Blonde Lyrics Quotes

GLINDA: Well,I'm a public figure now! People expect me to-- ELPHABA: Lie? GLINDA: (fiercely) Be encouraging! And what exactly have you been doing? Besides riding on around on that filthy thing! ELPHABA: Well, we can't all come and go by bubble. Whose invention was that, the Wizard's? Of course, even if it wasn't, I'm sure he'd still take credit for it. GLINDA: Yes, well, a lot of us are taking things that don't belong to us, aren't we? Uh oh! The two stare daggers at each other, then... ELPHABA: Now, wait just a clock-tick. I know it's difficult for that blissful blonde brain of yours to comprehend that someone like him could actually choose someone like me!But it's happened. It's real. And you can wave that ridiculous wand all you want, you can't change it! He never belonged to you -- he doesn't love you, he never did! He loves me!

Time flies when you're falling down"...(not from a book, it's a lyric)

If you could see my thoughts, you could see our faces.

Men grow cold as girls grow old And we all lose our charms in the end. How prettily Lorelei Lee sang these mordant lyrics!

Both: "There's been some confusion for you see my roommate is ..." Galinda: "Unusually and exceedingly peculiar and altogether quite impossible to describe." Elphaba: "... Blonde.

The blood ran in tiny rivulets down his white face, as if from Christ’s Crown of Thorns, his long blond hair flying out as he turned full circle, his hand ripping at his shirt, tearing it open down his chest, the black tie loose and falling. His pale crystalline blue eyes were glazed and shot with blood as he screamed the unimportant lyrics.

Mean girls come in all shapes and sizes. Some are blond cheerleaders, and some are Francophile brunettes who love Tim Burton and write song lyrics on their Converse. It was rarely the hellhounds who said anything mean to me; they expressed no real malice toward me other than the occasional eye roll. They were at the top and had nothing to gain by pushing me around. The ones who scared me, who still scare me, are the girls who see all other girls as competition, who see themselves as the persecuted ones, the ones whom the pretty and popular girls hate. When you believe you're persecuted, you will believe anything you do is justified.

Blake laughed at those who extracted deep meaning from Dylan’s lyrics. Agreed, the man was a genius, but only inasmuch as he was the greatest nonsense writer of the late twentieth century. When you added it up—and people often tried (there were plenty of professors waxing lyrical)—the only line connecting Dylan’s work (after his brief flirtation with sense, the folky protest period) was nonsense. He was capable of writing either great nonsense (Bringing It All Back Home, Highway 61 Revisited, Blonde on Blonde, most of John Wesley Harding) or sense composed entirely of atrocious clichés (the rest of John Wesley Harding onwards). It was as if Dylan, it seemed to Blake, was only successful when he wrote rubbish. Of course the man didn’t want to explain his lyrics: he couldn’t. Even the best of his narratives were completely nonsensical.

Moreover, the dramatist himself features in ‘Stuck Inside Of Mobile With The Memphis Blues Again’, from 1966’s Blonde on Blonde: Well, Shakespeare, he’s in the alley With his pointed shoes and his bells However, nothing of significant import can be read into this. Shakespeare, dressed much like one of the court jesters from his plays, appears as just yet another persona to join a whole range of cultural and historical names that populate the phantasmagoria of Dylan’s mid-sixties lyrics: Ma Rainey, Einstein, Robin Hood, T.S. Eliot, Ezra Pound and so on. Nonetheless, along with other interview and private comments, it does show that the Bard was on his mind.

Hollywood Seven" "She came in one night from Omaha, worn out She never could sleep on trains, took the bus to Hollywood Lookin' for a room in the pourin' rain With hair so blonde and eyes so brown She thought she'd take this town and turn it upside down And me, I was livin' in a hotel just off Sunset She moved in across the hall And she said she'd be a movie star And waited every mornin' for a call So I asked her in just to have a little drink, but she hardly had the time A call might come tomorrow, she got to learn her lines On Hollywood Seven, rooms to rent, till your name goes up in lights Hollywood Seven, dream your dream - seven bucks a night And then the months went by without a job The money that she saved was nearly spent So she started bringin' strangers home Just tryin' to find a way to pay the rent And she'd sit down and drink my coffee, got nothin' much to say Just busy rehearsin' in her mind the scene she'd never play On Hollywood Seven, rooms to rent, till your name goes up in lights Hollywood Seven, dream your dreams for seven bucks a night I found her there one mornin' She didn't come for coffee when I called She'd gone and brought the wrong one home this time There were crazy lipstick marks all over the wall Now she's goin' back to Omaha but not the way she'd planned There'll be no crowd to cheer her on, no welcome home, no band On Hollywood Seven, rooms to rent, till your name goes up in lights Hollywood Seven, dream your dream for seven bucks a night She came in one night from Syracuse, tired from sleepin' on the plane Took a cab to Hollywood, dreamin' of the lights, that would spell her name So I watched her take the lease on the empty room across the hall Wakin' up every mornin', waitin' for that call On Hollywood Seven, rooms to rent, till your name goes up in lights Hollywood Seven, dreamin' your dream - seven bucks a night On Hollywood Seven, dreams to rent, till your name goes up in lights Hollywood Seven, pay your dues - seven bucks a night

If you hurl outside?” From his far-off hidey-hole, Dave was directing, not asking. “Shovel it up and put it in the trash. I don’t want my dogs to get to it because it’s whatever you ate plus the shrooms and they’ll gobble it all up and freak the fuck out.” “I promise you. I won’t throw up,” Flynn heard Allison groan before her vomit hit the kitchen sink. “Outside.” “It’s cold out there, honey,” LA Tina said with a deep, soothing voice. “Someone grab up all that pretty blonde hair so it don’t get puked on.” As Flynn fully immersed himself in the music, the merry-go-round in the song was spinning sound and vision around him. Mushrooms were coming on quickly, powerfully, puckering his saliva glands and twisting his stomach into knots. Unsure if he’d actually made it to the bathroom, he was relieved when he saw his emesis kaleidoscopically stewing in the sink. Opening the spigot to wash the corruption down the drain, he splashed cold water on his face as he watched his eyes lit like fires from faraway camps, lips pushing the folds of his cheeks into reiterative grins. A timeless face reminded him of who he was and what resided within him as water drizzled down his chin and swirled into the drain. Emerging back into the rest of the world, a melodic hum hung just above his head. He found his way back to where the notes fully unfurled the song’s motif. Throwing himself into an air-guitar stance, he grimaced as he acted bending out the first, bluesy guitar note. Sparking and glowing like a welding rod, the room around him blazed with his light. Emma leered and licked her lips after glugging down a huge swig of Flynn pretending to be Pink Floyd. Tall, thin, somewhat handsome and exotic in his urbanity, Flynn was poised in a way Pogoner boys could never be. Something about him prickled wildly on her skin and excited her. Gliding from the kitchen to where he rocked, arms raised to reveal her Venus form, she sashayed with dabs of riffing blues, synthesizers scaling the air while guitars and bass vibrated through shabby carpet. As she joined him to take the music within, two objects in space edged closer and closer, gravity pulling both to an inevitable collision. In the gentle light of Christmas bulbs and uncountable candles, they circled round in time to the music, watching each other as neon Nazca-line insects scrambled across the walls. “Remember when you were young?” Emma crooned deep and soft. “You shone like the sun…” Flynn picked up before they both continued with the chorus. “Now there’s a look in your eyes,” she watched him draw closer. “Like black holes in the sky…” “Shine! On! You! Crazy… DIAMOND!” they both shouted, him with uncertainty, her full-throated and stepping into her own, reminding the house why no band playing in town turned down her offer to stand on stage and belt one out. Continuing to spin toward one another, trading lyrics and leers, the two ground their desire like peppercorns, seasoning the diminishing space between them. Whisper came out of the kitchen after a few verses, singing loudly and a bit off-key, Ra-Ra and LA Tina in tow. “You wore out your welcome, with random precision…” “Blown on the steel… breeze…” the followers continued as a chorus. Emma and Flynn unraveled from one another and gave the group a look of, Really? Now? “Come on you raver,” all a chorus, “you seer of visions. Come on you painter, you piper, you prisoner and shine….” Everyone then fell out, shaking to various degrees as though they’d just been brought to tongues by some tent-preacher’s sermon.