Blocks Game Quotes

Katniss," Gale says softly. I recognize that voice. It's the same one he uses to approach wounded animals before he delivers a deathblow. I Instinctively raise my hand to block his words but he catches it and holds on tightly. Don't," I whisper. But Gale is not one to keep secrets from me. Katniss, There is no District Twelve.

Transformation is my favorite game and in my experience, anger and frustration are the result of you not being authentic somewhere in your life or with someone in your life. Being fake about anything creates a block inside of you. Life can’t work for you if you don’t show up as you.

Are you kidding?” I stop in the middle of the kitchen. Spin around. My face is pulled together in disbelief. “You’ve spoken to me maybe once in the two weeks I’ve been here. I hardly even notice you anymore.” “Okay, hold up,” he says, turning to block my path. “We both know there’s no way you haven’t noticed all of this” — he gestures to himself — “so if you’re trying to play games with me, I should let you know up front that it’s not going to work.” “What?” I frown. “What are you talking abou—” “You can’t play hard to get, kid.” He raises an eyebrow. “I can’t even touch you. Takes ‘hard to get’ to a whole new level, if you know what I mean.” “Oh my God,” I mouth, eyes closed, shaking my head. “You are insane.” He falls to his knees. “Insane for your sweet, sweet love!

Answer me, James!” Will shouted. “Why have you blocked this door? I demand to know what’s going on!” “James isn’t here!” Matthew called, moving closer to him. “Go away!” James looked at Matthew, puzzled. “Really?” “I heard breaking glass!” Will called. “I was practicing fighting moves!” Matthew answered. “In the ballroom?” “We’re trying to distract Thomas! It’s been a very emotional day!” Matthew shouted back. “What?” Will’s voice was incredulous. “Don’t you blame this on me!” Thomas whispered.

This is a touch game. There are times when you've got to play hurt when you've got to block out the pain.

The inner work that must be done will not always be easy and the road will not always be smooth, but it is vital to do the work of shedding the stories that are the true source of suffering.

I reach out and take his hand. “Well, he probably used up a lot of resources helping me knock you out,” I say mischievously. “Yeah, about that,” says Peeta, entwining his fingers in mine. “Don’t try something like that again.” “Or what?” I ask. “Or . . . or . . .” He can’t think of anything good. “Just give me a minute.” “What’s the problem?” I say with a grin. “The problem is we’re both still alive. Which only reinforces the idea in your mind that you did the right thing,” says Peeta. “I did do the right thing,” I say. “No! Just don’t, Katniss!” His grip tightens, hurting my hand, and there’s real anger in his voice. “Don’t die for me. You won’t be doing me any favors. All right?” I’m startled by his intensity but recognize an excellent opportunity for getting food, so I try to keep up. “Maybe I did it for myself, Peeta, did you ever think of that? Maybe you aren’t the only one who . . . who worries about . . . what it would be like if. . .” I fumble. I’m not as smooth with words as Peeta. And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don’t want him to die. And it’s not about the sponsors. And it’s not about what will happen back home. And it’s not just that I don’t want to be alone. It’s him. I do not want to lose the boy with the bread. “If what, Katniss?” he says softly. I wish I could pull the shutters closed, blocking out this moment from the prying eyes of Panem. Even if it means losing food. Whatever I’m feeling, it’s no one’s business but mine. “That’s exactly the kind of topic Haymitch told me to steer clear of,” I say evasively, although Haymitch never said anything of the kind. In fact, he’s probably cursing me out right now for dropping the ball during such an emotionally charged moment. But Peeta somehow catches it. “Then I’ll just have to fill in the blanks myself,” he says, and moves in to me. This is the first kiss that we’re both fully aware of. Neither of us hobbled by sickness or pain or simply unconscious. Our lips neither burning with fever or icy cold. This is the first kiss where I actually feel stirring inside my chest. Warm and curious. This is the first kiss that makes me want another. But I don’t get it. Well, I do get a second kiss, but it’s just a light one on the tip of my nose because Peeta’s been distracted. “I think your wound is bleeding again. Come on, lie down, it’s bedtime anyway,” he says.

Everything in New York is a photograph. All the things that are supposed to be dirty or rough or unrefined are the most beautiful things. Garbage cans at the ends of alleyways look like they've been up all night talking with each other. Doorways with peeling paint look like the wise lines around an old feller's eyes. I stop and stare but can't stay because men always think I'm selling something. Or worse, giving something away. I wish I could be invisible. Or at least I wish I didn't look like someone they want to look at. They stop being part of the picture, they get up from their chess game and come out of the frame at me, blocking my view.

Why can't I remember our family Christmas, or a warm spring day, or anything that might have been pleasant? It is as though the filter of recall is itself altered, so that it blocks out everything but the darkest colors of the spectrum.

By spending time being abundant in the present, using the tactics and strategies I give you, such as playing the Money Game, you will start to break down resistance and prove to yourself that everything you want is already yours.

This game’s principal purpose is to expose your mind to the experience of firsthand evidence of money coming to you, with you not having to reach out for it. You may have to take action to formalise receiving the gift, but ideally you are not to reach out and look for it: it should just show up.

Maybe you aren't ready yet. I get it. This is a new situation, you want time to explore it, play with a block or two, eat some Play-Doh. I get it. Go wild. But one day, I'm going to make you mine.

The basic premise is that for any outcome to show up for you, there must be an alignment of our energy or emotions (energy in motion), our mindset and beliefs, and the actions that we are at least positioned to take with a clear intention in mind.

She made love with the freshness of an impatient virgin and the ingenuity of a sex-scarred whore.

She knew how much I needed her. And now she was teasing, playing games. I looked at her and watched her turn into a sex symbol in front of my eyes. She did not look sweet and virginal and lovely anymore. I looked at the very simple summer dress and saw breasts and belly and hips. I looked at her eyes and saw lust as naked as my own.

Life is full of games. Be a proactive player. Most importantly, know who is throwing at you, what and why. When you do, life becomes fun...

Your belief systems are what will ultimately dictate what is possible. Overcoming their limitations is not a matter of fighting it, but taking complete ownership, complete integration of all the belief systems that you have right now, and then simply making the choice to introduce inputs into your mental environment that support the truth of what you want to see.

I must go now." "Stay up the night with me! We'll go to the fish market. There are great noble monsters packed in ice. There are turtles, live ones, for famous restaurants. We'll rescue one and write messages on his shell and put him in the sea, Shell, seashell. Or we'll go to the vegetable market. They've got red-net bags full of onions that look like huge pearls. Or we'll go down to Forty-second Street and see the movies and buy a mimeographed bulletin of jobs we can get in Pakistan --" "I work tomorrow." "Which has nothing to do with it." "But I'd better go now." "I know this is unheard in America, but I'll walk you home." "I live on Twenty-third Street." "Exactly what I'd hoped. It's over a hundred blocks.

And no one cares. You kick and scream and cry out into the darkness, and no answer comes. You rage against the unfathomable injustice and two blocks away some guy watches a baseball game and scratches his balls.

Some people try to find things in this game that don't exist but football is only two things - blocking and tackling.

It was like when we were little kids and we played games on the ivy-covered hillside in the backyard. We were warriors and wizards and angels and high elves and that was our reality. If someone said, Isn’t it cute, look at them playing, we would have smiled back, humoring them, but it wasn’t playing. It was transformation. It was our own world. Our own rules.

I started with $50, and within 48 hours received just under $200 dollars in crypto currency that I had not been expecting. I went on over the coming months to refine the process through trial and error until today, I am able to call in thousands at a time that comes in the most weird and wacky ways.

Emotional exhibitionism is one block away from whoring for attention.

Relationships should always be a game of mix and match, not a puzzle that you have to perfectly snap into, or a Jenga tower that will collapse as soon as you try to wiggle one block out of place. Customizability is the best part, yet most people try so hard to make their relationship stick to its premade form, a one-size-fits-all shape. Many people don’t take advantage of their own freedom.

We should do something,” I said. “Can the something be play blind-guy video games while sitting on the couch?” “Yeah, that’s just the kind of something I had in mind.” So we sat there for a couple hours talking to the screen together, navigating this invisible labyrinthine cave without a single lumen of light. The most entertaining part of the game by was far trying to get the computer to engage with us in humorous conversation: Me: “Touch the cave wall.” Computer: “You touch the cave wall. It is moist.” Isaac: “Lick the cave wall.” Computer: “I do not understand. Repeat?” Me: “Hump the cave wall.” Computer: “You attempt to jump. You hit your head.” Isaac: “Not jump. HUMP.” Computer: “I don’t understand.” Isaac: “Dude, I’ve been alone in the dark in this cave for weeks and I need some relief. HUMP THE CAVE WALL.” Computer: “You attempt to ju—” Me: “Thrust pelvis against cave wall.” Computer: “I do not—” Isaac: “Make sweet love to the cave.” Computer: “I do not—” Me: “FINE. Follow left branch.” Computer: “You follow the left branch. The passage narrows.” Me: “Crawl.” Computer: “You crawl for one hundred yards. The passage narrows.” Me: “Snake crawl.” Computer: “You snake crawl for thirty yards. A trickle of water runs down your body. You reach a mound of small rocks blocking the passageway.” Me: “Can I hump the cave now?” Computer: “You cannot jump without standing.” Isaac: “I dislike living in a world without Augustus Waters.” Computer: “I don’t understand—” Isaac: “Me neither. Pause.

These ‘offer-block-accept’ games have a use quite apart from actor training. People with dull lives often think that their lives are dull by chance. In reality everyone chooses more or less what kind of events will happen to them by their conscious patterns of blocking and yielding.

Life was like being dragged through concrete in circles, wet and setting concrete that dried with each rotation of my unwilling body. As a child, I was light. It didn’t matter too much; I slid through it, and maybe it even felt like a game, like I was just playing in mud, like nothing about that slipperiness would ever change, not really. But then I got bigger and it started drying on me and eventually I turned into an uneven block, chipping and sparking on the hard ground, tearing off into painful chunks. I wanted to stay empty, like the eagle in the proverb, left to perch, my bones filled with air pockets, but heaviness found me and I couldn’t do anything about it. I couldn’t shake it off; I couldn’t transform it, evaporate or melt it. It was distinct from me, but it hooked itself into my body like a parasite. I couldn’t figure out if something was wrong with me or if this was just my life—if this was just how people felt, like concrete was dragging their flesh off their bones.

Your haters may stage fake games that they know you cannot win so that you may fail and put that blame on you and in turn doubt yourself.

Haymitch isn't thinking of arenas, but something else. "Johanna's back in the hospital." I assumed Johanna was fine, had passed her exam, but simply wasn't assigned to a sharp shooters' unit. She's wicked with a throwing axe but about average with a gun. "Is she hurt? What happened?" "It was while she was on the Block. They try to ferret out a soldier's potential weakness. So they flooded the street, " says Haymitch. This doesn't help. Johanna can swim. At least, I seem to remember her swimming around some in the Quarter Quell. Not like Finnick, of course, but none of us are like Finnick. "So?" "That's how they tortured her in the Capitol. Soaked her then used electric shocks," says Haymitch. "In the Block, she had some kind of flashback. Panicked, didn't know where she was. She's back under sedation." Finnick and I just stand there as if we've lost the ability to respond. I think of the way Johanna never showers. How she forced herself into the rain like it was acid that day. I had attributed her misery to morphling withdrawal. "You two should go see her. You're as close to friends as she's got," says Haymitch. That makes the whole thing worse. I don't really know what's between Johanna and Finnick, but I hardly know her. No family. No friends.Not so much as a token from District 7 to set beside her regulation clothes in her anonymous drawer. Nothing.

It goes on and on and on and eventually completely consumes my mind, blocking out memories and hopes of tomorrow, erasing everything but the present, which I begin to believe will never change. There

She is playing a game that she doesn't want to play, but can't seem to quit. As a player she wishes to see how the game concludes, but she also wishes the other player would retreat. She wants to win after-all and she makes for a sore loser, but her combatant uses his moves to keep her off-guard and primed for his advance. Should she block him, outmaneuver him, or just play dead until his back is turned? Isn't the last the way of the female?

six obvious ways to make an activity less convenient: •  Increase the amount of physical or mental energy required (leave the cell phone in another room, ban smoking inside or near a building). •  Hide any cues (put the video game controller on a high shelf). •  Delay it (read email only after 11:00 a.m.). •  Engage in an incompatible activity (to avoid snacking, do a puzzle). •  Raise the cost (one study showed that people at high risk for smoking were pleased by a rise in the cigarette tax; after London imposed a congestion charge to enter the center of the city, people’s driving habits changed, with fewer cars on the road and more use of public transportation). •  Block it altogether (give away the TV set).

I'm there to block your next move. This is a game

It be funny how the universe be blocking all your shots because you in the wrong game.

It is the desire for peace of mind that is the biggest block to happiness and peace….in fact, it is the only block. Or as Alan put it so perfectly, “The reason you want to be better is the reason why you aren’t.” Do you still think you can be happy by trying to be happy?

While a number of people have pointed out the various costs and drawbacks of sentience, few if any have taken the next step and wondered out loud if the whole damn thing isn't more trouble than it's worth. Of course it is, people assume; otherwise natural selection would have weeded it out long ago. And they're probably right. I hope they are. "Blindsight" is a thought experiment, a game of "Just suppose" and "What if". Nothing more. On the other hand, the dodos and the Steller sea cows could have used exactly the same argument to prove their own superioirity, a thousand years ago: "if we're so unfit, why haven't we gone extinct?" Why? Because natural selection takes time, and luck plays a role. The biggest boys on the block at any given time aren't necessarily the fittest, or the most efficient, and the game isn't over. The game is never over; there's no finish line this side of heat death. And so, neither can there be any winners. There are only those who haven't yet lost.

Victories are a byproduct of a larger vision. It begins with a question: How much do we owe one another? Each coach's and player's individual answer is one of the building blocks of The Streak. De La Salle separates itself from the competition because everyone from the head coach to the least accomplished player on the roster is willing to make the sacrifices necessary to be their absolute best.

And now it's your turn. You're the only one left, and I know you're here, somewhere. Maybe you're in the back of one of the closets, whimpering a prayer that I won't find you. Maybe you've holed up in some secret hiding place you've known about since childhood and are damning me to hell, hoping I'll grow tired of this game we're playing and just leave you alone. This IS a big house. But I am very thorough. You've been very patient as I've gone around blocking the doors and wedging the windows shut. I didn't hear a peep out of you, even though you must have known that each scrape of wood, each rattle of metal meant another escape route closed off. Maybe you've accepted that there is NO escape.

The majority of my generation decides to move back in with their parents after college. Unemployment, for them, is twice the national average. According to one 2011 study by the University of Michigan, many graduates aren’t even bothering to learn how to drive. The road is blocked, they are saying, so why get a license I won’t be able to use? We whine and complain and mope when things won’t go our way. We’re crushed when what we were “promised” is revoked—as if that’s not allowed to happen. Instead of doing much about it, we sit at home and play video games or travel or worse, pay for more school with more loan debt that will never be forgiven. And then we wonder why it isn’t getting any better.

Normal. What did normal mean, Ferguson asked himself , and why wasn't it normal for him to feel the way he did about wanting to kiss and make love to other boys, the sex of one-sex was just as normal and natural as the sex of two-sex sex, maybe even more normal and more natural because a cock was something boys understood better than girls, and therefore it was easier to know what the other person wanted without having to guess, without having to play the courtship and seduction games that could make the sex of two-sex sex confounding, and why did a person have to choose between one or the other, why block out one-half of the humanity in the name of normal or natural when the truth was that everyone was Both, and people and society and the laws and religions of people in different societies were just too afraid to admit it.

Look you wanna know the truth? I don’t really care about the stats or the cup or the trophy or anything like that. In fact even the games aren’t that important to me. What matters to me is the perfect throw, making the perfect catch, the perfect step and block. Perfection. That's what it's about. It's those moments. When you can feel the perfection of creation. The beauty the physics you know the wonder of mathematics. The elations of action and reaction and that is the kind of perfection that I want to be connected to.

Jack?" "Mmmm?" The band was playing a softer song, mellow and slow. "Why did you ask me out when you did?" I tried to sound casual. "What do you mean?" "I mean,did something specific happen to make you ask me out?" "Yes," he said. "What was it?" Had I thrown myself at Jack Caputo? Had I done something to get in Lacey's way? "You remember the first game of the season?" "Yeah," I said. It was Jack's first game as starting quarterback, the youngest starter in school history. I remembered sitting in the second row, directly behind the team bench. "After I threw for the first touchdown of the game?" "Yes." I still couldn't figure out where he was going with this.Had I flashed him or something,and blocked it out of my memory? I was pretty sure I wasn't holding up any large signs declaring my love or anything. "Our defense took the field, and I was on the bench.When I turned around to look at the fans..." He paused. Oh,no. "What did I do?" He smiled. "You looked at me.Not the game." He sighed,as if reliving the memory. I felt my face scrunch up in confusion. "That's it?" "That's it." He shrugged. "It was the first time I thought there might be a chance. I asked Jules about it." I bit my lip. "Apparently she doesn't understand that trusty sidekicks aren't supposed to spill secrets." In a flash,I was suspended in air, the back of my head inches from the ground, Jack's face a breath away from mine, his lips in a wicked grin. I gasped,more from surprise at the sudden dip than from fear. "There are no secrets between us,Becks." His smile remained,but his eyes were intense.

All I can say is that every time I'm with him, she's there. She walks through every game I play with him. She whispers behind me every time I talk to him. When we draw, she's there. When we build blocks, she's there. When I scold him, she's there. Whenever I look up, she's there.

Rhys, dance with us. You have to make up for this…blasphemy.” She gestured at where Ava was curled into Alex’s side while he wrapped a protective arm around her shoulders. Ava made a face; Alex’s expression didn’t so much as budge. I’d seen blocks of ice show more emotion than him.

It took Aaron a minute to find his voice again. He still sounded angry, but there was a muted edge to his, "You wouldn't even look at me. You wouldn't say a word to me unless I said something first. I'm not psychic. How was I supposed to know?" "Because I made you a promise," Andrew said. "I did not forget it just because you chose not to believe me. I did what I said I would do, and fuck you for expecting anything else." There it was again: a hint of that infinite anger at Andrew's core. Aaron opened his mouth, closed it again, and dropped his eyes. Andrew stared at his brother's bowed head for an endless minute. Aaron had given up the fight, but every passing second seemed to put more tension in Andrew's frame. Neil watched Andrew's fingers curl against his thighs, not into fists but a mimicry of crushing the life from someone, and knew Andrew's temper was nearing a breaking point. He put his hand up between them, trying to block Andrew's view of Aaron, and Andrew cut a vicious look at him. A heartbeat later Andrew's expression went dead. Neil regretted his intervention immediately. No one could let go of that much rage that easily; Andrew had simply buried it where it could hurt only him. It was too late to take it back, so Neil dropped his hand to his lap in defeat.

She broke slices of apple in tiny pieces and played the game she’d love as a little girl: feeding the ants. Bent double in the hot sun, she was a great god dropping manna from heaven with no more reason and logic than any human could ever discover. The ants stopped in their tracks before such food from paradise, showing their astonishment with agitated feelers at first. Then, human as people, they put such amazing gifts to practical use — they picked up the food and headed for home. If they met other ants at the corner or down the block, the word went out in Formic, and the newcomers came looking for manna too.

Intelligent machines with this capability would be able to look further into the future than humans can. They would also be able to take into account far more information. These two capabilities combined lead inevitably to better real-world decisions. In any kind of conflict situation between humans and machines, we would quickly find, like Garry Kasparov and Lee Sedol, that our every move has been anticipated and blocked. We would lose the game before it even started.

Death is inevitable. Our fear of it makes us play safe, blocks out emotion. It’s a losing game. Without passion you are already dead. Max Payne 2: The Fall of Max Payne

The process is about finishing. Finishing games. Finishing workouts. Finishing film sessions. Finishing drives. Finishing reps. Finishing plays. Finishing blocks. Finishing

You see, over the course of a game, luck tends to balance out, and it comes down to strategy....It all depends on those opening rolls of the die. If you're not rolling high, you'll need to start building walls to block your opponent. At any moment, everything can shift, but strength lies in knowing when to maintain your defences, and when it's safe to make a move.

Maesters and other scholars alike have puzzled over the greatest of the engimas of Sothoryos, the ancient city of Yeen. A ruin older than time, built of oily black stone, in massive blocks so heavy that it would require a dozen elephants to move them, Yeen has remained a desolation for many thousands of years, yet the jungle that surrounds it on every side has scarce touched it. (“A city so evil that even the jungle will not enter, ” Nymeria is supposed to have said when she laid eyes on it, if the tales are true). Every attempt to rebuild or resettle Yeen has ended in horror.

When you're depressed, it's like you pick up one of those shields in a video game, but instead of protecting your life power, it blocks you from being able to receive any affirmation or encouragement.

But I couldn’t block out the sound of his voice. “Hayden wasn’t the son I expected to have,” he said. “I’d imagined playing catch in the yard, watching football on the weekends, going fishing. The things I’d done with my dad; the things I do with Ryan. It was the only kind of relationship I knew how to have with a son.” His voice cracked. “But my second son didn’t enjoy any of those things. He loved music and video games and computers. I didn’t know how to talk to him. And now I’ll spend the rest of my life wishing I’d learned how.” He lowered his head, as if he were trying to hide the fact that he was crying.

The Block were not his enemy any more than the terror groups had been, however. They were just opponents in someone’s obscene game of chess. It was stupid for a knight to hate a pawn just because it flew a different flag.

As we reach the next corner, the entire block ahead of us lights up with a rich purple glow. We backpedal, hunker down in a stairwell, and squint into the light. Something’s happening to those illuminated by it. They’re assaulted by . . . what? A sound? A wave? A laser? Weapons fall from their hands, fingers clutch their faces, as blood sprays from all visible orifices — eyes, noses, mouths, ears. In less than a minute, everyone’s dead and the glow vanishes.

And we're not just talking high school students; this practice of hovering often begins before they've learned how to write. Kids used to grow up in a neighborhood-- on the block or in the parks, playing games with other kids. These games had rules, but the kids themselves determined them, flexing their imaginations. Social scientists called these activities -- capture the flag, bike races, pickup baseball games -- "free play, " and it's been steadily decreasing since the 1950s. Scientists have also noted a correlation between the decreasing amount of childhood free play—any play not directed by adults—and the increasing rates of anxiety and depression among kids. As free play decreases, anxiety increases.

The process is about finishing. Finishing games. Finishing workouts. Finishing film sessions. Finishing drives. Finishing reps. Finishing plays. Finishing blocks. Finishing the smallest task you have right in front of you and finishing it well.

When we are told what is healthy we are being told what is right to think and feel. When we are told what is mentally ill we are being told what ideas, behaviour, and fantasies are wrong. [...] The avenues of escape are blocked by the professioal abuse of pathologizing. To refuse the mental health approach confirms one's 'sickness'. One needs 'therapy', [...] How can we take back therapy [...] from a system which must find illness in order to promote health and which, in order to increase the range of its helping, is obliged to extend the area of sickness. Ever deeper pockets of pathology to be analyzed, ever earlier traumata: primal, prenatal, into my astral body; ever more people into the ritual: the family, the office force, community mental health, analysis for everyone. [...] Its practice may differ [...] but the premise is the same. The work of making soul requires professional help. Soul-making has become restricted by therapy and to therapy. And psychopathology has become restricted to therapy's negative definition of it, reduced to its role in the therapy game.

The paper was stiff. In red ink were the words HYENAS & TWIN TOWERS, and a game plan that called for the other team's good player to be triple-teamed while the two remaining defenders stayed under the basket, one on each block, to rebound the misses of the other team's bad players.

I meant “tribalism” in the widest sense of the word, as applied to race, religion, nationalism, or politics. George Orwell defined it as that “habit of assuming that human beings can be classified like insects and that whole blocks of millions or tens of millions of people can be confidently labelled ‘good’ or ‘bad.

Masters: Situation appears dire. Look around. Do you see any adults? Me: My ball size indicates I’m the adultest thing here. Me: I haven’t been rejected this hard since I tried to block the punt in that game against OSU last semester. Masters: My wife says rejection is good for you. Makes you mentally tough. Me: You love saying that phrase “my wife.” Masters: You bet your fat ass I do. Me: You don’t think it’s completely strange that you’re 21 and acting like a Taylor Swift song? Masters: Bro, sorry you feel left out. Stop by later and I’ll give you a hug. Me: Fuck off. Masters: I have MY WIFE to do that for me. Thanks, though. Hug still stands. I’ll even let you smell me. MY WIFE says I smell delicious. Me: I’ve smelled you before, which is why I’m not sure how you convinced Ellie to marry you. She must have defective olfactory senses. Masters: Me and MY defective WIFE will be getting it on tonight. While u have only Rosie Palm. Me: Don’t worry. I get plenty of variety. Left-hand Laura sometimes steps in. Masters: Heard you were out with Josie Weeks. Be careful. She eats little linebackers like you for breakfast. And the fact that I don’t even want to make a sexually charged comeback tells me exactly how I feel about Josie. Hope she doesn’t mind being just study partners.

I still get plenty anxious. The weird thing, and the unpleasant surprise for me, of proceeding well into the middle, perhaps even post-prime of my career is that writing books has not got any easier. And that doesn't seem fair. I mean, I've been doing it so surely I should be getting better at it, at least a little bit blasé... And it seems to be working absolutely the opposite. This book [Big Brother] I had no confidence in the entirety of its composition, and I only decided I liked it when I finished the very final draft. This means I'm in a state of semi-misery for a long time. And I can't blithely seem either that's some little game I'm playing with myself because, you know, you can easily come along and you don't like what's you're writing for good reason. Right? So, yeah, it's very anxious making, I don't think it's so much the becoming a little more successful, I think it's becoming slightly more aware of how much has already been written, and just becoming less self-impressed as the years go by. More impressed with some people who are better than I am, but... It doesn't wow me that I can write a sentence any more. It has to be a really good sentence. And... I think that's what potentially leads to paralysis in late career, is a kind of killing humility. Politics & Prose Bookstore in Washington, DC, on June 11, 2013

Fair?' the Emperor shouted, coming to stand over Gurgeh, blocking the view of the distant fire. 'Why does anything have to be fair? Is life fair?' He reached down and took Gurgeh by the hair, shaking his head. 'Is it? Is it?' Gurgeh let the apex shake him. The Emperor let go of his hair after a moment, holding his hand as though he'd touched something dirty. Gurgeh cleared his throat. 'No, life is not fair. Not intrinsically.' The apex turned away in exasperation, clutching again at the curled stone top of the battlements. 'It's something we can try to make it, though,' Gurgeh continued. 'A goal we can aim for. You can choose to do so, or not. We have. I'm sorry you find us so repulsive for that.

A woman cannot give a man his sense of maleness. He can desire her, but not identify with her. At best, she can give him a negative identification: I am the opposite of her. This can be very thrilling, but still leaves him deprived of an object of positive identification. (..) other men are brought in to fill the void. They provide contact with an element the inventor, consciously or not, knows he needs to assert himself as fully male. (..) By joining in their sexual games, the woman grants absolution and permission. It isn’t so much that these men use women to get to other men as that they need the woman to help break through the guilt barrier that blocks them from their feelings about other men.

the crap game in progress in the middle of the block, the scraps of obscene talk she heard as she passed the poolroom, the tough young boys with their caps on backward who swaggered by, were things that she saw with the eyes of an adult and reacted to from an adult’s point of view. It was impossible to know how this street looked to eight-year-old Bub.

She climbed down the cliffs after tying her sweater loosely around her waist. Down below she could see nothing but jagged rocks and waves. She was creful, but I watched her feet more than the view she saw- I worried about her slipping. My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of- the pure baptismal goal of it. Whoosh and you can start over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end? She was thinking reach the waves, the waves, the waves, and I was watching her navigate the rocks, and when we heard her we did so together- looking up in shock. It was a baby on the beach. In among the rocks was a sandy cove, my mother now saw, and crawling across the sand on a blanket was a baby in knitted pink cap and singlet and boots. She was alone on the blanket with a stuffed white toy- my mother thought a lamb. With their backs to my mother as she descended were a group of adults-very official and frantic-looking- wearing black and navy with cool slants to their hats and boots. Then my wildlife photographer's eye saw the tripods and silver circles rimmed by wire, which, when a young man moved them left or right, bounced light off or on the baby on her blanket. My mother started laughing, but only one assistant turned to notice her up among the rocks; everyone else was too busy. This was an ad for something. I imagined, but what? New fresh infant girls to replace your own? As my mother laughed and I watched her face light up, I also saw it fall into strange lines. She saw the waves behind the girl child and how both beautiful and intoxicating they were- they could sweep up so softly and remove this gril from the beach. All the stylish people could chase after her, but she would drown in a moment- no one, not even a mother who had every nerve attuned to anticipate disaster, could have saved her if the waves leapt up, if life went on as usual and freak accidents peppered a calm shore.

I pass a construction site, abandoned for the night, and a few blocks later, the playground of the elementary school my son attended, the metal sliding board gleaming under a streetlamp and the swings stirring in the breeze. There's an energy to these autumn nights that touches something primal inside of me. Something from long ago. From my childhood in western Iowa. I think of high school football games and the stadium lights blazing down on the players. I smell ripening apples, and the sour reek of beer from keg parties in the cornfields. I feel the wind in my face as I ride in the bed of an old pickup truck down a country road at night, dust swirling in the taillights and the entire span of my life yawning out ahead o me. It's the beautiful thing about youth. There's a weightlessness that permeates everything because no damning choices have been made, no paths committed to, and the road forking out ahead is pure, unlimited potential. I love my life, but I haven't felt that lightness of being in ages. Autumn nights like this are as close as I get.

With its wide, tree-lined boulevards and rich architectural heritage dating back over a thousand years, Paris had long been considered a jewel amongst Europe’s capital cities; a place that had inspired the dreams of romantics, artists and connoisseurs of every kind, from every country. But for Drake, crouched in the shadows of a dimly lit stairwell that smelled of stale urine and damp, it was an entirely different prospect. The rundown residential apartment block in which he found himself was, in contrast to the ornate architecture the city was known for, a product of cheap 1940s utilitarianism. Stark, bleak and inhabited by people who clearly wished they were living somewhere else, it certainly wasn’t the kind of place he’d visit by choice

My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of--the pure baptismal goal of it. Whoosh and you can start all over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end?

Read. You should read Bukowski and Ferlinghetti, read Sylvia Plath and Anne Sexton, and listen to Coltrane, Nina Simone, Hank Williams, Loretta Lynn, Son House, Robert Johnson, Howlin’ Wolf, Lightnin’ Hopkins, Miles Davis, Lou Reed, Nick Drake, Bobbie Gentry, George Jones, Jimmy Reed, Odetta, Funkadelic, and Woody Guthrie. Drive across America. Ride trains. Fly to countries beyond your comfort zone. Try different things. Join hands across the water. Different foods. New tasks. Different menus and tastes. Talk with the guy who’s working in construction on your block, who’s working on the highway you’re traveling on. Speak with your neighbors. Get to know them. Practice civil disobedience. Try new resistance. Be part of the solution, not the problem. Don’t litter the earth, it’s the only one you have, learn to love her. Care for her. Learn another language. Trust your friends with kindness. You will need them one day. You will need earth one day. Do not fear death. There are worse things than death. Do not fear the reaper. Lie in the sunshine but from time to time let the neon light your way. ZZ Top, Jefferson Airplane, Spirit. Get a haircut. Dye your hair pink or blue. Do it for you. Wear eyeliner. Your eyes are the windows to your soul. Show them off. Wear a feather in your cap. Run around like the Mad Hatter. Perhaps he had the answer. Visit the desert. Go to the zoo. Go to a county fair. Ride the Ferris wheel. Ride a horse. Pet a pig. Ride a donkey. Protest against war. Put a peace symbol on your automobile. Drive a Volkswagen. Slow down for skateboarders. They might have the answers. Eat gingerbread men. Pray to the moon and the stars. God is out there somewhere. Don’t worry. You’ll find out where soon enough. Dance. Even if you don’t know how to dance. Read The Four Agreements. Read the Bible. Read the Bhagavad Gita. Join nothing. It won’t help. No games, no church, no religion, no yellow-brick road, no way to Oz. Wear beads. Watch a caterpillar in the sun.

In contrast to this hellish but magnificent sight, the turbid water brewed a microscopic tale. Here, organic molecules were born from lightning flashes and cosmic rays, and they collided, fused, broke apart again—a long-lasting game played with building blocks for five hundred million years. Finally, a chain of organic molecules, trembling, split into two strands. The strands attracted other molecules around them until two identical copies of the original were made, and these split apart again and replicated themselves.… In this game of building blocks, the probability of producing such a self-replicating chain of organic molecules was so minuscule that it was as if a tornado had picked up a pile of metallic trash and deposited it as a fully-assembled Mercedes-Benz. But it happened, and so, a breathtaking history of 3.5 billion years had begun.

Saban’s process is exclusively this—existing in the present, taking it one step at a time, not getting distracted by anything else. Not the other team, not the scoreboard or the crowd. The process is about finishing. Finishing games. Finishing workouts. Finishing film sessions. Finishing drives. Finishing reps. Finishing plays. Finishing blocks. Finishing the smallest task you have right in front of you and finishing it well. Whether

Most people don't realize it until they're facedown on the pavement somewhere, gasping for their last breath. Only then do they realize that life is a flickering candle we all carry around. A gust of wind, a meaningless accident, a microsecond of carelessness, and it's out. Forever. And no one cares. You kick and scream and cry out into the darkness, and no answer comes. You rage against the unfathomable injustice and two blocks away some guy watches a baseball game and scratches his balls. Scientists talk about matter, the invisible, mysterious substance that occupied the space between stars. Dark matter makes up 99.99 percent of the universe, and they don't know what it is. Well I know. It's apathy. That's the truth of it; pile together everything we know and care about in the universe and it will still be nothing more than a tiny speck in the middle of a vast black ocean of Who Gives A Fuck.

Indeed, it is worth noting that most uses of the words "heaven" or "heavenly" in the New Testament bear little relation to the meanings we have so unscripturally attached to them. For us, heaven is an unearthly, humanly irrelevant condition in which bed-sheeted, paper-winged spirits sit on clouds and play tinkly music until their pipe-cleaner halos drop off from boredom. As we envision it, it contains not one baby's bottom, not one woman's breast, not even one man's bare chest - much less a risen basketball game between glorified "shirts" and "skins." But in Scripture, it is a city with boys and girls playing in the streets; it is buildings put up by a Department of Public Works that uses amethysts for cinder blocks and pearls as big as the Ritz for gates; and indoors, it is a dinner party to end all dinner parties at the marriage supper of the Lamb. It is, in short, earth wedded, not earth jilted. It is the world as the irremovable apple of God's eye.

Of course, I should have known the kids would pop out in the atmosphere of Roberta's office. That's what they do when Alice is under stress. They see a gap in the space-time continuum and slip through like beams of light through a prism changing form and direction. We had got into the habit in recent weeks of starting our sessions with that marble and stick game called Ker-Plunk, which Billy liked. There were times when I caught myself entering the office with a teddy that Samuel had taken from the toy cupboard outside. Roberta told me that on a couple of occasions I had shot her with the plastic gun and once, as Samuel, I had climbed down from the high-tech chairs, rolled into a ball in the corner and just cried. 'This is embarrassing,' I admitted. 'It doesn't have to be.' 'It doesn't have to be, but it is,' I said. The thing is. I never knew when the 'others' were going to come out. I only discovered that one had been out when I lost time or found myself in the midst of some wacky occupation — finger-painting like a five-year-old, cutting my arms, wandering from shops with unwanted, unpaid-for clutter. In her reserved way, Roberta described the kids as an elaborate defence mechanism. As a child, I had blocked out my memories in order not to dwell on anything painful or uncertain. Even as a teenager, I had allowed the bizarre and terrifying to seem normal because the alternative would have upset the fiction of my loving little nuclear family. I made a mental note to look up defence mechanisms, something we had touched on in psychology.

I once read the most widely understood word in the whole world is ‘OK’, followed by ‘Coke’, as in cola. I think they should do the survey again, this time checking for ‘Game Over’. Game Over is my favorite thing about playing video games. Actually, I should qualify that. It’s the split second before Game Over that’s my favorite thing. Streetfighter II - an oldie but goldie - with Leo controlling Ryu. Ryu’s his best character because he’s a good all-rounder - great defensive moves, pretty quick, and once he’s on an offensive roll, he’s unstoppable. Theo’s controlling Blanka. Blanka’s faster than Ryu, but he’s really only good on attack. The way to win with Blanka is to get in the other player’s face and just never let up. Flying kick, leg-sweep, spin attack, head-bite. Daze them into submission. Both players are down to the end of their energy bars. One more hit and they’re down, so they’re both being cagey. They’re hanging back at opposite ends of the screen, waiting for the other guy to make the first move. Leo takes the initiative. He sends off a fireball to force Theo into blocking, then jumps in with a flying kick to knock Blanka’s green head off. But as he’s moving through the air he hears a soft tapping. Theo’s tapping the punch button on his control pad. He’s charging up an electricity defense so when Ryu’s foot makes contact with Blanka’s head it’s going to be Ryu who gets KO’d with 10,000 volts charging through his system. This is the split second before Game Over. Leo’s heard the noise. He knows he’s fucked. He has time to blurt ‘I’m toast’ before Ryu is lit up and thrown backwards across the screen, flashing like a Christmas tree, a charred skeleton. Toast. The split second is the moment you comprehend you’re just about to die. Different people react to it in different ways. Some swear and rage. Some sigh or gasp. Some scream. I’ve heard a lot of screams over the twelve years I’ve been addicted to video games. I’m sure that this moment provides a rare insight into the way people react just before they really do die. The game taps into something pure and beyond affectations. As Leo hears the tapping he blurts, ‘I’m toast.’ He says it quickly, with resignation and understanding. If he were driving down the M1 and saw a car spinning into his path I think he’d in react the same way. Personally, I’m a rager. I fling my joypad across the floor, eyes clenched shut, head thrown back, a torrent of abuse pouring from my lips. A couple of years ago I had a game called Alien 3. It had a great feature. When you ran out of lives you’d get a photo-realistic picture of the Alien with saliva dripping from its jaws, and a digitized voice would bleat, ‘Game over, man!’ I really used to love that.

The Metropolitan Museum of Art claims to be the largest in the western hemisphere. It's right, but I'm not too sure about the arts bit. Don't misunderstand me. It's got tons of genuine art. It's also got tons of stuff that is hard to classify. I can't come to grips with a massive cube with a grandiose title. I allow that it's art, but not my sort. I need the big stone block to tell me something about the bloke whose name's on the caption, and it doesn't. That off my chest, I admit that any place with 3.3 million works of art truly is a wonder.

Um-Nadia says that great food needs darkness. It requires letting the dough inhale the very early morning and letting the kabobs drink up wine and garlic all night long, and- on occasion- it requires stuffing the small birds, squabs, pigeons, and other sweet, wild game under the round moon, "when they have let go of their songs," Um-Nadia says. Sirine dreams of cooking and wakes to thoughts of cooking- even when she can't stand the old smells of rancid butter and oils hanging in her hair. She still wakes too early, to grind and salt the lamb by hand, to fan the parsley over the chopping block.

To try to counter Jobs’s spin, Sculley called Wozniak and urged him to speak out. “Steve can be an insulting and hurtful guy,” he told Time that week. He revealed that Jobs had asked him to join his new firm—it would have been a sly way to land another blow against Apple’s current management—but he wanted no part of such games and had not returned Jobs’s phone call. To the San Francisco Chronicle, he recounted how Jobs had blocked frogdesign from working on his remote control under the pretense that it might compete with Apple products. “I look forward to a great product and I wish him success, but his integrity I cannot trust,” Wozniak said.

Such moments have been called “peak experiences” by the humanistic psychologist Dr. Abraham Maslow. Researching the common characteristics of persons having such experiences, he reports the following descriptive phrases: “He feels more integrated” [the two selves are one], “feels at one with the experience,” “is relatively egoless” [quiet mind], “feels at the peak of his powers,” “fully functioning,” “is in the groove,” “effortless,” “free of blocks, inhibitions, cautions, fears, doubts, controls, reservations, self-criticisms, brakes,” “he is spontaneous and more creative,” “is most here-now,” “is non-striving, non-needing, non-wishing … he just is.

Indeed," Arthur said. "But ... no one has said I'll be a good king. It would be a relief to know I don't go mad or bad before the end." Alex sighed, but with a smile. She knew Arthur was prying information out of her just to tease her, but two could play this game. "You're a good king, don't worry," she said, and then looked sadly to the ground. "At least you are once you heal from ... the incident." "What incident?" Arthur asked. Alex shook her head somberly. "Well, if Merlin hasn't told you, then I probably shouldn't." "Oh, right - the incident," he said, pretending to know. "Old Merlin's told me about that plenty of times." "Good," Alex said. "So you know all about the leeches." Arthur gulped. "Yes ... I do," he said nervously. "Luckily by then you've already been captured by the Saxons and your legs have been ripped off," Alex said. "So there aren't too many leech wounds." Arthur gulped. "It's the definition of luck," he said. "It's a shame you lose both your arms in the battle before you get captured," Alex said. "But you aren't known as Arthur the Limbless for nothing." "Arthur the Limbless? " "Oh, yes," Alex said. "A lesser king would have let the title belittle him, but you still manage to instill fear in all your enemies. Then again, that could be because of your future wife, Queen Girtha. Of course, Merlin has told you about her ..." "Naturally," Arthur said. "She's that nasty woman, right? So hideous, people are afraid to look at her. Now remind me, how many terrible children do we have?" "Just the one," Alex said. "And who would have expected you to die during childbirth?" "I die in childbirth?" Arthur asked with a quiver in his voice. "How is that possible?" "Isn't that obvious?" Alex asked. "That's why they call your wife Girtha the Strong Handed. Did you never make that connection?" "Oh, that's right," Arthur said. "I made that connection once before, but I forgot about it." "I don't blame you," Alex said. "I would have blocked it out of my mind, too.

Scott still stares at Sid, then turns to Alice and hands her the Scotch. “We’re going to go see Joanie today,” he says. Alice grins. “And Chachi?” she asks. Sid bursts out laughing and Scott turns back to him, then places a hand on his shoulder, which makes me fear for his life. “You be quiet, son,” Scott says. “I could kill you with this hand. This hand has been places.” I shake my head and look at both Sid and Alex. Scott lifts his hand off Sid’s shoulder and turns again to his wife. “No, Alice. Our Joanie. Our daughter. We’re going to give her anything she wants.” He glares at me. “Think about what she would want, Alice. We’re going to get it for her and bring it to her. Bring it right to her bed.” “Joanie and Chachi,” Alice chants. “Joanie and Chachi!” “Shut up, Alice!” Scott yells. Alice looks at Scott as though he just said “Cheese.” She clasps her hands together and smiles, staying in the pose for a few seconds. He looks at her face and squints. “Sorry, old gal,” he says. “You go ahead and say whatever you want.” “It was funny,” Sid says. “All I was doing was laughing. She has a good sense of humor. That’s all. Maybe she knows she’s being funny. I think she does.” “I’m going to hit you,” Scott says. His arms hang alongside him, the muscles flexed, veins big like milk-shake straws. I know he’s going to hit Sid because that’s what he does. I’ve seen him hit Barry. I, too, have been hit by Scott after I beat him and his buddies at a game of poker. His hands are in fists, and I can see his knobby old-man knuckles, the many liver spots almost joining to become one big discoloration, like a burn. Then he pops his fist up toward Sid, a movement like a snake rearing its head and lunging forth. I see Sid start to bring his arm up to block his face, but then he brings it down and clutches his thigh. It’s almost as if he decided not to protect himself. The end result is a punch in his right eye, a screaming older daughter, a frightened younger daughter, a father trying to calm many people at once, and a mother-in-law cheering wildly as though we have all done something truly amazing.

Come on, let me through," said Ivan to the orderlies who had lined up to block the doorway. "Are you going to let me go or not?" shouted the poet in a terrible voice. Ryukhin shuddered. The woman pressed a button on the desk; a glittering metal box and a sealed ampoule popped out onto its glass surface. "Ah, so that's your game, is it?" said Ivan with a wild, hunted glance around. "All right then...good-bye!" And he thew himself head first at the shuttered window. There was a loud crash, but the glass did not even crack, and a moment later Ivan Nikolayich was struggling in the arms of the orderlies. He screamed, tried to bite, then shouted, "Fine sort of glass you put in your windows! Let me go! Let me go!

The wonderful science behind taking the chastity pill is to preserve honor, respect, purity and worth. Again, the value of a woman’s future is dependent on how well she blocks any advances, foul balls, interceptions or explorations. It’s no surprise I question everything. What does going to the movies have to do with my vagina? What does going to the grocery store at ten pm at night to pick up a package of brownie mix have to do with my vagina? Why is ok for me not to go to a high school football game? Does wearing a tank top instead of a short sleeve shirt compromise my vagina shield? Do I have an Anti-Vagina Defense security chip installed on me that I’m not aware of, one that only works with loose clothing?

On the Craft of Writing:  The Story Grid: What Good Editors Know by Shawn Coyne The Elements of Style by William Strunk Jr. and E. B. White 2K to 10K: Writing Faster, Writing Better, and Writing More of What You Love by Rachel Aaron  On Writing: A Memoir of the Craft by Stephen King Take Off Your Pants! Outline Your Books for Faster, Better Writing by Libbie Hawker  You Are a Writer (So Start Acting Like One) by Jeff Goins Prosperity for Writers: A Writer's Guide to Creating Abundance by Honorée Corder  The Artist's Way by Julia Cameron The War of Art: Break Through the Blocks and Win Your Inner Creative Battles by Steven Pressfield Business for Authors: How To Be An Author Entrepreneur by Joanna Penn  On Writing Well: The Classic Guide to Writing Nonfiction by William Zinsser Writing Tools: 50 Essential Strategies for Every Writer by Roy Peter Clark On Mindset:  The One Thing: The Surprisingly Simple Truth Behind Extraordinary Results by Gary Keller and Jay Papasan The Art of Exceptional Living by Jim Rohn Vision to Reality: How Short Term Massive Action Equals Long Term Maximum Results by Honorée Corder The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change by Stephen R. Covey Essentialism: The Disciplined Pursuit of Less by Greg Mckeown Mastery by Robert Greene The Success Principles: How to Get from Where You Are to Where You Want to Be by Jack Canfield and Janet Switzer The Game of Life and How to Play It by Florence Scovel Shinn The Compound Effect by Darren Hardy Taking Life Head On: How to Love the Life You Have While You Create the Life of Your Dreams by Hal Elrod Think and Grow Rich by Napoleon Hill In

The harder it is to do something, the harder it is to do it impulsively, so inconvenience helps us stick to good habits. There are six obvious ways to make an activity less convenient: Increase the amount of physical or mental energy required (leave the cell phone in another room, ban smoking inside or near a building). • Hide any cues (put the video game controller on a high shelf). • Delay it (read email only after 11:00 a.m.). • Engage in an incompatible activity (to avoid snacking, do a puzzle). • Raise the cost (one study showed that people at high risk for smoking were pleased by a rise in the cigarette tax; after London imposed a congestion charge to enter the center of the city, people’s driving habits changed, with fewer cars on the road and more use of public transportation). • Block it altogether (give away the TV set).

Paley’s book Boys and Girls is about the year she spent trying to get her pupils to behave in a more unisex way. And it is a chronicle of spectacular and amusing failure. None of Paley’s tricks or bribes or clever manipulations worked. For instance, she tried forcing the boys to play in the doll corner and the girls to play in the block corner. The boys proceeded to turn the doll corner into the cockpit of a starship, and the girls built a house out of blocks and resumed their domestic fantasies. Paley’s experiment culminated in her declaration of surrender to the deep structures of gender. She decided to let the girls be girls. She admits, with real self-reproach, that this wasn’t that hard for her: Paley always approved more of the girls’ relatively calm and prosocial play. It was harder to let the boys be boys, but she did. “Let the boys be robbers,” Paley concluded, “or tough guys in space. It is the natural, universal, and essential play of little boys.” I’ve been arguing that children’s pretend play is relentlessly focused on trouble. And it is. But as Melvin Konner demonstrates in his monumental book The Evolution of Childhood, there are reliable sex differences in how boys and girls play that have been found around the world. Dozens of studies across five decades and a multitude of cultures have found essentially what Paley found in her midwestern classroom: boys and girls spontaneously segregate themselves by sex; boys engage in much more rough-and-tumble play; fantasy play is more frequent in girls, more sophisticated, and more focused on pretend parenting; boys are generally more aggressive and less nurturing than girls, with the differences being present and measurable by the seventeenth month of life. The psychologists Dorothy and Jerome Singer sum up this research: “Most of the time we see clear-cut differences in the way children play. Generally, boys are more vigorous in their activities, choosing games of adventure, daring, and conflict, while girls tend to choose games that foster nurturance and affiliation.

There were clear differences in how the young men responded to being called a bad name. For some, the insult changed their behavior. For some it didn’t. The deciding factor in how they reacted wasn’t how emotionally secure they were, or whether they were intellectuals or jocks, or whether they were physically imposing or not. What mattered—and I think you can guess where this is headed—was where they were from. Most of the young men from the northern part of the United States treated the incident with amusement. They laughed it off. Their handshakes were unchanged. Their levels of cortisol actually went down, as if they were unconsciously trying to defuse their own anger. Only a few of them had Steve get violent with Larry. But the southerners? Oh, my. They were angry. Their cortisol and testosterone jumped. Their handshakes got firm. Steve was all over Larry. “We even played this game of chicken,” Cohen said. “We sent the students back down the hallways, and around the corner comes another confederate. The hallway is blocked, so there’s only room for one of them to pass. The guy we used was six three, two hundred fifty pounds. He used to play college football. He was now working as a bouncer in a college bar. He was walking down the hall in business mode—the way you walk through a bar when you are trying to break up a fight. The question was: how close do they get to the bouncer before they get out of the way? And believe me, they always get out of the way.” For the northerners, there was almost no effect. They got out of the way five or six feet beforehand, whether they had been insulted or not. The southerners, by contrast, were downright deferential in normal circumstances, stepping aside with more than nine feet to go. But if they had just been insulted? Less than two feet. Call a southerner an asshole, and he’s itching for a fight. What Cohen and Nisbett were seeing in that long hall was the culture of honor in action: the southerners were reacting like Wix Howard did when Little Bob Turner accused him of cheating at poker.

Moment, momentum, momentous If you reduce sports to its smallest discrete units, its subatomic particles, you're left with protons and electrons and neutrons called moments. They're the building blocks of every season, every game, every series of downs. Two or more moments may accrete into something more, a propulsive energy called momentum, which in turn can snowball into something greater still, that which is momentous. Consider those consecutive moments last Aug. 4 (2012 summer Olympics) in London, when Michael Phelps-in his final Olympic race-caught and then overtook Japan's Takeshi Matsuda on the butterfly leg of the men's 4 x 100 medley relay. Momentum passed to Phelps's U.S. teammate Nathan Adrian, who pulled away on the freestyle leg, sealing a victory that yielded Phelps's 18th gold medal, and 22nd medal overall, more than any other Olympian in history. It was like the conjugation of some Latin verb: moment, momentum, momentous. Or if you prefer: Veni, vidi, vici (we came, we saw, we conquered). From "moments of the year

Martin Street is the archaeologist who has done most work in recent years on the dog from Bonn-Oberkassel. His theory is that what is known as ‘putting the game at bay’ was one of the first important tasks performed by dogs. This is a method of hunting still used today in many places, including the forests of Sweden. The dog runs around in the woods on its own to track game, while the hunter tries to stay near it. Once the dog locates its quarry, it starts to bark, forcing the animal to stop moving and focus on the dog’s irritating barking. The dog has put its quarry at bay. In the meantime, the hunter creeps nearer and shoots the animal. This type of hunting emerged when woods started to grow on the tundra, blocking the view. Before that time it was easier for hunters to scan the landscape for their prey from an elevated point. This is what makes it so interesting that the first dog universally recognised as such, the one from Bonn-Oberkassel, lived 14,500 years ago, at precisely the time when the tundra of the Ice Age was beginning to give way to woodland. That circumstance, in my view, is rather too striking to be a mere coincidence. If

Do you ever feel that same need? Your life is so very different from my own. The grandness of the world, the real world, the whole world, is a known thing for you. And you have no need of dispatches because you have seen so much of the American galaxy and its inhabitants—their homes, their hobbies—up close. I don’t know what it means to grow up with a black president, social networks, omnipresent media, and black women everywhere in their natural hair. What I know is that when they loosed the killer of Michael Brown, you said, “I’ve got to go.” And that cut me because, for all our differing worlds, at your age my feeling was exactly the same. And I recall that even then I had not yet begun to imagine the perils that tangle us. You still believe the injustice was Michael Brown. You have not yet grappled with your own myths and narratives and discovered the plunder everywhere around us. Before I could discover, before I could escape, I had to survive, and this could only mean a clash with the streets, by which I mean not just physical blocks, nor simply the people packed into them, but the array of lethal puzzles and strange perils that seem to rise up from the asphalt itself. The streets transform every ordinary day into a series of trick questions, and every incorrect answer risks a beat-down, a shooting, or a pregnancy. No one survives unscathed. And yet the heat that springs from the constant danger, from a lifestyle of near-death experience, is thrilling. This is what the rappers mean when they pronounce themselves addicted to “the streets” or in love with “the game.” I imagine they feel something akin to parachutists, rock climbers, BASE jumpers, and others who choose to live on the edge. Of course we chose nothing. And I have never believed the brothers who claim to “run,” much less “own,” the city. We did not design the streets. We do not fund them. We do not preserve them. But I was there, nevertheless, charged like all the others with the protection of my body. The crews, the young men who’d transmuted their fear into rage, were the greatest danger. The crews walked the blocks of their neighborhood, loud and rude, because it was only through their loud rudeness that they might feel any sense of security and power. They would break your jaw, stomp your face, and shoot you down to feel that power, to revel in the might of their own bodies.

We don't have to do this," I said. His jaw set in a way that reminded me of how he'd look some times back in grade school, standing around the fringes of s kickball game or on that bench by Mr. Lloyd's room. "We do, though." I shook my head, staring at the house. Right then, a woman walked out, carrying a bag of trash. "Let's ask her if we can go in," Cameron said. "Go in?" He turned to me. "Yeah." I lowered my voice to a whisper. "Shouldn't we, like, talk about it first? About what happened?" "Why? We know what happened." "I can't." "But I'm with you. We're together." My eyes filled. He looked out the window. The woman went back in the house and closed the door. "We can come back some other time," I said, "after we've talked." I put the car in drive. "Let's go somewhere. Coffee. Something." "Doesn't matte." His jaw was set again, his voice dead flat. "It does matter, Cameron. That's the point. If it didn't matter I could just go in right now. I'm not ready. You can't just show up after all these years and expect me to be ready." He opened the door and started to get out. "Wait, where are you going?" "Sorry I came here and messed up your life." "That's not what I said!" But he was out of the car, walking down the block, away from me.

The speaker standing on an upturned barrel at the intersection of 135th Street and Seventh Avenue was shouting monotonously: “BLACK POWER! BLACK POWER! Is you is? Or is you ain’t? We gonna march this night! March! March! March! Oh, when the saints — yeah, baby! We gonna march this night!” Spit flew from his looselipped mouth. His flabby jowls flopped up and down. His rough brown skin was greasy with sweat. His dull red eyes looked tired. “Mistah Charley been scared of BLACK POWER since the day one. That’s why Noah shuffled us off to Africa the time of the flood. And all this time we been laughing to keep from whaling.” He mopped his sweating face with a red bandanna handkerchief. He belched and swallowed. His eyes looked vacant. His mouth hung open as though searching for words. “Can’t keep this up,” he said under his breath. No one heard him. No one noticed his behavior. No one cared. He swallowed loudly and screamed. “TONIGHT’S THE NIGHT! We launch our whale boats. Iss the night of the great white whale. You dig me, baby?” He was a big man and flabby all over like his jowls. Night had fallen but the black night air was as hot as the bright day air, only there was less of it. His white short-sleeved shirt was sopping wet. A ring of sweat had formed about the waist of his black alpaca pants as though the top of his potbelly had begun to melt. “You want a good house? You got to whale! You want a good car? You got to whale! You want a good job? You got to whale! You dig me?” His conked hair was dripping sweat. For a big flabby middle-aged man who would have looked more at home in a stud poker game, he was unbelievably hysterical. He waved his arms like an erratic windmill. He cut a dance step. He shuffled like a prizefighter. He shadowed with clenched fists. He shouted. Spit flew. “Whale! Whale! WHALE, WHITEY! WE GOT THE POWER! WE IS BLACK! WE IS PURE!” A crowd of Harlem citizens dressed in holiday garb had assembled to listen. They crowded across the sidewalks, into the street, blocking traffic. They were clad in the chaotic colors of a South American jungle. They could have been flowers growing on the banks of the Amazon, wild orchids of all colors. Except for their voices. “What’s he talking ’bout?” a high-yellow chick with bright red hair wearing a bright green dress that came down just below her buttocks asked the tall slim black man with smooth carved features and etched hair. “Hush yo’ mouth an’ lissen,” he replied harshly, giving her a furious look from the corners of muddy, almond-shaped eyes. “He tellin’ us what black power mean!

There is, perhaps, no class of men on the face of the earth, says Captain Bonneville, who lead a life of more continued exertion, peril, and excitement, and who are more enamored of their occupations, than the free trappers of the West. No tail, no danger, no privation can turn the trapper from his pursuit. His passionate excitement at times resembles mania. In vain may the most vigilant and cruel savages best his path, in vain may rocks and precipices and wintry torrents oppose his progress, let but a single track of a beaver meet his eye, and he forgets all the dangers and defies all difficulties. At times, he may be seen with his traps on his shoulder, buffeting his way across rapid streams, amidst floating blocks of ice: at other times, he is to be found with his traps swung on his back clambering the most rugged mountains, scaling or descending the most frightful precipices, searching, by routes inaccessible to the horse, and never before trodden by white man, for springs and lakes unknown to his comrades, and where he may meet with his favorite game. Such is the mountaineer, the hardy trapper of the West, and such, as we have slightly sketched it, is the wild, Robin Hood kind of life, with all its strange and motley populace, now existing in full vigor among the Rocky Mountains.

This is the fact the world desperately hides from us from birth. Long after you find out the truth about sex and Santa Claus, this other myth endures, this one about how you’ll always get rescued at the last second and if not, your death will at least mean something and there’ll be somebody there to hold your hand and cry over you. All of society is built to prop up that lie, the whole world a big, noisy puppet show meant to distract us from the fact that at the end, you’ll die, and you’ll probably be alone. I was lucky. I learned this a long time ago, in a tiny, stifling room behind my high school gym. Most people don’t realize it until they’re laying facedown on the pavement somewhere, gasping for their last breath. Only then do they realize that life is a flickering candle we all carry around. A gust of wind, a meaningless accident, a microsecond of carelessness, and it’s out. Forever. And no one cares. You kick and scream and cry out into the darkness, and no answer comes. You rage against the unfathomable injustice and two blocks away some guy watches a baseball game and scratches his balls. Scientists talk about dark matter, the invisible, mysterious substance that occupies the space between stars. Dark matter makes up 99.99 percent of the universe, and they don’t know what it is. Well I know. It’s apathy. That’s the truth of it; pile together everything we know and care about in the universe and it will still be nothing more than a tiny speck in the middle of a vast black ocean of Who Gives A Fuck.

Jackaby did not speak as we left the building. We were three or four blocks away from the station house when Lydia Lee caught up to us, the coach rattling and clinking and the dappled gray horse stamping its hooves impatiently on the cobblestones. Miss Lee managed to convince the Duke to clop to a halt just ahead of us, and my employer climbed into the carriage wordlessly. Miss Lee gave me an inquisitive look, but Jackaby finally broke his silence before I could explain. “Don’t bother with niceties. Take me home, Miss Lee.” He thought for a moment. “I’m going to need you to go to jail for me afterward.” “That is the second time a man’s said those words to me,” she replied gamely. “Although the last time I got flowers and a dance first, if memory serves.” “Bail,” amended Jackaby as Miss Lee hopped back into the driver’s box. “They usually do, in the end,” she said, sighing. “What? Listen, I have a jar of banknotes in my office earmarked for bail. I’ll bring it out to you as soon as we arrive. I need you to bring it to the processing officer at the Mason Street Station. He’ll sort out the paperwork. Just sign where he tells you to. Ask for Alton.” “Allan,” I corrected. “I’m fairly sure it’s Alton,” said Jackaby. “You want me to post bail for somebody?” Miss Lee called down as the carriage began to rattle on down the street. “I guess I can do that.” “Thank you,” Jackaby called back to her. “Who am I bailing out?” “Everyone.” The carriage bumped along the paving stones for a silent stretch. “By everyone, you mean . . . ?” “It is a rather large jar of banknotes,” said Jackaby. “Right,” came Miss Lee’s voice at length. “You’re the boss.

Thank you for picking up a copy of my book. I spent many hours putting this book together, so I hope that you will enjoy reading it. As a Minecraft player, it brings me great joy to be able to share my stories with you. The game is fun and entertaining, and surprisingly, writing about it can be almost just as fun. Once you are done reading this book, if you enjoyed it, please take a moment to leave a review. It will help other people discover this book. If after reading it, you realize that you hate it with such passion, please feel free to leave me a review anyway. I enjoy reading what people think about my books and writing style. I hope that many people will like this book and encourage me to keep writing. Thanks in advance. Special thanks to readers of my previous books. Thank you for taking the time to leave a review. I appreciate it so much; your support means so much to me. I will continue to keep writing and will try to provide the highest quality of unofficial Minecraft books. Thank you for your support. If anyone needs to reach me, you can email me at steve.the.noob.diaries@gmail.com 1/6/2019 10:48 p.m. ​Hey, everyone! I don’t even know how to begin, so I’ll just write whatever that’s on my mind. First of all, I’m really sorry for the super-duper long delay of book 39. I started the outline for it and everything over two months ago and was ready to work on it. But then out of nowhere, I felt burnt out. I didn’t even know what burnt out meant until I told my friends how I was feeling, and they told me that I was burnt out. Basically, it’s a sucky feeling that’s like a combination of writer’s block and depression. At the time, I didn’t want

IN JANUARY 1959 Police Chief Herbert Jenkins found a poem tacked to a bulletin board at his departmental headquarters. Tellingly, the anonymous author had titled it “The Plan of Improvement,” in sarcastic tribute to Mayor Hartsfield’s 1952 program for the city’s expansion and economic progress. The poem looked back over a decade of racial change and spoke volumes about the rising tide of white resentment. It began with a brief review of the origins of residential transition and quickly linked the desegregation of working-class neighborhoods to the desegregation of the public spaces surrounding them: Look my children and you shall see, The Plan of Improvement by William B. On a great civic venture we’re about to embark And we’ll start this one off at old Mozeley Park. White folks won’t mind losing homes they hold dear; (If it doesn’t take place on an election year) Before they have time to get over the shock, We’ll have that whole section—every square block. I’ll try something different for plan number two This time the city’s golf courses will do. They’ll mix in the Club House and then on the green I might get a write up in Life Magazine. And now comes the schools for plan number three To mix them in classrooms just fills me with glee; For I have a Grandson who someday I pray Will thank me for sending this culture his way. And for my finale, to do it up right, The buses, theatres and night spots so bright; Pools and restaurants will be mixed up at last And my Plan of Improvement will be going full blast. The sarcasm in the poem is unmistakable, of course, but so are the ways in which the author—either a policeman himself or a friend of one—clearly linked the city’s pursuit of “progress” with a litany of white losses. In the mind of the author, and countless other white Atlantans like him, the politics of progress was a zero-sum game in which every advance for civil rights meant an equal loss for whites.

Bobby ran up on the deck and skidded to a stop in front of them. “It’s time for the Kowalski Fourth of July Football Game of Doom!” Cat laughed and pushed herself out of her seat. “We’ll talk about this some other time, Emma. Go have fun.” “I’m not sure I want to play football. Especially if there’s doom involved,” she said, but Bobby grabbed her hand and dragged her off the deck. They were divvied up into teams roughly by size, each with an assortment of men, women and children. Emma was on Sean’s team, which was good. She’d just hide behind him, because the only thing she knew about football was that it involved a lot of hitting. It only took a few plays to see that the Kowalskis played by their own rules and the few they had were fluid. Mostly they served to ensure the smaller kids didn’t get plowed over, victims of the adults’ competitive streak. Five minutes into the game, Emma somehow ended up with the ball. She squealed and looked around for somebody—anybody—to hand it off to, but there was nobody. Well, there was Danny, but he was doubled over in laughter. “Run, Emma,” Lisa yelled. She ran in the direction her friend was frantically waving her hand, but she only went a few feet before two very strong arms wrapped around her waist and then she was falling. Luckily, she landed on a body instead of the ground. “I love football,” Mitch said, grinning up at her. Emma grimaced and managed to get one of her knees on solid ground so she could push herself to her feet. He was quicker and freed himself to stand and help her up. “They should give you the ball more often,” he said, his blue eyes sparkling and the grin so like Sean’s—but not quite as naughty—in full force. “Hands off my girl,” Sean told him, pulling on Emma’s elbow. “You should do a better job of blocking for her. “Let’s go,” Brian shouted. The very next play, Mitch intercepted Mike’s pass to Evan and turned to run toward the other end zone. He was halfway there when Sean took him down hard. They hit the ground with a bone-jarring thud that made Emma wince, and came up pushing and shoving. When Sean drew back his arm to throw the first punch, Mary blew her whistle from the sidelines. “Boys! Enough!” Instead of heading straight for the huddle, Sean walked to Emma and pulled her into his arms for a hard, almost punishing caveman kiss that made her skin sizzle and her knees go wobbly. Then he glared at his brother for a few long seconds and went back to his team, leaving Emma standing there breathless and discombobulated.

Sky's The Limit" [Intro] Good evening ladies and gentlemen How's everybody doing tonight I'd like to welcome to the stage, the lyrically acclaimed I like this young man because when he came out He came out with the phrase, he went from ashy to classy I like that So everybody in the house, give a warm round of applause For the Notorious B.I.G The Notorious B.I.G., ladies and gentlemen give it up for him y'all [Verse 1] A nigga never been as broke as me - I like that When I was young I had two pair of Lees, besides that The pin stripes and the gray The one I wore on Mondays and Wednesdays While niggas flirt I'm sewing tigers on my shirts, and alligators You want to see the inside, I see you later Here comes the drama, oh, that's that nigga with the fake, blaow Why you punch me in my face, stay in your place Play your position, here come my intuition Go in this nigga pocket, rob him while his friends watching And hoes clocking, here comes respect His crew's your crew or they might be next Look at they man eye, big man, they never try So we rolled with them, stole with them I mean loyalty, niggas bought me milks at lunch The milks was chocolate, the cookies, butter crunch 88 Oshkosh and blue and white dunks, pass the blunts [Hook: 112] Sky is the limit and you know that you keep on Just keep on pressing on Sky is the limit and you know that you can have What you want, be what you want Sky is the limit and you know that you keep on Just keep on pressing on Sky is the limit and you know that you can have What you want, be what you want, have what you want, be what you want [Verse 2] I was a shame, my crew was lame I had enough heart for most of them Long as I got stuff from most of them It's on, even when I was wrong I got my point across They depicted me the boss, of course My orange box-cutter make the world go round Plus I'm fucking bitches ain't my homegirls now Start stacking, dabbled in crack, gun packing Nickname Medina make the seniors tote my Niñas From gym class, to English pass off a global The only nigga with a mobile can't you see like Total Getting larger in waists and tastes Ain't no telling where this felon is heading, just in case Keep a shell at the tip of your melon, clear the space Your brain was a terrible thing to waste 88 on gates, snatch initial name plates Smoking spliffs with niggas, real-life beginner killers Praying God forgive us for being sinners, help us out [Hook] [Verse 3] After realizing, to master enterprising I ain't have to be in school by ten, I then Began to encounter with my counterparts On how to burn the block apart, break it down into sections Drugs by the selections Some use pipes, others use injections Syringe sold separately Frank the Deputy Quick to grab my Smith & Wesson like my dick was missing To protect my position, my corner, my lair While we out here, say the Hustlers Prayer If the game shakes me or breaks me I hope it makes me a better man Take a better stand Put money in my mom's hand Get my daughter this college grant so she don't need no man Stay far from timid Only make moves when your heart's in it And live the phrase sky's the limit Motherfuckers See you chumps on top [Hook]