Bliss Funny Quotes

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We are sometimes dragged into a pit of unhappiness by someone else’s opinion that we do not look happy.
Mokokoma Mokhonoana
Here it comes," she said with an expression of pure bliss. "Drug rush ... any moment now ... the surge of warmth ... bye-bye, Mr. Pain..." "Vee-" "Knock, knock." "This is really important-" "Knock, knock." "It's about Elliot-" "Knock, knoooock," she said in a singsong voice. I sighed. "Who's there?" "Boo." "Boo who?" "Boo-hoo, somebody's crying, and it's not me!" She broke into hysterical laughter.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
One would think that since Hamilton and Eliza only just got married, our mothers would be satisfied for a while, but instead they seem to have come to the conclusion that everyone needs to enter into the state of wedded bliss. Quite frankly, they've turned scary.
Jen Turano (A Most Peculiar Circumstance (Ladies of Distinction, #2))
Knowledge is a rope, and you're weaving a noose out of it. Leave some slack for the enemy.
Nenia Campbell (Cease and Desist (The IMA, #4))
Everything is possible in America, except the production of intelligence.
Mie Hansson
It was like my uterus was tapping out a happy dance on the rest of my organs. God, I was dying the longest, most tortuous, and arousing death in the history of the world.
Cora Carmack
Our past has a funny way of becoming part of who we are in the future, and I think that’s the way it’s meant to be. Without the scars, without the pain, we wouldn’t be able to appreciate the times when everything is magical — the days when life is absolute bliss.
Kandi Steiner (The Wrong Game)
If bliss are a type of potato, then ignorance can be french-fried
Josh Stern (And That’s Why I’m Single)
Twenty-five minutes ago, I was blissfully invisible. No laughing. No evil grins. No drama. And now? It couldn’t be more dramatic. I’ve got a stepsister masquerading as Cinderella, the chauvinistic villagers think I’m the ugly stepsister, and the boy coming to my side is more likely to snag a prince than I am.
Kelsey Macke (Damsel Distressed)
WAIT, WAIT! JUST one more!” “Bliss, there are children waiting.” And they probably hated us, but I was just so glad to see her smiling that I didn’t care. “Yeah, well, they all just jumped on the bandwagon. Most of them weren’t alive when I read Harry Potter for the first time.” I turned to the Canadian family behind me and said, “I’m so sorry. This is the last one, I promise.” Then I took one more picture of Bliss pretending to push the luggage cart through the wall at the Platform 9¾ monument at King’s Cross Station. A little boy stuck his tongue out at Bliss as we left. I pulled her away before she could follow suit. “That kid better watch it. I’m totally a Slytherin.” I shook my head, smiling. “Love, I’m going to need you to pull back on the crazy a bit.” “You’re right. Realistically, I’m a Ravenclaw.
Cora Carmack (Keeping Her (Losing It, #1.5))
Sex does not enrich or deepen a relationship, it permanently cheapens and destabilises one. Everyone I know who is unfortunate enough to have a sex-mate, joy-partner, bed-friend, love-chum, call them what you will finds that--after a week or two of long blissful afternoons of making the beast with two backs, or the beast with one back and a funny shaped middle or the beast with legs splayed in the air and arms gripping the sides of the mattress--the day dawns when Partner A is keen for more swinking, grinding, and sweating and Partner B would rather turn over and catch up with Jeeves and Bertie.
Stephen Fry
Rock and roll, big band, the blues. He loved them all. He would close his eyes and with a blissful smile begin to move to his own sense of rhythm. It wasn't always pretty.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
Some people wish they were as happy as or happy like some people think they are.
Mokokoma Mokhonoana
The creative process is a love story that never ends. The ideas are like suitors competing for your attention. You may have relationships, with multiple ideas, at once. You may devote yourself completely to one idea, for a awhile, but the affairs will never end. There will always be more ideas to romance and more concepts to develop. And all for that wonderful moment when you get to gaze at the complete creation and hold perfection in your arms, for one blissful moment... before your inner-critic starts tearing it to shreds.
Jaeda DeWalt
He slouches,' DeeDee contributes. 'True--he needs to work on his posture,' Thelma says. 'You guys,' I say. 'I'm serious,' Thelma says. 'What if you get married? Don't you want to go to fancy dinners with him and be proud?' 'You guys. We are not getting married!' 'I love his eyes,' Jolene says. 'If your kids get his blue eyes and your dark hair--wouldn't that be fabulous?' 'The thing is,' Thelma says, 'and yes, I know, this is the tricky part--but I'm thinking Bliss has to actually talk to him. Am I right? Before they have their brood of brown-haired, blue-eyed children?' I swat her. "I'm not having Mitchell's children!' 'I'm sorry--what?' Thelma says. Jolene is shaking her head and pressing back laughter. Her expressing says, Shhh, you crazy girl! But I don't care. If they're going to embarrass me, then I'll embarrass them right back. 'I said'--I raise my voice--'I am not having Mitchell Truman's children!' Jolene turns beet red, and she and DeeDee dissolve into mad giggles. 'Um, Bliss?' Thelma says. Her gaze travels upward to someone behind me. The way she sucks on her lip makes me nervous. 'Okaaay, I think maybe I won't turn around,' I announce. A person of the male persuasion clears his throat. 'Definitely not turning around,' I say. My cheeks are burning. It's freaky and alarming how much heat is radiating from one little me. 'If you change your mind, we might be able to work something out,' the person of the male persuasion says. 'About the children?' DeeDee asks. 'Or the turning around?' 'DeeDee!' Jolene says. 'Both,' says the male-persuasion person. I shrink in my chair, but I raise my hand over my head and wave. 'Um, hi,' I say to the person behind me whom I'm still not looking at. 'I'm Bliss.' Warm fingers clasp my own. 'Pleased to meet you,' says the male-persuasion person. 'I'm Mitchell.' 'Hi, Mitchell.' I try to pull my hand from his grasp, but he won't let go. 'Um, bye now!' I tug harder. No luck. Thelma, DeeDee, and Jolene are close to peeing their pants. Fine. I twist around and give Mitchell the quickest of glances. His expressions is amused, and I grow even hotter. He squeezes my hand, then lets go. 'Just keep me in the loop if you do decide to bear my children. I'm happy to help out.' With that, he stride jauntily to the food line. Once he's gone, we lost it. Peals of laughter resound from our table, and the others in the cafeteria look at us funny. We laugh harder. 'Did you see!' Thelma gasps. 'Did you see how proud he was?' 'You improve his posture!' Jolene says. 'I'm so glad, since that was my deepest desire,' I say. 'Oh my God, I'm going to have to quit school and become a nun.' 'I can't believe you waved at him,' DeeDee says. 'Your hand was like a little periscope,' Jolene says. 'Or, no--like a white surrender flag.' 'It was a surrender flag. I was surrendering myself to abject humiliation.' 'Oh, please,' Thelma says, pulling me into a sideways hug. 'Think of it this way: Now you've officially talked to him.
Lauren Myracle (Bliss (Crestview Academy, #1))
But of course I know I am merely an aphrodisiac in their game of Domestic Bliss – I know when I leave they’ll rip each other’s clothes off, having got all revved up on an extended joint discourse about their holiday in the Philippines, particularly when they both said the same island when I asked them what their favourite bit was. I am just a reluctant audience member. But I sit and watch all these shows anyway because the alternative – losing my friends – is not an option. And when Farly and Scott weren’t doing Their Bit on me, I discovered, to my utter shock, that Scott and I got on rather well. In fact, I resented that I hadn’t realized this sooner as I would have enjoyed his company when he was round when Farly and I lived together, instead of just grunting at him. He was funny and smart. He read
Dolly Alderton (Everything I Know About Love)
One Sufi mystic who had remained happy his whole life—no one had ever seen him unhappy—he was always laughing. He was laughter, his whole being was a perfume of celebration. In his old age, when he was dying—he was on his deathbed, and still enjoying death, laughing hilariously—a disciple asked, “You puzzle us. Now you are dying. Why are you laughing? What is there funny about it? We are feeling so sad. We wanted to ask you many times in your life why you are never sad. But now, confronting death, at least one should be sad. You are still laughing! How are you managing it?” And the old man said, “It is a simple clue. I had asked my master. I had gone to my master as a young man; I was only seventeen, and already miserable. And my master was old, seventy, and he was sitting under a tree, laughing for no reason at all. There was nobody else, nothing had happened, nobody had cracked a joke or anything. And he was simply laughing, holding his belly. And I asked him, ‘What is the matter with you? Are you mad or something?’ “He said, ‘One day I was also as sad as you are. Then it dawned on me that it is my choice, it is my life. Since that day, every morning when I get up, the first thing I decide is, before I open my eyes, I say to myself, “Abdullah”—that was his name—‘what do you want? Misery? Blissfulness? What are you going to choose today? And it happens that I always choose blissfulness.’” It is a choice. Try it. The first moment in the morning when you become aware that sleep has left, ask yourself, “Abdullah, another day! What is your idea? Do you choose misery or blissfulness?” And who would choose misery? And why? It is so unnatural—unless one feels blissful in misery, but then too you are choosing bliss, not misery.
Osho (Meditation: The First and Last Freedom)
IFPs. I call them Interdimensional Fairy Potholes.” He smiled faintly. “Funny girl, aren’t you?” We lapsed into another uncomfortable silence. I looked at him. He looked away. I shrugged and looked away, too. “I wasn’t—” I began. “I didn’t—” He began. “How charming,” V’lane cut us off. His voice arrived before he did. “The very portrait of human domestic bliss. She’s on the floor, you’re towering over her. Did he strike you, MacKayla? Say the word and I’ll kill him.
Karen Marie Moning (Dreamfever (Fever, #4))
Love is funny thing. I don´t know if you can call it a "thing" precisely. It´s a force. An energy. A feeling. A moment. A look, a kiss, a smile. All those things in one. It sneaks up on you; you never see it coming. And when it does finally hit you, It isn´t a small little poke. It´s like a rhinoceros rammed itself against your chest. Or you just got run over by a car. It knocks the wind out of you. Slams you against wall. Kick-starts yout heart. You lose your apetite. You can´t sleep. Some can call love a sickness. Seriously, you´re sick over another human being. You belong to them. They control your feelings with the look in their eye. They change the way you see yourself, feel about yourself. You feel like your world shifted, and everything´s the same, but you aren´t. I say it´s funny because it seems to bend and twist every concept of reality you have. You can survive off nothing. The only thing sustaining you is the feeling, energy, force. You can go days without decent sleep. You´re not hungry for anything exept that one person who seems to occupy your every thought. Time slows down when you´re without them. Seconds feel like hours, minutes like days, And whenn you´re together, time moves at the spped of light. It´s alla blur, and when it´s over, you don´t remember half the things you were doing but you just remember this feeling. This bliss. And it is all over in a flash. And you´re back to counting the long, eternal minutes until you see him again.
Katy Evans (Legend (Real, #6))
Often, during times when I am in a state of absolute bliss and gratitude, those are the times that people will ask me, “Are you happy or are you sad?” It’s funny, because when you are happy in a way that most people are happy in, that is, when you are jumping up and down and laughing and smiling and giggling, people will recognize that as happiness. But when you go beyond that state and on into the state of blissfulness— nirvana— only a very few number of people are going to be able to recognize and understand that. Why? Because only very few people have gone beyond the level of obvious happiness, to experience actual nirvaana. Nirvana is what I describe as being in a state of worship; you see, you go beyond just feeling happy and grateful, and you enter into a state of mind that allows you to worship what you have been given or what you have attained or achieved, or whatever circumstance you are in that is making you happy. You stop and you worship the person, the place, the thing, the feeling. I’m easily flung into that state, so, I often find it strange that I can be in an absolute state of bliss, meanwhile, the other person can be asking me if I am either happy or sad. But I am worshipping.
C. JoyBell C.
Yeah.” Luna giggled. “Is that hair in his nose?” “Ew, I think it is. I never noticed that before.” “Maybe he cuts it,” Luna said. “I saw him giving his bushy eyebrows a haircut once.” More giggling. “I’m glad my eyebrows don’t look like that.” “They kind of do.” “Do not!” Hallie was indignant. “I just mean they’re dark like his. But don’t worry, yours aren’t as fuzzy. Daddy’s are like black caterpillars crawling over his eyes.” Hallie snickered. “Totally.” Silence for ten blissful seconds. And then. “Daddy has an outie. I have an innie.” “Me too.” “Outies are funny-looking.” “I know.” The next thing I knew, one of them stuck a finger in my belly button. I opened my eyes. “Seriously?” Luna, whose finger was still on my belly button, grinned. “Did that wake you up?” “Your shit-talking woke me up.
Melanie Harlow (Ignite (Cloverleigh Farms, #6))
God, Jane, you’re exactly as I imagined. Only better.” “You’re exactly…as I imagined,” she said in a strained tone. “Only bigger.” That got his attention. He drew back to stare at her. “Are you all right?” She forced a smile. “Now I’m rethinking the seduction.” He brushed a kiss to her forehead. “Let’s see what I can do about that.” He grabbed her beneath her thighs. “Hook your legs around mine if you can.” When she did, the pressure eased some, and she let out a breath. “Better?” he rasped. She nodded. Covering her breast with his hand, he kneaded it gently as he pushed farther into her below. “It will feel even better if you can relax.” Relax? Might as well ask a tree to ignore the ax biting into it. “I’ll try,” she murmured. She forced herself to concentrate on other things than his very thick thing--like how he was touching her, how he was fondling her…how amazing it felt to be joined so intimately to the man she’d been waiting nearly half her life for. Then it got easier. She actually seemed to adjust to his size. And when he slid his hand down from her breast to stroke that special spot between her legs that sent her flying, it was most effective. She wasn’t quite flying, exactly, but she was definitely leaping a bit. A giggle escaped her at that thought, and he bit out, “Something strike you as funny, sweeting?” “I never guessed that…this would feel…so odd.” “You’ll get used to it.” The hint of a future for them melted her even more than his hand down there. And that’s when he began to move, sliding out and then back in. Heavens. That was intriguing. Rather nice, actually. The more he did it, the better it felt. Then he removed his hand so he could better grip her hips, and he plunged harder into her. Oh, now that was quite…oh my. Very, very nice. His gaze burned into her as he drove deep. “Less odd now?” he managed. “Definitely…less odd.” She kissed the taut line of his jaw. “Quite…enjoyable, in fact.” He grunted and buried his face in her hair the way he was burying his…thing inside her, and it was deliciously sinful. Now she really was flying, up toward the sun. As if he realized it, he dug his hands into her hips and thrust fiercely, repeatedly, and she met his rhythm with a pushing of her own that sent her soaring. “Dom…oh, Dom…oh my…” “Jane,” he rasped as his strokes grew frenzied. “It’s always…been you. Only you.” “Only you,” she echoed. She’d been fooling herself about Edwin. There had only ever been one man in her heart. And as he drove himself deep inside her, he sent her vaulting into the sun. When he followed her into the bliss, she clutched him close to her chest and prayed that he would let her inside his heart as deeply as she’d let him into hers. That she wasn’t making a mistake by taking up with him again. Because it was too late to go back now. This time, he had her for better or worse.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Love is funny thing. I don´t kno if you can call it a "thing" precisely. It´s a force. An energy. A feeling. A moment. A look, a kiss, a smile. All those things in one. It sneaks up on you; you never see it coming. And when it does dinall< hit you, it isn´t a small little poke. It´s like a rhinoceros rammed itself against our chest. Or you just got run over by a car. It knocks the wind out of you. Slams you against wall. Kick-starts yout heart. You lose your apetite. You can´t sleep. Some can call love a sickness. Seriously, you´re sick over another human being. You belong to them. They control your feelings. with the look in their eye. They change the way you see yourself, feel about yourself. You feel like your world shifted, and everything´s the same, but you aren´t. I say it´s funny because it seems to bend and twist every concept of reality you have. You can survive off nothing. The only thing sustaining you is the feeling, energy, force. You can go days without decent sleep. You´re not hungry for anything exept that one person who seems to occupy your every thought. Time slows down when you´re without them. Seconds feel like hours, minutes like days, And whenn you´re together, time moves at the spped of light. It´s alla blur, and when it´s over, you don´t remember half the things you were doing but you just remember this feeling. This bliss. And it is all over in a flash. And you´re back to counting the long, eternal minutes until you see him again.
Katy Evans (Legend (Real, #6))
Take the famous slogan on the atheist bus in London … “There’s probably no God. Now stop worrying and enjoy your life.” … The word that offends against realism here is “enjoy.” I’m sorry—enjoy your life? Enjoy your life? I’m not making some kind of neo-puritan objection to enjoyment. Enjoyment is lovely. Enjoyment is great. The more enjoyment the better. But enjoyment is one emotion … Only sometimes, when you’re being lucky, will you stand in a relationship to what’s happening to you where you’ll gaze at it with warm, approving satisfaction. The rest of the time, you’ll be busy feeling hope, boredom, curiosity, anxiety, irritation, fear, joy, bewilderment, hate, tenderness, despair, relief, exhaustion … This really is a bizarre category error. But not necessarily an innocent one … The implication of the bus slogan is that enjoyment would be your natural state if you weren’t being “worried” by us believer … Take away the malignant threat of God-talk, and you would revert to continuous pleasure, under cloudless skies. What’s so wrong with this, apart from it being total bollocks? … Suppose, as the atheist bus goes by, that you are the fifty-something woman with the Tesco bags, trudging home to find out whether your dementing lover has smeared the walls of the flat with her own shit again. Yesterday when she did it, you hit her, and she mewled till her face was a mess of tears and mucus which you also had to clean up. The only thing that would ease the weight on your heart would be to tell the funniest, sharpest-tongued person you know about it: but that person no longer inhabits the creature who will meet you when you unlock the door. Respite care would help, but nothing will restore your sweetheart, your true love, your darling, your joy. Or suppose you’re that boy in the wheelchair, the one with the spasming corkscrew limbs and the funny-looking head. You’ve never been able to talk, but one of your hands has been enough under your control to tap out messages. Now the electrical storm in your nervous system is spreading there too, and your fingers tap more errors than readable words. Soon your narrow channel to the world will close altogether, and you’ll be left all alone in the hulk of your body. Research into the genetics of your disease may abolish it altogether in later generations, but it won’t rescue you. Or suppose you’re that skanky-looking woman in the doorway, the one with the rat’s nest of dreadlocks. Two days ago you skedaddled from rehab. The first couple of hits were great: your tolerance had gone right down, over two weeks of abstinence and square meals, and the rush of bliss was the way it used to be when you began. But now you’re back in the grind, and the news is trickling through you that you’ve fucked up big time. Always before you’ve had this story you tell yourself about getting clean, but now you see it isn’t true, now you know you haven’t the strength. Social services will be keeping your little boy. And in about half an hour you’ll be giving someone a blowjob for a fiver behind the bus station. Better drugs policy might help, but it won’t ease the need, and the shame over the need, and the need to wipe away the shame. So when the atheist bus comes by, and tells you that there’s probably no God so you should stop worrying and enjoy your life, the slogan is not just bitterly inappropriate in mood. What it means, if it’s true, is that anyone who isn’t enjoying themselves is entirely on their own. The three of you are, for instance; you’re all three locked in your unshareable situations, banged up for good in cells no other human being can enter. What the atheist bus says is: there’s no help coming … But let’s be clear about the emotional logic of the bus’s message. It amounts to a denial of hope or consolation, on any but the most chirpy, squeaky, bubble-gummy reading of the human situation. St Augustine called this kind of thing “cruel optimism” fifteen hundred years ago, and it’s still cruel.
Francis Spufford
I didn’t think we were being quiet, particularly. High heels may have looked dainty, but they didn’t sound that way on a tile floor. Maybe it was just that my dad was so absorbed in the convo on his cell phone. For whatever reason, when we emerged from the kitchen into the den, he started, and he stuffed the phone down by his side in the cushions. I was sorry I’d startled him, but it really was comical to see this big blond manly man jump three feet off the sofa when he saw two teenage girls. I mean, it would have been funny if it weren’t so sad. Dad was a ferocious lawyer in court. Out of court, he was one of those Big Man on Campus types who shook hands with everybody from the mayor to the alleged ax murderer. A lot like Sean, actually. There were only two things Dad was afraid of. First, he wigged out when anything in the house was misplaced. I won’t even go into all the arguments we’d had about my room being a mess. They’d ended when I told him it was my room, and if he didn’t stop bugging me about it, I would put kitchen utensils in the wrong drawers, maybe even hide some (cue horror movie music). No spoons for you! Second, he was easily startled, and very pissed off afterward. “Damn it, Lori!” he hollered. “It’s great to see you too, loving father. Lo, I have brought my friend Tammy to witness out domestic bliss. She’s on the tennis team with me.” Actually, I was on the tennis team with her. “Hello, Tammy. It’s nice to meet you,” Dad said without getting up or shaking her hand or anything else he would normally do. While the two of them recited a few more snippets of polite nonsense, I watched my dad. From the angle of his body, I could tell he was protecting that cell phone behind the cushions. I nodded toward the hiding place. “Hot date?” I was totally kidding. I didn’t expect him to say, “When?” So I said, “Ever.” And then I realized I’d brought up a subject that I didn’t want to bring up, especially not while I was busy being self-absorbed. I clapped my hands. “Okay, then! Tammy and I are going upstairs very loudly, and after a few minutes we will come back down, ringing a cowbell. Please continue with your top secret phone convo.” I turned and headed for the stairs. Tammy followed me. I thought Dad might order me back, send Tammy out, and give me one of those lectures about my attitude (who, me?). But obviously he was chatting with Pamela Anderson and couldn’t wait for me to leave the room. Behind us, I heard him say, “I’m so sorry. I’m still here. Lori came in. Oh, yeah? I’d like to see you try.” “He seems jumpy,” Tammy whispered on the stairs. “Always,” I said. “Do you have a lot of explosions around your house?” I glanced at my watch. “Not this early.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
I recall taking a condom to school one day in Year 9 at the insistence of the hungry followers of my sex education class. My father used to hold free medical camps for the Afghan refugees, and I stumbled on a huge carton of condoms in his cupboard. As kids, I remember blowing them up as balloons, blissfully unaware of their intended use. Now, armed with the knowledge of that enlightening book, I opened the pack to a wide-eyed audience. We measured the length with a ruler, which was perhaps not advisable.
Reham Khan (Reham Khan)
It was a funny, impossible little trap of nature, motherhood. It muddled your brain with floods of hormones and sleep deprivation, kept you constantly busy tending to a million needs, had you forever thinking about the care of others. You could disappear into motherhood, forget completely that once upon a time you were an athlete, a graduate student, that you had ambitions to go into politics, change the world. That once upon a time you wanted to write. And even though motherhood wiped all that away like a cosmic eraser over the chalkboard of your life, it gave you something else—this crazy, blissful, adoring love that splits you open and redefines you from the inside out.
Lisa Unger (Darkness, My Old Friend)
Our past has a funny way of becoming part of who we are in the future, and I think that’s the way it’s meant to be. Without the scars, without the pain, we wouldn’t be able to appreciate the times when everything is magical — the days when life is absolute bliss. And trust me when I say that every day I’ve spent with you has been just that — magic.
Kandi Steiner (The Wrong Game)
All a dude has to do to be seen as a dream guy in this modern dating hellscape is to be halfway decent. But you know what he should have to be to be seen as actual 'dream guy' material?" I nod, chuckling softly. We've had this discussion countless times when one of us has had a frustrating experience with a guy. "Kind," I say. "And smart." "And attentive." "And patient." "And funny." "And hot. Super hot. And dynamite in bed." I snort at Whitney's embellishment. "Of course. Can't forget that." "And willing to be open and honest about how much he cares about you," she says. "Willing to say 'I love you', no matter if you're blissfully happy or fighting like cats and dogs... and mean it just the same." I clear my throat, unable to hide the wistfulness in my tone. "That's a fantasy for sure.
Sarah Echavarre Smith (The Boy With the Bookstore)
The funny thing, not funny ha-ha but as in funny terrible, is that once it finishes and I feel normal, I see the leftovers, smashed bits of plate in the bin or whatever, and I think who did that? I truly can't believe it was me.
Meg Mason (Sorrow and Bliss)
When a TV show starts out, it is incredibly competitive: maybe one in a hundred TV ideas goes on to get made into pilot (tester) episodes. Maybe one in twenty of those pilots will go on to have a first series commissioned. And maybe one in ten of those will be asked back for a second season. It takes a sprinkling of fairy dust and a lot of goodwill. But do two seasons and you will quite probably go on to do five--or more. So we got lucky. No doubt. And I never even asked for it. Let alone expected it. I was simply, and blissfully, unaware. But on this journey, Man vs. Wild has had to endure a lot of flak from critics and the press. Anything successful inevitably does. (Funny how the praise tends just to bounce off, but small amounts of criticism sting so much. Self-doubt can be a brute, I guess.) The program has been accused of being set up, staged, faked, and manipulated. One critic even suggested it was all shot in a studio with CGI. If only.
Bear Grylls (Mud, Sweat and Tears)
Cecelia turned her gaze away from the girls and looked at the shimmer blue of their kidney shaped swimming pool, with its powerful underwater light, the perfect symbol of suburban bliss, except for that strange intermit sound like a baby choking that was coming from the pool filter.
Liane Moriarty (The Husband's Secret)
Cecilia turned her gaze away from the girls and looked at the shimmering blue of their kidney-shaped swimming pool with its powerful underwater light: the perfect symbol of suburban bliss. Except for that strange intermittent sound, like a baby choking, that was coming from the pool filter. She could hear it right now. Cecilia had asked John-Paul to look at it weeks before he went to Chicago; he hadn’t got around to it, but he would have been furious if she’d arranged for some repair guy to come and fix it. It would have indicated lack of faith in his abilities. Of course, when he did finally look at it, he wouldn’t be able to fix it and she’d have to get the guy in anyway. It was frustrating. Why hadn’t that been part of his stupid lifelong redemption program: Do what my wife asks immediately so she doesn’t feel like a nag.
Liane Moriarty (The Husband's Secret)
Cemal was amazed how clothes could change a person. In his commando uniform, with his equipment and weapons, he had felt like the ruler of the world. In these funny shorts, he was an incompetent boy. Besides, he had no money, no job, no home, nor anywhere to go. He was like a refugee on the professor’s boat.
Zülfü Livaneli (Bliss)
It was an inappropriate thought, but the baby wasn't so much like a love child, the effortless product of the blissful or even oblivious union of two people. He was a different sort of miracle, the effortful product of a tricky collaboration between unlikely partners. He was their version of a television program.
Nick Hornby (Funny Girl)
Do you like to ride, Rachel?” Oh, boy, did she like to ride. Not horses, of course, but she definitely wouldn’t mind a cowboy. She missed riding. It had been a long time, and part of her thought she might never ride again. "Sure,” was all she managed because her brain was thinking about what it would feel like to ride Max Harper. Max smiled up at her, a wide grin that made his eyes sparkle. He looked more approachable when he smiled like that. “That’s great. What kind of horse did you train on?” “Oh, I’ve never ridden a horse,” she blurted out without thinking. Max’s smile turned distinctly seductive. “Then what type of riding were we talking about, darlin’?
Lexi Blake (Three to Ride (Nights in Bliss, Colorado, #1))
It’s experience that has value, not possessions. We desire possessions because we think they’ll make us happier, but extensive research shows that once our basic survival needs are met, increased possessions don’t boost happiness levels. Meditation gives us the option of going straight to happiness and skipping the intermediate step of possessions. Acquiring them takes a lot of work and time, and all that effort can take us out of flow. We can spend a 40-year career amassing the possessions and money that we believe will give us happiness in retirement. Skipping the amassing stage and going straight to bliss gives us the end goal at the beginning. We win the gold medal before the contest even begins. Play doesn’t happen in an imaginary future in which our lives are perfect. Play happens now. We can become billionaires of happy experiences, the bank vaults of our minds overflowing with joy. That’s the only currency that counts. We’ve then acquired the end state without going through the intermediate state of getting stuff. We’ve loaded the dice, so that any and every roll produces bliss. Why not live like that every day? DEEPENING PRACTICES Here are practices you can do this week to integrate the information in this chapter into your life: Releasing the Suffering Self: That’s the theme of this chapter’s companion meditation. Use the link below to listen to this free 15-minute meditation each morning. Play the “Name Your Demon” Game: Give the selfing part of yourself a funny personal name, or ask it what its name is and write down the answer. One woman christened hers “Sticky.” Another, “Yuggo.” This exercise separates you from identification with the demon, and reminds you that you’re in control. Make the Subject-Object Shift: Whenever you find your mind wandering during meditation, simply thank your DMN by name (e.g., “Thanks, Yuggo!”) and then move your attention back to Focus. Mindfulness App: As a way of becoming mindful, enroll in the Harvard wandering mind study by using the link below to download the smartphone app. Time in Nature: Spend time in nature at least three times this week. Write those times in your calendar now, and treat them as seriously as you’d treat a doctor’s appointment. This exercise in self-care is a way of centering your mind and nurturing yourself. Journaling: In your new personal journal, write down the insights you have this week. Notice the way your mind works in meditation, and describe it in your journal. Just a few words are enough, like, “Had a hard time getting to a good place this morning. Lots of mind wandering, but I settled down in 15 minutes.
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
Bliss has a funny, inexplicable, often bizarre, magnetic pull. To draw you into its fold, it will conspire to create opportunities and circumstances that will make you sit up, take notice, make choices, change direction and destination. You will be often left with a this-is-the-only-choice situation. Why? Because yehi hai right choice baby! Because Life wants you to arrive at the point where a new Life is waiting for you!
AVIS Viswanathan
As they often did when I was tired, my thoughts took a funny turn. Perhaps, like the lighthouse, there were people who were meant to stand out, who were made to be noticed and make a difference. It brought me slap-bang to Sukie. All week I’d savoured doing the delivery round as a time when my brain went blissfully blank. And yet back at Queenie’s I’d looked at Sukie’s note so many times the paper was wearing thin. It had to be a secret of some sort: why else would it be written in code? I’d no idea. My sister had liked raspberry jam on toast, and left long brown hairs in our sink that blocked the plughole. She’d slept late on Saturdays. Turned the wireless up loud when a dance tune came on. But when I thought of her now, it was like there was this whole other Sukie I didn’t know, and it frightened me.
Emma Carroll (Letters from the Lighthouse)
Cartooning for me is my art. I take it very seriously. It's highbrow, it's Daumier.
Harry Bliss in Funny Stuff: How Great Cartoonists Make Great Cartoons by Phil Witte & Rex Hesner
It is nice to get your cartoons accepted, but if you can get past that and just draw for yourself and just try not to give a s***, which I know sounds arrogant, but that's how you have to be.
Harry Bliss in Funny Stuff: How Great Cartoonists Make Great Cartoons by Phil Witte & Rex Hesner