Blaze Birthday Quotes

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Her death the dividing mark: Before and After. And though it’s a bleak thing to admit all these years later, still I’ve never met anyone who made me feel loved the way she did. Everything came alive in her company; she cast a charmed theatrical light about her so that to see anything through her eyes was to see it in brighter colours than ordinary – I remember a few weeks before she died, eating a late supper with her in an Italian restaurant down in the Village, and how she grasped my sleeve at the sudden, almost painful loveliness of a birthday cake with lit candles being carried in procession from the kitchen, faint circle of light wavering in across the dark ceiling and then the cake set down to blaze amidst the family, beatifying an old lady’s face, smiles all round, waiters stepping away with their hands behind their backs – just an ordinary birthday dinner you might see anywhere in an inexpensive downtown restaurant, and I’m sure I wouldn’t even remember it had she not died so soon after, but I thought about it again and again after her death and indeed I’ll probably think about it all my life: that candlelit circle, a tableau vivant of the daily, commonplace happiness that was lost when I lost her
Donna Tartt (The Goldfinch)
It wasn't all misery. On one of our halts we lay spreadeagled on the ice and stared up at a sky blazing with the glory of the most wonderful aurora I'd ever witnessed. I groaned beneath the splendour of those silken curtains, yellow, green, and orange, billowing at the window of the heavens.
Beryl Bainbridge (The Birthday Boys)
We drove in silence for a while. Then out of nowhere, Nancy quietly said, 'I'm going to die very soon. Before my twenty-first birthday. I won't live to be twenty-one. I'm never gonna be old. I don't ever want to be ugly and old. I'm an old lady now anyhow. I'm eighty. There's nothing left. I've already lived a whole lifetime. I'm going out. In a blaze of glory.' Then she was quiet. Her words just lay there like a bombshell. No one wanted to touch them. She hadn't issued a threat, simply made a flat statement. We all believed her. Even Sid. [...] 'I honestly can't understand her,' David [Nancy's brother] said as we drove home. 'She's dying. She knows it. Why won't she stop herself?' 'She doesn't want to,' Frank [Nancy's father] ]said sadly. 'She wants to die. She has for a long, long time. It's been her goal.' 'But why?' asked David. 'She hates being alive,' I said. 'She hates her pain. She hates herself. She wants to destroy herself.' 'Isn't there anything you guys can do?' asked David. 'Yes,' I said. 'What?' 'Watch her die.
Deborah Spungen (And I Don't Want to Live This Life: A Mother's Story of Her Daughter's Murder)
Candles blazing, the people closet to me in the world sang "Happy Birthday," and I grinned like a fool and tried not to cry because it was so wonderful and so disarming - almost like being transported back to a moment in childhood that I had not actually lived through. I blew out the candles and everyone cheered. "Thank you all for being here with me," I said, too choked up to manage more. It is so easy to go through your days stewing about someone stealing your parking spot without giving the same attention to your child's arms around your neck, to grumble about the ever-increasing cost of groceries without realizing just how good it is have warm toast and a fresh cup of coffee while sitting across from the one you love.
Camille Pagán (Forever is the Worst Long Time)
, and how she grasped my sleeve at the sudden, almost painful loveliness of a birthday cake with lit candles being carried in procession from the kitchen, faint circle of light wavering in across the dark ceiling and then the cake set down to blaze amidst the family, beatifying an old lady's face, smiles all round, waiters stepping away with their hands behind their backs—just an ordinary birthday dinner you might see anywhere in an inexpensive downtown restaurant, and I'm sure I wouldn't even remember it had she not died so soon after, but I thought about it again and again after her death and indeed I'll probably think about it all my life: that candlelit circle, a tableau vivant of the daily, commonplace happiness that was lost when I lost her.
Donna Tartt (The Goldfinch)
Sometimes I forgot that Mimi was dead. Like, one morning, I woke up to the smell of coffee and thought, Mimi’s already in the kitchen. And one afternoon I was in a card store and suddenly thought, almost in a panic, Mimi’s birthday is only a week away and I don’t have a card or a present for her. Each time, the awful truth would then blaze its way back into my brain. Other times, I wouldn’t be thinking about Mimi at all, and her memory would come crashing back to me. Those times were the most inconvenient, because I wanted to forget, not remember. Once, I was listening to the radio, and a song was playing and there was a line in it about a gentle person or a gentle life or something like that, and it brought Mimi to mind right away.
Ann M. Martin (Claudia and the Sad Good-bye (The Baby-sitters Club, #26))
Alf caught the child and gave him to Father. She was gripping Coral, thrusting her out. Willing, anxious hands were holding a blanket. She was trying to make the boy Walter jump too. But the children were terrified, and dazed by the smoke. They would not jump. They would not obey. Hannah lifted them, then dropped them on to the blanket. ‘Hannah, come down. Jump yerself. Quick! Quick!’ Alf was struggling to fight his way in through the flames but was beaten back —the place was a furnace. He tried yet again and was beaten back. ‘Us Bullens sticks together!’ he was shouting. ‘That’s me sister, that’s Hannah Bullen in there. I’m goin’ to get ‘er. Us Bullens sticks together!’ Then all in a moment he reeled and fell, and they saw that his face and chest were blackened. ‘Hannah! Hannah!’ ‘My Gawd, she don’t ‘ear us...’ ‘The room’s roarin’!’ ‘Someone go and get ‘old of the captain. Captain, for Gawd’s sake come on down ‘ere!’ ‘Fetch a ladder, we might get ‘er out through the winder.’ ‘Hannah! Hannah Bullen!’ ‘Oh, Christ, the roof...’ With a sudden sharp crash the roof fell in and the cottage blazed up magnificently, like a beacon set on the crest of the hill. It was New Year’s Day. It was Hannah’s birthday.
Radclyffe Hall (Radclyffe Hall: The Complete Novels)
Jackson gaped at her, wondering how this had all turned so terrible wrong. But he knew how. The woman was clearly daft. Bedlam-witted. And trying to drive him in the same direction. "You can't be serious. Since when do you know anything about investigating people?" She planted her hands on her hips. "You won't do it, so I must." God save him, she was the most infuriating, maddening-"How do you propose to manage that?" She shrugged. "Ask them questions, I suppose. The house party for Oliver's birthday is next week. Lord Devonmont is already coming, and it will be easy to convince Gran to invite my other two. Once they're here, I could try sneaking into their rooms and listening in on their conversations or perhaps bribing their servants-" "You've lost your bloody mind," he hissed. Only after she lifted an eyebrow did he realize he'd cursed so foully in front of her. But the woman would turn a sane man into a blithering idiot! The thought of her wandering in and out of men's bedchambers, risking her virtue and her reputation, made his blood run cold. "You don't seem to understand," she said in a clipped tone, as if speaking to a child. "I have to catch a husband somehow. I need help, and I've nowhere else to turn. Minerva is rarely here, and Gran's matchmaking efforts are as subtle as a sledgehammer. And even if my brothers and their wives could do that sort of work, they're preoccupied with their own affairs. That leaves you, who seem to think that suitors drop from the skies at my whim. If I can't even entice you to help me for money, then I'll have to manage on my own." Turning on her heel, she headed for the door. Hell and blazes, she was liable to attempt such an idiotic thing, too. She had some fool notion she was invincible. That's why she spent her time shooting at targets with her brother's friends, blithely unconcerned that her rifle might misfire or a stray bullet hit her by mistake. The wench did as she pleased, and the men in her family let her. Someone had to curb her insanity, and it looked as if it would have to be him. "All right!" he called out. "I'll do it." She halted but didn't turn around. "You'll find out what I need in order to snag one of my choices as a husband?" "Yes." "Even if it means being a trifle underhanded?" He gritted his teeth. This would be pure torture. The underhandedness didn't bother him; he'd be as underhanded as necessary to get rid of those damned suitors. But he'd have to be around the too-tempting wench a great deal, if only to make sure the bastards didn't compromise her. Well, he'd just have to find something to send her running the other way. She wanted facts? By thunder, he'd give her enough damning facts to blacken her suitors thoroughly. Then what? If you know of some eligible gentleman you can strong-arm into courting me, then by all means, tell me. I'm open to suggestions. All right, so he had no one to suggest. But he couldn't let her marry any of her ridiculous choices. They would make her miserable-he was sure of it. He must make her see that she was courting disaster. Then he'd find someone more eligible for her. Somehow. She faced him. "Well?" "Yes," he said, suppressing a curse. "I'll do whatever you want." A disbelieving laugh escaped her. "That I'd like to see." When he scowled, she added hastily, "But thank you. Truly. And I'm happy to pay you extra for your efforts, as I said." He stiffened. "No need." "Nonsense," she said firmly. "It will be worth it to have your discretion." His scowl deepened. "My clients always have my discretion.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Good stories build good lives. When we are lonely we can remember our good times with loved ones, a blazing sunset, or our sixtieth birthday dinner when everyone told us precisely what they loved about us. When we reexamine our stories with a focus on clarity, acceptance, and resilience, we grow in confidence and joy. Our stories, if carefully considered allow us to heal from the pain of the past and live vibrantly in the present. We could define wisdom as the capacity to skillfully select our narratives. We we do this, we experience our lives as filled with meaning. Every present day event resonates with the decades of past events. We can be grateful for everything that led us to the moment we are inhabiting.This is how life becomes sacred. It is hallowed by story.
Mary Pipher (Women Rowing North: Navigating Life’s Currents and Flourishing As We Age)
Her fear of that life had led her to flee Dick, Gordon, Wellesley, America. The final lines of “Ariel” are a referendum on the unconventional path she had chosen as she took stock of her life on her thirtieth birthday.
Heather Clark (Red Comet: The Short Life and Blazing Art of Sylvia Plath)
She approved of the new title he’d suggested, “The Elm Speaks,” and sent him a new batch of poems on October 12: “A Birthday Present,” “The Detective,” “The Courage of Quietness” (retitled “The Courage of Shutting-Up”), “For a Fatherless Son,” “The Applicant,” “Daddy,” and her five bee poems. Moss would reject them all.
Heather Clark (Red Comet: The Short Life and Blazing Art of Sylvia Plath)
Surround yourself with good people. The ones who will be there to pick you up piece by broken piece when you go through hardships. The ones who will be by your side through thick and thin, through blazing heats and devastating blizzards. The ones who won’t only be there for the birthday parties and the Fourth of July fireworks, but also for the funerals, for the doctor appointments, and for the days when you can’t seem to pull yourself out of bed.
N.S. Perkins (A Risk on Forever)
Because it was the fate of the damned to run of course, not jog, run, their piss on fire and their shit molten, boiling sperm and their ovaries frying; what they were permitted of body sprinting at full throttle, wounded gallop, burning not fat—fat sizzled off in the first seconds, bubbled like bacon and disappeared, evaporate as steam, though the weight was still there, still with you, its frictive drag subversive as a tear in a kite and not even muscle, which blazed like wick, but the organs themselves, the liver scorching and the heart and brains at flash point, combusting the chemistries, the irons and phosphates, the atoms and elements, conflagrating vitamin, essence, soul, yet somehow everything still within the limits if not of endurance then of existence. Damnation strictly physical, nothing personal, Hell’s lawless marathon removed from character. ‘Sure,’ someone had said, ‘we hit the Wall with every step. It’s all Wall down here. It’s wall-to-wall Wall. What, did you think Hell would be like some old-time baker’s oven? That all you had to do was lie down on a pan like dough, the insignificant heat bringing you out, fluffing you up like bread or oatmeal cookies? You think we’re birthday cake? We’re fucking stars. Damnation is hard work, eternity lousy hours.
Stanley Elkin