Blond Short Quotes

We've searched our database for all the quotes and captions related to Blond Short. Here they are! All 200 of them:

You're really a blond," she said, her tone just short of accusatory. "And if you tell anyone, I will come to you in the night and smote your everlasting soul.
Kelly Creagh (Nevermore (Nevermore, #1))
The door opened, and we were met by a fifty-something man with a grizzled blond beard. He was wearing Bermuda shorts and a Lynyrd Skynyrd T-shirt. Also, he had an eye patch. "This is incredible," I heard Adrian murmur. "Beyond my wildest dreams.
Richelle Mead (The Golden Lily (Bloodlines, #2))
You're really a blond," she said, her tone just short of accusatory. "And if you tell anyone, I will come to you in the night and smote your everlasting soul.” Promise? Isobel turned back to the piano quickly, shocked that she'd almost uttered this aloud.
Kelly Creagh (Nevermore (Nevermore, #1))
How do I look?” She was wearing a pair of tiny jean shorts and a bright pink T-shirt. Her blond hair was matted on one side and there were dirt smudges all over her arms, legs, and face. Gabriel hesitated. “Like a Barbie doll that got run over by a garbage truck.” “Wow. Really, Gabriel?
Chelsea Fine (Avow (The Archers of Avalon, #3))
I envisaged a perfect detective’s assistant. She’d have long, wavy blonde hair, a short skirt, and curves in all the right places. She’d have a genius IQ, know how to hack and code, and be available at all hours. Now, make her into a robot. Sadly, I mentally removed her body, leaving a phone app.
Grahame Shannon (Tiger and the Robot (Chandler Gray, #1))
The witch's hair was too short and too dark for blond. She wasn't sure if that relieved her or disturbed her. Riley had immediately begun his interrogation, and it had gone something like this: Riley: Where is the meeting between your kind and Aden Stone supposed to take place? Witch: Go suck yourself. Riley: Maybe later. Meeting? Witch: Enjoy death. Riley: I have once already. Now, decide to talk or lose a body part. Witch: May I recommend a finger? Riley: Sure. After I take one of your very necessary hands.
Gena Showalter (Unraveled (Intertwined, #2))
Truly, Mallow yearned to know everything. Curiosity was part of her, like her short blond hair and bitten fingernails.
Catherynne M. Valente (The Girl Who Ruled Fairyland - For a Little While (Fairyland, #0.5))
Consider it this way: what would you say if a blond homecoming queen fell in love with a short Japanese businessman? He treats her cruelly, then goes home for three years, during which time she prays to his picture and turns down marriage from a young Kennedy. Then, when she learns he has remarried, she kills herself. Now I believe you should consider this girl to be a deranged idiot, correct? But because it's an Oriental who kills herself for a Westerner–ah!–you find it beautiful.
David Henry Hwang (M. Butterfly)
It just wasn't fair. God made some people naturally skinny and some people naturally fat. I'd never know how my life would have been different if I'd been one of the ones He made skinny. I didn't know how He chose. This one will be blonde, with long thin legs and great skin. This one will be short and fat with legs that rub together when she walks. I just knew I wasn't one of the lucky ones.
Donna Cooner (Skinny)
Something’s up,’ I say, handing the phone back. ‘Not necessarily,’ Jack says. ‘You think this is the first time Lila’s been hot-headed? Seriously, dude, you do remember my sister, right? Short, blonde, impulsive as shock therapy? Stubborn as a mule who won’t take no for an answer?’ Does Jack ever listen to himself? Does he appreciate the irony of this statement? I shake my head at him in wonder. ‘Hey, I’m not short or blond,’ Jack protests as he catches the look on my face.
Sarah Alderson (Losing Lila (Lila, #2))
I had never thought I had much in common with anybody. I had no mother, no father, no roots, no biological similarities called sisters and brothers. And for a future I didn't want a split-level home with a station wagon, pastel refrigerator, and a houseful of blonde children evenly spaced through the years. I didn't want to walk into the pages of McCall's magazine and become the model housewife. I didn't even want a husband or any man for that matter. I wanted to go my own way. That's all I think I ever wanted, to go my own way and maybe find some love here and there. Love, but not the now and forever kind with chains around your vagina and a short circuit in your brain. I'd rather be alone.
Rita Mae Brown (Rubyfruit Jungle)
Who you are goes far beyond what you look like. My hope is that Ray’s story will inspire all of you—white or Black, Asian or Native American, straight or gay, transgender or cisgender, blond or dark haired, tall or short, big feet or small—to do what you love. Inspire those around you to do what they love, too. It might just pay off. Alone, we are a solitary violin, a lonely flute, a trumpet singing in the dark. Together, we are a symphony.
Brendan Slocumb (The Violin Conspiracy)
Once upon a time there was a king who had three beautiful daughters. No, no, wait. Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three soldiers, tramping together down the road after the war. Once upon a time there were three little pigs. Once upon a time there were three brothers. No, this is it. This is the variation I want. Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts. Bounce, effort, and snark. Contemplation and enthusiasm. Ambition and strong coffee. Sugar, curiosity, and rain. And yet, there was a witch. There's always a witch. This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening. The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short. The next boy was studious and open hearted. Though it's true, he was an outsider. And the girl was witty, Generous, and ethical. Though it's true, she felt powerless. The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic. She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them. She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it. She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think. Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so. What she did instead was cursed them. "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame." The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches. There, surely, they would be safe. There, Surely, the witch would never find them. But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting. The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories. Then she gave them a box of matches. The children were entranced, for nearly sixteen they have never seen fire. Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen. Go on, she said, the flames will cleanse your souls. Go on, she said, for you are independent thinkers. Go on, she said. What is this life we lead, if you did not take action? And they listened. They took the matches from her and they struck them. The witch watched their beauty burn, Their bounce, Their intelligence, Their wit, Their open hearts, Their charm, Their dreams for the future. She watched it all disappear in smoke.
E. Lockhart (We Were Liars)
How many skinny, short, blond men were rounded up when Dylann Roof massacred people
Patrisse Khan-Cullors (When They Call You a Terrorist: A Black Lives Matter Memoir)
Gabe turned his head to look up at her. The moon came through the skylight and backlit Chloe's short blonde curls, making her look angelically lovely. Too bad she was insane.
Jennifer Crusie (Fast Women)
Picture to yourself the most beautiful girl imaginable! She was so beautiful that there would be no point, in view of my meagre talent for storytelling, in even trying to put her beauty into words. That would far exceed my capabilities, so I'll refrain from mentioning whether she was a blonde or a brunette or a redhead, or whether her hair was long or short or curly or smooth as silk. I shall also refrain from the usual comparisons where her complexion was concerned, for instance milk, velvet, satin, peaches and cream, honey or ivory, Instead, I shall leave it entirely up to your imagination to fill in this blank with your own ideal of feminine beauty.
Walter Moers (The Alchemaster's Apprentice: A Culinary Tale from Zamonia by Optimus Yarnspinner (Zamonia, #5))
You remind me more of Princess Peach.” I looked down at my shorts and tank top, and caught the ends of my multicolored brown hair courtesy of careful instruction to Ginny. “Because of my beautiful pink gown and blonde hair?” Dallas’s mouth went flat. “She’s surrounded by men, but she’s still herself, and she’s got her shit together on Mario Kart.
Mariana Zapata (Wait for It)
I am thirsty, and very susceptible to flattery... you could talk me into anything..." "So much for fighting the good fight," I observed dryly. "He'll have a harem within a week." Bones watched Juan disappear down the hall, nuzzling the blonde's neck in a manner that didn't speak only of hunger. "He's a fine bloke. He'll learn." "Learn what?" At least he can't get or pass diseases anymore, I thought. That's one advantage turning Juan into a vampire did for womankind. Bones put an arm around me as we headed toward the exit of the flesh feast. "He'll learn that many women can satisfy for a short period of time, but when he falls in love, only one will sustain him forever." I cast him a sideways glance "Are you trying to seduce me?" His lips curled with promise. "Absolutely.
Jeaniene Frost (At Grave's End (Night Huntress, #3))
Leila, this is my friend and honorary sire, Menecheres, and his wife, Kira," he said, indicating the lopng-haired Middle Eastern man and the blonde. "Also let me introduce my friend, Cat." The redhead, and for some reason she looked familiar. "Her husband, Bones"-here Vlad smiled coolly at the short-haired brunet-"is not my friend.
Jeaniene Frost
Mac draws up short to keep from slamming into Barrons and her blonde hair swings back over her shoulder, brushing his face as it goes and my hearing is so good I catch the rasp of it chafing the shadow stubble on his jaw, then one of his hands grazes her breast and his eyes narrow when he looks at what he touched in a hungry way I want a man to look at me like one day and, as they continue to recover from the near-collision, their bodies move in a graceful dance of impeccable awareness of precisely where the other is at all times that is unity, symbiosis, partnership I only dream of, wolves that chose to pack up and hunt together, soldiers who will always have each other’s back no matter what, no sin, no transgression too great, ‘cause don’t we all transgress sometimes and it fecking slays me, because once I got a little taste of what that was like and it was heaven and they’re so beautiful standing there, the best of the best, the strongest of the strong that they practically glow to me, on fire with all I ever wanted in my life—a place to belong and someone to belong there with.
Karen Marie Moning (Burned (Fever, #7))
Ruxandra pulled the blanket down just far enough to see the two girls shut the door behind them, stuff something under it to block any light, and throw a blanket over the shutters. A flint sparked one, twice, and a taper flared to life, lighting the faces of her friends. Adela was a short blonde whose breasts pushed against her nightdress and were the despair of the nuns’ attempts to instill modesty. Her parents had sent her to the convent in desperate hopes to keep her from scandal. And between her sweet, round face and her ability to lie shamelessly, she almost managed to make the nuns believe they were being successful. Valeria was slim and dark, a mischief-maker whose pranks had gotten her in trouble more than once. They were both her lovers. Adela called it practice for when they had husbands. Valeria called it wonderful. The nuns declared it a sin in no uncertain terms. And while Ruxandra did her best to obey the nuns in most matters, and to turn her thoughts to God and do his good work, she could not stop loving the girls. From the moment she’d first held Adela’s hand, she’d known that, whatever else their feelings were for each other, they were too sweet to be sinful.
John Patrick Kennedy (Princess Dracula (Princess Dracula #1))
Later, when I hear others dismissing our voices, our protest for equity, by saying All Lives Matter or Blue Lives Matter, I will wonder how many white Americans are dragged out of their beds in the middle of the night because they might fit a vague description offered up by God knows who. How many skinny, short, blond men were rounded up when Dylann Roof massacred people in prayer? How many brown-haired white men were snatched out of bed when Bundy was killing women for sport?
Patrisse Khan-Cullors (When They Call You a Terrorist: A Black Lives Matter Memoir)
It doesn't matter what she looks like. It doesn't matter if she's long or short legged. It doesn't matter if she's pale or tanned, if her hair is black or brown or red or blond. It doesn't matter if she's pretty or not. It matters that she feels the sun on her skin.
Nicola Yoon (Everything, Everything)
And the other woman's breasts didn't look nearly as swollen as hers," Aspen went on. Pick snorted. "I'd say." The blonde shot him a glare. "Who the hell are you, anyway?" He grinned at her. "Pick." She blinked. "Pick what? I'm not picking out your name." "No, that's my name, Tinker Bell. Pick, short for Patrick Jacob Ryan. You like?
Linda Kage (To Professor, with Love (Forbidden Men, #2))
She curled her fingers into his chest instead of complying. “You’re an incredibly handsome male,” she said. “Perfect bone structure, pure blond hair, eyes so blue they should be impossible. Your only ‘flaw’ is this tattoo.” She traced the three jagged lines on his right biceps. “It’s an echo of the markings on your alpha’s face.” He gave a short nod. “A symbol of absolute loyalty.” Her lips parted. “Knowing that just makes you even more dangerously beautiful.
Nalini Singh (Hostage to Pleasure (Psy-Changeling, #5))
You think this is the first time Lila’s been impulsive? Seriously, dude, you do remember my sister, right? Short, blonde, impulsive as shock therapy? Stubborn as a mule who won’t take no for an answer?’ Alex raises an eyebrow. Without reading his mind I can tell he’s thinking that that’s like the ear wax laughing at the snot.
Sarah Alderson (Catching Suki (Lila, #0.5))
the runway style. With her short hair freshly died platinum blonde she had to slay the scene in a black Crooks and Castle snapback, diamond stud earrings, gold collar necklace, red Crooks and Castle sweatshirt, Cartier gold men’s watch, black leather leggings, Saint Laurent suede peep-toe lace-up booties and a extra sickening red $7750 VBH Brera ostrich satchel bag.
Keisha Ervin (Material Girl 3: Secrets & Betrayals)
Middle children weep longer than their brothers and sisters. Over her mother’s shoulder, stilling her pains and her injured pride, Jackie Lacon watched the party leave. First, two men she had not seen before: one tall, one short and dark. They drove off in a small green van. No one waved to them, she noticed, or even said goodbye. Next, her father left in his own car; lastly a blond, good-looking man and a short fat one in an enormous overcoat like a pony blanket made their way to a sports car parked under the beech trees. For a moment she really thought there must be something wrong with the fat one, he followed so slowly and so painfully. Then, seeing the handsome man hold the car door for him, he seemed to wake, and hurried forward with a lumpy skip. Unaccountably, this gesture upset her afresh. A storm of sorrow seized her and her mother could not console her.
John le Carré (Tinker, Tailor, Soldier, Spy)
Mrs. Tulliver was what is called a good-tempered person,–never cried, when she was a baby, on any slighter ground than hunger and pins; and from the cradle upward had been healthy, fair, plump, and dull-witted; in short, the flower of her family for beauty and amiability. But milk and mildness are not the best things for keeping, and when they turn only a little sour, they may disagree with young stomachs seriously. I have often wondered whether those early Madonnas of Raphael, with the blond faces and somewhat stupid expression, kept their placidity undisturbed when their strong-limbed, strong-willed boys got a little too old to do without clothing. I think they must have been given to feeble remonstrance, getting more and more peevish as it became more and more ineffectual.
George Eliot (The Mill on the Floss)
Two months later Joel loped down the stairs to the third floor and strode along the hall to the conference room. He walked through the door and stopped short at the sight of Letty held high in the arms of a huge blond Adonis.
Jayne Ann Krentz (Perfect Partners)
What's up?" Doug asked with a loud whisper as he swung the door open. His short blond hair was in a state of disarray and the pajama pants he wore were horribly wrinkled. The poor guy looked like a disheveled mess. Pressing his finger to his lips, he stepped back and gestured for Sadie to come in. "Emily is finally asleep, and if she wakes up, I might actually cry.
Sara Humphreys (Vampires Never Cry Wolf (Dead in the City, #3))
Julian’s not at the house in Bel Air, but there’s a note on the door saying that he might be at some house on King’s Road. Julian’s not at the house on King’s Road either, but some guy with braces and short platinum-blond hair and a bathing suit on lifting weights is in the backyard. He puts one of the weights down and lights a cigarette and asks me if I want a Quaalude. I ask him where Julian is. There’s a girl lying by the pool on a chaise longue, blond, drunk, and she says in a really tired voice, ‘Oh, Julian could be anywhere. Does he owe you money?’ The girl has brought a television outside and is watching some movie about cavemen. ‘No,’ I tell her. ‘Well, that’s good. He promised to pay for a gram of coke I got him.’ She shakes her head. ‘Nope. He never did.’ She shakes her head again, slowly, her voice thick, a bottle of gin, half-empty, by her side. The weightlifter with the braces on asks me if I want to buy a Temple of Doom bootleg cassette. I tell him no and then ask him to tell Julian that I stopped by. The weight-lifter nods his head like he doesn’t understand and the girl asks him if he got the backstage passes to the Missing Persons concert. He says, ‘Yeah, baby,’ and she jumps in the pool. Some caveman gets thrown off a cliff and I split.
Bret Easton Ellis (Less Than Zero)
What does he look like? Not big, not small, not short, not tall, not old not young, not dark nor blond. His eyes are the only thing that give him away; they’re as mean as a snake’s. We were all afraid of him. Sometimes we feared we might become as evil as him!
Tonke Dragt (The Letter for the King)
Rosie and Mary had taken only a 10 percentage of this privilege - they were three minutes late leaving their room and took the second bus that went past rather than the first just so they could feel themselves standing at a bus stop in Manhattan, New York, surrounded by people who were short, dark and voluble rather than tall, blond and silent. The fatal part was the bus they got on. They, of course stood, because they had been taught to do so, out of respect to everyone else in the whole world - they were from the Midwest and deference was their habit and their training. ......."Did you see that?" "What?" replied Mary "That woman." "God, she was rude," said Mary. And from that statement Rosalind knew that Mary would live the rest of her life in the Midwest, which she did.
Jane Smiley
She's fifteen years younger, in her mid-thirties, and at six feet, four inches, the tallest woman he knows personally. With short blonde hair and Scandinavian features, she's not beautiful exactly, but regal. Often severe without trying. He once told her she has resting monarch face.
Blake Crouch (Recursion)
Sicarius stood behind them, not bothering to hide his face as the breeze rifled through his short blond hair. He hadn’t drawn a weapon yet, and Amaranthe hurried to catch up, to keep him from doing so. First one security man glanced over his shoulder and jumped, then the second emulated the move. Sespian lifted a hand. “Don’t hurt—”One of the men pointed to the side of Sicarius, cried, “Look, enforcers!” and hurled himself past Sespian and into the river. The second man squeaked, scuttled backward until his shoulders rammed against the railing, then grabbed it and also propelled himself into the water. His lantern caught and dropped to the deck instead of falling overboard. It clanked and highlighted a dubious puddle before tipping over and winking out. Amaranthe had forgotten how much Sicarius’s reputation affected the average person.
Lindsay Buroker (Beneath the Surface (The Emperor's Edge, #5.5))
Chomba is seeking to redefine the term ‘precocious,’” Estray Lassils told Kabe, ruffling the child’s short blond curls.
Iain M. Banks (Look to Windward (Culture, #7))
Her short blond hair shifted in the wind, and she appeared the very definition of peace and comfort. Like she belonged in the world that had existed before everything was scorched.
James Dashner (The Kill Order (The Maze Runner, #4))
We saw men tall and short, Men of every size, Some were dark, some were blond, But none was our prize!
Carolyn Keene (Mystery of the Brass-Bound Trunk (Nancy Drew, #17))
The air frizzles my honey-colored hair that’s streaked with natural blonde balayage and stuffs it in my eyes. I flip it back and rub my palm on the side of my shorts as I stare down.
Rina Kent (God of Malice (Legacy of Gods, #1))
He pauses, swipes a matchstick on a column. It bursts into flame. “I tell you, you must take risks in my studio.” He finds a cigarette behind his ear and lights it. “I tell you not to be timid. I tell you to make the choices, make the mistakes, big, terrible, reckless mistakes, really screw it all up. I tell you it is the only way.” An affirmative murmur. “I say this, yes, but I still see so many of you afraid to cut in.” He begins to pace, slowly like a wolf, which is definitely his mirror animal. “I see what you are doing. When you leave yesterday, I go from work to work. You feel like Rambo maybe with the drills, the saws. You make lots of noise, lots of dust, but very few of you have found even this much”—he pinches two fingers together—“of your sculptures. Today this changes.” He walks over to a short blond-haired girl. “May I, Melinda?” “Please,
Jandy Nelson (I'll Give You the Sun)
I been starin' at the back a Jimmy Nelson's head for four grades now and I been noticin' how his blond hair curls against the skin on his neck and the birthmark shaped like a half-moon I wanna press my fingernail into.
Brooke Warra
Jakob Hlasek is six foot two and built like a halfback, his blond hair in a short square Eastern European cut, with icy eyes and cheekbones out to here: He looks like either a Nazi male model or a lifeguard in hell and seems in general just way too scary ever to try to talk to. His backhand is a one-hander, rather like Ivan Lendl’s, and watching him practice it is like watching a great artist casually sketch something. I keep having to remember to blink.
David Foster Wallace
Joe and Carter and Kelly were coming out of the woods, finishing up their run as I came back from the garden. They were laughing and shoving each other the way brothers do. I loved all three of them. Except. Except. Joe wore a pair of low-slung shorts. Just the smallest things. And that was it. He was almost as big as I was now. We were eye level, or so close that it didn’t matter, which put him a couple of inches over six feet. There was a sheen of sweat over his torso. A spattering of wet blond hairs curling on his chest that looked to be cut out of granite. The soft definition of muscles on his stomach. A line of sweat that hit his happy trail and soaked into the waistband of his shorts. He turned, saying something back to Carter, and I saw the dimples above his ass. The way his legs flexed and shifted as he hopped from one foot to the other. He pointed wildly at something back in the woods and there was a blue vein that stuck out along his bicep and I wanted to trace with my fingers because when had that happened? And those hands. Those big fucking hands and I— Joe had grown up. And somehow, I hadn’t really seen it until it was on full display. Right in front of me. He
T.J. Klune (Wolfsong (Green Creek, #1))
In the mid-1980s, on a spring Sunday morning, a Volvo stationwagon parked in Brunswick Street. A young couple got out. She was trim, blonded, tanned. He was already broadening in the midsection, sockless, short and hairy legs ending in boatshoes. From a restraining chair in the back seat, he unloaded a child, complaining, flailing. They took it into a cafe. They were going to have brunch. The old Brunswick Street was dead, Brunchwick Street born. There was no turning back.
Peter Temple (White Dog (Jack Irish, #4))
There MacRae was, disheveled and hatless, but breathtakingly handsome. To her pleased surprise, his hair had been cut and shaped to his head in short layers of amber and gold. He had the cool, sensual allure of a lost angel painted by Cabanel.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
always focusing on the commonsense stuff. Don’t slap on a platinum wig and high heels just because you’re a short brunette. Don’t think opposite; think inconspicuous. Think about what attracts attention—like blondes and stilettos—and avoid it.
Stephenie Meyer (The Chemist)
Since solving The Secret of the Old Clock, she had longed for another case. Here was her chance! Attractive, blond-haired Nancy was brought out of her daydreaming by the sound of the doorbell. At the same moment the Drews’ housekeeper, Hannah Gruen, came down the front stairs, “I’ll answer it,” she offered. Mrs. Gruen had lived with the Drews since Nancy was three years old. At that time Mrs. Drew had passed away and Hannah had become like a second mother to Nancy. There was a deep affection between the two, and Nancy confided all her secrets to the understanding housekeeper. Mrs. Gruen opened the door and instantly a man stepped into the hall. He was short, thin, and rather stooped. Nancy guessed his age to be about forty.
Carolyn Keene (The Hidden Staircase (Nancy Drew, #2))
Evan saw a man across the kitchen, butt leaning against the counter, muscular arms folded over his broad chest. His blond hair was cut very short, and his eyes were bright blue sparks. Evan’s gaze locked with Paul’s, and a sudden sense of vertigo swam through his head. The conversation in the other room, the back and forth between John and Alden, the startling brilliance of Bill’s teeth -- all of that faded away as Paul stared back at him. Evan found himself inside a strange bubble that blocked all outside stimuli. He had never experienced a connection this intense before, especially with an initial look, and even though it terrified him in a thrillingly sexual way, he didn’t dare pull his gaze away from Paul’s for fear of breaking the timeless moment between them.
Hank Edwards (Plus Ones)
Anney makes the best gravy in the county, the sweetest biscuits, and puts just enough vinegar in those greens. Glenn nodded, though the truth was he’d never had much of a taste for greens, and his well-educated mama had always told him that gravy was bad for the heart. So he was not ready for the moment when Mama pushed her short blond hair back and set that big plate of hot food down in front of his open hands. Glenn took a bite of gristly meat and gravy, and it melted between his teeth. The greens were salt sweet and fat rich. His tongue sang to his throat; his neck went loose, and his hair fell across his face. It was like sex, that food, too good to waste on the middle of the day and a roomful of men too tired to taste. He chewed, swallowed began to come alive himself. He began to feel for the first time like one of the boys, a grown man accepted by the notorious and dangerous Earle Boatwright, staring across the counter at one of the prettiest woman he’d ever seen. His face went hot, and he took a big drink of ice tea to cool himself.
Dorothy Allison (Bastard Out of Carolina)
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
Paullina Simons
The tightness of genetic linkage, in short, was a surrogate for the physical proximity of genes on chromosomes: by measuring how often two features-blond-hairedness and blue-eyedness-were linked or unlinked, you could measure the distance between their genes on the chromosome.
Siddhartha Mukherjee (The Gene: An Intimate History)
The girl with the short strawberry-blond hair was in front of her. She cast a glance back at Cassie and faced the front again. Cassie wanted to say hi, but the thought of speaking out loud when no one had called on her made her throat go dry. Instead she planned what she would say
Tamara Hart Heiner (Episode 1: The New Girl: The Extraordinarily Ordinary Life of Cassandra Jones (Walker Wildcats Year 1: Age 10))
Nervousness from earlier surged back into me. Goodness. He was honey poured over an athletic body. Short, sandy-blond curls outlined his face, which boasted full lips, high cheek bones, and long lashes that any woman would envy. Even with those soft features, his face appeared hard and sculpted by an artist.
Kenya Wright (Flirting with Chaos (Crazy in Love, #1))
Luke is as bronzed as his friend is pale, wearing a sleeveless shirt that shows off his insanely muscular arms, with long, dark blond hair pulled back in a bun and a short beard. He’s got tattoos that wrap around both biceps, and he’s carrying a box that must be heavy, because his arms are flexing. He smiles at me with instant warmth, and I melt.
Astra Rose (Haven)
How many years have passed since that far-off June afternoon? More than thirty. And yet, if I close my eyes, Micòl Finzi-Contini is still there, leaning over her garden wall, looking at me and talking to me. In 1929 Micòl was little more than a child, a thin, blond thirteen-year old with large, clear, magnetic eyes. And I was a boy in short trousers, very bourgeois and very vain, whom a small academic setback was sufficient to cast down into the most childish desperation. We both fixed our eyes on each other. Above her head the sky was a compact blue, a warm already summer sky without the slightest cloud. Nothing, it seemed, would be able to alter it, and nothing indeed has altered it, at least in memory.
Giorgio Bassani (The Garden of the Finzi-Continis)
I married an American man I met in a supermarket parking lot. He worked in construction, and when I met him he was sitting in his truck swallowing beer. I fell in love with his arms; they were golden from the sun and a thin film of dust glistened on his blonde hairs. These are the things of love, my father once told me. “Cuídese, mi hija. It only takes one thing.
Linda Feyder (All's Fair and Other California Stories)
The girl was undeniably beautiful. She was tall, with a spectacular figure. Her white dress, shimmering with crystal beads, was cut low enough to prove the authenticity of her remarkable cleavage. Her long hair was almost white in its blondeness. But it was her face that held Anne’s attention, a face so naturally beautiful that it came as a startling contrast to the theatrical beauty of her hair and figure. It was a perfect face with a fine square jaw, high cheekbones and intelligent brow. The eyes seemed warm and friendly, and the short, straight nose belonged to a beautiful child, as did the even white teeth and little-girl dimples. It was an innocent face, a face that looked at everything with breathless excitement and trusting enthusiasm, seemingly unaware of the commotion the body was causing. A face that glowed with genuine interest in each person who demanded attention, rewarding each with a warm smile. The body and its accouterments continued to pose and undulate for the staring crowd and flashing cameras, but the face ignored the furor and greeted people with the intimacy of meeting a few new friends at a gathering.
Jacqueline Susann (Valley of the Dolls)
continued. “The solution to almost every problem imaginable can be found in the outcome of a fairy tale. Fairy tales are life lessons disguised with colorful characters and situations. “‘The Boy Who Cried Wolf ’ teaches us the value of a good reputation and the power of honesty. ‘Cinderella’ shows us the rewards of having a good heart. ‘The Ugly Duckling’ teaches us the meaning of inner beauty.” Alex’s eyes were wide, and she nodded in agreement. She was a pretty girl with bright blue eyes and short strawberry-blonde hair that was always kept neatly out of her face with a headband. The way the other students stared at their teacher, as if the lesson being taught were in another language, was something Mrs. Peters had never grown accustomed to. So, Mrs. Peters would often direct entire lessons to the front row, where Alex sat. Mrs. Peters was a tall, thin woman who always wore dresses that resembled old, patterned sofas. Her hair was dark and curly and sat perfectly on the top of her head like a hat (and her students often thought it was). Through a pair of thick glasses, her eyes were permanently squinted from all the judgmental looks she had given her classes over the years. “Sadly, these timeless tales are no longer relevant in our society,” Mrs. Peters said. “We have traded their brilliant teachings for small-minded entertainment like television and video games. Parents now let obnoxious cartoons and violent movies influence their children. “The only exposure to the tales some children acquire are versions bastardized by film companies. Fairy
Chris Colfer (The Wishing Spell (The Land of Stories, #1))
FATHER FORGETS W. Livingston Larned Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, “Goodbye, Daddy!” and I frowned, and said in reply, “Hold your shoulders back!” Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive—and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. “What is it you want?” I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding—this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: “He is nothing but a boy—a little boy!” I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much.
Dale Carnegie (How To Win Friends and Influence People)
The Boy Who Cried Wolf ’ teaches us the value of a good reputation and the power of honesty. ‘Cinderella’ shows us the rewards of having a good heart. ‘The Ugly Duckling’ teaches us the meaning of inner beauty.” Alex’s eyes were wide, and she nodded in agreement. She was a pretty girl with bright blue eyes and short strawberry-blonde hair that was always kept neatly out of her face with a headband.
Chris Colfer (The Wishing Spell (The Land of Stories, #1))
Maybe he’s still in the forces, his dark-blond curls now greying and cut military-grade short, his freckles perhaps fading with age. I picture him in his uniform, shiny medals with colourful ribbons attached to his jacket, rewards for successful tours of duty. But while I might no longer recognise him if he stood in front of me, I’d like to think that he is every inch the hero to others today as he was to me back then.
John Marrs (Keep It in the Family)
Look at your hair!” she says, moving her hand toward my short hair but not actually touching it. “It’s so different.” I am stronger than when I knew them. I stand straighter. I am more patient. I hold fewer grudges. I am more thankful for what I have, less resentful for what I don’t. I am less restless. I read a lot more books. I play the piano. I’m engaged. But, of course, she can’t see all that. The only change she can see is my short, blond hair.
Taylor Jenkins Reid (One True Loves)
Irma, she said. But I had started to walk away. I heard her say some more things but by then I had yanked my skirt up and was running down the road away from her and begging the wind to obliterate her voice. She wanted to live with me. She missed me. She wanted me to come back home. She wanted to run away. She was yelling all this stuff and I wanted so badly for her to shut up. She was quiet for a second and I stopped running and turned around once to look at her. She was a thimble-sized girl on the road, a speck of a living thing. Her white-blond hair flew around her head like a small fire and it was all I could see because everything else about her blended in with the countryside. He offered you a what? she yelled. An espresso! I yelled back. It was like yelling at a shorting wire or a burning bush. What is it? she said. Coffee! I yelled. Irma, can I come and live-- I turned around again and began to run.
Miriam Toews (Irma Voth)
Darce and Jill were an odd couple—especially when we all were kids. Darcy was short and small with chin-length black hair. My wife was always cute and approachable. Jill was as tall as most boys. Her straight blond hair cascaded down to her butt. She floated through the high school hallways like a goddess. I would have never dreamed of speaking to her back then. As adults, Jill was the one who was always nervously telling jokes and Darcy was the one who was always quick to laugh, throwing her head back and roaring with her mouth wide open. My wife was easy to please and Jill was a pleaser. Jill’s looks often made other girls self-conscious but my wife was always very comfortable in her own skin. Jill was impulsive. Darcy was thoughtful. All of the Jill and Darcy puzzle pieces just naturally snapped together. For every tab, knob, and loop one had, the other had a corresponding blank, hole, or socket. They were a perfect fit.
Matthew Quick (We Are the Light)
He has left out details of the barbershop he visited, in which he was shown to a windowless room behind a red curtain, where a short man in the pastor’s same shirt quickly dispensed with his beard (unasked) and the hair on the side of Less’s head, leaving only the blond wisp at the top, and then asked: “Massage?” This turned out to be a series of thumpings and slaps, a general pummeling, as if to extract military secrets, ending with four resounding wallops across the face.
Andrew Sean Greer (Less (Arthur Less, #1))
She was a beauty queen!'' ''Holy shit.'' Harrison dissolved into a fit of laughter. ''No way is Redding pulling that one off. Look at her. Her hair's shorter than mine. ''My hair is convenient for my job,'' I said, running a hand over inch-long, blond locks that had been trapped under a hot wig the day before, ''and besides, I thought short hair was fashionable.'' ''Short, yes,'' Harrison said, ''but you're sporting the Britney Spears Nervous Breakdown style. Not a hit among men or the beauty pageant circuit
Jana Deleon (Louisiana Longshot (Miss Fortune Mystery #1))
Her name was Pilar Ternera. She had been part of the exodus that ended with the founding of Macondo, dragged along by her family in order to separate her from the man who had raped her at fourteen and had continued to love her until she was twenty-two, but who never made up his mind to make the situation public because he was a man apart. He promised to follow her to the ends of the earth, but only later on, when he put his affairs in order, and she had become tired of waiting for him, always identifying  him with the tall and short, blond and brunet men that her cards promised from land and sea within three days, three months, or three years. With her waiting she had lost the strength of her thighs, the firmness of her breasts, her habit of tenderness, but she kept the madness of her heart intact. Maddened by that prodigious plaything, José Arcadio followed her path every night through the labyrinth of the room. On a certain occasion he found the door barred, and he knocked several times, knowing that if he had the boldness to knock the first time he would have had to knock until the last, and after an interminable wait she opened the door for him. During the day, lying down to dream, he would secretly enjoy the memories of the night before. But when she came into the house, merry, indifferent, chatty, he did not have to make any effort to hide his tension, because that woman, whose explosive laugh frightened off the doves, had nothing to do with the invisible power that taught him how to breathe from within  and control his heartbeats, and that had permitted him to understand why man are afraid of death.
Gabriel García Márquez (One Hundred Years of Solitude)
Rosalind was the kind of girl who didn’t have to try very hard; she just drew men like moths to a flame. A natural ash blonde with unbelievably dark blue eyes, she had a near perfect figure, always wore the trendiest gear and said exactly the right witty things. Not like me. I’m no raving beauty by any stretch of the imagination. I’ve got masses of dark unruly hair which just sort-of hangs around, and I buy only clothes which suit me regardless of fashion. I wouldn’t be seen dead in a mini-skirt – as I’m rather tall with long slim legs, I think I’d look like Olive Oyl.
Bernie Morris (sweets for my sweet)
Kerah!" "Opal, finally, you little puke," Ronan said. A creature capered from between the woods, a scrawny, hollow-eyed child. She wore an oversized cable-knit sweater and a skullcap pulled down low over her short white-blond hair. Someone might have mistaken her for a human girl if not for her legs, which were densely furred and ended in hooves. "I told you, that's Chansaw's word. You have lips. Call me Ronan," he told her. The little creature threw her arms around his legs and then pranced around him in a hectic circle, her hooves leaving divots. He lifted a foot. "That was my food, come on.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
Nothing short of Trump shooting my daughter in the street and my grandchildren” can dissuade me from voting for Trump, a woman told Ashley Parker of the New York Times. So imagine how you would feel if every time you turned on NBC, you saw my reporting on this figure you love—this figure you think will lift you up, save your job, make your country great again. Imagine how you’d feel if every night and all day this little blond-haired girl was shining a critical light on your beloved figure. Who is she to question his plans? Double-check his statements? Follow up on his promises? You would hate me. And people do.
Katy Tur (Unbelievable: My Front-Row Seat to the Craziest Campaign in American History)
Galen slides into his desk, unsettled by the way the sturdy blond boy talking to Emma casually rests his arm on the back of her seat. "Good morning," Galen says, leaning over to wrap his arms around her, nearly pulling her from the chair. He even rests his cheek against hers for good measure. "Good morning...er, Mark, isn't it?" he says, careful to keep his voice pleasant. Still, he glances meaningfully at the masculine arm still lining the back of Emma's seat, almost touching her. To his credit-and safety-Mark eases the offending limb back to his own desk, offering Emma a lazy smile full of strikingly white teeth. "You and Forza, huh? Did you clear that with his groupies?" She laughs and gently pries Galen's arms off her. Out of the corner of his eye, he sees the eruption of pink spreading like spilled paint over her face. She's not used to dating him yet. Until about ten minutes ago, he wasn't used to it either. Now though, with the way Mark eyes her like a tasty shellfish, playing the role of Emma's boyfriend feels all too natural. The bell rings, saving Emma from a reply and saving Mark thousands of dollars in hospital bills. Emma shoots Galen a withering look, which he deflects with that he hopes is an enchanting grin. He measures his success by the way her blush deepens but stops short when he notices the dark circles under her eyes. She didn't sleep last night. Not that he thought she would. She'd been quiet on the flight home from Destin two nights ago. He didn't pressure her to talk about it with him, mostly because he didn't know what to say once the conversation got started. So many times, he's started to assure her that he doesn't see her as an abomination, but it seems wrong to say it out loud. Like he's willfully disagreeing with the law. But how could those delicious-looking lips and those huge violet eyes be considered an abomination? What's even crazier is that not only does he not consider her an abomination, the fact that she could be a Half-Breed ignited a hope in him he's got no right to feel: Grom would never mate with a half human. At least, Galen doesn't think he would. He glances at Emma, whose silky eyelids don't even flutter in her state of light sleep. When he clears his throat, she startles. "Thank you," she mouths to him as she picks her pencil back up, using the eraser to trace the lines in her textbook as she reads. He acknowledges with a nod. He doesn't want to leave her like this, anxious and tense and out of place in her own beautiful skin.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Mott glanced back to nod a hello at me. He and Cregan couldn’t have been designed to look more different from each other. Mott was tall, dark-skinned, and nearly bald. What little hair he did have was black and shaved to his scalp. He was the one by the tavern who’d tripped me when I was trying to escape the butcher. In contrast, Cregan was short — not much taller than I was, and shorter than the tanned boy near me. He was surprisingly pale for a man who likely spent much of his day outdoors, and he had a thick crop of blond hair that he tied back at the nape of his neck. Mott was lean and muscular while Cregan looked softer than I knew him to be, judging by the way he’d clubbed me at the orphanage.
Jennifer A. Nielsen (The False Prince (The Ascendance Trilogy, #1))
Now Justin stood in our reading room, leaning up against the wall, arms crossed over his chest. He was tall, with a wiry athletic build. Usually, he was Mr. Ultra-Casual, with sun-kissed blond hair that he kept out of his eyes by pushing his sunglasses up on his forehead. Today, that messy blond hair was clean-cut, and he’d traded his typical board shorts and loose T-shirt for a striped shirt and khakis. His father, the mayor of Eastport, was running for re-election. Since the campaign started last month, Justin had become the mayor’s sixteen-year-old sidekick. I’d heard he was spending the summer working for his dad down at the town hall, which would explain the nice clothes. What sucked for me was that the new style fit him. He looked even better, the jerk. “I heard you and Tiffany got into a catfight over me at Yummy’s,” Justin announced with an overconfident grin that pissed me off. I slammed the door behind me. “First off, I dumped a soda over her head. That was it.” “Damn, a catfight sounded much hotter. I was picturing ripped shirts, exposed skin.” I rolled my eyes. “And second, it wasn’t over you, egomaniac. You can date every girl in town as far as I’m concerned. I hate you. I pray every night that you’ll fall victim to some strange and unusual castration accident.” I pointed to the door. “So get the hell out.” His lips twitched, fighting a smile. Ugh. I was going for “crazy ex filled with hate” not “isn’t she cute when she’s mad?” “Feel better after getting all that out?
Kim Harrington (Clarity (Clarity, #1))
turns out Jason’s mother is a knock-out. “Hello,” she says in a voice like a songbird. “You must be Murray McBride.” She puts her drink down, stands, and puts her hand out real polite-like. I take it and kiss the soft skin on top. Then I think of Jenny. I’m sure she’s having a good chuckle right about now, watching me flirt with a woman sixty years my junior. So’s the woman next to Jason’s mother, judging by the smile on her face. She stands to greet me too and her hair—with bright purple and blonde streaks—is cut short and spiky. But she’s got a nice smile, too, so I nod to her polite-like. “Ma’am,” I say to Jason’s mother. “You’ve got a wonderful boy here. I’m grateful to have a chance to spend some time with him.” “Well!” she says, and I wonder if she’s ever heard such things about Jason.
Joe Siple (The Five Wishes of Mr. Murray McBride)
In Dream Street there are many theatrical hotels, and rooming houses, and restaurants, and speaks, including Good Time Charley's Gingham Shoppe, and in the summer time the characters I mention sit on the stoops or lean against the railings along Dream Street, and the gab you hear sometimes sounds very dreamy indeed. In fact, it sometimes sounds very pipe-dreamy. Many actors, male and female, and especially vaudeville actors, live in the hotels and rooming houses, and vaudeville actors, both male and female, are great hands for sitting around dreaming out loud about how they will practically assassinate the public in the Palace if ever they get a chance. Furthermore, in Dream Street are always many hand-bookies and horse players, who sit on the church steps on the cool side of Dream Street in the summer and dream about big killings on the races, and there are also nearly always many fight managers, and sometimes fighters, hanging out in front of the restaurants, picking their teeth and dreaming about winning championships of the world, although up to this time no champion of the world has yet come out of Dream Street. In this street you see burlesque dolls, and hoofers, and guys who write songs, and saxophone players, and newsboys, and newspaper scribes, and taxi drivers, and blind guys, and midgets, and blondes with Pomeranian pooches, or maybe French poodles, and guys with whiskers, and night-club entertainers, and I do not know what all else. And all of these characters are interesting to look at, and some of them are very interesting to talk to, although if you listen to several I know long enough, you may get the idea that they are somewhat daffy, especially the horse players.
Damon Runyon (The Short Stories of Damon Runyon - Volume I - The Bloodhounds of Broadway)
Before I knew anything about church, I'd assumed that most Christians spoke the same language, shared a sense of fellowship, and beyond minor differences had a faith in common that could transcend political boundaries. But if I had imagined that, initiated as a Christian, I was going to achieve some kind of easy bond with other believers, that fantasy was soon shot. Just a few months after I began going to St. Gregory's, I found myself at a restaurant counter in the Denver airport, waiting for a flight home from a reporting trip. A woman—perhaps noticing the silver crucifix I had recently and self-consciously started to wear around my neck—caught my eye and smiled as she took the stool next to me. She had short blond hair and a cross of her own, and was wearing some kind of sexless denim jumper that reeked of piety. I smiled back, and we exchanged small talk about the weather and flight delays, and then she asked me what I was reading. I showed her the little volume of psalms that I'd borrowed from Rick Fabian. “From my church,” I said proudly. “What church is that?” the woman asked. She leaned forward, in a friendly way. “Saint Gregory of Nyssa Episcopal Church, in San Francisco,” I said, as her face rearranged itself, froze, and closed. It may have been the “San Francisco,” I realized later, but the city's name was a reasonable stand-in, by that point, for everything conservative Christians had come to hate about the Episcopal Church as a whole: homosexuality; wealth; feminism; and morally relativist, decadent, rudderless liberalism. The church I'd unknowingly landed in turned out to be a scandal, a dirty joke at airport restaurants, a sign—in fact, thank God, a sure bet—that I was going to eat with sinners.
Sara Miles (Take This Bread: A Radical Conversion)
In the year 2000, it was standard practice for the successful chief executive officer of a corporation to shuck his wife of two to three decades’ standing for the simple reason that her subcutaneous packing was deteriorating, her shoulders and upper back were thickening like a shot-putter’s—in short, she was no longer sexy. Once he set up the old wife in a needlepoint shop where she could sell yarn to her friends, he was free to take on a new wife, a “trophy wife,” preferably a woman in her twenties, and preferably blond, as in an expression from that time, a “lemon tart.” What was the downside? Was the new couple considered radioactive socially? Did people talk sotto voce, behind the hand, when the tainted pair came by? Not for a moment. All that happened was that everybody got on the cell phone or the Internet and rang up or E-mailed one another to find out the spelling of the new wife’s first name, because it was always some name like Serena and nobody was sure how to spell it.
Tom Wolfe (Hooking Up (Ceramic Transactions Book 104))
Jean Kurek looked a bit like a field mouse herself, with her close-cut gray hair, in her shapeless gray dress—no zippers, no buttons. Stroke clothes. Her appearance was no more or less distinguished than it had been all her sixty-eight years, the most likely description of her a string of negatives. Not really tall or short, you wouldn’t say she’s heavy but she isn’t particularly thin, not ugly, not at all, but not pretty either, her hair is that color that isn’t blond or brown. Arguably, her most striking feature was the absence of any striking feature—though her hair had finally claimed a color, gray. She’d certainly never been considered beautiful, not by anyone other than Cliff, who had been adamant on the point for over forty years; but if she’d ever yearned for greater consensus, that yearning had been tempered by her knowledge of how she would loathe the attention it would bring. Jean had spent a lifetime trying to be inconspicuous, appreciating that nature had given her a head start.
Robin Black (If I Loved You, I Would Tell You This)
We entered the grove, and a few yards in, the trees opened to another clearing. In the center was a Sunbeam bread truck, the tires missing, mounted on cinder blocks. It had to have been from the 50s. Little Miss Sunbeam, blond curls framing her face, looking down from the side of the truck with one blue eye. The other missing, replaced by a large spot of rust. Innocent and poised, forever taking a bite out of a piece of buttered white bread. The slogan above her head, Reach for Sunbeam! ENERGY-PACKED! Under Miss Sunbeam the truck was lined and stacked head high with crosses of all sizes, the artificial flowers attached to them faded by the sun. I realized they were roadside crosses, many I recognized that were placed at accident scenes along Death Road and disappeared shortly after. An eighteen-foot four-by-four utility pole and meter leaned dangerously inward toward the truck, anchored by nothing but mud and rocks after the rain. A deep cast iron pot sat a few feet in front of the truck surrounded by ashes, bits of charred wood and odd shaped tree stumps.
Jan Fink (Tales from a Strange Southern Lady)
Kat Godwin, Kipps’s right-hand operative, was a Listener like me, but that was about all we had in common. She was blonde, slim and pouty, which would have given me three good reasons to dislike her even if she’d been a sweet lass who spent her free time tending poorly hedgehogs. In fact she was flintily ambitious and cool-natured, and had less capacity for humour than a terrapin. Jokes made her irritable, as if she sensed something going on around her that she couldn’t understand. She was good-looking, though her jaw was a bit too sharp. If she’d repeatedly fallen over while crossing soft ground, you could have sewn a crop of beans in the chin-holes she left behind. The back of her hair was cut short, but the front hung angled across her brow in the manner of a horse’s flick. Her grey Fittes jacket, skirt and leggings were always spotless, which made me doubt she’d ever had to climb up inside a chimney to escape a Spectre, or battle a Poltergeist in the Bridewell sewers (officially the Worst Job Ever), as I had. Annoyingly, I always seemed to meet her after precisely that kind of incident. Like now
Jonathan Stroud (The Whispering Skull (Lockwood & Co., #2))
Yeah,” Steiner said. “Anyway, it looks to me like the building’s out of perspective—it’s too big where it is.” The old man nodded. “But it’s a necessary cheat. Otherwise nothing would show but the roof. As for the fallen pillar and statue, forget them—they wouldn’t be visible at all.” She didn’t care about the background; all of her attention was fixed upon the painting’s central figure. At the top of the hill, turned to look down at the ruins of the temple so anyone viewing the picture could only see her back, was a woman. Her hair was blonde, and hung down her back in a plait. Around one of her shapely upper arms—the right—was a broad circle of gold. Her left hand was raised, and although you couldn’t see for sure, it looked as if she was shading her eyes. It was odd, given the thundery, sunless sky, but that was what she appeared to be doing, just the same. She was wearing a short dress—a toga, Rosie supposed—which left one creamy shoulder bare. The garment’s color was a vibrant red-purple. It was impossible to tell what, if anything, she was wearing on her feet; the grass that she was standing in came almost up to her knees, where the toga ended.
Stephen King (Rose Madder)
It is said there are only two stories—a man goes on a journey, or a stranger comes to town; they are both here in mine. I took a journey, and Carolyn came to town. We were at Sea Song. I was washing dishes, Anthony was running on the beach, and John was reading the paper when she walked out of the bedroom, blonde and ten stories high, in a white cotton nightgown with eyelet trim. She walked across the living room and put a hand on my shoulder. She seemed to know me. “Hi, I’m Carolyn. You must be Carole. I forgot a toothbrush. Do you have one I can use?” Her eyes were as big as quarters and blue like a swimming pool and she spoke softly, almost whispering. I thought later, she didn’t want to scare me away. I was wearing red-denim shorts and a white T-shirt tucked in. I remember this because she teased me about it for years. “You should have seen Carole when I met her, this sweet little thing, with her belted shorts and tucked-in shirt.” She told anyone who would listen. We had a story, like an old couple, about how we met, and she loved this part. “What was wrong with wearing a belt?” “Lamb, no one was wearing belted shorts, and red! I thought, ‘Oh, my God, who is this little one?’ ” She made me believe I was captivating
Carole Radziwill (What Remains: A Memoir of Fate, Friendship, and Love)
Have you met my new dancer?" The girl approached and he was able to dink in the sigh of her with a slackened jaw. Her short, icy-blonde hair wisped around her face, drawing him in to her deep brown eyes. Her brows had a strong arch to them that made her look as though she was either intrigued or annoyed. Beau didn't care so long as she was looking at him. He liked his lips absently, letting his gaze sweep over her face for a moment more. He couldn't stop his brain from picturing her smearing the shimmering pink gloss from her perfect mouth all over his body. Leaving her mark. He cursed in his thoughts again. Who the hell was this girl and what was she doing to him? He cleared his throat and extended his hand toward her coolly. "Beau Harris, nice to meet you," he said. The corner of the young woman's mouth twitched and she took his hand before her eyes darted to Vanessa. "Beau!" Vanessa barked. He glanced at her and reluctantly dropped the dancer's hand. He looked between the two woman for a moment and tried to keep his gaze up and off the stranger's tight, tanned stomach. "What?" He bit back. Vanessa huffed and a cackled cracked out of her throat. "You losing eyesight in your old age? That's Whitney. My little sister," she said, drawing out her words out like he was an idiot.
Kate Roth
From what Harper tells me, you were very brave. I will find the person who did this, okay? They’ll never bother you again. I just need you to tell me whatever you remember about him so that I can find him.” Heidi’s little button nose wrinkled. “Well —” “What did he look like?” Martina interrupted. “Tall? Short?” “He was tall,” said Robbie. “He had broad shoulders.” Heidi nodded. “He —” “What about his hair?” said Martina. “Blond? Red? Brown? Black?” Heidi opened her mouth to answer, but Robbie beat her to it. “He had a buzzcut.” “Did he tell you his name?” Knox asked Heidi. “Yes,” she replied. “He said it was —” “He won’t have given her his real name,” Robbie scoffed. “He could be anyone. I’ve never seen him before.” Heidi did a cute little growl. “Will someone please let me talk? Jeez.” Harper bit her lip, stifling a smile. “They don’t mean to talk over you, Heidi-ho, they’re just anxious. Now what is it you’d like to say?” “He said his name was Dean. I don’t know if it’s true. Check.” She pulled a brown leather wallet out of her pocket and handed it to Knox. Jolene framed her face with her hands, smiling. “You fabulous little girl!” Levi grinned and tugged on one of her ringlets. “You told him he was really tall in that shaky voice to make him bend down so you could rob him, didn’t you?” She grinned back at him. “Uh-huh.
Suzanne Wright (Ashes (Dark in You, #3))
There’s an unexpected lull in the traffic about two-thirds of the way to Darmstadt, and I make the mistake of breathing a sigh of relief. The respite is short-lived. One moment I’m driving along a seemingly empty road, bouncing from side to side on the Smart’s town-car suspension as the hairdryersized engine howls its guts out beneath my buttocks, and the next instant the dashboard in front of me lights up like a flashbulb. I twitch spasmodically, jerking my head up so hard I nearly dent the thin plastic roof. Behind me the eyes of Hell are open, two blinding beacons like the landing lights on an off-course 747. Whoever they are, they’re standing on their brakes so hard they must be smoking. There’s a roar, and then a squat, red Audi sports coupe pulls out and squeezes past my flank close enough to touch, its blonde female driver gesticulating angrily at me. At least I think she’s blonde and female. It’s hard to tell because everything is gray, my heart is trying to exit through my rib cage, and I’m frantically wrestling with the steering wheel to keep the roller skate from toppling over. A fraction of a second later she’s gone, pulling back into the slow lane ahead of me to light off her afterburners. I swear I see red sparks shooting out of her two huge exhaust tubes as she vanishes into the distance, taking about ten years of my life with her.
Charles Stross (The Jennifer Morgue (Laundry Files, #2))
The girls seemed unconcerned and went about their days, each as lovely in their own way as the flowers they tended. Sorrel's black hair became streaked with premature white, which gave her an exotic air, although the elegance was somewhat ruined by the muddy jeans and shorts she practically lived in. Nettie, on the other hand, had a head of baby-fine blonde hair that she wore short, thinking, wrongly, that it would look less childlike. Nettie wouldn't dream of being caught in dirty jeans and was always crisply turned out in khaki capris or a skirt and a white shirt. She considered her legs to be her finest feature. She was not wrong. Patience was the sole Sparrow redhead, although her hair had deepened from its childhood ginger and was now closer to the color of a chestnut. It was heavy and glossy as a horse's mane, and she paid absolutely no attention to it or to much else about her appearance, nor did she have to. In the summer her wide-legged linen trousers and cut-off shorts were speckled with dirt and greenery, her camisoles tatty and damp. The broad-brimmed hat she wore to pick was most often dangling from a cord down her back. As a result, the freckles that feathered across her shoulders and chest were the color of caramel and resistant to her own buttermilk lotion (Nettie smoothed it on Patience whenever she could make her stand still). When it was terribly hot, Patience wore the sundresses she'd found packed away in the attic. She knew they were her mother's, and she liked to imagine how happy Honor had been in them.
Ellen Herrick (The Sparrow Sisters)
Delbert was the only Bumpus kid in my grade, but they infested Warren G. Harding like termites in an outhouse. There was Ima Jean, short and muscular, who was in the sixth grade, when she showed up, but spent most of her time hanging around the poolroom. There was a lanky, blue-jowled customer they called Jamie, who ran the still and was the only one who ever wore shoes. He and his brother Ace, who wore a brown fedora and blue work shirts, sat on the front steps at home on the Fourth of July, sucking at a jug and pretending to light sticks of dynamite with their cigars when little old ladies walked by. There were also several red-faced girls who spent most of their time dumping dishwater out of windows. Babies of various sizes and sexes crawled about the back yard, fraternizing indiscriminately with the livestock. They all wore limp, battleship-gray T-shirts and nothing else. They cried day and night. We thought that was all of them—until one day a truck stopped in front of the house and out stepped a girl who made Daisy Mae look like Little Orphan Annie. My father was sprinkling the lawn at the time; he wound up watering the windows. Ace and Emil came running out onto the porch, whooping and hollering. The girl carried a cardboard suitcase—in which she must have kept all her underwear, if she owned any—and wore her blonde hair piled high on her head; it gleamed in the midday sun. Her short muslin dress strained and bulged. The truck roared off. Ace rushed out to greet her, bellowing over his shoulder as he ran: “MAH GAWD! HEY, MAW, IT’S CASSIE! SHE’S HOME FROM THE REFORMATORY!” Emil
Jean Shepherd (A Christmas Story: The Book That Inspired the Hilarious Classic Film)
Legs? Check. I am five foot seven, after all. They’re slender but not too skinny. I run every morning, so my legs have always been slightly muscled, but in a feminine way — at least I hope they look feminine; bulky is not a word I’d want someone to use. I think the not too short, but short enough to still be very stylish, pleated and thickly cuffed navy blue shorts show my legs off nicely. My cork and white wedges with a cute little bow at each ankle are the perfect finishing touch. A simple dove-gray ribbed tank completes the outfit and hugs my curves. Maybe there is something to Mel’s theory after all.  My golden-blonde hair is sun-kissed in the summer, and its soft waves cascade to the middle of my back. I usually have it up, but tonight Melanie insisted that I leave it down and wavy. I let her play Barbie, and I can’t say I hate it. The real show-stopper, though, is my eyes. They’re a bright, vibrant green. They look almost fake, but as I lean into the mirror to get a closer look, I catch small little flecks of gold around the outside that I know no contact lens could replicate. I have always loved my eyes. I have my mother’s eyes. I’ve seen them in the few pictures I have from my childhood. Even if my eyes were the murkiest, dingiest, dullest brown, I still would have loved them, as long as they were my mother’s. It’s really the only thing I have left of her.  I gave in on the hair and let Melanie have a field day, but I insisted on keeping my makeup simple — a soft pale pink blush, clear lip gloss, and a light dusting of gold eye shadow is all I need. A quick swipe of some mascara, and the look is complete.
Melissa Collins (Let Love In (Love, #1))
I turned and there he stood, wearing a loose T-shirt and sweatpants. A modest shapechanger, how refreshing. You wouldn’t even know that he had changed, save for the glistening sheen of dampness on his skin. He looked me over slowly, judging, taking my measure. I could blush demurely or I could do the same to him. I chose not to blush. A couple of inches taller than me, the Beast Lord gave an impression of coiled power. Easy, balanced stance. Blond hair, cut too short to grab. At first glance he looked to be in his early to mid-twenties, but his build betrayed him. His shoulders strained his T-shirt. His back was broad and corded with muscle, showing the power and strength a man developed in his early thirties. “What kind of a woman greets the Beast Lord with ‘here, kitty, kitty’?” he asked. “One of a kind.” I murmured the obvious reply. Eventually I had to look him in the eye. Better sooner than later. The Beast Lord had a strong square jaw. His nose was narrow with a misshapen bridge, as though it had been broken more than once and hadn’t healed right. Considering the regenerative powers of the shapechangers, someone must’ve pounded his face with a sledgehammer. Our stares met. Little golden sparks danced in his gray eyes. His gaze made me want to bow my head and look away. He regarded me as if I was an interesting new snack. “I’m the lord of the Free Beasts,” he said. “I figured.” Perhaps he expected me to curtsy. He leaned forward a little, puzzling over me as if I were an odd-looking insect. “Why would a knight-protector hire a no-name merc to investigate the death of his diviner?” I gave him my best cryptic smile.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, ‘Goodbye, Daddy!’ and I frowned, and said in reply, ‘Hold your shoulders back!’ Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive – and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. ‘What is it you want?’ I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding – this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: ‘He is nothing but a boy – a little boy!’ I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much. Instead of condemning people, let’s try to understand them. Let’s try to figure out why they do what they do. That’s a lot more profitable and intriguing than criticism; and it breeds sympathy, tolerance and kindness. ‘To know all is to forgive all.
Dale Carnegie (How to Win Friends and Influence People)
She sits with shoulders slumped, staring at the wall, waiting for an answer, waiting to feel some joy. She's holding her breath without knowing it, listening to her body like a pregnant woman, listening, bending down deep into herself. But nothing stirs, everything is silent and empty like a forest when no birds are singing. She tries harder, this twenty-eight-year-old woman, to remember what it is to be happy, and with alarm she realizes that she no longer knows, that it's like a foreign language she learned in childhood but has now forgotten, remembering only that she knew it once. When was the last time I was happy? She thinks hard, and two little lines are etched in her bowed forehead. Gradually it comes to her: an image as though from a dim mirror, a thin-legged blond girl, her schoolbag swinging above her short cotton skirt. A dozen other girls are swirling about her: it's a game of rounders in a park in suburban Vienna. A surge of laughter, a bright trill of high spirits following the ball into the air, now she remembers how light, how free that laughter felt, it was never far away, it tickled under her skin, it swirled through her blood; one shake and it would spill out over her lips, it was so free, almost too free: on the school bench you had to hug yourself and bite your lip to keep from laughing at some funny remark or silliness in French class. Any little thing would set off waves of that effervescent girlish laughter. A teacher who stammered, a funny face in the mirror, a cat chasing its tail, a look from an officer on the street, any little thing, any tiny, senseless bit of nonsense, you were so full of laughter that anything could bring it out. It was always there and ready to erupt, that free, tomboyish laughter, and even when she was asleep, its high-spirited arabesque was traced on her young mouth.
Stefan Zweig (The Post-Office Girl)
There was a man in the garden with the little girl. He was turning over the soil in a garden bed. He had obviously heard the car, because he raised his hand in greeting, but then he had gone back to his work. He had actually turned his back on the car. Tina thought she knew what that meant. The man had not wanted to see Pete the policeman. Maybe he thought Pete was bringing bad news. Tina smiled. Here was good news. Finally, here was good news for this family. The man dug the garden fork into the soil with a little bit of effort. He was deliberately not looking at Pete. The little girl walked down the driveway towards them. Pete said quietly, ‘No real way to prepare them. You go ahead, Lockie.’ Lockie squeezed Tina’s hand. ‘Go on, Lockie, it’s your dad. He’s been looking for you for a long time. Go on.’ She pulled her hand slowly out of Lockie’s grip. She wanted to save him from his fear, but she had saved him once. Lockie would have to do this by himself. The little girl who was surely Sammy looked back at her father, but he was still concentrating on his work. She smiled in Pete’s direction and then she focused on Lockie. She stared at him, as if trying to work out exactly who he was. Lockie pushed his hood back, exposing his short blond hair. He stood, and Tina could sense him holding his breath, waiting for his sister to see him. To really see him. Sammy stared hard at Lockie now, frowning. And then Tina saw recognition light up her face. She looked at her father who had still not looked up. She looked back at Lockie. She started jumping up and down. ‘Lockie!’ she screamed. ‘Lockie, Lockie, Lockie!’ Lockie smiled.The man jerked upright and dropped the garden fork. ‘Stop that, Samantha,’ he whispered angrily. ‘Jesus, stop that! Be quiet. Stop that.’ ‘Lockie, Lockie, Lockie!’ The little girl flew down the driveway and launched herself at her brother, who went, ‘Oof,’ but he steadied himself and wrapped his arms around her. ‘Lockie, Lockie, Lockie,’ she repeated, as if to make the moment real for herself. The man stood and stared at his children, still without realising that he was indeed looking at both his children. He started walking down the driveway. He began with an angry quick stride but the closer he got the more unsure his steps became. He was a big man in charge of a big farm but his steps became small and faltering. Tina could see the disbelief spreading across his face. Sammy let go of Lockie and took his hand. She started pulling him up the driveway. ‘It’s Lockie, Dad. Look, it’s Lockie, come look, Dad, Lockie’s home. He’s home, Dad. I knew he home. He’s home, Dad. I knew he would come home. I told you, Dad. Look its Lockie. Lockie, Lockie, Lockie’s home. Lockie’s home.’ The man stopped a few feet away from Lockie. His mouth was open. He moved it once or twice, but no words came out, and then came a sound that Tina had never heard before. It was a moaning, keening sound, but rough with the depth of his voice. It was four months of agony and the ecstasy of this moment all rolled into one. It was his heart right out there in the open for everyone to see. He opened his arms and dropped to his knees. Lockie let go of Sammy’s hand and continued alone up the driveway towards his father. He was twisting his hands and pulling at his jumper. He walked into his father’s arms and was completely surrounded by the large man. ‘I’m sorry, Dad,’ he said. ‘I’m sorry, Dad, I’m sorry.’ At the bottom of the driveway Tina watched Lockie and his father. Lockie’s voice was muffled by his father’s arms, but Tina could still hear him repeating, ‘I’m sorry.’ Say it, Tina begged the man silently. Please, please, just say it. ‘Oh, Lockie,’ said the man through his tears, his large shoulders heaving. ‘It wasn’t your fault. It wasn’t your fault. I’m sorry, Lockie. I’m sorry. I’ve been looking for you, Lockie. Where did you go, mate? Where did you go?
Nicole Trope (The Boy Under the Table)
Do you remember that I said I have something to show you?" Back when they were entering the house. Before she'd seen Hugh. Before their argument. "Yes?" He pushed open the door to her bedroom. "Look." She went inside and saw Valente sitting on the floor in front of her fireplace with a basket. He had a silly grin on his face. She glanced over her shoulder to Raphael. "What-?" Her husband tilted his chin toward Valente and the basket. "Go and see." At the same time she heard an animal whimper. Her lips parted and she picked up her skirts to hurry to the basket. It was lined with a soft blanket and inside was the sweetest little blond puppy, looking very sorry for itself. Iris stared, torn. Did Raphael think a 'puppy' would be an adequate substitution for him? The moment the puppy saw her it began whimpering and yipping, trying to climb from its wicker prison, but its legs were too short to make the attempt and it ended by falling backward, revealing that it was female. It was hardly the puppy's fault that she was angry with Raphael. "Oh," Iris breathed, sinking to her knees on the carpet opposite Valente. "She's perfect." Somehow the words made tears start in her eyes again. She picked up the puppy, which wriggled in Iris's hands until she held the small animal against her chest. The puppy promptly began licking Iris's chin with a tiny pink tongue. Iris looked up at Raphael through her tears. "What is her name?" He shook his head. "She has none that I know of. You must give her one." Iris stood, cradling the still-squirming puppy carefully, and went to her husband. "Thank you." She stood on tiptoe and kissed him on the lips, trying to convey all she'd said before. All he'd pushed aside. 'Stay. Stay. Stay.' Raphael took her arms gently and kissed her, angling his face over hers. He embraced her as if she were a lifeline. As if he wished to remain with her forever. The puppy yelped and he took a step back, breaking the kiss. Drawing away from her without effort. He walked out of the bedroom. Iris closed her eyes to keep her sorrow and tears in. She kissed the top of the puppy's silky head and whispered in her ear, "Tansy.
Elizabeth Hoyt (Duke of Desire (Maiden Lane, #12))
Just above Tommy’s face were the Maiden and the Troll, two of his oldest wall people. The troll lived in a cave deep in the woods. He was big (Tommy knew the troll was even bigger than his daddy, and if the troll told his daddy to sit down and shut up, he would in a second), and he looked scary, with his little eyes and crooked teeth like fangs, but he had a secret. The secret was that he wasn’t scary at all. He liked to read, and play chess by mail with a gnome from over by the closet wall, and he never killed anything. The troll was a good troll, but everyone judged him by his looks. And that, Tommy knew, was a mean thing to do, though everyone did it. The maiden was very beautiful. Even more beautiful than Tommy’s mommy. She had long blonde hair that fell in heavy curls to her waist, and big blue eyes, and she always smiled even though her family was poor. She came into the woods near the troll’s cave to get water from a spring, for her family. The spring bubbled out of Tommy’s wall right next to where his hand lay when he was asleep. Sometimes she only came and filled her jug and left. But other times she would sit awhile, and sing songs of love lost, and sailing ships, and the kings and queens of Elfland. And the troll, so hideous and so kind, would listen to her soft voice from the shadows just inside the entrance of his cave, which sat just below the shelf where Tommy kept his favorite toys and books. Tommy felt bad for the troll. He loved the maiden who came to his spring, but she would never love him. He knew from listening to his parents and the stuff they watched on television when he was supposed to be asleep that beautiful people didn’t love ugly people. Ugly people were either to laugh at or to be frightened of. That was how the whole world worked. Tommy rolled over on his side, just a small seven year old boy in tan cargo shorts and a plain white T-shirt. He let his eyes drift over the bedroom wall, which was lumpy in some places and just gone in others. There was a part of the wall down near the floor where he could see the yellow light of the naked bulb down in the basement, and sometimes he wondered what might live down there. Nothing good, of that he was sure.
Michael Kanuckel (Small Matters)
Now Janie ordered a drink and glanced at the bar menu, choosing the goat curry because she'd never had it before. "You sure about that?" the barman said. He was a boy, really, no more than twenty, with a slim body and huge, laughing eyes. "It's spicy." "I can take it," she said, smiling at him, wondering if she might pull an adventure out of her hat on her next-to-last night, and what it would be like to touch another body again. But the boy simply nodded and brought her the dish a short time later, not even watching to see how she fared with it. The goat curry roared in her mouth. "I'm impressed. I don't think I could eat that stuff," remarked the man sitting two seats down from her. He was somewhere in the midst of middle age, a bust of a man, all chest and shoulders, with a ring of blond, bristling hair circling his head like the laurels of Julius Caesar and a boxer's nose beneath bold, undefeated eyes. He was the only other guest that wasn't with the wedding party. She'd seen him around the hotel and on the beach and had been uninspired by his business magazines, his wedding ring. She nodded back at him and took an especially large spoonful of curry, feeling the heat oozing from every pore. "Is it good?" "It is, actually," she admitted, "in a crazy, burn-your-mouth-out kind of way." She took a sip of the rum and Coke she'd ordered; it was cold and startling after all that fire. "Yeah?" He looked from her plate to her face. The tops of his cheeks and his head were bright pink, as if he'd flown right up to the sun and gotten away with it. "Mind if I have a taste?" She stared at him, a bit nonplussed, and shrugged. What the hell. "Be my guest." He moved quickly over to the seat next to hers. He picked up her spoon and she watched as it hovered over her plate and then dove down and scooped a mouthful of her curry, depositing between his lips. "Jee-sus," he said. He downed a glass of water. "Jee-sus Christ." But he was laughing as he said it, and his brown eyes were admiring her frankly over the rim of his water glass. He'd probably noticed her smiling at the bar boy and decided she was up for something. But was she? She looked at him and saw it all instantaneously: the interest in his eyes, the smooth, easy way he moved his left hand slightly behind the roti basket, temporarily obscuring the finger with the wedding ring.
Sharon Guskin (The Forgetting Time)
Engine room fire alarm’?” Rusty said. There was a moment of confusion before it kicked in. “ENGINE ROOM FIRE ALARM?” * * * “What the hell is that sound?” Harvey Tharpe said, rubbing his eyes as he opened the cabin door. Being on this yacht was better than being on the lifeboat but not much. They were packed in like sardines. There was food but being woken up in the middle of the night by a blaring “Squeee! Squeee! ” was not his idea of fun. The former businessman had been “robust” before being cast adrift on a lifeboat in a zombie apocalypse. He still had his height and some solidity. So he was more than a bit surprised when the short, blonde skipper of the boat, wearing not much more than a camisole and panties smashed him out of the way like an NFL linebacker on her way aft. “MOVE PEOPLE!” the boat captain shouted, continuing to hammer her way through the crowd of refugees. * * * “Fuck a freaking duck,” Sophia said, opening the door to the engine compartment. The smoke wasn’t so bad she needed a respirator but it was bad. And they were dead in the water. All the power except the shrieking alarm was out. She threw the main battery disconnect, then picked up one of the industrial fire extinguishers and played it over the exterior of the main breakers which were the source of the fire. “Skipper?” Paula said, picking another one up. “We need to get it open before we use them all up,” Sophia said, putting her hand on the extinguisher. “Get Rusty to get all the passengers up, out and on the sundeck.” She slid one hand into a rubber glove and popped open the main breaker panel. The whole thing was smoldering so she played the rest of the fire extinguisher over it until it was cold. A tick checker showed that the whole thing was electrically cold as well. Now if only the batteries hadn’t discharged their whole load into the panel and killed themselves as well. “What can I do, Skipper?” Patrick said groggily. The “engineer” was wearing not much more than the skipper. “Get a hand-held,” Sophia said. “See if there’s a sub in range. Tell them we had a major electrical fire. Fire is under control. No power at this time. May be repairable but we may need assistance. Don’t at this time but may. Got it? Do not call mayday or PON-PON. Do not.” “Got it, Skipper,” Patrick said. “And get these people the HELL OUT OF MY ENGINE COMPARTENT!
John Ringo (To Sail a Darkling Sea (Black Tide Rising, #2))
Thomas (his middle name) is a fifth-grader at the highly competitive P.S. 334, the Anderson School on West 84th in New York City. Slim as they get, Thomas recently had his long sandy-blond hair cut short to look like the new James Bond (he took a photo of Daniel Craig to the barber). Unlike Bond, he prefers a uniform of cargo pants and a T-shirt emblazoned with a photo of one of his heroes: Frank Zappa. Thomas hangs out with five friends from the Anderson School. They are “the smart kids.” Thomas is one of them, and he likes belonging. Since Thomas could walk, he has constantly heard that he’s smart. Not just from his parents but from any adult who has come in contact with this precocious child. When he applied to Anderson for kindergarten, his intelligence was statistically confirmed. The school is reserved for the top 1 percent of all applicants, and an IQ test is required. Thomas didn’t just score in the top 1 percent. He scored in the top 1 percent of the top 1 percent. But as Thomas has progressed through school, this self-awareness that he’s smart hasn’t always translated into fearless confidence when attacking his schoolwork. In fact, Thomas’s father noticed just the opposite. “Thomas didn’t want to try things he wouldn’t be successful at,” his father says. “Some things came very quickly to him, but when they didn’t, he gave up almost immediately, concluding, ‘I’m not good at this.’ ” With no more than a glance, Thomas was dividing the world into two—things he was naturally good at and things he wasn’t. For instance, in the early grades, Thomas wasn’t very good at spelling, so he simply demurred from spelling out loud. When Thomas took his first look at fractions, he balked. The biggest hurdle came in third grade. He was supposed to learn cursive penmanship, but he wouldn’t even try for weeks. By then, his teacher was demanding homework be completed in cursive. Rather than play catch-up on his penmanship, Thomas refused outright. Thomas’s father tried to reason with him. “Look, just because you’re smart doesn’t mean you don’t have to put out some effort.” (Eventually, Thomas mastered cursive, but not without a lot of cajoling from his father.) Why does this child, who is measurably at the very top of the charts, lack confidence about his ability to tackle routine school challenges? Thomas is not alone. For a few decades, it’s been noted that a large percentage of all gifted students (those who score in the top 10 percent on aptitude tests) severely underestimate their own abilities. Those afflicted with this lack of perceived competence adopt lower standards for success and expect less of themselves. They underrate the importance of effort, and they overrate how much help they need from a parent.
Po Bronson (NurtureShock: New Thinking About Children)
Lark wrapped an arm around me and started to speak until Bailey’s startled voice interrupted us. A huge football player had her pinned against the wall and she was yelling for him to back off. Instead, he crowded her more while playing with her blonde hair. “Hey!” I yelled as Lark and I rushed over. Six four and wide shouldered, the guy was wasted and angry at the interruption. “Fuck off, bitches,” he muttered. Bailey clawed at his neck, but he had her pinned in a weird way, so she couldn’t get any leverage. While I was ready to jump on him in a weak attempt to save my friend, someone shoved the football player off Bailey. I hadn’t even seen the guy appear, but he stood between Bailey and the pissed jerk. “Fuck off, man,” the asshole said. “She’s mine.” “Nick,” Bailey mumbled, looking ready to cry. “He humped my leg. Crush his skull, will ya?” Nick frowned at Bailey who was leaning on him now. The football player was an inch or two bigger than Nick and outweighed him by probably fifty pounds. Feeling the fight would be short, the asshole reached for Bailey’s arm and Nick nailed the guy in the face. To my shock, the giant asshole collapsed on the ground. “My hero,” Bailey said, looking ready to puke. She caressed Nick’s biceps and asked, “Do you work out?” Running his hands through his dark wavy hair, Nick laughed. “You’re so wasted.” “And you’re like the Energizer Bunny,” she cooed. “My bro said you took a punch, yet kept on ticking.” Nick started to speak then heard the asshole’s friends riled up. I was too drunk to know if everything happened really quickly or if my brain just took awhile to catch up. The guys rushed Nick who dodged most of them and hit another. The room emptied out except for Nick, the guys, and us. I grabbed a beer bottle and threw it at one of the guys shoving Nick. When the bottle hit him in the back, the bastard glared at me. “You want to fight, bitch?” “Leave her alone,” Nick said, kicking one guy into the jerk looking to hit me. As impressive as Nick was against six guys, he was just one guy against six. A losing bet, he took a shot to the face then the gut. Lark grabbed a folding chair and went WWE on one guy. I was tossing beers in the roundabout direction of the other guys. Yet, Bailey was the one who ended the fight by pulling out a gun. “Back the fuck off or I’ll burn this motherfucking house to the ground!” she screamed then fired at a lamp. Everyone stopped and stared at her. When she noticed me wide-eyed, Bailey frowned. “Too much?” Grinning, I followed Lark to the door. Nick followed us while the assholes seemed ready to piss themselves. Well, except for an idiot who looked ready to go for Bailey’s gun. "Dude,” Nick muttered, “that’s Bailey Fucking Johansson. Unless you want to end up in a shallow grave, back the fuck off.” “What he said!” Bailey yelled, waving her gun around before I hurried her out of the door. The cold air sobered up Bailey enough for her to return the gun to her purse. She was still drunk enough to laugh hysterically as we reached the SUV. “Did you see me kill that lamp?” “You did good,” I said, groggy as my adrenaline shifted to nausea and the alcohol threatened to come back up on me. Nick walked us to the SUV. “Next time, you might want to wave the gun around before you get drunk and dance.” “Don’t tell me what to do,” Bailey growled, crawling into the backseat. Then, realizing he saved her, she crawled back to face him. “You were so brave. I should totally get you off as a thank you." “Maybe another time,” he said, laughing as she batted her eyes at him. “Are you guys safe to drive?” Lark nodded. “I’m sober enough to remember everything tomorrow. Trust me that there’ll be mocking.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
The opponent seemed to shift slightly in the seat. His index finger tapped a card, just a couple strokes. There it was the card that ruined his hand. Her hazel eyes release the player across from her to steal a glance registering the emotion of observers around the table then to her best friend. Sophie looks like a Nervous Nelly-she, always worries. She knows the girl will put too much emphasis on a lost hand. The striking man with his lusty brown eyes tries to draw Sophie closer. Now that he has folded and left the game, he is unnecessary, and the seasoned flirt easily escapes his reach. He leaves with a scowl; Sophie turns and issues knowing wink. Ell’s focus is now unfettered, freeing her again to bring down the last player. When she wins this hand, she will smile sweetly, thank the boys for their indulgence, and walk away $700 ahead. The men never suspected her; she’s no high roller. She realizes she and Sophie will have to stay just a bit. Mill around and pay homage to the boy’s egos. The real trick will be leaving this joint alone without one of them trying to tag along. Her opponent is taking his time; he is still undecided as to what card to keep—tap, tap. He may not know, but she has an idea which one he will choose. He attempts to appear nonchalant, but she knows she has him cornered. She makes a quick glance for Mr. Lusty Brown-eyes; he has found a new dame who is much more receptive than Sophie had been. Good, that small problem resolved itself for them. She returns her focuses on the cards once more and notes, her opponent’s eyes have dilated a bit. She has him, but she cannot let the gathering of onlookers know. She wants them to believe this was just a lucky night for a pretty girl. Her mirth finds her eyes as she accepts his bid. From a back table, there is a ruckus indicating the crowd’s appreciation of a well-played game as it ends. Reggie knew a table was freeing up, and just in time, he did not want to waste this evening on the painted and perfumed blonde dish vying for his attention. He glances the way of the table that slowly broke up. He recognizes most of the players and searches out the winner amongst them. He likes to take on the victor, and through the crowd, he catches a glimpse of his goal, surprised that he had not noticed her before. The women who frequent the back poker rooms in speakeasies all dress to compete – loud colors, low bodices, jewelry which flashes in the low light. This dame faded into the backdrop nicely, wearing a deep gray understated yet flirty gown. The minx deliberately blended into the room filled with dark men’s suits. He chuckles, thinking she is just as unassuming as can be playing the room as she just played those patsies at the table. He bet she had sat down all wide-eyed with some story about how she always wanted to play cards. He imagined she offered up a stake that wouldn’t be large but at the same time, substantial enough. Gauging her demeanor, she would have been bold enough to have the money tucked in her bodice. Those boys would be eager after she teased them by retrieving her stake. He smiled a slow smile; he would not mind watching that himself. He knew gamblers; this one was careful not to call in the hard players, just a couple of marks, which would keep the pit bosses off her. He wants to play her; however, before he can reach his goal, the skirt slips away again, using her gray camouflage to aid her. Hell, it is just as well, Reggie considered she would only serve as a distraction and what he really needs is the mental challenge of the game not the hot release of some dame–good or not. Off in a corner, the pit boss takes out a worn notepad, his meaty hands deftly use a stub of a pencil to enter the notation. The date and short description of the two broads quickly jotted down for his boss Mr. Deluca. He has seen the pair before, and they are winning too often for it to be accidental or to be healthy.
Caroline Walken (Ell's Double Down (The Willows #1))
What’re we talking about?” I asked a little too enthusiastically. They glared at me. One of them, with a long red ponytail and thick swirly mustache, answered me. “Nothing that concerns you, flea.” Flea? That was a new one. The mage had elemental robes, gold with blue trim over his leather armor. Arrogant, this one. “How do you know it doesn’t concern me?” The female mage, with short blonde braids and a permanent scowl, scoffed. “Because the house politics of Enclave noble families don’t concern the trivial pursuits of a yokel like you. Now, shoo.” She waved her hand at me. I laughed and pulled back on my horse’s reins. “It must be very difficult and uncomfortable to ride a horse with that stick up your rear. I commend you for your perseverance.
Eric Vall (Summoner (Summoner, #1))
he looked like one of those whistle and clipboard types: short blond hair, icy blue eyes, Mr. Can-Do, ex-jock, fit and trim, ready to organize a sporting event or assign people to boxcars, whatever needed doing.
Nelson DeMille (Plum Island (John Corey, #1))
He was stocky, tall, and lighter-skinned, like Rivka, with a broad chest and shoulders, muscular arms, and a bit of a stomach. His dark-blond hair was cropped short, and his impish eyes looked up at them from beneath pointed eyebrows on a round face. Shulamit wheeled around to face the warrior beside her. “Rivka?” “Isaac?!
Shira Glassman (The Second Mango (Mangoverse, #1))
Mrs Massoud was always crying – for her son who had been taken by government troops in Damascus, and for her daughter, who had been killed by the bombs shortly after. She told Aya that a mother’s fountain of tears flows forever. But tonight there was also music coming from somewhere down the hall – a man’s voice singing a song in a language that Aya didn’t understand. It made her think of the girls in the dance class. The girl called Dotty who had grinned at her like she was just a normal kid. And Ciara, with the blonde hair and the haughty expression, and the mousey-haired girl – Lilli-Ella – who stuck her tongue out when she was concentrating. Aya’s limbs itched as she remembered. Just thinking about it made her want to dance. “Not really enough room for that kind of thing in here, eh, Moos!
Catherine Bruton (No Ballet Shoes in Syria)
Recently, she dyed her short blond bob a sassy red, a decision my mother and I discussed at length back when my friends weren't missing and we consumed other peoples' tragedies for entertainment.
Kara Thomas (That Weekend)
I’m so happy, Jack.” Molly rose from the divan and stepped around to her husband. Even after all this time, he seemed utterly unchanged from the man she’d married in 1883—short blond hair, boxy jaw, ice-blue eyes, even that same spruce tailcoat he’d worn the night of their first encounter. “Let me show you what I want for Christmas,” she said, reaching back to untie her filthy corset, letting it fall to her feet. She pulled her chemise over her head, tossed it at the wardrobe, and climbed into bed. “Jaaaaack.” She whispered his name like a prayer, fingers already fast at work in that swampy heat between her thighs.
Blake Crouch (Abandon)
golf shorts (pink), white shoes (Reeboks with pink ankleless socks), a white polo with some kind of gold crest (De Tocqueville no doubt), white golf glove, and a pair of red sunglasses stuck in her hair like a country-club divorcée. She now exudes—unlike thirty years ago, when I couldn’t get enough of her—a more muscular, broader-backed, stronger-armed, fuller-breasted, wider-hipped aura of athleticized sexlessness, which is still bluntly carnal but isn’t helped by her blonded hair being cut in a tail-less ducktail a prison matron might wear, and her pale Dutch-heritage skin looking
Richard Ford (The Lay of the Land)
But a written policy is one thing; its implementation is quite another. Robert Murphy took personal charge of the political oversight of U.S. denazification work in Germany almost immediately, and he made little secret of his inclinations. Meanwhile, the sensitive task of overseeing U.S. intelligence evaluations of German business and political leaders fell to an enterprising OSS man who was stationed in Berlin shortly after Hitler’s suicide. It was Allen Dulles.
Christopher Simpson (The Splendid Blond Beast: Money, Law, and Genocide in the Twentieth Century (Forbidden Bookshelf Book 24))
Her hair was short and dyed black with blond streaks, a hairdo that all the girls were wearing but which made no sense to men who dodged skunks with their pickups nearly every time they drove.
David Joy (The Weight of This World)
One of them hides his face beneath a black hoodie like he doesn’t want to be spotted, dark streaks of wavy hair peeking out, and both hands stuck in pockets of his track pants. Tattoos can be seen under his sleeves. Another one with light blond hair and a side sweep, along with sharp, piercing blue eyes, has his hand tightly tucked into his expensive jeans like he’s clutching a knife. A bunch of tattoos peeks out from underneath the white shirt covered by a leather jacket. The third is tall and thin but muscular looking in a lean way, with short red-dyed hair in a side part. He’s wearing an actual white button-up shirt and tie. How odd.
Clarissa Wild (Evil Boys (Spine Ridge University))
After a more careful examination, I can see that there's nothing out of the ordinary about her. She's wearing jeans and a hoodie like almost everyone our age. She's kind of short and small, but not the shortest girl at school either. Brown eyes, dirty-blonde hair in a messy bun. She's the type of girl who would normally blend into the background, but for some reason, she seems way more interesting than her similar female counterparts.
Julie Cross (On Thin Ice (Juniper Falls #3))
herself look perfect. Her long dark hair will be pulled into two tidy plaits and she will have tried on almost everything in her wardrobe before putting on her favourite floaty dress. I help Mum by laying the table. I get out the cereal and the milk and make everyone a glass of orange juice. Mum is in a rush as she needs to go to work soon. But Moz, Alice and I have all the time in the world. It’s the school holidays and the sun is shining. I have been up for hours. But unlike my sister, I haven't spent my time making myself look fancy. I'm wearing denim shorts and a faded t-shirt, my most comfy clothes. I've tied back my curly blond hair into a ponytail as best I can, but I know it’s still messy. Oh well. No, I've been up for hours using the computer, chatting to some of my friends on Facebook. I've got Facebook friends from all over the world. Whatever time of day it is there's always someone about for a chat. I can happily spend all day watching videos or playing games with my mates. Moz and Alice don't understand at all. That’s why my Facebook friends are so great. They really get me.
Abigail Hornsea (Books for kids: Summer of Spies)
The bicycle skidded to a halt as Joe Mitchell stopped beside a huge oak tree. His slim frame rocked forward, causing a lock of brown hair to fall into his eyes. He glanced back at his two sisters who were still pedalling furiously. Grinning broadly, he called out to them. “I told you I’d win!” “Well, your legs are much longer than ours,” Sarah panted. “Next time we race, Amy and I need a head start to make it fair.” Only eight years old, she was the younger of Joe’s two siblings and had short blonde hair. “Look!
Paul Moxham (The Mystery of Smugglers Cove (The Mystery Series #1))
Jory,” he said, his voice a hoarse rasp. “Jory, mo cridhe, I cannae forgive myself for that night. I never will. But I was blood-mad, a new vampire. I didnae have any control. I—” He pressed his forehead against her thigh. “I would never hurt you again. I would die before I hurt you again.” She allowed herself to look between her legs and behind her. Beneath the thick bands of his arms at her knees, she saw his muscled chest, his stomach, the dusting of blond hair that led down into his shorts, which were obscene. “I wouldnae bite you unless you asked me. And I wouldnae bite you unless you asked me sober, and not in the heat of the moment. I wouldnae bite you unless we talked about it,” he said in a rush. “I swear to you. I would never do anything you didnae want, or ask for.” He pushed his forehead against the back of her thighs, his head bowed. “I wouldnae bite you, mo cridhe. You have to believe me. You must believe me,” he begged.
Eliza MacArthur (‘Til All the Seas Run Dry (Elements of Pining, #2))
So, Mike tells me you're my go-to," he said, "and I've gotta say, I'm surprised." His blue eyes gleamed, his thinning strawberry blond hair was cut short, and freckles covered his pale face. In his hands he held a mini Jets football. "I didn't think Sister Jamie could hang with the big boys". "I can hang with anyone," I smiled, even though I wanted to punch him in the face.
Jamie Fiore Higgins (Bully Market: My Story of Money and Misogyny at Goldman Sachs)
So, Mike tells me you're my go-to," he said, "and I've gotta say, I'm surprised." His blue eyes gleamed, his thinning strawberry blond hair was cut short, and freckles covered his pale face. In his hands he held a mini Jets football. "I didn't think Sister Jamie could hang with the big boys". "I can hang with anyone," I smiled, even though I wanted to punch him in the face.
Jamie Fiore Higgins (Bully Market: My Story of Money and Misogyny at Goldman Sachs)
There is little doubt that had de Menezes been blond and blue-eyed, he would not even have entered the police’s surveillance radar.
Ali Rattansi (Racism: A Very Short Introduction (Very Short Introductions))
Brantley came jogging over to help her with her bags. His short blond hair was trimmed too perfect in contrast to the scruffy five o'clock shadow his chin and cheeks sported. He wore a tight white T-shirt with a blue plaid button-down rolled at the sleeve showing off his muscular arms. Ice blue eyes met her as he walked toward her, towering a good six inches above her.
H.S. Howe (Willfully Wanton (The Goldwen Saga #5))
In reality things are more complicated since any single alien faction can have multiple purposes, but the point is that negative ones basically seek to use us, positive ones seek to help us. The most common alien types are the grays, reptilians, mantids and nordics.* Grays are short robotic beings with large heads, pale skin, and dark eyes. Reptilians are tall intelligent beings with slit pupils and scaly skin. Mantids look like man-sized praying mantises. Nordics are indistinguishable from humans but tend to be more muscular with exclusively blond hair and light colored eyes.
Montalk (Fringe Knowledge for Beginners)
The young man had short black hair and dark eyes murky as dirty seawater. The girl next to him was bleach-blonde fair, with false eyelashes and too much make-up. She wore tiny hot pants and chunky strapped heels, and it was not difficult to guess who they were to each other.
Wan Phing Lim (Two Figures in a Car and Other Stories)
Bum bum bum bum. Tonight’s the night that Tess will get on one knee. Bum bum bum bum. And you and she will live oh so happily. Your hair is blond, your eyes are green, your face is like a dream. And only you know what to do to make your lover scream. The question’s short but life is long; you know just what to dooooooo. Just say ‘yes’ and Tess will make an honest man of yooooou.
Emily Rath (Pucking Wild (Jacksonville Rays, #2))
A young man sat in the saddle, a youth, a careless youth on a tour. He himself, great heavens, surely made no pretensions to belonging to the great and glorious one of the world! He rode a machine of middling quality—it does not really matter of what make—a wheel costing, say, about two hundred marks. And with this he went pedalling a bit through the country, fresh from the city, riding with flashing pedals into God’s green world—hurray! He wore a coloured shirt and a grey jacket, sports leggings, and the jauntiest little cap in the world—a very joke of a cap, with brown checks and a button on the top. And from under this cap a thick mop of blond hair welled forth and stood up above his forehead. His eyes were of a lightning-blue. He came on like Life itself and tinkled his bell, but Piepsam did not move a hair’s breadth out of the way. He stood there and looked at Life with a rigid stare.
James Daley (100 Great Short Stories)
Taran grunted and started to shuffle away, then stopped and looked back. “You know, if you ever come to Lumnos... and if you ever learn to say my name correctly... maybe you could teach me some of your tricks.” Zalaric’s grin widened, and Taran’s cheeks turned pink. “With your magic.” “I’d love to, but I’m afraid I can’t visit a realm with no hairstylists.” Taran frowned at Zalaric’s short, tight curls. “Lumnos has hairstylists.” “Really?” Zalaric took a strand of Taran’s messy dark blonde waves and twirled it in his fingers. “Are they just too expensive for you, then? I can loan you some gold if—
Penn Cole (Heat of the Everflame (Kindred's Curse, #3))
On the street I stare left and right. And then I stare straight ahead. There is a man leaving the organic supermarket opposite. A tall man. With sandy blond hair and a clipped golden-brown beard. He has a tan. He is wearing a khaki T-shirt and black shorts and a pair of horn-rimmed glasses. Two large bags of shopping hang from his hands. He stops as he leaves the store and he glances across the street. I see that he is peering through the windows of the Magdala. Looking for someone. And it is only then, with a kick to my gut so hard that I almost fall back into the doorway of the bar, that I realise I have found him.
Lisa Jewell (The Family Remains (The Family Upstairs, #2))
In the midst of the riot, I noticed a young, blond American couple wearing Bermuda shorts and golf shirts, and holding hands, immobilized by the fights raging around them. The referee, a quiet little fellow called Hammer, was also fighting for his life, blindly swinging a steel chair, deflecting unidentified flying objects and attacking fans. He was backing his way toward the two Americans. My first instinct was to intervene, but they were more than thirty feet away, and I would never have made it. Hammer swung full force as he turned, smashing his chair over the blond man’s head. The man fell to the floor, his girl beside him, helpless and terrified. Now I understood why Bruce had stayed home. Back in the hotel room, Smith was sick too, and we took turns racing to the toilet and sweating on our grungy beds. My shoulder was killing me, and I couldn’t raise my arm. Tiny gnats landed on us incessantly; they seemed harmless enough, so we just rubbed them out. The street sounds filtered up, sirens wailed, and it turned out the little gnats weren’t so harmless after all: For weeks we were covered in festering boils. Smith and I took turns with a pair of tweezers plucking at the eruptions on our arms and chests, leaving big pink craters.
Bret Hart (Hitman: My Real Life in the Cartoon World of Wrestling)
Kimberly describes herself as a twenty-five-year-old with blonde hair and a white tank top, and I tell her that I will be showing up with Lexi and that I will be wearing beige shorts and a blue top.
E.K. Wooll (The Untouchable Puppies: A Tale of Adversity and Triumph)
Jessica's head is in Feather's lap. She is stroking her long blonde locks that look stunning as always. Her legs are bent at the knees, and she is still wearing her T-shirt and shorts from P.E. On the television Rory Calhoun is playing a malarial big game hunter who has set his rifle's target on a skinny castaway in a red shirt. Jessica has tried to introduce Feather to the joys of the Flashback Channel, but it doesn't seem to be sticking.
Timothy Sexton (Triggered: The Story of a School Shooting)
The Sidnee and the Wyshraj shared what they each knew of human aggressions, which turned out to be, in short, nothing. “And this is why,” Queen Shadya said, at last, “my generals propose a very deliberate tactical approach.” She nodded towards to the two blond Wyshraj that I had noticed before. “My two leading generals, Ishqa and Iajqa Sai’Ess, have developed a plan that I think we will both find mutually agreeable,” Shadya said. They rose, taking up a place on either side of the massive map.
Carissa Broadbent (Children of Fallen Gods (The War of Lost Hearts, #2))
I thought she looked cute in that girl-next-door kind of way. She has an innocent face with a small nose surrounded by freckles under messy blond hair. And she’s so short and petite that no one would ever peg her as a ruthless mercenary leader. But here we are, and now she just looks like a psycho, mostly because that’s exactly what she is.
Skyler Ramirez (The Worst Rescuers in the Republic (Dumb Luck and Dead Heroes, #4))
I didn’t think you were coming back until later,” he says. He eyes me up and down but not in a creepy way. “Who’s your friend?” he asks. He sticks out a hand to shake, and I take it. “I’m Paul,” he says. He’s huge, and he has even more tattoos than Pete does. There’s another guy behind him. He’s thin and has long, blond hair, and it’s held back with a rubber band at the nape of his neck. “Matt,” he says as he sticks out his hand to shake. Then I notice a guy and a girl sitting on the couch. She’s the blonde I saw at the prison, and she eyes me with the gaze of an antiques dealer, as if she’s looking for all my imperfections. “Emily,” she says with a little wave. “Logan,” she says, as she pats Logan on the chest. He extends his hand, and I take it. But there’s one more, and my breath catches in my throat when he steps out from behind Logan. He looks so much like Pete. He has to be Sam. I look from Pete to Sam and back. “I’m the pretty one,” Sam says. He reaches out like he wants to hug me, but I recoil. I can’t help it. I’ve come a long way, but not that far. “It’s nice to meet you,” he says with a nod. I extend my hand, and instead of shaking it, he lifts it to his lips. His short little moustache tickles the back of my hand. I twist my fingers out of his grip, and Pete glares at him. “Keep your fucking hands off my girl,” he growls. But then he opens his arms, and Sam falls into them. They hug the way men do, with lots of backslapping and murmured words. “I’m glad you’re here,” Pete says. “You called. I came. Like a good big brother.” “Eight minutes,” Pete growls playfully. He drops an arm around my shoulders. “He was born eight minutes before me and he thinks he’s the shit because he’s older.” He coughs into his fist. “Excuse me. I am the shit.” He grins. He looks so much like Pete that it’s almost disturbing. “I think you’re both shits,” Paul says as he goes to fridge and gets a beer.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
Yes,” I call. “Sky,” the receptionist says quietly. I pick up the handset. “Yes,” I say again. “What’s up?” “There’s a really hunky guy standing in front of me, and he’s asking for you,” she whispers into the phone. What hunky guy would be asking about me? “What does he look like?” “He’s about six two,” she starts. “Six three,” I hear someone say. “Oh, six three,” she says. “He’s a big one.” She giggles. My heart jumps. “What color is his hair?” “Blond. And long.” It’s Matt. Oh shit. It’s Matt. “I’ll be right there,” I say. But my heart is thumping like crazy. What is Matt doing here? I hunt around under my desk for my shoes and slide them on. Then I straighten my skirt and run a hand down my hair to smooth it. A minute ago, I had it held up with a pencil. It’s just Matt, I tell myself. It’s Matt. “Do you want me to send him back?” the receptionist asks. She laughs again. “Or I can just keep him?” Definitely not. He’s mine. “I’ll be right there,” I repeat. I look down at my business suit. I hope I look all right. I guess it’s too late now to worry about it. I walk into the reception area and find Matt leaning against the glass doorway. He turns to face me and smiles. “Hi,” he says quietly. I walk toward him, my legs shaky. “What are you doing here?” I ask, but I’m grinning, too. I stop in front of him, one move short of leaning into him for a hug. The receptionist is watching really closely. “I came to see if you want to go to lunch.” He shrugs. He’s wearing black jeans and lace-up boots. A black T-shirt is stretched across his broad chest, and it’s tucked neatly into his jeans. I can see his tattoos. A piece of hair has fallen from his ponytail, and I want to reach up and tuck it behind his ear. “How did you find out where I work?” I ask. I motion for him to follow me. Thank you, I mouth at the receptionist, and she winks at me and gives me a thumbs-up. I shake my head, and Matt walks quietly behind me. “I texted Seth,” he says. “Traitor,” I say, but inside, I’m thrilled. “Did I come at a bad time?” he asks. He looks down at his wrist, even though there’s no watch on it. “I can come back later.” “No, no.” I don’t want him to leave. Ever. I lean against the edge of my desk. “I’m glad you’re here.” His voice is deep and soft when he responds. “I’ve been thinking about you all morning.” He shrugs, looking a little sheepish. “So I figured I’d drop by. I totally understand if you’re too busy, though.” He looks into my eyes. “I might cry if you send me away, but I’ll go.” I’m not going to send him away. Not a chance. “I don’t want you to go,” I say. He grins. “Good.” He looks around my office. “Do you have time for lunch?” “Oh!” I cry. “I thought you were just going to stand there and let me look at you. You actually want to go somewhere?” He laughs. “Yeah. I told you. I’m going to make you fall in love with me. Lunch is step one.” “What’s step two?” I ask impulsively. “If I told you, it wouldn’t work.” I nod. I want it to work. “Don’t tell me.” “Guy’s got to have some secrets.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
He opened his eyes and saw that Baltsaros was staring intently at them, unmoving. What was the captain feeling about all of this? Tom’s hands had snaked down to the front of Jon’s pants, and all thought left his head as he felt the buttons come loose. After a moment, Tom dropped to his knees in front of Jon; he then gently, almost reverently, peeled Jon’s pants down, looking up at him with naked hunger as he did so. “Good boy,” said Baltsaros. The captain’s eyes were dark and unreadable, but the hand curled over the front of his pants betrayed the desire he was feeling. Jon’s breath heaved in his chest, and he stepped out of his boots as Tom tugged at them. He was now stark naked in front of Tom who remained on his knees, gazing up at him. Jon could see the bigger man’s pulse jumping in the veins at his neck, but he frowned in confusion when Tom made no other move. He realized with a start that Tom was waiting for Baltsaros’s next command. Jon reached out and touched the top of Tom’s head, running his fingers softly through the short, sandy-blond strands. “Do you want him to suck your cock?” asked Baltsaros, almost conversationally. The question made Jon feel like he had just stepped off a cliff. He gulped and closed his eyes, nodding quickly. “Tom, please use that talented mouth on Jon. However, let’s not let him peak too soon, shall we?” said Baltsaros.
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
Instead, the thing that had captured my attention was this big metal column topped by…absolutely nothing. It was doing this in the parking lot of what I had to figure was the main supplier of off-campus food: a retro-fifties fast-food joint. Maybe it’s supposed to be some kind of art, I thought as I stared at the column. I was living in the big city now, after all. Public art happened. Not only that, it didn’t have to make sense. In fact, having it not make sense was probably a requirement. “They took it down for repairs,” a voice beside my suddenly said. I’m kind of embarrassed to admit this, but the truth is, I jumped about a mile. I’d been so mesmerized by the sight of that column extending upward into space, supporting empty air, that I’d totally lost track of all my soon-to-be-fellow students rushing by me. To this day, I can’t quite explain the fascination. But I’ve promised to tell you the 100 percent truth, which means I’ve got to include even the parts which make me appear less than impressive. “Huh?” Yes, all right, I know. Nowhere even near the list of incredibly clever replies. “They took it down for repairs,” the voice said again. “Took it down,” I echoed. By this time, I knew I was well on my way to breaking my own blending-in rule, big time. Sounding like a total idiot can generally be considered a foolproof method of getting yourself noticed. “The car that’s usually up there.” The guy--it was a guy; I’d calmed down enough to realize that--said. I snuck a quick glance at him out of the corner of my eye. First fleeting impression: tall and blond. The kind of muscular-yet-lanky build I’ve always been a sucker for. Faded jeans. Letterman jacket with just about every sport there was represented on it. Gotcha! I thought. BMOC. Big Man on Campus. This made me feel a little better for a couple of reasons. The first was that it showed my skills hadn’t abandoned me completely after all. I could still identify the players pretty much on sight. The second was that in my vast, though admittedly from-a-distance, experience of them, BMOCs have short attention spans for anyone less BOC than they are. Disconcerting and intense as it was at the moment, I could nevertheless take comfort in the fact that this guy’s unexpected and unnatural interest in me was also unlikely to last very long. “An old Chevy, I think,” he was going on now. “It’s supposed to be back soon, though. Not really the same without it, is it?” He actually sounded genuinely mournful. I was surprised to find myself battling back a quick, involuntary smile. He did seem to be more interesting than your average, run-of-the-mill BMOC. I had to give him that. Get a grip, O’Connor, I chastised myself. “Absolutely not,” I said, giving my head a semi-vigorous nod. That ought to move him along, I thought. You may not be aware of this fact, but agreeing with people is often an excellent way of getting them to forget all about you. After basking in the glow of agreement, most people are then perfectly content to go about their business, remembering only the fact that someone agreed and allowing the identity of the person who did the actual agreeing to fade into the background. This technique almost always works. In fact, I’d never known it not to. There was a moment of silence. A silence in which I could feel the BMOC’s eyes upon me. I kept my own eyes fixed on the top of the carless column. But the longer the silence went on, the more strained it became. At least it did on my side. This guy was simply not abiding by the rules. He was supposed to have basked and moved on by now.
Cameron Dokey (How Not to Spend Your Senior Year (Simon Romantic Comedies))
The Warriors were Modaball, a man even fatter than Vastivias, with long red hair in pigtails, bare-chested above bizarrely high-waisted blue and white striped trousers, and Bran, a short man with a wily eye and a big blond moustache.
Angus Watson (Clash of Iron (Iron Age, #2))
The problem began with her height, which was too short to command respect, and was compounded by china-doll features, an oversize bust, and the kind of blue-eyed blondness that caused complete strangers to deduct IQ points and to speak to her slowly. Using really small words.
Wendy Wax (Ocean Beach (Ten Beach Road, #2))
He had a lusty appreciation for them all- tall, short, curvy, thin, blonde, brunette, commoner, aristocrat. But there was something particularly appealing about that... luscious little mess. Her plump, rouged lips and those sweet erect nipples like hard pink candies pressing against her plunging gown had roused in him a mental groan of lust; and yet, the expression in her big, emerald eyes had looked so vulnerable and lost- pathetic, almost- that it had summoned up an even fiercer protective instinct in him. Quite bewildering. Something about the shivering, shoeless, tipsy tart had nearly touched the chunk of stone that had once been his heart. In that moment, he had not known which he had wanted more: to gather her onto his lap and comfort her, or to lay her down and ride her into mindless, sweaty ecstasy.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
The manager greeted them in the foyer, a wild-eyed young woman with short, spiky blond hair and a considerable waistline. Taylor eyed her, unable to ascertain whether she was pregnant or just heavy. As a hotel general manager, she was as professional as could be expected, considering a serial killer had struck in one of her guest suites. The woman spied Sam coming in with her gear and snapped her fingers at a bellman, who intercepted the M.E. and guided her away. The service elevator would accommodate the stretcher. She
J.T. Ellison (14 (Taylor Jackson, #2))
tamed his blond hair by cropping it short, but a rebellious sun-streaked strand curls over one
Magda Alexander (Storm Damages (Storm Damages, #1))
As she craned her neck further she finally saw his face. She knew her mouth must have been gaping open like a clown in a ball toss game but she couldn't help it. His face was without a doubt the most beautiful thing she had ever seen. It was the kind of face that should have been gracing the pages of magazines, not the sidewalks of suburban Melbourne. The kind of face that made her yearn for her sketchbook and pencil. He couldn't have been more than a year or two older than Sachi was, with dishwater blonde hair cut short and styled meticulously, a pointed jaw and hollow cheeks. His eyes were the colour of storm clouds and framed by lashes any girl would kill for. He was a contradiction of sharp edges and porcelain smooth. He could have been carved out of marble. He couldn't be real.
Ashlee Nicole Bye (Out of the Shadows (Shadowlands #1))
Lieutenant Sparks was a man of thirty who had a variety of ear and nose piercings and wore his blond hair in short spikes—Gregor’s first thought, when he had met the man, had been that he had recently electrocuted himself
Ruby Lionsdrake (Trial and Temptation (Mandrake Company, #2))
Excuse me,” I call to his retreating back. I sound like I swallowed Kermit, so I clear my throat. “Excuse me,” I call again. I run to catch up with him and tug on his backpack. He looks back over his shoulder, but then he keeps right on walking. “Wait!” I say, trying to keep up. “Damn it, would you stop?” He stops very quickly and I slam into his back. He rocks forward and I grab onto his pack to stay upright, feeling like I have two left feet. I am usually more graceful than this. My mother would kill me if she saw me right now, making a public spectacle of myself in the quad. He turns, grabs me by the shoulders and steadies me, then he bends down to look into my eyes. His are bright blue and full of questions. “Are you all right?” he asks, his voice gruff. I’ve never heard him do more than grunt in class, so hearing him make a full sentence, albeit a short one, is startling. “I’m fine,” I gasp, a little winded from chasing him. “You’re really fast.” He grins. “Sweetheart, you haven’t seen fast.” My heart skips a beat. I am in such big trouble. I don’t know why I thought I could approach a man like this, but I did, and now I don’t know how to ask for what I want. “Cat got your tongue?” he asks. A grin tips one corner of his lips. He’s pretty enough to take my breath away. His blond hair flops across his forehead and he shakes his head to swing it back from his eyes. I open my mouth to speak, but only a squeak comes out. He looks around the quad, looking behind me like he’s trying to figure out where the hell I came from. When he sees that no one is chasing me, he takes my shoulders in his hands and gives me a gentle squeeze, bending so he can stare into my eyes. “Hey,” he says softly, like I’m a stray dog he’s trying to trap. “Are you okay?” I thrust out my hand. “Madison Wentworth,” I say. “I just wanted to introduce myself.” His eyes narrow and he stares at me, but he doesn’t stick his hand out to shake mine. I let mine hang there in the air between us until it becomes so heavy with disappointment that I have to tuck it into the pocket of my jeans. “Guess not.” I sigh. “I’m very sorry for taking up your time.” “Which one of those fuckers put you up to this?” he asks. He grinds his teeth as he waits for my response. “What?” “Those frat boys you hang out with, the ones with more money than sense. Which one put you up to this?” He glares at me. “No one put me up to this,” I say. “Listen, sweetheart,” he says, his face very close to mine. I can smell the cigarette he just smoked and the coffee he must have had before it. “You don’t want to mess with a man like me.” “Okay,” I whisper. I clear my throat. “Fine. Have a nice day.
Tammy Falkner (Yes You (The Reed Brothers #9.5))
Mr. Jones had just started her on scraping the bottom when he came around the bow and stopped short. He shook his head in disbelief. “How did you manage to get so filthy so fast?” he said. “Didn’t I tell you to wear a painter’s cap?” Denny shrugged and squinted at him through her safety goggles. “I thought the wind would blow the old paint and junk away as I scraped it off,” she said. Mr. Jones came over and took a closer look. “Look at your hair,” he said. “Your mother’s going to kill me. Try and shake some of that junk out of it.” Denny leaned over and shook her hair in the wind. She was almost sorry she’d let it grow. Long hair was such a pain sometimes. She heard the putter of an outboard motor and looked up to see Spence making his way across the bay. “Him again,” she grumbled, but she pulled the comb out of her back pocket and started furiously tugging at her hair. Mr. Jones grinned. “Thought you couldn’t stand him,” he said. “I can’t,” said Denny, whipping off her safety glasses. “Oh,” said Mr. Jones; then he gave her a maddening smile and went back to rebuilding the cradle. Denny glanced at Spence out of the corner of her eye as he approached. He stood at the wheel, wearing a knit sailor’s cap and an old navy peacoat. A shock of blond hair stuck out under the cap and was swept back by the wind. His dark eyes squinted into the sun, and the cut of his jaw was firm and square. Denny shook her head. “You’ve been away from civilization too long,” she told herself, “when somebody like him starts looking good.
Jackie French Koller (The Last Voyage of the Misty Day)
Harry S Truman, then a senator from Missouri, went a step further: The U.S. should extend aid to Europe, he contended shortly after the Nazi invasion of the USSR, but give it to “whatever side seemed to be losing. If we see that Germany is winning we ought to help Russia, and if Russia is winning we ought to help Germany and in that way let them kill as many as possible.
Christopher Simpson (The Splendid Blond Beast: Money, Law, and Genocide in the Twentieth Century (Forbidden Bookshelf Book 24))
The similarities between the Armenian Genocide and the Holocaust suggest that the “Nazi problem” in postwar Germany is only partially traceable to the pressures of the cold war. Throughout the twentieth century, regardless of the prevailing atmosphere in East-West relations, most powerful states have attended to genocide only insofar as it has affected their own stability and short-term interests. Almost without exception, they have dealt with the aftermath of genocide primarily as a means to increase their power and preserve their license to impose their version of order, regardless of the price to be paid in terms of elementary justice.
Christopher Simpson (The Splendid Blond Beast: Money, Law, and Genocide in the Twentieth Century (Forbidden Bookshelf Book 24))
Shortly after the German collapse, for example, Tito’s government in Yugoslavia wished to try as a war criminal Miklós Horthy, who had been royal regent of Hungary and supreme commander of Hungary’s armed forces during its years of alliance with Nazi Germany. Horthy also shared personal responsibility for establishing Hungary’s anti-Semitic race laws and other persecutory measures.
Christopher Simpson (The Splendid Blond Beast: Money, Law, and Genocide in the Twentieth Century (Forbidden Bookshelf Book 24))
Shortly before World War I, a secretive and disciplined cabal of young Turkish military officers known as the Ittihad took power in Turkey and brought the country into an alliance with Germany. These were the original “Young Turks,” and their capacity for cruelty and violence still reverberates in that phrase today.
Christopher Simpson (The Splendid Blond Beast: Money, Law, and Genocide in the Twentieth Century (Forbidden Bookshelf Book 24))
Loretta awoke shortly after dawn, alone in a cocoon of fur. She had only the haziest memory of Hunter carrying her to bed after making love to her last night. She sat up, clutching the buffalo robe to her naked breasts. Her clothing lay neatly folded on the foot of the bed, the rawhide wrappings for her braids resting on top. Her blond hair fascinated Hunter, and he had never yet made love to her without first unfastening her braids. A sad smile touched her mouth. Hunter, the typical slovenly Indian, picking up after his tosi wife. She had been so wrong about so many things.
Catherine Anderson (Comanche Moon (Comanche, #1))
Loretta awoke shortly after dawn, alone in a cocoon of fur. She had only the haziest memory of Hunter carrying her to bed after making love to her last night. She sat up, clutching the buffalo robe to her naked breasts. Her clothing lay neatly folded on the foot of the bed, the rawhide wrappings for her braids resting on top. Her blond hair fascinated Hunter, and he had never yet made love to her without first unfastening her braids. A sad smile touched her mouth. Hunter, the typical slovenly Indian, picking up after his tosi wife. She had been so wrong about so many things. She hugged her knees and rested her chin on them, gazing sightlessly into the shadows, listening to the village sounds. A woman was calling her dog. Somewhere a child was crying. The smell of roasting meat drifted on the breeze. Familiar sounds, familiar smells, the voices of friends. When had the village begun to seem like home? Loretta closed her eyes, searching desperately within herself for her own identity and memories, but white society was no longer a reality to her. Hunter had become the axis of her world, Hunter and his people. Amy lay sleeping on her pallet a short distance away. Loretta listened to her even breathing. Amy, Aunt Rachel, home. Could she return there now and pick up the threads of her old life? The answer wasn’t long in coming. Life without Hunter would be no life at all.
Catherine Anderson (Comanche Moon (Comanche, #1))
I walked the short distance to Nogizaka, then strolled up and down Gaienhigashi-dori. It took awhile, but I finally spotted it. There was no sign, only a small red rose on a black awning. The entrance was flanked by two black men, each of sufficient bulk to have been at home in the sumo pit. Their suits were well tailored and, given the size of the men wearing them, must have been custom-made. Nigerians, I assumed, whose size, managerial acumen, and relative facility with the language had made them a rare foreign success story, in this case as both middle management and muscle for many of the area’s entertainment establishments. The mizu shobai, or “water trade” of entertainment and pleasure, is one of the few areas in which Japan can legitimately claim a degree of internationalization. They bowed and opened the club’s double glass doors for me, each issuing a baritone irasshaimase as they did so. Welcome. One of them murmured something into a microphone set discreetly into his lapel. I walked down a short flight of stairs. A ruddy-faced, prosperous-looking Japanese man whom I put at about forty greeted me in a small foyer. Interchangeable J-Pop techno music was playing from the room beyond. “Nanmeisama desho ka?” Mr. Ruddy asked. How many? “Just one,” I said in English, holding up a finger. “Of course.” He motioned that I should follow him. The room was rectangular, flanked by dance stages on either end. The stages were simple, distinguished only by mirrored walls behind them and identical brass poles at their centers. One stage was occupied by a tall, long-haired blonde wearing high heels and a green g-string and nothing more. She was dancing somewhat desultorily, I thought, but seemed to have the attention of the majority of the club’s clientele regardless. Russian, I guessed. Large-boned and large-breasted. A delicacy in Japan. Harry hadn’t mentioned floorshows. Probably he was embarrassed. My sense that something was amiss deepened.
Barry Eisler (A Lonely Resurrection (John Rain #2))
On the other stage, there was a girl who looked like a mix of Japanese and something Mediterranean or Latin. A good mix. She had that silky, almost shimmering black hair so many modern Japanese women like to ruin with chapatsu dye, worn short and swept over from the side. The shape of the eyes was also Japanese, and she was on the petite side. But her skin, a smooth gold like melted caramel, spoke of something else, something tropical. Her breasts and hips, too, appealingly full and slightly incongruous on her Japanese-sized frame, suggested some foreign origin. She was using the pole skillfully, grabbing it high, posing with her body held rigid and parallel to the floor, then spiraling down in time to the music. There was real vitality in her moves and she didn’t seem to mind that most of the patrons were focused on the blonde. Mr. Ruddy held out a chair for me at an empty table in the center of the room. After a routine glance to ensure the seat afforded a proper view of the entrance, I sat. I wasn’t displeased to see that I also had a good view of the stage where the dark-haired girl was dancing. “Wow,” I said in English, looking at her. “Yes, she is beautiful,” he replied, also in English. “Would you like to meet her?” I watched her for another moment before answering. I didn’t want to wind up with one of the Japanese girls here. I would have a better chance of creating rapport, and therefore of eliciting information, by chatting with a foreigner while playing the role of foreigner. I nodded.
Barry Eisler (A Lonely Resurrection (John Rain #2))
Someone parked two spots away from the red Buick. The car door opened, and a pole dancer got out. Yes, Maya knew her occupation. Long blond hair, shorts that barely covered half a cheek, a boob job that lifted them high enough to double as earrings—you didn’t need the pole dancing equivalent of gaydar to see that this woman was either a pole dancer or a sixteen-year-old boy’s fantasy come to life. When
Harlan Coben (Fool Me Once)
He was dangerous. And difficult. And he was all mine. Sometimes in the morning, when he worked in the gym one floor below, I’d stand by the gym’s glass wall for a few minutes before I came in to spar. I’d watch him lift dumbbells or do dips with the weights attached to his belt, powerful muscles bulging and relaxing with controlled exertion, while the bars creaked under his weight and sweat slicked his short blond hair and skin until it glowed. Watching him never failed to send a slow insistent heat through me. He wasn’t working out now. He was standing there in sweatpants and a blue T-shirt, carrying some sort of bottle, and I was ready to jump his bones. I could picture him above me in the bed. At least it didn’t show on my face. I had to have some dignity left. I’d missed him so much, it almost hurt. It started the moment I left the Keep and nagged at me all day. Every day I had to fight with myself to keep from making up bullshit reasons to call the Keep so I could hear his voice. My only saving grace was that Curran wasn’t handling this whole mating thing any better. Yesterday he’d called me at the office claiming that he couldn’t find his socks. We talked for two hours.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
To begin with I want you to take down your hair and look into the mirror.” “Why?” I asked even as I did what he said. It was mortifying to see myself naked and framed from behind by the big, blond vampire. Mortifying but strangely erotic too. With my hair down around my shoulders in a red-gold cloud, I looked very young and very vulnerable. Corbin’s skin was as pale as mine but he was so big he dwarfed me, making me feel like a doll or a little girl in his lap. “Because I want you to see yourself the way I see you. Addison, do you have any idea how beautiful you are?” “What?” I met his eyes in the mirror. “What are you talking about?” “I said you’re beautiful.” He arched an eyebrow at me. “Is that really so surprising?” I frowned. “Frankly, yes. I mean, I don’t hate my body but no one is going to be asking me to model any new fall fashions anytime soon.” He arched an eyebrow. “And why is that?” I ticked reasons off on my fingers. “I’m too short for one thing. Not to mention my breasts are too small.” “They are perfect for your size.” His large hands cupped the undercurves of my breasts and I felt myself blushing again as my body reacted to his touch. “Your nipples are quite beautiful,” he murmured, brushing them gently with his thumbs and sending sparks of pleasure all through me. “Such a pale, innocent pink. I wondered what color they would be.” “My thighs are too big,” I said, trying desperately to get my mind off of my now-erect nipples. Corbin continued to tease them in that slow, lazy way as though he had forever to touch me. “And I’m not toned enough—I’m too soft.” He shook his head. “My darling, I have been hard and cold for over four hundred years. Let me assure you, there is no such thing as too soft.” He placed a hand on my lower belly, right above the sensitive mound of my pussy. “The feel of your skin, the flutter of your pulse when I touch you, the scent of your arousal are all incredibly beautiful and erotic. See yourself for what you are and revel in your beauty.
Evangeline Anderson (Crimson Debt (Born to Darkness, #1))
We didn’t bring bathing suits,” she hissed in her sister’s ear. Dayna overheard. “Don’t worry about that. We’ve got a bikini grab bag full of tops and bottoms that will fit you.” She started down a wide hall. “C’mon, the pool’s this way. You two are gonna just lo-ove it!” She tossed back her blonde pigtails and disappeared through another set of doors. “I’m not going to love it.” Sophie hissed at Dayna’s departing back. “What are they doing with swimming pools and fountains at this place? I thought they were short of water. Isn’t that why they wanted Granddad’s land, and his spring? Isn’t that why they wanted to get rid of the horses--so they could claim the land wasn’t being used for anything?
Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))
He's as beautiful as his voice sounds. Blonde shaggy curls with short sides. Scruff; oh dear leprechaun I'm a sucker for scruff on a man.
A.M. Willard (Unexpected Chances (Chances #1))
Nobody would guess that they were sisters. Amy, who was the eldest, had long brown hair and blue eyes, while Sarah had short blonde hair and green eyes.
Paul Moxham (The Mystery of the Missing Money (The Mystery Series, Short Story, #1))
Short blonde hair, big rectangular forehead, like Frankenstein made a second monster, and that monster loved death metal and Twinkies.
Scott Kelly
The waitress serving the wedding party was a short young blonde. She took their orders efficiently and delivered everyone’s food correctly. "If only she knew my story," Melora mused. then she thought again, "Better yet, maybe she’s in the middle of her own story." Who knew what things might have happened already on the island to this typical college-age waitress.
Marie Zhuikov (Plover Landing)
The waitress serving the wedding party was a short young blonde. She took their orders efficiently and delivered everyone’s food correctly. "If only she knew my story," Melora mused. then she thought again, "Better yet, maybe she’s in the middle of her own story." Who knew what things might have happened already on the island to this typical college-age waitress.
Marie Zhuikov (Plover Landing)
He hated them, he absolutely hated them, the golden boys. He hated their blondness, their insincere smiles, their designer sunglasses, their designer swimmers and their designer sports gear. They made him feel dark and short and dirty. He detested them and he couldn't wait till he was wearing those sunglasses. till he had those brand names across his sweatshirt, impatient for when those microphones and those cameras were going to be in his face
barracuda
Leon actually laughed. "They have slushies up front." "Jesus Christ," Benjamin muttered. "Nordstrom's. Macy's. We could go to Paris for the spring season. I was expecting transatlantic flights." I figured ignoring that was best for all concerned. "Is there an Old Navy around here? They've got shorts and stuff." I caught the look Benjamin gave me. "What?" "Nothing. We just thought a svetocha would be more, well, difficult." Leon's mouth twitched. "I do seriously want a slushie." I tried a tentative smile. I definitely liked him now. "I haven't had one in ages. Maybe the guys outside - the double blonds - would want one, too?" For some reason Leon found that utterly fricking hysterical. H snorted and chuckled all the way through Housewares to the Health and Beauty section, and even Benjamin unbent enough to grin.
Lili St. Crow
Oh, my,” she breathed. “She’s here?” he asked unnecessarily, refusing to look. Resisting temptation. “I’m assuming it must be her; I pretty much know everyone else in the room.” There was a short silence as she inspected the newcomer thoroughly. “My heavens, I didn’t realize scientists came like this. She’s simply . . . magnificent.” “There’s not one thing that’s simple about Lily Banyon.” Evelyn’s eyes were still focused on the other end of the room. “Hmm, I think I see what you mean.” A smile played over her lips. “How utterly refreshing and fascinating—you’ll have your work cut out for you. Come, Mayor McDermott, duty calls.” “I don’t need to meet her. I already know her. Too well.” Evelyn made a tsking sound. “My, my, don’t we sound like we’ve missed our afternoon nap?” she murmured as she brushed by him, assuming the role of Coral Beach’s welcome wagon, fully equipped with bells, whistles, and highlighters. His secretary had abandoned him for the enemy. How much worse could things get? A clause should be inserted into their contracts prohibiting secretaries from treating their bosses as though they were three-year-olds. Had there been dirt instead of mocha-colored industrial carpeting underfoot, he’d have kicked it. It wasn’t anyone’s business but his if he refused to rush over and blurt, Hey, Lily, long time no see! So, tell me, what’ve you been up to since Rome, when you slammed the door in my face so hard you almost broke my nose for the second time? He was the mayor. He could do as he liked. And what he most wanted, right after making Lily Banyon disappear from his life as suddenly as she’d reappeared, was an armed guard. Then maybe he could confront her and walk away in one piece. Reluctantly, Sean turned and looked. Three seconds was all he permitted himself. Lily Banyon wasn’t going to catch him staring like some hormone-crazed adolescent. Three seconds was more than enough, though. Lily’s image burned, a brilliant flame behind his retinas. She looked good. No, make that great, incredible . . . yes, magnificent. She’d chopped off her hair, about a foot and a half of it. Her wheat-blonde locks fell in a casual, tousled style, framing her face, accentuating those startling, ice-crystal blue eyes. She looked even better than he remembered, a memory hot enough to make him lie awake at night, aching.
Laura Moore (Night Swimming: A Novel)
Papa, what is it?” Alice in her humble Cinderella costume—a costume close enough to her mother’s all those years ago to revive fond memories in Lyle—ran lightly down the stairs at the side of the stage. “Travelers in need, chicken,” he said, smiling at her. “Mr. Black, Mr. Plum, this is my family. My wife, Lady Lyle. You’ve met Michael. These are my older sons Angus and Hamish. And this ragamuffin is my daughter Alice.” “You’ve caught us in the middle of putting on a play, Mr. Black,” Charlotte said. “I apologize for our odd appearance.” Lyle waited for some response, then caught the dazed expression on young Black’s face as he stared at Alice. “Mr. Black?” he prompted. “I’m…I’m sorry, my lord,” Black said without shifting his gaze from Alice. “Please don’t let us inconvenience you.” “We’re used to taking in travelers in trouble,” Lyle said, not sure what he thought about his daughter making such a fast conquest. Except it was worse than that, damn it. “I’ll…I’ll show you back to the house. You’ll want dry clothes,” Alice said, returning Black’s interest with a readiness that made every hair on Lyle’s neck bristle with warning. He caught his wife’s eye and stifled his immediate veto of Alice’s offer. “The play’s about to start, Alice,” Angus said. “A short delay won’t matter,” she said, without looking at her brother. Her attention was all for the tall young man with the burning gray eyes and wet blond hair. “You’re too kind, Lady Alice,” Black said. “Come with me.” A brilliant smile curled Alice’s lips. “To the ends of the earth,” the young man said, smiling back with untrammeled delight. They turned toward the door, and Lyle instinctively started to follow until his wife’s hand curled around his arm. “Let them go.” She drew Lyle away from the crowd. “I don’t like the way he was looking at her,” he grumbled, shooting the oblivious Julian Black a glower over his shoulder. Charlotte
Anna Campbell (Stranded with the Scottish Earl)
Jesus Christ, Brownell. What in hell’s got you so scared?” The bar door opened and the blond guy from the Lexus came in. He was maybe six-two, with hard shoulders and sharp features and ice blue eyes that looked at you without blinking. He stepped out of the door to make room for his friend, and the friend needed all the room he could get: He was a huge man, maybe six-five, with great sloping shoulders, an enormous protruding gut, and the kind of waddle serious powerlifters get. His thighs were as thick as a couple of twenty gallon garbage cans. The buzz cut was wearing a blue sport coat over a yellow T-shirt and jeans, but his friend was decked out in a truly bad islander shirt, baggy shorts, and high-top Keds. The big guy had a great dopey grin on his face, and he was slurping on a yellow sucker. The buzz cut said, “Willie.
Robert Crais (Indigo Slam (Elvis Cole, #7))
Surprised at Kaye’s belated display of maternal instincts, Sean relented, promising he’d get in touch with Lily. Besides, he knew his own mother would never forgive him if he refused such a simple request. As he made his way down the narrow streets to the pensione opposite the Pantheon, where Lily and her roommate were staying, Sean steadfastly refused to acknowledge any other reason for agreeing to take Lily out. It had been three years since they’d left for college, not once had she come home to visit. But Sean still couldn’t look at a blonde without comparing her to Lily. He’d mounted the four flights of narrow, winding stairs, the sound of his steps muffled by red, threadbare carpet. At number seventeen, he’d stopped and stood, giving his racing heart a chance to quiet before he knocked. Calm down, he’d instructed himself. It’s only Lily. His knock echoed loudly in the empty hall. Through the door he heard the sound of approaching footsteps. Then it opened and there she was. She stood with her mouth agape. Her eyes, like beacons of light in the obscurity of the drab hallway, blinked at him with astonishment. “What are you doing here?” The question ended on a squeak. As if annoyed with the sound, she shut her mouth with an audible snap. Was it possible Kaye hadn’t bothered to tell Lily he’d be coming? “I heard you were spending a few days in Rome.” Sean realized he was staring like a dolt, but couldn’t help himself. It rattled him, seeing Lily again. A barrage of emotions and impressions mixed and churned inside him: how good she looked, different somehow, more self-confident than in high school, how maybe this time they might get along for more than 3.5 seconds. He became aware of a happy buzz of anticipation zinging through him. He was already picturing the two of them at a really nice trattoria. They’d be sitting at an intimate corner table. A waiter would come and take their order and Sean would impress her with his flawless Italian, his casual sophistication, his sprezzatura. By the time the waiter had served them their dessert and espresso, she’d be smiling at him across the soft candlelight. He’d reach out and take her hand. . . . Then Lily spoke again and Sean’s neat fantasy evaporated like a puff of smoke. “But how did you know I was here?” she’d asked, with what he’d conceitedly assumed was genuine confusion—that is, until a guy their age appeared. Standing just behind Lily, he had stared back at Sean through the aperture of the open door with a knowing smirk upon his face. And suddenly Sean understood. Lily wasn’t frowning from confusion. She was annoyed. Annoyed because he’d barged in on her and Lover Boy. Lily didn’t give a damn about him. At the realization, his jumbled thoughts at seeing her again, all those newborn hopes inside him, faded to black. His brain must have shorted after that. Suave, sophisticated guy that he was, Sean had blurted out, “Hey, this wasn’t my idea. I only came because Kaye begged me to—” Stupendously dumb. He knew better, had known since he was eight years old. If you wanted to push Lily Banyon into the red zone, all it took was a whispered, “Kaye.” The door to her hotel room had come at his face faster than a bullet train. He guessed he should be grateful she hadn’t been using a more lethal weapon, like the volleyball she’d smashed in his face during gym class back in eleventh grade. Even so, he’d been forced to jump back or have the number seventeen imprinted on his forehead. Their last skirmish, the one back in Rome, he’d definitely lost. He’d stood outside her room like a fool, Lover Boy’s laughter his only reply. Finally, the pensione’s night clerk had appeared, insisting he leave la bella americana in peace. He’d gone away, humiliated and oddly deflated.
Laura Moore (Night Swimming: A Novel)
tamed his blond hair by cropping it short, but a rebellious sun-streaked strand curls over one tawny brow. Tall, broad-shouldered,
Magda Alexander (Storm Damages (Storm Damages, #1))
Sven, “the Swede” who had a detectable Brooklyn accent, talked the entire time. He was beyond excited about my makeover and wouldn’t let me look until he was finished. It was that dramatic. Finally, he squealed, “Are you ready, little one?” I glanced up at Sven. He was so wound up, he could barely contain himself. Though he was very tall and extremely blond, he reminded me of Martin Short’s character in Father of the Bride.
Caitlin McKenna (My Big Fake Irish Life)
Styled by Kitty Black Perkins, an African-American designer whom Mattel hired in 1975, Black Barbie made her debut in 1980. Barbie had had black friends since the late sixties, but by 1979, Mattel determined that America was ready for the dream girl herself to be of color. Because the new doll was likely to be scrutinized, Mattel fashioned her with sensitivity: her hair is short and realistically textured; her face, if not aggressively non-Caucasian, is at least different from blond Barbie's; and her dress, while corporate, is livened up with jewelry evocative of African sculpture. Hispanic Barbie, who appeared the same year, is another story. Decked out in a peasant blouse, a two-tiered skirt, and a mantilla, the doll looks like a refugee from an amateur production of Carmen; she even has a rose pinned at her neck. Mattel's designers could hardly be unacquainted with Hispanics:
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
Don’t fall into the trap of wanting to be someone you’re not.” She didn’t say anything. “Brunettes want to be blondes. Short people want to be taller. White people want tans.
Andrew Peterson (Contract to Kill (Nathan McBride, #5))
OLIVIA NEWTON-JOHN, artist: I’d had long blond hair and when I went short brunette for “Physical,” my haircut started a trend. The headband I wore also started a trend, which is hysterical, because it began as a way of keeping the hair out of my face. The record was number one for ten weeks. That was the last time I ever wore a white leotard. Once was enough.
Craig Marks (I Want My MTV: The Uncensored Story of the Music Video Revolution)
I’d pulled my unruly blond hair out of its usual ponytail for the occasion, loaded on some makeup to play up my teal eyes, and poured myself into a little black skirt, short enough to show off my legs while not offending Lafitte’s nineteenth-century sensibilities. It must have worked, because the pirate was giving me that head-to-toe appraisal guys do on instinct, like they’re assessing a juicy slab of beef and deciding whether they want it rare, medium, or well-done. “You really are lovely, Drusilla.” The timbre of Lafitte’s voice shivered down my spine, and I fought the urge to check out the biceps underneath that linen shirt. Holy crap. This was just wrong. I should not be absorbing his lust.
Suzanne Johnson (Royal Street (Sentinels of New Orleans, #1))
Officer Gurney ran a strip of yellow tape around the back area of the café, roping it off so no one could disturb the site. Then he scanned the crowd. His eyes lit on a comfortably plump woman wearing a red down jacket that made her look even plumper. She had a short brownish-blond ponytail that stuck out through a hole in her red baseball hat. “Brenda,” said Officer Gurney. “What do you think?” Grover was in danger of being late for school by this time. He’d already been late twice this month. If he was late again, he might get a note sent home to his parents. But he had to risk it. This was too interesting to miss. The woman stepped forward. Grover knew her, of course; everyone did. Mrs. Brenda Beeson was the one who had figured out the Prophet’s mumbled words and explained what they meant. She and her committee—the Reverend Loomis, Mayor Orville Milton, Police Chief Ralph Gurney, and a few others—were the most important people in the town. Officer Gurney raised the yellow tape so Mrs. Beeson could duck under it. She stood before the window a long time, her back to the crowd, while everyone waited to see what she would say. Clouds sailed slowly across the sun, turning everything dark and light and dark again. To Grover, it seemed like ages they all stood there, holding their breath. He resigned himself to being late for school and started thinking up creative excuses. The front door of his house had stuck and he couldn’t get it open? His father needed him to help fish drowned rats out of flooded basements? His knee had popped out of joint and stayed out for half an hour? Finally Mrs. Beeson turned to face them. “Well, it just goes to show,” she said. “We never used to have people breaking windows and stealing things. For all our hard work, we’ve still got bad eggs among us.” She gave an exasperated sigh, and her breath made a puff of fog in the chilly air. “If this is someone’s idea of fun, that person should be very, very ashamed of himself. This is no time for wild, stupid behavior.” “It’s probably kids,” said a man standing near Grover. Why did people always blame kids for things like this? As far as Grover could tell, grown-ups caused a lot more trouble in the world than kids. “On the other hand,” said Mrs. Beeson, “it could be a threat, or a warning. We’ve heard the reports about someone wandering around in the hills.” She glanced back at the bloody rag hanging in the window. “It might even be a message of some sort. It looks to me like that stain could be a letter, maybe an S, or an R.” Grover squinted at the stain on the cloth. To him it looked more like an A, or maybe even just a random blotch. “It might be a B,” said someone standing near him. “Or an H,” said someone else. Mrs. Beeson nodded. “Could be,” she said. “The S could stand for sin. Or if it’s an R it could stand for ruin. If you’ll let me have that piece of cloth, Ralph, I’ll show it to Althea and see if she has anything to say about it.” Just then Wayne Hollister happened to pass by, saw the crowd, and chimed in about what he’d seen in the night. His story frightened people even more than the blood and the broken glass. All around him, Grover heard them murmuring: Someone’s out there. He’s given us a warning. What does he mean to do? He’s trying to scare us. One woman began to cry. Hoyt McCoy, as usual, said that Brenda Beeson should not pronounce upon things until she was in full possession of the facts, which she was not, and that to him the
Jeanne DuPrau (The Prophet of Yonwood (Book of Ember #3))
We continue, however, to need "elephants" in order for us to use Berkshire’s flood of incoming cash. Charlie and I must therefore ignore the pursuit of mice and focus our acquisition efforts on much bigger game. Our exemplar is the older man who crashed his grocery cart into that of a much younger fellow while both were shopping. The elderly man explained apologetically that he had lost track of his wife and was preoccupied searching for her. His new acquaintance said that by coincidence his wife had also wandered off and suggested that it might be more efficient if they jointly looked for the two women. Agreeing, the older man asked his new companion what his wife looked like. ‘She’s a gorgeous blonde,’ the fellow answered, ‘with a body that would cause a bishop to go through a stained glass window, and she’s wearing tight white shorts. How about yours?’ The senior citizen wasted no words: ‘Forget her, we’ll look for yours.
Mark Gavagan (Gems from Warren Buffett: Wit and Wisdom from 34 Years of Letters to Shareholders)
After I paid my admission fee, I saw that the reptile enclosures were kept perfectly clean--the snakes glistened. I kept rescued animals myself at home. I knew zoos, and I knew the variety of nightmares they can fall into. But I saw not a sign of external parasites on these animals, no old food rotting in the cages, no feces or shed skin left unattended. So I enjoyed myself. I toured around, learned about the snakes, and fed the kangaroos. It was a brilliant, sunlit day. “There will be a show at the crocodile enclosures in five minutes,” a voice announced on the PA system. “Five minutes.” That sounded good to me. I noticed the crocodiles before I noticed the man. There was a whole line of crocodilians: alligators, freshwater crocodiles, and one big saltie. Amazing, modern-day dinosaurs. I didn’t know much about them, but I knew that they had existed unchanged for millions of years. They were a message from our past, from the dawn of time, among the most ancient creatures on the planet. Then I saw the man. A tall, solid twentysomething (he appeared younger than he was, and had actually turned twenty-nine that February), dressed in a khaki shirt and shorts, barefoot, with blond flyaway hair underneath a big Akubra hat and a black-banded wristwatch on his left wrist. Even though he was big and muscular, there was something kind and approachable about him too. I stood among the fifteen or twenty other park visitors and listened to him talk. “They can live as long as or even longer than us,” he said, walking casually past the big saltwater croc’s pond. “They can hold their breath underwater for hours.” He approached the water’s edge with a piece of meat. The crocodile lunged out of the water and snapped the meat from his hand. “This male croc is territorial,” he explained, “and females become really aggressive when they lay eggs in a nest.” He knelt beside the croc that had just tried to nail him. “Crocodiles are such good mothers.” Every inch of this man, every movement and word exuded his passion for the crocodilians he passed among. I couldn’t help but notice that he never tried to big-note himself. He was there to make sure his audience admired the crocs, not himself. I recognized his passion, because I felt some of it myself. I spoke the same way about cougars as this Australian zookeeper spoke about crocs. When I heard there would be a special guided tour of the Crocodile Environmental Park, I was first in line for a ticket. I had to hear more. This man was on fire with enthusiasm, and I felt I really connected with him, like I was meeting a kindred spirit. What was the young zookeeper’s name? Irwin. Steve Irwin.
Terri Irwin (Steve & Me)
I noticed the crocodiles before I noticed the man. There was a whole line of crocodilians: alligators, freshwater crocodiles, and one big saltie. Amazing, modern-day dinosaurs. I didn’t know much about them, but I knew that they had existed unchanged for millions of years. They were a message from our past, from the dawn of time, among the most ancient creatures on the planet. Then I saw the man. A tall, solid twentysomething (he appeared younger than he was, and had actually turned twenty-nine that February), dressed in a khaki shirt and shorts, barefoot, with blond flyaway hair underneath a big Akubra hat and a black-banded wristwatch on his left wrist. Even though he was big and muscular, there was something kind and approachable about him too.
Terri Irwin (Steve & Me)
Mrs. Ruchet was a big, imposing woman with short, curly, blonde hair tangled wildly around her oval face. She spent most of her days sitting on her couch, her two huge legs propped on a dark green cushion in front of her, watching soap operas on television, all the while hating the actresses for being so thin.
Anna Adams (A French Girl in New York (The French Girl, #1))
When I was a little girl, I had short black hair with small tight curls. Just as soon as you stretched them out with a comb, they snapped back into place like tiny springs. I wished for wavy tresses, blonde, that swayed to the rhythm of my movements. I yearned for hair like that of the girls who lived in the big houses that my mother cleaned. My
Wame Molefhe (Go Tell the Sun)
What if they find the car?” “They’ll find it, and they’ll throw a blanket over Panama City Beach. You’ve got to be careful. After dark, try to sneak into a drugstore and buy some hair dye. Cut your hair extremely short and dye it blond.” “Blond!” “Or red. I don’t give a damn.
John Grisham (The Firm)
Now you have to start telling me exactly what happened.” Lindsay knew that Charlie had hooked up with a blonde bartender on this trip and she had only heard the short version of the story. “Don’t worry I’m going to tell you all about it.” Charlie moved her hair from her shoulder and kissed it tenderly. “But I want to know.” Lindsay squirmed and turned around to face him. She wanted to know how the girl looked, what all they did, whether she knew if he was married… everything. She wanted to know exactly how Charlie had fucked her; whether or not he had been kind in the first few moments as he tended to be, or if he had rammed his cock inside her, making her scream a little. “I want to know if you hurt her.” Lindsay had her head nestled under his chin and she looked up at him with
Ella Gottfried (Swingers: 2 More: 70 Books SIZZLE Collection: MMF, FFM, and Group Fun)
We went everywhere. I gave him the grand tour, the best the Pacific Northwest has to offer, which is nothing short of spectacular. Everything revolved around wildlife. We hiked the Coast Range out of my parents’ beach cabin to look for black bears, and traveled to eastern Oregon to see white-tailed deer, coyotes, and the eastern Oregon antelope, animals that Steve had never experienced before. He skied Mount Bachelor. I wasn’t much of a skier, so I went off to track down wildlife while he had a great time on the slopes. Meeting him at the lodge afterward, I had to head off a leggy blonde who was intent on teaching Steve how to use an American pay phone. Not the kind of wildlife I was interested in him experiencing.
Terri Irwin (Steve & Me)
Hands grab me, steady me. I jerk back, but they are surprisingly gentle. He doesn’t smile as I turn to see his face. He just stands there, letting me inspect him. He’s tall with a wide forehead and dark blond hair that’s cut short. His green eyes are deeply set beneath that forehead. His lips are wide and rugged like the rest of him. His hands have huge knuckles like he’s a boxer or arthritic or hits walls. He looks like he did when he pulled me out of the car, but stronger, taller somehow. He must be completely healed. He looks my age and he looks good, like the guy in high school that everyone, even the teachers, fall in love with.
Carrie Jones (Captivate (Need, #2))
sounded like another language entirely. I felt relieved, momentarily, to be a relatively worldly Lubavitcher, even if I didn’t entirely fit in with the Crown Heights crowd. — Much to my disappointment, Miri was rarely to be seen. Most days she left the apartment around ten in a giddy rush and returned in the early evening with armloads of shopping bags, only to leave again for dinner with her friends. But one morning, when Leah was otherwise engaged, I was finally recruited for shomeres service. We were going to Ratfolvi’s, in Flatbush, to pick up the sheitel that Miri would be required to wear as a married woman. Pulling up to a residential building, we let ourselves into Mrs. Ratfolvi’s wig shop/apartment and sat down in the reception area, where four or five women were chatting away on a damask sofa and chairs. While we waited our turn, I examined the rows of wigs on display: there were various shades of brunette, blonde, and ginger; short, teased bouffants and glamorous, shoulder-length falls; wigs encased in rollers and wigs that were fully styled, needing nothing more than a final shpritz of hair spray. They were set upon Styrofoam heads complete with turned-up noses, high cheekbones, and luscious lips that looked like they could come alive at any moment. I longed to get my hands on a brush and a pair of scissors so that I could create my own visions of tonsorial loveliness. I did this from time to time to my dolls, to my mother’s great irritation, and here was a whole wall of victims. When Miri’s name was called, she plunked herself into the salon chair and pulled the silk scarf off her ponytail. I stood as close as I could without getting in the way. From conversations that I’d overheard between my mother and her sisters, I knew that Mrs. Ratfolvi was considered “the best,” and I was eager to watch her at work. The “rat” in her name had led me to expect someone old and unattractive, but she was actually a nicely put-together middle-aged woman. The receptionist brought over a plastic case about the size of a chubby toddler. In one expert motion, Mrs. Ratfolvi clicked it open, withdrew the fully styled wig on its Styrofoam head
Chaya Deitsch (Here and There: Leaving Hasidism, Keeping My Family)
He was grateful to have a big cooking job ahead to take his mind off things. He was making his lists, getting out his recipes. And he stopped shaving his head the day she left. Within four days a cap of short black hair covered his dome. “What’s going on with this?” Mel laughed, reaching up and rubbing a hand over his bristly, dark head. “Head’s cold,” he said. “I like it. Do you grow it in every winter?” “Head hasn’t been this cold on other winters,” he said. And he hadn’t been infatuated with a woman who had cut hair for a living other winters, either. “Have you told Paige you have hair on your head?” “Why would I do that?” he asked her. She shrugged. “I guess things that pass as news to women are not quite as interesting to men,” she said. “Have you heard from her this week?” she asked. “She called. She says they’re having a nice visit. Her friend has a dog and Chris is crazy about the dog.” He wiped down the counter. “You think a dog would get in the way around here?” She laughed at him. “Preacher, what’s that matter? You just miss them so much?” “Nah, it’s all good,” he said. “Paige hasn’t seen her friend in years.” “He’s killing me,” Mel told Jack. “Look at him—he’s miserable. He’s so in love with her he can’t think. But will he say anything? To anyone? And seeing him without that little blond angel riding his shoulders is kind of like seeing him with an amputation. He needs to call her—tell her he misses her.” Jack lifted an eyebrow and peered at his wife. “You don’t want to get into that,” he said. “He might try to break your jaw.” At
Robyn Carr (Shelter Mountain (Virgin River, #2))
Not a morning person, is she?” a lazy voice drawled. Maddie dropped her hand to stare into Sam Roberts’s amused face. He sat across from Mitch, long, denim-clad legs stretched out, one hand hugging a coffee cup. Of course. What was breakfast with Mitch if not another new humiliation? This town was custom-made to put her in awkward situations. She glared at Mitch, who grinned like the cat who ate the canary. “Do you ever have breakfast alone?” He shrugged. “They’re big fans of the drop-in.” “From the looks of her, she should be in a much better mood,” Sam said, clearly entertained. Maddie crossed her arms over her breasts. She might as well be naked in her skimpy tank top and cotton shorts. “No need to be shy.” Sam winked at her. “I saw you last night, although you were considerably less rumpled.” She rolled her eyes. “Isn’t it polite to allow a girl some dignity?” “What do you mean, last night?” Mitch asked at the same time, eyes narrowed on Sam. A muscle jumped in his forearm as his fingers tightened around his mug. “Don’t even tell me that’s what you were wearing.” “I was sitting on the front porch when he came home.” She ran her hand through her disheveled hair, getting caught in the wild mass of tangles. Sam gave Mitch a sly, devious smile. “Not my fault you left her alone for just anyone to come take a peek.” Mitch’s attention snapped to Maddie. She refused to fidget under his scrutiny. One golden brow rose. Maddie huffed. “I don’t need to explain myself to you.” “Hmmmm . . .” Mitch gave her a through once-over. Maddie’s chin shot up. “This is your fault, not mine!” Sam scrubbed his blond, stubbled jaw. “She’s got a point.” “I suppose she does,” Mitch said, but his tone spoke of a different story. Those amber eyes told her without words that she’d be paying later with his own delicious brand of torture. She
Jennifer Dawson (Take a Chance on Me (Something New, #1))
While reading some old articles to jog my memory for this book, I came across an article in the Chicago Sun-Times by Rick Kogan, a reporter who traveled with Styx for a few concert dates in 1979. I remember him. When we played the Long Beach Civic Center’s 12,000-seat sports arena in California, he rode in the car with JY and me as we approached the stadium. His recounting of the scene made me smile. It’s also a great snapshot of what life was like for us back in the day. The article from 1980 was called, “The Band That Styx It To ‘Em.” Here’s what he wrote: “At once, a sleek, gray Cadillac limousine glides toward the back stage area. Small groups of girls rush from under trees and other hiding places like a pack of lions attacking an antelope. They bang on the windows, try to halt the driver’s progress by standing in front of the car. They are a desperate bunch. Rain soaks their makeup and ruins their clothes. Some are crying. “Tommy, Tommmmmmmmmy! I love you!” one girl yells as she bangs against the limousine’s window. Inside the gray limousine, James Young, the tall, blond guitarist for Styx who likes to be called J.Y. looks out the window. “It sure is raining,” he says. Next to him, bass player Chuck Panozzo, finishing the last part of a cover story on Styx in a recent issue of Record World magazine, nods his head in agreement. Then he chuckles, and says, “They think you’re Tommy.” “I’m not Tommy Shaw,” J.Y. screams. “I’m Rod Stewart.” “Tommy, Tommmmmmmmmy! I love you! I love you!” the girl persists, now trying desperately to jump on the hood of the slippery auto. “Oh brother,” sighs J.Y. And the limousine rolls through the now fully raised backstage door and he hurries to get out and head for the dressing room. This scene is repeated twice, as two more limousines make their way into the stadium, five and ten minutes later. The second car carries young guitarist Tommy Shaw, drummer John Panozzo and his wife Debbie. The groupies muster their greatest energy for this car. As the youngest member of Styx and because of his good looks and flowing blond hair, Tommy Shaw is extremely popular with young girls. Some of his fans are now demonstrating their affection by covering his car with their bodies. John and Debbie Panozzo pay no attention to the frenzy. Tommy Shaw merely smiles, and shortly all of them are inside the sports arena dressing room. By the time the last and final car appears, spectacularly black in the California rain, the groupies’ enthusiasm has waned. Most of them have started tiptoeing through the puddles back to their hiding places to regroup for the band’s departure in a couple of hours.” Tommy
Chuck Panozzo (The Grand Illusion: Love, Lies, and My Life with Styx: The Personal Journey of "Styx" Rocker Chuck Panozzo)
A blond hard-core jogger dressed in tight magenta shorts and a much-tested white sports bra jogged by his car. She looked inside and smiled at him. Myron smiled back. The bare midriff. You take the good with the bad. Across
Harlan Coben (One False Move (Myron Bolitar, #5))
dainty blond in a skirt that’s much too short for the season, holding his hand. It may be spring, but that doesn’t mean she has to get ready to let the boy help her eggs hatch. “Who
Xavier Neal (Suffocate (Senses, #8))
Some of these kids are just plain trouble.” Grant glanced over at the boys sitting in the glass-walled box. Mac had been like that, all anger and confusion. He’d been in juvie too, arrested for possession after falling into a gang. Grant was gone. Mom was sick. Dad was a mess. Looking back, Grant wondered if dementia was beginning to take hold back then and no one recognized the symptoms. Lee had been the one who’d coped with Mac’s drug and delinquency problems, and Mom’s deathbed talk had snapped her youngest out of it. A program like this might have helped his brother. “Who knows what those boys have had to deal with in their lives.” Corey’s eyes turned somber. “We’re all sorry about Kate.” Reminded of Kate’s death, Grant’s chest deflated. “And thanks for the help,” Corey said. “These boys can be a handful.” “Is your son on the team?” “No.” Corey nodded toward the rink. A pretty blond teenager executed a spinning jump on the ice. Corey beamed. “That’s my daughter, Regan. She’s on the junior figure skating team with Josh’s daughter, the one in black. The hockey team has the next slot of ice time.” “The girls look very talented.” Even with an ex-skater for a sister-in-law, Grant knew next to nothing about figure skating. He should have paid attention. He should have known Kate better. Josh stood taller. “They are. The team went to the sectional championships last fall. Next year, they’ll make nationals, right, Victor?” Josh gestured toward the coach in the black parka, who had deposited the offenders in the penalty box and was walking back to them. “Victor coaches our daughters.” Joining them, Victor offered a hand. He was a head shorter than Grant, maybe fifty years old or so, with a fit body and salt-and-pepper hair cut as short and sharp as his black eyes. “Victor Church.
Melinda Leigh (Hour of Need (Scarlet Falls, #1))
A weathered black and silver Dodge pickup towing a small motorboat pulled up behind us, and Alex circled back to greet the driver. I couldn’t see who sat behind the crusted and dirty windshield, but Alex stood at the driver’s window and pointed down the block where the boulevard disappeared into floodwater. The truck pulled ahead, maneuvered a deft U-turn, and backed toward the water. Alex motioned for me to follow. By the time I lurched my way to the truck, he and the pickup driver were sliding the boat down the trailer ramp. Sweat trickled down my neck, and if I hadn’t been afraid of being poisoned by toxic sludge, I’d have made like a pig and wallowed in the mud to cool off. I kicked at a fire hydrant, trying to jolt some of the heaviest sludge off my boots, and heard a soft laugh behind me. With a final kick that sent a spray of brown gunk flying, I turned to see what was so funny. I needed a laugh. A man leaned against the side of the pickup with his arms crossed. He was a few inches shorter than Alex, maybe just shy of six feet, with sun-streaked blond hair that reached his collar and a sleeveless blue T-shirt and khaki shorts. His tanned legs between the bottom of the shorts and the top of sturdy black shrimp boots were scored with scars, bad ones, as if whatever made them meant to do serious damage. He’d been grinning when I turned around, flashing a heart-stopping set of dimples, but when he saw my eyes linger on his legs, the grin eased into something more wary.
Suzanne Johnson (Royal Street (Sentinels of New Orleans, #1))
Not yet, Baird,” the one beside him cautioned. He was as tall as his friend and just as muscular but he had short, spiky blond hair that complimented his pale blue eyes. “Can’t wait much longer.” Long, strong fingers curled into a fist as though the amber-eyed male could grasp the slender figure in his hand and hold her through sheer force of will. “Been dreaming about her every night, Sylvan. I ache for her.” “What does she look like?” There was genuine curiosity in the question. Though Baird had never seen her outside his dreams, Sylvan had no doubt he could describe his chosen female to the last detail. “So fuckin’ beautiful it hurts to look at her. Yellow hair like yours but longer—more golden. And her eyes…” Baird shook his head. “Like jewels. A pale grey that’s almost silver.” “You find these human women appealing then?” “Only her—she’s the only one I can see.” The amber eyes stared hungrily across the road. “I need her soon. Need to be with her. In her.” “You’re sure she’s the one?” Sylvan stared doubtfully at the woman silhouetted in the window. She was humming softly to herself but despite the distance and the pane of glass between them he could hear her perfectly and knew Baird could too. As attuned as his half brother was to this human female, he could probably hear her heartbeat even from across the street. “I know she’s the one.” There wasn’t a shred of doubt in the deep, rumbling voice. “Didn’t I tell you we’ve been dream-sharing? And her scent…” He inhaled deeply and his dark gold eyes were suddenly half-lidded with desire. “It’s her all right and she’s ripe for bonding. I want her.” “I know you do, but Baird…” The other male shifted from foot to foot uneasily. “You haven’t been back that long—only three days and it’s a miracle you escaped alive. Don’t you think it might be a good idea to wait a while? To take some time to recover?” “Waited long enough,” was the rumbling reply. “Six months in that hell hole and the only thing keeping me alive and sane were the dreams I had of her. I won’t wait any longer—she’s mine, whether she knows it yet or not.” “You’ll scare her,” his half-brother objected. “Human women are frightened enough of us as it is.” “I won’t hurt her. Just need to take her—bond her.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
Olivia? Lilenta?” He tried to keep the anxiety out of his voice as he went to her but he couldn’t quite manage it. Every cell in his body was screaming that she was his to protect, to comfort and hold and shield from danger and pain. The look of obvious discomfort on her face made his stomach knot with tension. Olivia tried to wave him away. “I’m all right. It’s just the glass in my foot—I think it’s shifted. It, uh, really kind of hurts. A lot.” Baird didn’t need to hear any more. Paying no attention to her half formed protests he swung her up in his arms again and turned to Sylvan. “We need to get her to a med station. Now.” “There’s one at the far entrance. This way.” The big male nodded his blond, spiky head in the direction of the docking bay doors, motioning for Baird to follow him. “Wait a minute!” Olivia protested as they walked along swiftly, uniform boots echoing in the cavernous metal space that was filled with short-distance space-going craft similar to their own. Baird frowned at her. “I can’t wait. Not when you’re in pain.” She looked exasperated. “Look, I’m sorry if I overreacted. It’s just a little sliver of glass.” “Nothing that hurts you is little to me,” Baird told her shortly. When would she understand that her pain was his? A Kindred male couldn’t rest if his mate was in any kind of discomfort. He had to do everything in his power to ease her and bring her relief—the same way he would do everything in his power in the bedroom to pleasure her. “But
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
He looked as handsome as ever and even bigger than she remembered, if that was possible. Did he grow or something? No, probably not. He’s just freaking huge is all. She wished the Kindred weren’t so physically imposing. Sylvan’s shoulders were fully twice as broad as her own and the muscles bulging under his uniform shirt made it clear he was strong enough to break her in half with one hand. Not that she thought he would hurt her but it certainly would have been easier to kiss him if he was more normal sized instead of being so ginormous. He was wearing black tight fitting pants identical to Baird’s, but instead of deep crimson, the material of his uniform shirt was a pale azure blue that complemented his eyes. His hair was a darker shade of blond than Olivia’s and it was still cut short and spiky. Looking at him, Sophie couldn’t help thinking that despite the severe cut, his hair looked like it would be soft to touch. In fact, she could almost feel the feathery brush of those blond spikes whispering against her fingers… She snapped out of the strange fantasy in time to realize two things. One, the ceremony was almost over—in fact, Baird had Olivia bent over one arm and was kissing her for all he was worth. And two, she’d been staring at Sylvan and he was staring right back with an unreadable look in his pale eyes. Sophie dropped her gaze quickly, feeling her cheeks get even hotter.
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
Beast. Born Catcher Coffey—isn't that a great name?—in Nashville, Tennessee, the man's a former MMA champion turned Death by Daybreak henchman. He's tall, wide, muscular, and covered in tattoos and piercings. Like, model for GQ level bad boy. One half of his head is buzzed short, the rest of his dirty blonde hair combed over to one side. With the beard, the nose ring, and the massive black and red eclipse tattoo on his right arm, he looks like a fucking beast.
C.M. Stunich (I Was Born Ruined (Death by Daybreak MC #1))
Thus to this day, Europe’s elite discourse often depicts America not as proletarian, which at least to leftist Europeans has the connotation of authenticity, but rather as commodified, commercial, vulgar—values that exude inauthenticity, plasticity, and heteronomy. European elites’ image of America as “Las Vegas,” “Disneyland,” basically as “white trash”—or what the British call “chav”— has a distinguished pedigree: gaudy jewelry, expensive-but-tacky clothes, garish makeup, platinum blond hair, tattoos, vulgar demeanor, in short inauthentic and kitschy glitter best captured by the term “uncouth.” This disparaging image of America cultivated by European elites was also linked to how the young United States embodied modern capitalism hostile to an aristocratic order.
Andrei S. Markovits (Uncouth Nation: Why Europe Dislikes America (The Public Square Book 5))
Sergeant Joe Washington watched from the southern end of the Victoria Bridge as arm in arm they came, a ribbon of colour braided between the metal arches of the bridge that spanned the oily river. Loose-limbed girls with bobbed hair or tight curls pasted to their foreheads, giggling and nudging each other, arms linked. Bobby-soxers and dames, broads and beauties. Blondes, brunettes, redheads. Long evening dresses shimmered under the weak lights of the evening brownout, short skirts twirled. Every now and then a slim figure was in uniform, the drab green and khaki of the AWAS relieved by a sprig of mimosa or a pink-throated orchid pinned to the collar.
J.P. Powell (The Brisbane Line)
Her deeply tanned skin and dark gray eyes made people look at her, then look at him. She’d always kept her hair cut short, but that year it had grown into loose curls with so much gray and blond moving through it. They didn’t match, the two of them. When he held his arm against hers and asked why, she laughed and said, The black ancestors beat the crap out of the white ones and said, Let this baby on through.
Jacqueline Woodson (Red at the Bone)
Her hair was straight and naturally blond, which is to say a light, innocuous brown, and cut short, just below her ears, with little bangs like a schoolgirl’s. She liked to think that she looked like a gamine, but that probably wasn’t true anymore, if it ever had been.
Emma Straub (Modern Lovers)
His torso was a perfect "V" of golden skin and muscle; his slim hips, whiter than the rest of him, tapered to thighs and calves that could have been turned on a lathe, and these were dusted all over with fair hair that glinted in the low sunlight. The hair on his head was cropped short and beacon-bright, but the features of his face were nearly indistinct from where she watched. Given the glory of the rest of him, they scarcely seemed to matter. The man's beauty was, in fact, an assault, and a peculiar tangle of shock and delight and yearning began to beat inside her like a secret, second heart. And then the man stretched his arms upward, arching his back indolently; exposing the dark fluffs under his arms, and this, somehow, seemed more erotic and intimate than the rest of his naked body combined. Susannah had seen paintings and statues of naked men, for heaven's sake, but none of them had ever sported fluffy hair beneath their arms. In fact, the sheer easiness with which this man wore all his raw beauty frightened her a little. He was like someone too casually wielding a weapon. She fumbled her sketchbook open. Quickly, roughly, she sketched him: the upraised arms, the curves of his biceps and legs and the planes of his chest, and when he turned, the darker hair that curled between his legs and narrowed up to a frayed silvery-blond line over his flat stomach. Nestled right between his legs were, of course, his... male parts...which looked entirely benign at the moment, really, at least from this distance. She sketched those, too, as she intended to be thorough, hardly thinking of them as anything other than part of her drawing.
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
She's receiving Dr. Sheldon Lord in audience just at the moment," Marshall said. "I don't see why you shouldn't go on to the Throne Room, though. He's giving her some psychological tests, but they ought to be finished in a minute or two." "Fine," Malone said. "How about court dress? Got anything here that might fit me?" Marshall nodded. "We've got a pretty complete line of court costume now," he said. "I should say it was the most complete in existence--except possibly for the TV historical companies. Down the hall, three doors farther on, you'll find the dressing room." * * * * * Malone thanked Dr. Marshall and went out slowly. He didn't really mind the court dress or the Elizabethan etiquette Her Majesty liked to preserve; as a matter of fact, he was rather fond of it. There had been some complaints about expense when the Throne Room and the costume arrangement were first set up, but the FBI and the Government had finally decided that it was better and easier to humor Her Majesty. Malone spent ten minutes dressing himself magnificently in hose and doublet, slash-sleeved, ermine-trimmed coat, lace collar, and plumed hat. By the time he presented himself at the door to the Throne Room he felt almost cheerful. It had been a long time since he had entered the world of Elizabethan knighthood over which Her Majesty held sway, and it always made him feel taller and more sure of himself. He bowed to a chunkily-built man of medium height in a stiffly brocaded jacket, carrying a small leather briefcase. The man had a whaler's beard of blond-red hair that looked slightly out of period, but the costume managed to overpower it. "Dr. Lord?" Malone said. The bearded man peered at him. "Ah, Sir Kenneth," he said. "Yes, yes. Just been giving Her Majesty a few tests. Normal weekly check, you know." "I know," Malone said. "Any change?" "Change?" Lord said. "In Her Majesty? Sir Kenneth, you might as well expect the very rocks to change. Her Majesty remains Her Majesty--and will, in all probability, throughout the foreseeable future." "The same as ever?" Malone asked hopefully. "Exactly," Lord said. "But--if you do want background on the case--I'm flying back to New York tonight. Look me up there, if you have a chance. I'm afraid there's little information I can give you, but it's always a pleasure to talk with you." "Thanks," Malone said dully. "Barrow Street," Lord said with a cheery wave of the briefcase. "Number 69.
Randall Garrett (The Best of Randall Garrett: 43 Novels and Short Stories (Unexpurgated Edition) (Halcyon Classics))
Oh, you want to stay.” He leans in, eyebrows raised like he’s passing on a secret. “You gotta see this dancer they got for me.” “What?” The blood congeals in my veins and then rushes hot like boiling poison. “What dancer?” “You know I love short chicks, right?” A grin complements his All-American look, the blonde hair and blue eyes. “She’s all curves and muscles and kinda Asian eyes. I—” “Stop. I gotta stop you before I have to punch you in the face.” I run agitated hands through my hair. “The dancer’s mine. She’s my girlfriend.
Kennedy Ryan (My Soul to Keep (Soul, #1))