,” I said. “Not in my experience,” she replied. Bina’s younger; perhaps that’s it. All this was earlier today; before I could argue with her, she laced one of my legs over the other, capsized me onto my right side. The pain left me breathless. “Your hamstrings need this,” she assured me. “You bitch,” I gasped. She pressed my knee to the floor. “You’re not paying me to go easy on you.” I winced. “Can I pay you to leave?” Bina visits once a week to help me hate life, as I like to say, and to provide updates on her sexual adventures, which are about as exciting as my own. Only in Bina’s case it’s because she’s picky. “Half the guys on these apps are using five-year-old photos,” she’ll complain, her waterfall of hair poured over one shoulder, “and the other half are married. And the other half are single for a reason.” That’s three halves, but you don’t debate math with someone who’s rotating your spine.

When I still lived in Arizona, I sat down on a tattered futon at the house party and my blond friend handed me a bottle of blue Gatorade. There's vodka in it, she said. She was the kind of woman that served drinks at other people's parties. The vodka gave strength to my desires. Everyone watched. I was the last person to leave the party. As I buttoned my coat, the host of the party touched his beard, laughed, and said, No no no. I wrapped my scarf around my neck, picked up my bike leaning against the living room wall and walked toward the door. Stay, he said, and he wasn't asking. ...Though he did force himself on me, the truth is I stayed at the party waiting for something to happen. Everyone at the party left, and still, nothing had happened. He wasn't a stranger―I knew he was a bad man, I'd known that for a long time. That's why I stayed. I spent so much of my youth waiting for something to happen. Unsupervised, I had my choice of dark rooms. I knew which rooms were bad and I entered then anyway. It was a sort of power.

Anney makes the best gravy in the county, the sweetest biscuits, and puts just enough vinegar in those greens. Glenn nodded, though the truth was he’d never had much of a taste for greens, and his well-educated mama had always told him that gravy was bad for the heart. So he was not ready for the moment when Mama pushed her short blond hair back and set that big plate of hot food down in front of his open hands. Glenn took a bite of gristly meat and gravy, and it melted between his teeth. The greens were salt sweet and fat rich. His tongue sang to his throat; his neck went loose, and his hair fell across his face. It was like sex, that food, too good to waste on the middle of the day and a roomful of men too tired to taste. He chewed, swallowed began to come alive himself. He began to feel for the first time like one of the boys, a grown man accepted by the notorious and dangerous Earle Boatwright, staring across the counter at one of the prettiest woman he’d ever seen. His face went hot, and he took a big drink of ice tea to cool himself.

Nicki keeps her eyes focused entirely on watching the trainer wrap her foot. But her next words are aimed squarely at me. “I don’t think you’ve ever understood what I can do. What I am doing.” “I do,” I say. “I see it.” “I am better than you,” she says. “Give me a break, Nicki.” “You think that if this was 1982, I wouldn’t stand a chance against you,” Nicki continues. “I know that if this was 1982, you wouldn’t stand a chance against me,” I say. “Because it’s 1995, and you don’t stand a chance against me.” Nicki scoffs. “You just can’t see it.” “How good you are?” I say. “I see how good you are.” “You don’t respect what I’ve done for tennis the way I respect what you’ve done.” “What have you done that I haven’t done?” Nicki turns and looks at me. Her gaze is heavy. “I’m the first Asian woman to ever win Wimbledon. The first woman like me to do almost any of the things I’ve done in tennis—hitting these records. Because we both know tennis doesn’t make it easy for those of us who aren’t blond and blue-eyed.” “Yes,” I say, nodding. “Absolutely.

She’d best get the hell outta here pretty damn quick. Finally he stood and tossed some cash on the littered table then glanced at the pretty lady shifter. He frowned and gave Joe a look. “With the hunt going down tonight, it might be a good idea to give the little blonde a heads up. She needs to hit the road.” When Joe nodded, Mad shrugged, determined to put some distance between himself and the sexy stranger. “Best take off and see what’s what, Joe. You take care now.” He felt the woman’s eyes on him as he made his way to the door and stopped to return her stare. A sound similar to white noise buzzed in his ears and fairly rattled his brain then stopped almost as soon as it started. Chills raced over his arms. What the fuck?

continued. “The solution to almost every problem imaginable can be found in the outcome of a fairy tale. Fairy tales are life lessons disguised with colorful characters and situations. “‘The Boy Who Cried Wolf ’ teaches us the value of a good reputation and the power of honesty. ‘Cinderella’ shows us the rewards of having a good heart. ‘The Ugly Duckling’ teaches us the meaning of inner beauty.” Alex’s eyes were wide, and she nodded in agreement. She was a pretty girl with bright blue eyes and short strawberry-blonde hair that was always kept neatly out of her face with a headband. The way the other students stared at their teacher, as if the lesson being taught were in another language, was something Mrs. Peters had never grown accustomed to. So, Mrs. Peters would often direct entire lessons to the front row, where Alex sat. Mrs. Peters was a tall, thin woman who always wore dresses that resembled old, patterned sofas. Her hair was dark and curly and sat perfectly on the top of her head like a hat (and her students often thought it was). Through a pair of thick glasses, her eyes were permanently squinted from all the judgmental looks she had given her classes over the years. “Sadly, these timeless tales are no longer relevant in our society,” Mrs. Peters said. “We have traded their brilliant teachings for small-minded entertainment like television and video games. Parents now let obnoxious cartoons and violent movies influence their children. “The only exposure to the tales some children acquire are versions bastardized by film companies. Fairy

They drove back to Paris on the assumption that they would be far less obvious among the crowds of the city than in an isolated country inn. A blond-haired man wearing tortoise-shell glasses, and a striking but stern-faced woman, devoid of makeup, and with her hair pulled back like an intense graduate student at the Sorbonne, were not out of place in Montmartre. They took a room at the Terrasse on the rue de Maistre, registering as a married couple from Brussels. In the room, they stood for a moment, no words necessary for what each was seeing and feeling. They came together, touching, holding, closing out the abusive world that refused them peace, that kept them balancing on taut wires next to one another, high above a dark abyss; if either fell, it was the end for both. Bourne could not change his color for the immediate moment. It would be false, and there was no room for artifice. “We need some rest,” he said. “We’ve got to get some sleep. It’s going to be a long day.” They made love. Gently, completely, each with the other in the warm, rhythmic comfort of the bed. And there was a moment, a foolish moment, when adjustment of an angle was breathlessly necessary and they laughed. It was a quiet laugh, at first even an embarrassed laugh, but the observation was there, the appraisal of foolishness intrinsic to something very deep between them. They held each other more fiercely when the moment passed, more and more intent on sweeping away the awful sounds and the terrible sights of a dark world that kept them spinning in its winds. They were suddenly breaking out of that world, plunging into a much better one where sunlight and blue water replaced the darkness. They raced toward it feverishly, furiously, and then they burst through and found it. Spent, they fell asleep, their fingers entwined.

I understand, intellectually, that the death of a parent is a natural, acceptable part of life. Nobody would call the death of a very sick eighty-year-old woman a tragedy. There was soft weeping at her funeral and red watery eyes. No wrenching sobs. Now I think that I should have let myself sob. I should have wailed and beaten my chest and thrown myself over her coffin. I read a poem. A pretty, touching poem I thought she would have liked. I should have used my own words. I should have said: No one will ever love me as fiercely as my mother did. I should have said: You all think you’re at the funeral of a sweet little old lady, but you’re at the funeral of a girl called Clara, who had long blond hair in a heavy thick plait down to her waist, who fell in love with a shy man who worked on the railways, and they spent years and years trying to have a baby, and when Clara finally got pregnant, they danced around the living room but very slowly, so as not to hurt the baby, and the first two years of her little girl’s life were the happiest of Clara’s life, except then her husband died, and she had to bring up the little girl on her own, before there was a single mother’s pension, before the words “single mother” even existed. I should have told them about how when I was at school, if the day became unexpectedly cold, Mum would turn up in the school yard with a jacket for me. I should have told them that she hated broccoli with such a passion she couldn’t even look at it, and that she was in love with the main character on the English television series Judge John Deed. I should have told them that she loved to read and she was a terrible cook, because she’d try to cook and read her latest library book at the same time, and the dinner always got burned and the library book always got food spatters on it, and then she’d spend ages trying to dab them away with the wet corner of a tea towel. I should have told them that my mum thought of Jack as her own grandchild, and how she made him a special racing car quilt he adored. I should have talked and talked and grabbed both sides of the lectern and said: She was not just a little old lady. She was Clara. She was my mother. She was wonderful.

He leaned on the bar. "I'm Tony. And you owe me." Okay, here we go, Liza thought, and leaned on the bar, too, mirroring him. "I owe you?" "Yes." He grinned at her. "Because of chaos theory." Liza shook her head. "Chaos theory." He moved closer to her. "Chaos theory says that complex dynamical systems become unstable because of disturbances in their environments after which a strange attractor draws the trajectory of the stress." Liza looked at him, incredulous. "This is your line?" "I am a complex dynamical system," Tony said. "Not that complex," Liza said. "And I was stable until you caused a disturbance in my environment." "Not that stable," Liza said. Tony grinned. "And since you're the strangest attractor in the room, I followed the trajectory of my stress right to you." "That's not what you followed to me." Liza turned so that her back was against the bar, her shoulder blocking him. "Give me something better than that, or I'll find somebody else to amuse myself with." From the corner of her eye, she saw the other guy, the vacant-looking blond, lean down to Bonnie. "Is she always like this?" he said to Bonnie, and Liza turned to size him up. Big. Husky. Boring. "Well, your friend isn't exactly Prince Charming," Bonnie said, giving him her best fluttery smile. He beamed back down at her. "Neither am I. Is that okay?" Oh, come on, Liza thought, and caught Tony-the-bullethead's eye. "He means it," Tony said. "Roger has no line." "After the chaos theory debacle, that's a plus," Liza said. "Poor baby," Bonnie was saying as she put her hand on Roger's sleeve. "Of course, that's okay. I'm Bonnie." Roger looked down at her with naked adoration. "I'm Roger, and you are the most beautiful woman I've ever seen in my life." Bonnie's smile widened, and she moved closer to him. "Which doesn't mean he's bad with women," Tony said, sounding bemused.

Cecily let her cheek fall to Leta’s shoulder and hugged her back. It felt so nice to be loved by someone in the world. Since her mother’s death, she’d had no one of her own. It was a lonely life, despite the excitement and adventure her work held for her. She wasn’t openly affectionate at all, except with Leta. “For God’s sake, next you’ll be rocking her to sleep at night!” came a deep, disgusted voice at Cecily’s back, and Cecily stiffened because she recognized it immediately. “She’s my baby girl,” Leta told her tall, handsome son with a grin. “Shut up.” Cecily turned a little awkwardly. She hadn’t expected this. Tate Winthrop towered over both of them. His jet-black hair was loose as he never wore it in the city, falling thick and straight almost to his waist. He was wearing a breastplate with buckskin leggings and high-topped mocassins. There were two feathers straight up in his hair with notches that had meaning among his people, marks of bravery. Cecily tried not to stare at him. He was the most beautiful man she’d ever known. Since her seventeenth birthday, Tate had been her world. Fortunately he didn’t realize that her mad flirting hid a true emotion. In fact, he treated her exactly as he had when she came to him for comfort after her mother had died suddenly; as he had when she came to him again with bruises all over her thin, young body from her drunken stepfather’s violent attack. Although she dated, she’d never had a serious boyfriend. She had secret terrors of intimacy that had never really gone away, except when she thought of Tate that way. She loved him… “Why aren’t you dressed properly?” Tate asked, scowling at her skirt and blouse. “I bought you buckskins for your birthday, didn’t I?” “Three years ago,” she said without meeting his probing eyes. She didn’t like remembering that he’d forgotten her birthday this year. “I gained weight since then.” “Oh. Well, find something you like here…” She held up a hand. “I don’t want you to buy me anything else,” she said flatly, and didn’t back down from the sudden menace in his dark eyes. “I’m not dressing up like a Lakota woman. In case you haven’t noticed, I’m blond. I don’t want to be mistaken for some sort of overstimulated Native American groupie buying up artificial artifacts and enthusing over citified Native American flute music, trying to act like a member of the tribe.” “You belong to it,” he returned. “We adopted you years ago.” “So you did,” she said. That was how he thought of her-a sister. That wasn’t the way she wanted him to think of her. She smiled faintly. “But I won’t pass for a Lakota, whatever I wear.” “You could take your hair down,” he continued thoughtfully. She shook her head. She only let her hair loose at night, when she went to bed. Perhaps she kept it tightly coiled for pure spite, because he loved long hair and she knew it. “How old are you?” he asked, trying to remember. “Twenty, isn’t it?” “I was, give years ago,” she said, exasperated. “You used to work for the CIA. I seem to remember that you went to college, too, and got a law degree. Didn’t they teach you how to count?” He looked surprised. Where had the years gone? She hadn’t aged, not visibly.

When you come to any town And one comes to any town very late When you come very late to any town In case that town happens to be Valjevo Where I also came You'll come by the path you had to come by Which didn't exist before you But was born with you For you to go by your path And meet her whom you must meet On the path you must go by Who was your life Even before you met her Or knew that she existed Both her and the town to which you came. ***** Until she comes into your life And there forever remains She who started towards you From a great distance From somewhere in the Russian Jerusalem From the Caucasus from Pyatigorsk Where she had never been And her name was what it was For instance Vera Pavlodoljska And looked the way she looked The way no one on earth looks anymore. ***** That will be the only town Where you’ve always been And as soon as you heard her name And before you met her You always knew her And already loved her for centuries. When you come to any town And one comes to any town very late When you come very late to any town In case that town happens to be Valjevo You will come stepping to a double echo Yours and the clatter of another Who travels with you And whose voice blows in the wind On an unusual day for that time of year So even you won’t be sure What town that is Nor which are your steps You’ll only know that voice That doesn’t blow in the wind But appears in you ***** When you come very late to any town The world will become a reminder of her And there won’t be a single place on earth Where she won’t be waiting for you Nor a mirror in which she won’t appear Nor blonde hair that isn’t hers Nor a cloud without her silken smile Space, fields and water have remembered her The way she was when you first met her In any town ***** And nothing would be the way that it is If it could have been the way that it couldn’t Because there exists only one town And only one arrival And only one encounter And each is the first and only And it never happened before or after And all towns are one Parts of one single town Of a town above all towns Of a town that is you Towards which everyone goes ***** And as soon as you saw her You loved her from the beginning And in advance rued the parting Which took place Before you met her Because there exists only one town And only one woman And one single day And one song above all songs And one single word And one town in which you heard it And one mouth that said it And from everything about the way it uttered it You knew it was uttering it for the first time And that you could quietly shut your eyes Because you’d already died and already risen And that which never was had repeated itself.

Closing the distance between them, he had savored the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.

Okay, I’m going to tell you what I think. It’s like this,” he said grimly. “Quit or don’t quit. Take the promotion or not take it. But, if you take the graveyard shift, mark my words, we will eventually—I don’t know how, and I don’t know when—live to regret it.” Without saying another word he walked inside. In bed Alexander let her kiss his hands. He was on his back, and Tatiana sidled up to him naked, kneeling by his side. Taking his hands, she kissed them slowly, digit by digit, knuckle by knuckle, pressing them to her trembling breasts, but when she opened her mouth to speak, Alexander took his hands away. “I know what you’re about to do,” he said. “I’ve been there a thousand times. Go ahead. Touch me. Caress me. Whisper to me. Tell me first you don’t see my scars anymore, then make it all right. You always do, you always manage to convince me that whatever crazy plan you have is really the best for you and me,” he said. “Returning to blockaded Leningrad, escaping to Sweden, Finland, running to Berlin, the graveyard shift. I know what’s coming. Go ahead, I’ll be good to you right back. You’re going to try to make me all right with you staying in Leningrad when I tell you that to save your hard-headed skull you must return to Lazarevo? You want to convince me that escaping through enemy territory across Finland’s iced-over marsh while pregnant is the only way for us? Please. You want to tell me that working all Friday night and not sleeping in my bed is the best thing for our family? Try. I know eventually you’ll succeed.” He was staring at her blonde and lowered head. “Even if you don’t,” he continued, “I know eventually, you’ll do what you want anyway. I don’t want you to do it. You know you should be resigning, not working graveyard—nomenclature, by the way, that I find ironic for more reasons that I care to go into. I’m telling you here and now, the path you’re taking us on is going to lead to chaos and discord not order and accord. It’s your choice, though. This defines you—as a nurse, as a woman, as a wife—pretend servitude. But you can’t fool me. You and I both know what you’re made of underneath the velvet glove: cast iron.” When Tatiana said nothing, Alexander brought her to him and laid her on his chest. “You gave me too much leeway with Balkman,” he said, kissing her forehead. “You kept your mouth shut too long, but I’ve learned from your mistake. I’m not keeping mine shut—I’m telling you right from the start: you’re choosing unwisely. You are not seeing the future. But you do what you want.” Kneeling next to him, she cupped him below the groin into one palm, kneading him gently, and caressed him back and forth with the other. “Yes,” he said, putting his arms under his head and closing his eyes. “You know I love that, your healing stroke. I’m in your hands.” She kissed him and whispered to him, and told him she didn’t see his scars anymore, and made it if not all right then at least forgotten for the next few hours of darkness.

Her name was Pilar Ternera. She had been part of the exodus that ended with the founding of Macondo, dragged along by her family in order to separate her from the man who had raped her at fourteen and had continued to love her until she was twenty-two, but who never made up his mind to make the situation public because he was a man apart. He promised to follow her to the ends of the earth, but only later on, when he put his affairs in order, and she had become tired of waiting for him, always identifying  him with the tall and short, blond and brunet men that her cards promised from land and sea within three days, three months, or three years. With her waiting she had lost the strength of her thighs, the firmness of her breasts, her habit of tenderness, but she kept the madness of her heart intact. Maddened by that prodigious plaything, José Arcadio followed her path every night through the labyrinth of the room. On a certain occasion he found the door barred, and he knocked several times, knowing that if he had the boldness to knock the first time he would have had to knock until the last, and after an interminable wait she opened the door for him. During the day, lying down to dream, he would secretly enjoy the memories of the night before. But when she came into the house, merry, indifferent, chatty, he did not have to make any effort to hide his tension, because that woman, whose explosive laugh frightened off the doves, had nothing to do with the invisible power that taught him how to breathe from within  and control his heartbeats, and that had permitted him to understand why man are afraid of death.

Excuse me," a breathy female voice came from beside her, and she lifted her head. A stunning blonde in a dress cut down to her belly button and up to her crotch hovered beside the table. "Yes?" she asked, not certain whether to scream or laugh. "Are you Richard Addison?" the woman breathed, ignoring Sam. Rick blinked. "Oh, me. I thought you were talking to her. Yes, I am." "Could I have your autograph?" "Certainly. Do you have a pen?" The woman held out a napkin and a pen, and Rick signed his name. "There you go." "How about your phone number?" The woman gave a low giggle, but pressed the napkin back into Rick's hand. Sam would have stood, but Rick kicked her under the table. "Ouch," she grumbled, glaring at him. "I'm sorry, but I don't give out my phone number." "Are you sure?" Belly Button Girl licked her lips. "If I might make a comment," Rick continued, granting her a warm smile, though Sam noted that his eyes remained cool and untouched, "I'm a bit occupied right now, enjoying the company of a very lovely young lady with whom I enjoy spending my every spare moment." He straightened further, lowering his voice to a bare murmur. "So I thank you for your interest, but I am never in a million years going to give you my phone number. Good evening." Her face turning scarlet under its inch of makeup, the woman turned away, departing with a sway of her perfect hips. "You're so cool," Sam breathed. "You could at least pretend to be jealous," he said, pulling her hand across the table to kiss her knuckle. She had been jealous, but no way was she going to tell him that. Not until she could figure out for herself what the hell it meant. At least she hadn't panicked and tried to belt a near-naked woman for sneaking up behind her. "She's not your type." "And what precisely is my 'type'?" he asked. "The kind who could have handed you a comeback instead of just stomping away.

He kept his distance from the villa. It was too easy to slip in Kestrel’s presence. One day, Lirah came to the forge. Arin was sure that he was being called to serve as Kestrel’s escort somewhere. He felt an eager dread. “Enai would like to see you,” Lirah said. Arin set the hammer on the anvil. “Why?” His interactions with Enai had been limited, and he liked to keep them that way. The woman’s eyes were too keen. “She’s very sick.” Arin considered this, then nodded, following Lirah from the forge. When they entered the cottage, they could hear the sounds of sleep from beyond the open bedroom door. Enai coughed, and Arin heard fluid in her lungs. The coughing subsided, then gave way to ragged breath. “Someone should fetch a doctor,” Arin told Lirah. “Lady Kestrel has gone for one. She was very upset. She’ll return soon, I hope.” Haltingly, Lirah said, “I’d like to stay with you, but I have to get back to the house.” Arin barely noticed her touch his arm before leaving him. Reluctant to wake Enai, Arin studied the cottage. It was snug and well maintained. The floor didn’t creak. There were signs, everywhere, of comfort. Slippers. A stack of dry wood. Arin ran a hand along the smooth mantel of the fireplace until he touched a porcelain box. He opened it. Inside was a small braid of dark blond hair with a reddish tinge, looped in a circle and tied with golden wire. Although he knew he shouldn’t, Arin traced the braid with one fingertip. “That’s not yours,” a voice said. He snatched his hand away. He turned, his face hot. Through the open bedroom door, Arin saw Enai staring at him from where she lay. “I’m sorry.” He set the lid on the box. “I doubt it,” she muttered, and told him to come near. Arid did, slowly. He had the feeling he was not going to like this conversation. “You spend a lot of time with Kestrel,” Enai said. He shrugged. “I do what she asks.” Enai held his gaze. Despite himself, he looked away first. “Don’t hurt her,” the woman said. It was a sin to break a deathbed promise. Arin left without making one.

Imagine you're sitting having dinner in a restaurant. At some point during the meal, your companion leans over and whispers that they've spotted Lady Gaga eating at the table opposite. Before having a look for yourself, you'll no doubt have some sense of how much you believe your friends theory. You'll take into account all of your prior knowledge: perhaps the quality of the establishment, the distance you are from Gaga's home in Malibu, your friend's eyesight. That sort of thing. If pushed, it's a belief that you could put a number on. A probability of sorts. As you turn to look at the woman, you'll automatically use each piece of evidence in front of you to update your belief in your friend's hypothesis Perhaps the platinum-blonde hair is consistent with what you would expect from Gaga, so your belief goes up. But the fact that she's sitting on her own with no bodyguards isn't, so your belief goes down. The point is, each new observations adds to your overall assessment. This is all Bayes' theorem does: offers a systematic way to update your belief in a hypothesis on the basis of the evidence. It accepts that you can't ever be completely certain about the theory you are considering, but allows you to make a best guess from the information available. So, once you realize the woman at the table opposite is wearing a dress made of meat -- a fashion choice that you're unlikely to chance up on in the non-Gaga population -- that might be enough to tip your belief over the threshold and lead you to conclude that it is indeed Lady Gaga in the restaurant. But Bayes' theorem isn't just an equation for the way humans already make decisions. It's much more important that that. To quote Sharon Bertsch McGrayne, author of The Theory That Would Not Die: 'Bayes runs counter to the deeply held conviction that modern science requires objectivity and precision. By providing a mechanism to measure your belief in something, Bayes allows you to draw sensible conclusions from sketchy observations, from messy, incomplete and approximate data -- even from ignorance.

His nostrils flared and he couldn't wait any longer. He lifted her bodily, moving her farther up on the bed, placing her head and shoulders against the pillows, and then pushed up her chemise, crawling between her spread thighs and settling to enjoy what he'd found. There. There she was, her pretty, pretty pink cunny, all coral lips and wispy dark-blond curls. He hiked her trembling legs over his arms, ignoring her gasp of shocked surprise. He glanced up at once and saw wide, wondering eyes gazing back at him. Her gentlemanly first husband had evidently never done this to her. More fool he. Then he bent and feasted. His nose pressed into her mound, inhaling her woman's scent, his cock grinding hard into the bed, his tongue licking into tart and salt and her. Oh God, her. She squealed at his first touch and tried to squirm away, but he held her fast with his hands on her hips. He almost smiled against her tender flesh, his teeth scraping oh so gently. She might be startled, might be outraged and shocked, but she liked it. Perhaps even loved it- what he was doing to her. She was moaning now, low in her throat, making little mewling sounds, so erotic and sweet, her hips twitching against his lips, trying to get more. He opened his mouth, covering her, breathing over her. He stiffened his tongue and speared into her as far as he could reach, his jaw aching. She cried out at that and he felt fingers tangling in his hair. He withdrew his tongue and moved to her clitoris, taking the small bit of flesh gently between his teeth and pulling. She froze, trembling all over, and he could hear her gasping breaths. He opened his mouth and licked her. Softly. Tenderly. Thoroughly. And at the same time he shoved two fingers into her, feeling her wet walls contract against his knuckles, smelling the rise of her arousal. She arched under him, her soft thighs thrashing restlessly, making no sound, but he knew. He knew. He curled the fingers inside her and stroked her wet, silky inner walls as he pulled them back. Then he shoved them again into her, hard and firm, repeating the motion as he suckled her clitoris. She moaned- loud in the quiet room- and pushed against him, and he felt her tremble and suddenly grow wetter. She shuddered helplessly and he was drunk on her release, his cock a heavy, near-painful throb. He turned his head and kissed the inside of her soft thigh, listening to her pant.

Nobody ever talked about what a struggle this all was. I could see why women used to die in childbirth. They didn't catch some kind of microbe, or even hemorrhage. They just gave up. They knew that if they didn't die, they'd be going through it again the next year, and the next. I couldn't understand how a woman might just stop trying, like a tired swimmer, let her head go under, the water fill her lungs. I slowly massaged Yvonne's neck, her shoulders, I wouldn't let her go under. She sucked ice through threadbare white terry. If my mother were here, she'd have made Melinda meek cough up the drugs, sure enough. "Mamacita, ay," Yvonne wailed. I didn't know why she would call her mother. She hated her mother. She hadn't seen her in six years, since the day she locked Yvonne and her brother and sisters in their apartment in Burbank to go out and party, and never came back. Yvonne said she let her boyfriends run a train on her when she was eleven. I didn't even know what that meant. Gang bang, she said. And still she called out, Mama. It wasn't just Yvonne. All down the ward, they called for their mothers. ... I held onto Yvonne's hands, and I imagined my mother, seventeen years ago, giving birth to me. Did she call for her mother?...I thought of her mother, the one picture I had, the little I knew. Karin Thorvald, who may or may not have been a distant relation of King Olaf of Norway, classical actress and drunk, who could recite Shakespeare by heart while feeding the chickens and who drowned in the cow pond when my mother was thirteen. I couldn't imagine her calling out for anyone. But then I realized, they didn't mean their own mothers. Not those weak women, those victims. Drug addicts, shopaholics, cookie bakers. They didn't mean the women who let them down, who failed to help them into womanhood, women who let their boyfriends run a train on them. Bingers and purgers, women smiling into mirrors, women in girdles, women in barstools. Not those women with their complaints and their magazines, controlling women, women who asked, what's in it for me? Not the women who watched TV while they made dinner, women who dyed their hair blond behind closed doors trying to look twenty-three. They didn't mean the mothers washing dishes wishing they'd never married, the ones in the ER, saying they fell down the stairs, not the ones in prison saying loneliness is the human condition, get used to it. They wanted the real mother, the blood mother, the great womb, mother of a fierce compassion, a woman large enough to hold all the pain, to carry it away. What we needed was someone who bled, someone deep and rich as a field, a wide-hipped mother, awesome, immense, women like huge soft couches, mothers coursing with blood, mothers big enough, wide enough, for us to hide in, to sink down to the bottom of, mothers who would breathe for is when we could not breathe anymore, who would fight for us, who would kill for us, die for us. Yvonne was sitting up, holding her breath, eyes bulging out. It was the thing she should not do. "Breathe," I said in her ear. "Please, Yvonne, try." She tried to breathe, a couple of shallow inhalations, but it hurt too much. She flopped back on the narrow bed, too tired to go on. All she could do was grip my hand and cry. And I thought of the way the baby was linked to her, as she was linked to her mother, and her mother, all the way back, insider and inside, knit into a chain of disaster that brought her to this bed, this day. And not only her. I wondered what my own inheritance was going to be. "I wish I was dead," Yvonne said into the pillowcase with the flowers I'd brought from home. The baby came four hours later. A girl, born 5:32 PM.

Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.

Until that moment Elizabeth wouldn’t have believed she could feel more humiliated than she already did. Robbed of even the defense of righteous indignation, she faced the fact that she was the unwanted gest of someone who’d made a fool of her not once but twice. “How did you get here? I didn’t hear any horses, and a carriage sure as well can’t make the climb.” “A wheeled conveyance brought us most of the way,” she prevaricated, seizing on Lucinda’s earlier explanation, “and it’s gone on now.” She saw his eyes narrow with angry disgust as he realized he was stuck with them unless he wanted to spend several days escorting them back to the inn. Terrified that the tears burning the backs of her eyes were going to fall, Elizabeth tipped her head back and turned it, pretending to be inspecting the ceiling, the staircase, the walls, anything. Through the haze of tears she noticed for the first time that the place looked as if it hadn’t been cleaned in a year. Beside her Lucinda glanced around through narrowed eyes and arrived at the same conclusion. Jake, anticipating that the old woman was about to make some disparaging comment about Ian’s house, leapt into the breach with forced joviality. “Well, now,” he burst out, rubbing his hands together and striding forward to the fire. “Now that’s all settled, shall we all be properly introduced? Then we’ll see about supper.” He looked expectantly at Ian, waiting for him to handle the introductions, but instead of doing the thing properly he merely nodded curtly to the beautiful blond girl and said, “Elizabeth Cameron-Jake Wiley.” “How do you do, Mr. Wiley,” Elizabeth said. “Call me Jake,” he said cheerfully, then he turned expectantly to the scowling duenna. “And you are?” Fearing that Lucinda was about to rip up at Ian for his cavalier handling of the introductions, Elizabeth hastily said, “This is my companion, Miss Lucinda Throckmorton-Jones.” “Good heavens! Two names. Well, no need to stand on formality, since we’re going to be cooped up together for at least a few days! Just call me Jake. What shall I call you?” “You may call me Miss Throckmorton-Jones,” she informed him, looking down the length of her beaklike nose. “Er-very well,” he replied, casting an anxious look of appeal to Ian, who seemed to be momentarily enjoying Jake’s futile efforts to create an atmosphere of conviviality. Disconcerted, Jake ran his hands through his disheveled hair and arranged a forced smile on her face. Nervously, he gestured about the untidy room. “Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“ “Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?

We end up at an outdoor paintball course in Jersey. A woodsy, rural kind of place that’s probably brimming with mosquitos and Lyme disease. When I find out Logan has never played paintball before, I sign us both up. There’s really no other option. And our timing is perfect—they’re just about to start a new battle. The worker gathers all the players in a field and divides us into two teams, handing out thin blue and yellow vests to distinguish friend from foe. Since Logan and I are the oldest players, we both become the team captains. The wide-eyed little faces of Logan’s squad follow him as he marches back and forth in front of them, lecturing like a hot, modern-day Winston Churchill. “We’ll fight them from the hills, we’ll fight them in the trees. We’ll hunker down in the river and take them out, sniper-style. Save your ammo—fire only when you see the whites of their eyes. Use your heads.” I turn to my own ragtag crew. “Use your hearts. We’ll give them everything we’ve got—leave it all on the field. You know what wins battles? Desire! Guts! Today, we’ll all be frigging Rudy!” A blond boy whispers to his friend, “Who’s Rudy?” The kid shrugs. And another raises his hand. “Can we start now? It’s my birthday and I really want to have cake.” “It’s my birthday too.” I give him a high-five. “Twinning!” I raise my gun. “And yes, birthday cake will be our spoils of war! Here’s how it’s gonna go.” I point to the giant on the other side of the field. “You see him, the big guy? We converge on him first. Work together to take him down. Cut off the head,” I slice my finger across my neck like I’m beheading myself, “and the old dog dies.” A skinny kid in glasses makes a grossed-out face. “Why would you kill a dog? Why would you cut its head off?” And a little girl in braids squeaks, “Mommy! Mommy, I don’t want to play anymore.” “No,” I try, “that’s not what I—” But she’s already running into her mom’s arms. The woman picks her up—glaring at me like I’m a demon—and carries her away. “Darn.” Then a soft voice whispers right against my ear. “They’re already going AWOL on you, lass? You’re fucked.” I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him. “Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.” And then Logan does something that melts my insides and turns my knees to quivery goo. He laughs. And it’s beautiful. It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs? He’s heart-stopping. He swaggers confidently back to his side and I sneer at his retreating form. The uniformed paintball worker blows a whistle and explains the rules. We get seven minutes to hide first. I cock my paintball shotgun with one hand—like Charlize Theron in Fury fucking Road—and lead my team into the wilderness. “Come on, children. Let’s go be heroes.” It was a massacre. We never stood a chance. In the end, we tried to rush them—overpower them—but we just ended up running into a hail of balls, getting our hearts and guts splattered with blue paint. But we tried—I think Rudy and Charlize would be proud