“
As I got closer to the fence, I held my shirt over my nose to block the smell. One stallion waded through the muck and whinnied angrily at me. He bared his teeth, which were pointed like a bear's.
I tried to talk to him in my mind. I can do that with most horses.
Hi, I told him. I'm going to clean your stables. Won't that be great?
Yes! The horse said. Come inside! Eat you! Tasty half-blood!
But I'm Poseidon's son, I protested. He created horses.
Usually this gets me VIP treatment in the equestrian world, not this time.
Yes! The horse agreed enthusiastically. Poseidon can come in, too! We will eat you both! Seafood!
Seafood! The other horses chimed in as they waded through the field.
”
”
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
“
...when you are convinced that all the exits are blocked, either you take to believing in miracles or you stand still like the hummingbird. The miracle is that the honey is always there, right under your nose, only you were too busy searching elsewhere to realize it. The worst is not death but being blind, blind to the fact that everything about life is in the nature of the miraculous.
”
”
Henry Miller
“
I lost hope when I saw the horses’ teeth.
As I got closer to the fence, I held my shirt over my nose to block the smell. One stallion waded through the muck and whinnied angrily at me. He bared his teeth, which were pointed like a bear’s.
I tried to talk to him in my mind. I can do that with most horses.
Hi, I told him. I’m going to clean your stables. Won’t that be great?
Yes! The horse said. Come inside! Eat you! Tasty half-blood!
But I’m Poseidon’s son, I protested. He created horses.
Usually this gets me VIP treatment in the equestrian world, but not this time.
Yes! The horse agreed enthusiastically. Poseidon can come in, too! We will eat you both! Seafood!
”
”
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
“
I reach out and take his hand.
“Well, he probably used up a lot of resources helping me knock you out,” I say mischievously.
“Yeah, about that,” says Peeta, entwining his fingers in mine. “Don’t try something like that again.”
“Or what?” I ask.
“Or . . . or . . .” He can’t think of anything good. “Just give me a minute.”
“What’s the problem?” I say with a grin.
“The problem is we’re both still alive. Which only reinforces the idea in your mind that you did the right thing,” says Peeta.
“I did do the right thing,” I say.
“No! Just don’t, Katniss!” His grip tightens, hurting my hand, and there’s real anger in his voice. “Don’t die for me. You won’t be doing me any favors. All right?”
I’m startled by his intensity but recognize an excellent opportunity for getting food, so I try to keep up. “Maybe I did it for myself, Peeta, did you ever think of that? Maybe you aren’t the only one who . . . who worries about . . . what it would be like if. . .”
I fumble. I’m not as smooth with words as Peeta. And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don’t want him to die. And it’s not about the sponsors. And it’s not about what will happen back home.
And it’s not just that I don’t want to be alone. It’s him. I do not want to lose the boy with the bread.
“If what, Katniss?” he says softly.
I wish I could pull the shutters closed, blocking out this moment from the prying eyes of Panem. Even if it means losing food. Whatever I’m feeling, it’s no one’s business but mine.
“That’s exactly the kind of topic Haymitch told me to steer clear of,” I say evasively, although Haymitch never said anything of the kind. In fact, he’s probably cursing me out right now for dropping the ball during such an emotionally charged moment. But Peeta somehow catches it.
“Then I’ll just have to fill in the blanks myself,” he says, and moves in to me.
This is the first kiss that we’re both fully aware of. Neither of us hobbled by sickness or pain or simply unconscious. Our lips neither burning with fever or icy cold. This is the first kiss where I actually feel stirring inside my chest. Warm and curious.
This is the first kiss that makes me want another.
But I don’t get it. Well, I do get a second kiss, but it’s just a light one on the tip of my nose because Peeta’s been distracted.
“I think your wound is bleeding again. Come on, lie down, it’s bedtime anyway,” he says.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Weetzie could see him--it was a man, a little man in a turban, with a jewel in his nose, harem pants, and curly-toed slippers.
"Lanky Lizards!" Weetzie exclaimed.
"Greetings," said the man in an odd voice, a rich, dark purr.
"Oh, shit!" Weetzie said.
"I beg your pardon? Is that your wish?
”
”
Francesca Lia Block (Weetzie Bat (Weetzie Bat, #1))
“
Finally, the lock clicked and she tugged the secret door open. A rotten stench hit her like a fist. She drew away. The boy at her side recoiled, afraid. Sarah fell to her knees. Sarah could not speak, she could only quiver, her fingers covering her eyes, her nose, blocking out the smell.....She sank to her knees again and she screamed at the top of her lungs, she screamed, for her mother, for her father, screamed for Michel.
”
”
Tatiana de Rosnay (Sarah's Key)
“
You can plan for things, work towards them for years, and yet they never materialize. Or you can just happen to be in the right place at the right moment, and everything falls into place. If you want to believe in something like Fate, she's a capricious character. Sometimes she stand there blocking the doorway you were born to pass through, and sometimes she takes you by the hand and leads you through the minute you poke your nose out. And the stars gaze down and keep their counsel.
”
”
John Ajvide Lindqvist (Little Star)
“
It's as if - you know how when you're ill for a long time, you forget how it feels to be healthy? You get used to your head ringing, your ears being blocked, or your nose being stuffed - and you don't even notice you're not right anymore. Until you are.
”
”
R.F. Kuang (The Burning God (The Poppy War, #3))
“
I saw you first,” he whispers, kissing the bridge of my nose where my freckles are. “I had you first.” He kisses my face where the dimple dents my check when I smile. “I want you back,” he declares, meeting my eyes and taking my mouth in a deep kiss, never looking away.
”
”
Kennedy Ryan (Block Shot (Hoops, #2))
“
I left walking backwards so I wouldn't miss a moment of her. I hated the idea of going back to Marvel's, so I walked around the block, feeling Olivia's arms around me, my nose full of perfume and the smell of her skin, my head swirling with what I had seen and heard in the house so much like ours, and yet not at all. And I realized as I walked through the neighborhood how each house could contain a completely different reality. In a single block, there could be fifty separate worlds. Nobody every really knew what was going on just next door.
”
”
Janet Fitch (White Oleander)
“
I have been
hanging here
headless
for so long
that the body has forgotten
why
or where or when it
happened
and the toes
walk along in shoes
that do not
care
and although
the fingers
slice things and
hold things and
move things and
touch
things
such as
oranges
apples
onions
books
bodies
I am no longer
reasonably sure
what these things
are
they are mostly
like
lamplight and
fog
then often the hands will
go to the
lost head
and hold the head
like the hands of a
child
around a ball
a block
air and wood -
no teeth
no thinking part
and when a window
blows open
to a
church
hill
woman
dog
or something singing
the fingers of the hand
are senseless to vibration
because they have no
ears
senseless to color because
they have no
eyes
senseless to smell
without a nose
they country goes by as
nonsense
the continents
the daylights and evenings
shine
on my dirty
fingernails
and in some mirror
my face
a block to vanish
scuffed part of a child’s
ball
while everywhere
moves
worms and aircraft
fires on the land
tall violets in sanctity
my hands let go let go
let go
”
”
Charles Bukowski (Burning in Water, Drowning in Flame)
“
Gorilla, a guy who got his name because he's hairy and because his arms are so long his knuckles scrape the floor. He's grinning and moving closer and she's blocked in on all sides by a mass of bodies. I look at her and him. I look at the window. I think back to our date. She can always break his nose if he gets too friendly. I jump through, land on the grass, and turn around. Who am I kidding? I want to see it if she breaks his nose.
”
”
Cath Crowley (Graffiti Moon)
“
Beneath a toilet water of punctilio and restraint...a deep smell came off Kelly, a hint of a big foul cat, carnal as the meat on a butcher's block, and something else, some whiff of the icy rot and iodine in a piece of marine nerve left to bleach on the sand. With it all was that congregated odor of the wealthy, a mood within the nose of face powder, of perfumes which leave the turpentine of a witch's curse, the taste of pennies in the mouth, a whiff of the tomb. It was all of Deborah for me.
”
”
Norman Mailer (An American Dream)
“
The Truth Is Ugly In the movies, the person leaving you never has a blocked nose when they cry. And all their tears are pretty.
”
”
pleasefindthis (I Wrote This For You: Just the Words)
“
My power is everywhere propping up illusions, but I'm taking it back by letting go of them & just riding the stallion into wonderland. Let's see what you've got to say about the darkness in the mountains, I wonder if you know you can just turn it all to light. As we ride through the valley can you see the same water flowing that I do, or do dust clouds conceal it and block up your nose & throat? You're so thirsty for the end of the journey but I don't want you to miss the magic on the road.
”
”
Jay Woodman
“
I can’t help it: I laugh.
I don’t mean too, it just kinda comes out on its own. I smoosh my hands against my mouth to block the sound, but this causes me to snort, and snot comes out of my nose. I try to cover it up and jerk my left hand up, but it bounces off my nose and I poke myself in the eye. My eyes water as I hiss and knuckle my eyeball, but I’ve still got snot on my hand and gets all up in there, making it burn even more. Ow. I want to turn and run, but I’m temporarily blinded by my own devices and I know, I just know, that this big kid is probably some popular jock and I am forever going to be stuck with the nick-name Booger Eye Snot Face. I ask God quietly if he wouldn’t mind opening the ground beneath my feet and allow me to fall down a chasm to save me from myself. The ground doesn’t open. I’m still laughing, but it’s that high-pitched thing I do when I find something really funny. I hate that laugh. It always sounds like a clan of female hyenas all going into labor at the same time. Yip! Yip! Ayyyyyyyy! Yip! Yip! Ayyyyyyyy
”
”
T.J. Klune
“
He looked up and down the block. Every house seemed identical except for the respective paint job. Every home had a screened-in pool. Ah, Florida. What was life like with summer all year long? He wiped sweat from his forehead and put his nose to his armpits, immediately deciding that fall, winter or spring weren't so bad.
”
”
Mark M. Bello (Betrayal of Faith (Zachary Blake Legal Thriller, #1))
“
how to (un)cage a girl
longer hair bigger breasts smoother skin
flatter stomach whiter teeth smaller nose
if you worry enough you won't have time
or energy to see
what really is
what could i have learned
if i didn't live here in this cell?
where could i have flown?
how would i have grown?
if i forgave this shell?
oh, my body
let me cradle you like my girl's
her long limbs spilling over
or folding up like silk
her gold-tinged curls
ringleting my fingers
her eyes the blue of sorrow
and hyacinth
oh, my body
when you are at peace
rocked here to sleep
as if by a mother
as if by a lover
who sees your flushed skin
the grace that you're in
the gleam of your hair
the green of your stare
then this soul can fly off
to understand pyramids and time
history
electricity
technology
symbology
that all of us are one
that all of us are love
”
”
Francesca Lia Block (How to (Un)cage a Girl)
“
Ruby and Aaron are both crazy patient; they’re good parents.”
“I could be a good dad,” Ivan whispered, still feeding Jess.
I could have told him he’d be good at anything he wanted to be good at, but nah.
“Do you want to have kids?” he asked me out of the blue.
I handed Benny another block. “A long time from now, maybe.”
“A long time… like how long?”
That had me glancing at Ivan over my shoulder. He had his entire attention on Jessie, and I was pretty sure he was smiling down at her. Huh. “My early thirties, maybe? I don’t know. I might be okay with not having any either. I haven’t really thought about it much, except for knowing I don’t want to have them any time soon, you know what I mean?”
“Because of figure skating?”
“Why else? I barely have enough time now. I couldn’t imagine trying to train and have kids. My baby daddy would have to be a rich, stay-at-home dad for that to work.”
Ivan wrinkled his nose at my niece. “There are at least ten skaters I know with kids.”
I rolled my eyes and poked Benny in the side when he held out his little hand for another block. That got me a toothy grin. “I’m not saying it’s impossible. I just wouldn’t want to do it any time soon. I don’t want to half-ass or regret it. If they ever exist, I’d want them to be my priority. I wouldn’t want them to think they were second best.”
Because I knew what that felt like. And I’d already screwed up enough with making grown adults I loved think they weren’t important. If I was going to do something, I wanted to do my best and give it everything.
All he said was, “Hmm.”
A thought came into my head and made my stomach churn. “Why? Are you planning on having kids any time soon?”
“I wasn’t,” he answered immediately. “I like this baby though, and that one. Maybe I need to think about it.”
I frowned, the feeling in my stomach getting more intense.
He kept blabbing. “I could start training my kids really young…. I could coach them. Hmm.”
It was my turn to wrinkle my nose. “Three hours with two kids and now you want them?”
Ivan glanced down at me with a smirk. “With the right person. I’m not going to have them with just anybody and dilute my blood.”
I rolled my eyes at this idiot, still ignoring that weird feeling in my belly that I wasn’t going to acknowledge now or ever. “God forbid, you have kids with someone that’s not perfect. Dumbass.”
“Right?” He snorted, looking down at the baby before glancing back at me with a smile I wasn’t a fan of. “They might come out short, with mean, squinty, little eyes, a big mouth, heavy bones, and a bad attitude.”
I blinked. “I hope you get abducted by aliens.”
Ivan laughed, and the sound of it made me smile. “You would miss me.”
All I said, while shrugging was, “Meh. I know I’d get to see you again someday—”
He smiled.
“—in hell.”
That wiped the look right off his face. “I’m a good person. People like me.”
“Because they don’t know you. If they did, somebody would have kicked your ass already.”
“They’d try,” he countered, and I couldn’t help but laugh.
There was something wrong with us.
And I didn’t hate it. Not even a little bit.
”
”
Mariana Zapata (From Lukov with Love)
“
Do you want to go for a run?” “Do you?” Her nose wrinkles. “Um no—I was just trying to be supportive.” “You would go running with me to be supportive?” “Um…no, but I would hold the stopwatch while you ran around the block, throw a cup of water on you when you ran past?
”
”
Sara Ney (The Studying Hours (How to Date a Douchebag, #1))
“
My daughter was sixteen,” she went on. Tears ran over the bridge of her nose and onto the block, but her voice remained strong and loud. “Sixteen, when you burned her. Her name was Kaleen, and she had eyes like thunderclouds. I still hear her voice in my dreams.” The king jerked his chin to the executioner, who stepped forward. “My sister was thirty-six. Her name was Liessa, and she had two boys who were her joy.” The executioner raised his ax. “My neighbor and his wife were seventy. Their names were Jon and Estrel. They were killed because they dared try to protect my daughter when your men came for her.” Rena Goldsmith was still reciting her list of the dead when the ax fell.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
And for you? She might be you, kiddie.” Nona found herself sighing again, like her body wanted to let out all its sound at once. One of her ears felt slightly blocked, and when she tilted her head and blew her nose and pulled at her earlobe a little trickle of water came out. “What if I don’t like me?” she said. But Pyrrha didn’t seem to understand. “Well, you’ll probably start visiting clubs and trying to hit on the dancers, and going from relationship to relationship not really being able to commit.
”
”
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
“
My ears are as blind as my eyes are deaf. But my nose, it can see the truth, except when I block its line of site with my index fingers.
”
”
Jarod Kintz (This Book is Not for Sale)
“
The missing remained missing and the portraits couldn't change that. But when Akhmed slid the finished portrait across the desk and the family saw the shape of that beloved nose, the air would flee the room, replaced by the miracle of recognition as mother, father, sister, brother, aunt, and cousin found in that nose the son, brother, nephew, and cousin that had been, would have been, could have been, and they might race after the possibility like cartoon characters dashing off a cliff, held by the certainty of the road until they looked down -- and plummeted is the word used by the youngest brother who, at the age of sixteen, is tired of being the youngest and hopes his older brother will return for many reasons, not least so he will marry and have a child and the youngest brother will no longer be youngest; that youngest brother, the one who has nothing to say about the nose because he remembers his older brother's nose and doesn't need the nose to mean what his parents need it to mean, is the one who six months later would be disappeared in the back of a truck, as his older brother was, who would know the Landfill through his blindfold and gag by the rich scent of clay, as his older brother had known, whose fingers would be wound with the electrical wires that had welded to his older brother's bones, who would stand above a mass grave his brother had dug and would fall in it as his older brother had, though taking six more minutes and four more bullets to die, would be buried an arm's length of dirt above his brother and whose bones would find over time those of his older brother, and so, at that indeterminate point in the future, answer his mother's prayer that her boys find each other, wherever they go; that younger brother would have a smile on his face and the silliest thought in his skull a minute before the first bullet would break it, thinking of how that day six months earlier, when they all went to have his older brother's portrait made, he should have had his made, too, because now his parents would have to make another trip, and he hoped they would, hoped they would because even if he knew his older brother's nose, he hadn't been prepared to see it, and seeing that nose, there, on the page, the density of loss it engendered, the unbelievable ache of loving and not having surrounded him, strong enough to toss him, as his brother had, into the summer lake, but there was nothing but air, and he'd believed that plummet was as close as they would ever come again, and with the first gunshot one brother fell within arms' reach of the other, and with the fifth shot the blindfold dissolved and the light it blocked became forever, and on the kitchen wall of his parents' house his portrait hangs within arm's reach of his older brother's, and his mother spends whole afternoons staring at them, praying that they find each other, wherever they go.
”
”
Anthony Marra (A Constellation of Vital Phenomena)
“
Then you have some tough decisions to make, and you should make them soon.” He bends to drop a soft kiss on my nose. “Because I won’t give up until you’re completely mine, Banner, and I won’t wait much longer.
”
”
Kennedy Ryan (Block Shot (Hoops, #2))
“
As we reach the next corner, the entire block ahead of us lights up with a rich purple glow. We backpedal, hunker down in a stairwell, and squint into the light. Something’s happening to those illuminated by it. They’re assaulted by . . . what? A sound? A wave? A laser? Weapons fall from their hands, fingers clutch their faces, as blood sprays from all visible orifices — eyes, noses, mouths, ears. In less than a minute, everyone’s dead and the glow vanishes.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
He runs a finger over my nose. I jerk back, startled. “You still have the freckles.” “What?” I rub my nose, wiping away his touch. “You had seven freckles on your nose then,” he says, one side of his mouth canted up. “You still do.
”
”
Kennedy Ryan (Block Shot (Hoops, #2))
“
I’m often asked about my generation, which some people call the Greatest Generation but which I also call the Hardy Generation. What made us hardy? The Depression years. We were not spoiled with money, that’s for sure. When we had disputes we didn’t use attorneys; we settled them on the street, even got broken bones and noses from fighting. In all ways we helped one another. We shared, we had neighborhood picnics, we made our own toys. (There were no toy stores; I built racing cars.) I also rode one of the first skateboards, with a box on the front. We had a single soccer ball for four or five blocks’ worth of kids; you were lucky if you got to kick it once. We had free time to burn. Distractions? Radio, yes, but no TV. Movies were only once a week. We were happier than people are today, despite the hard times. We overcame adversity and each time we did we enhanced our hardiness. We also knew how to win and lose gracefully.
”
”
Louis Zamperini (Devil at My Heels)
“
Too many people, too many times, have come between us. Not again.” This man, this beautiful, unattainable man is mine. And he loves me like a Mack truck—the huge ones that just keep coming and don’t stop for anything in their path. Being the object of such singular focus can be overwhelming, but it’s also the best feeling in the world. “Are you saying you want this for good?” I ask, more confident than I’ve ever been. “For good?” He frowns and gives a quick shake of his head. “For good is too sanitized. I want your dirt and your pain and your darkness. Your weakness and your flaws.” He sprinkles kisses over my cheeks and nose, leaving adoration everywhere he touches me. “I don’t want you for good, Banner,” he says. “I want you forever.” I gasp at hearing the future in his words, of the picture he’s painting. “I love you,” he tells me again. “I didn’t even think I was capable of saying that, much less feeling it, but I feel it for you.
”
”
Kennedy Ryan (Block Shot (Hoops, #2))
“
I was nearly to the end of the alley when an arm snaked around my waist and yanked me backward, out of the light. I wasn't sure if it was an Eye or a Prodigium, or just your run-of-the-mill rapist.scumbag type, but it was definitely a guy. He was several inches taller than me, and I could hear his ragged breathing in my ear as he struggled to hold me. There was no way I'd be able to do a spell on him: I was too tired and too frazzled. But while I didn't have magic, I did have a whole bunch of the Vandy's Defense classes on my side.
Skill Nine, you asshat,I thought as I drove my elbow back,while at the same time attempting to drive my boot heel as hard as I could into his instep.
He blocked both easily, pulling his torso back from my elbow even as he tightened his grip on my waist, lifting me slightly off the ground so my heel came down harmlessly on thin air.
For a second I felt real panic. Anyone who could black Prodigium Defense moves was a lot more dangerous than some random pervert. I was about to try Skill Fifteen, which involved both breaking his nose and potentially ending his chances of ever having kids, when my captor bent down and whispered in my ear, "Don't even think about it, Mercer.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch
And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane.
On the other side, Parker lifts his hand and mouths:
“Hi.”
I mouth “Hi” back.
He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page.
. . . and strange . . .
I lift an eyebrow.
. . . but please hear read me out.
He flips to the next page.
I know I told you I never lied . . .
. . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar.
I lied.
I lied to myself . . .
. . . and to you.
Parker watches as I read. Our eyes meet, and he flips the page.
But only because I had to.
I wasn’t supposed to fall in love with you, Jaden . . .
. . . but it happened anyway.
I clear my throat, and swallow hard, but it’s squeezed shut again, tight.
And it gets worse.
Not only am I a liar . . .
I’m selfish.
Selfish enough to want it all.
And I know if I don’t have you . . .
I hold my breath, waiting.
. . . I don’t have anything.
He turns another page, and I read:
I’m not Parker . . .
. . . and I’m not going to give up . . .
. . . until I can prove to you . . .
. . . that you are the only thing that matters. He flips to the next page.
So keep sending me away . . .
. . . but I’ll just keep coming back to you. Again . . .
He flips to the next page.
. . . and again . . .
And the next:
. . . and again.
Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly.
And if you can ever find it in your (heart) to forgive me . . .
There’s a big, black “heart” symbol where the word should be.
I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart.
I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close.
“You know you’re beautiful? Even when you cry?”
He smiles, holding my face in his hands, smearing the tears away with his thumbs.
I breathe in, lungs shuddering.
“I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.”
“Doesn’t make it right.”
“Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
”
”
Katie Klein (Cross My Heart (Cross My Heart, #1))
“
He kisses my chin, caresses my throat. I close my eyes against what I see in his eyes. It’s so much more than the need to fuck, than the base urge of one alpha male compelled to take a woman from another of his species. It’s tender and sincere and all the things I’ve told myself all these years he wasn’t capable of. “I saw you first,” he whispers, kissing the bridge of my nose where my freckles are. “I had you first.” He kisses my face where the dimple dents my cheek when I smile. “I want you back,” he declares, meeting my eyes and taking my mouth in a deep kiss, never looking away.
”
”
Kennedy Ryan (Block Shot (Hoops, #2))
“
Luz leaned her head against the window. The bus was already on the outskirts of Mexico City and the endless urban landscape had never seemed so gray and or so harsh. Most of the city was nothing like the old money enclave of Lomas Virreyes where the Vegas lived or Polanco where the city’s most expensive restaurants and clubs catered to the wealthy.
The bus passed block after block of sooty concrete cut into houses and shops and shanties and parking garages and mercados and schools and more shanties where people lived surrounded by hulks of old cars and plastic things no one bothered to throw away. Sometimes there wasn’t concrete for homes, just sheets of corrugated metal and big pieces of cardboard that would last until the next rainy season. It was the detritus of millions upon millions of people who had nowhere to go and nothing to do and were angry about it.
The Reforma newspaper had reported a few weeks ago that the city’s population was in excess of 28 million--more than 25 percent of the country’s entire population--and Luz believed it. All of those people were clawing at each other in a huge fishbowl suspended 7500 feet above sea level, where there was never enough oxygen and the air was thin and dirty.
The city was hemmed in by mountains on all sides; mountains like Popocatépetl and Iztaccíhuatl that sometimes spewed smoke and ash and prevented the contaminatión from cars and factories and sewers from escaping. Luz privately thought of it as la sopa--a white soup that often blotted out the stars and prevented the night sky from getting dark.
The bus slowed in traffic. As they crept along Luz saw a car stopped on the side of the road, pulled over by a transito traffic cop. As Luz watched, the driver handed the cop a peso bill from his wallet. The transito accepted it but kept talking, gesturing at the car. The motorist handed him another bill. La mordida--the bite--of the traffic cop, right under her nose.
Los Hierros was crap.
”
”
Carmen Amato (The Hidden Light of Mexico City)
“
He laughed with a mix of amusement and surprised appreciation. She couldn’t win. She had to know that. Yet still she fought. He hadn’t known there was a Summerlander alive still willing to confront him with such spirited defiance. Entire armies had fallen before him, yet this slight wisp of a girl dared to grapple, barehanded and defenseless, with the Winter King, a man who could slay with a glance.
He dodged a fist meant to break his nose and laughed again, enjoying himself for the first time in a very long while. How lucky for him so few of Verdan’s soldiers had possessed such raw, reckless courage! A thousand like her in their ranks, and the war might have ended quite differently.
His humor apparently didn’t sit well with her. She snarled and aimed another blow at his chin, which he blocked, as well as a vicious kick to his groin. He managed to block that, too—barely—but the hard toe of her boot still came close enough, with enough force, that his balls tingled from the near miss.
He quit laughing. There were some things a man just didn’t find funny.
”
”
C.L. Wilson (The Winter King (Weathermages of Mystral, #1))
“
Lie down every day, pacify your mind, cut off thoughts and block the breath. Close your fists, inhale through your nose, and exhale through your mouth. Do not let the breathing be audible. Let it be most subtle and fine. When the breath is full, block it. The blocking (of the breath) will make the soles of your feet perspire. Count one hundred times “one and two.” After blocking the breath to the extreme, exhale it subtly. Inhale a little more and block (the breath) again. If (you feel) hot, exhale with “Ho.” If (you feel) cold, blow the breath out and exhale it with (the sound) “Ch’ui.” If you can breathe (like this) and count to one thousand (when blocking), then you will need neither grains nor medicine.
”
”
James Nestor (Breath: The New Science of a Lost Art)
“
But gradually, as he tried to inhabit the room presented on the canvas (Van Gogh - The Bedroom), he began to experience it as a prison, an impossible space, an image, not so much of a place to live, but of the mind that has been forced to live there. Observe carefully. The bed blocks one door, a chair blocks the other door, the shutters are closed: you can't get in, and once you are in, you can't get out. Stifled among the furniture and everyday objects of the room, you begin to hear a cry of suffering in this painting, and once you hear it, it does not stop. 'I cried by reason of mine affliction...' But there is no answer to this cry. The man in this painting (and this is a self-portrait, no different from a picture of a man's face, with eyes, nose, lips, and jaw) has been alone too much, has struggled too much in the depthts of solitude. The world ends at that barricaded door. For the room is not a representation of solitude, it is the substance of solitude itself. And it is a thing so heavy, so unbreatheable, that it cannot be shown in any terms other than what it is.
”
”
Paul Auster (The Invention of Solitude)
“
baseball. The intestines may fill up completely with blood. The lining of the gut dies and sloughs off into the bowels and is defecated along with large amounts of blood. In men, the testicles bloat up and turn black-and-blue, the semen goes hot with Ebola, and the nipples may bleed. In women, the labia turn blue, livid, and protrusive, and there may be massive vaginal bleeding. The virus is a catastrophe for a pregnant woman: the child is aborted spontaneously and is usually infected with Ebola virus, born with red eyes and a bloody nose. Ebola destroys the brain more thoroughly than does Marburg, and Ebola victims often go into epileptic convulsions during the final stage. The convulsions are generalized grand mal seizures—the whole body twitches and shakes, the arms and legs thrash around, and the eyes, sometimes bloody, roll up into the head. The tremors and convulsions of the patient may smear or splatter blood around. Possibly this epileptic splashing of blood is one of Ebola’s strategies for success—it makes the victim go into a flurry of seizures as he dies, spreading blood all over the place, thus giving the virus a chance to jump to a new host—a kind of transmission through smearing. Ebola (and Marburg) multiplies so rapidly and powerfully that the body’s infected cells become crystal-like blocks of packed virus particles. These crystals are broods of virus getting ready to hatch from the cell. They are known as bricks. The bricks, or crystals, first appear near the center of the cell and then migrate toward the surface. As a crystal
”
”
Richard Preston (The Hot Zone)
“
You really think you can beat me in hand-to-hand combat?'
Blood flowed from her mouth, her nose. But Nesta smiled anyway, its tang coating her tongue. 'I do.'
Bellius threw his first punch, putting the entire force of his powerful body into it. Nesta blocked it, driving her fist into his nose. Bone crunched. Bellius howled, falling back a step.
And Nesta hissed, 'Because my mate taught me well.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
A few blocks farther on, we found Terminus, his World War I greatcoat peppered with shrapnel holes, his nose broken clean off his marble face. Crouching behind his pedestal was a little girl—his helper, Julia, I presumed—clutching a steak knife.
Terminus turned on us with such fury I feared he would zap us into stacks of customs declaration forms.
“Oh, it’s you,” he grumbled. “My borders have failed. I hope you’ve brought help.”
I looked at the terrified girl behind him, feral and fierce and ready to spring. I wondered who was protecting whom. “Ah…maybe?”
The old god’s face hardened a bit more, which shouldn’t have been possible for stone. “I see. Well. I’ve concentrated the last bits of my power here, around Julia. They may destroy New Rome, but they will not harm this girl!”
“Or this statue!” said Julia.
”
”
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
“
And he was big, so big. Even in her wedge heels, her nose only reached the middle of his chest as he edged closer. His shoulders blocked the light as his breath washed warm over her skin. Her pulse leapt like a rabbit at her throat as he lowered his mouth to brush over her parted lips, once, twice, before settling over them.Oh, God. His lips were firm, and molded to hers, learning the shape of her mouth. His tongue teased the entrance of her mouth, then he delved deeper.
”
”
Emma Jay (Lessons For Teacher)
“
When landing the J-3 Cub, the proper technique is for the tail wheel to touch the runway a millisecond before the main wheels touch. So before landing the pilot must raise the nose of the plane, which blocks his forward vision. He now must gauge his distance above the ground, and his location on the runway, by again using the side windows as he floats on down. After touching down he will again be blind to the front. After coming to a stop the back-and-forth taxiing begins again.
”
”
James Joyce (Pucker Factor 10: Memoir of a U.S. Army Helicopter Pilot in Vietnam)
“
I’m stopped by the sight of Finnick kissing Peeta. And it’s so bizarre, even for Finnick, that I stay my hand. No, he’s not kissing him. He’s got Peeta’s nose blocked off but his mouth tilted open, and he’s blowing air into his lungs. I can see this, I can actually see Peeta’s chest rising and falling. Then Finnick unzips the top of Peeta’s jumpsuit and begins to pump the spot over his heart with the heels of his hands. Now that I’ve gotten through my shock, I understand what he’s trying to do.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
All right, you. Stand straight. Pull your belly in. Pull your chin in. Keep your shoulders back. Hold your head level. Look straight front. Turn left. Turn right. Face front again and hold your hands out. Palms up. Palms down. Pull your sleeves back. No visible scars. Hair dark brown, some gray. Eyes brown. Height six feet, one half inch. Weight about one ninety. Name Philip Marlowe. Occupation private detective. Well, well, nice to see you, Marlowe. That’s all. Next man.” Much obliged, Captain. Thanks for the time. You forgot to have me open my mouth. I have some nice inlays and one very high-class porcelain jacket crown. Eighty-seven dollars worth of porcelain jacket crown. You forgot to look inside my nose too, Captain. A lot of scar tissue in there for you. Septum operation and was that guy a butcher! Two hours of it in those days. I hear they do it in twenty minutes now. I got it playing football, Captain, a slight miscalculation in an attempt to block a punt. I blocked the guy’s foot instead—after he kicked the ball. Fifteen yards penalty, and that’s about how much stiff bloody tape they pulled out of my nose an inch at a time the day after the operation. I’m not bragging, Captain. I’m just telling you. It’s the little things that count.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
over the bridge of her nose and onto the block, but her voice remained strong and loud. “Sixteen, when you burned her. Her name was Kaleen, and she had eyes like thunderclouds. I still hear her voice in my dreams.” The king jerked his chin to the executioner, who stepped forward. “My sister was thirty-six. Her name was Liessa, and she had two boys who were her joy.” The executioner raised his ax. “My neighbor and his wife were seventy. Their names were Jon and Estrel. They were killed because they dared try to protect my daughter when your men came for her.” Rena Goldsmith was still reciting her list of the dead when the ax fell.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
At last we settled down with my face thrust into the loose fur of Mars’s throat and his hind legs curled into my stomach. He licked my nose. It must have been like licking a block of ice. I stretched out a random hand and drew it over his head. Out of his ears it would have been no hard task to have made silk purses. And as I fell asleep I was remembering how much in my childhood I had wanted to have a dog and how thoroughly my elders had made me feel this wish to be extravagant and unseemly until it had faded sadly into a secret dream, and been replaced in about my ninth year by an equally profound yearning to be the owner of an Aston Martin.
”
”
Iris Murdoch (Under the Net)
“
cause of cavities, even more damaging than sugar consumption, bad diet, or poor hygiene. (This belief had been echoed by other dentists for a hundred years, and was endorsed by Catlin too.) Burhenne also found that mouthbreathing was both a cause of and a contributor to snoring and sleep apnea. He recommended his patients tape their mouths shut at night. “The health benefits of nose breathing are undeniable,” he told me. One of the many benefits is that the sinuses release a huge boost of nitric oxide, a molecule that plays an essential role in increasing circulation and delivering oxygen into cells. Immune function, weight, circulation, mood, and sexual function can all be heavily influenced by the amount of nitric oxide in the body. (The popular erectile dysfunction drug sildenafil, known by the commercial name Viagra, works by releasing nitric oxide into the bloodstream, which opens the capillaries in the genitals and elsewhere.) Nasal breathing alone can boost nitric oxide sixfold, which is one of the reasons we can absorb about 18 percent more oxygen than by just breathing through the mouth. Mouth taping, Burhenne said, helped a five-year-old patient of his overcome ADHD, a condition directly attributed to breathing difficulties during sleep. It helped Burhenne and his wife cure their own snoring and breathing problems. Hundreds of other patients reported similar benefits. The whole thing seemed a little sketchy until Ann Kearney, a doctor of speech-language pathology at the Stanford Voice and Swallowing Center, told me the same. Kearney helped rehabilitate patients who had swallowing and breathing disorders. She swore by mouth taping. Kearney herself had spent years as a mouthbreather due to chronic congestion. She visited an ear, nose, and throat specialist and discovered that her nasal cavities were blocked with tissue. The specialist advised that the only way to open her nose was through surgery or medications. She tried mouth taping instead. “The first night, I lasted five minutes before I ripped it off,” she told me. On the second night, she was able to tolerate the tape for ten minutes. A couple of days later, she slept through the night. Within six weeks, her nose opened up. “It’s a classic example of use it or lose it,” Kearney said. To prove her claim, she examined the noses of 50 patients who had undergone laryngectomies, a procedure in which a breathing hole is cut into the throat. Within two months to two years, every patient was suffering from complete nasal obstruction. Like other parts of the body, the nasal cavity responds to whatever inputs it receives. When the nose is denied regular use, it will atrophy. This is what happened to Kearney and many of her patients, and to so much of the general population. Snoring and sleep apnea often follow.
”
”
James Nestor (Breath: The New Science of a Lost Art)
“
Oh, Teddy Bear, dear Teddy,
though you're gone these many years,
I recall with deep affection
how I nibbled on your ears,
I can hardly keep from smiling,
and my heart beats fast and glows,
when I think about the morning
that I twisted off your nose.
Teddy Bear, you didn't whimper,
Teddy Bear, you didn't pout,
when I reached in with my fingers
and I tore your tummy out,
and you didn't even mumble
or emit the faintest cries,
when I pulled your little paws off,
when I bit your button eyes.
Yes, you sat beside me calmly,
and you didn't once protest,
when I ripped apart the stuffing
that was packed inside your chest,
and you didn't seem to notice
when I yanked out all your hair—
it's been ages since I've seen you,
but I miss you, Teddy Bear.
”
”
Jack Prelutsky (The New Kid on the Block)
“
Some series teach us that ethnic features must be "fixed," by drastic means if necessary. Plastic surgeons with questionable ethics give insecure women of all ethnicities boob jobs, liposuction, and face-lifts on shows such as Extreme Makeover, The Swan, and Dr. 90210, ignoring medical risks and reinforcing problematic ideas about women's worth. Yet they don't make white surgical candidates feel like their cultural identity should also be on the chopping blocking - or that they'd be so much more attractive and fulfilled if only they didn't look so... Caucasian.
In contrast, TV docs' scalpels reduce or remove racial markers on patients of colour. Black women's noses and lips are made smaller. In an increasingly common procedure targeting Asian women, creases are added to Asian women's eyelids.
”
”
Jennifer L. Pozner (Reality Bites Back: The Troubling Truth About Guilty Pleasure TV)
“
We're all so happy you're feeling better, Miss McIntosh. Looks like you still have a good bump on your noggin, though," she says in her childlike voice.
Since there is no bump on my noggin, I take a little offense but decide to drop it. "Thanks, Mrs. Poindexter. It looks worse than it feels. Just a little tender."
"Yeah, I'd say the door got the worst of it," he says beside me. Galen signs himself in on the unexcused tardy sheet below my name. When his arm brushes against mine, it feels like my blood's turned into boiling water.
I turn to face him. My dreams really do not do him justice. Long black lashes, flawless olive skin, cut jaw like an Italian model, lips like-for the love of God, have some dignity, nitwit. He just made fun of you. I cross my arms and lift my chin. "You would know," I say.
He grins, yanks my backpack from me, and walks out. Trying to ignore the waft of his scent as the door shuts, I look to Mrs. Poindexter, who giggles, shrugs, and pretends to sort some papers. The message is clear: He's your problem, but what a great problem to have. Has he charmed he sense out of the staff here, too? If he started stealing kids' lunch money, would they also giggle at that? I growl through clenched teeth and stomp out of the office.
Galen is waiting for me right outside the door, and I almost barrel into him. He chuckles and catches my arm. "This is becoming a habit for you, I think."
After I'm steady-after Galen steadies me, that is-I poke my finger into his chest and back him against the wall, which only makes him grin wider. "You...are...irritating...me," I tell him.
"I noticed. I'll work on it."
"You can start by giving me my backpack."
"Nope."
"Nope?"
"Right-nope. I'm carrying it for you. It's the least I can do."
"Well, can't argue with that, can I?" I reach around for it, but he moves to block me. "Galen, I don't want you to carry it. Now knock it off. I'm late for class."
"I'm late for it too, remember?"
Oh, that's right. I've let him distract me from my agenda. "Actually, I need to go back to the office."
"No problem. I'll wait for you here, then I'll walk you to class."
I pinch the bridge of my nose. "That's the thing. I'm changing my schedule. I won't be in your class anymore, so you really should just go. You're seriously violating Rule Numero Uno."
He crosses his arms. "Why are you changing your schedule? Is it because of me?"
"No."
"Liar."
"Sort of."
"Emma-"
"Look, I don't want you to take this personally. It's just that...well, something bad happens every time I'm around you."
He raises a brow. "Are you sure it's me? I mean, from where I stood, it looked like your flip-flops-"
"What were we arguing about anyway? We were arguing, right?"
"You...you don't remember?"
I shake my head. "Dr. Morton said I might have some short-term memory loss. I do remember being mad at you, though."
He looks at me like I'm a criminal. "You're saying you don't remember anything I said. Anything you said."
The way I cross my arms reminds me of my mother. "That's what I'm saying, yes."
"You swear?"
"If you're not going to tell me, then give me my backpack. I have a concussion, not broken arms. I'm not helpless."
His smile could land him a cover shoot for any magazine in the country. "We were arguing about which beach you wanted me to take you to. We were going swimming after school."
"Liar." With a capital L. Swimming-drowning-falls on my to-do list somewhere below giving birth to porcupines.
"Oh, wait. You're right. We were arguing about when the Titanic actually sank. We had already agreed to go to my house to swim.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
What motivates Olympic athletes to train for years for one event—in some cases, for just seconds of actual competition? It’s the same thing that kept my friend Pete nosing around old bookstores for years. It’s the same thing that makes a person venture out of a comfortable job to start a new business. We see it in the artist who spends day after day in a studio chipping away at a block of stone. Look closely and you’ll find it in the shopper who passes up the good deal in search of the best deal. It’s one of the things that makes us most human. We consciously pursue what we value. It’s not simply a matter of being driven by biology or genetics or environmental conditioning to satisfy instinctive cravings. Rather, we perceive something, prize it at a certain value, then pursue it according to that assigned value because we were created that way. This ability to perceive, prize, and pursue is part of our essential humanness, and it’s the essence of ambition.
”
”
Dave Harvey (Rescuing Ambition)
“
A splash of light snuck beneath the a dressing room door. He heard a groan. A shuffle. A bump. A heavy sigh.
"Uh, too tight."
He walked toward the back, stopping outside the dressing room. The door was cracked a fraction. He rested a shoulder against the wall, and glanced inside. Grace as Catwoman blew his mind. A feline fantasy.
The three-way mirror tripled his pleasure. He viewed her from every angle. Hot, sleek, fierce. The lady could fight Batman in her skintight black leather catsuit and come out the winner.
After a moment she scrunched her nose, slapped her palms against her thighs. Stuck out her tongue at her reflection in the mirrors. He saw what had her so frustrated. Sympathized with her disappointment. Her costume didn't fit. The front zipper hadn't fully cleared her cleavage, which was deep and visible. She wore no bra. She gave a little hop, and her breasts bounced. Full and plump. He felt a tug at his groin. Superhero lust.
He cleared his throat and made his presence known. She caught his image in the corner of the glass, and reached for the fitting room chair, positioning it between them.
Like that would keep him from her. He should've looked away, but couldn't. He sensed her embarrassment. Her panic. Flight? She had nowhere to go. He blocked the door. He wasn't leaving until they'd talked.
"Archibald's going to love your costume," he initiated.
She didn't find him funny. Her gaze narrowed behind the molded cat-eye mask with attached ears. Her fingers clenched in her elbow-length gloves. Inspired by the movie The Dark Knight, she'd added a whip and a gun holster. Her thigh-high stiletto boots were killer, adding five inches to her height. Her image would stick with him forever.
She backed against the center mirror, and nervously fingered the open flaps over her breasts. A yank on the zipper broke the tab. The metal teeth parted, and the gap widened, revealing the round inner curves of her breasts. A hint of her nipples. Dusky pink. All the way down to the dent of her navel.
”
”
Kate Angell (The Cottage on Pumpkin and Vine)
“
On Rossini's 'The Barber of Seville' - "Much has been written about the fiasco of the opera's first night on 20 February 1816, most of it true: the mockery of Rossini's Spanish-style hazel jacket, the rowdy animosity of the Paisiello lobby, the jeering and the catcalls, as one mishap succeeded another. Basilio sang his 'Calumny' aria with a bloodied nose after tripping over a trap door; then during the act 1 finale, a cat wandered onstage, declined to leave, and was forcibly flung into the wings. According to the Rosina, Gertrude Righetti Giorgi, Rossini left the theatre 'as though he had been an indifferent onlooker'... The second performance was a triumph, though Rossini was not there to witness it. He spent the evening pacing his room, imagining the opera's progress scene by scene. He retired early, only to be roused by a glow of torches and uproar in the street. Fearing that a mob was about to set fire to the building, he took refuge in a stable block. Garcia tried to summon him to acknowledge the adulation. 'F***' their bravos!' was Rossini's blunt rejoinder. 'I'm not coming out'.
”
”
Richard Osborne (Rossini (Master Musicians Series))
“
per hour. Handbrake knew that he could keep up with the best of them. Ambassadors might look old-fashioned and slow, but the latest models had Japanese engines. But he soon learned to keep it under seventy. Time and again, as his competitors raced up behind him and made their impatience known by the use of their horns and flashing high beams, he grudgingly gave way, pulling into the slow lane among the trucks, tractors and bullock carts. Soon, the lush mustard and sugarcane fields of Haryana gave way to the scrub and desert of Rajasthan. Four hours later, they reached the rocky hills surrounding the Pink City, passing in the shadow of the Amber Fort with its soaring ramparts and towering gatehouse. The road led past the Jal Mahal palace, beached on a sandy lake bed, into Jaipur’s ancient quarter. It was almost noon and the bazaars along the city’s crenellated walls were stirring into life. Beneath faded, dusty awnings, cobblers crouched, sewing sequins and gold thread onto leather slippers with curled-up toes. Spice merchants sat surrounded by heaps of lal mirch, haldi and ground jeera, their colours as clean and sharp as new watercolor paints. Sweets sellers lit the gas under blackened woks of oil and prepared sticky jalebis. Lassi vendors chipped away at great blocks of ice delivered by camel cart. In front of a few of the shops, small boys, who by law should have been at school, swept the pavements, sprinkling them with water to keep down the dust. One dragged a doormat into the road where the wheels of passing vehicles ran over it, doing the job of carpet beaters. Handbrake honked his way through the light traffic as they neared the Ajmeri Gate, watching the faces that passed by his window: skinny bicycle rickshaw drivers, straining against the weight of fat aunties; wild-eyed Rajasthani men with long handlebar moustaches and sun-baked faces almost as bright as their turbans; sinewy peasant women wearing gold nose rings and red glass bangles on their arms; a couple of pink-faced goras straining under their backpacks; a naked sadhu, his body half covered in ash like a caveman. Handbrake turned into the old British Civil Lines, where the roads were wide and straight and the houses and gardens were set well apart. Ajay Kasliwal’s residence was number
”
”
Tarquin Hall (The Case of the Missing Servant (Vish Puri, #1))
“
He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year.
The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home.
He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street.
They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then.
The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips.
Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites.
The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra.
“Who is The Mandarin? His name? Who is The Mandarin?”
He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him.
By the time they freed him, he was a different man.
”
”
Gary Haynes (State of Honour)
“
Some think Grom felt the pull toward Nalia," Toraf says softly. "Maybe it's a family trait."
"Well, there's where you're wrong, Toraf. I'm not supposed to feel the pull toward Emma. She belongs to Grom. He's firstborn, third generation Triton. And she's clearly of Poseidon." Galen runs his hand through his hair.
"I think that if Grom were her mate, he would have found Emma somehow instead of you."
"That's what you get for thinking. I didn't find Emma. Dr. Milligan did."
"Okay, answer me this," Toraf says, shaking a finger at Galen. "You're twenty years old. Why haven't you sifted for a mate?"
Galen blinks. He's never thought of it, actually. Not even when Toraf asked for Rayna. Shouldn't that have reminded him of his own single status? He shakes his head. He's letting Toraf's gossip get to him. He shrugs. "I've just been busy. It's not like I don't want to, if that's what you're saying."
"With who?"
"What?"
"Name someone, Galen. The first female that comes to mind."
He tries to block out her name, her face. But he doesn't stop it in time. Emma. He cringes. It's just that we've been talking about her so much, she's naturally the freshest on my mind, he tells himself. "There isn't anyone yet. But I'm sure there would be if I spent more time at home."
"Right. And why is that you're always away? Maybe you're searching for something and don't even know it."
"I'm away because I'm watching the humans, as is my responsibility, you might remember. You also might remember they're the real reason our kingdoms are divided. If they never set that mine, none of this would have happened. And we both know it will happen again."
"Come on, Galen. If you can't tell me, who can you tell?"
"I don't know what you're talking about. And I don't think you do either."
"I understand if you don't want to talk about it. I wouldn't want to talk about it either. Finding my special mate and then turning her over to my own brother. Knowing that she's mating with him on the islands, holding him close-"
Galen lands a clean hook to Toraf's nose and blood spurts on his bare chest. Toraf falls back and holds his nostrils shut. Then he laughs. "I guess I know who taught Rayna how to hit."
Galen massages his temples. "Sorry. I don't know where that came from. I told you I was frustrated."
Toraf laughs. "You're so blind, minnow. I just hope you open your eye before it's too late."
Galen scoffs. "Stop vomiting superstition at me. I told you. I'm just frustrated. There's nothing more to it than that."
Toraf cocks his head to the side, snorts some blood back into is nasal cavity. "So the humans followed you around, made you feel uncomfortable?"
"That's what I just said, isn't it?"
Toraf nods thoughtfully. Then he says, "Imagine how Emma must feel then."
"What?"
"Think about it. The humans followed you around a building and it made you uncomfortable. You followed Emma across the big land. Then Rachel makes sure you have every class with her. Then when she tries to get away, you chase her. Seems to me you're scaring her off."
"Kind of like what you're doing to Rayna."
"Huh. Didn't think of that."
"Idiot," Galen mutters. But there is some truth to Toraf's observation. Maybe Emma feels smothered. And she's obviouisly still mourning Chloe. Maybe he has to take it slow with Emma. if he can earn her trust, maybe she'll open up to him about her gift, about her past. But the question is, how much time does she need? Grom's reluctance to mate will be overruled by his obligation to produce an heir. And that heir needs tom come from Emma.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
THE IRIS OF THE EYE WAS TOO BIG TO HAVE BEEN FABRICATED AS A single rigid object. It had been built, beginning about nine hundred years ago, out of links that had been joined together into a chain; the two ends of the chain then connected to form a loop. The method would have seemed familiar to Rhys Aitken, who had used something like it to construct Izzy’s T3 torus. For him, or anyone else versed in the technological history of Old Earth, an equally useful metaphor would have been that it was a train, 157 kilometers long, made of 720 giant cars, with the nose of the locomotive joined to the tail of the caboose so that it formed a circular construct 50 kilometers in diameter. An even better analogy would have been to a roller coaster, since its purpose was to run loop-the-loops forever. The “track” on which the “train” ran was a circular groove in the iron frame of the Eye, lined with the sensors and magnets needed to supply electrodynamic suspension, so that the whole thing could spin without actually touching the Eye’s stationary frame. This was an essential design requirement given that the Great Chain had to move with a velocity of about five hundred meters per second in order to supply Earth-normal gravity to its inhabitants. Each of the links had approximately the footprint of a Manhattan city block on Old Earth. And their total number of 720 was loosely comparable to the number of such blocks that had once existed in the gridded part of Manhattan, depending on where you drew the boundaries—it was bigger than Midtown but smaller than Manhattan as a whole. Residents of the Great Chain were acutely aware of the comparison, to the point where they were mocked for having a “Manhattan complex” by residents of other habitats. They were forever freeze-framing Old Earth movies or zooming around in virtual-reality simulations of pre-Zero New York for clues as to how street and apartment living had worked in those days. They had taken as their patron saint Luisa, the eighth survivor on Cleft, a Manhattanite who had been too old to found her own race. Implicit in that was that the Great Chain—the GC, Chaintown, Chainhattan—was a place that people might move to when they wanted to separate themselves from the social environments of their home habitats, or indeed of their own races. Mixed-race people were more common there than anywhere else.
”
”
Neal Stephenson (Seveneves)
“
Antonia Valleau cast the first shovelful of dirt onto her husband’s fur-shrouded body, lying in the grave she’d dug in their garden plot, the only place where the soil wasn’t still rock hard. I won’t be breakin’ down. For the sake of my children, I must be strong. Pain squeezed her chest like a steel trap. She had to force herself to take a deep breath, inhaling the scent of loam and pine. I must be doing this.
She drove the shovel into the soil heaped next to the grave, hefted the laden blade, and dumped the earth over Jean-Claude, trying to block out the thumping sound the soil made as it covered him. Even as Antonia scooped and tossed, her muscles aching from the effort, her heart stayed numb, and her mind kept playing out the last sight of her husband. The memory haunting her, she paused to catch her breath and wipe the sweat off her brow, her face hot from exertion in spite of the cool spring air.
Antonia touched the tips of her dirty fingers to her lips. She could still feel the pressure of Jean-Claude’s mouth on hers as he’d kissed her before striding out the door for a day of hunting. She’d held up baby Jacques, and Jean-Claude had tapped his son’s nose. Jacques had let out a belly laugh that made his father respond in kind. Her heart had filled with so much love and pride in her family that she’d chuckled, too.
Stepping outside, she’d watched Jean-Claude ruffle the dark hair of their six-year-old, Henri. Then he strode off, whistling, with his rifle carried over his shoulder. She’d thought it would be a good day—a normal day. She assumed her husband would return to their mountain home in the afternoon before dusk as he always did, unless he had a longer hunt planned.
As Antonia filled the grave, she denied she was burying her husband. Jean-Claude be gone a checkin’ the trap line, she told herself, flipping the dirt onto his shroud.
She moved through the nightmare with leaden limbs, a knotted stomach, burning dry eyes, and a throat that felt as though a log had lodged there. While Antonia shoveled, she kept glancing at her little house, where, inside, Henri watched over the sleeping baby. From the garden, she couldn’t see the doorway.
She worried about her son—what the glimpse of his father’s bloody body had done to the boy. Mon Dieu, she couldn’t stop to comfort him. Not yet. Henri had promised to stay inside with the baby, but she didn’t know how long she had before Jacques woke up.
Once she finished burying Jean-Claude, Antonia would have to put her sons on a mule and trek to where she’d found her husband’s body clutched in the great arms of the dead grizzly. She wasn’t about to let his last kill lie there for the animals and the elements to claim. Her family needed that meat and the fur.
She heard a sleepy wail that meant Jacques had awakened. Just a few more shovelfuls. Antonia forced herself to hurry, despite how her arms, shoulders, and back screamed in pain.
When she finished the last shovelful of earth, exhausted, Antonia sank to her knees, facing the cabin, her back to the grave, placing herself between her sons and where their father lay. She should go to them, but she was too depleted to move.
”
”
Debra Holland (Healing Montana Sky (Montana Sky, #5))
“
A school bus is many things.
A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.
”
”
Jason Reynolds (Look Both Ways: A Tale Told in Ten Blocks)
“
turn to see a Gray woman my height, but built like a snub-nosed boxer with the physical dimensions of a concrete building block. Freckles, made dark by her time under the harsh Mercurian sun, maul an ugly, broad nose, while her hair, shaved on the sides of the head, shoots up from the top of her head like a surfacing great white. Her military uniform is all black, but every eye, wary bartender to dazed whore, scans the red flying-horse standard on the forearms of her jacket and the matted wolfcloak that hangs from her left shoulder. Pegasus Legion, Howler Battalion. One of the Reaper’s own.
”
”
Pierce Brown (Iron Gold (Red Rising Saga, #4))
“
I’m sorry.” I know it’s the universal default, but the problem is, one’s first knee-jerk response when someone says “I’m sorry” is to say “It’s okay.” We are programmed from kindergarten, from the first time the inevitable snot-nosed kid knocks over our blocks, to forgive. And it’s not okay, it’s as far from okay as it can really get, but there you are, tricked by a sociolinguistic tic into affirming that it is.
”
”
Jonathan Tropper (How to Talk to a Widower)
“
After reassembling the Lego blocks at record speed, he lifted his handsome butt off the carpet and onto the seat in one fluid motion.
Nose down. Hips up. Swing over.
Easy as store-bought pie.
Neatly placing both feet on the footplate, he met my gaze. “You’re staring.”
“S-sorry.”
“Wasn’t complaining. Merely stating a fact.
”
”
Annie Arcane (Hart of Mine (Cale & Mickey #4))
“
Zev’s heart thumped wildly, and he somehow managed to
increase his speed, running faster than he’d ever previously managed.
Jonah was a big kid, almost as big as Zev. And he was strong. But
shifters were stronger than humans, even when wearing their human
skins. And with three of them surrounding Jonah, he didn’t stand a
chance. Hell, even very few shifters would manage to come out
victorious against those odds.
The sounds of fists hitting bodies intermingled with shouting
ratcheted Zev’s anxiety even higher. Just as he was about to turn the
corner, the noise stopped. That unexpected silence increased the fear
that racked Zev’s body to such high proportions that he thought he
might vomit.
“Get away from….”
Zev’s warning stuck in his throat as he finally managed to get
around the edge of the building to survey the scene in front of him.
Brian was lying on the ground, cradling his arm. A shifter who was two
years older than Zev was flat on his back with his eyes closed. The
third shifter who’d threatened Jonah was holding his nose, trying to
block the blood that poured out from between his fingers. And in the
center of the damage stood Jonah, his fists clenched, face sweaty, blond
hair disheveled, and expression fierce.
”
”
Cardeno C. (Wake Me Up Inside (Mates, #1))
“
She navigated the last turn before the Butler town line and had to slam on the brakes when a huge obstruction appeared out of nowhere, blocking the road. There was just enough moisture on the road to spin her tiny car around in a full circle that put her back where she started, her car nose-to-nose with Fred the moose.
”
”
Marie Force (All You Need is Love (Green Mountain #1))
“
she was trembling from the cold and the fear of being alone in the middle of nowhere with something blocking her path. And smacking her face on the airbag hadn’t helped. Her nose hurt, and her eyes were watering.
”
”
Marie Force (All You Need is Love (Green Mountain #1))
“
The next morning, two others returned to the two stricken climbers’ position. After chipping blocks of ice off their faces, they reported them to be breathing, but severely frostbitten and ‘as close to death as a human being can be’.
The call once again was made to leave them for dead. The climbers trudged back to camp and reported the deaths.
But then something incredible happened. Beck Weathers opened his eyes.
Beck says he saw his wife and kids standing in front of him, calling out to him.
This was the ember.
He slowly dragged himself to his feet and started stumbling forward.
He was completely blind in one eye, which was frozen shut by the cold, and had a visibility range of barely two feet in the other eye. His entire body was like ice, and he was crippled by altitude sickness. Yet he kept stumbling on.
Finally, against all odds, Beck Weathers lurched into camp.
Beck lost both his hands and his nose to frostbite, yet that tiny ember that burnt within him, that ember of hope from his family, was all he needed to get up and to move.
That ember saved his life.
Never underestimate the human spirit.
”
”
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
“
saw you first,” he whispers, kissing the bridge of my nose where my freckles are. “I had you first.” He kisses my face where the dimple dents my cheek when I smile. “I want you back,” he declares, meeting my eyes and taking my mouth in a deep kiss, never looking away.
”
”
Kennedy Ryan (Block Shot (Hoops, #2))
“
TW-17. It can also be used to control an opponent by firmly grasping their head with one arm and driving a knuckle or fingertip into the point for compliance. Force should be applied towards to the tip of the nose for best effect. This type of control technique is commonly taught to Law Enforcement Officers as part of their training in dealing with a passive, but non-compliant, protesters, for instance. Defensively, attacks to the side of the head can generally be effectively blocked using the shoulder, arm, or movement of the torso.
”
”
Rand Cardwell (36 Deadly Bubishi Points: The Science and Technique of Pressure Point Fighting - Defend Yourself Against Pressure Point Attacks!)
“
I am at your mercy.”
Matthias cracked one of his whips. “Get up and get in the house.”
“As you wish.” Rose wrinkled his nose, picked a banana peel off his lap, and stood in the last faint beams of sunset.
“Whoa!”
“Is he wearing a leather cat suit?”
“Holy Mother!"
“Dude!”
The guys all quickly averted their eyes and raised their hands to further block any chance of catching a view. Anything to not see Rose in his painted-on leather one-piece that left absolutely nothing to the imagination. Their reactions were pure entertainment.
“Stunning, right?” Rose spread his palms as far as the cuffs would allow.
“Oh, I’m stunned.” Ayden looked ill. Rose looked down at himself with admiration. “Not many males can pull off this look.” “No male can pull off that look.”
“Actually, his finely sculptured physique would be considered the perfect complement for this type of anatomically revealing attire which accentuates his—”
“Bloody hell, Jayden, shut it!”
“Dude, this is so not right.”
“I feel like it’s looking at me.”
“Feel like what’s looking at—? Oh. Oh! Ugh, now I feel like it’s looking at me too.”
“How can it be looking at both of us?”
“Are you serious?”
“I’m gonna be sick.”
“Someone please gouge out my eyes.”
“He might as well be naked.”
“Already did that,” Rose said dryly and gave me a suggestive wink. “Ask Aurora.”
“What!” Now the crowd had eyes on me. I frantically shook my head.
“No, no, no. It’s not what you think. He was in the water with most,” my hands circled over my abdomen, “stuff covered.”
“Most?” Ayden almost shrieked. The orange-red flames on his arms flashed blue-white.
”
”
A. Kirk (Drop Dead Demons (Divinicus Nex Chronicles, #2))
“
My mother was a very private person; exposure was the final indignity of her murder. Her violent end was illuminated in full detail for a hungry public. The curtains were stripped from her home; anyone could press their nose to the glass. But the beauty of her existence was not reported or filed, was not documented or reenacted on cable television; her light was blocked out by terror. I want to push away that darkness, to travel back through fear and reunite with her as she was before.
”
”
Sarah Perry (After the Eclipse: A Mother's Murder, a Daughter's Search)
“
since the accident. I don’t know what her problem was. After all, I was a “hero.” At least the newspaper said so. “Hey, Alex,” she said, twirling her ponytail with her pencil. “Oh, hi,” I stammered, looking down at my burger. “You guys sounded really great in the talent show. I didn’t know you could sing like that.” “Uhh, thanks. It must be all the practice I get with my karaoke machine.” Oh God, did I just tell her I sing karaoke? Definitely not playing it cool, I thought to myself. TJ butted in, “Yeah, Small Fry was ok, but I really carried the show with my awesome guitar solo.” He smiled proudly. “Shut up, TJ,” I said, tossing a fry at him, which hit him between the eyes. “Hey, watch it, Baker. Just because you’re a ‘hero’ doesn’t mean I won’t pummel you.” “Yeah, right,” I said, smiling. Emily laughed. “Maybe we could come over during Christmas break and check out your karaoke machine. Right, Danielle?” Danielle rolled her eyes and sighed. “Yeah, whatever.” I gulped. “Uhhh…yeah…that sounds great.” “Ok, give me your hand,” she said. “My hand,” I asked, surprised. “Yep,” she said, grabbing my wrist and opening my palm. “Here’s my number,” she said, writing the numbers 585-2281 in gold glitter pen on my palm.” I will never wash my hand again, I thought to myself. “Text me over break, ok?” she said, smiling brightly. “Yeah, sure,” I nodded, as she walked away giggling with Danielle. “Merry Christmas to me!” I whispered to TJ and Simon. “Yeah, there’s just one problem, Dufus,” TJ said. “Oh yeah, what’s that, TJ? That she didn’t give you her number?” I asked. “No, Dork. How are you going to text her if you don’t have a cell phone?” He smiled. “Oh, right,” I said, slumping down in my seat. “That could be a problem.” “You could just call her on your home phone,” Simon suggested, wiping his nose with a napkin. “Yeah, sure,” TJ chuckled. “Hi Emily, this is Alex Baker calling from the year 1984.” He held his pencil to his ear like a phone. “Would you like to come over to play Atari? Then maybe we can solve my Rubik’s Cube while we break dance ….and listen to New Kids on the Block.” He was cracking himself up and turning bright red. “Maybe I’ll type you a love letter on my typewriter. It’s so much cooler than texting.” “Shut up, TJ,” I said, smiling. “I’m starting to remember why I didn’t like you much at the beginning of the year.” “Lighten up, Baker. I’m just bustin’ your chops. Christmas is coming. Maybe Santa will feel sorry for your dorky butt and bring you a cell phone.” Chapter 2 ePhone Denied When I got home from school that day, it was the perfect time to launch my cell phone campaign. Mom was in full Christmas mode. The house smelled like gingerbread. She had put up the tree and there were boxes of ornaments and decorations on the floor. I stepped over a wreath and walked into the kitchen. She was baking sugar cookies and dancing around the kitchen to Jingle Bell Rock with my little brother Dylan. My mom twirled Dylan around and smiled. She was wearing the Grinch apron that we had given her last Christmas. Dylan was wearing a Santa hat, a fake beard, and of course- his Batman cape. Batman Claus. “Hey Honey. How was school?” she asked, giving Dylan one more spin. “It was pretty good. We won second place in the talent show.” I held up the candy cane shaped award that Ms. Riley had given us. “Great job! You and TJ deserved it. You practiced hard and it payed off.” “Yeah, I guess so,” I said, grabbing a snicker-doodle off the counter. “And now it’s Christmas break! I bet your excited.” She took a tray of cookies out of the oven and placed
”
”
Maureen Straka (The New Kid 2: In the Dog House)
“
From his shoulder, I leapt down to the ground and nosed my way into the pampas grass.
The path before me was blocked by the thick stems. I lifted my head and saw, far above me, the white ears waving against a clear blue sky.
'Nana?'
Satoru's worried voice reached my ears.
'Nana, where are you-uuu?'
There was the sound of dry grass being trampled so I knew that Satoru had entered the pampas grass sea, too. I'm here, just here, just near you.
But as he called me, Satoru's voice drifted further away. From where I was, I could see Satoru, but he couldn't see me, hidden as I was by the pampas.
I guess I have no choice, I thought, and followed quickly after Satoru so he wouldn't get lost.
'Nana?'
Right here! I answered him, but it seemed like my voice was being carried away by the wind and didn't reach him.
'Naaaaana!'
Satoru began to sound desperate.
'Nana! Nana, where are you-uuuuu?'
Satoru started to call out into the distance and, unable to bear it, I let out a loud shout, as big as I could make it.
I'm right heeeere!
And then there he was, framed against the sky, gazing down on me. The instant our eyes met, his stern look melted. His eyes softened and light caught the trails of water sliding down his cheeks.
Without a word, he knelt down on the earth, placed his big hands around my middle and hugged me. That hurts! My guts are going to squeeze out.
'You silly thing! If you wander off in here, I'll never be able to find you!'
Satoru's whole body shook with his sobs.
'For someone your size, this field is like a sea of trees!
”
”
Hiro Arikawa (The Travelling Cat Chronicles)
“
A little after moonrise Stephen woke. Extreme hunger had brought on cramps in his midriff again and he held his breath to let them pass: Jack was still sitting there, the tiller under his knee, the sheet in his hand, as though he had never moved, as though he were as immoveable as the Rock of Gibraltar and as unaffected by hunger, thirst, fatigue, or despondency. In this light he even looked rock-like, the moon picking out the salient of his nose and jaw and turning his broad shoulders and upper man into one massive block. He had in fact lost almost as much weight as a man can lose and live, and in the day his shrunken, bearded face with deep-sunk eyes was barely recognizable; but the moon showed the man unchanged.
”
”
Patrick O'Brian
“
See now? I thought you were just a children’s story, Asher Lee.” “I’m not,” said Asher, clenching his fist. “Can I help you?” asked Lance, with a curious expression. “You laid hands on something that belongs to me.” “Oh. Oh, ho, ho.” Lance rocked lightly in his chair, a smarmy smile spreading across his face. “Now, this wouldn’t be about that cold Northern slut, Savannah Carmichael, would it?” Asher saw red. Raw, raging red. He leaned over the desk and grabbed Lance by the knot in his tie at the base of his throat and jerked him forward until his face hit the desk. Lance was so shocked, he didn’t have a moment to react. “Call her a slut again,” snarled Asher. “She’s just a cheap piece of Northern tail.” In an instant, Asher yanked Lance up, let go of the knot, drew back his muscular, corded arm, and smashed his fist into Lance’s already bruised nose. Blood spurted onto Lance’s desk and down his shirt as he drew back his fist to hit Asher, but Asher blocked the hit with his palm and pushed Lance backward. Lance crashed unsteadily backward into his desk chair, which tipped over, causing Lance to crash onto the floor. Asher rounded the desk and pounced, straddling the younger, less fit man, pinning his arms to his sides. His fist connected with Lance’s nose one more time, and the sickening sound of cartilage snapping preceded Lance’s shrill scream. “You broke my nose, you asshole!” “You want to roughhouse with someone? Fight with me.” “I was raised better’n to fight a cripple.” “The hell you were.” Lance tried to free his arms where Asher had them pinned to his sides, but Asher’s legs were too strong. “You’re garbage. You get off on hurting women, you sick twist.” “I never touched her. She’s a lying slut.” Asher spat on the bloody mess that was now Lance’s face. “I told you not to call her that.
”
”
Katy Regnery (The Vixen and the Vet (A Modern Fairytale, #1))
“
You’re a pirate?” Obviously. Still, hard to believe. He pressed forward, forcing on her a series of blows meant to test her strength and will.
She parried and blocked his every move with an aptitude that amazed. “Aye. A pirate, and captain of the Sea Sprite,” she boasted, a wry smile upon her full lips.
Indeed, she appeared very much a pirate in her men’s garb—a threadbare, brown suit with overly long sleeves
she’d had to roll up. Her ebony hair had been pulled back in a queue and was half hidden beneath a rumpled tricorn. Also, like her men, was her look of desperation and the grim cast to her countenance that bespoke of a hard existence.
“We offered you quarter,” she said as she evaded his thrust with ease. “Why didn’t you surrender? You had to
know we outnumbered you.”
He didn’t answer. In all honesty, he’d thought they could defeat the pirates, if not with cannon fire, then with skill. After hearing of all the pirate attacks of late, they’d hired on additional hands, men who could fight. If it hadn’t been for the damn illness…
“It’s not too late. You can save what’s left of your crew. Surrender now, Captain Glanville, and we’ll see that your men are ransomed back.” A wicked gleam brightened her eyes as if victory would soon be hers.
He should do as she asked. It would be the sensible thing, but pride kept him from saying the words. Not yet. He still had another opponent to defeat, and so far she hadn’t been an easy one to overcome. Despite his steady attack, she kept her muscles relaxed, her balance sure. Her attention followed his movements no matter how small, adjusting her stance, looking for weaknesses. “How do you know I’m Captain Glanville?” When work was at hand, he didn’t dress any differently than his men.
“I know much about you.” Stepping clear of two men battling to their left, she blocked his sword with her own
and lunged with her dagger. He jumped from the blade, avoiding injury by the barest inch. This one relied on speed and accuracy rather than power. Smart woman.
“What do you want from us?” he asked, launching an attack of his own, this time with so much force and speed, she had no choice but to retreat until her back came up against the railing. “We only just left London four days ago. Our cargo is mainly iron and ale.”
Her gaze sharpened even as her expression became strained. His assault was wearing her down. “I want the
Ruby Cross.”
How the hell did she know he had the cross? And did she believe he’d simply hand it over? Hand over a priceless antiquity of the Knights Templar? Absurd. He swung his sword all the harder. The clang of steel rang through the air. Her reactions slowed, and her arms trembled. He made a final cut, putting all his strength behind the blow, and knocked her sword from her hand. Triumph surged through his veins. She attempted to slash out with her dagger. He grabbed her arm before her blade could reach him and hauled her close, their faces nose to nose. “You’ll never take the cross from me,” he vowed as he towered over her, his grip strong.
The point of a sword touched his back. Thomas tensed, he swore beneath his breath, self-disgust heavy in his chest. The distraction of this one woman had sealed his fate.
Bloody hell.
”
”
Tamara Hughes (His Pirate Seductress (Love on the High Seas, #3))
“
tape already marked the area around the body. A first responding officer jumped to his feet, holding the scene log on a clipboard. “Good morning, sir.” The young man spoke in the nasal voice of someone whose nose is blocked. Lei spotted white cotton sprouting from his nostrils. “Hey. Nice up here if it weren’t for the smell.” She took the clipboard, and each of them signed in. Passing the tape, Lei spotted the hand first, extended toward them from beneath the ferns, palm up. The tissue was swollen and discolored, masked in a filmy gray gauze of mold that seemed to be drawing the body down into the forest floor. Lei could imagine that in just a few weeks, the body would have been all but gone in the biology of the cloud forest. The victim lay on his stomach, his head turned away and facing into a fern clump, black hair already looking like just another lichen growing on the forest floor. The body was at the expansion phase, distending camouflage-patterned clothing as if inflated. A black fiberglass arrow fletched in plastic protruded from the man’s back. Lei and Pono stayed well back from the body. Lei unpacked the police department’s camera from her backpack, and Pono took out his crime kit. The modest quarter-karat engagement
”
”
Toby Neal (Shattered Palms (Lei Crime, #6))
“
Crossing the floor, he grabbed Syn's hair and wrenched his head back. Blood poured from a cut above one eye and out of his nose and mouth. "Tell me where the chip is, rat."
"Still on the old block?"
Furious at yet another smart-ass retort, he kidney-punched him.
Tensing with the blow, Syn sucked his breath in between his bloodied teeth and grimaced. "Who taught you to hit? Your grandmother?" He narrowed that demented dark glare on him. "The only person you're going to scare with that is a three-year-old girl."
-Uriah & Syn
”
”
Sherrilyn Kenyon (Born of Fire (The League: Nemesis Rising, #2))
“
A wind started up. It began scouring our cheeks, and we lifted hands, blocking our faces from a gauze of blowing sand. So much wind came that it was hard to breathe without covering our noses and mouths. We stood and shouldered our packs to keep going. Sidewinder tracks lifted off the dunes and flew around us.
”
”
Craig Childs (The Animal Dialogues: Uncommon Encounters in the Wild)
“
Benedict advanced immediately, lunging and attacking, but Colin had always been particularly fleet of foot, and he retreated carefully, meeting Benedict’s attack with an expert parry.
“You’re in a bloody bad mood today,” Colin said, lunging forward and just nearly catching Benedict on the shoulder.
Benedict stepped out of his way, lifting his blade to block the attack. “Yes, well, I had a bad”— he advanced again, his foil stretched straight forward—“ day.”
Colin sidestepped his attack neatly. “Nice riposte,” he said, touching his forehead with the handle of his foil in a mock salute.
“Shut up and fence,” Benedict snapped.
Colin chuckled and advanced, swishing his blade this way and that, keeping Benedict on the retreat. “It must be a woman,” he said.
Benedict blocked Colin’s attack and quickly began his own advance. “None of your damned business.”
“It’s a woman,” Colin said, smirking.
Benedict lunged forward, the tip of his foil catching Colin on the collarbone. “Point,” he grunted.
Colin gave a curt nod. “Touch for you.” They walked back to the center of the room. “Are you ready?” he asked.
Benedict nodded.
“En garde. Fence!”
This time Colin was the first to take the attack. “If you need some advice about women . . .” he said, driving Benedict back to the corner.
Benedict raised his foil, blocking Colin’s attack with enough force to send his younger brother stumbling backward. “If I need advice about women,” he returned, “the last person I’d go to would be you.”
“You wound me,” Colin said, regaining his balance.
“No,” Benedict drawled. “That’s what the safety tip is for.”
“I certainly have a better record with women than you.”
“Oh really?” Benedict said sarcastically. He stuck his nose in the air, and in a fair imitation of Colin said, “‘ I am certainly not going to marry Penelope Featherington!’”
Colin winced.
“You,” Benedict said, “shouldn’t be giving advice to anyone.”
“I didn’t know she was there.”
Benedict lunged forward, just barely missing Colin’s shoulder. “That’s no excuse. You were in public, in broad daylight. Even if she hadn’t been there, someone would have heard and the bloody thing would have ended up in Whistledown.”
Colin met his lunge with a parry, then riposted with blinding speed, catching Benedict neatly in the belly. “My touch,” he grunted.
Benedict gave him a nod, acknowledging the point.
“I was foolish,” Colin said as they walked back to the center of the room. “You, on the other hand, are stupid.”
“What the hell does that mean?”
Colin sighed as he pushed up his mask. “Why don’t you just do us all a favor and marry the girl?
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
For Adams, the American Revolution was about independence from Great Britain and what he called the “Purification” of America—the eradication of “Vices” left over from British rule and “an Augmentation of our Virtues.” The foremost vice, which had provoked resentment in Adams throughout his adult life, and especially once he became a successful Boston lawyer, was that a handful of old, wealthy families monopolized important offices. Sometimes, one individual held numerous high offices. Adams thought that merit, not old money or ties to the powerful in London, should be the basis of holding office. Furthermore, it was bad enough to see his ambitions blocked by the scions of those “opulent, monopolizing” clans, but he was enraged by the “Scorn and Contempt and turning up of the Nose” that these people exhibited toward an accomplished and educated man like himself who descended from the “common People.” More than a decade before the Declaration of Independence, Adams said that those who rode the coattails of their “Ancestors’ Merit” had no right “to inherit the earth… . All men are created equal.
”
”
John Ferling (Whirlwind: The American Revolution and the War That Won It)
“
It all happened within the blink of an eye. God locked Day’s arms behind his back and rolled pinning him down to the mattress and baring all his weight down on him. Day’s heart rate skyrocketed at the realization that God wasn’t awake yet.
“Cash, it’s me! It’s Leo! Wake up dammit!” he shouted at God and bucked to try to free his hands that were trapped painfully behind him. His large biceps bulged and flexed with everything he had. He needed to be able to put up his guard. If God started to swing, he had to be able to block the hits.
God blinked again and Day saw the reality seeping back into him. God’s head jerked back and forth looking all around the dark room.
“Cash, its Leo. Look at me. Look at me,” Day said quickly.
Cash turned and looked down at him and it broke his heart when God squeezed his eyes shut and let go of Day’s arms. Day knew that God felt horrible, not only from the nightmare but from potentially hurting him too. Day held in his groan of pain at bringing his hands from behind his back and wrapped them protectively around God. He pulled God down to his chest.
“I got you, baby. It’s all right, it’s just a dream,” Day whispered softly while stroking God everywhere that he could reach.
God’s heart was beating so hard Day could feel it against his own bare chest. He dug his hands in God’s long hair and massaged his scalp. God squeezed him back.
“He shot you. I couldn’t get to you in time and he shot you,” God said through ragged breaths.
“Fuck,” Day hissed and held God tight to him. “No, baby. You did get to me in time. I’m right here with you. You saved me. You will always save me.”
Day opened his legs and let God sink in between them.
“Damn, I love you so fucking much,” Day whispered.
Day placed kisses on the side of God’s face while God had his nose buried in his neck breathing him in. They lay still while both of their heart rates came back down to normal.
”
”
A.E. Via
“
What the devil are you eating?” Leo, Lord Ramsay, stood in the family parlor at Ramsay House, viewing his dark-haired twins, Edward and Emmaline, who were playing on the carpeted floor.
His wife, Catherine, who was helping the babies to build block towers, looked up with a smile. “They’re eating biscuits.”
“These?” Leo glanced at a bowl of little brown biscuits that had been placed on a table. “They look revoltingly similar to the ones Beatrix has been feeding the dog.”
“That’s because they are.”
“They’re…Good God, Cat! What can you be thinking?” Lowering to his haunches, Leo tried to pry a sodden biscuit away from Edward.
Leo’s efforts were met with an indignant squall.
“Mine!” Edward cried, clutching the biscuit more tightly.
“Let him have it,” Catherine protested. “The twins are teething, and the biscuits are very hard. There’s nothing harmful in them.”
“How do you know that?”
“Beatrix made them.”
“Beatrix doesn’t cook. To my knowledge, she can barely butter her bread.”
“I don’t cook for people,” Beatrix said cheerfully, coming into the parlor with Albert padding after her. “But I do for dogs.”
“Naturally.” Leo took one of the brown lumps from the bowl, examining it closely. “Would you care to reveal the ingredients of these disgusting objects?”
“Oats, honey, eggs…they’re very nourishing.”
As if to underscore the point, Catherine’s pet ferret, Dodger, streaked up to Leo, took the biscuit from him, and slithered beneath a nearby chair.
Catherine laughed low in her throat as she saw Leo’s expression. “They’re made of the same stuff as teething biscuits, my lord.”
“Very well,” Leo said darkly. “But if the twins start barking and burying their toys, I’ll know whom to blame.” He lowered to the floor beside his daughter.
Emmaline gave him a wet grin and pushed her own sodden biscuit toward his mouth. “Here, Papa.”
“No, thank you, darling.” Becoming aware of Albert nosing at his shoulder, Leo turned to pet him. “Is this a dog or a street broom?”
“It’s Albert,” Beatrix replied.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Unusual as this may seem, I was relieved that Nigel hadn’t fatally injured Silas,” Lucetta added as she inched just a little closer to Bram, enjoying the feel of his hand settled against her back and the fact that his large form was blocking her from some of the wind. “He’s an evil man—there’s no question about that—but . . . I wouldn’t have wanted him dead, no matter his transgressions.” Millie turned and considered Lucetta and Bram for a moment. “You do know that, as your acting chaperone, I’m supposed to insist that the two of you maintain a few inches of separation from each other at all times, and . . . I believe the recommended space to be maintained is six inches.” Lucetta blinked. “Is that an actual chaperoning rule, or one you just made up?” Frowning, Millie wrinkled her nose. “Abigail told me to enforce that particular rule at all times, but . . .” She gave a sad shake of her head. “I’m afraid I’ve been negligent in enforcing it, what with all the dangerous situations, arguments between you and your mother that pulled at everyone’s heartstrings, except perhaps Nigel’s—since I’m not certain he has a heart—and . . . Well, let us not forget the emotional toll returning to Virginia took on you in the first place.” Bram’s brows drew together as he caught Millie’s eye. “And what does that have to do with you being negligent in your duties?” “Lucetta needed comforting, of course, and I certainly wasn’t going to stand in the way of her getting that comfort from you.” As Bram and Millie continued bantering, Lucetta couldn’t help but think that Millie was exactly right. She had been emotionally exhausted throughout the time they’d spent in Virginia, coming to terms with her anger at her father, and coming to terms with the animosity she’d been holding for far too long against her mother. Bram had been a rock beside her through everything, and . . . oddly enough, she had not been opposed to the idea of leaning on that rock, nor had she been embarrassed that she’d needed his strength to soothe her when she felt a little overwhelmed, and . . . “. . . so don’t despair about your chaperoning abilities,” Bram was saying, tugging Lucetta straight back to the conversation at hand. “Since I’m fairly certain the six-inch rule isn’t a real rule, you’ve not failed as a chaperone just yet.” “I’m hoping I’m never called upon to chaperone again,” Millie said with an exaggerated sigh. “It’s far more difficult than I ever imagined, and definitely not for the faint of heart. Although . . . for the most part, you and Lucetta didn’t cause me too many difficulties.” Lucetta
”
”
Jen Turano (Playing the Part (A Class of Their Own, #3))
“
You’re such an ass.” I growled and took another step back, “I just don’t understand why we can’t be friends all the time. I don’t want to be your friend on Sunday and the girl you don’t acknowledge every other day of the week. I want the same thing every day. So you decide what that is and let me know.” I moved to walk around him, but he put his arm up against the wall of the hallway, blocking me in. “I’ll tell you, if you tell me.” “Tell you what?” “I feel like I’m just one in a group of Harper’s many guys, but I’m not getting the benefits. So tell me, if I act like your friend, will I get to fuck you too?” My fist was aiming straight for that perfectly shaped nose but Chase was slammed into the wall before I could connect. Brandon’s forearm was pressed against Chase’s throat and his tan face was turning red with anger. “What the hell did you just say to her?” He growled and pressed Chase harder into the wall. Chase’s only response was to spit in Brandon’s face. Brandon’s other hand grabbed Chase’s shirt to bring him forward while the arm that had been against his throat delivered a hard blow to Chase’s stomach. Chase swung and hit the wall when Brandon moved, but he’d moved right into Chase’s left hook. I started yelling at them to stop and somehow they ended up on the floor with Chase on top. Just as the other housemates came out of their rooms, Brandon knocked Chase’s head to the side and Chase spit again on Brandon’s face, this time it was full of blood. “Shit, again?” Brad huffed as he ran past me and grabbed Chase’s arms to pin them back. Derek kept Brandon on the floor while Zach helped Brad haul Chase towards a hall on the opposite side of the living room. “Holy Crap Princess,” Drew slung his arm around my shoulders and I shook it off, “you really drive guys crazy don’t you? This has been the most entertaining two months we’ve ever had in this house, and it all seems to come back to you.” “Drew.” “Yeah Princess?” “If you want to have kids at some point in life, I suggest you leave.” He tsked at me, but wisely moved away, “So touchy. Hey B, you uh, got a little something on your face.” “I’m about to let him up.” Derek warned and Drew took off for the back yard. As soon as Derek let go, Brandon was up and stalking toward his bathroom, not saying a word to me. Derek handed me Brandon’s back pack and nodded toward his bedroom. “Wait for him in there, I’m gonna go talk to him though I’m positive I already know what he’s gonna say. Just give him a few minutes, and Harper?” “Hmm?” “Stay away from Chase. It’ll make all of this a lot easier.” I
”
”
Molly McAdams (Taking Chances (Taking Chances, #1))
“
Well, well, if it isn’t the little spitfire herself.” Lily glanced up with a start and found Jimmy Neil standing two steps above her. A slow grin spread across his face, and the black gaps where he was missing parts of his top teeth seemed to stare at her. He’d leered at her several times that past week during the meals he’d taken in the dining room. But she’d made a point of ignoring him. And that’s exactly what she planned to do this time too. He moved one step closer, and the stench of the alcohol on his breath filled the space between them. He’d likely already been out at the taverns long enough to drink too much but would continue with the drinking as long as he was conscious. So why was he back at the hotel? “Ran out of money,” he said too softly, as if he’d seen the direction of her thoughts. “The night’s still young, and I aim to get my fill of women.” His eyes glistened with brittle lust. A man like Jimmy Neil didn’t deserve a response, not even the briefest acknowledgment that she’d heard his lurid words. She turned her head and pushed past him in the narrow stairwell. But before she could get by, his arm shot out and blocked her path. “Where you goin’ so fast?” “Get out of my way.” She shoved his arm, but it didn’t budge. She tried to duck under it, but he stuck out his knee. He leaned into her. The sickly heat and sourness of his breath fanned her neck. “Maybe I don’t need to go back out, not when I can have a little spitfire right here, right now.” She stifled a shudder and the shiver of fear that accompanied it. She might have broken free of him last time, but he was drunk now, and there was no telling what he was capable of doing. Better for her to play it safe. She spun and tried to retreat the way she’d come, but his other hand slapped against the wall, trapping her into an awkward prison within the confines of his arms. “You ain’t goin’ nowhere except up to my room with me.” He pushed himself against her in such a carnal way that she couldn’t keep from crying out in alarm. His hand cut off her cry, covering her mouth and smothering any chance she had at calling for help. A rush of fear turned her blood to ice. For an instant Daisy’s sweet face flitted into her mind. Was this the way men treated her sister? How could she possibly withstand such abuse day after day? As if seeing the fright in Lily’s eyes, his gap-toothed smile widened. “It’s always more fun when there’s some scratchin’ and clawin’.” His hand against her mouth and nose was beginning to suffocate her. She swung her head, struggling to break free and jerked up her knee, trying to connect it with his tender spot. But he was pressed too close, and he only strengthened his grip. She tried to scream and then bite him. But she was quickly losing strength in the dizzying wave that rushed over her. Suddenly his smile froze and fear flitted across his face. “Let go of her. Now. Or I’ll shove this knife in all the way.” Connell’s voice was low and menacing. Slowly Jimmy’s grip loosened. She caught a glimpse of Connell, one step down, his face a mask of calm fury.
”
”
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
“
In the movies, the person leaving you never has a blocked nose when they cry. And all the tears are pretty
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pleasefindthis (I Wrote This For You: Just the Words (I Wrote This For You #2))
“
I get up and go to check on Friday and Hayley, but I stumble to a stop when I turn the corner into Hayley’s room. They’re both asleep on the bed on their stomachs with an open book in front of them. Friday has changed into her pajamas and it looks as though she was reading to Hayley when they both fell asleep. But what kills me is that their noses are turned toward one another, so close they’re sharing breaths, and my daughter’s hand is tucked into Friday’s. I take a mental picture, because I never, ever want to forget what this feels like. Click! Click! Click! I cement it in my head, because my heart is so happy it’s ready to burst, and I don’t want to let this moment go. I don’t wake them up. Instead, I pick up some of the toys Hayley has left lying around the room. I put her dolls on the top shelf, and her trucks and matchbox cars go in the bucket at the foot of her bed. I laugh when I see they built a big house out of building blocks and they put one of her male actions figures in there with Barbie. I look closer. Are their faces pressed together? It looks almost like they’re kissing. Leave it to Friday… Friday sat and played with my daughter for two hours, and then she read to her and she fell asleep on her bed. I want to see this every night for the rest of my life.
”
”
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
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He continued watching in horror as an army of black, baby spiders skittered across his swollen, bulbous cheeks and disappeared inside him. The corners of his lips expanded outward, and he found he could no longer breathe through his mouth. Then the creepy crawler with the distended belly erupted into view and perched itself on his nose. He saw it ogling him with God knows how many eyes as a sea of vomit mercilessly backed up in his esophagus and blocked his airway.
”
”
Billy Wells (In Your Face Horror- Volume 1)
“
I know something about electricity and its devastating, irreversible damage: I saw ■■■■■■■■■■■■■■■■■ collapsing in the blocks a couple of times every week with blood gushing out of his nose until it soaked his clothes. ■■■■■■■■■■■■■■■■■ was a Martial art trainer and athletically built. I was
”
”
Mohamedou Ould Slahi (The Mauritanian (originally published as Guantánamo Diary))
“
She also took his hand in her own and nuzzled his palm with her nose. “Even your hands smell good.” “When one washes his hands frequently…” Her tongue, hot, wet, and delicate, traced the crease between his third and fourth fingers. Vim rolled up and over her, crouching on his forearms and knees. “For the love God, kiss me, Sophie.” He waited for a long moment while she cradled his jaw then framed his face with both hands. She kissed him on the mouth, a sweet, almost chaste kiss, then ran one hand back through his hair to anchor at his nape. “You kiss me too,” she whispered. “Madly, passionately.” Lust sprang from the starting blocks and raged through Vim’s system. He opened his mouth over hers, desire a voracious force singing in his blood. “Vim.
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
Then take this little glass bottle. Go into the back room and order something cheap, in keeping with your looks. Then when you are all alone break the bottle. It is full of gas drippings. Your nose will dictate what to do next. Just tell the proprietor you saw the gas company’s wagon on the next block and come up here and tell me.” I entered. There was a sinister-looking man, with a sort of unscrupulous intelligence, writing at a table. As he wrote and puffed at his cigar, I noticed a scar on his face, a deep furrow running from the lobe of his ear to his mouth. That, I knew, was a brand set upon him by the Camorra. I sat and smoked and sipped slowly for several minutes, cursing him inwardly more for his presence than for his evident look of the “mala vita.” At last he went out to ask the barkeeper for a stamp. Quickly I tiptoed over to another corner of the room and ground the little bottle under my heel. Then I resumed my seat.
”
”
Arthur B. Reeve (The Craig Kennedy Scientific Detective Megapack: 25 Classic Tales of Detection!)
“
to find Ridge, asleep on the belly of Panda, who was also asleep. Both of them snored. “Hey!” Ellie shouted, startling the boy. “Huh? Panda! Bamboo shield!” Ridge shouted. Panda rolled over, still snoring. “Hey! Some protector you are.” He poked Panda then looked at Ellie, then all around her. “Where are your parents?” Ellie sighed and shook her head. “This was all that was in there.” She held out the beacon for him to see. “Oooh pretty. Are your parents in it?” He put his face right up to the glass, squishing his nose against it. Ellie scrunched up her face and pulled the beacon back. “No!” Ridge shrugged. “I don’t know! It could be like . . . A magic portal or something.” Ellie huffed and put the beacon back in her inventory. “Come on,” Ellie said. “We’re going to go back to my village.” “Why?” Ridge asked.
”
”
Pixel Ate (Hatchamob: MegaBlock Edition (Books 1-3))
“
When utilizing the Intensity Trail as the initial starting exercise, have your trail layer tease the dog with the reward and verbally entice him to follow. If you are employing a food reward make sure the trail layer allows the dog to smell it so he knows what delicious tidbits are at the end of the trail. The trail layer then quickly runs away while still verbally teasing the dog. The scent article should be introduced or utilized during this exercise, so have your trail layer take an article of clothing (a hat or shirt) and drop it in front of the dog as they leave. Retired Instructor Paul Rice faces his dog the wrong direction The dog handler also needs to verbally entice the dog while making sure the trail layer quickly disappears from sight. This disappearing act is accomplished by using anything that blocks the dog’s vision, such as the corner of a building, a vehicle, etc. Do not allow the dog to watch the trail layer run for a long time, because it will learn to sight hunt rather than use its nose. Instructor/VA Deputy Sheriff Mike Szelc working an Intensity Trail Also, you do not want to inadvertently teach the dog that the trail will always be in front of them. To avoid making that mistake, the handler should always turn the dog so that it is facing a different or wrong direction. The dog will obviously try to swing around towards the correct direction, before and during the presentation of the scent article. The act of making the dog turn after the scent article is presented (instead of allowing him to bolt straight ahead) will avoid creating that weakness in the dog. Shortly after the trail layer has run away, present the scent article by bringing it up to the dog’s nose or pointing to it while saying, “find um.” Then quickly give your starting command such as “get um” and allow the dog to start.
”
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Kevin Kocher (How to Train a Police Bloodhound and Scent Discriminating Patrol Dog)
“
One text, A Book on Breath by the Master Great Nothing of Sung-Shan, offered this advice: Lie down every day, pacify your mind, cut off thoughts and block the breath. Close your fists, inhale through your nose, and exhale through your mouth. Do not let the breathing be audible. Let it be most subtle and fine. When the breath is full, block it. The blocking (of the breath) will make the soles of your feet perspire. Count one hundred times “one and two.” After blocking the breath to the extreme, exhale it subtly. Inhale a little more and block (the breath) again. If (you feel) hot, exhale with “Ho.” If (you feel) cold, blow the breath out and exhale it with (the sound) “Ch’ui.” If you can breathe (like this) and count to one thousand (when blocking), then you will need neither grains nor medicine. Today, breathholding is associated almost entirely with disease. “Don’t hold your breath,” the adage goes. Denying our bodies a consistent flow of oxygen, we’ve been told, is bad. For the most part, this is sound advice. Sleep apnea, a form of chronic unconscious breathholding, is terribly damaging, as most of us know by now, causing or contributing to hypertension, neurological disorders, autoimmune diseases, and more. Breathholding during waking hours is injurious as well, and more widespread. Up to 80 percent of office workers (according to one estimate) suffer from something called continuous partial attention. We’ll scan our email, write something down, check Twitter, and do it all over again, never really focusing on any specific task. In this state of perpetual distraction, breathing becomes shallow and erratic. Sometimes we won’t breathe at all for a half minute or longer. The problem is serious enough that the National Institutes of Health has enlisted several researchers, including Dr. David Anderson and Dr. Margaret Chesney, to study its effects over the past decades. Chesney told me that the habit, also known as “email apnea,” can contribute to the same maladies as sleep apnea. How could modern science and ancient practices be so at odds?
”
”
James Nestor (Breath: The New Science of a Lost Art)
“
The best defense in fighting is an aggressive defense. Each defensive move must be accompanied by a counter-punch or be followed immediately by a counterpunch. And you cannot counter properly if you do not know how to punch. That does not mean that "a strong offense is the best defense." That overworked quotation may apply to other activities; but it does not apply to fighting. It does not apply when you're pitted against an experienced opponent. You may have the best attack in the world; but if you're an open target-if you're a "clay pigeon"-you'll likely get licked by the first experienced scrapper you tackle. YOU MUST HAVE A GOOD DEFENSE TO BE A WELL-ROUNDED FIGHTER. AND THE BEST DEFENSE IS AN AGGRESSIVE DEFENSE.
Another reason for teaching punch first was this: You learned how to throw every important punch without having an opponent attempt to strike you.
I'm convinced that it's wrong to try to teach beginners punching moves and defensive moves at the same time.
Most humans cannot have two attitudes toward one subject at one time. And a beginner can't have two attitudes toward fighting.
If you take any ten beginners and attempt to teach them punching and defense simultaneously, more than half of them will concentrate on defense instead of punching.
That's a natural inclination, for it's only human that a fellow doesn't like to get hit in the face-or in the body either, for that matter. It follows that more than half the beginners will consider it more important to protect their own noses than to concentrate on learning how to belt the other guy in the nose. They'll develop "defense complexes" that will stick with them. Fellows with defense complexes rarely develop into good punchers. Even when they are shown how to hit correctly, they sprout bad punching habits while concentrating on blocking, parrying, back-pedaling and the like. They "pull" their punches; they side-step while trying to throw straight smashes; they move in with "clutching" fists that seek to encircle their opponents for clinches; and they do much showy but purposeless footwork. The little thought-ditch that is dug in the beginning will become the big channel for later fistic reactions.
You're lucky. You're starting with the mental accent on punch. And it's a 100-to-1 shot that your attitude will not change. It's true that you haven't punched yet at a live target-at another fellow. Don't worry; there's plenty of time for that. And when you do start tossing at a live target, you'll know exactly how to toss. That exact knowledge will help you to become accurate and precise, as well as explosive, against a moving target.
”
”
Jack Dempsey (Toledo arts: championship fighting and agressive defence (Martial arts))
“
The mad scientist looked at me with a gleam of evil in his eyes. He rubbed his chin. He pulled at his ears. He even picked his nose and ate a booger. Was there no end of his madness?
”
”
Dr. Block (Diary of a Spider Chicken, Books 1-3 (Diary of a Spider Chicken, #1-3))
“
The window glass was cold as Jude touched his nose to its surface. He looked north over the centre of Tirana and drank in the thrill of the panorama. From a restaurant in the Sky Tower he could see down over the lush, green square of land criss-crossed with paths that was Rinia Park. He had arranged to meet Edona there at 3pm. To his left the apartment blocks clustered densely away to the horizon in colours of mustard, olive and denim blue. Ahead he could make out the rouge and yellow government ministry buildings on the edge of Skanderbeu Square, and the white needle of the Et’hem Bey Mosque. His eyes turned to the east past the black glass panelled Twin Towers and concrete Pyramid to the traffic flowing up the Gjergj Fishta Boulevard, where the harsh mid-day sunlight was glinting off car roofs and windscreens. Beyond that, through a haze of heat and light smog, Mount Dajti rose up to the blue, utterly cloudless sky. (From 'The Silencer').
”
”
Paul Alkazraji (The Silencer)
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The window glass was cold as Jude touched his nose to its surface. He looked north over the centre of Tirana and drank in the thrill of the panorama. From a restaurant in the Sky Tower he could see down over the lush, green square of land criss-crossed with paths that was Rinia Park. He had arranged to meet Edona there at 3pm. To his left the apartment blocks clustered densely away to the horizon in colours of mustard, olive and denim blue. Ahead he could make out the rouge and yellow government ministry buildings on the edge of Skanderbeu Square, and the white needle of the Et’hem Bey Mosque. His eyes turned to the east past the black glass panelled Twin Towers and concrete Pyramid to the traffic flowing up the Gjergj Fishta Boulevard, where the harsh mid-day sunlight was glinting off car roofs and windscreens. Beyond that, through a haze of heat and light smog, Mount Dajti rose up to the blue, utterly cloudless sky.
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Paul Alkazraji (The Migrant)
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She wasn’t going to be moved on the issue, and time was a factor he couldn’t ignore. Somewhere, hundreds of thousands of clones were gearing up for a battle. He had to fix his mistake, or people who hadn’t volunteered to be put in the line of fire were going to die. He wiped the blood from his nose and followed her into the Etheric. The mists were as agitated as he expected, given his wife’s mood. He spotted her heading in the direction of the planet. “Bethany Anne, wait.” She lifted a hand and extended her middle finger without slowing her pace or turning to look at him. As he broke into a run, Michael reminded himself that he loved her, not despite her tendency toward an uncompromising nature but because of it. Like attracted like, and while that could easily lead to a battle of wills that neither of them would emerge from as the victor, it also made them strong enough to be the support the other needed when faced with a seemingly insurmountable challenge. Lightning struck five feet ahead of Michael at the same time a lightbulb came on in his mind. I’m sorry, he sent. She ignored him, but she didn’t slam down the barrier to block their mental link. I shouldn’t have presumed I could flirt my way around your moral objections. Your very valid objections, he added. It was manipulative, and you fucking suck for doing it. If it makes any difference, I was not attempting to manipulate you. Just…ease you past your misgivings. Another lightning strike crashed into the mist barely five feet from where he was standing. Which, I realize, was manipulative. I’m sorry. Can we talk about it? You can talk. I’ll listen until you piss me off again, and the next bolt of lightning won’t miss.
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Michael Anderle (Checkmate (The Kurtherian Endgame #11))
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There are a hundred thousand species of love, separately invented, each more ingenious than the last, and every one of them keeps making things. OLIVIA VANDERGRIFF SNOW IS THIGH-HIGH and the going slow. She plunges through drifts like a pack animal, Olivia Vandergriff, back to the boardinghouse on the edge of campus. Her last session ever of Linear Regression and Time Series Models has finally ended. The carillon on the quad peals five, but this close to the solstice, blackness closes around Olivia like midnight. Breath crusts her upper lip. She sucks it back in, and ice crystals coat her pharynx. The cold drives a metal filament up her nose. She could die out here, for real, five blocks from home. The novelty thrills her. December of senior year. The semester so close to over. She might stumble now, fall face-first, and still roll across the finish line. What’s left? A short-answer exam on survival analysis. Final paper in Intermediate Macroeconomics. Hundred and ten slide IDs in Masterpieces of World Art, her blow-off elective. Ten
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Richard Powers (The Overstory)
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Maddie, thank god! I thought something had happened. Did they hurt you?" Scott's voice was panicked and a bit nasal, like maybe his nose was blocked. Or broken. I frowned, shooting Steele a confused look. He just shrugged back at me, as confused as I was. "What? Did who hurt me?" "Those fucking bastards who think they control you," Scott spat, enraged. "Do you know where I am right now? Do you know what they did to me?
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Tate James (Fake (Madison Kate, #3))