Blend Travel Quotes

A Book “Now” - said a good book unto me - “Open my pages and you shall see Jewels of wisdom and treasures fine, Gold and silver in every line, And you may claim them if you but will Open my pages and take your fill. “Open my pages and run them o’er, Take what you choose of my golden store. Be you greedy, I shall not care - All that you seize I shall gladly spare; There is never a lock on my treasure doors, Come - here are my jewels, make them yours! “I am just a book on your mantel shelf, But I can be part of your living self; If only you’ll travel my pages through, Then I will travel the world with you. As two wines blended make better wine, Blend your mind with these truths of mine. “I’ll make you fitter to talk with men, I’ll touch with silver the lines you pen, I’ll lead you nearer the truth you seek, I’ll strengthen you when your faith grows weak - This place on your shelf is a prison cell, Let me come into your mind to dwell!

A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..." "It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself." "The master says: “Make use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.” “You are together because a forest is always stronger than a solitary tree,” the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.” “If you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.” “If you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. “Walk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. “Confront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. “God will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.” "Certain things in life simply have to be experienced -and never explained. Love is such a thing." "There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark." "But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'” "When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.” “There is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.

The long-ago days - the days of Mother and Bone and the shed - have become fuzzy and have blended with images of Moon, of my travels, of other people and houses, of hiding places; a tangle of memories leading to Susan. I burrow into her side and listen to her heartbeat. With my eyes closed, I might be in the straw-filled wheelbarrow again, nestled against Mother, listening to the first heartbeat I knew. I open my eyes and tilt my head back to look at Susan's lined face. She smiles at me, and we sit pressed into each other, two old ladies.

Let the tutor make his charge pass everything through a sieve and lodge nothing in his head on mere authority and trust: let not Aristotle's principles be principles to him any more than those of the Stoics or Epicureans. Let this variety of ideas be set before him; he will choose if he can; if not, he will remain in doubt. Only the fools are certain and assured. For if he embraces Xenophon's and Plato's opinions by his own reasoning, they will no longer be theirs, they will be his. He who follows another follows nothing. He finds nothing; indeed he seeks nothing. We are not under a king; let each one claim his own freedom. Let him know that he knows, at least. He must imbibe their ways of thinking, not learn their precepts. And let him boldly forget, if he wants, where he got them, but let him know how to make them his own. Truth and reason are common to everyone, and no more belong to the man who first spoke them than to the man who says them later. It is no more according to Plato than according to me, since he and I understand and see it the same way. The bees plunder the flowers here and there, but afterward they make of them honey, which is all theirs; it is no longer thyme or marjoram. Even so with the pieces borrowed from others; he will transform and blend them to make a work of his own, to wit, his judgment. His education, work, and study aim only at forming this.

Every spring in the wet meadows and ditches I hear a little shrilling chorus which sounds for all the world like an endlessly reiterated “We’re here, we’re here, we’re here.” And so they are, as frogs, of course. Confident little fellows. I suspect that to some greater ear than ours, man’s optimistic pronouncements about his role and destiny may make a similar little ringing sound that travels a small way out into the night. It is only its nearness that is offensive. From the heights of a mountain, or a marsh at evening, it blends, not too badly, with all the other sleepy voices that, in croaks or chirrups, are saying the same thing.

There was a time in my life when I did a fair bit of work for the tempestuous Lucretia Stewart, then editor of the American Express travel magazine, Departures. Together, we evolved a harmless satire of the slightly driveling style employed by the journalists of tourism. 'Land of Contrasts' was our shorthand for it. ('Jerusalem: an enthralling blend of old and new.' 'South Africa: a harmony in black and white.' 'Belfast, where ancient meets modern.') It was as you can see, no difficult task. I began to notice a few weeks ago that my enemies in the 'peace' movement had decided to borrow from this tattered style book. The mantra, especially in the letters to this newspaper, was: 'Afghanistan, where the world's richest country rains bombs on the world's poorest country.' Poor fools. They should never have tried to beat me at this game. What about, 'Afghanistan, where the world's most open society confronts the world's most closed one'? 'Where American women pilots kill the men who enslave women.' 'Where the world's most indiscriminate bombers are bombed by the world's most accurate ones.' 'Where the largest number of poor people applaud the bombing of their own regime.' I could go on. (I think number four may need a little work.) But there are some suggested contrasts for the 'doves' to paste into their scrapbook. Incidentally, when they look at their scrapbooks they will be able to re-read themselves saying things like, 'The bombing of Kosovo is driving the Serbs into the arms of Milosevic.

Though the mules plod in a steady and unflagging hypnosis, the vehicle does not seem to progress. It seems to hang suspended in the middle distance forever and forever, so infinitesimal is its progress, like a shabby bead upon the mild red string of road. So much so is this that in the watching of it the eye loses it as sight and sense drowsily merge and blend, like the road itself, with all the peaceful and monotonous changes between darkness and day, like already measured thread being rewound onto a spool. So that at last, as though out of some trivial and unimportant region beyond even distance, the sound of it seems to come slow and terrific and without meaning, as though it were a ghost traveling a half mile ahead of its own shape.

I spun a globe in our estate’s library and promised myself I’d travel to whichever country my finger landed on. The globe’s colors had blended together in a mess of blue and green and then I’d dropped my finger, abruptly stopping its rotation. Syria. Er, right. Minor hiccup. I spun again and voila! Italy!

In Latin, translate comes from translatus, to carry over, to carry across. Something written in language A is carried over into language B. I always imagine a bridge in which language A is traveling over to meet B. Sometimes when I’m translating, the languages blend together in my mind, and when I hear this, what gets carried over isn’t a grandiose idea. The songs merge together and what is brought forth is a new song. Such stunning and mysterious harmony. That probably sounds silly, but it’s the closest I’ve come to believing in something more, something other than this, something of awe that humbles me. Not a god, but a sound.

I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally

A gene is not indivisible, but it is seldom divided. It is either definitely present or definitely absent in the body of any given individual. A gene travels intact from grandparent to grandchild, passing straight through the intermediate generation without being merged with other genes. If genes continually blended with each other, natural selection as we now understand it would be impossible.

Aside from my cockeyed internal compass, I also have a shortage of personal coolness, which can be a liability in travel. I have never learned how to arrange my face into that blank expression of competent invisibility that is so useful when traveling in dangerous, foreign places. You know - that super-relaxed, totally-in-charge expression which makes you look like you belong there, anywhere, everywhere, even in the middle of riot in Jakarta.

Monotony collapses time; novelty unfolds it. You can exercise daily and eat healthily and live a long life, while experiencing a short one. If you spend your life sitting in a cubicle and passing papers, one day is bound to blend unmemorably into the next—and disappear. That’s why it’s important to change routines regularly, and take vacations to exotic locales, and have as many new experiences as possible that can serve to anchor our memories. Creating new memories stretches out psychological time, and lengthens our perception of our lives. William James first wrote about the curious warping and foreshortening of psychological time in his Principles of Psychology in 1890: “In youth we may have an absolutely new experience, subjective or objective, every hour of the day. Apprehension is vivid, retentiveness strong, and our recollections of that time, like those of a time spent in rapid and interesting travel, are of something intricate, multitudinous and long-drawn-out,” he wrote. “But as each passing year converts some of this experience into automatic routine which we hardly note at all, the days and the weeks smooth themselves out in recollection to contentless units, and the years grow hollow and collapse.” Life seems to speed up as we get older because life gets less memorable as we get older. “If to remember is to be human, then remembering more means being more human,” said Ed.

Where does our laughter travel to? Does it search out monkeys in the zoo? Or settle on the heart like dew? Or cling to lip-glossed smiles on me and you? Does it hang around throughout the day? Or spread its wings and fly away? Or gather-in like puffy clouds of gray? Perhaps it hooks a rainbow’s end And melts to make the colors blend. Or paints a happy face upon a friend. Does it turn to stardust when it’s late? Or in a windstorm, circulate? Or does it simply fade and dissipate? What is our laughter’s merrymaking fate?

But the greatest human problems are not social problems, but decisions that the individual has to make alone. The most important feelings of which man is capable emphasise his separateness from other people, not his kinship with them. The feelings of a mountaineer towards a mountain emphasise his kinship with the mountain rather than with the rest of mankind. The same goes for the leap of the heart experienced by a sailor when he smells the sea, or for the astronomer’s feeling about the stars, or for the archaeologist’s love of the past. My feeling of love for my fellowmen makes me aware of my humanness; but my feeling about a mountain gives me an oddly nonhuman sensation. It would be incorrect, perhaps, to call it ‘superhuman’; but it nevertheless gives me a sense of transcending my everyday humanity. Maslow’s importance is that he has placed these experiences of ‘transcendence’ at the centre of his psychology. He sees them as the compass by which man gains a sense of the magnetic north of his existence. They bring a glimpse of ‘the source of power, meaning and purpose’ inside himself. This can be seen with great clarity in the matter of the cure of alcoholics. Alcoholism arises from what I have called ‘generalised hypertension’, a feeling of strain or anxiety about practically everything. It might be described as a ‘passively negative’ attitude towards existence. The negativity prevents proper relaxation; there is a perpetual excess of adrenalin in the bloodstream. Alcohol may produce the necessary relaxation, switch off the anxiety, allow one to feel like a real human being instead of a bundle of over-tense nerves. Recurrence of the hypertension makes the alcoholic remedy a habit, but the disadvantages soon begin to outweigh the advantage: hangovers, headaches, fatigue, guilt, general inefficiency. And, above all, passivity. The alcoholics are given mescalin or LSD, and then peak experiences are induced by means of music or poetry or colours blending on a screen. They are suddenly gripped and shaken by a sense of meaning, of just how incredibly interesting life can be for the undefeated. They also become aware of the vicious circle involved in alcoholism: misery and passivity leading to a general running-down of the vital powers, and to the lower levels of perception that are the outcome of fatigue. ‘The spirit world shuts not its gates, Your heart is dead, your senses sleep,’ says the Earth Spirit to Faust. And the senses sleep when there is not enough energy to run them efficiently. On the other hand, when the level of will and determination is high, the senses wake up. (Maslow was not particularly literary, or he might have been amused to think that Faust is suffering from exactly the same problem as the girl in the chewing gum factory (described earlier), and that he had, incidentally, solved a problem that had troubled European culture for nearly two centuries). Peak experiences are a by-product of this higher energy-drive. The alcoholic drinks because he is seeking peak experiences; (the same, of course, goes for all addicts, whether of drugs or tobacco.) In fact, he is moving away from them, like a lost traveller walking away from the inn in which he hopes to spend the night. The moment he sees with clarity what he needs to do to regain the peak experience, he does an about-face and ceases to be an alcoholic.

It was one of those warm, still, almost tropical nights, so rarely seen on the northern waters, when a profound calm reigns in the moonless heavens, and the hush of absolute repose rests upon the tired, storm-vexed sea. There was not the faintest breath of air to stir even the reef-points of the motionless sails, or roughen the dark, polished mirror of water around the ship. A soft, almost imperceptible haze concealed the line of the far horizon, and blended sky and water into one great hollow sphere of twinkling stars. Earth and sea seemed to have passed away, and our motionless ship floated, spell-bound, in vacancy - the only earthly object in an encircling universe of stars and planets.

Travelling in other’s shoes is a complex process. Everyone carries loads of inherited virtues and then, heaps of experience acquired while travelling their own exclusive path of life. One’s personality, particularly the way one thinks, beholds both inborn traits and learned knowledge. Unless one is born to the same parents as the other, exactly at same time, beholding same blend of inherent traits and travelled the same path the other has travelled so far—a biological and pragmatic impossibility—it is imprudent to claim having knowledge of other’s thought process. One’s uniqueness is not constrained to the physical form, but is pertinent, too, to intellectual, emotional and spiritual forms.

There was a short railway official travelling up to the terminus, three fairly short market-gardeners picked up two stations afterwards, one very short widow lady going up from a small Essex town, and a very short Roman Catholic priest going up from a small Essex village. When it came to the last case, Valentin gave it up and almost laughed. The little priest was so much the essence of those Eastern flats; he had a face as round and dull as a Norfolk dumpling; he had eyes as empty as the North Sea; he had several brown-paper parcels, which he was quite incapable of collecting. The Eucharistic Congress had doubtless sucked out of their local stagnation many such creatures, blind and helpless, like moles disinterred. Valentin was a skeptic in the severe style of France, and could have no love for priests. But he could have pity for them, and this one might have provoked pity in anybody. He had a large, shabby umbrella, which constantly fell on the floor. He did not seem to know which was the right end of his return ticket. He explained with a moon-calf simplicity to everybody in the carriage that he had to be careful, because he had something made of real silver "with blue stones" in one of his brown-paper parcels. His quaint blending of Essex flatness with saintly simplicity continuously amused the Frenchman till the priest arrived (somehow) at Tottenham with all his parcels, and came back for his umbrella.

This Levantine spirit developed gradually in Beirut after the Industrial Revolution, as the burgeoning Lebanese silk trade and the invention of the steamboat combined to bring men and women of America and Western Europe in large numbers to the Levant. These settlers from the West were Catholic and Protestant missionaries, diplomats, and merchants, Jewish traders, travelers and physicians; and they brought with them Western commerce, manners, and ideas and, most of all, a certain genteel, open, tolerant attitude toward life and toward other cultures. Their mores and manners were gradually imitated by elite elements of the local native populations, who made a highly intelligent blend of these Western ideas with their own indigenous Arabic, Greek, and Turkish cultures, which had their own traditions of tolerance. “To be a Levantine,” wrote Hourani, “is to live in two worlds or more at once, without belonging to either.” In

I first came to Hokkaido for two reasons: miso ramen and uni, the island's most famous foods and two items on my short list for Last Supper constituents. The only thing they share in common, besides a home, is the intense fits of joy they deliver: the former made from an unholy mix of pork-bone broth, thick miso paste, and wok-crisped pork belly (with the optional addition of a slab of melting Hokkaido butter), the latter arguably the sexiest food on earth, yolk-orange tongues of raw sea urchin roe with a habit-forming blend of fat and umami, sweetness and brine. Fall for uni at your own peril; like heroin and high-stakes poker, it's an expensive addiction that's tough to kick. But my dead-simple plan- to binge on both and catch the first flight back to Tokyo- has been upended by a steam locomotive and Whole Foods foliage, and suddenly Hokkaido seems much bigger than an urchin and a bowl of soup. No one told me about the rolling farmlands, the Fuji-like volcanoes, the stunning national parks, one stacked on top of the other. Nobody said there would be wine. And cheese. And bread.

Ian Fleming may have been very practical about writing James Bond, but at heart he was a romantic. He ... was tapping directly into a deep wellspring of his own imagination, which he laced with the usual blend of sex, travel, culinary detail and fine living that encapsulated the aspirations of the age, and was absolutely an expression of Fleming himself. He may have dismissed his creation as idle fantasy, but he was entirely serious about the world he had created .... Ian Fleming could not put any clear water between himself and his fiction because he was living his work as he wrote it .... To discover the origins of James Bond one has to begin by exploring the deep streams that fed the well of Fleming's imagination, and his own complicated personality.

I've met travelers who are so physically sturdy they could drink a shoebox of water from a Calcutta gutter and never get sick. People who can pick up new languages where others of us might only pick up infectious diseases. People who know how to stand down a threatening border guard or cajole an uncooperative bureaucrat at the visa office. People who are the right height and complexion that they kind of look halfway normal wherever they go - in Turkey they just might be Turks, in Mexico they are suddenly Mexican, in Spain they could be mistaken for a Basque, in Northern Africa they can sometimes pass for Arab...

This is a manifesto for the vampires unseen in mirrors, encountering themselves in camp 70s horror with a glow of recognition, always rooting for the monsters who are at least honest to themselves, at least not pretending altruism. Fallen but still loud. And the heroes all blend into one another but we remember our stories by their villains.

When the Satmar Rebbe announced his plans for a kehillah, a community, in Williamsburg, Zeidy pledged his allegiance before he even knew what it entailed, and in doing so he tied his whole family, and all of its future generations, to this community. Back in Europe, Zeidy’s family didn’t live like this. They weren’t extremists; they were educated people who had homes with wooden floors and Persian carpets, and they traveled freely throughout the Continent. It was the rebbe who decided I couldn’t read English books or wear the color red. He isolated us, made it so we could never blend in on the outside. If I wasn’t there when the agreement was made, why am I still obligated to follow all these rules? Can Zeidy really expect me to walk in the rebbe’s shadow as blindly as he did, when he was scared and lonely, as all the survivors were, and there was nowhere else to turn that felt safe?

Every great corporation does one thing well, and in Marriott’s case it’s to help guests disappear. The indistinct architecture, the average service, the room-temperature, everything. You’re gone, blended away by the stain-disguising carpet patterns, the art that soothes you even when your back’s turned. And you don’t even miss yourself, that’s Marriott’s great discovery. Invisibility, the ideal vacation. No more anxiety about your role, your place. Rest here, under our cloak. Don’t fidget, it's just your face that we’re removing. You won’t be needing it until you leave, and here’s a claim check. Don’t worry if you lose it.

In order to get Otis and Bob up to speed about what had happened in my dimension, we traveled on foot for the first fifteen minutes of our journey toward the swamp.  Baby Zeke told them all about how he was pulled into another dimension during the blending and what we all had to do – and sacrifice – in order to stop the blending, save the Rainbow Creeper, and put a stop to Entity 303’s evil plan. “Yeah, that blending nonsense was crazy,” said Otis. “I thought you and Harold were dead for sure. I mean, one minute Bob and I are riding next to you and Harold, and the next minute you are missing and there is a giant pool of lava right in front of me. And, I was engulfed in a strange flash of yellow light!” “Yeah, I’m just glad I appeared near Jimmy and could contribute to the struggle against Entity 303 and the preservation of the Rainbow Creeper.” “This Rainbow Creeper thing sounds bizarre,” said Bob. “Is it really the shape of a creeper with a bunch of colors on its skin?” “It sure is,” said Baby Zeke. Otis looked at me and asked, “And your friend Claire was joined with the Rainbow Creeper when she grabbed the creation stone?” I took a deep breath and sighed. “Yes, she was.” I paused and wiped a tear from my eye. “But, at least she’s alive … hurrr ... in some manner. That’s why we need to save my friend Emma. I can’t lose another friend.” Otis thumped his chest. “A good friend is hard to find. I vow on my life that we will save your friend Emma. Saving people is what I do, even if I have to kill a thousand others to achieve it.” Weird flex, but ... okay. I guess the needs of the one outweigh the needs of the many in Otis’ worldview. I must say, Baby Zeke had really captured Otis

At Royal CBD, we emphasize quality control testing at every stage of the manufacturing process so you don’t have to worry about it. We start while the plants are still in the soil, and follow it as they travel to the extraction facility. We then blend our CBD oil with pure unadulterated MCT oil and send it to a third-party lab for inspection to seal the deal.

It was only when he was in his sixties that he set about turning his youthful walk across Europe into a book. The first volume of the consequent work, A Time of Gifts, was published in 1977 and instantly recognised as a classic. This second volume, Between the Woods and the Water, appeared in 1986, and by then Leigh Fermor was seventy-one years old. So half a century separates the experience from the book, and the author is looking back at himself across a great gulf of experience and of history. The Second World War has changed Europe forever since Paddy hoisted his rucksack at the Hook of Holland, and his alter ego too has been weathered by a lifetime of travel and accomplishment. It really is almost as though Between the Woods and the Water is the work of two separate writers, coming to the task from opposite directions, but blending their talents in a display of intergenerational collaboration. And it is a triumph of this book that we, the readers, understand them both. We know what goes through both their minds, because the artistry of its author makes the boyish enthusiasm of the young man as immediate as the tempered experience of the old.

More red lights on top of the cars than on roads. Glamorous lifestyle coexisting with some underprivileged lives. Big showrooms on the left, begging kids on the right. Azaan from the mosque blending smoothly with the pleasant sound of temple bells. The modern travel miracle Delhi Metro passes by the ancient temples and monuments. Crowded streets coexist with lonely hearts. This city is like the most beautiful girl in a college. That is what I know about Delhi, the capital city of the nation.

In 1925, a master plan was instituted to blend the French neo-classical design with the tropical background. The Art Deco movement, both in Havana and in Miami Beach, took hold during the late 1920’s, and is found primarily in the residential section of Miramar. Miramar is where most of the embassies are located, including the massive Russian embassy. The predominant street is Fifth Avenue known as La Quinta Avenida, along which is found the church of Jesus de Miramar, the Teatro Miramar and the Karl Marx Theater. There is also the Old Miramar Yacht Club and the El Ajibe Restaurant, recently visited and televised by Anthony Bourdain on his show, “No Reservations.” Anthony Bourdain originally on the Travel Channel is now being shown on CNN. The modern five-star Meliá Habana hotel, known for its cigar bar, is located opposite the Miramar Trade Centre. Started in 1772, el Paseo del Prado, also known as el Paseo de Marti, became the picturesque main street of Havana. It was the first street in the city to be paved and runs north and south, dividing Centro Habana from Old Havana. Having been designed by Jean-Claude Nicolas Forestier, a French landscape architect, it connects the Malecón, the city’s coastal esplanade, with a centrally located park, Parque Central. Although the streets on either side are still in disrepair, the grand pedestrian walkway goes for ten nicely maintained blocks. The promenade has a decorated, inlaid, marble terrazzo pavement with a balustrade of small posts. It is shaded by a tree-lined corridor and has white marble benches for the weary tourist. Arguably, the Malecón is the most photographed street in Havana. It lies as a bulwark just across the horizon from the United States, which is only 90, sometimes treacherous miles away. It is approximately 5 miles long, following the northern coast of the city from east to west. This broad boulevard is ideal for the revelers partaking in parades and is the street used for Fiesta Mardi Gras, known in Cuba as Los Carnavales. It has at times also been used for “spontaneous demonstrations” against the United States. It runs from the entrance to Havana harbor, alongside the Centro Habana neighborhood to the Vedado neighborhood, past the United States Embassy on the Calle Calzada.

All cultures teem with creativity, on display both via inconceivable monuments and in the flawless blend of two spices. I want to see the birthplace of all of it, the homes of humble geniuses who make our lives better, more interesting.

Even in the late 1930s, it was still possible for a foreigner to spend weeks in Germany and experience nothing more unpleasant than a puncture. There is, however, a difference between "not seeing" and "not knowing". And after Kristallnacht on 9 November 1938, there could be no possible excuse for any foreign traveller to claim that they did not know the Nazis’ true colours. Perhaps the most chilling fact to emerge from these travelers’ tales is that so many perfectly decent people could return home from Hitler’s Germany singing its praises. Nazi evil permeated every aspect of German society yet, when blended with the seductive pleasures still available to the foreign visitor, the hideous reality was too often and for too long ignored.

(Female) Within seconds of inhaling, the room filled with an amber-gold veil which seemed to coat everything. My entire body and mind were filled with visual, vibrational sound, which appeared like millions of tiny, flashing points of light. An intense swirling feeling came over my body and mind, and I felt a rapid and complete loss of control as I swirled downward into a very deep, bottomless whirlpool. I experienced a very sensual, unitive state with my partner (also voyaging). I experienced our essences blending like the mixing of water colors while still feeling each of us as individuals – he later confirmed something similar at the same point. As I swirled and lost control, a deep pain within me expressed itself as a high-pitched moaning that came screeching out of the very depths of me. I witnessed and felt this happening without capacity, or desire, to stop it from happening. With this sound I twisted and twirled downward, not knowing if my body was actually doing this or if it was a very strong inward sensation. The next thing I knew, I was in a vast, dark space like a night sky, yet there was a slight whirling around me. I was no longer whirling, but the space around me was. My mind was fragmented into a million pieces which seemed to be floating around me in this space. I didn’t know where I was or who I was. When I noticed this I felt lost and afraid. While there were no sign posts indicating a direction, I spontaneously made a kind of mental intention to go towards something and as a result began to move in a direction in this inner space. I then heard a deep, loving, feminine voice slowly say “That’s right. You can do it.” It was a voice from within this space, the voice of the guide. Upon hearing it, I was deeply, utterly relieved – her voice so soothing and warm, reassuring and firm. She felt ancient and familiar to me. I felt I knew what to do now, yet was overwhelmed with the task – I felt I was in an insane state of mind. While it felt like the most difficult thing I’ve ever had to do, I knew I had to move within this space in a certain direction. There were no visual clues, only an internal sense that once I had moved that I was going in the right direction. I was going Home. I heard a noise in the room and recalled where I was, that I was travelling with the Jaguar. I brought conscious attention to my breathing and gradually re-collected myself. I sat up and as I looked around the room at everyone I felt like Dorothy in the Wizard of Oz when she awoke from her long dream – I recognized everyone as ancient friends. I asked the women to form a cocoon around me and when they did I burst into tears and sobbed very deeply, accompanied by a very deep feeling of relief and return. I felt ancient connection and experienced a grounding and inner contact with my spiritual nature. During the days following my journey, I alternated between anxiety and elation and experienced an amazingly broad range of levels of consciousness throughout my daily activities. I could easily perceive multiple levels of existence and experienced an increase in empathic and psychic ability. I also experienced a tremendous amount of sexual energy and greatly heightened orgasmic responses in my entire body. At quiet moments I felt very deeply relaxed and centered.

The pilgrimage began boldly Flying, alone, business class only And the Atlantic stretched into blends Of grey --where do the clouds touch the water? I worried about swelling; such an elderly Concern, but I drank water as fast as the Man in 48G drank coffee (The alcohol was reserved for the woman in 47A) Landing, I carefully followed instructions And laughed when he held up my name on a sign, as if He was privileged for my presence --didn't the flowers signify? Kissing, right there, in crowded Heathrow I could hear the director wanting a replay But we had trains to catch...

Perhaps the classic Mysterious Traveler episode was Behind the Locked Door, much requested and rerun over the years. This story could not have been done in any other medium, as most of it takes place inside a cave, in total darkness. A pair of archaeologists trapped by a landslide find inside the cave the remnants of an old wagon train, perhaps a hundred years old. When they are attacked by strange beings, they must conclude that the descendants of those pioneers still live in this sightless world, feeding on the fish that swim through the underground stream. The ending, of course, was a shocker—most Mysterious Traveler endings twisted fate and tried hard for the big surprise. The final scream blended into the train’s whistle, and there was the Traveler again, clacking along on his ever-rolling journey. Oh, you have to get off here! … I’m sorry! … I’m sure we’ll meet again … I take this same train every week at this same time …

You Were" I am the one standing in the rain, invisible beside you. I am the one in the dirt which is now turning to mud around my feet. I am the one weighed down by each of our partings and the one lifted up by each meeting, reachings that could not be completed, that nevertheless held up the force of their hunger. And, yes, you were always a seeking, an unknown, a mystery to me. And not less that I to myself— beginner that I have become all over again on the paths and mountain slopes of this journey. I watch my mind watch each moment in its passage, it fades into, blends, with what came before. Nothing remains as it was in the mind after the path has been seen and walked upon, there is always the next thing arriving as if from behind, catching up with one’s sight, surrounding. And all the while the snows of memory are falling, covering the roads of the present. The past overflows this moment without meaning to, just as your face is more real in my remembering than this present one sitting next to me, just as each of us hurt the other without intending it. And after a time we thought experience might bring us to calm, and we see we are standing in the river of passing, each waiting for the warmth of the other’s face, unable to understand why they are not with us, startled by their absence, traveler and traveler distant as two dots unconnected in a yellow field. The American Poetry Review Vol. 28, No. 3, May/June 1999

Mealtime options can include dishes like bean burritos; chili; pasta e fagioli; red beans and rice; minestrone; Tuscan white bean stew; and black bean, lentil, or split pea soup. My mom turned me on to dehydrated precooked pea soup mixes. (The lowest sodium brand I’ve been able to find is from Dr. John McDougall’s food line.) You simply add the mix to boiling water with some frozen greens and stir. (Whole Foods Market sells inexpensive one-pound frozen bags of a prechopped blend of kale, collard, and mustard greens. Couldn’t be easier!) I pack pea soup mix when I travel. It’s lightweight, and I can prepare it in the hotel room coffeemaker.

Even the most insane day gives way to a sunset sooner or later. The sun moves to light up another side of the planet, and the sky, as if wishing to steal the show, offers a display of amazing colours. Dark lilac blended into magenta, into pale pink and faded into light blue with a spatter of fluffy white spots. Should you post such beauty on Instagram, you'll be accused of abusing filters. But tourists, undeterred, posed on the sandy line of Barcelona's famous beach and laughed, sharing the snapshots with each other. By and large, behaving like normal people, whose life was following its predictable and straightforward course.

Still he considered playing Pachinko the best investment of his free time, soaking in the local stench and bad breathe of other lonely Japanese people as an alternative way of blending into the colorful local scenes which he yearned to be a part of.

Mobile’s reputation as the birthplace of Mardi Gras in North America does not rest solely on the fact that a few half-starved French colonists observed the pre-Lenten feasts here 300 years ago… In 1852, a group of Mobile "Cowbellians" moved to New Orleans and formed the Krewe of Comus, which is now that larger city’s oldest and most secretive Carnival society. …All of Mobile’s parading societies throw Moon Pies along with beads and doubloons, providing sugary nourishment to the revelers lining the streets. The crowd is very regional, mostly coastal Alabamians. Everyone seems to know each other, and they are always honored and often extra hospitable when they learn that you traveled a long way just to visit *their* Carnival. Late into the evening, silk-gowned debutantes with their white-tie and tail clad escorts who’ve grown weary of their formal balls blend easily with the street crowds…

My travels mean little to me. The places blend together, faces of people I have met lost in a sea of those I have left behind. Where I am matters little, only that I am no longer where I was. I haven’t decided where I will go next.

Oliver Marley supposed there were more dignified ways to end his life. A lifelong victim to the twin sins of an infertile imagination and pragmatism, the thought of travel simply never crossed his mind.   Had it occurred to him, Oliver could have jumped off the Golden Gate Bridge, into the abyss of the Grand Canyon or said au revoir off the Eiffel Tower. But truth be told, Oliver never was much of a traveler. Even locally there were certainly higher quality casinos to choose from, taller parking garages from which to leap. Instead he found himself perched atop the nearest appropriately-sized structure to his home, that being the parking garage of the Circus Time Hotel & Casino. His view not of Alcatraz Island and the rough waters of the San Francisco Bay, nor the breathtaking vistas of the Arizona desert, or the romanticism of the Paris skyline for that matter. Rather he found himself bathed in a noxious blend of pink and green neon, staring into a pair of giant blinking pastel eyes belonging to the eighty-foot clown staring down at him like a frilly guardian angel. Then again, when your primary objective is to pancake yourself on a public sidewalk, perhaps you’re not in the best position to nitpick over the intricacies of what does and does not constitute bad taste. Oliver would just have to live with the clown, at least for another minute or two.

But by the late twentieth century, with more Americans going to college, making more money, and, thanks to more affordable airfares, traveling to Europe and Asia, the market for art was expanding, as were the number of artists.18 A growing educated middle class had the money to support the ballooning number of galleries. David Brooks had noticed the blending of bohemian and bourgeois—or “bobo”—sensibilities in 2000.19 Gentrified neighborhoods are the urban habitus of the bobo, and art galleries are about as good a signifier of gentrification as wine and coffee bars. In fact, many wine and coffee bars in gentrified areas are art galleries where a revolving cast of local artists display their work. By the mid-2000s, “a new kind of ambition was taking hold,” writes Ann Fensterstock of Williamsburg in Art on the Block, a history of the turn-of-the-millennium New York art scene. There was “a thirst for critical attention in the wider, increasingly international art world. The notion of producing art for profit was no longer anathema.

She could sense that this part of the journey was the most critical. It was in the way the coyote mimed to them, uttering not even a whisper when hours ago he would have shouted. In the way she could see nothing, and therefore felt like she was nothing, traveling through nowhere. There was no longer any going forward or back. Not to the home she had left. Not to the place she was headed to. Yes, they were deep in the border now, a place so dangerous even maps had no names for it. She pictured them all then, tiny black dots blending into a thick-lined border.

If I took you as my own, one night would not be nearly enough." Her gray eyes darkened, and her voice was a thick murmur. "Then take more." There was no hesitation in her reply, no coy flirtation. The words were a perfect blend of plea and command. Just as her manner was equal parts vulnerability and strength, courage and beauty. Avenell's chest tightened with a feeling he could not identify. He could do nothing beyond acknowledging it was something more than lust and so much more than the desire to possess. He was helpless to resist the sensation as it traveled through his bloodstream, leaving him in a state of heightened anticipation.

The Time Tourists might sound like a cozy mystery with time travel thrown in, but nothing could be further from the truth. This is a novel packed with important and often dark themes, blended together with a cast of vibrant and believable characters. Andrew @penstricken

When I reflect on the olden days, and on how my work in psychology and philosophy has evolved over the last 30 years, I recognize that I took a path that was mostly self-directed and not very orthodox. I stepped away from academia. I gave up a secure teaching position. I followed my intuition, and I took the road less traveled. I blended psychology with spirituality. I studied mysticism and physics. I practiced yoga philosophy and wrote poetry. Along the way I became a teacher of inquiry, and

Dr. Matthew Steiner, an adventurous ER Physician from Brazil, Indiana, blends a passion for emergency medicine with a love for golf, music, and travel. From fleeing Saigon at 9 to excelling in Ohio, he’s a medical missionary who cherishes helping others globally. Aspiring to continue groundbreaking work in emergency care.

In turn, the Hadza have become so used to visiting scientists that hosting the researchers who observe them has become a way to supplement their income. Sadly, visiting scientists who want to emphasize how much they are studying bona fide hunter-gatherers sometimes turn a blind eye to the degree to which the Hadza’s way of life is changing as a result of contact with the outside world. These papers rarely mention how many Hadza children now go to government schools, and how the Hadza’s territory is almost entirely shared with neighboring tribes of farmers and pastoralists, with whom they trade and whose cows tramp all over the region. As I write this, the Hadza don’t yet have cell phones, but they are not isolated as they once were. Despite these limitations, there is still much to learn from the Hadza, and I am fortunate to have visited them on a couple of occasions. But to get to the Hadza is not easy. They live in a ring of inhospitable hills surrounding a seasonal, salty lake in northwestern Tanzania—a hot, arid, sunbaked region that is almost impossible to farm.13 The area has some of the worst roads on the planet. Of the roughly twelve hundred Hadza, only about four hundred still predominantly hunt and gather, and to find these few, more traditional Hadza, you need sturdy jeeps, an experienced guide, and a lot of skill to travel over treacherous terrain. After a rainstorm, driving twenty miles can take most of the day. Many things surprised me when I first walked into a Hadza camp mid-morning on a torrid, sunny day in 2013, but I remember being especially struck by how everyone was apparently doing nothing. Hadza camps consist of a few temporary grass huts that blend in with the surrounding bushes. I didn’t realize I had walked into a camp until I found myself amid about fifteen Hadza men, women, and children who were sitting on the ground as shown in figure 2. The women and children were relaxing on one side, and the men on another. One fellow was straightening some arrows, and a few children were toddling about, but no one was engaged in any hard work. To be sure, the Hadza weren’t lounging on sofas, watching TV, munching potato chips, and sipping soda, but they were doing what so many health experts warn us to avoid: sitting.