Blending Quotes

We've searched our database for all the quotes and captions related to Blending. Here they are! All 200 of them:

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Let me tell you this: if you meet a loner, no matter what they tell you, it's not because they enjoy solitude. It's because they have tried to blend into the world before, and people continue to disappoint them.
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Jodi Picoult (My Sister's Keeper)
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I always worried someone would notice me, and then when no one did, I felt lonely.
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Curtis Sittenfeld (Prep)
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There is more in you of good than you know, child of the kindly West. Some courage and some wisdom, blended in measure. If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.
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J.R.R. Tolkien (The Hobbit, or There and Back Again)
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If you meet a loner, no matter what they tell you, it’s not because they enjoy solitude. It’s because they have tried to blend into the world before, and people continue to disappoint them.
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Jodi Picoult (My Sister's Keeper)
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That's the trouble with living things. Don't last very long. Kittens one day, old cats the next. And then just memories. And the memories fade and blend and smudge together.
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Neil Gaiman (The Ocean at the End of the Lane)
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One of the greatest regrets in life is being what others would want you to be, rather than being yourself.
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Shannon L. Alder
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This calls for a very special blend of psychology and extreme violence.
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Ben Elton (Bachelor Boys: The Young Ones Book)
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Whenever someone who knows you disappears, you lose one version of yourself. Yourself as you were seen, as you were judged to be. Lover or enemy, mother or friend, those who know us construct us, and their several knowings slant the different facets of our characters like diamond-cutter's tools. Each such loss is a step leading to the grave, where all versions blend and end.
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Salman Rushdie (The Ground Beneath Her Feet)
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I believe in some blending of hope and sunshine sweetening the worst lots. I believe that this life is not all; neither the beginning nor the end. I believe while I tremble; I trust while I weep.
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Charlotte BrontΓ« (Villette)
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The thing about chameleoning your way through life is that it gets to where nothing is real.
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John Green (An Abundance of Katherines)
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Sometimes life gets in your way. it gets all up in your damn way. But it doesn't get all up in your damn way because it wants you to just give up and let it take control. Life doesn't get all up in your damn way because it just wants you to hand it all over and be carried along. Life wants you to fight it Learn how to make it your own. it wants you to grab and axe and hack through the wood. It wants you to get a sledgehammer and break through concrete. It wants you to grab a torch and burn through the metal and steel until you can reach through and grab it. Life wants you to grab all the organized, the alphabetized, the chronological, the sequenced. It wants you to mix it all together, stir it up, blend it.
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Colleen Hoover (Slammed (Slammed, #1))
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Ari felt like, Hellooo, I have wings! I turn into a wolf! Blending is out is out of the question!
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James Patterson (School's Outβ€”Forever (Maximum Ride, #2))
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Who in the rainbow can draw the line where the violet tint ends and the orange tint begins? Distinctly we see the difference of the colors, but where exactly does the one first blendingly enter into the other? So with sanity and insanity.
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Herman Melville (Billy Budd, Sailor (Enriched Classics))
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I will gladly accept any and all books, however. A person can never have too much reading material. Especially on a fall or winter evening. If you’re feeling extra generous, you may include tea. I love a unique blend.
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Kerri Maniscalco (Hunting Prince Dracula (Stalking Jack the Ripper, #2))
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Dalmatia,” Nico said, making Jason jump. Holy Romulus . . . Jason wished he could put a bell around Nico di Angelo’s neck to remind him the guy was there. Nico had this disturbing habit of standing silently in the corner, blending into the shadows.
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Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
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Love was that way. You could not render it in black or white. It always came down to the strange, blended shades of grey.
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Jodi Picoult
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LAW 38 Think As You Like But Behave Like Others If you make a show of going against the times, flaunting your unconventional ideas and unorthodox ways, people will think that you only want attention and that you look down upon them. They will find a way to punish you for making them feel inferior. It is far safer to blend in and nurture the common touch. Share your originality only with tolerant friends and those who are sure to appreciate your uniqueness.
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Robert Greene (The 48 Laws of Power)
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Szeth-son-son-Vallano, Truthless of Shinovar, wore white on the day he was to kill a king […] White to be bold. White to not blend into the night. White to give warning. For if you were going to assassinate a man, he was entitled to see you coming.
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Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
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The only rule is don't be boring and dress cute wherever you go. Life is too short to blend in
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Paris Hilton
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On no subject are our ideas more warped and pitiable than on death. ... Let children walk with nature, let them see the beautiful blendings and communions of death and life, their joyous inseparable unity, as taught in woods and meadows, plains and mountains and streams of our blessed star, and they will learn that death is stingless indeed, and as beautiful as life, and that the grave has no victory, for it never fights.
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John Muir (A Thousand-Mile Walk To The Gulf: The American Naturalist's 1867 Journey Through the Post-War South)
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I love being a pavement artist; seriously, I do. It's like when guys who would normally hate being freakishly tall discover basketball, or when girls with abnormally long fingers sit down at a piano. Blending in, going unseen, being a shadow in the sun is what I'm good at. Seeing the shadows, it turns out, is not my natural gift.
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Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
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As Harry and Ron rounded the clump of trees behind which Harry had first heard the dragons roar, a witch leapt out from behind them. It was Rita Skeeter. She was wearing acid-green robes today; the Quick-Quotes Quill in her hand blended perfectly against them. "Congratulations, Harry!' she said beaming at him. "I wonder if you could give me a quick word? How you felt facing that dragon? How do you feel now about the fairness of the scoring?" "Yeah, you can have a word," said Harry savagely. "Goodbye!
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J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
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the blend of absurd, surreal and mundane which gave rise to the adjective "kafkaesque
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Franz Kafka (The Metamorphosis)
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Stay away from the normals, the small-minded people who fill their brains with small-minded pursuits, who blend in and keep up with the Joneses. Those people will tear you down and make you boring. Instead, surround yourself with the weirds. With the misfits, oddballs, and outcasts. Because the normals, bless their hearts, have no idea how to have fun.
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Penny Reid (Beard Science (Winston Brothers, #3))
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Dignity and love do not blend well, nor do they continue long together.
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Ovid
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Santa Claus has nothing to do with it," the latke said. "Christmas and Hanukah are completely different things." "But different things can often blend together," said the pine tree. "Let me tell you a funny story about pagan rituals.
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Lemony Snicket (The Latke Who Couldn't Stop Screaming: A Christmas Story)
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What New England is, is a state of mind, a place where dry humor and perpetual disappointment blend to produce an ironic pessimism that folks from away find most perplexing
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Willem Lange
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Most of the time one night blends into the next and weeks blend into weeks and months into other months. And sooner or later we all die. But at the beginning of the night anything’s possible.
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Lauren Oliver (Before I Fall)
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Thinking of you where ever you are- We pray for our sorrows to end and hope that our hearts will blend now I will step forward to realize this wish- And who knows starting a new journey may not be so hard or maybe it's already begun- There are many worlds but they share the same sky one sky one destiny-
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Shiro Amano (Kingdom Hearts, Vol. 2 (Kingdom Hearts, #2))
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Bill: Superman didn't become Superman. Superman was born Superman. When Superman wakes up in the morning, he's Superman. His alter ego is Clark Kent. His outfit with the big red "S", that's the blanket he was wrapped in as a baby when the Kents found him. Those are his clothes. What Kent wears - the glasses, the business suit - that's the costume. That's the costume Superman wears to blend in with us. Clark Kent is how Superman views us. And what are the characteristics of Clark Kent. He's weak... he's unsure of himself... he's a coward. Clark Kent is Superman's critique on the whole human race.
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Quentin Tarantino (Kill Bill)
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Monotony collapses time; novelty unfolds it. You can exercise daily and eat healthily and live a long life, while experiencing a short one. If you spend your life sitting in a cubicle and passing papers, one day is bound to blend unmemorably into the next - and disappear. That's why it's so important to change routines regularly, and take vacations to exotic locales, and have as many new experiences as possible that can serve to anchor our memories. Creating new memories stretches out psychological time, and lengthens our perception of our lives.
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Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
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On some other world, possibly it is different. Better. There are clear good and evil alternatives. Not these obscure admixtures, these blends, with no proper tool by which to untangle the components.
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Philip K. Dick (The Man in the High Castle)
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You soak up my soul and mingle me. Each drop of my blood cries out to the earth. We are partners, blended as one.
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Jalal ad-Din Muhammad ar-Rumi
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If you have anything to say, anything you feel nobody has ever said before, you have got to feel it so desperately that you will find some way to say it that nobody has ever found before, so that the thing you have to say and the way of saying it blend as one matter--as indissolubly as if they were conceived together.
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F. Scott Fitzgerald (The Short Stories)
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You can't blend in when you were born to stand out.
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R.J. Palacio
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Critical and radical thought will only bear fruit when it is blended with the most precious quality man is endowed with - the love of life
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Erich Fromm (The Anatomy of Human Destructiveness)
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He waited while Gilan and Will moved the cloaks experimentally, eyeing each other and studying the unusual colors, seeing how they would blend into the landscape of rock and desert that surrounded Al Shabah. All right, ladies," he said, "if you're finished with the fashion show, let's go meet the Wakir.
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John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
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Our love will blend together like turquoise is blue and green. There’s no depression or envy when both blur into one.
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Jarod Kintz (This Book is Not for Sale)
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Kell wore a very peculiar coat. It had neither one side, which would be conventional, nor two, which would be unexpected, but several, which was, of course, impossible. The first thing he did whenever he stepped out of one London and into another was take off the coat and turn it inside out once or twice (or even three times) until he found the side he needed. Not all of them were fashionable, but they each served a purpose. There were ones that blended in and ones that stood out, and one that served no purpose but of which he was just particularly fond.
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Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
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Do not become a stranger to yourself by blending in with everyone else.
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Dodinsky
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Future and past blurred; what he had already experienced and what he would eventually experience blended so that nothing remained but the moment.
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Philip K. Dick (Do Androids Dream of Electric Sheep?)
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And I do. I do wonder, I think about it all the time. What it would be like to kill myself. Because I never really know, I still can't tell the difference, I'm never quite certain whether or not I'm actually alive. I sit here every single day. Run, I said to myself. Run until your lungs collapse, until the wind whips and snaps at your tattered clothes, until you're a blur that blends into the background. Run, Juliette, run faster, run until your bones break and your shins split and your muscles atrophy and your heart dies because it was always too big for your chest and it beat too fast for too long and you run. Run run run until you can't hear their feet behind you. Run until they drop their fists and their shouts dissolve in the air. Run with your eyes open and your mouth shut and dam the river rushing up behind your eyes. Run, Juliette. Run until you drop dead. Make sure your heart stops before they ever reach you. Before they ever touch you. Run, I said.
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Tahereh Mafi (Unravel Me (Shatter Me, #2))
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Peter swept aside Yogi Tea and Harmony Herbal Blend, though he hesitated a second over the chamomile. .... But no. Violent death demanded Earl Grey.
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Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
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Jake’s shirt and jeans gave off a business vibe with the hint of a wide range of corporate occupations from sales to IT. Only politicians and real estate agents wore a suit and tie these days. Dressed to push an agenda. A man wearing a two-piece suit and tie would be remembered and many people became guarded, sus of the wearer’s intention. Guarded meant memorable. Blend into the environment; do not stick out.
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Simon W. Clark (Dead Mercenary's Trail (Jake Armitage Thriller Book #2))
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What a lovely thing a rose is!" He walked past the couch to the open window and held up the drooping stalk of a moss-rose, looking down at the dainty blend of crimson and green. It was a new phase of his character to me, for I had never before seen him show any keen interest in natural objects. "There is nothing in which deduction is so necessary as religion," said he, leaning with his back against the shutters. "It can be built up as an exact science by the reasoner. Our highest assurance of the goodness of Providence seems to me to rest in the flowers. All other things, our powers, our desires, our food, are all really necessary for our existence in the first instance. But this rose is an extra. Its smell and its color are an embellishment of life, not a condition of it. It is only goodness which gives extras, and so I say again that we have much to hope from the flowers.
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Arthur Conan Doyle (The Naval Treaty - a Sherlock Holmes Short Story)
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The grass always seems greener on the other side of the fence. Many politicians promise green, green grass by blending niceties with delusion and by using alluring confidence tricks. They voice attractive tales and tell things, people like to hear. But the post-factual grassland often appears to be parched and barren. ("The grass was greener over there")
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Erik Pevernagie
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Each thing I do, I rush through so I can do something else. In such a way do the days pass---a blend of stock car racing and the never ending building of a gothic cathedral. Through the windows of my speeding car I see all that I love falling away: books unread, jokes untold, landscapes unvisited...
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Stephen Dobyns
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And shall I pray Thee change Thy will, my Father, Until it be according unto mine? But, no, Lord, no, that never shall be, rather I pray Thee blend my human will with Thine. I pray Thee hush the hurrying, eager longing, I pray Thee soothe the pangs of keen desireβ€” See in my quiet places, wishes throngingβ€” Forbid them, Lord, purge, though it be with fire.
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Amy Carmichael
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Cheer up and dry your damp eyes, And tell me when it rains, And I'll blend up that rainbow above you & shoot it through your veins... 'Cause your heart has a lack of color, And we should've known That we'd grow up sooner or later, 'Cause we wasted all our free time alone. <3
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Owl City
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I know you all have families who love you so if you want to leave–. (Acheron) We wouldn’t be here if we didn’t want to. You and Val fought to save my sister when no one else would have bothered. I haven’t forgotten it. (Vane) And I haven’t forgotten what the Dark-Hunters did for me and Maggie. (Wren) Yeah, we’re family. Psychotic, bizarre and a hodgepodge of personalities that should probably never be blended, but here we are. Now let’s go kick some ass. (Fury)
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Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
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Family likeness has often a deep sadness in it. Nature, that great tragic dramatist, knits us together by bone and muscle, and divides us by the subtler web of our brains; blends yearning and repulsion; and ties us by our heart-strings to the beings that jar us at every movement.
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George Eliot (Adam Bede)
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I had become awkward and tried my best to avoid everyone. I hated attention, people asking me questions or putting me in the spotlight; I preferred to blend into the background unnoticed. I felt safer that way
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Giovanna Fletcher (Billy and Me)
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Head down, hoodie up, eyes on the ground. Be unimportant. Blend in. Disappear. That was how you avoided the bullies.
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Alan Gratz (Refugee)
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With a chaste heart With pure eyes I celebrate your beauty Holding the leash of blood So that it might leap out and trace your outline Where you lie down in my Ode As in a land of forests or in surf In aromatic loam, or in sea music Beautiful nude Equally beautiful your feet Arched by primeval tap of wind or sound Your ears, small shells Of the splendid American sea Your breasts of level plentitude Fulfilled by living light Your flying eyelids of wheat Revealing or enclosing The two deep countries of your eyes The line your shoulders have divided into pale regions Loses itself and blends into the compact halves of an apple Continues separating your beauty down into two columns of Burnished gold Fine alabaster To sink into the two grapes of your feet Where your twin symmetrical tree burns again and rises Flowering fire Open chandelier A swelling fruit Over the pact of sea and earth From what materials Agate? Quartz? Wheat? Did your body come together? Swelling like baking bread to signal silvered hills The cleavage of one petal Sweet fruits of a deep velvet Until alone remained Astonished The fine and firm feminine form It is not only light that falls over the world spreading inside your body Yet suffocate itself So much is clarity Taking its leave of you As if you were on fire within The moon lives in the lining of your skin.
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Pablo Neruda
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Moonlight and the murmur of pines blended together so that one could hardly tell which was light and which was sound.
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L.M. Montgomery (The Blue Castle)
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I had spent my adolescence trying to blend in with my peers in suburban America, and had come of age feeling like my belonging was something to prove. Something that was always in the hands of other people to be given and never my own to take, to decide which side I was on, whom I was allowed to align with. I could never be of both worlds, only half in and half out, waiting to be ejected at will by someone with greater claim than me. Someone whole.
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Michelle Zauner (Crying in H Mart)
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The voices blend and fuse in clouded silence: silence that is infinite of space: and swiftly, silently the sound is wafted over regions of cycles of cycles of generations that have lived.
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James Joyce (Ulysses: The 1922 Text)
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For each of us destiny is a blend of potential, circumstances, and choices.
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Brandon Mull (A World Without Heroes (Beyonders, #1))
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Take one cup of love, two cups of loyalty, three cups of forgiveness, four quarts of faith and one barrel of laughter. Take love and loyalty and mix them thoroughly with faith; blend with tenderness, kindness and understanding. Add friendship and hope. Sprinkle abundantly with laughter. Bake it with sunshine. Wrap it regularly with lots of hugs. Serve generous helpings daily.
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Zig Ziglar
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Yes, I am Irish and Indian, which would be the coolest blend in the world if my parents were around to teach me how to be Irish and Indian. But they're not here and haven't been for years, so I'm not really Irish or Indian. I am a blank sky, a human solar eclipse.
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Sherman Alexie (Flight)
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Our conscious motivations, ideas, and beliefs are a blend of false information, biases, irrational passions, rationalizations, prejudices, in which morsels of truth swim around and give the reassurance, albeit false, that the whole mixture is real and true. The thinking processes attempt to organize this whole cesspool of illusions according to the laws of plausibility. This level of consciousness is supposed to reflect reality; it is the map we use for organizing our life.
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Erich Fromm (To Have or to Be? The Nature of the Psyche)
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I've squeezed as many bookcases in this tiny space as possible. Being surrounded by books and magazines makes me feel calm. It makes the room seem wrapped in a layer of protection. As if nothing or no one can get to me.
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Angelo Surmelis (The Dangerous Art of Blending In)
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Right. A tiki bar will blend in great with the whole Henry VIII vibe going on at the B&T. Bring me a scorpion bowl, wench.
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Huntley Fitzpatrick (My Life Next Door)
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Poetry leads to the same place as all forms of eroticism β€” to the blending and fusion of separate objects. It leads us to eternity, it leads us to death, and through death to continuity. Poetry is eternity; the sun matched with the sea.
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Georges Bataille (Erotism: Death and Sensuality)
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Reason flows from the blending of rational thought and feeling. If the two functions are torn apart, thinking deteriorates into schizoid intellectual activity and feeling deteriorates into neurotic life-damaging passions.
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Erich Fromm (The Revolution of Hope: Toward a Humanized Technology)
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Grok’ means to understand so thoroughly that the observer becomes a part of the process being observedβ€”to merge, to blend, to intermarry, to lose personal identity in group experience.
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Robert A. Heinlein (Stranger in a Strange Land)
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My eyelids flickered open again and focused on Daemon. He had his eyes closed as he leaned his head against the wall but I knew he was listening to everything. Dee talked about taking me home if my mom couldn’t leave. I was struck again by the twins. Daemon and Dee didn’t belong here, but I did. I could blend easily with the whitewashed walls and pale green curtains. I was as plain as the linoleum, but these two seemed to light the room with their flawless beauty and demanding presence. Ah, the medication was kicking in. I was poetic. And high. Bliss.
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Jennifer L. Armentrout (Obsidian (Lux, #1))
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It is conventional to call ''monster'' any blending of dissonant elements. I call ''monster'' every original inexhaustible beauty.
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Alfred Jarry
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Our voices blended into a melody I never could have imaginedβ€”a union I never realized I wanted.
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Lisa Kessler (Sedona Surrender (Sedona Pack #4))
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I blend in the backgroud. when I arive for lunch my friends are surprised i'm not already there.
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Wendy Mass (Finally (Willow Falls, #2))
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I think that history is the story of the past, using all the available facts, and that nostalgia is a fantasy about the past using no facts, and somewhere in between is memory, which is kind of this blend of history and a little bit of emotion…I mean, history is kind of about what you need to know…but nostalgia is what you want to hear.
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Clint Smith (How the Word Is Passed: A Reckoning with the History of Slavery Across America)
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Yeah.” He rolled his eyes. β€œWhatever.” And then he looked at me and the corner of his mouth pulled up into a sly smile. β€œThey taught us that tonight to help us blend in with our peers.
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Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
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The passive American consumer, sitting down to a meal of pre-prepared food, confronts inert, anonymous substances that have been processed, dyed, breaded, sauced, gravied, ground, pulped, strained, blended, prettified, and sanitized beyond resemblance to any part of any creature that ever lived. The products of nature and agriculture have been made, to all appearances, the products of industry. Both eater and eaten are thus in exile from biological reality.
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Wendell Berry
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Scarlet O'Hara was not beautiful, but men seldom realized it when caught by her charm as the Tarleton twins were. In her face were too sharply blended the delicate features of her mother, a Coast aristocrat of French descent, and the heavy ones of her florid Irish father. But it was an arresting face, pointed of chin, square of jaw. Her eyes were pale green without a touch of hazel, starred with bristly black lashes and slightly tilted at the ends. Above them, her thick black brows slanted upward, cutting a startling oblique line in her magnolia-white skin-that skin so prized by Southern women and so carefully guarded with bonnets, veils and mittens against hot Georgia suns.
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Margaret Mitchell (Gone with the Wind)
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I love everything about you, Emma. I love the way I can recognize your footsteps in the hallway outside my room even when I didn't know you were coming. No one else walks or breathes or moves like you do. I love the way you gasp when you're asleep like your dreams have surprised you. I love the way when we stay together on the beach our shadows blend into one person. I love the way you can write on my skin with your fingers and I can understand it better than I could understand someone else shouting in my ear. I didn't want to love you like this. It's the worst idea in the world that I love you like this. But I can't stop. Believe me, I tried.
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Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
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They're telling you to blend in, like you've never seen how a blender works, like they think you've never seen the mess from the blade.
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Andrea Gibson
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Thinking of you, wherever you are We pray for our sorrows to end, and hope that our hearts will blend. Now I will step forward to realize this wish. And who knows, starting a new journey may not be so hard Or maybe it has already begun. There are many worlds. but they share the same sky one sky, one destiny. Kairi
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Square Enix
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Deep in my heart I know I am a loner. I have tried to blend in with the world and be sociable, but the more people I meet the more disappointed I am, so I’ve learned to enjoy myself, my family and a few good friends.
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Steven P. Aitchison
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Let your mind wander in simplicity, blend your spirit with the vastness, follow along with things the way they are, and make no room for personal views - then the world will be governed.
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Zhuangzi (The Complete Works of Chuang Tzu)
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Sometimes you need to stand out in order to blend in.
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Kerri Maniscalco (Escaping from Houdini (Stalking Jack the Ripper, #3))
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Do you eat?” He raised a brow, consuming that glass of green yuck in one drink. β€œLike, solids? Or do you blend all the children’s souls beforehand?
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Danielle Lori (The Maddest Obsession (Made, #2))
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I was a thorn rushing to be with a rose, vinegar blending with honey… Then I found some dirt to make an ointment that would honor my soul… Love says, β€œYou are right, but don’t claim these changes. Remember, I am wind. You are an ember I ignite.
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Jalal ad-Din Muhammad ar-Rumi
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This place is packed," Vee complained. "Where am I supposed to park?" She steered down an alley and slowed to a stop behind a bookstore. "This looks good. Lots of parking back here." "The sign says employee parking only." "How are they going to know that we aren't employees? The Neon blends right in. All these cars speak low class." "The sign says violators will be towed." "They just say that to scare people like you and me away. It's an empty threat. Nothing to worry about." ....... Vee came to a halt. "What is THAT?" We were standing in the parking lot behind the bookstore, a few feet from the Neon, and we were staring at a large piece of metal attached to the left rear tire. "I think it's a car boot," I said. "I can see that. What's it doing on my car?" "I guess when they say all violators will be towed, they mean it.
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Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
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The captivating changes in the social space sealed by class transmigration may astound us. How clever class fugitives escape from their birth stigma or topical inheritance and how they blend slickly into a new chosen communal grouping may look impressive to most observers. Class migration always remains a challenge, but once the outgoers are at the end of the road, they can tell their life stories of adventure, bravery, or hardship with much self-esteem. How happy they are, and how good they feel when they can say with satisfaction that they have seen it all before closing brackets. (β€œSchengen”)
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Erik Pevernagie
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The unhappiest moment I could never tell you. All our fights blend into each other and are in fact re-enactments of the same fight, in which we punish each other--I with words, Hugh with silence--for being each other. We never needed any more than that.
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Alice Munro (Something I've Been Meaning to Tell You)
β€œ
Once inside my skull, my doctor added some salt, just to taste.Β  He also poured some fruit into my skull – an apple, a pear, a few seedless grapes, and a ripe banana.Β  He then used an electric blender set on its highest speed to create what he had termed β€˜a yogurt parfait.’ Β After he finished blending the ingredients, he beckoned the other doctors and a few of the nurses to sample his new concoction.
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Harvey Havel (The Odd and The Strange: A Collection of Very Short Fiction)
β€œ
Me, I trust people who show you what freaks they are. It's the ones who blend in that ya gotta watch out for.
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Hope Larson
β€œ
This is fusion, when two people become one. They are so close and so well suited to each other that they blend together. They merge and can't live without each other after that.
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Danielle Steel
β€œ
My brother asked the birds to forgive him: that sounds senseless, but it is right; for all is like an ocean, all is flowing and blending; a touch in one place sets up movement at the other end of the earth. It may be senseless to beg forgiveness of the birds, but birds would be happier at your side –a little happier, anyway– and children and all animals, if you yourself were nobler than you are now. It’s all like an ocean, I tell you. Then you would pray to the birds too, consumed by an all-embracing love in a sort of transport, and pray that they too will forgive you your sin.
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Fyodor Dostoevsky (The Brothers Karamazov)
β€œ
More bungalow-type setups. Rent by the week. Artsy places,” Zane explained. β€œIt’s different.” β€œDo I look like an artsy type to you?” Ty asked, bristling on principle. It didn’t even faze Zane. β€œYou look like sex on legs to me. You’ll blend in, no problem.
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Madeleine Urban (Cut & Run (Cut & Run, #1))
β€œ
Whatever plane our consciousness may be acting in, both we and the things belonging to that plane are, for the time being, our only realities. As we rise in the scale of development we perceive that during the stages through which we have passed we mistook shadows for realities, and the upward progress of the Ego is a series of progressive awakenings, each advance bringing with it the idea that now, at last, we have reached "reality"; but only when we shall have reached the absolute Consciousness, and blended our own with it, shall we be free from the delusions produced by Maya [illusion].
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Helena Petrovna Blavatsky
β€œ
We all have the ability to heal ourselves; I know, I have done so... In the morning, know that you are Loved, You Are Love and You Love
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Lisa Bellini
β€œ
Β Thinking of you, wherever you are. Β We pray for our sorrows to end, Β and hope that our hearts will blend. Β Now I will step forward to realize this wish. Β And who knows: Β Starting a new journey may not so hard Β or maybe it has already begun. Β There are many worlds, Β but they share the same sky- Β one sky, one destiny.
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Tetsuya Nomura
β€œ
What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmaticβ€”one could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolita’s absence from my side, but the absence of her voice from that concord.
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Vladimir Nabokov (Lolita)
β€œ
Hours trickle by, and I wilt. The magic isn't here for me tonight. I can't get away from the heavy feeling of being me. I want to blend in, to be someone besides myself, someone who is part of something secret and subversive and exciting.
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Bethany Griffin (Masque of the Red Death (Masque of the Red Death, #1))
β€œ
The greater fool is actually an economic term. It’s a patsy. For the rest of us to profit, we need a greater foolβ€” someone who will buy long and sell short. Most people spend their life trying not to be the greater fool; we toss him the hot potato, we dive for his seat when the music stops. The greater fool is someone with the perfect blend of self-delusion and ego to think that he can succeed where others have failed. This whole country was made by greater fools.
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Aaron Sorkin
β€œ
Love is a curious mixture of opposites, a blend of extreme selfishness and total devotion. A paradox! Besides which, love, everybody is always talking about love, love, but love isn't something you choose, you catch it like a disease, you get trapped in it, like a disaster.
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Amos Oz (A Tale of Love and Darkness)
β€œ
She’d obviously dressed with the intention of blending in, but she could no more blend into a crowd than a jewel could blend into mud.
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Ana Huang (King of Sloth (Kings of Sin, #4))
β€œ
The secret of blending in, is don’t try to. Everyone is so fucking self-obsessed.
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Robert Bryndza (The Girl in the Ice (Detective Erika Foster, #1))
β€œ
He is nothing to look at, and yet I can’t stop looking at him. There is something beautiful in how his face is made, how all the tiny flaws blend together into something more perfect than perfection could ever be.
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Elizabeth Scott (As I Wake)
β€œ
Your life is your artwork and you are to paint life as a beautiful struggle. With your brush, paint the colors of joy in vibrant shades of red. Color the sky a baby blue, a color as free as your heart. With rich, earthy tones shade the valleys that run deep into the ground where heaven meets hell. Life is as chaotic as the color black, a blend of all colors, and this makes life a beautiful struggle. Be grateful for the green that makes up the beautiful canvas, for nature has given you everything that you need to be happy. Most of all, don’t ever feel the need to fill the entire canvas with paint, for the places left blank are the most honest expressions of who you are.
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Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
β€œ
Even the simple act which we describe as 'seeing someone we know' is, to some extent, an intellectual process. We pack the physical outline of the creature we see with all the ideas we already formed about him, and in the complete picture of him which we compose in our minds those ideas have certainly the principal place. In the end they come to fill out so completely the curve of his cheeks, to follow so exactly the line of his nose, they blend so harmoniously in the sound of his voice that these seem to be no more than a transparent envelope, so that each time we see the face or hear the voice it is our own ideas of him which we recognize and to which we listen.
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Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
β€œ
We all have that heritage, no matter what old land our fathers left. All colors and blends of Americans have somewhat the same tendencies. It's a breed - selected out by accident. And so we're overbrave and overfearful - we're kind and cruel as children. We're overfriendly and at the same time frightened of strangers. We boast and are impressed. We're oversentimental and realistic. We are mundane and materialistic - and do you know of any other nation that acts for ideals? We eat too much. We have no taste, no sense of proportion. We throw our energy about like waste. In the old lands they say of us that we go from barbarism to decadence without an intervening culture. Can it be that our critics have not the key or the language of our culture?
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John Steinbeck (East of Eden)
β€œ
Is our life not like a ship assembled for action? Strong in frame, flexible in sail. We ensure that it listens to the wind, reads the currents, and adjusts the sails. When we can blend rational compass and existential challenges, we hold the wisdom to steer us out of shipwrecks or chaos.( "Ruling the waves" )
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Erik Pevernagie
β€œ
Have you ever watched this kind of sunset? The colours don’t blend: the redder the sky the bluer the water, as we tilt away from the sun.
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Amal El-Mohtar (This Is How You Lose the Time War)
β€œ
There's always a good lesson in meeting new people, its enlarging your circle of friends. And though there are times you don't match with their likes, there are some whom you just blend well.
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Solita
β€œ
Relate comic things in pompous fashion. Irregularity, in other words the unexpected, the surprising, the astonishing, are essential to and characteristic of beauty. Two fundamental literary qualities: supernaturalism and irony. The blend of the grotesque and the tragic are attractive to the mind, as is discord to blasΓ© ears. Imagine a canvas for a lyrical, magical farce, for a pantomime, and translate it into a serious novel. Drown the whole thing in an abnormal, dreamy atmosphere, in the atmosphere of great days … the region of pure poetry.
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Charles Baudelaire (Intimate Journals)
β€œ
People make changes in their life, and they blend and assimilate. They find a way to make it work. That's where I've always taken the wrong turn. By not taking a turn at all.
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Caprice Crane (Stupid and Contagious)
β€œ
Blend in. don't make waves. Don't look up.' That was the mantra I lived by. But not today.
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Jennifer Lynn Barnes (Every Other Day)
β€œ
I want an expresso. Black. But give me the domestic blend. That Turkish crap gives me the runs for a week. - Jenks
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Kim Harrison (The Outlaw Demon Wails (The Hollows, #6))
β€œ
Her brain is like a filing cabinet – everything neatly stored in categories. My brain is more like soup – everything all blended and mushed together.
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Cat Clarke
β€œ
In Aikido we never attack. An attack is proof that one is out of control. Never run away from any kind of challenge, but do not try to suppress or control an opponent unnaturally. Let attackers come any way they like and then blend with them. Never chase after opponents. Redirect each attack and get firmly behind it.
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Morihei Ueshiba
β€œ
It’s like my entire conscious state has been reduced to this toxic blend of hope and uncertainty. I hate that I have to act cool and almost pretend I don’t like him when in fact I do, because, God forbid, I might come across as desperate for affection or a little clingy, which everyone should know are perfectly natural human behaviors, after all. Ugh!
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Daria Snadowsky (Anatomy of a Boyfriend (Anatomy, #1))
β€œ
Oh, this is a special blend for you." Taking one of the fingers she hadn't licked, he rubbed it along her lips. "What we usually shed is apparently comparable to the most delicious of chocolates or the finest of wines. Decadent, rich, and very expensive." She told herself she wasn't going to lick the glitter off her lips. "And this blend?" The taste was inside her mouth without her having any knowledge of taking it in. And Raphael was incredibly close, his wings creating a white gold wall all around them his hands strong and warm on her hips. "What's so special about it?" "This blend," he murmured, bending his head, "is about sex." She put her hands on his chest but it wasn't a protest. After the blood, the fear, she needed to touch him, to know this glorious creature existed. "Another form of mind control?" He shook his head, his mouth a hairbreadth from hers. "It's only fair." "Fair?" She flicked her tongue along his lower lip. It made his hands clench on her hips. "If I licked you between your thighs, your taste would have the same aphrodisiac effect on me.
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Nalini Singh (Angels' Blood (Guild Hunter, #1))
β€œ
But I was on the cusp of the age when women worry about disappearing to everyone but themselves, blending in with their sensible hair, their practical coats. I see them walk down the street every day as though they’re ghosts. I suppose I wasn’t ready to be invisible yet. Not then.
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Ashley Audrain (The Push)
β€œ
What do we call a story that’s based on limited real data and imagined data and blended into a coherent, emotionally satisfying version of reality? A conspiracy theory.
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BrenΓ© Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
β€œ
The most attractive thing in the world is the combination of confidence and self-consciousness. Blended together in the proper amounts. Too much of either and all is lost.
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Iain Reid (I'm Thinking of Ending Things)
β€œ
There," ZoΓ« suggested."By the Embarcadero Building." "Good thinking," Chuck said. "Me and Hank can blend in with the pigeons." We all looked at him. "Kidding," he said. "Sheesh, can't a statues have a sense of humor?
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Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
β€œ
You have five minutes to call someone, anyone, I don't care who, and order me the finest blend of coffee that rat hole town has, and a dozen beers. If it's not sitting on this table..." a slender finger pointed furiously at the table in question,"... in one hour, you die" - Faith telling Jacob
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Lora Leigh (Jacob's Faith (Breeds, #9))
β€œ
... Corellian curses being a synergistic blend of vulgarity, obscenity, and outright blasphemy that were the only things really worth saying when one was in the middle of being blown to monatomic dust.
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Matthew Woodring Stover
β€œ
The discussion itself is what most matters, the fact that we can reason together easily, with a blend of wit and seriousness, never descending into gossip or slander and always allowing room for alternative views.
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Stephen Greenblatt (The Swerve: How the World Became Modern)
β€œ
May be its mine bad-luck Or yours not to get me But I still have hope Of being yours
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Hasil Paudyal (Blended Words)
β€œ
On a hairpin turn, above the dead forest, on no day in particular, a white Toyota crashed into a black Mercedes, for a moment blending into a blur of gray.
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Neal Shusterman (Everlost (The Skinjacker Trilogy, #1))
β€œ
The incurable optimism of the farmer who throws his seed on the ground every spring, betting it and his time against the elements, seemed inextricably to blend with the creed of her pioneer forefathers that "it is better farther on"-- only instead of farther on in space, it was farther on in time, over the horizon of the years ahead instead of the far horizon of the west.
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Laura Ingalls Wilder (The First Four Years (Little House, #9))
β€œ
Was love then like a bag of assorted sweets passed around from which one might choose more than once? Some might sting the tongue, some invoke night perfume. Some had centers as bitter as gall, some blended honey and poison, some were quickly swallowed. And among the common bull's-eyes and peppermints a few rare ones; one or two with deadly needles at the heart, another that brought clam and gentle pleasure. Were his fingers closing on that one?
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Annie Proulx (The Shipping News)
β€œ
We must learn to suffer whatever we cannot avoid. Our life is composed, like the harmony of the world, of dischords as well as different tones, sweet and harsh, sharp and flat, soft and loud. If a musician liked only some of them, what could he sing? He has got to know how to use all of them and blend them together. So too must we with good and ill, which are of one substance with our life.
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Michel de Montaigne
β€œ
Mockingbirds are the true artists of the bird kingdom. Which is to say, although they're born with a song of their own, an innate riff that happens to be one of the most versatile of all ornithological expressions, mocking birds aren't content to merely play the hand that is dealt them. Like all artists, they are out to rearrange reality. Innovative, willful, daring, not bound by the rules to which others may blindly adhere, the mockingbird collects snatches of birdsong from this tree and that field, appropriates them, places them in new and unexpected contexts, recreates the world from the world. For example, a mockingbird in South Carolina was heard to blend the songs of thirty-two different kinds of birds into a ten-minute performance, a virtuoso display that serve no practical purpose, falling, therefore, into the realm of pure art.
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Tom Robbins (Skinny Legs and All)
β€œ
It was true: hope could be unkind. You opened yourself up to the worst of wounds because you wanted to believe that something good could finally happen. But if you didn't? You missed this. This intense and prefect moment in which, while the world was almost literally going to hells all around you, hope and reality blended in a single, perfect note.
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Michelle Sagara (Cast in Ruin (Chronicles of Elantra, #7))
β€œ
Being late was a special kind of modern suffering, with blended elements of rising tension, self-blame, self-pity, misanthropy, and a yearning for what could not be had outside theoretical physics: time reversal.
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Ian McEwan (Solar)
β€œ
These stories were very old, as old as people, and they had survived because they were very powerful indeed. They were the tales that echoed in the head long after the books that contained them were cast aside. They were both an escape from reality and an alternative reality themselves. They were so old, and so strange, that they had found a kind of existence independent of the pages they occupied. The world of the old tales existed parallel to ours, but sometimes the walls separating the two became so thing and brittle that the two worlds started to blend into each other. That was when the trouble started. That was when the bad things came. That was when the Crooked Man began to appear to David.
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John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
β€œ
I am, and always have been - first, last, and always - a child of America. You raised me. I grew up in the pastures and hills of Texas, but I had been to thirty-four states before I learned how to drive. When I caught the stomach flu in the fifth grade, my mother sent a note to school written on the back of a holiday memo from Vice President Biden. Sorry, sirβ€”we were in a rush, and it was the only paper she had on hand. I spoke to you for the first time when I was eighteen, on the stage of the Democratic National Convention in Philadelphia, when I introduced my mother as the nominee for president. You cheered for me. I was young and full of hope, and you let me embody the American dream: that a boy who grew up speaking two languages, whose family was blended and beautiful and enduring, could make a home for himself in the White House. You pinned the flag to my lapel and said, β€œWe’re rooting for you.” As I stand before you today, my hope is that I have not let you down. Years ago, I met a prince. And though I didn’t realize it at the time, his country had raised him too. The truth is, Henry and I have been together since the beginning of this year. The truth is, as many of you have read, we have both struggled every day with what this means for our families, our countries, and our futures. The truth is, we have both had to make compromises that cost us sleep at night in order to afford us enough time to share our relationship with the world on our own terms. We were not afforded that liberty. But the truth is, also, simply this: love is indomitable. America has always believed this. And so, I am not ashamed to stand here today where presidents have stood and say that I love him, the same as Jack loved Jackie, the same as Lyndon loved Lady Bird. Every person who bears a legacy makes the choice of a partner with whom they will share it, whom the American people will β€œhold beside them in hearts and memories and history books. America: He is my choice. Like countless other Americans, I was afraid to say this out loud because of what the consequences might be. To you, specifically, I say: I see you. I am one of you. As long as I have a place in this White House, so will you. I am the First Son of the United States, and I’m bisexual. History will remember us. If I can ask only one thing of the American people, it’s this: Please, do not let my actions influence your decision in November. The decision you will make this year is so much bigger than anything I could ever say or do, and it will determine the fate of this country for years to come. My mother, your president, is the warrior and the champion that each and every American deserves for four more years of growth, progress, and prosperity. Please, don’t let my actions send us backward. I ask the media not to focus on me or on Henry, but on the campaign, on policy, on the lives and livelihoods of millions of Americans at stake in this election. And finally, I hope America will remember that I am still the son you raised. My blood still runs from Lometa, Texas, and San Diego, California, and Mexico City. I still remember the sound of your voices from that stage in Philadelphia. I wake up every morning thinking of your hometowns, of the families I’ve met at rallies in Idaho and Oregon and South Carolina. I have never hoped to be anything other than what I was to you then, and what I am to you nowβ€”the First Son, yours in actions and words. And I hope when Inauguration Day comes again in January, I will continue to be.
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Casey McQuiston (Red, White & Royal Blue)
β€œ
Cheer up and dry your damp eyes and tell me when it rains And I'll blend up that rainbow above you and shoot it through your veins 'Cause your heart has a lack of color and we should've known That we'd grow up sooner or later 'Cause we wasted all our free time alone
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Owl City
β€œ
How the unforgettable faces of dusk would blend to her, the myriad footsteps, a thousand overtures, would blend to her footsteps; and there would be more drunkenness than wine in the softness of her eyes on his.
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F. Scott Fitzgerald (This Side of Paradise)
β€œ
If the river has a soul, it's a peaceful one. If it has a lesson to impart, that lesson is patience. There will be drought, it says; there will be floods; the ice will form, the ice will melt; the water will flow and blend into the river's brackish mouth, then join the ocean between Lewes and Cape May, endlessly, forever, amen.
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Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
β€œ
I met a girl in a U-Haul. A beautiful girl And I fell for her. I fell hard. Unfortunately, sometimes life gets in the way. Life definitely got in my way. It got all up in my damn way, Life blocked the door with a stack of wooden 2x4's nailed together and attached to a fifteen inch concrete wall behind a row of solid steel bars, bolted to a titanium frame that no matter how hard I shoved against it- It wouldn't budge. Sometimes life doesn't budge. It just gets all up in your damn way. It blocked my plans, my dreams, my desires, my wishes, my wants, my needs. It blocked out that beautiful girl That I fell so hard for. Life tries to tell you what's best for you What should be most important to you What should come in first Or second Or third. I tried so hard to keep it all organized, alphabetized, stacked in chronological order, everything in its perfect space, its perfect place. I thought that's what life wanted me to do. This is what life needed for me to do. Right? Keep it all in sequence? Sometimes, life gets in your way. It gets all up in your damn way. But it doesn't get all up in your damn way because it wants you to just give up and let it take control. Life doesn't get all up in your damn way because it just wants you to hand it all over and be carried along. Life wants you to fight it. It wants you to grab an axe and hack through the wood. It wants you to get a sledgehammer and break through the concrete. It wants you to grab a torch and burn through the metal and steel until you can reach through and grab it. Life wants you to grab all the organized, the alphabetized, the chronological, the sequenced. It wants you to mix it all together, stir it up, blend it. Life doesn't want you to let it tell you that your little brother should be the only thing that comes first. Life doesn't want you to let it tell you that your career and your education should be the only thing that comes in second. And life definitely doesn't want me To just let it tell me that the girl I met, The beautiful, strong, amazing, resilient girl That I fell so hard for Should only come in third. Life knows. Life is trying to tell me That the girl I love, The girl I fell So hard for? There's room for her in first. I'm putting her first.
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Colleen Hoover
β€œ
Now that physics is proving the intelligence of the universe what are we to do about the stupidity of mankind? I include myself. I know that the earth is not flat but my feet are. I know that space is curved but my brain has been condoned by habit to grow in a straight line. What I call light is my own blend of darkness. What I call a view is my hand-painted trompe-l'oeil. I run after knowledge like a ferret down a ferret hole. My limitations, I call the boundaries of what can be known. I interpret the world by confusing other people's psychology with my own.
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Jeanette Winterson (Gut Symmetries)
β€œ
Maybe I'm not so ugly after all. Maybe no one is really ugly, and maybe no one has the right to call someone that or tell them that they are. Maybe the only real ugliness is what lives inside some people.
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Angelo Surmelis (The Dangerous Art of Blending In)
β€œ
She'd learned how to disappear in place long ago. She was like one of those animals whose defense mechanism is to blend into the landscape and become invisible. It was her way of dealing with rejection: Say nothing and disappear. Never fight back. If she remained quiet enough, people eventually forgot she was there and left her alone.
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Kristin Hannah (The Four Winds)
β€œ
Talent isn't enough. You need motivation-and persistence, too: what Steinbeck called a blend of faith and arrogance. When you're young, plain old poverty can be enough, along with an insatiable hunger for recognition. You have to have that feeling of "I'll show them." If you don't have it, don't become a writer
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Leon Uris
β€œ
Religion was the glue of Pakistan, holding the halves together; just as consciousness, the awareness of oneself as a homogenous entity in time, a blend of past and present, is the glue of personality, holding together our then and our now.
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Salman Rushdie (Midnight’s Children)
β€œ
But my experiences slowly flattened and blended together until it became obvious that there's a huge difference between not giving a fuck and not being able to give a fuck. Cognitively, you might know that different things are happening to you, but they don't feel different.
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Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
β€œ
A Book β€œNow” - said a good book unto me - β€œOpen my pages and you shall see Jewels of wisdom and treasures fine, Gold and silver in every line, And you may claim them if you but will Open my pages and take your fill. β€œOpen my pages and run them o’er, Take what you choose of my golden store. Be you greedy, I shall not care - All that you seize I shall gladly spare; There is never a lock on my treasure doors, Come - here are my jewels, make them yours! β€œI am just a book on your mantel shelf, But I can be part of your living self; If only you’ll travel my pages through, Then I will travel the world with you. As two wines blended make better wine, Blend your mind with these truths of mine. β€œI’ll make you fitter to talk with men, I’ll touch with silver the lines you pen, I’ll lead you nearer the truth you seek, I’ll strengthen you when your faith grows weak - This place on your shelf is a prison cell, Let me come into your mind to dwell!
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Edgar A. Guest (Collected Verse)
β€œ
A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..." "It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself." "The master says: β€œMake use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.” β€œYou are together because a forest is always stronger than a solitary tree,” the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.” β€œIf you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.” β€œIf you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. β€œWalk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. β€œConfront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. β€œGod will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.” "Certain things in life simply have to be experienced -and never explained. Love is such a thing." "There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark." "But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'” "When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.” β€œThere is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.
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Paulo Coelho (Maktub)
β€œ
Why the desire for death. A clean paper or pure white wall. One false line, a scratch, a mistake. Unerasable. So obscureby adding million other tracings, blend it, cover over. But the original scratch remains, written in gold blood, shining. Desire for a Perfect Life.
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Jim Morrison
β€œ
I'm going to fall in love with him. I'm going to be head over heels and my stomach is going to hurt every time he walks into a room. I'm going to worry about him whenever he isn't there, and there are going to be times where I'll hate him. Because that's what love is. It's a kaleidoscope of emotions, all sorts of different colors blending together into one.
”
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C.M. Stunich (Losing Me, Finding You (Triple M, #1))
β€œ
If you know that I am genius Then know that you made me genius Everyone don't accept me as genius Because they aren't genius to belief me as genius
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Hasil Paudyal (Blended Words)
β€œ
… that sour blend of loneliness and lust for recognition, shyness and extravagance, deep insecurity and self-intoxicated egomania, that drives poets and writers out of their rooms to seek each other out, to rub shoulders with one another, bully, joke, condescend, feel each other, lay a hand on a shoulder or an arm round a waist, to chat and argue with little nudges, to spy a little, sniff out what is cooking in other pots, flatter, disagree, collude, be right, take offence, apologise, make amends, avoid each other, and seek each other’s company again.
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Amos Oz (A Tale of Love and Darkness)
β€œ
This scent had a freshness, but not the freshness of limes or pomegranates, not the freshness of myrrh or cinnamon bark or curly mint or birch or camphor or pine needles, not that of a May rain or a frosty wind or of well water... and at the same time it had warmth, but not as bergamot, cypress, or musk has, or jasmine or daffodils, not as rosewood has or iris... This scent was a blend of both, of evanescence and substance, not a blend, but a unity, although slight and frail as well, and yet solid and sustaining, like a piece of thin, shimmering silk... and yet again not like silk, but like pastry soaked in honey-sweet milk - and try as he would he couldn't fit those two together: milk and silk! This scent was inconceivable, indescribable, could not be categorized in any way - it really ought not to exist at all. And yet there it was as plain and splendid as day.
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Patrick SΓΌskind (Perfume The Story of a Murderer)
β€œ
For an hour, blended with all she could offer, something noble had been created which had nothing to do with the physical world. And from the turn of his throat, the warmth of his hair, the strong, slender sinews of his hands, something further; which had. Though she combed the earth and searched through the smoke of the galaxies there was no being she wanted but this, who was not and should not be for Philippa Somerville.
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Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
β€œ
Stepparenting is like working at a late-night convenience store β€” all of the responsibility and none of the authority.
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Valerie J. Lewis Coleman (Blended Families An Anthology)
β€œ
To become a true global citizen, one must abandon all notions of 'otherness' and instead embrace 'togetherness'. The world is no longer white, black, yellow and brown. Through love, tribes have been intermixing colors to reveal a new rainbow world. And as more time passes, this racial and cultural blending will make it harder for humans to side with one race, nation or religion over another. Therefore, practical wisdom should be used to abandon any cultural, social, religious, tribal, and national beliefs of alterity altogether. This is the only way mankind will truly evolve. Segregation is a word of the past. Unity is the key to a peaceful future.
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β€œ
Riley squinted. He ran his fingers along my neck. When he found the collar he explored the surface and tried to tug it. "No seams. It doesn't fell like metal. The colour is amazing". "Why?" (Trella) "It blends in. It matches your skin. Didn't you know?" (Riley) "No mirrors in my cell." (Trella) He gasped with mock horror. "So cruel! How did you ever survive?" (Riley)
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Maria V. Snyder (Outside In (Insider, #2))
β€œ
Mitchell Sanders was right. For the common soldier, at least, war has the feel-the spiritual texture-of a great ghostly fog, thick and permanent. There is no clarity. Everything swirls. The old rules are no longer binding, the old truths no longer true. Right spills over into wrong. Order blends into chaos, love into hate, ugliness into beauty, law into anarchy, civility into savagery. The vapors suck you in. You can't tell where you are, or why you're there, and the only certainty is overwhelming ambiguity.
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Tim O'Brien (The Things They Carried)
β€œ
To express the love of two lovers by the marriage of two complementary colours, their blending and their contrast, the mysterious vibrations of related tones. To express the thought of a brow by the radiance of a light tone against a dark background. To express hope by some star. Someone's passion by the radiance of the setting sun. That's certainly no realistic trompe l'oeil, but something that really exists, isn't it?
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Vincent van Gogh (The Letters of Vincent van Gogh)
β€œ
There is a kind of sleep that steals upon us sometimes, which, while it holds the body prisoner, does not free the mind from a sense of things about it, and enable it to ramble at its pleasure. So far as an overpowering heaviness, a prostration of strength, and an utter inability to control our thoughts or power of motion, can be called sleep, this is it; and yet we have a consciousness of all that is going on about us; and if we dream at such a time, words which are really spoken, or sounds which really exist at the moment, accommodate themselves with surprising readiness to our visions, until reality and imagination become so strangely blended that it is afterwards almost a matter of impossibilty to separate the two. Nor is this, the most striking phenomenon, incidental to such a state. It is an undoubted fact, that although our senses of touch and sight be for the time dead, yet our sleeping thoughts, and the visionary scenes that pass before us, will be influenced, and materially influenced, by the mere silent presence of some external object: which may not have been near us when we closed our eyes: and of whose vicinity we have had no waking consciousness.
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Charles Dickens (Oliver Twist (Spanish Edition))
β€œ
If the beginning of wisdom is in realizing that one knows nothing, then the beginning of understanding is in realizing that all things exist in accord with a single truth: Large things are made of smaller things. Drops of ink are shaped into letters, letters form words, words form sentences, and sentences combine to express thought. So it is with the growth of plants that spring from seeds, as well as with walls built from many stones. So it is with mankind, as the customs and traditions of our progenitors blend together to form the foundation for our own cities, history, and way of life. Be they dead stone, living flesh, or rolling sea; be they idle times or events of world-shattering proportion, market days or desperate battles, to this law, all things hold: Large things are made from small things. Significance is cumulative--but not always obvious. --Gaius Secondus
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Jim Butcher (Academ's Fury (Codex Alera, #2))
β€œ
There are three points of view from which a writer can be considered: he may be considered as a storyteller, as a teacher, and as an enchanter. A major writer combines these three β€” storyteller, teacher, enchanter β€” but it is the enchanter in him that predominates and makes him a major writer...The three facets of the great writer β€” magic, story, lesson β€” are prone to blend in one impression of unified and unique radiance, since the magic of art may be present in the very bones of the story, in the very marrow of thought...Then with a pleasure which is both sensual and intellectual we shall watch the artist build his castle of cards and watch the castle of cards become a castle of beautiful steel and glass.
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Vladimir Nabokov
β€œ
Our sadness won’t be of the searing kind but more like a blend of joy and melancholy: joy at the perfection we see before us, melancholy at an awareness of how seldom we are sufficiently blessed to encounter anything of its kind. The flawless object throws into perspective the mediocrity that surrounds it. We are reminded of the way we would wish things always to be and of how incomplete our lives remain.
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Alain de Botton (The Architecture of Happiness)
β€œ
A blend of good and bad characterized all humans, and to pretend to sort that out was an insult to human complexity. But at the same time, Sandro understood that people only tended to allow their own contradictions, and not those of others. It was OK to be murky to yourself, to know you weren't an angel, but other people had to be more cleanly divided into good and bad.
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Rachel Kushner (The Flamethrowers)
β€œ
The leaves streamed down, trembling in the sun. They were not green, only a few, scattered through the torrent, stood out in single drops of green so bright and pure that it hurt the eyes; the rest were not a color, but a light, the substance of fire on metal, living sparks without edges. And it looked as if the forest were a spread of light boiling slowly to produce this color, the green rising in small bubbles, the condensed essence of spring. The trees met, blending over the road and the spots of sun on the ground moved with the shifting of the branches, like a conscious caress.
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Ayn Rand (The Fountainhead)
β€œ
Tis to create, and in creating live Β  Β  Β  Β  A being more intense, that we endow Β  Β  Β  Β  With form our fancy, gaining as we give Β  Β  Β  Β  The life we image, even as I do now. Β  Β  Β  Β  What am I? Nothing: but not so art thou, Β  Β  Β  Β  Soul of my thought! with whom I traverse earth, Β  Β  Β  Β  Invisible but gazing, as I glow Β  Β  Β  Β  Mix'd with thy spirit, blended with thy birth, And feeling still with thee in my crush'd feelings' dearth.
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Lord Byron (Selected Poems)
β€œ
But how has it happened that millions of fables, tales, legends, have been blended with both Jewish and Christian revelation that have made them the most bloody religion that ever existed? How has it happened that all the fine arts, architecture, painting, sculpture, statuary, music, poetry, and oratory, have been prostituted, from the creation of the world, to the sordid and detestable purposes of superstition and fraud? [Letter to judge F.A. Van der Kamp, December 27, 1816.]
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John Adams (Familiar Letters of John Adams & His Wife Abigail Adams, During the Revolution)
β€œ
Like a lot of people with mental illness, I spend a lot of time fronting. It’s really important to me to not appear crazy, to fit in, to seem normal, to do the things β€œnormal people” do, to blend in. As a defense mechanism, fronting makes a lot of sense, and you hone that mechanism after years of being crazy. Fronting is what allows you to hold down a job and maintain relationships with people, it’s the thing that sometimes keeps you from falling apart. It’s the thing that allows you to have a burst of tears in the shower or behind the front seat of your car and then coolly collect yourself and stroll into a social engagement… We are rewarded for hiding ourselves. We become the poster children for β€œproductive” mentally ill people, because we are so organized and together. The fact that we can function, at great cost to ourselves, is used to beat up the people who cannot function. Because unlike the people who cannot front, or who fronted too hard and fell off the cliff, we are able to β€œkeep it together,” whatever it takes.
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S.E. Smith
β€œ
Yet man dies not whilst the world, at once his mother and his monument, remains. His name is lost, indeed, but the breath he breathed still stirs the pine-tops on the mountains, the sound of the words he spoke yet echoes on through space; the thoughts his brain gave birth to we have inherited to-day; his passions are our cause of life; the joys and sorrows that he knew are our familiar friends--the end from which he fled aghast will surely overtake us also! Truly the universe is full of ghosts, not sheeted churchyard spectres, but the inextinguishable elements of individual life, which having once been, can never die, though they blend and change, and change again for ever.
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H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
β€œ
All that coastline we've been sailing pas is it, but I guess back in the Roman times it was called ... what'd you say, Jason? Bodacious?' 'Dalmatia', Nico said, making Jason jump. Holy Romulus ... Jason wished he could put a bell around Nico di Angelo's neck to remind him the guy was there. Nico has this disturbing habit of standing silently in the corner, blending into the shadows.
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Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
β€œ
And again there are no words. Words exist that can, used by a poet, achieve a dim monochrome of the body's love, but beyond that they fail clumsily. My love flowed out to her, hers back to me. Mine stroked and soothed. Hers caressed. The distance - and the difference - between us dwindled and vanished. We could meet, mingle, and blend. Neither one of us existed any more; for a time there was a single being that was both. There was escape from the solitary cell; a brief symbiosis, sharing all the word ...
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John Wyndham (The Chrysalids)
β€œ
Are you enjoying your company so far?" "Yes! It's been a pleasure getting to know these ladies." "Are they all the sweet, gentle ladies they appear to be?" Gavril asked. Before Maxon replied, the answer brought a smile to my face. Because I knew that it was yes...sort of. "Umm..." Maxon looked past Gavril at me. "Almost." "Almost?" Gavril asked, surprised. He turned to us. "Is someone over there being naughty?" Mercifully, all the girls let out light giggles, so I blended in. The little traitor! "What exactly did these girls do that isn't so sweet?" Gavril asked Maxon. "Oh, well, let me tell you." Maxon crossed his legs and got very comfortable in his chair. It was probably the most relaxed I'd ever seen him, sitting there poking fun at me. I liked this side of him. I wished it would come out more often. "One of them had the nerve to yell at me rather forcefully the first time we met. I was given a very severe scolding." Above Maxon's head, the king and queen exchanged a glance. It seemed they were hearing this story for the first time, too. Beside me the girls were looking at one another, confused. I didn't get it until Marlee said something. "I don't remember anyone yelling at him in the Great Room. Do you?" Maxon seemed to have forgotten that our first meeting was meant to be a secret. "I think he's talking it up to make it funnier. I did say some serious things to him. I think he might mean me." "A scolding, you say? Whatever for?" Gavril continued. "Honestly, I wasn't really sure. I think it was a bout of homesickness. Which is why I forgave her, of course." Maxon was loose and easy now, talking to Gavril as if he were the only person in the room. I'd have to tell him later how wonderful he did. "So she's still with us, then?" Gavril looked over at the collection of girls, grinning widely, and then returned to face his prince. "Oh, yes. She's still here," Maxon said, not letting his eyes wander from Gavril's face. "And I plan on keeping her here for quite a while.
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Kiera Cass (The Selection (The Selection, #1))
β€œ
House of Krahr!" the vampire with the banner barked quietly. "Krahr," the other four vampires exhaled and glared at me. Usually they roared their house name at the top of their lungs, trying to intimidate... Oh. They were trying to be inconspicuous. I bit my lip to keep from laughing. I'd never had an attempt at intimidation whispered at me before. "My lord, why are you wearing trench coats?" "We must blend in," he said. "This is a covert operation." Don't laugh, don't laugh, don't laugh..."It's very hot," I said. "Trench coats are a cold-weather garment.
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Ilona Andrews (Clean Sweep (Innkeeper Chronicles, #1))
β€œ
Naturally the villagers blamed bears. No one had ever seen a bear in Gavaldon, but this made them more determined to find one. Four years later, when two more children vanished, the villagers admitted they should have been more specific and declared black bears the culprit, bears so black they blended with the night. But when children continued to disappear every four years, the village shifted their attention to burrowing bears, then phantom bears, then bears in disguise. . . Until it became clear it wasn't it wasn't bears at all.
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Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
β€œ
Marriage is what happens "between the memorable." He said that we often look back on our marriages years later, perhaps after one spouse has died, and wall we can recall are "the vacations, and emergencies" - the high points and low points. The rest of it blends into a blurry sort of daily sameness. But it is that very blurred sameness, the poet argues, that comprises marriage. Marriage is those two thousand indistinguishable conversations, chatted over two thousand indistinguishable breakfasts, where intimacy turns like a slow wheel. How do you measure the worth of becoming that familiar to somebody- so utterly well known and so thoroughly ever-present, that you become an almost invisible necessity, like air?
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Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
β€œ
There's a bump in your nose now." He glared at me. "There is not." "Your mouth is lopsided." He opened his mouth to argue, but then he just let out a weary groan. "What is the point? I am hideous. I can't wait to change myself back again." "Don't. I prefer you like this." He looked surprised, then he began to smile. "Do you?" "Yes," I said. "You blend into the background. I could almost forget about you entirely. It's refreshing." Naturally, he found a way to twist this into a compliment. "And am I ordinarily a distraction to you, Em?
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Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
β€œ
I was acting like a child. Wanting his full attention. His declarations of love. I wanted to be his little princess, I guess. The one he worshiped and adored. Well, life's not like that. And after thinking it through, I actually wouldn't want it to be. We aren't put together in a marriage to stroke each other's ego. Marriage is a partnership. A blending of two lives working together. That's where the commitment comes in. It's a determination of the head - not the heart. No, I shouldn't say it that way. It still involves the heart. It still is based on love, but it's new kind of love. A mature love. One that doesn't ask, "What will you do for me?" but rather "What can I do for you?" or "What can we do for each other?
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Janette Oke (The Tender Years (A Prairie Legacy, #1))
β€œ
The secret Order of Melchizedek can never appear in the physical world while humanity is constituted according to its present plan. It is the supreme Mystery School, and a few have reached the point where they have blended their divine and human natures so perfectly that they are symbolically two-headed. The heart and mind must be brought into perfect equilibrium before true thinking or true spirituality can be attained. The highest function of the mind is reason; the highest function of the heart is intuition, a sensing process not necessitating the normal working of the mind.
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Manly P. Hall (Melchizedek and the Mystery of Fire)
β€œ
Misery is manifold. The wretchedness of earth is multiform. Overreaching the wide horizon as the rainbow, its hues are as various as the hues of that arch, --as distinct too, yet as intimately blended. Overreaching the wide horizon as the rainbow! How is it that from beauty I have derived a type of unloveliness? --from the covenant of peace a simile of sorrow? But as, in ethics, evil is a consequence of good, so, in fact, out of joy is sorrow born. Either the memory of past bliss is the anguish of to-day, or the agonies which are have their origin in the ecstasies which might have been.
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Edgar Allan Poe
β€œ
Lines Written In Early Spring I heard a thousand blended notes, While in a grove I sate reclined, In that sweet mood when pleasant thoughts Bring sad thoughts to the mind. To her fair works did Nature link The human soul that through me ran; And much it grieved my heart to think What man has made of man. Through primrose tufts, in that green bower, The periwinkle trailed its wreaths; And 'tis my faith that every flower Enjoys the air it breathes. The birds around me hopped and played, Their thoughts I cannot measure:-- But the least motion which they made It seemed a thrill of pleasure. The budding twigs spread out their fan, To catch the breezy air; And I must think, do all I can, That there was pleasure there. If this belief from heaven be sent, If such be Nature's holy plan, Have I not reason to lament What man has made of man?
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William Wordsworth
β€œ
Clear your throat and open your eyes. You are on stage. The lights are on. It’s only natural if you’re sweating, because this isn’t make-believe. This is theater for keeps. Yes, it is a massive stage, and there are millions of others on stage with you. Yes, you can try to shake the fright by blending in. But it won’t work. You have the Creator God’s full attention, as much attention as He ever gave Napoleon. Or Churchill. Or even Moses. Or billions of others who lived and died unknown. Or a grain of sand. Or one spike on one snowflake. You are spoken. You are seen. It is your turn to participate in creation. Like a kindergartener shoved out from behind the curtain during his first play, you might not know which scene you are in or what comes next, but God is far less patronizing than we are. You are His art, and He has no trouble stooping. You can even ask Him for your lines.
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N.D. Wilson (Death by Living: Life Is Meant to Be Spent)
β€œ
Translation error is compounded by bias error. We distort others by forcing into them our preferred ideas and gestalts, a process Proust beautifully describes: We pack the physical outline of the creature we see with all the ideas we already formed about him, and in the complete picture of him which we compose in our minds, these ideas have certainly the principal place. In the end they come to fill out so completely the curve of his cheeks, to follow so exactly the line of his nose, they blend so harmoniously in the sound of his voice that these seem to be no more than a transparent envelope, so that each time we see the face or hear the voice it is our own ideas of him which we recognize and to which we listen.
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Irvin D. Yalom (Love's Executioner and Other Tales of Psychotherapy)
β€œ
No one thing shows the greatness and power of the human intellect or the loftiness and nobility of man more than his ability to know and to understand fully and feel strongly his own smallness. When, in considering the multiplicity of worlds, he feels himself to be an infinitesimal part of a globe which itself is a negligible part of one of the infinite number of systems that go to make up the world, and in considering this is astonished by his own smallness, and in feeling it deeply and regarding it intently, virtually blends into nothing, and it is as if he loses himself in the immensity of things, and finds himself as though lost in the incomprehensible vastness of existence, with this single act of thought he gives the greatest possible proof of the nobility and immense capability of his own mind, which, enclosed in such a small and negligible being, has nonetheless managed to know and understand things so superior to his own nature, and to embrace and contain this same intensity of existence and things in his thought.
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Giacomo Leopardi (Zibaldone di pensieri)
β€œ
See now, for a good blade, one that will not betray the man in battle, rods of hard and soft iron must be heated and braided together. Then is the blade folded over and hammered flat again, and maybe yet again, many times for the finest blades... So the hard and soft iron are mingled without blending, before the blade is hammered up to its finished form and tempered, and ground to an edge that shall draw blood from the wind. So comes the pattern, like oil and water that mingle but do not mix. Yet it is the strength of the blade, for without the hard iron the blade would bend in battle, and without the soft iron it would break.
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Rosemary Sutcliff (The Shining Company)
β€œ
Before such people can act together, a kind of telepathic feeling has to flow through them and ripen to the point when they all know that they are ready to begin. Anyone who has seen the martins and swallows in September, assembling on the telephone wires, twittering, making short flights singly and in groups over the open, stubbly fields, returning to form longer and even longer lines above the yellowing verges of the lanes-the hundreds of individual birds merging and blending, in a mounting excitement, into swarms, and these swarms coming loosely and untidily together to create a great, unorganized flock, thick at the centre and ragged at the edges, which breaks and re-forms continually like clouds or waves-until that moment when the greater part (but not all) of them know that the time has come: they are off, and have begun once more that great southward flight which many will not survive; anyone seeing this has seen at the work the current that flows (among creatures who think of themselves primarily as part of a group and only secondarily, if at all, as individuals) to fuse them together and impel them into action without conscious thought or will: has seen at work the angel which drove the First Crusade into Antioch and drives the lemmings into the sea.
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Richard Adams (Watership Down (Watership Down, #1))
β€œ
Sabine stood up, satisfied that her friends were safe and content. When she moved, Calla lifted her head. Her eyes focused in Sabine's direction. Despite the distance between them, Sabine Could have sworn Calla was looking right at her. The white wolf's ears flicked back and forth. She lifted her muzzle and howled. The sound filled Sabine with a mixture of sweetness and sorrow. The other wolves joined the song, their familiar voices blending in the winter air. Sabine watched them from another minute, then she turned and walked back to Ethan. "Everything okay?" he asked. She handed him the binoculars. "They're happy. So I'm happy." ... She turned, listening to the song carried on the stiff winter breeze. Nev's voice rose about the other wolves' as the chorus of howls wove through the air. Sabine wondered if somehow they knew she was here, and if they might be saying good-bye or if they were asking her to stay.
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Andrea Cremer (Bloodrose (Nightshade, #3; Nightshade World, #6))
β€œ
I'm not invisible. I have desires. I want to be touched and held and told that I'm worth something. I am not pitiful. I am better than you can imagine. I have talents. I have successes and failures. I love my life. I sometimes feel dissatisfied with the world. I come from a place of love, not death. I am special. I matter. I can be the most interesting person in the room. I can blend in and that's okay. I'm somebody. I'm a nobody. I feel deeply and I want to be allowed to show it. I don't want to be judged. I can be judgmental. When you give me platitudes and you belittle my feelings. I'm brave. I'm scared. I'm wandering. I have plans. I will be the best me I can be. I am not who I think I am. I am not who you think I am; I am who I think you think I am, so think well of me, please.
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Abria Mattina (Wake)
β€œ
Some people are born with a vital and responsive energy. It not only enables them to keep abreast of the times; it qualifies them to furnish in their own personality a good bit of the motive power to the mad pace. They are fortunate beings. They do not need to apprehend the significance of things. They do not grow weary nor miss step, nor do they fall out of rank and sink by the wayside to be left contemplating the moving procession. Ah! that moving procession that has left me by the road-side! Its fantastic colors are more brilliant and beautiful than the sun on the undulating waters. What matter if souls and bodies are failing beneath the feet of the ever-pressing multitude! It moves with the majestic rhythm of the spheres. Its discordant clashes sweep upward in one harmonious tone that blends with the music of other worlds--to complete God's orchestra. It is greater than the stars--that moving procession of human energy; greater than the palpitating earth and the things growing thereon. Oh! I could weep at being left by the wayside; left with the grass and the clouds and a few dumb animals. True, I feel at home in the society of these symbols of life's immutability. In the procession I should feel the crushing feet, the clashing discords, the ruthless hands and stifling breath. I could not hear the rhythm of the march. Salve! ye dumb hearts. Let us be still and wait by the roadside.
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Kate Chopin (The Awakening)
β€œ
Amory wandered slowly up the avenue and thought of the night as inevitably his-- the pageantry and carnival of rich dusk and dim streets... it seemed that he had closed the book of fading harmonies at last and stepped into the sensuous vibrant walks of life. Everywhere these countless lights, this promise of a night of streets and singing-- he moved in a half-dream through the crowd as if expecting to meet Rosalind hurrying toward him with eager feet from every corner... How the unforgettable faces of dusk would blend to her, the myriad footsteps, a thousand overtures, would blend to her footsteps; and there would be more drunkenness than wine in the softness of her eyes on his. Even his dreams now were faint violins drifting like summer sounds upon the summer air.
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F. Scott Fitzgerald (This Side of Paradise)
β€œ
When did you start here?” I ask her. β€œThree days ago. Sir. Aspirant. Um—” She wrings her hands. β€œVeturius is fine.” She walks carefully, gingerlyβ€”the Commandant must have whipped her recently. And yet she doesn't hunch or shuffle like the others slaves. The straight-backed grace with which she moves tells her story better than words. She'd been a freewoman before thisβ€”I'd bet my scims on it. And she has no idea how pretty she isβ€”or what kind of problems her beauty will cause for her at a place like Blackcliff. The wind pulls at her hair again, and I catch her scentβ€”like fruit and sugar. β€œCan I give you some advice?” Her head flies up like a scared animal's. At least she's wary. β€œRight now you...” Will grab the attention of every male in a square mile. β€œStand out,” I finish. β€œIt's hot, but you should wear a hood or a cloakβ€”something to help you blend in.” She nods, but her eyes are suspicious. She wraps her arms around herself and drops back a little. I don't speak to her again.
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Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
β€œ
Let this variety of ideas be set before him; he will choose if he can; if not, he will remain in doubt. Only the fools are certain and assured. For if he embraces Xenophon's and Plato's opinions by his own reasoning, they will no longer be theirs, they will be his. He who follows another follows nothing. He finds nothing; indeed he seeks nothing. We are not under a king; let each one claim his own freedom [Seneca]. Let him know that he knows, at least. He must imbibe their ways of thinking, not learn their precepts. And let him boldly forget, if he wants, where he got them, but let him know how to make them his own. Truth and reason are common to everyone, and no more belong to the man who first spoke them than to the man who says them later. It is no more according to Plato than according to me, since he and I understand and see it the same way. The bees plunder the flowers here and there, but afterward they make of them honey, which is all theirs; it is no longer thyme or marjoram. Even so with the pieces borrowed from others; he will transform and blend them to make a work of his own, to wit, his judgment. His education, work, and study aim only at forming this.
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Michel de Montaigne
β€œ
The Sanscrit language, whatever be its antiquity, is of a wonderful structure; more perfect than the Greek, more copious than the Latin, and more exquisitely refined than either, yet bearing to both of them a stronger affinity, both in the roots of verbs and the forms of grammar, than could possibly have been produced by accident; so strong indeed, that no philologer could examine them all three, without believing them to have sprung from some common source, which, perhaps, no longer exists; there is a similar reason, though not quite so forcible, for supposing that both the Gothic and the Celtic, though blended with a very different idiom, had the same origin with the Sanscrit; and the old Persian might be added to the same family.
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William Jones
β€œ
But miracles are not for the asking; they come only when the stern eyes of God droop shut for a moment, and Our Lady takes advantage of His inattention to grant an illicit mercy. God...is an Anglican, whereas Our Lady is of the True Faith; the two of Them have an uneasy relationship, unable to agree on anything, except that if They divorce, the Devil will leap gleefully into the breach.
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Michel Faber (The Crimson Petal and the White)
β€œ
Sebastian left the bed and went to the washstand on unsteady legs. He felt dazed, uncertain, as if he were the one who had just lost his virginity instead of Evangeline. He had long thought that there was nothing new for him to experience. He had been wrong. For a man whose lovemaking was a practiced blend of technique and choreography, it had been a shock to find himself at the spontaneous mercy of his own passions. He had meant to withdraw at the last moment, but he had been so mindless with desire that he’d been unable to control his body. Damn. That had never happened before. Fumbling with the clean linen towel at the washstand, he made a project of dampening it with fresh water. By now his breathing had returned to normal, but he wasn’t at all calm. After what had just happened, he should have been satiated for hours. But it hadn’t been enough. He had experienced the longest, hardest, most wrenching climax of his life…and yet the need to have her again, open her, bury himself inside her, had not faded. It was madness. But why? Why with her?
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Lisa Kleypas (Devil in Winter (Wallflowers, #3))
β€œ
I read the paragraph again. A peculiar feeling it gave me. I don't know if you have ever experienced the sensation of seeing the announcement of the engagement of a pal of yours to a girl whom you were only saved from marrying yourself by the skin of your teeth. It induces a sort of -- well, it's difficult to describe it exactly; but I should imagine a fellow would feel much the same if he happened to be strolling through the jungle with a boyhood chum and met a tigress or a jaguar, or what not, and managed to shin up a tree and looked down and saw the friend of his youth vanishing into the undergrowth in the animal's slavering jaws. A sort of profound, prayerful relief, if you know what I mean, blended at the same time with a pang of pity. What I'm driving at is that, thankful as I was that I hadn't had to marry Honoria myself, I was sorry to see a real good chap like old Biffy copping it. I sucked down a spot of tea and began brooding over the business.
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P.G. Wodehouse
β€œ
No wonder Mr. Tagomi could not go on, he thought. The terrible dilemma of our lives. Whatever happens, it is evil beyond compare. Why struggle, then? Why choose? If all alternatives are the same .Β .Β . Evidently we go on, as we always have. From day to day. At this moment we work against Operation Dandelion. Later on, at another moment, we work to defeat the police. But we cannot do it all at once; it is a sequence. An unfolding process. We can only control the end by making a choice at each step. He thought, We can only hope. And try. On some other world, possibly it is different. Better. There are clear good and evil alternatives. Not these obscure admixtures, these blends, with no proper tool by which to untangle the components. We do not have the ideal world, such as we would like, where morality is easy because cognition is easy. Where one can do right with no effort because he can detect the obvious. The
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Philip K. Dick (The Man in the High Castle)
β€œ
You're in trouble. Do you expect me to just walk away?" "I wouldn't hold it against you if you did." "In know you wouldn't. That's only one of the reasons I'm crazy about you. I've got a million more." "Just a million?" "Okay, a million plus oneβ€”your cat." She giggled. "You're bonding with Saladin?" "Somebody has to protect that cat from your cousin Ian. And I feed him. The cat. Not Ian. He's on his own. Anyway, if that doesn't get me Perfect Boyfriend status, I don't know what will." "Emptying the litter box?" "Hey. I have my limits." Amy laughed. She had the phone pressed to her ear so tightly it burned. She closed her eyes, picturing his face... Ian's crisp voice broke in. "All right, lovebirds, let's move on. No offense, but I believe Amy and Dan might need a short course in style and class." "Is this the nonoffensive part?" Dan asked. "I can't wait until you really insult us." "Let's deal with reality, shall we? You don't just walk into an auction house in your jeans and backpacks. You have to blend in. And that's going to be hard." Ian sniffed. "Considering that you're Americans." "What are you talking about, dude?" Dan asked. "This is my best SpongeBob T-shirt.
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Jude Watson (A King's Ransom (The 39 Clues: Cahills vs. Vespers, #2))
β€œ
Let the tutor make his charge pass everything through a sieve and lodge nothing in his head on mere authority and trust: let not Aristotle's principles be principles to him any more than those of the Stoics or Epicureans. Let this variety of ideas be set before him; he will choose if he can; if not, he will remain in doubt. Only the fools are certain and assured. For if he embraces Xenophon's and Plato's opinions by his own reasoning, they will no longer be theirs, they will be his. He who follows another follows nothing. He finds nothing; indeed he seeks nothing. We are not under a king; let each one claim his own freedom. Let him know that he knows, at least. He must imbibe their ways of thinking, not learn their precepts. And let him boldly forget, if he wants, where he got them, but let him know how to make them his own. Truth and reason are common to everyone, and no more belong to the man who first spoke them than to the man who says them later. It is no more according to Plato than according to me, since he and I understand and see it the same way. The bees plunder the flowers here and there, but afterward they make of them honey, which is all theirs; it is no longer thyme or marjoram. Even so with the pieces borrowed from others; he will transform and blend them to make a work of his own, to wit, his judgment. His education, work, and study aim only at forming this.
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Michel de Montaigne (The Complete Works: Essays, Travel Journal, Letters)
β€œ
For my nymphet I needed a diminutive with a lyrical lilt to it. One of the most limpid and luminous letters is "L". The suffix "-ita" has a lot of Latin tenderness, and this I required too. Hence: Lolita. However, it should not be pronounced as you and most Americans pronounce it: Low-lee-ta, with a heavy, clammy "L" and a long "o". No, the first syllable should be as in "lollipop", the "L" liquid and delicate, the "lee" not too sharp. Spaniards and Italians pronounce it, of course, with exactly the necessary note of archness and caress. Another consideration was the welcome murmur of its source name, the fountain name: those roses and tears in "Dolores." My little girl's heartrending fate had to be taken into account together with the cuteness and limpidity. Dolores also provided her with another, plainer, more familiar and infantile diminutive: Dolly, which went nicely with the surname "Haze," where Irish mists blend with a German bunnyβ€”I mean, a small German hare.
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Vladimir Nabokov (Strong Opinions)
β€œ
Now let’s take up the minorities in our civilization, shall we? Bigger the population, the more minorities. Don’t step on the toes of the dog-lovers, the cat-lovers, doctors, lawyers, merchants, chiefs, Mormons, Baptists, Unitarians, second-generation Chinese, Swedes, Italians, Germans, Texans, Brooklynites, Irishmen, people from Oregon or Mexico. The people in this book, this play, this TV serial are not meant to represent any actual painters, cartographers, mechanics anywhere. The bigger your market, Montag, the less you handle controversy, remember that! All the minor minor minorities with their navels to be kept clean. Authors, full of evil thoughts, lock up your typewriters. They did. Magazines became a nice blend of vanilla tapioca. Books, so the damned snobbish critics said, were dishwater. No wonder books stopped selling, the critics said. But the public, knowing what it wanted, spinning happily, let the comic books survive. And the three-dimensional sex magazines, of course. There you have it, Montag. It didn’t come from the Government down. There was no dictum, no declaration, no censorship, to start with, no! Technology, mass exploitation, and minority pressure carried the trick, thank God. Today, thanks to them, you can stay happy all the time, you are allowed to read comics, the good old confessions, or trade journals.
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Ray Bradbury (Fahrenheit 451)
β€œ
With self-denial and economy now, and steady exertion by-and-by, an object in life need not fail you. Venture not to complain that such an object is too selfish, too limited, and lacks interest; be content to labour for independence until you have proved, by winning that prize, your right to look higher. But afterwards, is there nothing more for me in life -- no true home -- nothing to be dearer to me than myself and by its paramount preciousness, to draw from me better things than I care to culture for myself only? Nothing, at whose feet I can willingly lay down the whole burden of human egotism, and gloriously take up the nobler charge of labouring and living for others? I suppose, Lucy Snowe, the orb of your life is not to be so rounded: for you the crescent-phase must suffice. Very good. I see a huge mass of my fellow- creatures in no better circumstances. I see that a great many men, and more women, hold their span of life on conditions of denial and privation. I find no reason why I should be of the few favoured. I believe in some blending of hope and sunshine sweetening the worst lots. I believe that this life is not all; neither the beginning nor the end. I believe while I tremble; I trust while I weep.
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Charlotte BrontΓ« (Villette)
β€œ
The moon occurs more frequently than the sun as an image in lyric poetry. There is a greater contrast between the moon and the night sky than there is between the sun and the daytime sky. And this contrast is more conducive to sorrow, which always separates or isolates itself, than it is to happiness, which always joins or blends. And to stand face-to-face with the sun is preposterous -- it would blind you. The moon has no light of its own; our apprehension of it is but a reflection of the sun. And some believe artists reflect the creative powers of some original impulse too great to name. The moon is the incunabulum of photography, the first photograph, the first stilled moment, the first study in contrasts. Me here -- you there. Between 1969 and 1972, six missions left for the moon and six missions came back. The men who went to the moon who were forever altered without exception all say the same thing -- it was not being on the moon that profoundly affected them as much as it was looking at the earth from the vantage point of the moon. You there -- me here.
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Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
β€œ
Let me make a clean breast of it here, and frankly admit that I kept but sorry guard. With the problem of the universe revolving in me, how could I- being left completely to myself at such a thought-engendering altitude- how could I but lightly hold my obligations to observe all whaleships' standing orders, "Keep your weather eye open, and sing out every time." And let me in this place movingly admonish you, ye ship-owners of Nantucket! Beware of enlisting in your vigilant fisheries any lad with lean brow and hollow eye; given to unseasonable meditativeness...: your whales must be seen before they can be killed; and this sunken-eyed young Platonist will tow you ten wakes round the world, and never make you one pint of sperm the richer. Nor are these monitions at all unneeded. For nowadays, the whale-fishery furnishes an asylum for many romantic, melancholy, and absent-minded young men, disgusted with the corking care of earth, and seeking sentiment in tar and blubber. Childe Harold not unfrequently perches himself upon the mast-head of some luckless disappointed whale-ship, and in moody phrase ejaculates:- "Roll on, thou deep and dark blue ocean, roll! Ten thousand blubber-hunters sweep over thee in vain. " ... "Why, thou monkey," said a harpooneer to one of these lads, "we've been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen's teeth whenever thou art up here." Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gentle rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
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Herman Melville (Moby Dick)
β€œ
Glossa Time goes by, time comes along, All is old and all is new; What is right and what is wrong, You must think and ask of you; Have no hope and have no fear, Waves that rise can never hold; If they urge or if they cheer, You remain aloof and cold. To our sight a lot will glisten, Many sounds will reach our ear; Who could take the time to listen And remember all we hear? Keep aside from all that patter, Seek yourself, far from the throng When with loud and idle clatter Time goes by, time comes along. Nor forget the tongue of reason Or its even scales depress When the moment, changing season, Wears the mask of happiness - It is born of reason's slumber And may last a wink as true: For the one who knows its number All is old and all is new. Be as to a play, spectator, As the world unfolds before: You will know the heart of matter Should they act two parts or four; When they cry or tear asunder From your seat enjoy along And you'll learn from art to wonder What is right and what is wrong. Past and future, ever blending, Are the twin sides of same page: New start will begin with ending When you know to learn from age; All that was or be tomorrow We have in the present, too; But what's vain and futile sorrow You must think and ask of you; For the living cannot sever From the means we've always had: Now, as years ago, and ever, Men are happy or are sad: Other masks, same play repeated; Diff'rent tongues, same words to hear; Of your dreams so often cheated, Have no hope and have no fear. Hope not when the villains cluster By success and glory drawn: Fools with perfect lack of luster Will outshine Hyperion! Fear it not, they'll push each other To reach higher in the fold, Do not side with them as brother, Waves that rise can never hold. Sounds of siren songs call steady Toward golden nets, astray; Life attracts you into eddies To change actors in the play; Steal aside from crowd and bustle, Do not look, seem not to hear From your path, away from hustle, If they urge or if they cheer; If they reach for you, go faster, Hold your tongue when slanders yell; Your advice they cannot master, Don't you know their measure well? Let them talk and let them chatter, Let all go past, young and old; Unattached to man or matter, You remain aloof and cold. You remain aloof and cold If they urge or if they cheer; Waves that rise can never hold, Have no hope and have no fear; You must think and ask of you What is right and what is wrong; All is old and all is new, Time goes by, time comes along.
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Mihai Eminescu (Poems)
β€œ
To begin with, there is the frightful debauchery of taste that has already been effected by a century of mechanisation. This is almost too obvious and too generally admitted to need pointing out. But as a single instance, take taste in its narrowest sense - the taste for decent food. In the highly mechanical countries, thanks to tinned food, cold storage, synthetic flavouring matters, etc., the palate it almost a dead organ. As you can see by looking at any greengrocer’s shop, what the majority of English people mean by an apple is a lump of highly-coloured cotton wool from America or Australia; they will devour these things, apparently with pleasure, and let the English apples rot under the trees. It is the shiny, standardized, machine-made look of the American apple that appeals to them; the superior taste of the English apple is something they simply do not notice. Or look at the factory-made, foil wrapped cheeses and β€˜blended’ butter in an grocer’s; look at the hideous rows of tins which usurp more and more of the space in any food-shop, even a dairy; look at a sixpenny Swiss roll or a twopenny ice-cream; look at the filthy chemical by-product that people will pour down their throats under the name of beer. Wherever you look you will see some slick machine-made article triumphing over the old-fashioned article that still tastes of something other than sawdust. And what applies to food applies also to furniture, houses, clothes, books, amusements and everything else that makes up our environment. These are now millions of people, and they are increasing every year, to whom the blaring of a radio is not only a more acceptable but a more normal background to their thoughts than the lowing of cattle or the song of birds. The mechanisation of the world could never proceed very far while taste, even the taste-buds of the tongue, remained uncorrupted, because in that case most of the products of the machine would be simply unwanted. In a healthy world there would be no demand for tinned food, aspirins, gramophones, gas-pipe chairs, machine guns, daily newspapers, telephones, motor-cars, etc. etc.; and on the other hand there would be a constant demand for the things the machine cannot produce. But meanwhile the machine is here, and its corrupting effects are almost irresistible. One inveighs against it, but one goes on using it. Even a bare-arse savage, given the change, will learn the vices of civilisation within a few months. Mechanisation leads to the decay of taste, the decay of taste leads to demand for machine-made articles and hence to more mechanisation, and so a vicious circle is established.
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George Orwell (The Road to Wigan Pier)