“
Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.
And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.
And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.
”
”
Haruki Murakami (Kafka on the Shore)
Victoria Aveyard (Glass Sword (Red Queen, #2))
“
I know exactly how that is. To love somebody who doesn’t deserve it. Because they are all you have. Because any attention is better than no attention. For exactly the same reason, it is sometimes satisfying to cut yourself and bleed. On those gray days where eight in the morning looks no different from noon and nothing has happened and nothing is going to happen and you are washing a glass in the sink and it breaks-accidentally-and punctures your skin. And then there is this shocking red, the brightest thing in the day, so vibrant it buzzes, this blood of yours. That is okay sometimes because at least you know you’re alive.
”
”
Augusten Burroughs (Running with Scissors)
“
I stopped. She was bleeding after all. Perfect lines crossed her wrists, not near any crucial veins, but enough to leave wet red tracks across her skin. She hadn;t hit her veins when she did this; death hadn't been her goal.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
This witch had been crafted from the darkness between the stars.
“I think not, Prince,” she said in her midnight voice. She sniffed again, her nose crinkling slightly. “But would you bleed red, or black?”
“I’ll bleed whatever color you tell me to.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
O captain! My Captain!
Our fearful trip is done.
The ship has weather'd every wrack
The prize we sought is won
The port is near, the bells I hear
The people all exulting
While follow eyes, the steady keel
The vessel grim and daring
But Heart! Heart! Heart!
O the bleeding drops of red
Where on the deck my captain lies
Fallen cold and dead.
”
”
Walt Whitman
“
I’m safer than I’ve been in days, surrounded by the people I love most, and yet I’ve never wanted to cry more. For them, I hold back. I curl inward and bleed alone, inside, where no one else can see.
”
”
Victoria Aveyard (Glass Sword (Red Queen, #2))
“
And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others. And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.
”
”
Haruki Murakami (Kafka on the Shore)
“
Contact would hurt, might be fatal, and yet she couldn’t stop herself. Obsession or compulsion, she didn’t know, but she did know that before this was over, she’d either end up in Dmitri’s bed . . . or one of them would bleed darkest red.
”
”
Nalini Singh (Archangel's Blade (Guild Hunter, #4))
“
When you die, you’ll be wearing your white dress with red roses, and your hair will be long and falling around your shoulders. When they shoot you, up on your damn roof or walking alone on the street, your blood will look like another red rose on your dress, and no one will notice, not even you when you bleed out for Mother Russia.
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
Monsters can come in many forms. A pretty girl who loves the color red, for example--the color her victims bleed when they are begging to be spared.
”
”
S.T. Abby (Mindf*ck Series (Mindf*ck, #1-5))
“
Her magic sent him sprawling, and it then hurled into Rhysand again - so hard that his head cracked against the stones and the knife dropped from his splayed fingers. No one made a move to help him, and she struck him once more with her power. The red marble splintered where he hit it, spiderwebbing toward me. With wave after wave she hit him. Rhys groaned.
"Stop," I breathed, blood filling my mouth as I strained a hand to reach her feet. "Please."
Rhys's arms buckled as he fought to rise, and blood dripped from his nose, splattering on the marble. His eyes met mine.
The bond between us went taut. I flashed between my body and his, seeing myself through his eyes, bleeding and broken and sobbing.
I snapped back into my own mind as Amarantha turned to me again. "Stop? Stop? Don't pretend you care, human," she crooned, and curled her finger. I arched my back, my spine straining to the point of cracking, and Rhysand bellowed my name as I lost my grip on the room.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
I feel as if I could touch the sky. Run my jeweled claws across the clouds and make the sky bleed red starlight.
”
”
Victoria Aveyard (War Storm (Red Queen, #4))
“
O CAPTAIN! my Captain! our fearful trip is done,
The ship has weather'd every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.
O Captain! my Captain! rise up and hear the bells;
Rise up - for you the flag is flung - for you the bugle trills,
For you bouquets and ribbon'd wreaths - for you the shores
a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
You've fallen cold and dead.
My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor'd safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
”
”
Walt Whitman (Leaves of Grass)
“
All right’ is when you’re bleeding black but it’s not as bad as bleeding red. When the world crashes but you’re not alone when it does. When the darkness is absolute but you hunt down the smallest flame and coax it brighter. When you carve the good out of every bad and claim it a victory.
”
”
Hafsah Faizal (We Hunt the Flame (Sands of Arawiya, #1))
“
We were fools.”
“You were children. Was there no one to protect you?”
“Was there anyone to protect you?”
“My father. My mother. They would have done anything to keep me from being stolen.”
“And they would have been mowed down by slavers.”
“Then I guess I was lucky I didn’t have to see that.”
How could she still look at the world that way? “Sold into a brothel at age fourteen and you count yourself lucky.”
“They loved me. They love me. I believe that.” He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. “You protected me, Kaz.”
“The fact that you’re bleeding through your bandages tells me otherwise.”
She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. “I need Nina to fix this one.”
He didn’t mean to say it. He meant to let her go. “I can help you.”
Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she’d spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she’d nearly destroyed him. Maybe he should let her finish the job.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
you must wear it like she wears disappointment on her face
you must hide the surprise of tasting other men on your lips
your mother is a woman and women like her cannot be contained.
you find the black tube inside her beauty case, where she keeps
your fathers old prison letters,
you desperately want to look like her
film star beauty, you hold your hand against your throat
your mother was most beautiful when sprawled out on the floor
half naked and bleeding.
you go to the bathroom to apply the lipstick,
somewhere no one can find you
your teeth look brittle against the deep red slickness
you smile like an infant, your mouth is a wound
you look nothing like your mother
you look everything like your mother.
you call your ex boyfriend, sit on the toilet seat and listen to
the phone ring, when he picks up you say his name slow
he says i thought i told you to stop calling me
you lick your lips, you taste like years of being alone.
”
”
Warsan Shire
“
I ruin everything. I think that a bullet must have passed through my heart when I was very young, causing me to bleed out slowly, over things and people and every white surface that I’d ever come across.
”
”
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
“
Her eyes went so wide they nearly bulged. It was probably wrong of me to find that amusing. Or to want to take a photo of Nicholas with his fangs out and wearing a black cape lined with red satin and then hang it over my pillow in a heart-shaped frame.
”
”
Alyxandra Harvey (Bleeding Hearts (Drake Chronicles, #4))
“
The night starts to drift in. The crimson fingers of the dyin sun bleed into gray. The first stars blink down at us. Not long to wait now.
”
”
Moira Young (Blood Red Road (Dust Lands, #1))
“
Hiram!' Shelton ran to Hi's side. 'Aren't you you bleeding? I thought she shot you!'
'Red wine. When I saw it running everywhere, I played dead.' He winced as Shelton poked his belly. 'But I'm not leaping off any more shelves. That was pretty stupid.
”
”
Kathy Reichs
“
If I can't, then I'll paint the walls of her house red with my blood.
”
”
Dia Reeves (Bleeding Violet)
“
You look pale, Sansa," Cersei observed. "Is your red flower still blooming?"
"Yes"
"How apt. The men will bleed out there, and you in here.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
But would you bleed red, or black?”
“I’ll bleed whatever color you tell me to.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
When the red star bleeds and the darkness gathers, Azor Ahai shall be born again amidst smoke and salt to wake dragons out of stone.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
I've learned to feel good when
I feel good.
it's better to be driven around in a red porsche
than to own
one. the luck of the fool is
inviolate.
”
”
Charles Bukowski (Play the Piano Drunk Like a Percussion Instrument Until the Fingers Begin to Bleed a Bit)
“
No. Not really red,
but the color of a rose when it bleeds.
”
”
Anne Sexton (The Complete Poems)
“
I hope she fucking kills every last person with a badge who didn’t come to save her when she was left to bleed out.
”
”
S.T. Abby (Paint It All Red (Mindf*ck, #5))
“
Ancient one sleeping, waiting to rise
When earth's power bleeds sacred red
The mark strikes true; Queen Tsi Sgili will devise
He shall be washed from his entombing bed
Through the hand of the dead he is free
Terrible beauty, monstrous sight
Ruled again they shall be
Women shall kneel to his dark might
Kalona's song sounds sweet
As we slaughter with cold heat
”
”
Kristin Cast (Untamed (House of Night, #4))
“
Love bleeds you dry until the red organ ceases to beat
”
”
Sonya Watson (The Tide Breaker)
“
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zone…
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
”
”
Andrea Gibson
“
You are still not fucking immortal, sir. And your men certainly aren’t, but I don’t give a shit about the men. It’s you we can’t replace. And I’m supposed to be here to protect you. How can you engage in hand-to-hand combat in the water when you are supposed to be in the rear? What do you think you are made of, Captain? Until just now when I saw you bleed red blood like the rest of us, I wasn’t sure.”
“It’s not my blood,” Alexander said.
“What?”
But Alexander shook his head.
”
”
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
“
And her sweet red lips on these lips of mine
Burned like the ruby fire set
In the swinging lamp of a crimson shrine,
Or the bleeding wounds of the pomegranate,
Or the heart of the lotus drenched and wet
With the spilt-out blood of the rose-red wine.
”
”
Oscar Wilde
“
So let me help you out. My favorite color is-hell, I don't know. I've never cared enough to think about it. My favorite movie is-what else-ZOMBIELAND. But not because the good guys win in the end, though that's a plus, but because Emma Stone is hot."
I snorted. He was SUCH a guy.
"My favorite band is-"
"Let me guess," I interjected. "White Zombie? Slayer?"
"Red. And no, not just because I want zombies to bleed.What about you? Who do you like? Because honestly, I'm surprised you know White Z and Slayer."
"I like Red,too, but I'm partial to Skillet. Used to listen to them with my sister. But why wouldn't I know the other bands?"
"You look so angelic."
"And do you think angels are hot?" I asked primly, trying to play it cool so that I wouldn't reveal what a mess I was on the inside. All this time, he'd wanted to get to know me and date me. What craziness!
"The hottest.
”
”
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
“
There is a small hill from which I can watch the sun set over the Outaouais River; every evening I see a red sky bleed over blue water and think of us. Have you ever watched this kind of sunset? The colours don’t blend: the redder the sky the bluer the water, as we tilt away from the sun.
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
“
I’m safer than I’ve been in days, surrounded by the people I love the most, and yet I’ve never wanted to cry more. For them, I hold back. I curl inward and bleed alone, inside, where no one else can see.
”
”
Victoria Aveyard (Glass Sword (Red Queen, #2))
“
Writing is easy. All you have to do is sit down at the typewriter, cut open a vein, and bleed.
”
”
Red Smith (To Absent Friends)
“
Sometimes humans can’t help but let emotion bleed through into the feed.
”
”
Martha Wells (All Systems Red (The Murderbot Diaries, #1))
“
Her fingers clutch a collection of twining stems. Above, poppies’ red petals bleed into pink roses while the deep blue of dainty forget-me-nots weaves between.
”
”
Lauren Roberts (Fearless (The Powerless Trilogy, #3))
“
Emily woke to shadows and their voices. They looked different today, because the entire world hurt. The numbness had worn off sometime between sleep and awake, and she was seeing red. The shadows on the walls were not shadows at all, but red blobs consisting of teeth and claws. Her house reeked of pain.
The whole world was fucking bleeding.
”
”
allie burke (Paper Souls)
“
I looked at our hands, caked and coated in red, but entwined. The pristine moment when they were clasped like that earlier in the day seemed weeks ago.
"Clean." Peter said.
"Can I get a water bottle or something to clean his hands?" I scanned the crowd. He drew my attention back to him with a pull of my hand.
"No," Peter said. "I'm...clean."
I had missed who Peter was until that very moment.
I had called him names and treated him callously. I had read every micro expression in a vacuum of how it related to Austin Glass. And in return Peter had cared for my wounds, treated me tenderly and assured me that he was HIV negative while bleeding out in a hallway of strangers.
I broke. It wasn't a visible fracture. I didn't sob or explode into anguish. I didn't give in to my vomitus urge that came from the burst of self-loathing. But I shattered nonetheless.
”
”
Dani Alexander (Shattered Glass (Shattered Glass, #1))
“
When I recollect her, I see a long list of colors, but it's the three in which I saw her in the flesh that resonate the most. Sometimes I manage to float far above those three moments. I hang suspended, until a septic truth bleeds toward clarity.
That's when I see them formulate:
THE COLORS
RED: [rectangle]
WHITE: [circle]
BLACK: [swastika]
They fall on top of each other. The scribbled signature black, onto the blinding global white, onto the thick soupy red.
”
”
Markus Zusak (The Book Thief)
“
LOOK AROUND. GAME DEAD, RIVERS BLACK, LAND CHOKED WITH WEED. SKIES BLEEDING, RED AS BLOOD. FOR WHAT?
YOUR KIND ARE BLIND. YOU SEE ONLY THE NOW. NEVER THE WILL BE.
BUT SOON YOU WILL. WHEN ALL IS GONE, WHEN THERE ARE SO MANY MONKEY-CHILDREN THAT YOU MURDER FOR A SCRAP OF LAND, A DROP OF CLEAN WATER, THEN YOU WILL SEE.
”
”
Jay Kristoff (Stormdancer (The Lotus Wars, #1))
“
I showed up rich while feeling poor I didn’t knock but they opened the door Throwing stones, they pierce my eye Leave tiny cracks all down my spine We were royalty without a throne Our castle didn’t feel like home Echoes of “I love you” in the halls Our words absorbed into the walls I checked us in so we couldn’t leave Thought maybe time would make me believe If I took us back to the starting line We’d never cross the finish line My hands may not be red But my heart, it feels the bleed If my soul had a neon sign It would read No Vacancy If my soul had a neon sign It would read No Vacancy
”
”
Colleen Hoover (Layla)
“
The road to healing is a rocky one, and you need to know that. There are times when every fibre in your body will scream out to give up. In these moments, God is right there with you, holding your head up, and carrying you when you cannot walk anymore. Even if you are holding on with your teeth, and your knuckles are red and bleeding, it is crucial that you still hold on. Don’t give up! You have too much to lose!
”
”
Corallie Buchanan (Watch Out! Godly Women on the Loose)
“
Go Red. Fight Red. Bleed Red.
”
”
Cora Carmack (All Lined Up (Rusk University, #1))
“
Borders are scratched across the hearts of men, by strangers with a calm, judicial pen, and when the borders bleed we watch with dread the lines of ink along the map turn red.
”
”
Marya Mannes
“
I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two.
Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland.
And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
Coltaine rattles slow
across the burning land.
The wind howls through the bones
of his hate-ridden command.
Coltaine leads a chain of dogs
ever snapping at his hand.
Coltaine`s fist bleeds the journey home
along rivers of red-soaked sand.
His train howls through his bones
in spiteful reprimand.
Coltaine leads a chain of dogs
ever snapping at his hand.
”
”
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
“
Time is drowning,
Hearts are burning,
Heads are rolling,
Nothing can save you now,
Tick tock, tick tock;
Creatures talking,
Weak are rising,
White Queen’s nearing,
Nothing can save you now,
Tick tock, tick tock;
Cards are bleeding,
Crowns are sweating,
Tea is spilling,
Nothing can save you now,
Tick tock, tick tock;
Red Queen, here’s your warning,
Wonderland’s raging,
Alice is coming,
Highness, time is drowning,
And nothing can save you now,
Tick tock, tick tock, tick tock…
”
”
Emory R. Frie (Wonderland (Realms #1))
“
I don’t want the … issues between us”—raging sexual arousal fused with the red haze of the anger that licked the air—“to bleed over into our working relationship. Let’s agree to stay out of each other’s way as much as possible, and be polite when it’s not.
”
”
Nalini Singh (Tangle of Need (Psy-Changeling, #11))
“
i didn't bleed
just so you could say
my blood isn't
red enough
for you
”
”
Catarine Hancock (The Boys I've Loved & The End of the World)
“
You’re bleeding! Darrow! You’re bleeding!” “I know.” “Where is your hand? You’re missing a fucking hand!” “I know!” “Bloodydamn.
”
”
Pierce Brown (Morning Star (Red Rising, #3))
“
Turn on the news, another black man slain. They say "Its okay. Save your voice, don't complain. This isn't about race so stop using that excuse. Now look at this funny picture of Obama in a noose! See how colorblind we are? You're not really black to me. Underneath, where it all matters, we both bleed red you see? So put away that race card: it aint 1962. Theres no more segregation, isn't that enough for you?
”
”
Nic Stone (Dear Martin (Dear Martin, #1))
“
Their methods are your own fault. You make us work, you make us bleed, you make us die for your wars and factories and the little comforts you don't even notice, all because we are different. How can you expect us to let that stand?
”
”
Victoria Aveyard (Red Queen (Red Queen, #1))
“
Most helpful, Mr. Caelum," she said. "Very, very useful information. And now, shall we hear from Saint Augustine?"
I shrugged. "Why not?" I said
Dr. P read from a blood-red leather book. "My soul was a burden, bruised and bleeding. It was tired of the man who carried it, but I found no place to set it down to rest. Neither the charm of the countryside nor the sweet scents of a garden could soothe it. It found no peace in song or laughter, none in the company of friends at table or in the pleasures of love, none even in books or poetry.... Where could my heart find refuge from itself? Where could I go, yet leave myself behind?"
She closed the book, then reached across the table and took Maureen's hand in hers. "Does that passage speak to you?" she asked. Mo nodded and began to cry. "And so, Mr. Caelum, good-bye."
Because the passage had spoken to me, too, it took me a few seconds to react. "Oh," I said. "You want me to leave?"
"I do. Yes, yes.
”
”
Wally Lamb (The Hour I First Believed)
“
My parents taught me to zoom in, ya know? It’s easy to judge others from afar. It’s easy to look at someone from outside your world and make blanket statements and judgments on who those people are. Because when you see others’ flaws, you somewhat justify that your flaws are better than theirs. But when you zoom in, when
you truly look at the person beside you, you’ll see many of the same things. Hope. Love. Fear. Anger. Once you zoom in, you realize we are all similar in so many ways. We all bleed red, and even monster’s hearts can break. Just gotta remember to always zoom in.
”
”
Brittainy C. Cherry (Disgrace)
“
I want my life to be a celebration of slowness.
Walking through the sage from our front door, I am gradually drawn into the well-worn paths of deer. They lead me to Round Mountain and the bloodred side canyons below Castle Rock. Sometimes I see them, but often I don't. Deer are quiet creatures, who, when left to their own nature, move slowly. Their large black eyes absorb all shadows, especially the flash of predators. And their ears catch each word spoken. But today they walk ahead with their halting prance, one leg raised, then another, and allow me to follow them. I am learning how to not provoke fear and flight among deer. We move into a pink, sandy wash, their black-tipped tails like eagle feathers. I lose sight of them as they disappear around the bend.
On the top of the ridge I can see for miles.... Inside this erosional landscape where all colors eventually bleed into the river, it is hard to desire anything but time and space.
Time and space. In the desert there is space. Space is the twin sister of time. If we have open space then we have open time to breath, to dream, to dare, to play, to pray to move freely, so freely, in a world our minds have forgotten but our bodies remember. Time and space. This partnership is holy. In these redrock canyons, time creates space--an arch, an eye, this blue eye of sky. We remember why we love the desert; it is our tactile response to light, to silence, and to stillness.
Hand on stone -- patience.
Hand on water -- music.
”
”
Terry Tempest Williams (Red: Passion and Patience in the Desert)
“
I feel like a paper cut just waiting to bleed.
”
”
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
“
Death bleeds red no matter of the color of one's skin.
”
”
Hafsah Faizal (A Tempest of Tea (Blood and Tea, #1))
“
It felt like being shot with an arrow, and Will jerked back. His wineglass crashed to the floor and shattered. He lurched to his feet, leaning both hands on the table. He was vaguely aware of stares, and the landlords anxious voice in his ear, but the pain was too great to think through, almost too great to breathe through. The tightness in his chest, the one he had thought of as one end of a cord tying him to Jem, had pulled so taut that it was strangling his heart. He stumbled away from his table, pushing through a knot of customers near the bar, and passed to the front door of the inn. All he could think of was air, getting air into his lungs to breathe. He pushed the doors open and half-tumbled out into the night. For a moment the pain in his chest eased, and he fell back against the wall of the inn. Rain was sheeting down, soaking his hair and clothes. He gasped, his heart stuttering with a misture of terror and desperation. Was this just the distance from Jem affecting him? He had never felt anything like this, even when Jem was at his worst, even when he'd been injured and Will had ached with sympathetic pain.
The cord snapped.
For a moment everything went white, the courtyard bleeching through as if with acid. Will jackknifed to his knees, vomiting up his supper into the mud. When the spasms had passed , he staggard to his feet and blindly away from the inn, as if trying to outpace his own pain. He fetched up against the wall of the stables, beside the horse trough. He dropped to his knees to plunge his hands into the icy water-and saw his own reflection. There was his face, as white as death, and his shirt, and a spreading stain of red across the front. With wet hands he siezed at his lapels and jerked the shirt open. In the dim light that spilled from the inn, he could see that his parabati rune, just over his heart, was bleeding. His hands were covered in blood, blood mixed with rain, the same ran that was washing the blood away from his chest, showing the rune as it began to fade from black to silver, changing all that had been sense in Will's life into nonsense.
Jem was dead.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
I am only certain of one thing. If we are the sum total of our relationships, my balance sheet is bleeding red ink.
”
”
Cindy Cruciger (Revenge Gifts (Revenge Gift Diaries #1))
“
He lay there shaking in the light of the red lamps, in a silent hall, alone with his triumph, unable to move and bleeding to death.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
“
when men and women of arms have bled to secure a time of peace, the very people who most benefit from that peace are also the most likely to forget the bleeding.
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
“
They built it so quickly. It's only been a few days since the Bowl of Bones," I murmur back. Anything louder than a whisper might shatter this fragile peace.
Cal's hand stills, his palm flat against my bare skin. "Maven turned against you long before the Bowl of Bones."
I know that now. I know it with every bleeding breath.
”
”
Victoria Aveyard (Glass Sword (Red Queen, #2))
“
You will learn about pain, fear, rage, and control. You will learn how to balance the first three to achieve the fourth. And you will cary those lessons into Grey Class where I will put weapons in your hands and teach you what it is to be a Red Sister. In Grey Class I will teach you how to make the fuckers bleed
”
”
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
“
It is night in your Seven Kingdoms now,' the red woman went on, 'but soon the sun will rise again. The war continues, Davos Seaworth, and some will soon learn that even an ember in the ashes can still ignite a great blaze. The old maester looked at Stannis and saw only a man. You see a king. You are both wrong. He is the Lord's chosen, the warrior of fire. I have seen him leading the fight against the dark, I have seen it in the flames. The flames do not lie, else you would not be here. It is written in prophecy as well. When the red star bleeds and the darkness gathers, Azor Ahai shall be born again amidst smoke and salt to wake dragons out of stone.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
I am the American Dream. When I bleed, it’s awfully red, and when I bruise, it’s bluer than the heavens, and I promise you’ll get lost somewhere in the whiteness of my smile.
”
”
J. Merridew (Teenage Idol)
“
Jimmy let's out a whistle.
"What?"
"Your hand."
I look at it. My ripped nail is still bleeding. I wipe the red off on my pants.
"You should get it taken care of. It looks awful" he says.
"I guess it does."
"You must be in pain, kid. Does it hurt?"
I nod. "Yeah, Jimmy. All the time.
”
”
Jennifer Donnelly (Revolution)
“
What if something were to happen? What if something suddenly started throbbing? Then they would notice it was there and they'd think their hearts were going to burst. Then what good would their dykes, bulwarks, power houses, furnaces and pile drivers be to them? It can happen any time, perhaps right now: the omens are present. For example, the father of a family might go out for a walk, and, across the street, he'll see something like a red rag, blown towards him by the wind. And when the rag has gotten close to him he'll see that it is a side of rotten meat, grimy with dust, dragging itself along by crawling, skipping, a piece of writhing flesh rolling in the gutter, spasmodically shooting out spurts of blood. Or a mother might look at her child's cheek and ask him: "What's that, a pimple?" and see the flesh puff out a little, split, open, and at the bottom of the split an eye, a laughing eye might appear. Or they might feel things gently brushing against their bodies, like the caresses of reeds to swimmers in a river. And they will realize that their clothing has become living things. And someone else might feel something scratching in his mouth. He goes to the mirror, opens his mouth: and his tongue is an enormous, live centipede, rubbing its legs together and scraping his palate. He'd like to spit it out, but the centipede is a part of him and he will have to tear it out with his own hands. And a crowd of things will appear for which people will have to find new names, stone eye, great three cornered arm, toe crutch, spider jaw. And someone might be sleeping in his comfortable bed, in his quiet, warm room, and wake up naked on a bluish earth, in a forest of rustling birch trees, rising red and white towards the sky like the smokestacks of Jouxtebouville, with big bumps half way out of the ground, hairy and bulbous like onions. And birds will fly around these birch trees and pick at them with their beaks and make them bleed. Sperm will flow slowly, gently, from these wounds, sperm mixed with blood, warm and glassy with little bubbles.
”
”
Jean-Paul Sartre (Nausea)
“
Of course I need you. I have no experience in anything like this. None of us do. Sometimes humans can’t help but let emotion bleed through into the feed. She was furious and frightened, not at me, at the people who would do this, kill like this, slaughter a whole survey team and leave the SecUnits to take the blame. She was struggling with her anger, though nothing showed on her face except calm concern. Through the feed I felt her steel herself. You’re the only one here who won’t panic. The longer this situation goes on, the others . . . We have to stay together, use our heads.
That was absolutely true. And I could help, just by being the SecUnit. I was the one who was supposed to keep everybody safe. I panic all the time, you just can’t see it, I told her. I added the text signifier for “joke.”
She didn’t answer, but she looked down, smiling to herself.
”
”
Martha Wells (All Systems Red (The Murderbot Diaries, #1))
“
Christopher couldn't recall what day it was; he certainly didn't know what hour it was. It was a gray day, but there was no dullness in that gray. It was shimmering pearl-gray, of a color bounced back by shimmering water and shimmering air. It was a crimson-edged day, like a gray squirrel shot and bleeding redly from the inside and around the edges. Yes, there was the pleasant touch of death on things, gushing death and gushing life.
”
”
R.A. Lafferty (Ringing Changes)
“
You’re bleeding,” Fitz interrupted, lifting Sophie’s hand and examining her palm. Thin streams of red dripped down her skin. “These look bad, Sophie. You should get them treated.”
“I’m fine,” she said, trying not to think about the blood, or the fact that Fitz was technically holding her hand, since both things made her head spin way too fast. “Really. It’s not a big deal. We don’t need to call Elwin.
”
”
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
“
The purple butterflies fluttered about with gold dust on their wings, visiting each flower in turn; the little lizards crept out of the crevices of the wall, and lay basking in the white glare; and the pomegranates split and cracked with the heat, and showed their bleeding red hearts. Even the pale yellow lemons, that hung in such profusion from the mouldering trellis and along the dim arcades, seemed to have caught a richer colour from the wonderful sunlight, and the magnolia trees opened their great globe-like blossoms of folded ivory, and filled the air with a sweet heavy perfume.
”
”
Oscar Wilde (The Birthday of the Infanta)
“
Mother Teresa said: "The dying, the crippled, the mentally ill, the unwanted, the unloved - they are JESUS IN DISGUISE...
”
”
Tom Davis (Red Letters: Living a Faith That Bleeds)
“
I murmur: "It's a seat," a little like an exorcism. But the word stays on my lips: it refuses to go and put itself on the thing. It stays what it is, with its red plush, thousands of little red paws in the air, all still, little dead paws. This enormous belly turned upward, bleeding, inflated—bloated with all its dead paws, this belly floating in this car, in this grey sky, is not a seat. It could just as well be a dead donkey tossed about in the water, floating with the current, belly in the air in a great grey river, a river of floods; and I could be sitting on the donkey's belly, my feet dangling in the clear water.
”
”
Jean-Paul Sartre (Nausea)
“
He lives in a room above a courtyard behind a tavern and he comes down at night like some fairybook beast to fight with the sailors. He is not big but he has big wrists, big hands. His shoulders are set close. The child's face is curiously untouched behind the scars, the eyes oddly innocent. They fight with fists, with feet, with bottles or knives. All races, all breeds. Men whose speech sounds like the grunting of apes. Men from lands so far and queer that standing over them where they lie bleeding in the mud he feels mankind itself vindicated.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
Excellent book. When I found out he was the narrator had to buy it. Did read the hard copy back in 2007. Missed his voice so much, intelligent, inspiring speeches. Fall in love with him at the 2004 Democratic convention.
〓〓〓〓〓〓〓〓〓〓〓
텔 - KrTop "코리아탑"
〓〓〓〓〓〓〓〓〓〓〓
His work in Chicago, ambitious political journey, how he met his wife. Values, American history, family and his understanding of the issues we are facing. He had the Audacity of Hope to do something about them, but his hands was tied at his back, legs knocked under him.
One think I never understood; if we all are God's children and we all bleed red, why all this hate?
”
”
텔 - KrTop "코리아탑"Excellent book. When I found out he was the
“
The Fury of Sunsets"
Something
cold is in the air,
an aura of ice
and phlegm.
All day I've built
a lifetime and now
the sun sinks to
undo it.
The horizon bleeds
and sucks its thumb.
The little red thumb
goes out of sight.
And I wonder about
this lifetime with myself,
this dream I'm living.
I could eat the sky
like an apple
but I'd rather
ask the first star:
why am I here?
why do I live in this house?
who's responsible?
eh?
”
”
Anne Sexton (The Complete Poems)
“
Surreal realized Daemon’s madness was confined to emotions, to people, to that single tragedy he couldn’t face. It was as if Titian had never died, as if Surreal hadn’t spent three years whoring in back alleys before Daemon found her again and arranged for a proper education in a Red Moon house. He thought she was still a child, and he continued to fret about Titian’s absence. But when she mentioned a book she was reading, he made a dry observation about her eclectic taste and proceeded to tell her about other books that might be of interest. It was the same with music, with art. They posed no threat to him, had no time frame, weren’t part of the nightmare of Jaenelle bleeding on that Dark Altar.
”
”
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
“
I think the measure of advancement depends on where you are stood and from what distance you look. A thousand years ago, we farmed the fields, built towns and defended our land with swords and spears. It is little different now, save for the number of people we have to protect. We still kill with a sharp edge or point of metal, blood runs red still, sons ride off to war and parents grieve. If you look at the Empire in its whole, then it is peaceful. If you look closely, you will see the small wars, the bandits and rebellions. Look more closely still and you’ll see the petty crimes, the struggle to survive, the rich bleeding the poor. Even the soil can turn against its farmers, yielding few crops. Or the weather, a late frost killing the early crops. There is strife and conflict everywhere in the Empire. Everywhere you find men, you find conflict.
”
”
G.R. Matthews
“
It was all very well to say "Drink me," but the wise little Alice was not going to do that in a hurry. "No, I'll look first," she said, "and see whether it's marked 'poison' or not"; for she had read several nice little stories about children who got burnt, and eaten up by wild beasts, and other unpleasant things, all because they would not remember the simple rules their friends had taught them: such as, that a red-hot poker will burn you if you hold it too long; and that, if you cut your finger very deeply with a knife, it usually bleeds; and she had never forgotten that, if you drink much from a bottle marked "poison," it is almost certain to disagree with you, sooner or later.
”
”
Lewis Carroll (Alice in Wonderland)
“
The “Red Death” had long devastated the country. No pestilence had ever been so fatal, or so hideous. Blood was its Avator and its seal — the redness and the horror of blood. There were sharp pains, and sudden dizziness, and then profuse bleeding at the pores, with dissolution. The scarlet stains upon the body and especially upon the face of the victim, were the pest ban which shut him out from the aid and from the sympathy of his fellow-men. And the whole seizure, progress and termination of the disease, were the incidents of half an hour.
”
”
Edgar Allan Poe (Complete Works of Edgar Allan Poe)
“
Poppies in July
Little poppies, little hell flames,
Do you do no harm?
You flicker. I cannot touch you.
I put my hands among the flames. Nothing burns.
And it exhausts me to watch you
Flickering like that, wrinkly and clear red, like the skin of a mouth.
A mouth just bloodied.
Little bloody skirts!
There are fumes that I cannot touch.
Where are your opiates, your nauseous capsules?
If I could bleed, or sleep!
If my mouth could marry a hurt like that!
Or your liquors seep to me, in this glass capsule,
Dulling and stilling.
But colorless. Colorless.
”
”
Sylvia Plath
“
What packages we were allowed to receive from our families often contained handkerchiefs, scarves, and other clothing items. For some time, Mike had been taking little scraps of red and white cloth, and with a needle he had fashioned from a piece of bamboo he laboriously sewed an American flag onto the inside of his blue prisoner's shirt. Every afternoon, before we ate our soup, we would hang Mike's flag on the wall of our cell and together recite the Pledge of Allegiance. No other event of the day had as much meaning to us.
"The guards discovered Mike's flag one afternoon during a routine inspection and confiscated it. They returned that evening and took Mike outside. For our benefit as much as Mike's they beat him severely, just outside our cell, puncturing his eardrum and breaking several of his ribs. When they had finished, they dragged him bleeding and nearly senseless back into our cell, and we helped him crawl to his place on the sleeping platform. After things quieted down, we all lay down to go to sleep. Before drifting off, I happened to look toward a corner of the room, where one of the four naked lightbulbs that were always illuminated in our cell cast a dim light on Mike Christian. He had crawled there quietly when he thought the rest of us were sleeping. With his eyes nearly swollen shut from the beating, he had quietly picked up his needle and begun sewing a new flag.
”
”
John McCain (Faith of My Fathers: A Family Memoir)
“
O Captain! my Captain! our fearful trip is done,
The ship has weather’d every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.
O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills,
For you bouquets and ribbon’d wreaths—for you the shores a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
You’ve fallen cold and dead.
My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor’d safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
”
”
Walt Whitman (Oh Captain! My Captain!)
“
I wake with tears in my eyes. I wake to Jeanine’s scream of frustration.
“What is it?” She grabs Peter’s gun out of his hand and stalks across the room, pressing the barrel to my forehead. My body stiffens, goes cold. She won’t shoot me. I am a problem she can’t solve. She won’t shoot me.
“What is it that clues you in? Tell me. Tell me or I will kill you.”
I slowly push myself up from the chair, coming to my feet, pushing my skin harder into the cold barrel.
“You think I’m going to tell you?” I say. “You think I believe that you would kill me without figuring out the answer to this question?”
“You stupid girl,” she says. “You think this is about you, and your abnormal brain? This is not about you. It is not about me. It is about keeping this city safe from the people who intend to plunge it into hell!”
I summon the last of my strength and launch myself at her, clawing at whatever skin my fingernails find, digging in as hard as I can. She screams at the top of her lungs, a sound that turns my blood into fire. I punch her hard in the face.
A pair of arms wrap around me, pulling me off her, and a fist meets my side. I groan, and lunge toward her, held at bay by Peter.
“Pain can’t make me tell you. Truth serum can’t make me tell you. Simulations can’t make me tell you. I’m immune to all three.”
Her nose is bleeding, and I see lines of fingernail scrapes in her cheeks, on the side of her throat, turning red with blossoming blood. She glares at me, pinching her nose closed, her hair disheveled, her free hand trembling.
“You have failed. You can’t control me!” I scream, so loud it hurts my throat. I stop struggling and sag against Peter’s chest. “You will never be able to control me.”
I laugh, mirthless, a mad laugh. I savor the scowl on her face, the hate in her eyes. She was like a machine; she was cold and emotionless, bound by logic alone. And I broke her.
I broke her.
”
”
Veronica Roth
“
It was freezing, but the cold effortlessly numbed my feet and aching hands. I walked quietly, barefoot, to the end of the block, leaving my shoes behind to remind me how to find my way home. I stood at the end of the street, catching snow in my mouth, and laughed softly to myself as I realized that without my insomnia and anxiety and pain I’d never have been awake to see the city that never sleeps asleep and blanketed up for winter. I smiled and felt silly, but in the best possible way. As I turned and looked back toward the hotel I noticed that my footprints leading out into the city were mismatched. One side was glistening, small and white. The other was misshapen from my limp and each heel was pooled with spots of bright red blood. It struck me as a metaphor for my life. One side light and magical. Always seeing the good. Lucky. The other side bloodied, stumbling. Never quite able to keep up. It was like the Jesus-beach-footprint-in-the-sand poem, except with less Jesus and more bleeding. It was my life, there in white and red. And I was grateful for it. “Um, miss?” It was the man from the front desk leaning tentatively out of the front door with a concerned look on his face. “Coming,” I said. I felt a bit foolish and considered trying to clarify but then thought better of it. There was no way to explain to this stranger how my mental illness had just gifted me with a magical moment. I realized it would have sounded a bit crazy, but that made sense. After all, I was a bit crazy. And I didn’t even have to pretend to be good at it. I was a damn natural.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
At home, I have a poster on my wall of a rose that’s bleeding. Its petals are white, and red liquid oozes from its heart, thick and glistening warm. Only, if you look very close, you can see the droplets are coming from above, where a little girl’s wrist—camouflaged by a cluster of leaves—has been pricked by thorns as she reached inside to catch a monarch.
I used to wonder why she risked getting sliced up just to touch a butterfly. But now it makes sense: she wanted those wings so she could fly away, because the pain of trying to reach for them was more tolerable than the pain of staying grounded, wherever she was.
Today, I embrace that child’s perfect wisdom. What I wouldn’t give for a set of wings . . .
”
”
A.G. Howard (RoseBlood)
“
Famously, the trick to good writing is bleeding onto the page. I picture the male writer who coined this phrase, sitting at his typewriter, the blank sheet before him. What kind of blood did he imagine? Blood from a vein in his arm? Or a leg? Perhaps a head wound? Presumably it was not blood from a cervix. I have so much of this blood, this period blood, this pregnancy blood, this miscarriage blood, this not-pregnant-again blood, this perimenopausal blood. It just keeps coming and I just keep soaking it up. Stuffing bleached cotton into my vagina to stem the flow, padding my underwear, sticking on the night pads ‘with wings’, hoping not to leak on some man’s sheets, or rip off too much pubic hair with the extra-secure adhesive strips. Covering up with ‘period pants’, those unloved dingy underwear choices pulled out from the bank of the drawer every month. And all along, I was wrong. I should have been sitting down at my desk and spilling it across the page, a shocking red to fill the white.
”
”
Emilie Pine (Notes To Self)
“
they get stuck. This shuts off the blood supply to various parts of the body, causing dead spots to appear in the brain, liver, kidneys, lungs, intestines, testicles, breast tissue (of men as well as women), and all through the skin. The skin develops red spots, called petechiae, which are hemorrhages under the skin. Ebola attacks connective tissue with particular ferocity; it multiplies in collagen, the chief constituent protein of the tissue that holds the organs together. (The seven Ebola proteins somehow chew up the body’s structural proteins.) In this way, collagen in the body turns to mush, and the underlayers of the skin die and liquefy. The skin bubbles up into a sea of tiny white blisters mixed with red spots known as a maculopapular rash. This rash has been likened to tapioca pudding. Spontaneous rips appear in the skin, and hemorrhagic blood pours from the rips. The red spots on the skin grow and spread and merge to become huge, spontaneous bruises, and the skin goes soft and pulpy, and can tear off if it is touched with any kind of pressure. Your mouth bleeds, and you bleed around your teeth, and you may have hemorrhages from the salivary glands—literally every opening in the body bleeds, no matter how small. The surface of the tongue turns brilliant red and then sloughs off, and is swallowed or spat out. It is said to be extraordinarily painful to lose the surface of one’s tongue. The tongue’s skin may be torn off during rushes of the black vomit. The back of the throat and the lining of the windpipe may also slough off, and the dead tissue slides down the windpipe into the lungs or is coughed up with sputum. Your
”
”
Richard Preston (The Hot Zone)
“
Song for the Last Act
Now that I have your face by heart, I look
Less at its features than its darkening frame
Where quince and melon, yellow as young flame,
Lie with quilled dahlias and the shepherd's crook.
Beyond, a garden. There, in insolent ease
The lead and marble figures watch the show
Of yet another summer loath to go
Although the scythes hang in the apple trees.
Now that I have your face by heart, I look.
Now that I have your voice by heart, I read
In the black chords upon a dulling page
Music that is not meant for music's cage,
Whose emblems mix with words that shake and bleed.
The staves are shuttled over with a stark
Unprinted silence. In a double dream
I must spell out the storm, the running stream.
The beat's too swift. The notes shift in the dark.
Now that I have your voice by heart, I read.
Now that I have your heart by heart, I see
The wharves with their great ships and architraves;
The rigging and the cargo and the slaves
On a strange beach under a broken sky.
O not departure, but a voyage done!
The bales stand on the stone; the anchor weeps
Its red rust downward, and the long vine creeps
Beside the salt herb, in the lengthening sun.
Now that I have your heart by heart, I see.
”
”
Louise Bogan (Collected Poems 1923-1953)
“
O Captain! my Captain! our fearful trip is done,
The ship has weather’d every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.
O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills,
For you bouquets and ribbon’d wreaths—for you the shores a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
You’ve fallen cold and dead.
My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor’d safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
”
”
null
“
Not this time, Sam. I dreamed . . . in the black of night a man asks all the questions he dare not ask by daylight. For me, these past years, only one question has remained. Why would the gods take my eyes and my strength, yet condemn me to linger on so long, frozen and forgotten? What use could they have for an old done man like me?” Aemon’s fingers trembled, twigs sheathed in spotted skin. “I remember, Sam. I still remember.” He was not making sense. “Remember what?” “Dragons,” Aemon whispered. “The grief and glory of my House, they were.” “The last dragon died before you were born,” said Sam. “How could you remember them?” “I see them in my dreams, Sam. I see a red star bleeding in the sky. I still remember red. I see their shadows on the snow, hear the crack of leathern wings, feel their hot breath. My brothers dreamed of dragons too, and the dreams killed them, every one. Sam, we tremble on the cusp of half-remembered prophecies, of wonders and terrors that no man now living could hope to comprehend . . . or . . .” “Or?” said Sam. “. . . or not.” Aemon chuckled softly. “Or I am an old man, feverish and dying.” He closed his white eyes wearily, then forced them open once again. “I should not have left the Wall. Lord Snow could not have known, but I should have seen it. Fire consumes, but cold preserves. The Wall . . . but it is too late to go running back. The Stranger waits outside my door and will not be denied. Steward, you have served me faithfully. Do this one last brave thing for me. Go down to the ships, Sam. Learn all you can about these dragons.
”
”
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire #4))
“
heart bleeds into itself; the heart muscle softens and has hemorrhages into its chambers, and blood squeezes out of the heart muscle as the heart beats, and it floods the chest cavity. The brain becomes clogged with dead blood cells, a condition known as sludging of the brain. Ebola attacks the lining of the eyeball, and the eyeballs may fill up with blood: you may go blind. Droplets of blood stand out on the eyelids: you may weep blood. The blood runs from your eyes down your cheeks and refuses to coagulate. You may have a hemispherical stroke, in which one whole side of the body is paralyzed, which is invariably fatal in a case of Ebola. Even while the body’s internal organs are becoming plugged with coagulated blood, the blood that streams out of the body cannot clot; it resembles whey being squeezed out of curds. The blood has been stripped of its clotting factors. If you put the runny Ebola blood in a test tube and look at it, you see that the blood is destroyed. Its red cells are broken and dead. The blood looks as if it has been buzzed in an electric blender. Ebola kills a great deal of tissue while the host is still alive. It triggers a creeping, spotty necrosis that spreads through all the internal organs. The liver bulges up and turns yellow, begins to liquefy, and then it cracks apart. The cracks run across the liver and deep inside it, and the liver completely dies and goes putrid. The kidneys become jammed with blood clots and dead cells, and cease functioning. As the kidneys fail, the blood becomes toxic with urine. The spleen turns into a single huge, hard blood clot the size of a
”
”
Richard Preston (The Hot Zone)
“
My heart has been broken a million times by the same hand, yet I would let it happen a million times again if it meant it was by you.
I was weaker than I thought / my heart sagging like the stems of uncut, unkempt flowers because of the sunlight you held in your faraway heart / Maybe you weren't mine to love / I think I'm falling
The wallpaper above her bed frame was glued in my brain the way it was glued against her walls / I got so close to running my fingers against it / I wish I felt the confidence to tell you the truth, as strongly as I felt stubborn to hide it
Do you hear that? That's my heart knocking against my chest at the sight of you / I've never heard anything more terrifying / how could you provide me air and suffocate me at the same time?
Blue hydrangeas, pink tulips, red bleeding hearts / it's all you ever loved, but never yourself / I never understood why anyone spoke poorly of the color brown, it was a dream on you
And that kiss... I think about it all the time / was it wrong of me to think of you when you were never mine? / I feel lucky to have had you, but dismayed to know what life is like without you
Don't worry if the flowers pass, I'll be right there to plant you more / and when the soil grows old, I'll comfort it in the chaos of the storm
Am I a ghost in your story? / because you look at me with conviction when I don't even know the crime I committed
Burden me with your secrets / so I can carry the weight you're so fearful of letting go
To be close to you was to be haunted by what I couldn't have and to be reminded of how much I truly wanted you / and I'd be lying if I said I never thought about where my hands would take me across your body
Midnights and daydreaming hours of retracing steps to how we possibly got here / how did I ever let time pass this long without seeing you? / my heart was so full of our memories that painted my body like a scrapbook
I tried to stop loving you, but along the way, you found your way into the sound of my laugh, the style of my writing, and the threads of my clothes / I would've gone down on my knees just to hear you say yes
Neck stiff, legs weak, eyes set on what we could've looked like if you hadn't left / 'moving on' was a broken record that I never had the strength to lift the needle off of / If hearts were meant to love then why did mine feel so empty? / and suddenly, I fell
Glances, gazes, eyes following places they shouldn't have seen / intimacy was to be seen by you; free falling was to be touched by you / there was no such thing as a crowded room where you stood
She lives in between the pinks and yellows of the world / where a beautiful color is unknown to others / and when she speaks, I become a bee enthralled in a field of daisies
”
”
Liana Cincotti (Picking Daisies on Sundays (Picking Daisies on Sundays, #1))
“
baseball. The intestines may fill up completely with blood. The lining of the gut dies and sloughs off into the bowels and is defecated along with large amounts of blood. In men, the testicles bloat up and turn black-and-blue, the semen goes hot with Ebola, and the nipples may bleed. In women, the labia turn blue, livid, and protrusive, and there may be massive vaginal bleeding. The virus is a catastrophe for a pregnant woman: the child is aborted spontaneously and is usually infected with Ebola virus, born with red eyes and a bloody nose. Ebola destroys the brain more thoroughly than does Marburg, and Ebola victims often go into epileptic convulsions during the final stage. The convulsions are generalized grand mal seizures—the whole body twitches and shakes, the arms and legs thrash around, and the eyes, sometimes bloody, roll up into the head. The tremors and convulsions of the patient may smear or splatter blood around. Possibly this epileptic splashing of blood is one of Ebola’s strategies for success—it makes the victim go into a flurry of seizures as he dies, spreading blood all over the place, thus giving the virus a chance to jump to a new host—a kind of transmission through smearing. Ebola (and Marburg) multiplies so rapidly and powerfully that the body’s infected cells become crystal-like blocks of packed virus particles. These crystals are broods of virus getting ready to hatch from the cell. They are known as bricks. The bricks, or crystals, first appear near the center of the cell and then migrate toward the surface. As a crystal
”
”
Richard Preston (The Hot Zone)
“
A large piece of lead floated out of Bobby head, followed by dark chunks of what could only be pieces of Bobby's brain.
The torrent started up again. It flowed steady rather than pulsed with his heart. I knew from that, and from the amount of blood, that it was that mofo vein bleeding. And probably more than a small tear if the amount of blood was telling. I thought there had to be a hole the size of Montana in that thing.
"Jesus Mother Mary" I said, then "Stitch!"
The scrub tech slapped a needle holder into my palm, a curved needle and silk stitch clamped into the end of it. I might have closed my eyes—I've been told I do that sometimes in surgery when I'm trying to visualize something—though if so I don't remember doing it. I took that needle and aimed it into the pool of blood.
"Suck here Joe, right here."
When I thought I could see something, something gray and not black red, I plunged the pointy end of the needle through whatever the visible tissue was and looped it out again. I cinched it down and tied it quick, then repeated the maneuver again after adjusting slightly for lighting, sweating, my own bounding heartbeat, and the regret I wasn't wearing my own diaper.
We're losing, I thought.
”
”
Edison McDaniels (Juicing Out)
“
The souvenir hunters were prowling among them, carefully ripping insignia off tunics, slipping rings off fingers, or pistols off belts. There was Souvenirs himself, stepping gingerly from corpse to corpse, armed with his plyers and a dentist flashlight that he had had the forethought to purchase in Melbourne. I stood among the heaps of dead, they lay crumpled, useless, defunct. The vital force was fled. A bullet or a mortar fragment had torn a hole in these frail vessels, and the substance had leapt out. The mysteries of the universe had once inhabited these lulling lumps, had given each an identity, a way of walking, perhaps a special habit of address or a way with words or a knack of putting color on canvas. They had been so different then, now they were nothing, heaps of nothing. Can a bullet or a mortar fragment do this? Does this force, this mystery, I mean this soul, does this spill out on the ground along with the blood? No. It is somewhere, I know it. For this red and yellow lump I look down upon this instant was once a man. And the thing that energized him, the word that gave to airy nothing a local habitation and a name, the word from a higher word this cannot have been obliterated by a quarter inch of heated metal. The mystery of the universe has departed him and it is no good to say that the riddle is solved. The mystery is over because it has changed residences. The thing that shaped the flare of that nostril, that broadened that arm now bleeding, that wrought so fine that limply lying hand, that thing exists still and has still the power to flare that nostril, to bend that arm to clench that fist exactly as it did before. Because it is gone you cannot say it will not return; even though you may say it has never yet returned-you cannot say that it will not. It is blasphemy to say a bit of metal has destroyed life, just as it is presumptuous to say that because life has disappeared it has been destroyed. I stood among the heaps of the dead and I knew-no, I felt that death is only a sound we make to signify the Thing we do not know.
”
”
Robert Leckie (Helmet for My Pillow)
“
Ode to the West Wind
I
O wild West Wind, thou breath of Autumn’s being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,
Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou,
Who chariotest to their dark wintry bed
The winged seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow
Her clarion o’er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill:
Wild Spirit, which art moving everywhere;
Destroyer and preserver; hear, oh hear!
II
Thou on whose stream, mid the steep sky’s commotion,
Loose clouds like earth’s decaying leaves are shed,
Shook from the tangled boughs of Heaven and Ocean,
Angels of rain and lightning: there are spread
On the blue surface of thine aëry surge,
Like the bright hair uplifted from the head
Of some fierce Maenad, even from the dim verge
Of the horizon to the zenith’s height,
The locks of the approaching storm. Thou dirge
Of the dying year, to which this closing night
Will be the dome of a vast sepulchre,
Vaulted with all thy congregated might
Of vapours, from whose solid atmosphere
Black rain, and fire, and hail will burst: oh hear!
III
Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lull’d by the coil of his crystàlline streams,
Beside a pumice isle in Baiae’s bay,
And saw in sleep old palaces and towers
Quivering within the wave’s intenser day,
All overgrown with azure moss and flowers
So sweet, the sense faints picturing them! Thou
For whose path the Atlantic’s level powers
Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know
Thy voice, and suddenly grow gray with fear,
And tremble and despoil themselves: oh hear!
IV
If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share
The impulse of thy strength, only less free
Than thou, O uncontrollable! If even
I were as in my boyhood, and could be
The comrade of thy wanderings over Heaven,
As then, when to outstrip thy skiey speed
Scarce seem’d a vision; I would ne’er have striven
As thus with thee in prayer in my sore need.
Oh, lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!
A heavy weight of hours has chain’d and bow’d
One too like thee: tameless, and swift, and proud.
V
Make me thy lyre, even as the forest is:
What if my leaves are falling like its own!
The tumult of thy mighty harmonies
Will take from both a deep, autumnal tone,
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!
Drive my dead thoughts over the universe
Like wither’d leaves to quicken a new birth!
And, by the incantation of this verse,
Scatter, as from an unextinguish’d hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawaken’d earth
The trumpet of a prophecy! O Wind,
If Winter comes, can Spring be far behind?
”
”
Percy Bysshe Shelley (Ode to the West Wind and Other Poems)