β
Let me tell you this: if you meet a loner, no matter what they tell you, it's not because they enjoy solitude. It's because they have tried to blend into the world before, and people continue to disappoint them.
β
β
Jodi Picoult (My Sisterβs Keeper)
β
I always worried someone would notice me, and then when no one did, I felt lonely.
β
β
Curtis Sittenfeld (Prep)
β
There is more in you of good than you know, child of the kindly West. Some courage and some wisdom, blended in measure. If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.
β
β
J.R.R. Tolkien (The Hobbit, or There and Back Again (The Lord of the Rings, #0))
β
If you meet a loner, no matter what they tell you, itβs not because they enjoy solitude. Itβs because they have tried to blend into the world before, and people continue to disappoint them.
β
β
Jodi Picoult (My Sisterβs Keeper)
β
That's the trouble with living things. Don't last very long. Kittens one day, old cats the next. And then just memories. And the memories fade and blend and smudge together.
β
β
Neil Gaiman (The Ocean at the End of the Lane)
β
One of the greatest regrets in life is being what others would want you to be, rather than being yourself.
β
β
Shannon L. Alder
β
This calls for a very special blend of psychology and extreme violence.
β
β
Ben Elton (Bachelor Boys: The Young Ones Book)
β
Whenever someone who knows you disappears, you lose one version of yourself. Yourself as you were seen, as you were judged to be. Lover or enemy, mother or friend, those who know us construct us, and their several knowings slant the different facets of our characters like diamond-cutter's tools. Each such loss is a step leading to the grave, where all versions blend and end.
β
β
Salman Rushdie (The Ground Beneath Her Feet)
β
I believe in some blending of hope and sunshine sweetening the worst lots. I believe that this life is not all; neither the beginning nor the end. I believe while I tremble; I trust while I weep.
β
β
Charlotte BrontΓ« (Villette)
β
The thing about chameleoning your way through life is that it gets to where nothing is real.
β
β
John Green (An Abundance of Katherines)
β
Sometimes life gets in your
way.
it gets all up in your damn
way.
But it doesn't get all up in your damn way
because it wants you to just
give up
and let it
take control.
Life doesn't get all up in your damn way because it just wants you to
hand
it all
over
and be
carried along.
Life wants you to
fight
it
Learn how to make it your
own.
it wants you to grab and
axe
and
hack
through the
wood.
It wants you to get a
sledgehammer
and
break
through
concrete.
It wants you to grab a
torch
and
burn
through the metal and
steel
until you can reach through and
grab
it.
Life wants you to
grab
all the
organized,
the
alphabetized,
the
chronological,
the
sequenced.
It wants you to mix it all
together,
stir
it up,
blend
it.
β
β
Colleen Hoover (Slammed (Slammed, #1))
β
Ari felt like, Hellooo, I have wings! I turn into a wolf! Blending is out is out of the question!
β
β
James Patterson (School's OutβForever (Maximum Ride, #2))
β
Who in the rainbow can draw the line where the violet tint ends and the orange tint begins? Distinctly we see the difference of the colors, but where exactly does the one first blendingly enter into the other? So with sanity and insanity.
β
β
Herman Melville (Billy Budd, Sailor (Enriched Classics))
β
Dalmatia,β Nico said, making Jason jump.
Holy Romulus . . . Jason wished he could put a bell around Nico di Angeloβs neck to remind him the guy was there. Nico had this disturbing habit of standing silently in the corner, blending into the shadows.
β
β
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
β
I will gladly accept any and all books, however. A person can never have too much reading material. Especially on a fall or winter evening. If youβre feeling extra generous, you may include tea. I love a unique blend.
β
β
Kerri Maniscalco (Hunting Prince Dracula (Stalking Jack the Ripper, #2))
β
Love was that way. You could not render it in black or white. It always came down to the strange, blended shades of grey.
β
β
Jodi Picoult
β
LAW 38
Think As You Like But Behave Like Others
If you make a show of going against the times, flaunting your unconventional ideas and unorthodox ways, people will think that you only want attention and that you look down upon them. They will find a way to punish you for making them feel inferior. It is far safer to blend in and nurture the common touch. Share your originality only with tolerant friends and those who are sure to appreciate your uniqueness.
β
β
Robert Greene (The 48 Laws of Power)
β
The only rule is don't be boring and dress cute wherever you go. Life is too short to blend in
β
β
Paris Hilton
β
On no subject are our ideas more warped and pitiable than on death. ... Let children walk with nature, let them see the beautiful blendings and communions of death and life, their joyous inseparable unity, as taught in woods and meadows, plains and mountains and streams of our blessed star, and they will learn that death is stingless indeed, and as beautiful as life, and that the grave has no victory, for it never fights.
β
β
John Muir (A Thousand-Mile Walk To The Gulf)
β
I love being a pavement artist; seriously, I do. It's like when guys who would normally hate being freakishly tall discover basketball, or when girls with abnormally long fingers sit down at a piano. Blending in, going unseen, being a shadow in the sun is what I'm good at. Seeing the shadows, it turns out, is not my natural gift.
β
β
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
β
As Harry and Ron rounded the clump of trees behind which Harry had first heard the dragons roar, a witch leapt out from behind them.
It was Rita Skeeter. She was wearing acid-green robes today; the Quick-Quotes Quill in her hand blended perfectly against them.
"Congratulations, Harry!' she said beaming at him. "I wonder if you could give me a quick word? How you felt facing that dragon? How do you feel now about the fairness of the scoring?"
"Yeah, you can have a word," said Harry savagely. "Goodbye!
β
β
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
β
Szeth-son-son-Vallano, Truthless of Shinovar, wore white on the day he was to kill a king [β¦] White to be bold. White to not blend into the night. White to give warning. For if you were going to assassinate a man, he was entitled to see you coming.
β
β
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
β
the blend of absurd, surreal and mundane which gave rise to the adjective "kafkaesque
β
β
Franz Kafka (The Metamorphosis)
β
Santa Claus has nothing to do with it," the latke said. "Christmas and Hanukah are completely different things."
"But different things can often blend together," said the pine tree. "Let me tell you a funny story about pagan rituals.
β
β
Lemony Snicket (The Latke Who Couldn't Stop Screaming: A Christmas Story)
β
What New England is, is a state of mind, a place where dry humor and perpetual disappointment blend to produce an ironic pessimism that folks from away find most perplexing
β
β
Willem Lange
β
Stay away from the normals, the small-minded people who fill their brains with small-minded pursuits, who blend in and keep up with the Joneses. Those people will tear you down and make you boring. Instead, surround yourself with the weirds. With the misfits, oddballs, and outcasts. Because the normals, bless their hearts, have no idea how to have fun.
β
β
Penny Reid (Beard Science (Winston Brothers, #3))
β
Dignity and love do not blend well, nor do they continue long together.
β
β
Ovid
β
Most of the time one night blends into the next and weeks blend into weeks and months into other months. And sooner or later we all die.
But at the beginning of the night anythingβs possible.
β
β
Lauren Oliver (Before I Fall)
β
Thinking of you where ever you are-
We pray for our sorrows to end
and hope that our hearts will blend
now I will step forward to realize this wish-
And who knows
starting a new journey may not be so hard
or maybe it's already begun-
There are many worlds
but they share the same sky
one sky one destiny-
β
β
Shiro Amano (Kingdom Hearts, Vol. 2 (Kingdom Hearts, #2))
β
Bill: Superman didn't become Superman. Superman was born Superman. When Superman wakes up in the morning, he's Superman. His alter ego is Clark Kent. His outfit with the big red "S", that's the blanket he was wrapped in as a baby when the Kents found him. Those are his clothes. What Kent wears - the glasses, the business suit - that's the costume. That's the costume Superman wears to blend in with us. Clark Kent is how Superman views us. And what are the characteristics of Clark Kent. He's weak... he's unsure of himself... he's a coward. Clark Kent is Superman's critique on the whole human race.
β
β
Quentin Tarantino (Kill Bill)
β
Monotony collapses time; novelty unfolds it. You can exercise daily and eat healthily and live a long life, while experiencing a short one. If you spend your life sitting in a cubicle and passing papers, one day is bound to blend unmemorably into the next - and disappear. That's why it's so important to change routines regularly, and take vacations to exotic locales, and have as many new experiences as possible that can serve to anchor our memories. Creating new memories stretches out psychological time, and lengthens our perception of our lives.
β
β
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
β
You soak up my soul and mingle me. Each drop of my blood cries out to the earth. We are partners, blended as one.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
On some other world, possibly it is different. Better. There are clear good and evil alternatives. Not these obscure admixtures, these blends, with no proper tool by which to untangle the components.
β
β
Philip K. Dick (The Man in the High Castle)
β
You can't blend in when you were born to stand out.
β
β
R.J. Palacio
β
If you have anything to say, anything you feel nobody has ever said before, you have got to feel it so desperately that you will find some way to say it that nobody has ever found before, so that the thing you have to say and the way of saying it blend as one matter--as indissolubly as if they were conceived together.
β
β
F. Scott Fitzgerald (The Short Stories)
β
He waited while Gilan and Will moved the cloaks experimentally, eyeing each other and studying the unusual colors, seeing how they would blend into the landscape of rock and desert that surrounded Al Shabah.
All right, ladies," he said, "if you're finished with the fashion show, let's go meet the Wakir.
β
β
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
β
Critical and radical thought will only bear fruit when it is blended with the most precious quality man is endowed with - the love of life
β
β
Erich Fromm (The Anatomy of Human Destructiveness)
β
Our love will blend together like turquoise is blue and green. Thereβs no depression or envy when both blur into one.
β
β
Jarod Kintz (This Book is Not for Sale)
β
Peter swept aside Yogi Tea and Harmony Herbal Blend, though he hesitated a second over the chamomile. .... But no. Violent death demanded Earl Grey.
β
β
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
β
Kell wore a very peculiar coat.
It had neither one side, which would be conventional, nor two, which would be unexpected, but several, which was, of course, impossible.
The first thing he did whenever he stepped out of one London and into another was take off the coat and turn it inside out once or twice (or even three times) until he found the side he needed. Not all of them were fashionable, but they each served a purpose. There were ones that blended in and ones that stood out, and one that served no purpose but of which he was just particularly fond.
β
β
Victoria E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
β
Do not become a stranger to yourself by blending in with everyone else.
β
β
Dodinsky
β
And I do. I do wonder, I think about it all the time. What it would be like to kill myself. Because I never really know, I still can't tell the difference, I'm never quite certain whether or not I'm actually alive. I sit here every single day. Run, I said to myself. Run until your lungs collapse, until the wind whips and snaps at your tattered clothes, until you're a blur that blends into the background.
Run, Juliette, run faster, run until your bones break and your shins split and your muscles atrophy and your heart dies because it was always too big for your chest and it beat too fast for too long and you run.
Run run run until you can't hear their feet behind you. Run until they drop their fists and their shouts dissolve in the air. Run with your eyes open and your mouth shut and dam the river rushing up behind your eyes. Run, Juliette.
Run until you drop dead. Make sure your heart stops before they ever reach you. Before they ever touch you.
Run, I said.
β
β
Tahereh Mafi (Unravel Me (Shatter Me, #2))
β
Future and past blurred; what he had already experienced and what he would eventually experience blended so that nothing remained but the moment.
β
β
Philip K. Dick (Do Androids Dream of Electric Sheep?)
β
What a lovely thing a rose is!"
He walked past the couch to the open window and held up the drooping stalk of a moss-rose, looking down at the dainty blend of crimson and green. It was a new phase of his character to me, for I had never before seen him show any keen interest in natural objects.
"There is nothing in which deduction is so necessary as religion," said he, leaning with his back against the shutters. "It can be built up as an exact science by the reasoner. Our highest assurance of the goodness of Providence seems to me to rest in the flowers. All other things, our powers, our desires, our food, are all really necessary for our existence in the first instance. But this rose is an extra. Its smell and its color are an embellishment of life, not a condition of it. It is only goodness which gives extras, and so I say again that we have much to hope from the flowers.
β
β
Arthur Conan Doyle (The Naval Treaty - a Sherlock Holmes Short Story)
β
The grass always seems greener on the other side of the fence. Many politicians promise green, green grass by blending niceties with delusion and by using alluring confidence tricks. They voice attractive tales and tell things, people like to hear. But the post-factual grassland often appears to be parched and barren. ("The grass was greener over there")
β
β
Erik Pevernagie
β
Each thing I do, I rush through so I can do something else. In such a way do the days pass---a blend of stock car racing and the never ending building of a gothic cathedral. Through the windows of my speeding car I see all that I love falling away: books unread, jokes untold, landscapes unvisited...
β
β
Stephen Dobyns
β
Cheer up and dry your damp eyes,
And tell me when it rains,
And I'll blend up that rainbow above you & shoot it through your veins...
'Cause your heart has a lack of color,
And we should've known
That we'd grow up sooner or later,
'Cause we wasted all our free time alone. <3
β
β
Owl City
β
And shall I pray Thee change Thy will, my Father,
Until it be according unto mine?
But, no, Lord, no, that never shall be, rather
I pray Thee blend my human will with Thine.
I pray Thee hush the hurrying, eager longing,
I pray Thee soothe the pangs of keen desireβ
See in my quiet places, wishes throngingβ
Forbid them, Lord, purge, though it be with fire.
β
β
Amy Carmichael
β
I know you all have families who love you so if you want to leaveβ. (Acheron)
We wouldnβt be here if we didnβt want to. You and Val fought to save my sister when no one else would have bothered. I havenβt forgotten it. (Vane)
And I havenβt forgotten what the Dark-Hunters did for me and Maggie. (Wren)
Yeah, weβre family. Psychotic, bizarre and a hodgepodge of personalities that should probably never be blended, but here we are. Now letβs go kick some ass. (Fury)
β
β
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
β
Family likeness has often a deep sadness in it. Nature, that great tragic dramatist, knits us together by bone and muscle, and divides us by the subtler web of our brains; blends yearning and repulsion; and ties us by our heart-strings to the beings that jar us at every movement.
β
β
George Eliot (Adam Bede)
β
I had become awkward and tried my best to avoid everyone. I hated attention, people asking me questions or putting me in the spotlight; I preferred to blend into the background unnoticed. I felt safer that way
β
β
Giovanna Fletcher (Billy and Me)
β
With a chaste heart
With pure eyes I celebrate your beauty
Holding the leash of blood
So that it might leap out and trace your outline
Where you lie down in my Ode
As in a land of forests or in surf
In aromatic loam, or in sea music
Beautiful nude
Equally beautiful your feet
Arched by primeval tap of wind or sound
Your ears, small shells
Of the splendid American sea
Your breasts of level plentitude
Fulfilled by living light
Your flying eyelids of wheat
Revealing or enclosing
The two deep countries of your eyes
The line your shoulders have divided into pale regions
Loses itself and blends into the compact halves of an apple
Continues separating your beauty down into two columns of
Burnished gold
Fine alabaster
To sink into the two grapes of your feet
Where your twin symmetrical tree burns again and rises
Flowering fire
Open chandelier
A swelling fruit
Over the pact of sea and earth
From what materials
Agate?
Quartz?
Wheat?
Did your body come together?
Swelling like baking bread to signal silvered hills
The cleavage of one petal
Sweet fruits of a deep velvet
Until alone remained
Astonished
The fine and firm feminine form
It is not only light that falls over the world spreading inside your body
Yet suffocate itself
So much is clarity
Taking its leave of you
As if you were on fire within
The moon lives in the lining of your skin.
β
β
Pablo Neruda
β
Jakeβs shirt and jeans gave off a business vibe with the hint of a wide range of corporate occupations from sales to IT. Only politicians and real estate agents wore a suit and tie these days. Dressed to push an agenda. A man wearing a two-piece suit and tie would be remembered and many people became guarded, sus of the wearerβs intention. Guarded meant memorable.
Blend into the environment; do not stick out.
β
β
Simon W. Clark (Dead Mercenary's Trail (Jake Armitage Thriller Book #2))
β
The voices blend and fuse in clouded silence: silence that is infinite of space: and swiftly, silently the sound is wafted over regions of cycles of cycles of generations that have lived.
β
β
James Joyce (Ulysses: The 1922 Text)
β
Moonlight and the murmur of pines blended together so that one could hardly tell which was light and which was sound.
β
β
L.M. Montgomery (The Blue Castle)
β
Take one cup of love, two cups of loyalty, three cups of forgiveness, four quarts of faith and one barrel of laughter. Take love and loyalty and mix them thoroughly with faith; blend with tenderness, kindness and understanding. Add friendship and hope. Sprinkle abundantly with laughter. Bake it with sunshine. Wrap it regularly with lots of hugs. Serve generous helpings daily.
β
β
Zig Ziglar
β
Yes, I am Irish and Indian, which would be the coolest blend in the world if my parents were around to teach me how to be Irish and Indian. But they're not here and haven't been for years, so I'm not really Irish or Indian. I am a blank sky, a human solar eclipse.
β
β
Sherman Alexie (Flight)
β
I had spent my adolescence trying to blend in with my peers in suburban America, and had come of age feeling like my belonging was something to prove. Something that was always in the hands of other people to be given and never my own to take, to decide which side I was on, whom I was allowed to align with. I could never be of both worlds, only half in and half out, waiting to be ejected at will by someone with greater claim than me. Someone whole.
β
β
Michelle Zauner (Crying in H Mart)
β
For each of us destiny is a blend of potential, circumstances, and choices.
β
β
Brandon Mull (A World Without Heroes (Beyonders, #1))
β
Head down, hoodie up, eyes on the ground. Be unimportant. Blend in.
Disappear.
That was how you avoided the bullies.
β
β
Alan Gratz (Refugee)
β
Our conscious motivations, ideas, and beliefs are a blend of false information, biases, irrational passions, rationalizations, prejudices, in which morsels of truth swim around and give the reassurance, albeit false, that the whole mixture is real and true. The thinking processes attempt to organize this whole cesspool of illusions according to the laws of plausibility. This level of consciousness is supposed to reflect reality; it is the map we use for organizing our life.
β
β
Erich Fromm (To Have or to Be? The Nature of the Psyche)
β
I've squeezed as many bookcases in this tiny space as possible. Being surrounded by books and magazines makes me feel calm. It makes the room seem wrapped in a layer of protection. As if nothing or no one can get to me.
β
β
Angelo Surmelis (The Dangerous Art of Blending In)
β
Reason flows from the blending of rational thought and feeling. If the two functions are torn apart, thinking deteriorates into schizoid intellectual activity and feeling deteriorates into neurotic life-damaging passions.
β
β
Erich Fromm (The Revolution of Hope: Toward a Humanized Technology)
β
My eyelids flickered open again and focused on Daemon. He had his eyes closed as he leaned his head against the wall but I knew he was listening to everything. Dee talked about taking me home if my mom couldnβt leave. I was struck again by the twins. Daemon and Dee didnβt belong here, but I did. I could blend easily with the whitewashed walls and pale green curtains. I was as plain as the linoleum, but these two seemed to light the room with their flawless beauty and demanding presence.
Ah, the medication was kicking in. I was poetic. And high. Bliss.
β
β
Jennifer L. Armentrout (Obsidian (Lux, #1))
β
Poetry leads to the same place as all forms of eroticism β to the blending and fusion of separate objects. It leads us to eternity, it leads us to death, and through death to continuity. Poetry is eternity; the sun matched with the sea.
β
β
Georges Bataille (Erotism: Death and Sensuality)
β
The passive American consumer, sitting down to a meal of pre-prepared food, confronts inert, anonymous substances that have been processed, dyed, breaded, sauced, gravied, ground, pulped, strained, blended, prettified, and sanitized beyond resemblance to any part of any creature that ever lived. The products of nature and agriculture have been made, to all appearances, the products of industry. Both eater and eaten are thus in exile from biological reality.
β
β
Wendell Berry
β
I think that history is the story of the past, using all the available facts, and that nostalgia is a fantasy about the past using no facts, and somewhere in between is memory, which is kind of this blend of history and a little bit of emotionβ¦I mean, history is kind of about what you need to knowβ¦but nostalgia is what you want to hear.
β
β
Clint Smith (How the Word Is Passed: A Reckoning with the History of Slavery Across America)
β
I love everything about you, Emma. I love the way I can recognize your footsteps in the hallway outside my room even when I didn't know you were coming. No one else walks or breathes or moves like you do. I love the way you gasp when you're asleep like your dreams have surprised you. I love the way when we stay together on the beach our shadows blend into one person. I love the way you can write on my skin with your fingers and I can understand it better than I could understand someone else shouting in my ear. I didn't want to love you like this. It's the worst idea in the world that I love you like this. But I can't stop. Believe me, I tried.
β
β
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
β
Scarlet O'Hara was not beautiful, but men seldom realized it when caught by her charm as the Tarleton twins were. In her face were too sharply blended the delicate features of her mother, a Coast aristocrat of French descent, and the heavy ones of her florid Irish father. But it was an arresting face, pointed of chin, square of jaw. Her eyes were pale green without a touch of hazel, starred with bristly black lashes and slightly tilted at the ends. Above them, her thick black brows slanted upward, cutting a startling oblique line in her magnolia-white skin-that skin so prized by Southern women and so carefully guarded with bonnets, veils and mittens against hot Georgia suns.
β
β
Margaret Mitchell (Gone with the Wind)
β
Thinking of you, wherever you are
We pray for our sorrows to end,
and hope that our hearts will blend.
Now I will step forward to realize this wish.
And who knows,
starting a new journey may not be so hard
Or maybe it has already begun.
There are many worlds.
but they share the same sky
one sky, one destiny.
Kairi
β
β
Square Enix
β
This place is packed," Vee complained. "Where am I supposed to park?" She steered down an alley and slowed to a stop behind a bookstore. "This looks good. Lots of parking back here."
"The sign says employee parking only."
"How are they going to know that we aren't employees? The Neon blends right in. All these cars speak low class."
"The sign says violators will be towed."
"They just say that to scare people like you and me away. It's an empty threat. Nothing to worry about."
.......
Vee came to a halt. "What is THAT?"
We were standing in the parking lot behind the bookstore, a few feet from the Neon, and we were staring at a large piece of metal attached to the left rear tire.
"I think it's a car boot," I said.
"I can see that. What's it doing on my car?"
"I guess when they say all violators will be towed, they mean it.
β
β
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
β
Once inside my skull, my doctor added some salt, just to taste.Β He also poured some fruit into my skull β an apple, a pear, a few seedless grapes, and a ripe banana.Β He then used an electric blender set on its highest speed to create what he had termed βa yogurt parfait.β Β After he finished blending the ingredients, he beckoned the other doctors and a few of the nurses to sample his new concoction.
β
β
Harvey Havel (The Odd and The Strange: A Collection of Very Short Fiction)
β
The captivating changes in the social space sealed by class transmigration may astound us. How clever class fugitives escape from their birth stigma or topical inheritance and how they blend slickly into a new chosen communal grouping may look impressive to most observers. Class migration always remains a challenge, but once the outgoers are at the end of the road, they can tell their life stories of adventure, bravery, or hardship with much self-esteem. How happy they are, and how good they feel when they can say with satisfaction that they have seen it all before closing brackets. (βSchengenβ)
β
β
Erik Pevernagie
β
We all have the ability to heal ourselves; I know, I have done so...
In the morning, know that you are Loved, You Are Love and You Love
β
β
Lisa Bellini
β
Whatever plane our consciousness may be acting in, both we and the things belonging to that plane are, for the time being, our only realities. As we rise in the scale of development we perceive that during the stages through which we have passed we mistook shadows for realities, and the upward progress of the Ego is a series of progressive awakenings, each advance bringing with it the idea that now, at last, we have reached "reality"; but only when we shall have reached the absolute Consciousness, and blended our own with it, shall we be free from the delusions produced by Maya [illusion].
β
β
Helena Petrovna Blavatsky
β
My brother asked the birds to forgive him: that sounds senseless, but it is right; for all is like an ocean, all is flowing and blending; a touch in one place sets up movement at the other end of the earth. It may be senseless to beg forgiveness of the birds, but birds would be happier at your side βa little happier, anywayβ and children and all animals, if you yourself were nobler than you are now. Itβs all like an ocean, I tell you. Then you would pray to the birds too, consumed by an all-embracing love in a sort of transport, and pray that they too will forgive you your sin.
β
β
Fyodor Dostoevsky (The Brothers Karamazov)
β
What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmaticβone could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolitaβs absence from my side, but the absence of her voice from that concord.
β
β
Vladimir Nabokov (Lolita)
β
The greater fool is actually an economic term. Itβs a patsy. For the rest of us to profit, we need a greater foolβ someone who will buy long and sell short. Most people spend their life trying not to be the greater fool; we toss him the hot potato, we dive for his seat when the music stops. The greater fool is someone with the perfect blend of self-delusion and ego to think that he can succeed where others have failed. This whole country was made by greater fools.
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Aaron Sorkin
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Your life is your artwork and you are to paint life as a beautiful struggle. With your brush, paint the colors of joy in vibrant shades of red. Color the sky a baby blue, a color as free as your heart. With rich, earthy tones shade the valleys that run deep into the ground where heaven meets hell. Life is as chaotic as the color black, a blend of all colors, and this makes life a beautiful struggle. Be grateful for the green that makes up the beautiful canvas, for nature has given you everything that you need to be happy. Most of all, donβt ever feel the need to fill the entire canvas with paint, for the places left blank are the most honest expressions of who you are.
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Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
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Relate comic things in pompous fashion. Irregularity, in other words the unexpected, the surprising, the astonishing, are essential to and characteristic of beauty. Two fundamental literary qualities: supernaturalism and irony. The blend of the grotesque and the tragic are attractive to the mind, as is discord to blasΓ© ears. Imagine a canvas for a lyrical, magical farce, for a pantomime, and translate it into a serious novel. Drown the whole thing in an abnormal, dreamy atmosphere, in the atmosphere of great days β¦ the region of pure poetry.
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Charles Baudelaire (Intimate Journals)
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Even the simple act which we describe as 'seeing someone we know' is, to some extent, an intellectual process. We pack the physical outline of the creature we see with all the ideas we already formed about him, and in the complete picture of him which we compose in our minds those ideas have certainly the principal place. In the end they come to fill out so completely the curve of his cheeks, to follow so exactly the line of his nose, they blend so harmoniously in the sound of his voice that these seem to be no more than a transparent envelope, so that each time we see the face or hear the voice it is our own ideas of him which we recognize and to which we listen.
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Marcel Proust (Du cΓ΄tΓ© de chez Swann (Γ la recherche du temps perdu, #1))
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Oh, this is a special blend for you." Taking one of the fingers she hadn't licked, he rubbed it along her lips. "What we usually shed is apparently comparable to the most delicious of chocolates or the finest of wines. Decadent, rich, and very expensive."
She told herself she wasn't going to lick the glitter off her lips. "And this blend?" The taste was inside her mouth without her having any knowledge of taking it in. And Raphael was incredibly close, his wings creating a white gold wall all around them his hands strong and warm on her hips. "What's so special about it?"
"This blend," he murmured, bending his head, "is about sex."
She put her hands on his chest but it wasn't a protest. After the blood, the fear, she needed to touch him, to know this glorious creature existed. "Another form of mind control?"
He shook his head, his mouth a hairbreadth from hers. "It's only fair."
"Fair?" She flicked her tongue along his lower lip. It made his hands clench on her hips.
"If I licked you between your thighs, your taste would have the same aphrodisiac effect on me.
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Nalini Singh (Angels' Blood (Guild Hunter, #1))
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We all have that heritage, no matter what old land our fathers left. All colors and blends of Americans have somewhat the same tendencies. It's a breed - selected out by accident. And so we're overbrave and overfearful - we're kind and cruel as children. We're overfriendly and at the same time frightened of strangers. We boast and are impressed. We're oversentimental and realistic. We are mundane and materialistic - and do you know of any other nation that acts for ideals? We eat too much. We have no taste, no sense of proportion. We throw our energy about like waste. In the old lands they say of us that we go from barbarism to decadence without an intervening culture. Can it be that our critics have not the key or the language of our culture?
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John Steinbeck (East of Eden)
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Was love then like a bag of assorted sweets passed around from which one might choose more than once? Some might sting the tongue, some invoke night perfume. Some had centers as bitter as gall, some blended honey and poison, some were quickly swallowed. And among the common bull's-eyes and peppermints a few rare ones; one or two with deadly needles at the heart, another that brought clam and gentle pleasure. Were his fingers closing on that one?
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Annie Proulx (The Shipping News)
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Mockingbirds are the true artists of the bird kingdom. Which is to say, although they're born with a song of their own, an innate riff that happens to be one of the most versatile of all ornithological expressions, mocking birds aren't content to merely play the hand that is dealt them. Like all artists, they are out to rearrange reality. Innovative, willful, daring, not bound by the rules to which others may blindly adhere, the mockingbird collects snatches of birdsong from this tree and that field, appropriates them, places them in new and unexpected contexts, recreates the world from the world. For example, a mockingbird in South Carolina was heard to blend the songs of thirty-two different kinds of birds into a ten-minute performance, a virtuoso display that serve no practical purpose, falling, therefore, into the realm of pure art.
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Tom Robbins (Skinny Legs and All)
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These stories were very old, as old as people, and they had survived because they were very powerful indeed. They were the tales that echoed in the head long after the books that contained them were cast aside. They were both an escape from reality and an alternative reality themselves. They were so old, and so strange, that they had found a kind of existence independent of the pages they occupied. The world of the old tales existed parallel to ours, but sometimes the walls separating the two became so thing and brittle that the two worlds started to blend into each other. That was when the trouble started. That was when the bad things came. That was when the Crooked Man began to appear to David.
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John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
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I am, and always have been - first, last, and always - a child of America.
You raised me. I grew up in the pastures and hills of Texas, but I had been to thirty-four states before I learned how to drive. When I caught the stomach flu in the fifth grade, my mother sent a note to school written on the back of a holiday memo from Vice President Biden. Sorry, sirβwe were in a rush, and it was the only paper she had on hand.
I spoke to you for the first time when I was eighteen, on the stage of the Democratic National Convention in Philadelphia, when I introduced my mother as the nominee for president. You cheered for me. I was young and full of hope, and you let me embody the American dream: that a boy who grew up speaking two languages, whose family was blended and beautiful and enduring, could make a home for himself in the White House.
You pinned the flag to my lapel and said, βWeβre rooting for you.β As I stand before you today, my hope is that I have not let you down.
Years ago, I met a prince. And though I didnβt realize it at the time, his country had raised him too.
The truth is, Henry and I have been together since the beginning of this year. The truth is, as many of you have read, we have both struggled every day with what this means for our families, our countries, and our futures. The truth is, we have both had to make compromises that cost us sleep at night in order to afford us enough time to share our relationship with the world on our own terms.
We were not afforded that liberty.
But the truth is, also, simply this: love is indomitable. America has always believed this. And so, I am not ashamed to stand here today where presidents have stood and say that I love him, the same as Jack loved Jackie, the same as Lyndon loved Lady Bird. Every person who bears a legacy makes the choice of a partner with whom they will share it, whom the American people will βhold beside them in hearts and memories and history books. America: He is my choice.
Like countless other Americans, I was afraid to say this out loud because of what the consequences might be. To you, specifically, I say: I see you. I am one of you. As long as I have a place in this White House, so will you. I am the First Son of the United States, and Iβm bisexual. History will remember us.
If I can ask only one thing of the American people, itβs this: Please, do not let my actions influence your decision in November. The decision you will make this year is so much bigger than anything I could ever say or do, and it will determine the fate of this country for years to come. My mother, your president, is the warrior and the champion that each and every American deserves for four more years of growth, progress, and prosperity. Please, donβt let my actions send us backward. I ask the media not to focus on me or on Henry, but on the campaign, on policy, on the lives and livelihoods of millions of Americans at stake in this election.
And finally, I hope America will remember that I am still the son you raised. My blood still runs from Lometa, Texas, and San Diego, California, and Mexico City. I still remember the sound of your voices from that stage in Philadelphia. I wake up every morning thinking of your hometowns, of the families Iβve met at rallies in Idaho and Oregon and South Carolina. I have never hoped to be anything other than what I was to you then, and what I am to you nowβthe First Son, yours in actions and words. And I hope when Inauguration Day comes again in January, I will continue to be.
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Casey McQuiston (Red, White & Royal Blue)
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I met a girl in a U-Haul.
A beautiful girl
And I fell for her.
I fell hard.
Unfortunately, sometimes life gets in the way.
Life definitely got in my way.
It got all up in my damn way,
Life blocked the door with a stack of wooden 2x4's
nailed together and attached to a fifteen inch concrete wall
behind a row of solid steel bars, bolted to a titanium frame that
no matter how hard I shoved against it-
It
wouldn't
budge.
Sometimes life doesn't budge.
It just gets all up in your damn way.
It blocked my plans, my dreams, my desires, my wishes,
my wants, my needs.
It blocked out that beautiful girl
That I fell so hard for.
Life tries to tell you what's best for you
What should be most important to you
What should come in first
Or second
Or third.
I tried so hard to keep it all organized, alphabetized,
stacked in chronological order, everything in its perfect space,
its perfect place.
I thought that's what life wanted me to do.
This is what life needed for me to do.
Right?
Keep it all in sequence?
Sometimes, life gets in your way.
It gets all up in your damn way.
But it doesn't get all up in your damn way because it
wants you to just give up and let it take control. Life doesn't get
all up in your damn way because it just wants you to hand it all
over and be carried along.
Life wants you to fight it.
It wants you to grab an axe and hack through the wood.
It wants you to get a sledgehammer and break through
the concrete.
It wants you to grab a torch and burn through the metal
and steel until you can reach through and grab it.
Life wants you to grab all the organized, the
alphabetized, the chronological, the sequenced. It wants you to
mix it all together,
stir it up,
blend it.
Life doesn't want you to let it tell you that your little
brother should be the only thing that comes first.
Life doesn't want you to let it tell you that your career
and your education should be the only thing that comes in
second.
And life definitely doesn't want me
To just let it tell me
that the girl I met,
The beautiful, strong, amazing, resilient girl
That I fell so hard for
Should only come in third.
Life knows.
Life is trying to tell me
That the girl I love,
The girl I fell
So hard for?
There's room for her in first.
I'm putting her first.
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Colleen Hoover
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Now that physics is proving the intelligence of the universe what are we to do about the stupidity of mankind? I include myself. I know that the earth is not flat but my feet are. I know that space is curved but my brain has been condoned by habit to grow in a straight line. What I call light is my own blend of darkness. What I call a view is my hand-painted trompe-l'oeil. I run after knowledge like a ferret down a ferret hole. My limitations, I call the boundaries of what can be known. I interpret the world by confusing other people's psychology with my own.
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Jeanette Winterson (Gut Symmetries)
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A Book
βNowβ - said a good book unto me -
βOpen my pages and you shall see
Jewels of wisdom and treasures fine,
Gold and silver in every line,
And you may claim them if you but will
Open my pages and take your fill.
βOpen my pages and run them oβer,
Take what you choose of my golden store.
Be you greedy, I shall not care -
All that you seize I shall gladly spare;
There is never a lock on my treasure doors,
Come - here are my jewels, make them yours!
βI am just a book on your mantel shelf,
But I can be part of your living self;
If only youβll travel my pages through,
Then I will travel the world with you.
As two wines blended make better wine,
Blend your mind with these truths of mine.
βIβll make you fitter to talk with men,
Iβll touch with silver the lines you pen,
Iβll lead you nearer the truth you seek,
Iβll strengthen you when your faith grows weak -
This place on your shelf is a prison cell,
Let me come into your mind to dwell!
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Edgar A. Guest (Collected Verse)
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A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..."
"It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself."
"The master says: βMake use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.β
βYou are together because a forest is always stronger than a solitary tree,β the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.β
βIf you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.β
βIf you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. βWalk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. βConfront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. βGod will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.β
"Certain things in life simply have to be experienced -and never explained. Love is such a thing."
"There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark."
"But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'β
"When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.β
βThere is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.
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Paulo Coelho (Maktub)
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β¦ that sour blend of loneliness and lust for recognition, shyness and extravagance, deep insecurity and self-intoxicated egomania, that drives poets and writers out of their rooms to seek each other out, to rub shoulders with one another, bully, joke, condescend, feel each other, lay a hand on a shoulder or an arm round a waist, to chat and argue with little nudges, to spy a little, sniff out what is cooking in other pots, flatter, disagree, collude, be right, take offence, apologise, make amends, avoid each other, and seek each otherβs company again.
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Amos Oz (A Tale of Love and Darkness)
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This scent had a freshness, but not the freshness of limes or pomegranates, not the freshness of myrrh or cinnamon bark or curly mint or birch or camphor or pine needles, not that of a May rain or a frosty wind or of well water... and at the same time it had warmth, but not as bergamot, cypress, or musk has, or jasmine or daffodils, not as rosewood has or iris... This scent was a blend of both, of evanescence and substance, not a blend, but a unity, although slight and frail as well, and yet solid and sustaining, like a piece of thin, shimmering silk... and yet again not like silk, but like pastry soaked in honey-sweet milk - and try as he would he couldn't fit those two together: milk and silk! This scent was inconceivable, indescribable, could not be categorized in any way - it really ought not to exist at all. And yet there it was as plain and splendid as day.
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Patrick SΓΌskind (Perfume The Story of a Murderer)
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To become a true global citizen, one must abandon all notions of 'otherness' and instead embrace 'togetherness'. The world is no longer white, black, yellow and brown. Through love, tribes have been intermixing colors to reveal a new rainbow world. And as more time passes, this racial and cultural blending will make it harder for humans to side with one race, nation or religion over another. Therefore, practical wisdom should be used to abandon any cultural, social, religious, tribal, and national beliefs of alterity altogether. This is the only way mankind will truly evolve. Segregation is a word of the past. Unity is the key to a peaceful future.
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
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If the beginning of wisdom is in realizing that one knows nothing, then the beginning of understanding is in realizing that all things exist in accord with a single truth: Large things are made of smaller things.
Drops of ink are shaped into letters, letters form words, words form sentences, and sentences combine to express thought. So it is with the growth of plants that spring from seeds, as well as with walls built from many stones. So it is with mankind, as the customs and traditions of our progenitors blend together to form the foundation for our own cities, history, and way of life.
Be they dead stone, living flesh, or rolling sea; be they idle times or events of world-shattering proportion, market days or desperate battles, to this law, all things hold: Large things are made from small things. Significance is cumulative--but not always obvious.
--Gaius Secondus
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Jim Butcher (Academ's Fury (Codex Alera, #2))
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There is a kind of sleep that steals upon us sometimes, which, while it holds the body prisoner, does not free the mind from a sense of things about it, and enable it to ramble at its pleasure. So far as an overpowering heaviness, a prostration of strength, and an utter inability to control our thoughts or power of motion, can be called sleep, this is it; and yet we have a consciousness of all that is going on about us; and if we dream at such a time, words which are really spoken, or sounds which really exist at the moment, accommodate themselves with surprising readiness to our visions, until reality and imagination become so strangely blended that it is afterwards almost a matter of impossibilty to separate the two. Nor is this, the most striking phenomenon, incidental to such a state. It is an undoubted fact, that although our senses of touch and sight be for the time dead, yet our sleeping thoughts, and the visionary scenes that pass before us, will be influenced, and materially influenced, by the mere silent presence of some external object: which may not have been near us when we closed our eyes: and of whose vicinity we have had no waking consciousness.
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Charles Dickens (Oliver Twist (Spanish Edition))
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Like a lot of people with mental illness, I spend a lot of time fronting. Itβs really important to me to not appear crazy, to fit in, to seem normal, to do the things βnormal peopleβ do, to blend in.
As a defense mechanism, fronting makes a lot of sense, and you hone that mechanism after years of being crazy. Fronting is what allows you to hold down a job and maintain relationships with people, itβs the thing that sometimes keeps you from falling apart. Itβs the thing that allows you to have a burst of tears in the shower or behind the front seat of your car and then coolly collect yourself and stroll into a social engagementβ¦
We are rewarded for hiding ourselves. We become the poster children for βproductiveβ mentally ill people, because we are so organized and together. The fact that we can function, at great cost to ourselves, is used to beat up the people who cannot function.
Because unlike the people who cannot front, or who fronted too hard and fell off the cliff, we are able to βkeep it together,β whatever it takes.
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S.E. Smith
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Are you enjoying your company so far?"
"Yes! It's been a pleasure getting to know these ladies."
"Are they all the sweet, gentle ladies they appear to be?" Gavril asked. Before Maxon replied, the answer brought a smile to my face. Because I knew that it was yes...sort of.
"Umm..." Maxon looked past Gavril at me. "Almost."
"Almost?" Gavril asked, surprised. He turned to us. "Is someone over there being naughty?"
Mercifully, all the girls let out light giggles, so I blended in. The little traitor!
"What exactly did these girls do that isn't so sweet?" Gavril asked Maxon.
"Oh, well, let me tell you." Maxon crossed his legs and got very comfortable in his chair. It was probably the most relaxed I'd ever seen him, sitting there poking fun at me. I liked this side of him. I wished it would come out more often. "One of them had the nerve to yell at me rather forcefully the first time we met. I was given a very severe scolding."
Above Maxon's head, the king and queen exchanged a glance. It seemed they were hearing this story for the first time, too. Beside me the girls were looking at one another, confused. I didn't get it until Marlee said something.
"I don't remember anyone yelling at him in the Great Room. Do you?"
Maxon seemed to have forgotten that our first meeting was meant to be a secret. "I think he's talking it up to make it funnier. I did say some serious things to him. I think he might mean me."
"A scolding, you say? Whatever for?" Gavril continued.
"Honestly, I wasn't really sure. I think it was a bout of homesickness. Which is why I forgave her, of course." Maxon was loose and easy now, talking to Gavril as if he were the only person in the room. I'd have to tell him later how wonderful he did.
"So she's still with us, then?" Gavril looked over at the collection of girls, grinning widely, and then returned to face his prince.
"Oh, yes. She's still here," Maxon said, not letting his eyes wander from Gavril's face. "And I plan on keeping her here for quite a while.
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Kiera Cass (The Selection (The Selection, #1))
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Before such people can act together, a kind of telepathic feeling has to flow through them and ripen to the point when they all know that they are ready to begin. Anyone who has seen the martins and swallows in September, assembling on the telephone wires, twittering, making short flights singly and in groups over the open, stubbly fields, returning to form longer and even longer lines above the yellowing verges of the lanes-the hundreds of individual birds merging and blending, in a mounting excitement, into swarms, and these swarms coming loosely and untidily together to create a great, unorganized flock, thick at the centre and ragged at the edges, which breaks and re-forms continually like clouds or waves-until that moment when the greater part (but not all) of them know that the time has come: they are off, and have begun once more that great southward flight which many will not survive; anyone seeing this has seen at the work the current that flows (among creatures who think of themselves primarily as part of a group and only secondarily, if at all, as individuals) to fuse them together and impel them into action without conscious thought or will: has seen at work the angel which drove the First Crusade into Antioch and drives the lemmings into the sea.
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Richard Adams (Watership Down (Watership Down, #1))
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Some people are born with a vital and responsive energy. It not only enables them to keep abreast of the times; it qualifies them to furnish in their own personality a good bit of the motive power to the mad pace. They are fortunate beings. They do not need to apprehend the significance of things. They do not grow weary nor miss step, nor do they fall out of rank and sink by the wayside to be left contemplating the moving procession.
Ah! that moving procession that has left me by the road-side! Its fantastic colors are more brilliant and beautiful than the sun on the undulating waters. What matter if souls and bodies are failing beneath the feet of the ever-pressing multitude! It moves with the majestic rhythm of the spheres. Its discordant clashes sweep upward in one harmonious tone that blends with the music of other worlds--to complete God's orchestra.
It is greater than the stars--that moving procession of human energy; greater than the palpitating earth and the things growing thereon. Oh! I could weep at being left by the wayside; left with the grass and the clouds and a few dumb animals. True, I feel at home in the society of these symbols of life's immutability. In the procession I should feel the crushing feet, the clashing discords, the ruthless hands and stifling breath. I could not hear the rhythm of the march.
Salve! ye dumb hearts. Let us be still and wait by the roadside.
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Kate Chopin (The Awakening)