Blonde Hair Color Quotes

We've searched our database for all the quotes and captions related to Blonde Hair Color. Here they are! All 100 of them:

I hate the color red almost as much as i hate blond hair,"he said with an amused tone. -Dank
Abbi Glines (Existence (Existence, #1))
Hey, our hair's the same color," I said, eyeing us side by side in the mirror. Sure is, Girlfriend." Eric grinned at me. "But are you blond all the way down?" Don't you wish you knew?" Yes," he said simply. Well, you'll just have to wonder." I am," he said. "Blond everywhere," I could tell as much from your chest hair." He raised my arm to check my armpit. "You silly women, shaving your body hair," He said, dropping my arm.
Charlaine Harris (Living Dead in Dallas (Sookie Stackhouse, #2))
Cole!" Cassandra smacked him on the shoulder. "Wha-?" When he opened his mouth all you could see was half-chewed goo. "How old are you?" I demanded. I threw shrimp at him and it got stuck in his tangle of wig hair. Bergman fished it out, wiped it off, and put it back on the serving dish. "Now, thats disgusting," said Cassandra. "Children!" Vayl's voice boomed in our ears, loud and sudden enough to make us all jump guiltily. "I trust you are all preforming actual work right now." "Chill out, Vayl," I replied. "Bergman is just conducting and experiment to see how vampires respond to ingesting brown hair dye." "That makes me curious, Vayl," said Cole in a sticky, goodie-between-the-gums voice that reminded me of Winnie the Pooh after a major honey binge. "Have you ever colored your hair? You know blonds have more fun." "Not when they are in the hospital.
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
She pulled her shoulder-length blond hair around her face, wishing she could hide behind it. This is exactly the kind of attention she went out of her way to avoid. Why she wore dull colors and lurked in the back, blocked by the other kids who were at least a foot taller than her. It was the only way to survive as a twelve year old in high school.
Shannon Messenger (Keeper of the Lost Cities (Keeper of the Lost Cities, #1))
This story was written many moons ago under an apple tree in an orchard in Kent, which is one of England's prettiest counties . . . I had read at least twenty of the [fairy tales] when I noticed something that had never struck me before--I suppose because I had always taken it for granted. All the princesses, apart from such rare exceptions as Snow White, were blond, blue-eyed, and beautiful, with lovely figures and complexions and extravagantly long hair. This struck me as most unfair, and suddenly I began to wonder just how many handsome young princes would have asked a king for the hand of his daughter if that daughter had happened to be gawky, snub-nosed, and freckled, with shortish mouse-colored hair? None, I suspected. They would all have been of chasing after some lissome Royal Highness with large blue eyes and yards of golden hair and probably nothing whatever between her ears! It was in that moment that a story about a princess who turned out to be ordinary jumped into my mind, and the very next morning I took my pencil box and a large rough-notebook down to the orchard and, having settled myself under an apple tree in full bloom, began to write . . . the day was warm and windless and without a cloud in the sky. A perfect day and a perfect place to write a fairy story.
M.M. Kaye (The Ordinary Princess)
Not at all. It's why people come. They say it's about looking smart, or beautiful, or professional, but it's not. Gray-haired ladies try to recapture their former brunette. Brunettes want to go blond. Other women go for colors that don't arise in nature. Each group thinks it's completely different than the others, but I don't see it that way. I've watched them looking at themselves in the mirror, and they're not interested in conforming or rebelling, they just want to walk out of here feeling like themselves again.
Antony John (Five Flavors of Dumb)
I had a dream that I had brown hair…I woke up and ran to the mirror…Phew! I’m still a blonde.
Starley Ard (Dreaming is for lovers)
Why is your hair green?” “It’s a fashion statement.” “It’s hideous. And even if it weren’t . . . tinted . . . or whatever you did to it, it still wouldn’t do. We haven’t had a blond Pythia before; it’s simply not what people expect to see. And, frankly, it doesn’t suit you.” “It’s my natural color!” “Then it’s naturally hideous. And this”—he tugged at my curls—“will have to go.” “If you touch me one more time—” I said softly. “I’ll make you an appointment with a hairdresser who understands that we need suave. We need sophisticated. We need—well, someone else, obviously, but—
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
The faint hints of color in her complexion, her tawny blond hair, her extraordinary thinness, all spoke of that unearthly grace modern poets find in the medieval statues. Had she been happy, she'd have been ravishing: happiness constitutes pure poetry, for women.
Honoré de Balzac (Père Goriot)
But what of Lenore, of Lenore’s hair? Here is hair that is clearly within and of itself every color—blond and red and jet-black-blue and honeynut—but which effects an outward optical compromise with possibility that consists of appearing simply dull brown, save for brief teasing glimpses out of the corner of one’s eye.
David Foster Wallace (The Broom of the System)
Being blond is not a hair color, it's a lifestyle.
Kenneth R. Samples
Eyes the color of a dawn sky, a crown of blond hair, so bright and white and blinding I could swear it was a halo.
Lauren Oliver (Before I Fall)
Her hair was sort of a non-color, not brown, not blonde, something in between. Likewise, her face was indistinguishable from a million others. Her eyes matched her hair; something between grey and brown, but neither. The definition of plain Jane. But there was something that almost screamed “nice” about her.
Bobby Underwood (Dark Corridor)
My birthday is in March, and that year it fell during an especially bright spring week, vivid and clear in the narrow residential streets where we lived just a handful of blocks south of Sunset. The night-blooming jasmine that crawled up our neighborhood's front gate released its heady scent at dusk, and to the north, the hills rolled charmingly over the horizon, houses tucked into the brown. Soon, daylight savings time would arrive, and even at early nine, I associated my birthday with the first hint of summer, with the feeling in classrooms of open windows and lighter clothing and in a few months no more homework. My hair got lighter in spring, from light brown to nearly blond, almost like my mother's ponytail tassel. In the neighborhood gardens, the agapanthus plants started to push out their long green robot stems to open up to soft purples and blues.
Aimee Bender (The Particular Sadness of Lemon Cake)
Is Obama Anything but Black? So lots of folk—mostly non-black—say Obama’s not black, he’s biracial, multiracial, black-and-white, anything but just black. Because his mother was white. But race is not biology; race is sociology. Race is not genotype; race is phenotype. Race matters because of racism. And racism is absurd because it’s about how you look. Not about the blood you have. It’s about the shade of your skin and the shape of your nose and the kink of your hair. Booker T. Washington and Frederick Douglass had white fathers. Imagine them saying they were not black. Imagine Obama, skin the color of a toasted almond, hair kinky, saying to a census worker—I’m kind of white. Sure you are, she’ll say. Many American Blacks have a white person in their ancestry, because white slave owners liked to go a-raping in the slave quarters at night. But if you come out looking dark, that’s it. (So if you are that blond, blue-eyed woman who says “My grandfather was Native American and I get discrimination too” when black folk are talking about shit, please stop it already.) In America, you don’t get to decide what race you are. It is decided for you. Barack Obama, looking as he does, would have had to sit in the back of the bus fifty years ago. If a random black guy commits a crime today, Barack Obama could be stopped and questioned for fitting the profile. And what would that profile be? “Black Man.
Chimamanda Ngozi Adichie (Americanah)
... were trying to tell the dumb blonde to close her mouth, but the woman clearly took her hair color very seriously.
Sharon Green (Wind Whispers, Shadow Shouts)
Annabeth knit her eyebrows. Even with her blond hair plastered to the side of her face, she looked cute. Her eyes were the same color as the storm clouds.
Rick Riordan (The Crown of Ptolemy (Demigods & Magicians, #3))
The first thing I did was dye my hair back to a Barbie platinum. (I’m a natural blonde, if you don’t count hair color.)
Paris Hilton (Paris: The Memoir)
Now that I know he’s Ezra’s new maybe-special friend, I pay a little more attention to him than I would have before. He kind of reminds me of a golden retriever, with his floppy blond hair and blue eyes. The first time I saw him in acrylics class, I kind of immediately hated the guy. He’s the sort of person the world adores, just based on the way he looks, a little like the way people obsess over men like Chris Hemsworth and Chris Evans and Chris Pine and all the other famous Chrises, plus Ryan Gosling, claiming that they’re liberal and that they aren’t racist and that they’re feminists, but not really thinking about why they’re so obsessed with white men, and why they don’t love any people of color the same way.
Kacen Callender (Felix Ever After)
He stood naked at the edge of a cliff. THe lake lay far below him. A frozen explosion of granite burst in flight to the sky over motionless water. The water seemed immovable, the stone- flowing. The stone had the stillness of one last movement when thrust meets thrust and the currents are held in a pause more dynamic than motion. THe stone glowed wet with sunrays. The lake below was only a thin steel ring that cut the rocks in half. The rocks went on into the depth, unchanged. They began and ended in the sky so that the world seemed suspended in space, an island floating on on nothing, anchored to the feet of the man on the cliff. His body leaned back against the sky. It was a body of long straight lines and angles each curve broken into planes. He stood rigid his hands hanging at his sides, palms out. He felt his shoulder blades drawn tight together. The curve of his neck, and the weight of the blood in his hands. He felt the wind behind him in the hollow of his spine. The wind waved his hair against the sky. His hair was neither blonde nor red, but the exact color or ripe orange rind... He stepped to the edge, raised his arms, and dived down into the sky below.
Ayn Rand (The Fountainhead)
I looked above the jeans. Vintage Fugazi concert tee. Green flannel shirt. 10. I looked above the flannel. Two weeks’ worth of shaggy blond beard. Mmm. Country hipster. 11. I looked above the beard. Lips. 12. I looked at the lips. 13. I looked at the lips. 14. I looked at the lips. 15. COME ON. 16. I looked above the lips. 17. I was glad I looked above the lips. 18. The eyes and the hair were a package deal, the hair was falling across his eyes in a careless way that said “Hey, girl. I’ve got peas on my shoes, but who cares, because I’ve got these eyes and this hair, and it’s pretty fucking great.” 19. The hair was the color of tabbouleh. 20. His eyes were the color of . . . 21. Pickles? 22. Green beans? 23. No. Broccoli that had been steamed for exactly sixty seconds. Vibrant. Piercing.
Alice Clayton (Nuts (Hudson Valley, #1))
Honestly, I'd rather be anywhere else. Even home, where my dad begins almost every conversation with, "You should lose the black clothes and wear something with color." Puh-lease. Like I want to look like every Barbie clone in Hell High, a.k.a. Oklahoma's insignificant Haloway High School. Ironically, Dad doesn't appreciate the bright blue streaks in my originally blond/now-dyed-black hair. Go figure. That's color, right?
Gena Showalter
Before she knew it the afternoon was done, and the trainees were taking their new mounts to the stables for grooming. Daine, Onua, Buri, and Sarge helped then too, though Daine couldn't see how she could ever be comfortable telling a twenty-year-old man he was missing spots on the pony he was grooming. She did try it: "Excuse me, trainee what did you say your name was?" Blue gray eyes twinkled at her over his cream-colored mare's back. "I didn't. It's Farant. " His blond hair curled thickly over his head, almost matching the pony's in color. "Thank you. Trainee Farant, you're missing spots. " "Not at all, sweetheart. I'm just combing too fast for you to see. " "Trainee Farant, you're missing spots!" Sarge boomed just behind Daine. She thought later she actually might have levitated at that moment certainly Farant had. Next time the assistant horsemistress tells you something, don't flirt correct it!" He moved on, and Daine pressed her hands against her burning cheeks. Farant leaned on his mare and sighed. "Yes, Assistant Horsemistress. Right away. " He winked at her and went back to work. Daine went to Sarge as the trainees were finishing up. "Sarge, I-" He shook his head. Daine thought if he leaned against the stable wall any harder, it would collapse. How did a human, without bear blood in him, get to be so large? "Not your fault. These city boys see you, you're young, sweet-lookin'",he winked at her,"they're gonna try to take advantage. If they can't keep their minds on the job after I've had them two weeks already in my patty-paws, then I ain't been doing my job right. " His grin was wolfish. "But that can be fixed. " Seeing her open mouthed stare, he asked, "Something the matter, my lamb?" She closed her jaw. "No, sir. I just never met nobody like you. " "And if you're lucky, you won't again, " muttered Buri, passing by.
Tamora Pierce (Wild Magic (Immortals, #1))
The Tamimis were notable among the people of the West Bank, and not only for their striking appearance. Nearly everyone in the village bore a pale complexion, like Northern Europeans, with hair colored bright blonde or sandy brown, light-colored eyes, and high, sharply angled cheekbones. Their features reflected a lineage drawn directly from the Crusaders, offering a reminder of the many invaders and occupiers whose blood became intertwined with the heritage of Palestine.
Max Blumenthal (Goliath: Life and Loathing in Greater Israel)
You are still beautiful,” Fern said softly, her face turned to his. He was quiet for a moment, but he didn't pull away or groan or deny what she'd said. “I think that statement is more a reflection of your beauty than mine,” Ambrose said eventually, turning his head so he could look down at her. Fern's face was touched with moonglow, the color of her eyes and the red of her hair undecipherable in the wash of pale light. But her features were clear–the dark pools of expressive eyes, the small nose and soft mouth, the earnest slant of her brow that indicated she didn't understand his response. “You know that thing people always say, about beauty being in the eye of the beholder?” “Yes?” “I always thought it meant we all have different tastes, different preferences . . . you know? Some guys focus on the legs, some guys prefer blondes, some men like girls with long hair, that kind of thing. I never thought about it really, not before this moment. But maybe you see beauty in me because you are beautiful, not because I am.” “Beautiful on the inside?” “Yes.
Amy Harmon (Making Faces)
Through the light splaying off the roof, Angela's falling blonde hair looked cream-colored, intricately stitched together like a veil.
Greg Metcalf (Flowers on Concrete)
dirty blonde” as my mom always calls it—the least-attractive-sounding hair color ever)
A.J. Messenger (Guardian (The Guardian #1))
Their boring brown or black or blond or red hair was now all the colors of the rainbow.
Karina Yan Glaser (The Vanderbeekers Make A Wish (The Vanderbeekers, #5))
Her hair was a dirty color that was too dark to be blond, her chin was big and her eyes were small.
Diane Setterfield (The Thirteenth Tale)
A woman had joined the two men sitting at table three. She was a blonde, one of those fatal blondes, six foot tall or near enough, with hair the color of clover honey.
Martha Reed (The Choking Game (John and Sarah Jarad Nantucket Mystery))
Jim liked dark women, apparently, history's secret women, he would say, without elaborating. As for me, I liked blondes.
Roberto Bolaño (The Insufferable Gaucho)
I wish back then I’d known the Dolly Parton joke: “I’m not offended by all the dumb blonde jokes because I know I’m not dumb. And I also know that I’m not blonde.” My real hair color is black.
Britney Spears (The Woman in Me)
Ed Lim’s daughter, Monique, was a junior now, but as she’d grown up, he and his wife had noted with dismay that there were no dolls that looked like her. At ten, Monique had begun poring over a mail-order doll catalog as if it were a book–expensive dolls, with n ames and stories and historical outfits, absurdly detailed and even more absurdly expensive. ‘Jenny Cohen has this one,’ she’d told them, her finger tracing the outline of a blond doll that did indeed resemble Jenny Cohen: sweet faced with heavy bangs, slightly stocky. 'And they just made a new one with red hair. Her mom’s getting it for her sister Sarah for Hannukkah.’ Sarah Cohen had flaming red hair, the color of a penny in the summer sun. But there was no doll with black hair, let alone a face that looked anything like Monique’s. Ed Lim had gone to four different toy stores searching for a Chinese doll; he would have bought it for his daughter, whatever the price, but no such thing existed. He’d gone so far as to write to Mattel, asking them if there was a Chinese Barbie doll, and they’d replied that yes, they offered 'Oriental Barbie’ and sent him a pamphlet. He had looked at that pamphlet for a long time, at the Barbie’s strange mishmash of a costume, all red and gold satin and like nothing he’d ever seen on a Chinese or Japanese or Korean woman, at her waist-length black hair and slanted eyes. I am from Hong Kong, the pamphlet ran. It is in the Orient, or Far East. Throughout the Orient, people shop at outdoor marketplaces where goods such as fish, vegetables, silk, and spices are openly displayed. The year before, he and his wife and Monique had gone on a trip to Hong Kong, which struck him, mostly, as a pincushion of gleaming skyscrapers. In a giant, glassed-in shopping mall, he’d bought a dove-gray cashmere sweater that he wore under his suit jacket on chilly days. Come visit the Orient. I know you will find it exotic and interesting. In the end he’d thrown the pamphlet away. He’d heard, from friends with younger children, that the expensive doll line now had one Asian doll for sale – and a few black ones, too – but he’d never seen it. Monique was seventeen now, and had long outgrown dolls.
Celeste Ng (Little Fires Everywhere)
Cassidy is the best girlfriend ever. I’ve dated her for a full two months longer than anyone else. She’s smart and witty and original and can chug a beer faster than most guys I know. On top of that, she is absolutely beautiful. I mean spanktacular. Talk about pure colors. She’s high-definition. Scandinavian blond hair, eyes as blue as fiords, skin like vanilla ice cream or flower petals or sugar frosting—or really not like anything else but just her skin. It makes my hair ache. Of course, she does believe in astrology, but I don’t even care about that. It’s a girl thing. I think of it like she has constellations and fortunes whirling around inside her.
Tim Tharp (The Spectacular Now)
She hovered, her fine-boned face and slender form revealed in the low light of the fire. Her hair was the pale blond hue of moon glow, her eyes the soft, silvery blue of a mist-shrouded lake. Dusted pink as new blush roses, the color of her lips and cheeks gleamed against the creamy whiteness of her skin. For a second he wondered if she was a phantom brought on by too much drink, her ethereal beauty more in keeping with a faerie story than reality.
Tracy Anne Warren (Tempted by His Kiss (The Byrons of Braebourne, #1))
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
Paullina Simons
The model stripped down naked and stood with her arms out to her sides while genderless cohorts sprayed her body with large silver canisters of foundation. They wore masks over there faces and sprayed her from head to toe like they were putting out a fire. They airbrushed her into a mono-toned six-foot-two column of a human being with no visible veins, nipples, nails, lips, or eyelashes. When every single thing that was real about the model was gone, the make up artist fug through a suite case of brushes and plowed through hundreds of tubes of flesh colored colors and began to draw human features onto her face. At the same time, the hair stylist meticulously sewed with a needle and thread strand after strand of long blond hairs onto her thin light brown locks, creating a thick full mane of shimmering gold. The model had brought her own chef, who cooked her spinach soup from scratch. The soup was fed to her by one of her lackeys, who existed solely for this purpose. The blond boy stood in front of her, blowing on the soup and then feeding it to her from a small silver child's spoon, just big enough to fit between her lips. the model's mouth was barely open, maybe a quarter of an inch wide, so that she would not crack the flesh colored paint.
Margot Berwin (Hothouse Flower and the Nine Plants of Desire)
If women really are practically interchangeable with men, because there is hardly any difference, why would it be important to strive for equal representation in a presidential cabinet? The distinction becomes something equivalent to hair color. Would fairness demand an equal number of blondes and brunettes in government?
Sam A. Andreades (enGendered: God’s Gift of Gender Difference in Relationship)
You must be Corrie,” I said to the little girl standing on our front steps. She nodded shyly. Corrie was very pretty, with brownish-blonde hair cut straight across her forehead in bangs, and straight around her shoulders below. Her eyes were framed by long, dark lashes. She was small for her age and had no color at all in her cheeks.
Ann M. Martin (Claudia and the Sad Good-bye (The Baby-sitters Club, #26))
He has brown eyes but his hair is blond, she has read so many books where blond hair goes with blue eyes that she finds it incongruous. His face is so much more than hair and eye colors, she wonders why books do not describe the curves of noses or the length of eyelashes. She studies the shape of his lips. Perhaps a face is too complicated to capture in words.
Erin Morgenstern
No one could seem to think of me as both sexy and capable, or talented and hot. If I was sexy, they seemed to think I must be stupid. If I was hot, I couldn’t possibly be talented. I wish back then I’d known the Dolly Parton joke: “I’m not offended by all the dumb blonde jokes because I know I’m not dumb. And I also know that I’m not blonde.” My real hair color is black.
Britney Spears (The Woman in Me)
What’s your favorite book?” Doubt colors my voice. “If you have a favorite, I don’t trust you. Any book lover has at least five they can name off the top of their head.” His blue eyes hold mine. Oh, wow. This guy actually likes reading. He grins when I roll my eyes with little effort, not putting much sass behind it. “All right. Name your top author then since you’re such a scholar.” My voice rasps. I imagine him in bed, blonde hair ruffled while he rocks reading glasses and a thick paperback because he’d rather be practical than carry a heavy hardcover. Sigh. Damn him and his nerdy secret. “Brandon Sanderson. No questions asked.” His voice drops. “A man who prefers to live in a fantasy. How cute.” “I’d be your best fantasy, no book needed.
Lauren Asher (Collided (Dirty Air, #2))
He snatched at the kerchief, managing to loosen it. "Please. It's all I want from life, to see you with-" another swipe, and he snagged the edge of the cloth, "-your hair all-" But Leo broke off as the kerchief pulled free, and the hair that spilled out was not any conceivable shade of green. It was blond... pale amber and champagne and honey... and there was so much of it, cascading in shimmering waves to the middle of her back. Leo went still, holding her in place as his astonished gaze raked over her. They both gulped for breath, worked up and winded like racehorses. Marks couldn't have looked more appalled if he had just stripped her naked. And the truth was, Leo couldn't have been any more confounded- or aroused- if he were actually viewing her naked. Though he certainly would have been willing to try it. Such a commotion had risen in him, Leo hardly knew how to react. Just hair, just locks of hair... but it was like a previously undistinguished painting in the perfect frame, revealing its beauty in full luminous detail. Catherine Marks in the sunlight was a mythical creature, a nymph, with delicate features and opalescent eyes. The most confounding realization was that it wasn't really hair color that had concealed all this from him... he had never noticed how stunning she was because she had deliberately kept him from seeing it. "Why," Leo asked, his voice husky, "would you conceal something so beautiful?" Staring at her, nearly devouring her, he asked more softly still, "What are you hiding from?
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
continued. “The solution to almost every problem imaginable can be found in the outcome of a fairy tale. Fairy tales are life lessons disguised with colorful characters and situations. “‘The Boy Who Cried Wolf ’ teaches us the value of a good reputation and the power of honesty. ‘Cinderella’ shows us the rewards of having a good heart. ‘The Ugly Duckling’ teaches us the meaning of inner beauty.” Alex’s eyes were wide, and she nodded in agreement. She was a pretty girl with bright blue eyes and short strawberry-blonde hair that was always kept neatly out of her face with a headband. The way the other students stared at their teacher, as if the lesson being taught were in another language, was something Mrs. Peters had never grown accustomed to. So, Mrs. Peters would often direct entire lessons to the front row, where Alex sat. Mrs. Peters was a tall, thin woman who always wore dresses that resembled old, patterned sofas. Her hair was dark and curly and sat perfectly on the top of her head like a hat (and her students often thought it was). Through a pair of thick glasses, her eyes were permanently squinted from all the judgmental looks she had given her classes over the years. “Sadly, these timeless tales are no longer relevant in our society,” Mrs. Peters said. “We have traded their brilliant teachings for small-minded entertainment like television and video games. Parents now let obnoxious cartoons and violent movies influence their children. “The only exposure to the tales some children acquire are versions bastardized by film companies. Fairy
Chris Colfer (The Wishing Spell (The Land of Stories, #1))
It was the real loose-sausage-eating, brown-liquor-drinking Southern face of a white athlete turned forty and covered with a smooth well-fed layer of flesh. His neck, which seemed a foot wide, rose up out of a yellow polo shirt and a blue blazer as if it were unit-welded to his trapezius muscles and his shoulders. He was like a single solid slab of meat clear up to his hair, which was a head of hair and a half, a strange silvery blond color, coiffed with bouncy fullness and little flips that screamed $65 male hairdo. Not a single cilium was out of place. Amid the vast smooth meat of his head and neck, his eyes and his mouth seemed terribly tiny, but they were both going all out to register pleasure at the sight of Counselor Roger White, this black man who had arrived at the door at 7:42 on Freaknic Saturday night.
Tom Wolfe (A Man in Full)
She was still on the stairs, now she reached the landing, and the ragbag colors of her boy’s hair, tawny streaks, strands of albino-blond and yellow, caught the hall light. It was a warm evening, nearly summer, and she wore a slim cool black dress, black sandals, a pearl choker. For all her chic thinness, she had an almost breakfast-cereal air of health, a soap and lemon cleanness, a rough pink darkening in the cheeks.
Truman Capote (Breakfast at Tiffany's and Three Stories: House of Flowers, A Diamond Guitar, and A Christmas Memory)
They drove back to Paris on the assumption that they would be far less obvious among the crowds of the city than in an isolated country inn. A blond-haired man wearing tortoise-shell glasses, and a striking but stern-faced woman, devoid of makeup, and with her hair pulled back like an intense graduate student at the Sorbonne, were not out of place in Montmartre. They took a room at the Terrasse on the rue de Maistre, registering as a married couple from Brussels. In the room, they stood for a moment, no words necessary for what each was seeing and feeling. They came together, touching, holding, closing out the abusive world that refused them peace, that kept them balancing on taut wires next to one another, high above a dark abyss; if either fell, it was the end for both. Bourne could not change his color for the immediate moment. It would be false, and there was no room for artifice. “We need some rest,” he said. “We’ve got to get some sleep. It’s going to be a long day.” They made love. Gently, completely, each with the other in the warm, rhythmic comfort of the bed. And there was a moment, a foolish moment, when adjustment of an angle was breathlessly necessary and they laughed. It was a quiet laugh, at first even an embarrassed laugh, but the observation was there, the appraisal of foolishness intrinsic to something very deep between them. They held each other more fiercely when the moment passed, more and more intent on sweeping away the awful sounds and the terrible sights of a dark world that kept them spinning in its winds. They were suddenly breaking out of that world, plunging into a much better one where sunlight and blue water replaced the darkness. They raced toward it feverishly, furiously, and then they burst through and found it. Spent, they fell asleep, their fingers entwined.
Robert Ludlum (The Bourne Identity (Jason Bourne, #1))
At the sight of Elizabeth Hamilton, all his previous concerns flew out of his mind. She was dressed in green, the color of new leaves, with her burnished blonde hair pulled back in a simple knot. Her blue eyes, more azure than the sky back home, turned in inquiry toward him. The color of her surroundings suited her. Nick had never seen a more elegant woman. Damn, she’s beautiful. His tongue froze like lake water in a Montana winter, and his greeting died on his lips.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
Ehlena was naturally lovely, with fine small features and that strawberry blond hair and those long, lean limbs. Her lips were pink because they were pink—not from some eighteen-hour, glossy, frosted grease coat. And her toffee-colored eyes were luminescent because they were yellow and red and gold all mixed together—not from a whole lot of paint-by-numbers shimmery shadow and slathered-on mascara. And her cheeks were flushed because he was getting under her skin. -Rehv's thoughts
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
A LITTLE GIRL, my skin was pale, my hair blonde, and my face full of freckles. While I may have looked like Laura Ingalls Wilder, that’s not how I felt. I loved drawing pictures of myself when I was young, and whenever it came time to shade in the skin, I usually picked a brown crayon rather than a peach one. Peach simply didn’t resonate with me. I felt like brown suited me better and was prettier. I could see that my skin was light, but my perception of myself wasn’t limited to what my eyes could take in.
Rachel Dolezal (In Full Color: Finding My Place in a Black and White World)
Tears sprang to my eyes. I blinked them back, grabbed some tissue, and started awkwardly trying to daub leftover dye into my pale eyebrows, praying it would make a difference. Through the mirror, I saw Tori walk in. She stopped. "Oh. My. God." It would have been better if she'd laughed. Her look of horror, then something like sympathy, meant it was as bad as I thought. "I told Derek to let me pick the color," she said. "I told him." "Hey," Simon called in. "Everyone decent?" He pushed open the door, saw me and blinked. "It's Derek's fault," Tori said. "He—" "Don't, please," I said. "No more fighting." Simon still shot a glare over his shoulder as Derek pushed open the door. "What?" Derek said. He looked at me. "Huh." Tori hustled me out the door, brushing past the guys with a whispered "jerk" for Derek. "At least now you know never to go dark again," she said as we walked. "A couple years ago, I let a friend dye mine blond. It was almost as bad. My hair felt like straw and..." And so, Tori and I bonded over hair horror stories.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
But how will you get back? I'm worried Percy." I hoped I wasn't blushing. It was bad enough I had to depend on my mom to drive me to battles. "It's okay Ms Jackson" Annabeth smiled reassuringly. Her blonde hair was tucked into a ski cap and her grey eyes were the same color as the ocean. "We'll keep him out of trouble." My mom seemed to relax a little. She thinks Annabeth is the most level-headed demigod to enter eighth grade. She's sure Annabeth often keeps me from getting killed. She's right but that doesn't mean I have to like it.
Rick Riordan
I slide to the floor. I feel something warm on my neck, and under my cheek. Red. Blood is a strange color. Dark. From the corner of my eye, I see David slumped over in his chair. And my mother walking out from behind him. She is dressed in the same clothes she wore the last time I saw her, Abnegation gray, stained with her blood, with bare arms to show her tattoo. There are still bullet holes in her shirt; through them I can see her wounded skin, red but no longer bleeding, like she’s frozen in time. Her dull blond hair is tied back in a knot, but a few loose strands frame her face in gold. I know she can’t be alive, but I don’t know if I’m seeing her now because I’m delirious from the blood loss of if the death serum has addled my thoughts or if she is here in some other way. She kneels next to me and touches a cool hand to my cheek. “Hello, Beatrice,” she says, and she smiles. “Am I done yet?” I say, and I’m not sure if I actually say it or if I just think it and she hears it. “Yes,” she says, her eyes bright with tears. “My dear child, you’ve done so well.” “What about the others?” I choke on a sob as the image of Tobias comes into my mind, of how dark and how still his eyes were, how strong and warm his hand was, when we first stood face-to-face. “Tobias, Caleb, my friends?” “They’ll care for each other,” she says. “That’s what people do.” I smile and close my eyes. I feel a thread tugging me again, but this time I know that it isn’t some sinister force dragging me toward death. This time I know it’s my mother’s hand, drawing me into her arms. And I go gladly into her embrace. Can I be forgiven for all I’ve done to get here? I want to be. I can. I believe it.
Veronica Roth (Allegiant (Divergent, #3))
They sang as they came into camp. Fifty men all singing of what they had done and how they had charged into the farms and ranches of the enemy. And somebody started up a mourning song for Eaten Alive’s little brother, ah, it made me cry to hear them singing as they rode. You could hear their voices for a mile. They had a red scalp and two blond scalps, very long ones that waved and shook in the wind, and in that hair was the soul of the enemy held tight, tight. There was light all around them and all around their war horses and it was as beautiful and dangerous as the color of lightning.
Paulette Jiles (The Color of Lightning)
I felt the stupidity rising in my throat and bit down harder, staring at his collarbone and the small piece of blue sea glass he wore on a leather cord around his neck, rising and falling. Rising. Falling. Seconds? Hours? I didn’t know. He’d made the necklace the year before from a triangular piece of glass he’d found during their family vacation to Zanzibar Bay, right behind the California beach house they rented for three weeks every summer. According to Matt, red glass was the rarest, followed by purple, then dark blue. To date he’d found only one red piece, which he’d made into a bracelet for Frankie a few months earlier. She never took it off. I loved all the colors – dark greens, baby blues, aquas, and whites. Frankie and Matt brought them back for me in mason jars every summer. They lived silently on my bookshelf, like frozen pieces of the ocean I had never seen. “Come here,” he whispered, his hand still stuck in my wild curls, blond hair winding around his fingers. “I still can’t believe you made that,” I said, not for the first time. “It’s so – cool.” Matt looked down at the glass, his hair falling in front of his eyes. “Maybe I’ll give it to you,” he said. “If you’re lucky.
Sarah Ockler (Twenty Boy Summer)
She treated her father with some lightness, even irony, and in at least one television interview she made fun of his comb-over. She often described the mechanics behind it to friends: an absolutely clean pate—a contained island after scalp reduction surgery—surrounded by a furry circle of hair around the sides and front, from which all ends are drawn up to meet in the center and then swept back and secured by a stiffening spray. The color, she would point out to comical effect, was from a product called Just for Men—the longer it was left on, the darker it got. Impatience resulted in Trump’s orange-blond hair color.
Michael Wolff (Fire and Fury: Inside the Trump White House)
The café smelled—not unpleasantly—of grease and beans and frying meat. Neil Diamond was on the jukebox, singing “I Am, I Said” in Spanish. The specials (which weren’t very) were posted behind the counter. Above the kitchen pass-through was a defaced photograph of Donald Trump. His blond hair had been colored black; he had been given a forelock and a mustache. Below it someone had printed Yanqui vete a casa: Yankee go home. At first Ralph was surprised—Texas was a red state, after all, as red as they came—but then he remembered that if whites weren’t the actual minority this near to the border, it was a close-run thing.
Stephen King (The Outsider)
The insidious reasons for a brown girl’s self-loathing won’t be surprising to any woman of color. I cannot rightly compare my own struggles to those of another minority, as each ethnicity comes with its own baggage and the South Asian experience is just one variation on the experience of dark-skinned people everywhere. As parents and grandparents often do in Asian countries, my extended family urged me to avoid the sun, not out of fear that heatstroke would sicken me or that UV rays would lead to cancer, but more, I think, out of fear that my skin would darken to the shade of an Untouchable, a person from the lowest caste in Indian society, someone who toils in the fields. The judgments implicit in these exhortations—and what they mean about your worth—might not dawn on you while you’re playing cricket in the sand. What’s at stake might not dawn on you while, as a girl, you clutch fast to yourself your blonde-haired, blue-eyed doll named Helen. But all along, the message that lighter skin is equivalent to a more attractive, worthier self is getting beamed deep into your subconscious. Western ideals of beauty do not stop at ocean shores. They pervade the world and mingle with those of your own country to create mutant, unachievable standards.
Padma Lakshmi (Love, Loss, and What We Ate: A Memoir)
The crude reality is that we are in a concentration camp: all kids, different ages, different sizes, and different skin colors. We are divided from the outside world by a big electric fence and united with each other by fear, hunger, and the hope to stay alive until the war ends and somebody will grant us freedom. “Joshy, it’s time for us to get inspected. The guards will check how big and strong we are,” I declare, with fake joy. I gaze down at my little brother, the only family I have left. His brown eyes are a deep chocolate swirl; his mouth is curved into a timid smile. His soiled blond hair is flowing around his face like a lion’s mane.
Alexandra Maria Proca (Waiting for Love)
But none of them compared to the dangerous stranger in her room. While the men she was used to were hotter than hell, what they lacked was the fierce aura of power that emanated from this man and his stern, steely features. It was as if he were the deadliest of predators. Feral. That was the only word to do him justice. Surely there wasn’t another soldier in the entire universe who could match him in terms of raw beauty or lethal demeanor. His blond hair was snow white and his features sharp and icy. He wore a pair of black shades that annoyed her since she couldn’t see the upper part of his face or the color of his eyes. Not that it mattered. She saw enough to know that in the land of gorgeous men, he had no competition. As a stark contrast to his white hair, his clothes were a black so deep they seemed to absorb all light, and they were trimmed in silver … No, not silver. Those were weapons tucked into the sleeves and lapels of his ankle-length coat. The left side of it was pulled back, exposing a holstered blaster that was strapped to his left hip. The tall flight boots had silver buckles going up the sides that were fashioned into the image of skulls. At least that’s what she saw at first glance, but as he moved closer she realized those could come off and double as weapons, too. Wow, he was either extremely paranoid or more lethal than a team of League assassins. And that said something.
Sherrilyn Kenyon (Born of Night (The League, #1))
Who’s Josie?” Alex asked, confused. “Uh . . .” I looked over at Deacon. “You want to do the honors? I know how much you love awkward conversations.” A wide smile broke out across his face. “Of course, especially when I’m not the center of the awkwardness.” Luke snorted. “So!” Deacon clapped his hands together as he faced Alex and Aiden. “Did you guys happen to notice a certain girl out on the quad when you did your magic doorway thing?” Aiden glanced at Alex. She raised a shoulder. “There were a lot of people out there that I hadn’t seen before.” She paused. “I noticed Boobs, though.” I slowly shook my head. “Um, that’s not who I’m talking about. Anyway,” Deacon said, his gray eyes light. “She’s pretty tall. Well, taller than you and everyone is practically taller than you, Alex. Has long blondish-brown hair. Kind of weird hair.” “Awesome hair,” Luke added. Alexander frowned silently. “She does. It’s like an array of colors. One moment it looks completely blonde. The next it’s long brown and then it changes again. It’s very cool,” Deacon continued, and I had to agree with him on that. “And when you see her, you’re going to think, wow, this girl looks familiar. You won’t be able to put a finger on it at first, but it’s going to nag at you and then, when it hits you, you’ll—” “Deacon,” Aiden warned. “Who is Josie?” His brother pouted for a second and then sighed. “Fine. She’s a demigod. Like, a born demigod. Powers unlocked and all, and she’s super-cool and really nice.” His gaze slid over to where I stood and his expression turned sly. “Isn’t that right, Seth?” I eyed him. “Right.” “You’re forgetting the best part.” Solos walked past the couch, sending me a long look. “Which god she came from.” Aiden seemed to get what wasn’t being said first. His eyes closed as he rubbed his fingers along his brow. “Gods.” “What?” Alex looked at him and then at me. “Whose kid is she?” “Apollo’s,” Deacon answered, his smile going up a notch when Alex’s gaze flew to him. “Yep. Josie is Apollo’s daughter.” Her mouth dropped open. “And that kind of makes you and her cousins? I guess?” Luke frowned. “I don’t know what exactly, but it does make you two related. Somehow. I don’t know how, but she does have some of your mannerisms. It gets really weird sometimes.
Jennifer L. Armentrout (The Power (Titan, #2))
Yeah,” Stoney muttered, “easy. Except for all the guns and the running around and the chance that somebody might try to follow you. Or that somebody might recognize you. You’ve been on TV, if you’ll recall.” “Ah, but I thought of that,” she returned, reaching into a sack beside her and pulling out a blonde wig. “I hope that thing’s bulletproof,” her former fence said dourly. She smiled at Rick. “Is it true, Mr. Addison?” she chirped, pulling on the headpiece. “Do billionaires prefer blondes?” He snorted, reaching across the table to twist a strand of the golden blonde hair in his fingers. “You look good in any color, Yank. If being blonde will get you out of the Met safely, then yes, today I prefer blondes.” She stood, leaning over to kiss him on his sensuous mouth. “Good answer.
Suzanne Enoch (Billionaires Prefer Blondes (Samantha Jellicoe, #3))
But remember 2003, though, when girls wore those miniskirts that were like six floaty napkins stapled to a scrunchie, with perhaps an Edwardian waistcoat sewn of cobwebs as a top? Where at any moment a baby’s sneeze across campus might expose Kaylee’s entire bunghole and even the slouchy Western belt she wore over her three layers of different-colored camisoles couldn’t save her? In case you’ve repressed the memory, 2003 was the kind of year where Jessica Simpson might wear rubber flip-flops to the Golden Globes, and Nicole Richie was nearly elected president on a platform of “straight blonde hair on top, long curly dark brown extensions underneath, one feather.” The 2003 vibe—culturally, socially, politically, spiritually—was very “energy drink commercial directed by Mark McGrath, and not Mark McGrath in his prime, either.” Millions of Americans were forced to mourn Mr. Rogers while wearing a hot-pink corduroy train conductor’s hat. Never again! Bad Boys II is a 2003 movie.
Lindy West (Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema)
Jean Kurek looked a bit like a field mouse herself, with her close-cut gray hair, in her shapeless gray dress—no zippers, no buttons. Stroke clothes. Her appearance was no more or less distinguished than it had been all her sixty-eight years, the most likely description of her a string of negatives. Not really tall or short, you wouldn’t say she’s heavy but she isn’t particularly thin, not ugly, not at all, but not pretty either, her hair is that color that isn’t blond or brown. Arguably, her most striking feature was the absence of any striking feature—though her hair had finally claimed a color, gray. She’d certainly never been considered beautiful, not by anyone other than Cliff, who had been adamant on the point for over forty years; but if she’d ever yearned for greater consensus, that yearning had been tempered by her knowledge of how she would loathe the attention it would bring. Jean had spent a lifetime trying to be inconspicuous, appreciating that nature had given her a head start.
Robin Black (If I Loved You, I Would Tell You This)
Over the next month, when I’d wake up, my mind was filled with colors. The apartment began to feel less cavernous to me. One time I awoke to find my hair had been cut off, like a boy’s, and there were long blond hairs stuck to the inside of the toilet bowl. I imagined sitting on the toilet with a towel over my shoulders, Ping Xi standing above me, snipping away. In the mirror, I looked bold and sprightly. I thought I looked good. I wrote Post-it notes requesting fresh fruits, mineral water, grilled salmon from “a good Japanese restaurant.” I asked for a candle to burn while I bathed. During this period, my waking hours were spent gently, lovingly, growing reaccustomed to a feeling of cozy extravagance. I put on a little weight, and so when I lay down on the living room floor, my bones didn’t hurt. My face lost its mean edge. I asked for flowers. “Lilies.” “Birds of paradise.” “Daisies.” “A branch of catkins.” I jogged in place, did leg lifts, push-ups. It was easier and easier to pass the time between getting up and going down.
Ottessa Moshfegh (My Year of Rest and Relaxation)
How to describe the woman? Silky hair, velvety lips. No, it won’t do, I’m using fabrics, constructing a doll. How about coppery hair, or golden locks of hair, or platinum blonde? No, now I’m doing some kind of industrial metallurgy with precious metals; in addition to everything else, the woman sounds like a commodity. And what’s “locks of hair” supposed to mean? Lock, some kind of bondage? No, strike it out. Ruby lips, pearly white teeth, brilliant smile. No, now I’m making the woman out of precious stones, and out of clichés. Almond-shaped eyes, hazel-colored eyes, pear-shaped waist, apple-red cheeks, lips like the bud of a moist flower, peachy fuzz on her upper lip. Now I’m making up a woman out of fruits, plants. She strode like a gazelle. Her snaky waist coiled and uncoiled. Now I’m demeaning the woman, making her into an animal. On the other hand, you can call a woman a goddess. Aphrodite, Venus, or at least a demi-god, angelic beauty. But these terms were all invariably overused, clichés. In addition, if you call a woman Aphrodite, it might seem like an oblique way of saying that the woman is overweight.
Josip Novakovich (Shopping for a Better Country)
Yeah,” Steiner said. “Anyway, it looks to me like the building’s out of perspective—it’s too big where it is.” The old man nodded. “But it’s a necessary cheat. Otherwise nothing would show but the roof. As for the fallen pillar and statue, forget them—they wouldn’t be visible at all.” She didn’t care about the background; all of her attention was fixed upon the painting’s central figure. At the top of the hill, turned to look down at the ruins of the temple so anyone viewing the picture could only see her back, was a woman. Her hair was blonde, and hung down her back in a plait. Around one of her shapely upper arms—the right—was a broad circle of gold. Her left hand was raised, and although you couldn’t see for sure, it looked as if she was shading her eyes. It was odd, given the thundery, sunless sky, but that was what she appeared to be doing, just the same. She was wearing a short dress—a toga, Rosie supposed—which left one creamy shoulder bare. The garment’s color was a vibrant red-purple. It was impossible to tell what, if anything, she was wearing on her feet; the grass that she was standing in came almost up to her knees, where the toga ended.
Stephen King (Rose Madder)
She flipped through the notebook. In most places, Murphy’s large, crooked handwriting ate up the pages greedily, as if she couldn’t write large enough to get her point across. Occasionally Birdie’s more graceful handwriting appeared, adding asides or participating with Murphy in some kind of list she had thrown together, like favorite Leeda moments, or most unknown things about Leeda, or Leeda’s top five best articles of clothing. Mostly, though, it was all Murphy. Listing albums Leeda had to own before she died, like Janis Joplin’s Pearl. Copied scraps of her favorite poetry: about nature and despair and cities and even one or two about love that Murphy had annotated with words like Sickening, but she’s good and Horrible but worth reading. Dried leaves---pecan, magnolia, and, of course, the thin slivered shape of the peach leaf---taped in messy crisscrosses. A cider label Birdie had once kissed. A diagram of Leeda---outlined sloppily with colored-in blond hair, with words on the outside pointing to different parts of her: brainy pointing to her head, good posture pointing to her back, hot gams pointing to her legs, impenetrable (ha ha) pointing to her heart.
Jodi Lynn Anderson (The Secrets of Peaches (Peaches, #2))
Confiding Julie, the first to get breasts, was cynical by Thanksgiving. Since no one else looked like the class slut, she was given the position, and she soon capitulated. She bleached her hair with Sun In, and started to mess around with boys who played in garage rock bands. Marianne, because she had long legs and a stem neck, rushed from school to her pliés at the barre, her hair in a bun, her head held high, to arch and sweep and bow toward the mirror until night fell. Cara delivered her audition piece flat, but since she had a wheat-colored rope of braid that brushed her waist, she would be Titania in the school play. Emily, bluntnosed and loud, could outact Cara in her sleep; when she saw the cast list she turned silently to her best friend, who handed her a box of milk chocolate creams. Tall, strong, bony Evvy watched Elise try out her maddening dimple. She cornered her outside class to ask her if she thought she was cute. Elise said yes, and Evvy threw a pipette of acid, stolen from the biology lab, in her face. Dodie hated her tight black hair that wouldn’t grow. She crept up behind blond Karen in home ec class and hacked out a fistful with pinking shears. Even Karen understood that it wasn’t personal.
Naomi Wolf (The Beauty Myth)
Does May Ling have any dolls?” Ed Lim asked. “Of course. Too many.” Mrs. McCullough giggled. “She loves them. Just like every little girl. We buy her dolls, and my sisters buy her dolls, and our friends buy her dolls—” She giggled again, and Mr. Richardson’s jaw tensed. “She must have a dozen or more.” “And what do they look like, these dolls?” Ed Lim persisted. “What do they look like?” Mrs. McCullough’s brow crinkled. “They’re—they’re dolls. Some are babies, and some are little girls—” It was clear she didn’t understand the question. “Some of them take bottles, and some of them, you can change their dresses, and one of them closes her eyes when you lay her down, and most of them, you can style their hair—” “And what color hair do they have?” Mrs. McCullough thought for a moment. “Well—blond, most of them. One has brown hair. Maybe two.” “How about the doll that closes her eyes? What color are her eyes?” “Blue.” Mrs. McCullough crossed her legs, then uncrossed them again. “But that doesn’t mean anything. You look at the toy aisle—most dolls are blond with blue eyes. I mean, that’s just the default.” “The default,” Ed Lim repeated, and Mrs. McCullough had the feeling of being caught out, though she wasn’t sure why.
Celeste Ng (Little Fires Everywhere)
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow)
The girls seemed unconcerned and went about their days, each as lovely in their own way as the flowers they tended. Sorrel's black hair became streaked with premature white, which gave her an exotic air, although the elegance was somewhat ruined by the muddy jeans and shorts she practically lived in. Nettie, on the other hand, had a head of baby-fine blonde hair that she wore short, thinking, wrongly, that it would look less childlike. Nettie wouldn't dream of being caught in dirty jeans and was always crisply turned out in khaki capris or a skirt and a white shirt. She considered her legs to be her finest feature. She was not wrong. Patience was the sole Sparrow redhead, although her hair had deepened from its childhood ginger and was now closer to the color of a chestnut. It was heavy and glossy as a horse's mane, and she paid absolutely no attention to it or to much else about her appearance, nor did she have to. In the summer her wide-legged linen trousers and cut-off shorts were speckled with dirt and greenery, her camisoles tatty and damp. The broad-brimmed hat she wore to pick was most often dangling from a cord down her back. As a result, the freckles that feathered across her shoulders and chest were the color of caramel and resistant to her own buttermilk lotion (Nettie smoothed it on Patience whenever she could make her stand still). When it was terribly hot, Patience wore the sundresses she'd found packed away in the attic. She knew they were her mother's, and she liked to imagine how happy Honor had been in them.
Ellen Herrick (The Sparrow Sisters)
Okay, Dr. Milligan," he says. "Go ahead." "Well, my boy, I just wanted to let you know that I received the results back for the DNA tests. Emma is definitely half human." Galen winks at me. "You don't say?" I cover my mouth to stifle a giggle. Rudeness should never be contagious. "Yes, I'm afraid so. That said, I'm not sure if she even has the capability of forming a fin." Galen laughs. "We sort of already went along with that assumption, Dr. Milligan. Then the Archives confirmed it. There's a painting of people who look just like Emma in Tartessos." Dr. Milligan sighs. "You could have called me." "I'm sorry, Dr. Milligan. I've been...busy." "Did Emma figure out her lineage, then?" Galen shakes his head, though the reaction is lost on Dr. Milligan in Florida. "As far as we can tell, Emma's father was a Half-Breed. He's got the coloring, he wore contacts, he loved seafood and the ocean. He obviously knew about Emma's physical issues." He tells Dr. Milligan about his theory that some of the half-breeds survived the destruction of Tartessos. Dr. Milligan is quiet for a few seconds. "What else?" Galen gives me a quizzical look. I return a shrug. "What do you mean?" he says. "I mean, my boy, what other evidence do you have to go on? The man you just described could be me. I used to have blond hair before the gray took over. I wear contacts. I happen to love seafood and the beach, if where I live is any indication. I also know about Emma's physical issues. Emma could be my daughter then. Is that what you're saying? If that's all you're basing it on, Emma could be almost any man's daughter in the Panhandle here. Not very scientific." Galen frowns. "You there, Galen?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Madison turns to me. “Do you wanna play?” “Of course,” I say, following her to her bedroom, figuring it best to give her mother some space, lest I push her too far and she punch me in the face. I’m secure in my manhood. I have no qualms playing with dolls. So when Madison shoves a Barbie at me, I don’t even balk. I’ll give her the best goddamn Barbie performance she ever saw, if that’s what she wants. I stare at the Barbie, though, as Madison digs through a toy box. It looks different than the ones my sister played with growing up. This Barbie looks more like a scientist than a stripper, fully clothed, her hair still intact. “Found it!” Madison says, holding up another doll. I freeze when I look at it, seeing the familiar white and blue suit and the head of blond hair. You’ve gotta be kidding me. They made me into a doll. Or him, rather. Breezeo. Not an action figure, no—a straight up collector’s edition Barbie doll. “I’ll be Breezeo and Barbie can be Maryanne for you,” she says, sitting down on the floor and patting the wood beside her. “Wait, shouldn’t I be Breezeo?” “You’re him all the time, so it’s my turn now.” Well, can’t argue with that logic. “Barbie’s got the wrong color hair,” I say. “Don’t you have a Maryanne doll?” “No, ‘cuz it costs too many dollars, but you can pretend, right?” “Right,” I say, although she suddenly looks skeptical, like she doubts my abilities. “Don’t worry, I’ve got this.” She starts things off. I don’t know what’s happening, and she doesn’t give me any direction, so I’m improvising. She switches things up on me, throwing in plot twists. We’re on the run from some bad guys before suddenly we’re in school. I graduate, we both become veterinarians to her stuffed animals, and next thing I know, I’m running for president of the world.
J.M. Darhower (Ghosted)
Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.
Mary Spillane (Color Me Beautiful's Looking Your Best: Color, Makeup and Style)
Owen couldn’t believe his luck. Candice Mayfair was the beautiful white wolf he’d seen that day so long ago. Not that she looked like a wolf right now. He only knew she was the wolf, unequivocally, because he recognized her scent. After the initial shock of seeing an unfamiliar and intriguing Arctic she-wolf, he’d gone after her. The whole pack had gone on a run that night, but they knew to stay far away from any campsite. He and the other guys had swum across the river to explore a bit. Cameron and his mate had stayed on the other side with the kids. He’d even swum back across the river to find her and discovered her scent had led right to one of the tents. Since she had moved into the tent, he knew she had to be one of their shifter kind. He’d even hung around the next day, waiting to catch a glimpse of her, but there were several women, and he had no idea which one had been her. Two blonds, a couple of brunettes, and a red-haired woman—none of whom looked like the picture he had of Clara Hart, though. Being a white wolf in summer had made it difficult to blend in, so he’d had to keep well out of sight. Candice Mayfair was definitely the author of the books on the website, though she didn’t look like the photo her uncle had of her, if she was Clara Hart. She had the same compelling eyes, different color, but they got his attention, grabbed hold, and wouldn’t let go. He carried her to her couch and set her down, staying close, his hand still on her arm until she seemed to regain her equilibrium. “The wolf pup was yours,” she accused, jerking her arm away from him. “Wolf pup?” “Yeah, wolf pup. Don’t pretend you don’t know about your own wolf pup.” Then all the pieces began to fall into place. Campers. Campfire. Food. Corey, the wolf pup she had to be referring to, hadn’t just found the food like they’d thought. Candice must not have been a wolf until that night. “You fed him? Corey? His mom wondered why he smelled of beef jerky that night. We thought he’d found some at the campsite. Don’t tell me…he bit you.
Terry Spear (Dreaming of a White Wolf Christmas (Heart of the Wolf #23; White Wolf #2))
Edgerton/Assassins of Dreamsongs 169 The thick, frosty rain had long since subsided. A thin, fur clad figure peered through the thick, rain soaked foliage, just outside the army's encampment. The old Wizard's raspy whisper suddenly broke the silence. He shivered against the cold and swore to himself, as no eyes peered back at him from the forest. "Damnable rabbits!" He shook both stiff, old legs from the bitter cold of the forest night and from the puddle he had been standing in. The half-asleep guard paid no attention or tribute to the thin, fur clad bearer of wood, as he trudged through the camp's outer perimeter with a load of firewood in his arms. Slumber played a barbaric tune to the rhythms of the wind through the trees, while the army slept. Arkin readjusted the stack of wood held precariously in his arms, as he walked through the center of camp. His steady, silent pace took him around large mud puddles and before a roaring fire built beneath a rocky shelf. The large bonfire spit colorful sparks into the blackness and the cold of the night. His thin arms let fall the wood he had gathered, while he surveyed the camp. A long, walking stick suddenly appeared in his hand, as if by magic, while his senses took in all around him. The small, white haired Wizard leaned lazily on his heavy staff for a thoughtful moment, while his calculating eye took in the figures huddled on the ground around the small campfires. Edgerton/Assassins of Dreamsongs 170 In the forest, two sets of eyes suddenly blinked their timidity at Arkin and then disappeared. "Dull witted rabbits to save a future King," he grumbled. "Will wonders never cease." From an ancient leather pouch, old weathered hands drew a sparkling dust that seemed to be alive in its’ every glimmer. The old man watched its’ mesmerizing glow for a moment. Then, as if youth possessed his body once again, Arkin began dancing like a misguided wood nymph through the camp, sprinkling the powder on the slumbering figures. The old Wizard's ritualistic dance took him the complete circumference of the camp. An old Wizard smiled broadly, as he danced by the giant, blond Nobleman chained helplessly to a tree. Their eyes met in an exchanged mischievous greeting. Garish beamed his roguish smile at him, hope renewed once more. The blond, captive Nobleman had to fight back the mounting laughter in his throat, from the comforting sight of his mentor and the queer fairy dance he was performing. His gaze followed the little man's every step with pure delight. The little Grand Master Wizard slowed his mischievous fairy dance only long enough to retrieve the glimmering Sword of Damen from the pile of weapons in the center of the camp. Edgerton/Assassins of Dreamsongs 171 The Old Man carefully concealed the sword under his cloak and continued his fairy dance, while sprinkling the sparkling powder over the sleeping figures. Stooping low, he picked up a shield and flung it over his shoulder. Once again the old, fur clad Wizard’s movements brought him to where he had first entered the camp, through the forest. The half-asleep guard awakened faintly, to watch the little man in his queer dance, as he moved towards him. He made no effort to detain the Old One but merely stared in disbelief, as Arkin vanished into the forest once again. The guard stood dazed in disbelief at the sight and then rubbed away the sleep from his eyes, uncertain if he had been daydreaming.
John Edgerton (ASSASSINS OF DREAMSONGS)
A horse broke through beside her, nearly knocking the mare over. At first Marian thought the horse unmounted, possibly Gisbourne’s, running from the boar, because she saw no rider—and then she did see him and realized he was clad in the colors of the forest, nearly invisible, almost indistinguishable against the emerald, olive, and jade. It was the shock of white-blond hair that betrayed his identity, and the grimness of his features.
Jennifer Roberson (Lady of the Forest)
I’d just promised myself there would be no more fucking around. But all of that went out the window the second I laid eyes on Paige. The stolen sight of her tits when I was fourteen had inspired a lifelong love affair with breasts. Her honey-colored hair was the reason I’d always preferred blondes.
Kendall Ryan (Room Mates (Roommates, #1-3 & #4))
Marks was so self-contained and tenacious that it was often easy to forget she was still a young woman in her early twenties. When Leo had first met her, she had been the perfect embodiment of a dried-up spinster, with her spectacles and forbidding scowl and her stern hyphen of a mouth. Her spine was unbending as a fireplace poker, and her hair, the dull brown of apple moths, was always pinned back too tightly. The Grim Reaper, Leo had nicknamed her, despite the objections of the family. But the past year had wrought a remarkable change in Marks. She had filled out, her body slender but no longer matchstick thin, and her cheeks had gained color. A week and a half ago, when Leo had arrived from London, he had been absolutely astonished to see Marks with light golden locks. Apparently she had been dyeing her hair for years, but after an error on the part of the apothecary, she had been forced to abandon the disguise. And whereas the darker brown locks had been too severe for her delicate features and pale skin, her own natural blond was stunning. Which had left Leo to grapple with the fact that Catherine Marks, his mortal enemy, was a beauty. It wasn't really the altered hair color that made her look so different... it was more that Marks was so uncomfortable without it. She felt vulnerable, and it showed. As a result, Leo wanted to strip away more layers, literal and physical. He wanted to know her.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
He moved into a large sitting area, past a sunken bath that could fit ten and through a set of double doors, where he tossed her on the bed. She bounced as she hit and looked up. He didn’t break eye contact as he shed his jacket, tossing it over on a chair. “Strip.” “You first.” Frank toed off his shoes and loosened his tie, pulling it over his head then dropping it to the floor. “Tell you what. Whoever’s naked first, gets to be on top.” He gave her a lecherous grin and was rewarded with a rosy blush, coloring her cheeks. “Okay.” She climbed off the bed. “On the count of three.” “One,” Frank said and lifted his hands to the top of his dress shirt. She did the same, bracing for the count like a racer on the blocks, her hands behind her neck. “Three.” Frank unbuttoned the collar, and tugged the shirt over his head, including the T-shirt underneath. “That’s cheating,” she said, as she fumbled with the hooks down the back of her blouse. “You had a head start. I’m evening the field.” He ripped his belt off and undid his fly and dropped his boxers and pants all at once. She froze and gasped, staring, hunger in her eyes, snapped out of the spell and tossed her blouse and bra to the side, moving fast, but not fast enough. Her skirt puddled around her ankles as Frank stood, as bare as the day he was born. “I win.” She kicked her garment to the side and placed her hands on her hips. Her chest rose and fell, pebbled nipples displayed against gloriously soft skin and full breasts. Her eyes were wild and her soft blonde hair tousled, like she’d already taken a roll in the sack. Man, did he want to make a bigger mess of it.
D.L. Jackson (My Boogie Woogie Bugle Guy)
As I walk across the lobby, I hear a scream coming from below, coming from the Pit. It’s not a good-natured Dauntless shout, or the shriek of someone who is scared but delighted, or anything but the particular tone, the particular pitch of terror. Small rocks scatter behind us as I run down to the bottom of the Pit, my breathing fast and heavy, but even. Three tall, dark-clothed people stand near the railing below. They are crowded around a fourth, smaller target, and even though I can’t see much about them, I know a fight when I see one. Or, I would call it a fight, if it wasn’t three against one. One of the attackers wheels around, sees me, and sprints in the other direction. When I get closer I see one of the remaining attackers holding the target up, over the chasm, and I shout, “Hey!” I see her hair, blond, and I can hardly see anything else. I collide with one of the attackers--Drew, I can tell by the color of his hair, orange-red--and slam him into the chasm barrier. I hit him once, twice, three times in the face, and he collapses to the ground, and then I’m kicking him and I can’t think, can’t think at all. “Four.” Her voice is quiet, ragged, and it’s the only thing that could possibly reach me in this place. She’s hanging from the railing, dangling over the chasm like a piece of bait from a fishing hook. The other one, the last attacker, is gone. I run toward her, grabbing her under her shoulders, and pull her over the edge of the railing. I hold her against me. She pressed her face to my shoulder, twisting her fingers into my shirt. Drew is on the ground, collapsed. I hear him groan as I carry her away--not to the infirmary, where the others who went after her would think to look for her, but to my apartment, in its lonely, removed corridor. I shove my way through the apartment door and lay her down on my bed. I run my fingers over her nose and cheekbones to check for breaks, then I feel for her pulse, and lean in close to listen to her breathing. Everything seems normal, steady. Even the bump on the back of her head, though swollen and scraped, doesn’t seem serious. She isn’t badly injured, but she could have been. My hands shake when I pull away from her. She isn’t badly injured, but Drew might be. I don’t even know how many times I hit him before she finally said my name and woke me up. The rest of my body starts to shake, too, and I make sure there’s a pillow supporting her head, then leave the apartment to go back to the railing next to the Pit.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
I see her hair, blond, and I can hardly see anything else. I collide with one of the attackers--Drew, I can tell by the color of his hair, orange-red--and slam him into the chasm barrier. I hit him once, twice, three times in the face, and he collapses to the ground, and then I’m kicking him and I can’t think, can’t think at all. “Four.” Her voice is quiet, ragged, and it’s the only thing that could possibly reach me in this place.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
He turned his head toward the voice and looked into the half-closed eyes of a boy who seemed not much older than himself. Dirt streaked the boy's face and his matted blond hair. He lay sprawled, his gray uniform glistening with wet, fresh blood. The colors of the carnage were grotesquely bright: the crimson wetness on the the rough and dusty fabric, the ripped shreds of grass, startlingly green, in the boy's yellow hair. The boy stared at him. "Water," he begged again. When he spoke, a new spurt of blood drenched the coarse cloth across his chest and sleeve.
Lois Lowry (The Giver (The Giver, #1))
To begin with I want you to take down your hair and look into the mirror.” “Why?” I asked even as I did what he said. It was mortifying to see myself naked and framed from behind by the big, blond vampire. Mortifying but strangely erotic too. With my hair down around my shoulders in a red-gold cloud, I looked very young and very vulnerable. Corbin’s skin was as pale as mine but he was so big he dwarfed me, making me feel like a doll or a little girl in his lap. “Because I want you to see yourself the way I see you. Addison, do you have any idea how beautiful you are?” “What?” I met his eyes in the mirror. “What are you talking about?” “I said you’re beautiful.” He arched an eyebrow at me. “Is that really so surprising?” I frowned. “Frankly, yes. I mean, I don’t hate my body but no one is going to be asking me to model any new fall fashions anytime soon.” He arched an eyebrow. “And why is that?” I ticked reasons off on my fingers. “I’m too short for one thing. Not to mention my breasts are too small.” “They are perfect for your size.” His large hands cupped the undercurves of my breasts and I felt myself blushing again as my body reacted to his touch. “Your nipples are quite beautiful,” he murmured, brushing them gently with his thumbs and sending sparks of pleasure all through me. “Such a pale, innocent pink. I wondered what color they would be.” “My thighs are too big,” I said, trying desperately to get my mind off of my now-erect nipples. Corbin continued to tease them in that slow, lazy way as though he had forever to touch me. “And I’m not toned enough—I’m too soft.” He shook his head. “My darling, I have been hard and cold for over four hundred years. Let me assure you, there is no such thing as too soft.” He placed a hand on my lower belly, right above the sensitive mound of my pussy. “The feel of your skin, the flutter of your pulse when I touch you, the scent of your arousal are all incredibly beautiful and erotic. See yourself for what you are and revel in your beauty.
Evangeline Anderson (Crimson Debt (Born to Darkness, #1))
Entranced, she looked up at her new guardian. Tall and lean, he loomed over her like a specter, his greatcoat flapping in the wind. Lightning illuminated his silvery-blond locks sweeping across sharp, angular features. Her spine tingled. Never had she seen a more striking person. Though his hair was the color of moonlight, his face and form were those of a young man. Lydia choked back a gasp. She longed to render him in charcoal…no, oils. Lord
Brooklyn Ann (One Bite Per Night (Scandals with Bite, #2))
At Ardennes she conceived a desire to strangle the young woman who prepped and held down garde manger. The woman, Becky Hemerling, was a culinary-institute grad with wavy blond hair and a petite flat body and fair skin that turned scarlet in the kitchen heat. Everything about Becky Hemerling sickened Denise—her C.I.A. education (Denise was an autodidact snob), her overfamiliarity with more senior cooks (especially with Denise), her vocal adoration of Jodie Foster, the stupid fish-and-bicycle texts on her T-shirts, her overuse of the word “fucking” as an intensifier, her self-conscious lesbian “solidarity” with the “latinos” and “Asians” in the kitchen, her generalizations about “right-wingers” and “Kansas” and “Peoria,” her facility with phrases like “men and women of color,” the whole bright aura of entitlement that came of basking in the approval of educators who wished that they could be as marginalized and victimized and free of guilt as she was. What is this person doing in my kitchen? Denise wondered. Cooks were not supposed to be political. Cooks were the mitochondria of humanity; they had their own separate DNA, they floated in a cell and powered it but were not really of it. Denise suspected that Becky Hemerling had chosen the cooking life to make a political point: to be one tough chick, to hold her own with the guys. Denise loathed this motivation all the more for harboring a speck of it herself. Hemerling had a way of looking at her that suggested that she (Hemerling) knew her better than she knew herself—an insinuation at once infuriating and impossible to refute. Lying awake beside Emile at night, Denise imagined squeezing Hemerling’s neck until her blue, blue eyes bugged out. She imagined pressing her thumbs into Hemerling’s windpipe until it cracked.    Then one night she fell asleep and dreamed that she was strangling Becky and that Becky didn’t mind. Becky’s blue eyes, in fact, invited further liberties. The strangler’s hands relaxed and traveled up along Becky’s jawline and past her ears to the soft skin of her temples. Becky’s lips parted and her eyes fell shut, as if in bliss, as the strangler stretched her legs out on her legs and her arms out on her arms…    Denise couldn’t remember being sorrier to wake from a dream.    “If you can have this feeling in a dream,” she said to herself, “it must be possible to have it in reality.
Jonathan Franzen (The Corrections)
Strangling fear surged up his throat. Amy, skirts flying, blond hair a gleaming target, was running in a straight line for the wagons, Loretta right behind her. Between the opposing forces. The white, spying the women, had stopped shooting, but in his peripheral vision Hunter saw a brave aim his rifle. “Ka, no!” Hunter zigzagged his mount into the man’s line of fire. “No!” With a vicious kick, Hunter sent his black into a mighty forward lunge, gaining several yards on the advancing warriors, many of whom were from another band. They wouldn’t recognize Amy or Loretta. Unless Hunter could stop the shooting, his woman and her little sister would be killed. When he felt certain everyone in the formation could see him, he wheeled his horse to face them and lifted his rifle high overhead, signaling a cease-fire. Still trailing Amy, Loretta spotted Hunter the moment his horse drew out in front of the others. Heaving for air, she stumbled to a stop and glanced over her shoulder. Hunter, broad back to the wagons, sat tall on his stallion, waving his rifle above his head. As if in a dream, she whirled. The sight of Hunter making a target of himself would be painted in full color across the canvas of her mind for the rest of her life.
Catherine Anderson (Comanche Moon (Comanche, #1))
ceremony rehearsal, and one of the groomsmen dared to suggest that Evan might want to take a small sedative before the real wedding, which, as you can imagine, did not go over well. Oh, and Francois threatened to quit halfway through the final menu tasting.” Harmony cringed. “Yikes.” “I think if Francois would have quit, I would have too.” I sighed. “I believe it. I’ve never seen you use the coffee table as an ottoman before.” I smiled and wiggled my toes. “I don’t know why not.” “Well, as you explained to me, this here is an authentic Jason Partillo design,” Harmony replied, a lilt in her voice as she gently needled me with her elbow. I laughed softly. “Are you trying to say that those of us who live in diva houses shouldn’t throw shoes?” She barked a laugh. “No. This Evan guy sounds like he left diva in the dust a long time ago and plowed straight into narcissistic jerk land.” “Can’t argue with that.” I closed my eyes, my head leaning against the back of the sofa. “Two days and then it’s over and they won’t be my problem anymore. I have fifteen weddings between now and June. That’s going to feel like a walk in the park compared to this nonsense.” “And in the meantime, you get the rest of the night off to spend with me and your bestie!” Harmony said. “Assuming I can stay awake, that is,” I replied, peeling my eyes open. “I should have left room in the schedule for a pre-dinner nap.” Harmony laughed and sprang off the sofa to continue getting ready. “Do you think I should wear my black tights with the red sweater dress, or can I get away with jeans? Is the place we’re going fancy fancy or fancy-ish?” I smiled at my sister’s nervous musings. She wasn’t one to ask for my fashion advice, mostly because I preferred my clothes hole-free and didn’t own anything with spikes or studs on it. While she could dress up when the situation warranted, Harmony tended toward a certain grunge-chic aesthetic with colorful streaks in her otherwise bleached-blonde hair, four piercings in each ear, and a penchant for artfully torn clothing and bomber jackets. And she’d recently added a small crystal stud to her nose. “It’s fancy-adjacent,” I told her. “Go with the leggings and dress.” Harmony nodded, even as her teeth worked nervously at her lower lip. I smiled. “She’s going to love you, Harmony. Stop stressing.” Holly Boldt, my good friend and fellow witch, was coming into the Seattle Haven to speak at a potion making conference, and we’d made plans
Danielle Garrett (Wedding Bells and Deadly Spells (A Touch of Magic Mysteries #3))
The relationship of a man with his lover should be something natural, just like the male orgasm.The truth is that if man has the full attention of the quality time he has ando f the quality woman in front of him, even if she is black, Japanese or white, fat or thin, with short or long hair, or even bald, blonde, brunette or redhead; an orgasm will always as transparente as the color of the most beautiful walls of love.
Alan Maiccon
I Woke Up and it was political. I made coffee and the coffee was political. I took a shower and the water was. I walked down the street in short shorts and a Bob Mizer tank top and they were political, the walking and the shorts and the beefcake silkscreen of the man posing in a G-string. I forgot my sunglasses and later, on the train, that was political, when I studied every handsome man in the car. Who I thought was handsome was political. I went to work at the university and everything was very obviously political, the department and the institution. All the cigarettes I smoked between classes were political, where I threw them when I was through. I was blond and it was political. So was the difference between “blond” and “blonde.” I had long hair and it was political. I shaved my head and it was. That I didn’t know how to grieve when another person was killed in America was political, and it was political when America killed another person, who they were and what color and gender and who I am in relation. I couldn’t think about it for too long without feeling a helplessness like childhood. I was a child and it was political, being a boy who was bad at it. I couldn’t catch and so the ball became political. My mother read to me almost every night and the conditions that enabled her to do so were political. That my father’s money was new was political, that it was proving something. Someone called me faggot and it was political. I called myself a faggot and it was political. How difficult my life felt relative to how difficult it was was political. I thought I could become a writer and it was political that I could imagine it. I thought I was not a political poet and still my imagination was political. It had been, this whole time I was asleep.
Jameson Fitzpatrick
was in everyday attire with sand-colored jeans and a denim-blue buttoned-down shirt with his lean muscles defined underneath and exposed with his rolled-up sleeves. His tannish skin was peppered with freckles and he was bestowed with a natural rouge on his face; matched with his dry wavy dirty blonde hair he looked like a scarecrow that had given up the farm in favor of greener racing pastures.
J.S. Mason (Whisky Hernandez)
They had a red scalp and two blond scalps, very long ones that waved and shook in the wind, and in that hair was the soul of the enemy held tight, tight. There was light all around them and all around their war horses and it was as beautiful and dangerous as the color of lightning.
Paulette Jiles (The Color of Lightning)
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Mella Salon
casting a light right on her face and she looks like a fucking angel. I don’t even know if people should use the words fucking and angel in the same thought structure, but shit. She really looks like a fucking angel with her blonde hair and big eyes. I’m not even sure what color her eyes are because it’s dark and I didn’t really pay attention when we were in Sky’s bedroom, but whatever color they are, it’s my new favorite color. “You’re very charismatic,” she says. Jesus. Her voice completely slays me. “Thanks. You’re pretty cute yourself.” “I didn’t say you were cute, Daniel. I said you were charismatic. There’s a difference.” “Not much of one,” I say. “You like Italian?” She frowns and pulls back a few inches like I just insulted her. “Why would you ask me that?” Her reaction confuses me. I have no idea how that comment could have offended her. “Uh, have you never been asked out on a date before?” The scowl disappears
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
Did you see Erik’s sword?” Patrick asked. “Yeah,” Beth said. “And he’s not afraid to use it. We have to stay away from him.” “Who is he?” Patrick asked. “Erik the Red discovered this land. He named it Greenland,” Beth said. “Before that he lived in Iceland.” “Why did he leave Iceland?” Patrick asked. “A powerful man stole Erik’s family treasures,” Beth said. “There was a fight between the families, and people died. The Icelanders wanted the fighting to stop. So they kicked Erik out.” “They kicked him out of his own country?” said Patrick. “Yes,” Beth said. “Erik had a ship and crew. So he sailed away to become a trader. That’s when he discovered Greenland. He settled here and raised a family.” “I’ve heard of Leif,” Patrick said. “My teacher said he discovered North America 500 years before Columbus did!” Just then the door opened and a woman came in. She was dressed much like Beth, except a scarf covered her blonde hair. A string of colorful beads hung between the brooches on her tunic. A large gold cross dangled from the string. Beth was relieved to see the cross. A Christian Viking was a peaceful Viking. At least she hoped so. “Children,” she said, “I am Thjodhild, the wife of Erik the Red and mother of Leif.
Marianne Hering (Voyage with the Vikings (Imagination Station, #1))
His curly blonde hair was whipping in his face from the wind and his eyes were curious. The sun was peeking through the clouds, and it was slightly shining on his face, bringing out more of the green in his eyes. Seeing him now, he really was beautiful.
Cierra Martinez (Paint Me In Full Color)
Then there's your hair. Hair shouldn't change color, just by curling, but the edges seem to catch the light, and I can't be sure if it's brown or blond or even red when it does. I could watch that for hours, to try and figure it out.
Courtney Milan (The Duchess War (Brothers Sinister, #1))
land, and often dressed from top to toe in white, the color of surrender. Her blond hair was as fine as dandelion dander and looked like it might fly off her head in a stiff breeze. She had a gap between her two front teeth, but none of the easy charm that usually came with it, and her pale blue eyes were of the penetrating, cult-leader variety. She turned heads wherever she went, including the heads of infants and dogs. Her beauty was like Switzerland itself-stunning, but sterile-and her Teutonic stoicism made the people around her seem like emotional libertines or, to use a more psychiatric term, total fucking basket cases.
Jen Beagin (Big Swiss)
The dark-skinned one was Aisha Mahdi. She was a pretty Persian, with long black hair and dark almond eyes. On her brow was a thin, silver-colored diadem. I couldn’t tell if it was connected to her brain as a precept enhancement, or if she was some kind of princess. I decided her petulant lips made her look like royalty. The last girl was, well, she was different—like a golden sunrise is different. She had honey blond curls, freckles, and skin the color of café au lait. She looked like she was actually listening to the instructor. Her nametag said Naomi Parish and, unlike the rest of ours, it had a red star drawn after her name. I had no idea what that meant. But I wanted to know.
J.B. Simmons (Unbound (The Omega Trilogy #1))