Blast Off Quotes

We've searched our database for all the quotes and captions related to Blast Off. Here they are! All 100 of them:

Much slower, I turned around to see Vlad examining his fingernails, as if his hands weren't still ablaze in the flames that had blasted the ghoul's head off moments before. 'what the hell was that?' I gasped. 'Premature inflammation,' He replied. 'Happens sometimes. Very embarrassing, I don't like to talk about it.'
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
Grover Underwood of the satyrs!" Dionysus called. Grover came forward nervously. "Oh, stop chewing your shirt," Dionysus chided. "Honestly, I'm not going to blast you. For your bravery and sacrifice, blah, blah, blah, and since we have an unfortunate vacancy, the gods have seen fit to name you a member of the Council of Cloven Elders." Grover collapsed on the spot. "Oh, wonderful," Dionysus sighed, as several naiads came forward to help Grover. "Well, when he wakes up, someone tell him that he will no longer be an outcast, and that all satyrs, naiads, and other spirits of nature will henceforth treat him as a lord of the Wild, with all rights, privileges, and honors, blah, blah, blah. Now please, drag him off before he wakes up and starts groveling." "FOOOOOD," Grover moaned, as the nature spirits carried him away. I figured he'd be okay. He would wake up as a lord of the Wild with a bunch of beautiful naiads taking care of him. Life could be worse.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Katy I always had this plan for the off chance I was around for the end of the world. I’d climb up on my roof top, turn up the radio, blast R.E.M.’s It’s The End of The World, and watch it all go down from my lofty perch. Except real life rarely turned out that cool. And it was really happening—it was the end of the world as we knew it, and I sure as hell didn’t feel fine. Everything had changed and we had been the catalyst for it all.
Jennifer L. Armentrout (Opposition (Lux, #5))
Suddenly, I viddied what I had to do, and what I had wanted to do, and that was to do myself in; to snuff it, to blast off for ever out of this wicked, cruel world. One moment of pain perhaps and, then, sleep forever, and ever and ever.
Anthony Burgess (A Clockwork Orange)
No wonder Van Gogh blasted his head off. Crows and sunlight. Idle zero. Zero eating your guts like an animal inside, letting you shit and fuck and blink your eyes, but nothing, a nothing.
Charles Bukowski (Screams From the Balcony: Selected Letters 1960-1970)
Hermes smiled. "I knew a boy once ... oh, younger than you by far. A mere baby, really." Here we go again, George said. Always talking about himself. Quiet! Martha snapped. Do you want to get set on vibrate? Hermes ignored them. "One night, when this boy's mother wasn't watching, he sneaked out of their cave and stole some cattle that belonged to Apollo." "Did he get blasted to tiny pieces?" I asked. "Hmm ... no. Actually, everything turned out quite well. To make up for his theft, the boy gave Apollo an instrument he'd invented-a lyre. Apollo was so enchanted with the music that he forgot all about being angry." So what's the moral?" "The moral?" Hermes asked. "Goodness, you act like it's a fable. It's a true story. Does truth have a moral?" "Um ..." "How about this: stealing is not always bad?" "I don't think my mom would like that moral." Rats are delicious, suggested George. What does that have to do with the story? Martha demanded. Nothing, George said. But I'm hungry. "I've got it," Hermes said. "Young people don't always do what they're told, but if they can pull it off and do something wonderful, sometimes they escape punishment. How's that?
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
As he vomited, he felt, though did not see, V come over. Forcing his head up, Butch groaned, "Help me..." I'm going to, trahyner. Give me your hand." As Butch held his palm up in despair, Vishous whipped off his glove and grabbed on good and hard. V's energy, that beautiful, white light, poured down Butch's arm and ripped through him in a blast, cleansing, renewing. United by their clasped hands, they became again the two halves, the light and the dark. The Destroyer and the Savior. A whole.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
that arctic blast you're feeling? it's the chill coming off my cold shoulder
Michele Jaffe (Bad Kitty (Bad Kitty, #1))
She tore off his grip, and then she was walking out the kitchen door, across the courtyard, through the ward-stones, and along the invisible barrier- until she found a spot just out of sight of the fortress. The world was full of screaming and wailing, so loud she drowned in it. Celaena did not utter a sound as she unleashed her magic on the barrier, a blast that shook the trees and set the earth rumbling. She fed her power into the invisible wall, begging the ancient stones to take it, to use it. The wards, as if sensing her intent, devoured her power whole, absorbing every last ember until it flickered, hungry for more. So she burned and burned and burned.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
A cold blast hit him and he laughed at the sting as he stepped outside, surveyed the night sky, and drank deeply. Such a good liar he was. Such a good one. Everyone thought he was fine because he'd camo'd his little problems. He wore a Sox hat to hide the eye twitch. Set his wristwatch to go off every half hour to beat back the dream. Ate though he wasn't angry. Laughed though he found nothing funny. And he'd always smoked like a chimney.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
I felt like I was some kind of primitive spring-loaded machine, placed under far more tension than it had ever been built to sustain, about to blast apart at great danger to anyone standing nearby. I imagined my body parts flying off my torso in order to escape the volcanic core of unhappiness that had become: me.
Elizabeth Gilbert (Eat, Pray, Love)
I helped you. I did! I put him where you told me to. (Basi) You didn’t do shit, except whine and piss me off! (Apollymi) (Apollymi blasted her into oblivion.)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
My hands are in his hair and his arms wrap around my waist tighter. I know what Henry does to me. I’m space bound. A rocket about to blast off. And I want Henry to send me to the moon.
Lauren Hammond (He Loves Me...He Loves You Not...)
Oh, for heaven's sake, she thought with droll exasperation, this certainly explains a lot. It's no wonder I haven't been able to keep my hands off the blasted man since the day I met him. He's an artifact! A Celtic one at that!
Karen Marie Moning (The Dark Highlander (Highlander, #5))
The Days were a clan that mighta lived long But Ben Day’s head got screwed on wrong That boy craved dark Satan’s power So he killed his family in one nasty hour Little Michelle he strangled in the night Then chopped up Debby: a bloody sight Mother Patty he saved for last Blew off her head with a shotgun blast Baby Libby somehow survived But to live through that ain’t much a life —SCHOOLYARD RHYME, CIRCA 1985
Gillian Flynn (Dark Places)
Dancing? You, Poppy?" Marianne shook her head slowly. I never thought..." Rose looked concerned. She even felt Poppy's head for fever, but Poppy shook her off. "I don't know about you, Rose, but I'm done letting creatures like Under Stone and the Corley dictate my life. I enjoy dancing, and I will blasted well dance at my wedding!" "Poppy! Language!" Poppy didn't answer; she just threw her arms around Christian and kissed him soundly.
Jessica Day George (Princess of Glass (The Princesses of Westfalin Trilogy, #2))
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Suddenly, I viddied what I had to do, and that was to do myself in; to snuff it, to blast off forever out of this wicked, cruel world. One moment of pain perhaps and, then, sleep forever, and ever and ever.
Anthony Burgess (A Clockwork Orange)
ignition! blast off!!! the vessel needs a new name! something more appropriate to a starship. apollo? gemini? enterprise. already taken. millennium falcon. trademarked. all rights reserved. no! wait, i have it! dragin star! thats it! dragon star!
Margaret Weis (Elven Star (The Death Gate Cycle, #2))
But when you talk about Nabokov and Coover, you’re talking about real geniuses, the writers who weathered real shock and invented this stuff in contemporary fiction. But after the pioneers always come the crank turners, the little gray people who take the machines others have built and just turn the crank, and little pellets of metafiction come out the other end. The crank-turners capitalize for a while on sheer fashion, and they get their plaudits and grants and buy their IRAs and retire to the Hamptons well out of range of the eventual blast radius. There are some interesting parallels between postmodern crank-turners and what’s happened since post-structural theory took off here in the U.S., why there’s such a big backlash against post-structuralism going on now. It’s the crank-turners fault. I think the crank-turners replaced the critic as the real angel of death as far as literary movements are concerned, now. You get some bona fide artists who come along and really divide by zero and weather some serious shit-storms of shock and ridicule in order to promulgate some really important ideas. Once they triumph, though, and their ideas become legitimate and accepted, the crank-turners and wannabes come running to the machine, and out pour the gray pellets and now the whole thing’s become a hollow form, just another institution of fashion. Take a look at some of the critical-theory Ph.D. dissertations being written now. They’re like de Man and Foucault in the mouth of a dull child. Academia and commercial culture have somehow become these gigantic mechanisms of commodification that drain the weight and color out of even the most radical new advances. It’s a surreal inversion of the death-by-neglect that used to kill off prescient art. Now prescient art suffers death-by acceptance. We love things to death, now. Then we retire to the Hamptons.
David Foster Wallace
Back in the day, I had this plan for the off chance that I was around for the whole end-of-the-world thing. It involved climbing up on my roof and blasting R.E.M.’s “It’s the End of the World as We Know It (And I Feel Fine)” as loud as humanly possible, but real life rarely turns out that cool.
Jennifer L. Armentrout (Opposition (Lux, #5))
It didn’t occur to me that I was glistening with sweat and wearing a bikini top until they turned off the bikes, pulled off their helmets and turned to scope me out. To make my own personal cliché perfect, Def Leppard’s Pour Some Sugar On Me blasted through the radio. I winced – I must look like a white-trash princess from hell, basking outside my trailer in a bikini to outdated butt rock.
Joanna Wylde (Reaper's Property (Reapers MC, #1))
When I was fourteen, I thought a lot about killing myself—it’s a hobby today, but at age fourteen it was a vocation. On a September morning, just after school started, I’d gotten Diane’s .44 Magnum and held it, babylike, in my lap for hours. What an indulgence it would be, to just blow off my head, all my mean spirits disappearing with a gun blast, like blowing a seedy dandelion apart. But I thought about Diane, and her coming home to my small torso and a red wall, and I couldn’t do it. It’s probably why I was so hateful to her, she kept me from what I wanted the most.
Gillian Flynn (Dark Places)
Revenge is not a straight line, it’s a circle. It’s a grenade that goes off while you’re still in the room, and you can’t help but be caught in the blast.
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
I’ll wear you down,” he proclaimed. “No, you won’t,” I denied. “You won’t let me in, I’ll break in, sneak in, blast in,” he promised. “You won’t get in,” I contradicted. He shut up again and stared at me. After long moments, I watched as suddenly, weirdly and, most of all, scarily, he saw something in me that made his face clear. I didn’t think that was good. I would find out I was right. “Let you in on a secret, babe, and you think on this,” he told me. I was not going to think on anything. “Hop… get… off… me,” I snapped. His body pressed into mine so he could lift his hands up and frame my face. “I’m already in. Just gotta wait for you to realize it.
Kristen Ashley (Fire Inside (Chaos, #2))
Cup of tea?' Lupin said, looking around for his kettle. 'I was just thinking of making one.' 'All right,' said Harry, awkwardly. Lupin tapped the kettle with his wand and a blast of steam issued suddenly from the spout. 'Sit down,' said Lupin, taking the lid off a dusty tin. 'I've only got teabags, I'm afraid-but I daresay you've had enough of tea leaves?' Harry looked at him. Lupin's eyes were twinkling. 'How did you know that?' Harry asked. 'Professor McGonagall told me,' said Lupin, passing Harry a chipped mug of tea. 'You're not worried, are you?
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
Writers haven't got any rockets to blast off. We don't even trundle the most insignificant auxiliary vehicle. We haven't got any military might. So what can literature do in the face of the merciless onslaught of open violence? One word of truth outweighs the whole world.
Aleksandr Solzhenitsyn
Work out what you have t do to hold it together, what you can reroute,” Kady say. “You hear me? Iа you're off with the fucking fairies when the Lincoln arrives, they'll blast us to hell, and then Hypatia is history." “I am aware of dangers of consorting with fairies, yes.
Amie Kaufman (Illuminae (The Illuminae Files, #1))
Why have you let your mind get so entwined," my master said, "that you have slowed your walk? Why should you care about what's whispered here? Come, follow me, and let these people talk: stand like a sturdy tower that does not shake its summit though the winds may blast; always the man in whom thought thrusts ahead of thought allows the goal he's set to move far off- the force of one thought saps the other's force.
Dante Alighieri (The Divine Comedy)
I must have been sound asleep if i missed all that shouting-Simon What shouting?-Derek you mean that Chole just told you she followed a ghost onto a roof, and you didnt blast her all the way to Canada?-Simon He's a little off this morning-Chole More than a little i'll say.-Simon
Kelley Armstrong
There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense. There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance. There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness. Other, private winds. Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.' There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.
Michael Ondaatje
And one cried wee, wee, wee, all the way—" Jessica breaking down in a giggle as he reaches for the spot along her sweatered flank he knows she can't bear to be tickled in. She hunches, squirming, out of the way as he rolls past, bouncing off the back of the sofa but making a nice recovery, and by now she's ticklish all over, he can grab an ankle, elbow— But a rocket has suddenly struck. A terrific blast quite close beyond the village: the entire fabric of the air, the time, is changed—the casement window blown inward, rebounding with a wood squeak to slam again as all the house still shudders. Their hearts pound. Eardrums brushed taut by the overpressure ring in pain. The invisible train rushes away close over the rooftop.... They sit still as the painted dogs now, silent, oddly unable to touch. Death has come in the pantry door: stands watching them, iron and patient, with a look that says try to tickle me.
Thomas Pynchon (Gravity’s Rainbow)
But you know what, it's time for me to stop putting other people's emotions ahead of my own. It's time for me to be true to myself, like the popstars say. And my true self wants to blast off this rock.
Ned Vizzini (It's Kind of a Funny Story)
And what other kind of man would you want leading you into battle?” he says, reading my Noise. “What other kind of man is suitable for war?” A monster, I think, remembering what Ben told me once. War makes monsters of men. “Wrong,” says the Mayor. “It’s war that makes us men in the first place. Until there’s war, we are only children.” Another blast of the horn comes roaring down at us, so loud it nearly takes our heads off and it puts the army off its stride for a second or two. We look up the road to the bottom of the hill. We see Spackle torches gathering there to meet us. “Ready to grow up, Todd?” the Mayor asks.
Patrick Ness (Monsters of Men (Chaos Walking, #3))
..who threw their watches off the roof to cast their ballot for an Eternity outside of Time, and alarm clocks fell on their heads every day for the next decade, who cut their wrists three times successively unsuccessfully, gave up and were forced to open antique stores where they thought they were growing old and cried, who were burned alive in their innocent flannel suits on Madison Avenue amid blasts of leaden verse and the tanked-up clatter of the iron regiments of fashion and the nitroglycerine shrieks of the fairies of advertising and the mustard gas of sinister intelligent editors, or were run down by the drunken taxicabs of Absolute Reality..
Allen Ginsberg (Howl and Other Poems)
What is the price of Experience? Do men buy it for a song? Or wisdom for a dance in the street? No, it is bought with the price Of all that a man hath, his house, his wife, his children Wisdom is sold in the desolate market where none come to buy And in the wither'd field where the farmer ploughs for bread in vain It is an easy thing to triumph in the summer's sun And in the vintage and to sing on the waggon loaded with corn It is an easy thing to talk of patience to the afflicted To speak the laws of prudence to the homeless wanderer To listen to the hungry raven's cry in wintry season When the red blood is fill'd with wine and with the marrow of lambs It is an easy thing to laugh at wrathful elements To hear the dog howl at the wintry door, the ox in the slaughterhouse moan; To see a god on every wind and a blessing on every blast To hear sounds of love in the thunderstorm that destroys our enemies' house; To rejoice in the blight that covers his field and the sickness that cuts off his children While our olive and vine sing and laugh round our door and our children bring fruits and flowers Then the groan and the dolour are quite forgotten and the slave grinding at the mill And the captive in chains and the poor in the prison and the soldier in the field When the shatter'd bone hath laid him groaning among the happier dead It is an easy thing to rejoice in the tents of prosperity: Thus could I sing and thus rejoice: but it is not so with me.
William Blake
The blast that swept him came off New Hampshire snow-fields and ice-hung forests. It seemed to have traversed interminable leagues of frozen silence, filling them with the same cold roar and sharpening its edge against the same bitter black-and-white landscape. ("The Triumph Of The Night")
Edith Wharton (The Ghost Stories of Edith Wharton)
How To Tell If Somebody Loves You: Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage! Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all. Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you. Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love. Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to. Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them. Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.
Ryan O'Connell
These stories, I realized, were lost. Nobody was going to know that part of the city but as a place where a bomb went off. The bomb was going to become the story of this city. That's how we lose the city - that's how our knowledge of what the world is is taken away from us - when what we know is blasted into rubble and what is created in its place bears no resemblance to what there was and we are left strangers in a place we knew, in a place we ought to have known.
Bilal Tanweer (The Scatter Here is Too Great)
Some people spend their life studying maps but never start the journey; other people blast off the starting line full speed ahead without first charting a course. Most of us could benefit from a better balance between planning and doing.
Gregory D. Kincaid (Tantric Coconuts)
Ah, dammit to hell and blast and nonspecific fornication" I said, when the rivet went shooting off into the grass again. "Is everyone OK with that?" "What's wrong with nonspecific fornication?" Abby demanded. "I don't like my fornication specific.
Tana French (The Likeness (Dublin Murder Squad, #2))
I smelled smoke right before hearing the "pop" like a firecracker had gone off. Splatters of something thick coated my back even as a thud reverberated behind me. I whirled around to gape at what was left of the ghoul. His body pitched forward on the drive-way, nothing but a smoldering mess left where his head had been. Much slower, I turned around to see Vlad examining his fingernails, as if his hands weren't still ablaze in the flames that had blasted the ghoul's head off moments before. "What the hell was that?" I gasped. "Premature inflamation," he replied. "Happens sometimes. Very embarrassing. I don't like to talk about it.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
Not easy when you can't talk, is it?" I grinned. "Well, not easy for you but I could get used to it." He grumbled, but I could see relif in his eyes, like he was glad to see me smile. "SO i was right, wasn't I? It's still youm even in wolf form." He grunted. "No sudden uncontrollable urges to go kill something?" He rolled his eyes. "Hey, you're the one who was worried." I paused. "And i don't smell like dinner, right?" I got a real look for that one. "Just covering all the bases." He gave a rumbling groul, like a chuckle, and settled in, lowering his head to his front paws, gaze on me. I tried to get comfortable, but the ground was ice-cold through his swearshirt, and i was wearing only my new pajamas, a light jacket, and sneakers. Seeing me shiver, he stretched a front leg toward the swearshirt, pawing the edge and snarling when he realized he couldnt grab it. "The lack of opposanle thumbs is going to take some getting used to, huh?" He motioned me closer with his muzzel. When I pretended not to understand, he twisted and gingerly took the hem of the swearshirt between his teeth, lips curled in discust as he tugged it. "Okay, okay. I'm just trying not to croud you." That wasnt the only reason i was uncomfortanle getting too cozy with him now, but he just grunted, again seeming to say it was fine. i moved over beside himm. He shifted, his torso making a partial wind block, the boddy heat from the change still blasting like a furnace. He grunted. "Yes, thats better.thanks. now get some rest." i had no idea what would happen now. i doubted derek did either. he'd been focused on getting through the change. what i did know was that this was only half the process. he had to change back, and he'd need time and rest for that. and how would it happen? did he have to wait until his body was ready, like he did with the change to a wolf? how long would that be?hours?days? Feeling his gaze on me, i forced a smile and pushed back my worries. it would be okat. he could change. that was the important thing. when i relaxed, he shifted closer, fur brushing my hand. i tentatively touched it, feeling the coarse top layer and soft undercoar. he leaned against my hand, as if to sat it was okaym and i buried my hand in his fur, his skin so hot from the change it was like putting my numb hands on a radiator. my cool fingers must have felt just as good, because he closed his eyes and shifte until i was leaning on him. within minutes he was asleep. i closed my eyes, meaning to rest for just a moment, but the next thing i knew, i was waking up, curled on my side, using derek as a pillow. i jumped. he looked over at me. "S-sorry, I didn't mean-" He cut me short with a growl, telling me off for apologizing.
Kelley Armstrong
His fear-inflamed mind sent the control-signal to his finger-joint to fold back. The trigger sliced back. The blast seemed to lift the booth clear off the floor, drop it down again. A pin-wheel of vacancy appeared in the glass, flinging off shards and slivers.
Cornell Woolrich (Marihuana)
What did you do?’ I whisper to Aithinne. Aithinne pushes to her feet, dusting off her clothes.‘I redirected its blast away from us so it used its weapon on itself. ’ She scans the destruction.‘Easy.’ ‘Ah, yes,’ I murmur, trying to quell the emotions that rush through me at seeing my childhood home destroyed. ‘Simple’s sibling, Easy. I don’t even want to imagine the levels of chaos that would prompt visits from their cousins Straightforward and Uncomplicated.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
What an indulgence it would be, to just blow off my head, all my mean spirits disappearing with a gun blast, like blowing a seedy dandelion apart.
Gillian Flynn (Dark Places)
And you know what happens when a bomb goes off? The truth about people comes out. Men leave their children and run away. Shopkeepers push aside wives and try to save their cash. People come and loot the shops. A blast reveals the truth about places. Don't forget what you're doing is noble.
Karan Mahajan (The Association of Small Bombs)
The least little bit o' money 'll really do... What have yer done ter yerselves, wi' the blasted work? Spoilt yerselves. No need to work that much. Take yer clothes off an' look at yourselves. Yer ought ter be alive an' beautiful, an' yer ugly an' half dead.
D.H. Lawrence (Lady Chatterley’s Lover)
What industry calls innovation, in other words, looks more like the final suicidal throes of addiction. We are blasting the bedrock of our continents, pumping our water with toxins, lopping off mountaintops, scraping off boreal forests, endangering the deep ocean, and scrambling to exploit the melting Arctic—all to get at the last drops and the final rocks. Yes, some very advanced technology is making this possible, but it’s not innovation, it’s madness.
Naomi Klein (This Changes Everything: Capitalism vs. The Climate)
ERNEST FRIEDLANDER: Be quiet! Be quiet! LEO MERCURÉ: Why should we be quiet? You’re making enough row to blast the roof off! Why should you have the monopoly of noise? Why should your pompous moral pretensions be allowed to hurdle across the city without any competition? We’ve all got lungs. Let’s use them! Let’s shriek like mad! Let’s enjoy ourselves!
Noël Coward (Design for Living)
This is fucking Washington! Who the hell has a below ground swimming pool? It rained 256 days of the year, for Pete's sake! On the off chance I found the blasted owners of it, I was going to put a bullet in their heads right then.
Eloise J. Knapp (The Undead Situation (Undead, #1))
Back in the day, I had this plan for the off chance that I was around for the whole end-of-the-world business. It involved climbing up on my roof and blasting R.E.M.’s “It’s the End of the World as We Know It (And I Feel Fine),” but real life never turns out that cool. It was happening—everything about the world as we knew it was ending, and it sure as hell did not feel fine. Opening my eyes, I inched back the flimsy white curtain. I peered outside, beyond the porch and the cleared yard, into the thick woods surrounding the cabin Luc had stashed in the forests of Coeur d’Alene, a city in Idaho I couldn’t even begin to pronounce or spell.
Jennifer L. Armentrout (Opposition (Lux, #5))
Ortiz is now synonymous with walk-off homers. After all, he hit a total of nine game-ending blasts from 2002-07. And that was just in the regular season. It was his blasts in the 2004 postseason that cemented his legacy in Boston.
Tucker Elliot (Boston Red Sox: An Interactive Guide to the World of Sports)
Oh, for heavens sake, she thought with droll exasperation, this certainly explains a lot. It's no wonder I haven't been able to keep my hands off the blasted man since the day I met him. He's an artifact! A Celtic one at that! "Well, that's one way of thinking of me, lass," Dageus purred, his dark eyes gleaming with satisfaction. "Tell me I didn't just say that aloud!" Chloe was horrified. Silvan cleared his throat. "You did. He's an artifact.
Karen Marie Moning
Peace, he knows, can be shattered in a million variations: great visions of the end, a rain of ash, a disease on the wind, a blast in the distance, the sun dying like a kerosene lamp clicked off. And in smaller ways: an overheard remark, his daughter’s sour mood, his own body faltering. There’s no use in anticipating the mode. He will wait for the hushed spaces in life, for Ellis’s snore in the dark, for Grete’s stealth kiss, for the warm light inside the gallery, his images on the wall broken beyond beauty into blisters and fragments, returning in the eye to beauty again. The voices of women at night on the street, laughing; he has always loved the voices of women. Pay attention, he thinks. Not to the grand gesture, but to the passing breath. He sits. He lets the afternoon sink in. The sweetness of the soil rises to him. A squirrel scolds from high in a tree. The city is still far away, full of good people going home. In this moment that blooms and fades as it passes, he is enough, and all is well in the world.
Lauren Groff (Arcadia)
Today I prayed for Boston, for America, my home away from home. Today, I realized how lucky we Sri Lankans are to have peace in our country. How I feel today, hearing of the bombs going off in the city brings back memories of how I used to feel four years ago in Sri Lanka when the LTTE was setting off bombs all around Colombo. That feeling I used to get when I hear about a bomb blast, the goosebumps, the school evacuation drills, the breaking news footage, and most of all, that fear we Sri Lankans used to feel, every second of everyday, it all came back to me today. Thank you God for bringing peace to my country, look after America the way you did Sri Lanka.
Thisuri Wanniarachchi
I am made to sow the thistle for wheat; the nettle for a nourishing dainty I have planted a false oath in the earth, it has brought forth a poison tree I have chosen the serpent for a councellor & the dog for a schoolmaster to my children I have blotted out from light & living the dove & the nightingale And I have caused the earthworm to beg from door to door I have taught the thief a secret path into the house of the just I have taught pale artifice to spread his nets upon the morning My heavens are brass my earth is iron my moon a clod of clay My sun a pestilence burning at noon & a vapor of death in night What is the price of Experience do men buy it for a song Or wisdom for a dance in the street? No it is bought with the price Of all that a man hath his house his wife his children Wisdom is sold in the desolate market where none come to buy And in the withered field where the farmer plows for bread in vain It is an easy thing to triumph in the summers sun And in the vintage & to sing on the waggon loaded with corn It is an easy thing to talk of patience to the afflicted To speak the laws of prudence to the houseless wanderer To listen to the hungry ravens cry in wintry season When the red blood is filled with wine & with the marrow of lambs It is an easy thing to laugh at wrathful elements To hear a dog howl at the wintry door, the ox in the slaughter house moan To see a god on every wind & a blessing on every blast To hear the sounds of love in the thunder storm that destroys our enemies house To rejoice in the blight that covers his field, & the sickness that cuts off his children While our olive & vine sing & laugh round our door & our children bring fruits and flowers Then the groans & the dolor are quite forgotten & the slave grinding at the mill And the captive in chains & the poor in the prison, & the soldier in the field When the shattered bone hath laid him groaning among the happier dead It is an easy thing to rejoice in the tents of prosperity Thus could I sing & thus rejoice, but it is not so with me!
William Blake (The Complete Poems)
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
She was still doing forty knots, driving in under the guns of the enemy, guns at maximum depression, when "A" magazine blew up, blasted off the entire bows in one shattering detonations. For a second, the lightened fo'c'sle reared high into the air" then it plunged down, deep down, into the shoulder of a rolling sea. She plunged down and kept on going down, driving down to the black floor of the Arctic, driven down by the madly spinning screws. The still thundering engines her own executioners.
Alistair MacLean (HMS Ulysses)
A streak of green fire blasted out of the back of the shed, passed a foot over the heads of the mob, and burned a charred rosette in the woodwork over the door. Then came a voice that was a honeyed purr of sheer deadly menance. "This is Lord Mountjoy Quickfang Winterforth IV, the hottest dragon in the city. It could burn your head clean off." Captain Vimes limped forward from the shadows. A small and extremely frightened golden dragon was clamped firmly under one arm. His other hand held it by the tail. The rioters watched it, hypnotized. "Now I know what you're thinking," Vimes went on, softly. "You're wondering, after all this excitement, has it got enough flame left? And, y'know, I ain't so sure myself..." He leaned forward, sighting between the dragon's ears, and his voice buzzed like a knife blade: "What you've got to ask yourself is: Am I feeling lucky?
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
Hannah leaned forward and reached for the dial. The radio hissed, shrieked and blasted a few bars of Mozart before finally settling on Radiohead’s Exit Music (for a Film). Hannah, delighted with her discovery, smiled and slumped back in her seat. She listened to Thom Yorke’s nasally vocals in silence for a couple of verses before joining in. Singing heartily and drumming away on her knees, she was like a ball of energy, and already I felt this energy permeating my own body. I felt as fresh and as happy as I’d been in months. Radiohead ended and became The Stone Roses, who in turn became The Killers. Finally, when they became the hourly news, Hannah rolled her eyes and turned off the radio.
Andy Marr (Hunger for Life)
Off hours, yes. But time to think? If you’re not driving a hundred miles an hour, at a clip where you can’t think of anything else but the danger, then you’re playing some game or sitting in some room where you can’t argue with the four-wall televisor. Why? The televisor is ‘real.’ It is immediate, it has dimension. It tells you what to think and blasts it in. It must be right. It seems so right. It rushes you on so quickly to its own conclusions your mind hasn’t time to protest, ‘What nonsense!
Ray Bradbury (Fahrenheit 451)
To be an engineer, and build a marvelous machine, and to see the beauty of its operation is as valid an experience of beauty as a mathematician's absorption in a wondrous theorem. One is not "more" beautiful than the other. To see a space shuttle standing on the launch pad, the vented gases escaping, and witness the thunderous blast-off as it climbs heavenward on a pillar of flame - this is beauty. Yet it is a prime example of applied mathematics.
Calvin C. Clawson (Mathematical Mysteries: The Beauty and Magic of Numbers)
My first morning back, and I’m in such a terrific mood that I start the day off right by blasting Nappy Roots in the kitchen while I scarf down some cereal. The loud strains of “Good Day” draw the others from their bedrooms, and Garrett is the first to appear, clad in boxers and rubbing his eyes. “Morning, Sunshine,” he mumbles. “Please tell me you made some coffee.” I point to the counter. “Go nuts.” He pours himself a cup and plops down on one of the stools. “Did cartoon chipmunks dress you this morning?” he grumbles. “You’re scarily chipper.” “And you’re scarily grumpy. Smile, dude. It’s our favorite day of the year, remember?
Elle Kennedy (The Mistake (Off-Campus, #2))
All's ringing, roaring, grinding, breakers' crash - and silence all at once, release: it means he is tiptoeing over pine needles, so as not to startle the light sleep of space. And it means he is counting the grains in the blasted ears; it means he has come again to the Daryal Gorge, accursed and black, from another funeral. And again Moscow, where the heart's fever burns. Far off the deadly sleighbell chimes, someone is lost two steps from home in waist-high snow. The worst of times...
Anna Akhmatova (The Complete Poems of Anna Akhmatova)
And when he'd hurried out as soon as Jane had been taken from the room, Louisa had mumbled something derogatory about the entire male sex.He hadn't taken offense. How could he? Molly was screaming her blasted head off and enduring hours and hours of pain, all to bring forth a child without her husband. At that moment, he had the utmost respect for women and nothing but contempt for himself and his kind.
Sabrina Jeffries (The Pirate Lord)
The main issue is that when the stress response is activated too frequently or if the stressor is too intense, the body can lose the ability to shut down the HPA and SAM axes. The term for this is disruption of feedback inhibition, which is a science-y way of saying that the body’s stress thermostat is broken. Instead of shutting off the supply of “heat” when a certain point is reached, it just keeps on blasting cortisol through your system. This is exactly what Fisher and Bruce were seeing in the foster kids.
Nadine Burke Harris (The Deepest Well: Healing the Long-Term Effects of Childhood Trauma and Adversity)
I hurled myself under the covers, naked and half wet, grabbing my phone on the way. - don't come nevermind - I heard a phone dine from the living room and, soon after, a voice so close it shocked me. "Too late," Jonathan said. "Your front door was open." -go away - a blast of cold air hit me as the covers were moved, and in the next breath, I caught his new scent. He pulled the covers over us just as his phone dinged. He pressed his front to my back, spooning me, this clothes taking on the dampness I hadn't gotten around to toweling off. "I'm sorry Monica. He put his face in my wet hair and draped his arm around me. "Ah. What's this text I have here? It says go away." I sniffled. He slid his arm under my neck and held the phone in front of our faces with both hands. His breath tickled my ear. "Let me text back. Hang on." -I'd rather be here for you - I waited for it to appear on my phone. He nuzzled into the hair pooling at the back of my neck as i typed back. - And then what? - His fingers flew across the glass. - And let's talk about the rest later. Today, you are the goddess my universe revolves around. -
C.D. Reiss (Submit (Songs of Submission, #3))
The pig winks and rolls in the bog. He kicks his legs up and his trotters clack together. The sun is low over the neighbourhood. There is the smell of oncoming night, of pollen settling, the sounds of kids fighting bath time. Lester comes down, waving his hands. Don't drown the pig, Fish. We're saving him for Christmas! We're gonna eat him. No! I'll drink to that, says the pig. Lester stands there. He looks at Fish. He looks at the porker. He peeps over the fence. The pig. The flamin' pig. The pig has just spoken. It's no language that he can understand, but there's no doubt. He feels a little crook, like maybe he should go over to that tree and puke. I like him, Lestah. He talks? Yep. Oh, my gawd. Lester looks at his retarded son again and once more at the pig. The pig talks. I likes him. Yeah, I bet. The pig snuffles, lets off a few syllables: aka sembon itwa. It's tongues, that's what it is. A blasted Pentecostal pig. And you understand him? Yep. I likes him. Always the miracles you don't need. It's not a simple world, Fish. It's not.
Tim Winton (Cloudstreet)
Seven hundred feet above, the sentries heard and raised their warhorns to their lips. The sound rang out, echoing off the Wall and out across the world. Ahoooooooooooooooooooooooooooooo. One long blast. For a thousand years or more, that sound had meant rangers coming home. Today it meant something else. Today it called the free folk to their new homes.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
The three of us exchanged glances but said nothing. After all, what was there to say? The truth was that hookers did take credit cards—or at least ours did! In fact, hookers were so much a part of the Stratton subculture that we classified them like publicly traded stocks: Blue Chips were considered the top-of-the-line hooker, zee crème de la crème. They were usually struggling young models or exceptionally beautiful college girls in desperate need of tuition or designer clothing, and for a few thousand dollars they would do almost anything imaginable, either to you or to each other. Next came the NASDAQs, who were one step down from the Blue Chips. They were priced between three and five hundred dollars and made you wear a condom unless you gave them a hefty tip, which I always did. Then came the Pink Sheet hookers, who were the lowest form of all, usually a streetwalker or the sort of low-class hooker who showed up in response to a desperate late-night phone call to a number in Screw magazine or the yellow pages. They usually cost a hundred dollars or less, and if you didn’t wear a condom, you’d get a penicillin shot the next day and then pray that your dick didn’t fall off. Anyway, the Blue Chips took credit cards, so what was wrong with writing them off on your taxes? After all, the IRS knew about this sort of stuff, didn’t they? In fact, back in the good old days, when getting blasted over lunch was considered normal corporate behavior, the IRS referred to these types of expenses as three-martini lunches! They even had an accounting term for it: It was called T and E, which stood for Travel and Entertainment. All I’d done was taken the small liberty of moving things to their logical conclusion, changing T and E to T and A: Tits and Ass!
Jordan Belfort (The Wolf of Wall Street)
He is also, like all members of the Wright family, not amazing at modulating his voice. To a stranger, my mother shouting “Have you tried these grapes that taste like cotton candy? Oh, you’ll love them! Here, let me wash some off for you! Oh, let me wash a bowl first. Oh, no, all our bowls are in the fridge with Saran Wrap covering our leftovers—here, just grab a fistful instead!” might be mildly overwhelming, but when my father’s brow crinkles and he blasts out a question like “Did you vote in the last mayoral election?” it’s easy to feel like you’ve just been shoved into an interrogation room with an enforcer the FBI pays under the table.
Emily Henry (People We Meet on Vacation)
His mouth comes down on mine, harder now, more demanding, a raw, hungry need in him rising to the surface. “You belong to me,” he growls. “Say it.” “Yes. Yes, I belong to you.” His mouth finds mine again, demanding, taking, drawing me under his spell. “Say it again,” he demands, nipping my lip, squeezing my breast and nipple, and sending a ripple of pleasure straight to my sex. “I belong to you,” I pant. He lifts me off the ground with the possessive curve of his hand around my backside, angling my hips to thrust harder, deeper. “Again,” he orders, driving into me, his cock hitting the farthest point of me and blasting against sensitive nerve endings. “Oh … ah … I … I belong to you.” His mouth dips low, his hair tickling my neck, his teeth scraping my shoulders at the same moment he pounds into me and the world spins around me, leaving nothing but pleasure and need and more need. I am suddenly hot only where he touches, and freezing where I yearn to be touched. Lifting my leg, I shackle his hip, ravenous beyond measure, climbing to the edge of bliss, reaching for it at the same time I’m trying desperately to hold back. Chris is merciless, wickedly wild, grinding and rocking, pumping. “I love you, Sara,” he confesses hoarsely, taking my mouth, swallowing the shallow, hot breath I release, and punishing me with a hard thrust that snaps the last of the lightly held control I possess. Possessing me. A fire explodes low in my belly and spirals downward, seizing my muscles, and I begin to spasm around his shaft, trembling with the force of my release. With a low growl, his muscles ripple beneath my touch and his cock pulses, his hot semen spilling inside me. We moan together, lost in the climax of a roller-coaster ride of pain and pleasure, spanning days apart, and finally collapse in a heap and just lie there. Slowly, I let my leg ease from his hip to the ground, and Chris rolls me to my side to face him. Still inside me, he holds me close, pulling the jacket up around my back, trailing fingers over my jaw. “And I belong to you.
Lisa Renee Jones (Being Me (Inside Out, #2))
If it were done when 'tis done, then 'twere well It were done quickly: if the assassination Could trammel up the consequence, and catch With his surcease success; that but this blow Might be the be-all and the end-all here, But here, upon this bank and shoal of time, We'ld jump the life to come. But in these cases We still have judgment here; that we but teach Bloody instructions, which, being taught, return To plague the inventor: this even-handed justice Commends the ingredients of our poison'd chalice To our own lips. He's here in double trust; First, as I am his kinsman and his subject, Strong both against the deed; then, as his host, Who should against his murderer shut the door, Not bear the knife myself. Besides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongued, against The deep damnation of his taking-off; And pity, like a naked new-born babe, Striding the blast, or heaven's cherubim, horsed Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind. I have no spur To prick the sides of my intent, but only Vaulting ambition, which o'erleaps itself And falls on the other.
William Shakespeare (Macbeth)
An asteroid or comet traveling at cosmic velocities would enter the Earth’s atmosphere at such a speed that the air beneath it couldn’t get out of the way and would be compressed, as in a bicycle pump. As anyone who has used such a pump knows, compressed air grows swiftly hot, and the temperature below it would rise to some 60,000 Kelvin, or ten times the surface temperature of the Sun. In this instant of its arrival in our atmosphere, everything in the meteor’s path—people, houses, factories, cars—would crinkle and vanish like cellophane in a flame. One second after entering the atmosphere, the meteorite would slam into the Earth’s surface, where the people of Manson had a moment before been going about their business. The meteorite itself would vaporize instantly, but the blast would blow out a thousand cubic kilometers of rock, earth, and superheated gases. Every living thing within 150 miles that hadn’t been killed by the heat of entry would now be killed by the blast. Radiating outward at almost the speed of light would be the initial shock wave, sweeping everything before it. For those outside the zone of immediate devastation, the first inkling of catastrophe would be a flash of blinding light—the brightest ever seen by human eyes—followed an instant to a minute or two later by an apocalyptic sight of unimaginable grandeur: a roiling wall of darkness reaching high into the heavens, filling an entire field of view and traveling at thousands of miles an hour. Its approach would be eerily silent since it would be moving far beyond the speed of sound. Anyone in a tall building in Omaha or Des Moines, say, who chanced to look in the right direction would see a bewildering veil of turmoil followed by instantaneous oblivion. Within minutes, over an area stretching from Denver to Detroit and encompassing what had once been Chicago, St. Louis, Kansas City, the Twin Cities—the whole of the Midwest, in short—nearly every standing thing would be flattened or on fire, and nearly every living thing would be dead. People up to a thousand miles away would be knocked off their feet and sliced or clobbered by a blizzard of flying projectiles. Beyond a thousand miles the devastation from the blast would gradually diminish. But that’s just the initial shockwave. No one can do more than guess what the associated damage would be, other than that it would be brisk and global. The impact would almost certainly set off a chain of devastating earthquakes. Volcanoes across the globe would begin to rumble and spew. Tsunamis would rise up and head devastatingly for distant shores. Within an hour, a cloud of blackness would cover the planet, and burning rock and other debris would be pelting down everywhere, setting much of the planet ablaze. It has been estimated that at least a billion and a half people would be dead by the end of the first day. The massive disturbances to the ionosphere would knock out communications systems everywhere, so survivors would have no idea what was happening elsewhere or where to turn. It would hardly matter. As one commentator has put it, fleeing would mean “selecting a slow death over a quick one. The death toll would be very little affected by any plausible relocation effort, since Earth’s ability to support life would be universally diminished.
Bill Bryson (A Short History of Nearly Everything)
There are rules,” he interrupted, scowling. Before she could move, he had both her hands in his, their faces inches apart. “Don’t put me off, Phillipa. I’ve given you my one warning; I am after you. If you wish me to proceed your way, I will. To a point. But if you continue throwing up that damned—blasted—‘you can’t do that’ protest and still look at me with that same…passion in your eyes, I will put you back in that phaeton and not stop driving until we reach Gretna Green. Is that clear?
Suzanne Enoch (The Care and Taming of a Rogue (Adventurers’ Club, #1))
Collins was in the space capsule all alone. While his partners were down there collecting rocks, Collins was manning the wheel. Twenty-six times he circled the moon—solo. Imagine? He was completely out of radio contact. Couldn’t talk to his partners. Couldn’t talk to NASA. He was cut off from every living soul in the universe. If he panicked, if he fucked up, if he pushed the wrong button, he’d strand Armstrong and Aldrin. Or if they did something wrong, if their lunar car broke down, if they couldn’t restart the thing, if they couldn’t blast off and reconnect with Collins forty-five miles above the moon, he’d have to head back to earth all by himself. Leave his partners to die. Slowly running out of air. While watching earth in the distance. It was such a real possibility, Collins returning to earth by himself, that Nixon wrote up a speech to the nation. Collins—now that’s one stone-cold wheelman. That’s the guy you want sitting at the wheel of a gassed-up Ford while you’re inside a bank.
J.R. Moehringer (Sutton)
The North Wind and the Sun disputed which was the more powerful, and agreed that he should be declared the victor who could first strip a wayfaring man of his clothes. The North Wind first tried his power, and blew with all his might; but the keener became his blasts, the closer the Traveler wrapped his cloak around him, till at last, resigning all hope of victory, he called upon the Sun to see what he could do. The Sun suddenly shone out with all his warmth. The Traveler no sooner felt his genial rays that he took off one garment after another, and at last, fairly overcome with heat, undressed, and bathed in a stream that lay in his path. Persuasion i better than Force.
Aesop (Aesop's Fables)
Remember me. I will be with you in the grave on the night you leave behind your shop and your family. When you hear my soft voice echoing in your tomb, you will realize that you were never hidden from my eyes. I am the pure awareness within your heart, with you during joy and celebration, suffering and despair. On that strange and fateful night you will hear a familar voice -- you'll be rescued from the fangs of snakes and the searing sting of scorpions. The euphoria of love will sweep over your grave; it will bring wine and friends, candles and food. When the light of realization dawns, shouting and upheaval will rise up from the graves! The dust of ages will be stirred by the cities of ecstasy, by the banging of drums, by the clamor of revolt! Dead bodies will tear off their shrouds and stuff their ears in fright-- What use are the senses and the ears before the blast of that Trumpet? Look and you will see my form whether you are looking at yourself or toward that noise and confusion. Don't be blurry-eyed, See me clearly- See my beauty without the old eyes of delusion. Beware! Beware! Don't mistake me for this human form. The soul is not obscured by forms. Even if it were wrapped in a hundred folds of felt the rays of the soul's light would still shine through. Beat the drum, Follow the minstrels of the city. It's a day of renewal when every young man walks boldly on the path of love. Had everyone sought God Instead of crumbs and copper coins T'hey would not be sitting on the edge of the moat in darkness and regret. What kind of gossip-house have you opened in our city? Close your lips and shine on the world like loving sunlight. Shine like the Sun of Tabriz rising in the East. Shine like the star of victory. Shine like the whole universe is yours!
Rumi (Jalal ad-Din Muhammad ar-Rumi) (Rumi: In the Arms of the Beloved)
Then it was horn time. Time for the big solo. Sonny lifted the trumpet - One! Two! - He got it into sight - Three! We all stopped dead. I mean we stopped. That wasn't Sonny's horn. This one was dented-in and beat-up and the tip-end was nicked. It didn't shine, not a bit. Lux leaned over-you could have fit a coffee cup into his mouth. "Jesus God," he said. "Am I seeing right?" I looked close and said: "Man, I hope not." But why kid? We'd seen that trumpet a million times. It was Spoof's. Rose-Ann was trembling. Just like me, she remembered how we'd buried the horn with Spoof. And she remembered how quiet it had been in Sonny's room last night... I started to think real hophead thoughts, like - where did Sonny get hold of a shovel that late? and how could he expect a horn to play that's been under the ground for two years? and - That blast got into our ears like long knives. Spoof's own trademark! Sonny looked caught, like he didn't know what to do at first, like he was hypnotized, scared, almighty scared. But as the sound came out, rolling out, sharp and clean and clear - new-trumpet sound - his expression changed. His eyes changed: they danced a little and opened wide. Then he closed them, and blew that horn. Lord God of the Fishes, how he blew it! How he loved it and caressed it and pushed it up, higher and higher and higher. High C? Bottom of the barrel. He took off, and he walked all over the rules and stamped them flat. The melody got lost, first off. Everything got lost, then, while that horn flew. It wasn't only jazz; it was the heart of jazz, and the insides, pulled out with the roots and held up for everybody to see; it was blues that told the story of all the lonely cats and all the ugly whores who ever lived, blues that spoke up for the loser lamping sunshine out of iron-gray bars and every hop head hooked and gone, for the bindlestiffs and the city slicers, for the country boys in Georgia shacks and the High Yellow hipsters in Chicago slums and the bootblacks on the corners and the fruits in New Orleans, a blues that spoke for all the lonely, sad and anxious downers who could never speak themselves... And then, when it had said all this, it stopped and there was a quiet so quiet that Sonny could have shouted: 'It's okay, Spoof. It's all right now. You get it said, all of it - I'll help you. God, Spoof, you showed me how, you planned it - I'll do my best!' And he laid back his head and fastened the horn and pulled in air and blew some more. Not sad, now, not blues - but not anything else you could call by a name. Except... jazz. It was Jazz. Hate blew out of that horn, then. Hate and fury and mad and fight, like screams and snarls, like little razors shooting at you, millions of them, cutting, cutting deep... And Sonny only stopping to wipe his lip and whisper in the silent room full of people: 'You're saying it, Spoof! You are!' God Almighty Himself must have heard that trumpet, then; slapping and hitting and hurting with notes that don't exist and never existed. Man! Life took a real beating! Life got groined and sliced and belly-punched and the horn, it didn't stop until everything had all spilled out, every bit of the hate and mad that's built up in a man's heart. ("Black Country")
Charles Beaumont (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
Glaring, Kai leaned back against the headrest. "I'm already uncomfortable with you piloting this ship and being in control of my life. Try not to make it worse." "Why does everyone think I'm such a bad pilot?" "Cinder told me as much." "Well, tell Cinder I'm perfectly capable of flying a blasted podship without killing anyone. My flight instructor at the Andromeda - which is a very prestigious military academy in the Republic, I will have you know-" "I know what Andromeda Academy is." "Yeah, well, my flight instructor said I was a natural." "Right," Kai drawled. "Was that the same flight instructor who wrote in you official report about your inattentiveness, refusal to take safety precautions seriously, and overconfident attitude that often bordered on ... what was the word she used>? 'Fool-hardy', I think?" "Oh, yeah. Commander Reid. She had a thing for me." The radar blinked, picking up a cruiser in the far distance, and Thorne deftly changed directions to keep them out of its course. "I didn't realize I had a royal stalker. I'm flattered, Your Majesty." "Even better - you had an entire government team assigned to digging up information on you. They reported twice daily for over a week. You did run off with the most-wanted criminal in the world, after all.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Curran lunged through the window He was huge, neither a man, nor a lion. Curran’s usual warrior form stood upright. This creature moved on all fours. Enormous, bulging with muscle under a gray pelt striped with whip marks of darker gray, six hundred pounds at least. His head was lion, his eyes were human, and his fangs were monster. So that’s what the Beast Lord with no brakes looked like. He landed on the floor of my living room. Muscles twisted and crawled, stretching and snapping. The gray fur melted, fading into human skin, and Curran stood on my carpet, nude and pissed off, his eyes glowing gold. His voice was a deep snarl. “I know he’s here. I can smell him.” I felt an irresistible urge to brain him with something heavy. “Did you lose your sense of smell? Saiman’s scent is two hours old.” Golden eyes burned me. “Where is he?” “Under my bed.” The bed went airborne. It flew across the living room and slammed into the wall with a thud. That was just about enough of that. “What the hell do you think you’re doing?” “Saving you from whatever mess you got yourself into this time.” Why me? “There is no mess! It’s a professional arrangement.” “He’s paying you?” Curran snarled. “No. I’m paying him.” He roared. His mouth was human, but the blast of sound that shot out of it was like thunder. “Ran out of words, Your Majesty?” “Why him?” he growled. “Of all the men you could have, why would you hire him for that?” “Because he has the best equipment in the city and he knows how to use it!” As soon as I said it, I realized how he would take it. The beginnings of another thundering roar died in Curran’s throat. He stared at me, mute. Oh, this was too good. I threw my hands up. “The lab! I’m talking about his lab, not his dick, you idiot.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
Ah, Grace and Aislinn arguing. It’s like old times again,” a male voice said, sounding vaguely muffled. “Could someone take this blasted thing off so that I can see?” Once again, my magic was thumping and bumping inside me, so I knew whatever was speaking, it wasn’t human. Still, when Aislinn crossed over to the thing hanging on the wall and ripped down the canvas, I was taken aback by what I saw. It wasn’t a painting after all; it was a mirror, reflecting the dingy, gloomy room. It was weird seeing the tableau we made. Mom stood with her hand still on my elbow, her expression wary. Aislinn was looking at the mirror with something like disgust, while Izzy had gone even paler, and Finley was scowling. As for me, I was shocked by my reflection. I was thinner than I remembered being, and my skin was dirty, tears leaving trails on my dusty cheeks. And the hair…you know what? Let’s not even go there. But my looking like Little Orphan Sophie wasn’t what had my powers going nuts. It was the guy.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Said Red Molly to James that's a fine motorbike A girl could feel special on any such like Said James to Red Molly, my hat's off to you It's a Vincent Black Lightning, 1952 And I've seen you at the corners and cafes it seems Red hair and black leather, my favourite colour scheme And he pulled her on behind And down to Boxhill they did ride Said James to Red Molly, here's a ring for your right hand But I'll tell you in earnest I'm a dangerous man I've fought with the law since I was seventeen I robbed many a man to get my Vincent machine Now I'm 21 years, I might make 22 And I don't mind dying, but for the love of you And if fate should break my stride Then I'll give you my Vincent to ride Come down, come down, Red Molly, called Sergeant McRae For they've taken young James Adie for armed robbery Shotgun blast hit his chest, left nothing inside Oh, come down, Red Molly to his dying bedside When she came to the hospital, there wasn't much left He was running out of road, he was running out of breath But he smiled to see her cry And said I'll give you my Vincent to ride Says James, in my opinion, there's nothing in this world Beats a 52 Vincent and a red headed girl Now Nortons and Indians and Greeveses won't do They don't have a soul like a Vincent 52 He reached for her hand and he slipped her the keys He said I've got no further use for these I see angels on Ariels in leather and chrome Swooping down from heaven to carry me home And he gave her one last kiss and died And he gave her his Vincent to ride
Richard L. Thompson
He felt the heat blasting from the vents of the Jeep and he gave a lot of grateful thought to the fact that he was finally in a comfortable enough place to fall asleep, not driving a stolen car and not sleeping in said stolen car in a copse of trees in twelve-degree weather; not in an unfamiliar bed that smelled like someone else; not in the series of try-hard cots in the Interim Room at Lathrop House but instead in the soft bucket seat of a Jeep that smelled like someone he knew; homeward bound, God what a queer thing to say but he hardly had the wherewithal to correct himself, so heavy were his eyelids, his head full of newfound knowledge, his belly full of egg rolls, and he didn’t even notice falling asleep; he just drifted off, Wendy to his left, because he knew, somehow, that she’d get them home.
Claire Lombardo (The Most Fun We Ever Had)
Eric Harris wanted a prom date. Eric was a senior, about to leave Columbine High School forever. He was not about to be left out of the prime social event of his life. He really wanted a date. Dates were not generally a problem. Eric was a brain, but an uncommon subcategory: cool brain. He smoked, he drank, he dated. He got invited to parties. He got high. He worked his look hard: military chic hair— short and spiked with plenty of product—plus black T-shirts and baggy cargo pants. He blasted hard-core German industrial rock from his Honda. He enjoyed firing off bottle rockets and road-tripping to Wyoming to replenish the stash. He broke the rules, tagged himself with the nickname Reb, but did his homework and earned himself a slew of A’s. He shot cool videos and got them airplay on the closed-circuit system at school. And he got chicks. Lots and lots of chicks. On the ultimate high school scorecard, Eric outscored much of the football team. He was a little charmer. He walked right up to hotties at the mall. He won them over with quick wit, dazzling dimples, and a disarming smile.
Dave Cullen (Columbine)
Being busy helping customers meant that I had no time to train the way I was used to, with an intense four-or five-hour workout each day. So I adopted the idea of training twice a day, two hours before work and two hours from seven to nine in the evening, when business slacked off and only the serious lifters were left. Split workouts seemed like an annoyance at first, but I realized I was onto something when I saw the results: I was concentrating better and recovering faster while grinding out longer and harder sets. On many days I would add a third training session at lunchtime. I'd isolate a body part that I thought was weak and give it thirty or forty minutes of my full attention, blasting twenty sets of calf raises, say, or one hundred triceps extensions. I did the same thing some nights after dinner, coming back to train for an hour at eleven o'clock. As I went to sleep in my snug little room, I'd often feel one or another muscle that I'd traumatized that day jumping and twitching-just a side effect of a successful workout and every pleasing, because I knew those fibers would now recover and grow.
Arnold Schwarzenegger (Total Recall: My Unbelievably True Life Story)
Outsiders sometimes have an impression that mathematics consists of applying more and more powerful tools to dig deeper and deeper into the unknown, like tunnelers blasting through the rock with ever more powerful explosives. And that's one way to do it. But Grothendieck, who remade much of pure mathematics in his own image in the 1960's and 70's, had a different view: "The unknown thing to be known appeared to me as some stretch of earth or hard marl, resisting penetration...the sea advances insensibly in silence, nothing seems to happen, nothing moves, the water is so far off you hardly hear it...yet it finally surrounds the resistant substance." The unknown is a stone in the sea, which obstructs our progress. We can try to pack dynamite in the crevices of rock, detonate it, and repeat until the rock breaks apart, as Buffon did with his complicated computations in calculus. Or you can take a more contemplative approach, allowing your level of understanding gradually and gently to rise, until after a time what appeared as an obstacle is overtopped by the calm water, and is gone. Mathematics as currently practiced is a delicate interplay between monastic contemplation and blowing stuff up with dynamite.
Jordan Ellenberg (How Not to Be Wrong: The Power of Mathematical Thinking)
In the center of the room Elizabeth stood stock still, clasping and unclasping her hands, watching the handle turn, unable to breathe with the tension. The door swung open, admitting a blast of frigid air and a tall, broad-shouldered man who glanced at Elizabeth in the firelight and said, “Henry, it wasn’t necess-“ Ian broke off, the door still open, staring at what he momentarily thought was a hallucination, a trick of the flames dancing in the fireplace, and then he realized the vision was real: Elizabeth was standing perfectly still, looking at him. And lying at her feet was a young Labrador retriever. Trying to buy time, Ian turned around and carefully closed the door as if latching it with precision were the most paramount thing in his life, while he tried to decide whether she’d looked happy or not to see him. In the long lonely nights without her, he’d rehearsed dozens of speeches to her-from stinging lectures to gentle discussions. Now, when the time was finally here, he could not remember one damn word of any of them. Left with no other choice, he took the only neutral course available. Turning back to the room, Ian looked at the Labrador. “Who’s this?” he asked, walking forward and crouching down to pet the dog, because he didn’t know what the hell to say to his wife. Elizabeth swallowed her disappointment as he ignored her and stroked the Labrador’s glossy black head. “I-I call her Shadow.” The sound of her voice was so sweet, Ian almost pulled her down into his arms. Instead, he glanced at her, thinking it encouraging she’d named her dog after his. “Nice name.” Elizabeth bit her lip, trying to hide her sudden wayward smile. “Original, too.” The smile hit Ian like a blow to the head, snapping him out of his untimely and unsuitable preoccupation with the dog. Straightening, he backed up a step and leaned his hip against the table, his weight braced on his opposite leg. Elizabeth instantly noticed the altering of his expression and watched nervously as he crossed his arms over his chest, watching her, his face inscrutable. “You-you look well,” she said, thinking he looked unbearably handsome. “I’m perfectly fine,” he assured her, his gaze level. “Remarkably well, actually, for a man who hasn’t seen the sun shine in more than three months, or been able to sleep without drinking a bottle of brandy.” His tone was so frank and unemotional that Elizabeth didn’t immediately grasp what he was saying. When she did, tears of joy and relief sprang to her eyes as he continued: “I’ve been working very hard. Unfortunately, I rarely get anything accomplished, and when I do, it’s generally wrong. All things considered, I would say that I’m doing very well-for a man who’s been more than half dead for three months.” Ian saw the tears shimmering in her magnificent eyes, and one of them traced unheeded down her smooth cheek. With a raw ache in his voice he said, “If you would take one step forward, darling, you could cry in my arms. And while you do, I’ll tell you how sorry I am for everything I’ve done-“ Unable to wait, Ian caught her, pulling her tightly against him. “And when I’m finished,” he whispered hoarsely as she wrapped her arms around him and wept brokenly, “you can help me find a way to forgive myself.” Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: “I’m sorry,” he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. “I’m sorry.” Slowly, he bent his head, covering her mouth with his. “I’m so damned sorry.
Judith McNaught (Almost Heaven (Sequels, #3))
Be big enough to offer the truth to people and if it short circuits them I think that's tragic. I think that's sad but, I will not strike no unholy bargains to self erase. I wont do it. I don't care how many people fucked up their lives. I don't care how many bad choices people have made. I don't care how much pettiness they've consumed and spat out. I don't care how much viciousness , rage, abuse, spanking they've dealt out. I am gonna tell the truth as I see it and I'm going to be who I fucking am and if that causes the world to shift in it's orbit and half the evil people get thrown off the planet and up into space well, you shouldn't of been standing in evil to begin with because, there is gravity in goodness. So, sorry; I have to be who I am. Everyone ells is taken. There is no other place I can go than in my own head. I can't jump from skull to skull until I find one that suits bad people around me better. I don't have that choice. So, be your fucking self. Speak your truth and if there are people around you who tempt you with nonexistence , blast through that and give them the full glory of who you are. Do not withhold yourself from the world. Do not piss on the incandescent gift of your existence. Don't drown yourself in the petty fog and dustiness of other peoples ancient superstitions, beliefs, aggressions, culture, and crap. No, be a flare. We're all born self expressive. We are all born perfectly comfortable with being incredibly inconvenient to our parents. We shit, piss, wake up at night, throw up on their shoulders, scream, and cry. We are in our essence, in our humanity, perfectly comfortable with inconveniencing others. That's how we are born. That's how we grow. That's how we develop. Well, I choose to retain the ability to inconvenience the irrational. You know I had a cancer in me last year and I'm very glad that the surgeons knife and the related medicines that I took proved extremely inconvenient to my cancer and I bet you my cancer was like "Aw shit. I hate this stuff man." Good. I'm only alive because medicine and surgery was highly inconvenient to the cancer within me. That's the only reason I'm alive. So, be who you are. If that's inconvenient to other people that's their goddamn business, not yours. Do not kill yourself because other people are dead. Do not follow people into the grave. Do not atomize yourself because, others have shredded themselves into dust for the sake of their fears and their desire to conform with the history of the dead.
Stefan Molyneux
Because you deserve a duke, damn it!” A troubled expression furrowed his brow. “You deserve a man who can give you the moon. I can’t. I can give you a decent home in a decent part of town with decent people, but you…” His voice grew choked. “You’re the most amazing woman I’ve ever known. It destroys me to think of what you’ll have to give up to be with me.” “I told you before-I don’t care!” she said hotly. “Why can’t you believe me?” He hesitated a long moment. “The truth?” “Always.” “Because I can’t imagine why you’d want me when you have men of rank and riches at your fingertips.” She gave a rueful laugh. “You grossly exaggerate my charms, but I can’t complain. It’s one of many things I adore about you-that you see a better version of me than I ever could.” Remembering the wonderful words he’d said last night when she’d been so self-conscious, she left the bed to walk up to him. “Do you know what I see when I look at you?” His wary gaze locked with hers. “Proper Pinter. Proud Pinter.” “Yes, but that’s just who you show to the world to protect yourself.” She reached up to stroke his cheek, reveling in the ragged breath that escaped him. “When you let down your guard, however, I see Jackson-who ferrets out the truth, no matter how hard. Who risks his own life to protect the weak. Who’d sacrifice anything to prevent me from having to sacrifice everything.” Catching her hand, he halted its path. “You see a saint,” he said hoarsely. “I’m not a saint; I’m a man with needs and desires and a great many rough edges.” “I like your rough edges,” she said with a soft smile. “If I’d really wanted a man of rank and riches, I probably would have married long ago. I always told myself I couldn’t marry because no one wanted me, but the truth was, I didn’t want any of them.” She fingered a lock of hair. “Apparently I was waiting for you, rough edges and all.” His eyes turned hot with wanting. Drawing her hand to his lips, he kissed the palm so tenderly that her heart leapt into her throat. When he lifted his head, he said, “Then marry me, rough edges and all.” She swallowed. “That’s what you say now, when we’re alone and you’re caught up in-“ He covered her mouth with his, kissing her so fervently that she turned into a puddle of mush. Blast him-he always did that, too, when they were alone; it was when they were with others that he reconsidered their being together forever. And he still had said nothing of live. “That’s enough of that,” she warned, drawing back from him. “Until you make a proper proposal, before my family, you’re not sharing my bed.” “Sweeting-“ “Don’t you ‘sweeting’ me, Jackson Pinter.” She edged away from him. “I want Proper Pinter back now.” A mocking smile crossed his lips. “Sorry, love. I threw him out when I saw how he was mucking up my private life.” Love? No, she wouldn’t let that soften her. Not until she was sure he wouldn’t turn cold later. “You told Oliver you’d behave like a gentleman.” “To hell with your brother.” He stalked her with clear intent. Even as she darted behind a chair to avoid him, excitement tore through her. “Aren’t you still worried Gran will cut me off, and you’ll be saddled with a spoiled wife and not enough money to please her?” “To hell with your grandmother, too. For that matter, to hell with the money.” He tossed the chair aside as if it were so much kindling; it clattered across the floor. “It’s you I want.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Brutality is boring. Over and over, hell night after hell night, the same old dumb, tedious, bestial routine: making men crawl; making men groan, hanging men from the bars; shoving men; slapping men; freezing men in the showers; running men into walls; displaying shackled fathers to their sons and sons to their fathers. And if it turned out that you'd been given the wrong man, when you were done making his life unforgettably small and nasty, you allowed him to be your janitor and pick up the other prisoners' trash. There was always another prisoner, and another. Faceless men under hoods: you stripped them of their clothes, you stripped them of their pride. There wasn't much more you could take away from them, but people are inventive: one night some soldiers took a razor to one of Saddam's former general in Tier 1A and shaved off his eyebrows. He was an old man. "He looked like a grandfather and seemed like a nice guy," Sabrina Harman said, and she had tried to console him, telling him he looked younger and slipping him a few cigarettes. Then she had to make him stand at attention facing a boom box blasting the rapper Eminem, singing about raping his mother, or committing arson, or sneering at suicides, something like that⁠—these were some of the best-selling songs in American history. "Eminem is pretty much torture all in himself, and if one person's getting tortured, everybody is, because that music's horrible," Harman said. The general maintained his bearing against the onslaught of noise. "He looked so sad," Harman said. "I felt so bad for the guy." In fact, she said, "Out of everything I saw, that's the worst." This seems implausible, or at least illogical, until you think about it. The MI block was a place where a dead guy was just a dead guy. And a guy hanging from a window frame or a guy forced to drag his nakedness over a wet concrete floor⁠—well, how could you relate to that, except maybe to take a picture? But a man who kept his chin up while you blasted him with rape anthems, and old man shorn of his eyebrows whose very presence made you think of his grandkids--you could let that get to you, especially if you had to share in his punishment: "Slut, you think I won't choke no whore / til the vocal cords don't work in her throat no more!..." or whatever the song was.
Philip Gourevitch (Standard Operating Procedure)
Clarisse’s friends were all laughing, and I was trying to find the strength I’d used to fight the Minotaur, but it just wasn’t there. “Like he’s ‘Big Three’ material,” Clarisse said as she pushed me toward one of the toilets. “Yeah, right. Minotaur probably fell over laughing, he was so stupid looking.” Her friends snickered. Annabeth stood in the corner, watching through her fingers. Clarisse bent me over on my knees and started pushing my head toward the toilet bowl. It reeked like rusted pipes and, well, like what goes into toilets. I strained to keep my head up. I was looking at the scummy water, thinking, I will not go into that. I won’t. Then something happened. I felt a tug in the pit of my stomach. I heard the plumbing rumble, the pipes shudder. Clarisse’s grip on my hair loosened. Water shot out of the toilet, making an arc straight over my head, and the next thing I knew, I was sprawled on the bathroom tiles with Clarisse screaming behind me. I turned just as water blasted out of the toilet again, hitting Clarisse straight in the face so hard it pushed her down onto her butt. The water stayed on her like the spray from a fire hose, pushing her backward into a shower stall. She struggled, gasping, and her friends started coming toward her. But then the other toilets exploded, too, and six more streams of toilet water blasted them back. The showers acted up, too, and together all the fixtures sprayed the camouflage girls right out of the bathroom, spinning them around like pieces of garbage being washed away. As soon as they were out the door, I felt the tug in my gut lessen, and the water shut off as quickly as it had started. The entire bathroom was flooded. Annabeth hadn’t been spared. She was dripping wet, but she hadn’t been pushed out the door. She was standing in exactly the same place, staring at me in shock.
Rick Riordan (Percy Jackson and the Olympians: Books I-III)
She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat. Just a memory now, save for the faint bite of whiskey on her lips. And the heat. She still tasted his scorching, masculine heat. Belatedly, she closed her eyes. “There, now,” he murmured. “All better.” Better? Worse? The darkness behind her eyelids held no answers, so she opened them again. Different. This strange, strong man held her in his protective embrace, and she was lost in his intriguing green stare, and his kiss reverberated in her bones with more force than a powder blast. And now she felt different. The heat and weight of him…they were like an answer. The answer to a question Susanna hadn’t even been aware her body was asking. So this was how it would be, to lie beneath a man. To feel shaped by him, her flesh giving in some places and resisting in others. Heat building between two bodies; dueling heartbeats pounding both sides of the same drum. Maybe…just maybe…this was what she’d been waiting to feel all her life. Not swept her off her feet-but flung across the lane and sent tumbling head over heels while the world exploded around her. He rolled onto his side, giving her room to breathe. “Where did you come from?” “I think I should ask you that.” She struggled up on one elbow. “Who are you? What on earth are you doing here?” “Isn’t it obvious?” His tone was grave. “We’re bombing the sheep.” “Oh. Oh dear. Of course you are.” Inside her, empathy twined with despair. Of course, he was cracked in the head. One of those poor soldiers addled by war. She ought to have known it. No sane man had ever looked at her this way. She pushed aside her disappointment. At least he had come to the right place. And landed on the right woman. She was far more skilled in treating head wounds than fielding gentlemen’s advances. The key here was to stop thinking of him as an immense, virile man and simply regard him as a person who needed her help. An unattractive, poxy, eunuch sort of person. Reaching out to him, she traced one fingertip over his brow. “Don’t be frightened,” she said in a calm, even tone. “All is well. You’re going to be just fine.” She cupped his cheek and met his gaze directly. “The sheep can’t hurt you here.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Do you know what day it is?” she asked, peering at him. “Don’t you?” “Here in Spindle Cove, we ladies have a schedule. Mondays are country walks. Tuesdays, sea bathing. Wednesdays, you’d find us in the garden.” She touched the back of her hand to his forehead. “What is it we do on Mondays?” “We didn’t get to Thursdays.” “Thursdays are irrelevant. I’m testing your ability to recall information. Do you remember Mondays?” He stifled a laugh. God, her touch felt good. If she kept petting and stroking him like this, he might very well go mad. “Tell me your name,” he said. “I promise to recall it.” A bit forward, perhaps. But any chance for formal introductions had already fallen casualty to the powder charge. Speaking of the powder charge, here came the brilliant mastermind of the sheep siege. Damn his eyes. “Are you well, miss?” Colin asked. “I’m well,” she answered. “I’m afraid I can’t say the same for your friend.” “Bram?” Colin prodded him with a boot. “You look all of a piece.” No thanks to you. “He’s completely addled, the poor soul.” The girl patted his cheek. “Was it the war? How long has he been like this?” “Like this?” Colin smirked down at him. “Oh, all his life.” “All his life?” “He’s my cousin. I should know.” A flush pressed to her cheeks, overwhelming her freckles. “If you’re his cousin, you should take better care of him. What are you thinking, allowing him to wander the countryside, waging war on flocks of sheep?” Ah, that was sweet. The lass cared. She would see him settled in a very comfortable asylum, she would. Perhaps Thursdays would be her day to visit and lay cool cloths to his brow. “I know, I know,” Colin replied gravely. “He’s a certifiable fool. Completely unstable. Sometimes the poor bastard even drools. But the hell of it is, he controls my fortune. Every last penny. I can’t tell him what to do.” “That’ll be enough,” Bram said. Time to put a stop to this nonsense. It was one thing to enjoy a moment’s rest and a woman’s touch, and another to surrender all pride. He gained his feet without too much struggle and helped her to a standing position, too. He managed a slight bow. “Lieutenant Colonel Victor Bramwell. I assure you, I’m in possession of perfect health, a sound mind, and one good-for-nothing cousin.” “I don’t understand,” she said. “Those blasts…” “Just powder charges. We embedded them in the road, to scare off the sheep.” “You laid black powder charges. To move a flock of sheep.” Pulling her hand from his grip, she studied the craters in the road. “Sir, I remain unconvinced of your sanity. But there’s no question you are male.” He raised a brow. “That much was never in doubt.” Her only answer was a faint deepening of her blush. “I assure you, all the lunacy is my cousin’s. Lord Payne was merely teasing, having a bit of sport at my expense.” “I see. And you were having a bit of sport at my expense, pretending to be injured.” “Come, now.” He leaned forward her and murmured, “Are you going to pretend you didn’t enjoy it?” Her eyebrows lifted. And lifted, until they formed perfect twin archer’s bows, ready to dispatch poison-tipped darts. “I’m going to pretend I didn’t hear that.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
She dropped her coat on the back of a chair and crept quietly up to Jay’s room. She did her best not to wake him as she pulled the door closed behind her. She watched him sleep, stretched out on his back, feeling herself coming back to life in his presence. “What are you doing?” he mumbled without opening his eyes. Violet startled, feeling like she’d been caught doing something she shouldn’t have been. Like when they were little and they were busted for looking at a dirty magazine one of the other kids brought to school. Jay rolled onto his side and squinted one eye open at Violet, grinning. “Come over here,” he growled, lifting the corner of his sheet up, inviting her in. He looked rumpled and messy and alluring. Violet slipped off her shoes and climbed in beside him. He wrapped his arm around her back, pulling her close. His breath was warm, his body warmer, and she felt herself thawing for the first time since she’d stepped out into the shipyard that morning. Even the heat blasting inside her car on the way home hadn’t helped. She tucked her feet between his legs. “What are you doing here so early?” His voice was rough from sleep but it sounded like soft velvet. He stroked her back lazily. “Are you feeling better today?” Neither question really needed an answer; they were just Jay’s way of letting her know he’d been worried about her. “I didn’t mean to wake you,” she whispered as she let herself get comfortable against him. She’d been cold and tired, and now that she was warm again she thought she might actually be able to fall asleep, right there in his arms. He rested his chin against the top of her head. “You didn’t,” he assured her. “I was already awake.” Violet sighed. It felt so good to be here. It was the first time she’d felt comfortable since she’d gone to Seattle yesterday with Chelsea. Jay made her feel safe—among other things—and she needed that right now. She closed her eyes; they were gritty and raw from lack of sleep. She breathed deeply, inhaling him, and relaxing as she sank further into him . . . and into the pillow beneath her head. She fell asleep like that, wrapped in warmth. Wrapped in Jay.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Although Daisy was the mildest-tempered of all the Bowmans, she was by no means a coward. And she would not accept defeat without a fight. “You’re forcing me to take desperate measures,” she said. His reply was very soft. “There’s nothing you can do.” He had left her no choice. Daisy turned the key in the lock and carefully withdrew it. The decisive click was abnormally loud in the silence of the room. Calmly Daisy tugged the top edge of her bodice away from her chest. She held the key above the narrow gap. Matthew’s eyes widened as he understood what she intended. “You wouldn’t.” As he started around the dresser, Daisy dropped the key into her bodice, making certain it slipped beneath her corset. She sucked in her stomach and midriff until she felt the cold metal slide to her navel. “Damn it!” Matthew reached her with startling speed. He reached out to touch her, then jerked his hands back as if he had just encountered open flame. “Take it out,” he commanded, his face dark with outrage. “I can’t.” “I mean it, Daisy!” “It’s fallen too far down. I’ll have to take my dress off.” It was obvious he wanted to kill her. But she could also feel the force of his longing. His lungs were working like bellows, and scorching heat radiated from his body. His whisper contained the ferocity of a roar. “Don’t do this to me.” Daisy waited patiently. The next move was his. He turned his back to her, the seams of his coat straining over bunched muscles. His fists clenched as he struggled to master himself. He took a shuddering breath, and another, and when he spoke his voice sounded thick, as if he had just awakened from a heavy sleep. “Take off your gown.” Trying not to antagonize him any more than was necessary, Daisy replied in an apologetic tone. “I can’t do it by myself. It buttons up the back.” Matthew said something in a muffled voice that sounded very foul. After an eternity of silence he turned to face her. His jaw could have been cast in iron. “I’m not going to fall apart that easily. I can resist you, Daisy. I’ve had years of practice. Turn around.” Daisy obeyed. As she bent her head forward, she could actually feel his gaze travel over the endless row of pearl buttons. “How do you ever get undressed?” he muttered. “I’ve never seen so many blasted buttons on one garment.” “It’s fashionable.” “It’s ridiculous.” “You can send a letter of protest to Godey’s Lady’s Book,” she suggested. Giving a scornful snort, Matthew began on the top button. He tried to unfasten it while avoiding contact with her body. “It helps if you slide your fingers beneath the placket,” Daisy said. “And then you can pop the button through the—” “Quiet,” he snapped. She closed her mouth.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
At noontime in midsummer, when the sun is at its highest and everything is in a state of embroiled repose, flashes may be seen in the southern sky. Into the radiance of daylight come bursts of light even more radiant. Exactly half a year later, when the fjord is frozen over and the land buried in snow, the very same spirit taunts creation. At night cracks in the ice race from one end of the fjord to the other, resounding like gunshots or like the roaring of a mad demon. The peasants dig tunnels from their door through the drifts over to the cow shed. Where are the trolls and the elves now, and where are the sounds of nature? Even the Beast may well be dead and forgotten. Life itself hangs in suspension - existence has shrunk to nothingness. Now it is only a question of survival. The fox thrashes around in a blizzard in the oak thicket and fights his way out, mortally terrified. It is a time of stillness. Hoarfrost lies in a timeless shroud over the fjord. All day long a strange, sighing sound is heard from out on the ice. It is a fisherman, standing alone at his hole and spearing eel. One night it snows again. The air is sheer snow and the wind a frigid blast. No living creature is stirring. Then a rider comes to the crossing at Hvalpsund. There is no difficulty in getting over­ - he does not even slacken his speed, but rides at a brisk trot from the shore out onto the ice. The hoofbeats thunder beneath him and the ice roars for miles around. He reaches the other side and rides up onto the land. The horse — a mighty steed not afraid to shake its shanks - cleaves the storm with neck outstretched. The blizzard blows the rider's ashen cape back and he sits naked, with his bare bones sticking out and the snow whistling about his ribs. It is Death that is out riding. His crown sits on three hairs and his scythe points triumphantly backward. Death has his whims. He takes it into his head to dis­mount when he sees a light in the winter night. He gives his horse a slap on the haunch and it leaps into the air and is gone. For the rest of the way Death walks like a carefree man, sauntering absentmindedly along. In the snow-streaked night a crow is sitting on a wayside branch. Its head is much too large for its body. Its beady eyes sparkle when it sees the wanderer's familiar face, and its cawing turns into silent laughter as it throws its beak wide open, with its spear-like tongue sticking far out. It seems almost ready to fall off the branch with its laughter, but it keeps on looking at Death with consuming merriment. Death moves on. Suddenly he finds himself beside a man. He raps the man on the back with his fingers and leaves him lying there. There is a light. Death keeps his eye on the light and walks toward it. He moves into the shaft of light and labors his way over a frozen field. But when he comes close enough to make out the house a strange fervor grips him. He has finally come home - yes, this has been his true home from the beginning. Thank goodness he has now found it again after so much difficulty. He goes in, and a solitary old couple make him welcome. They cannot know that he is anything more than a traveling tradesman, spent and sick. He lies down quickly on the bed without a word. They can see that he is really far gone. He lies on his back while they move about the room with the candle and chat. He forgets them. For a long time he lies there, quiet but awake. Finally there are a few low moans, faltering and tentative. He begins to cry, and then quickly stops. But now the moans continue, becoming louder, and then going over to tearless sobs. His body arches up, resting only on head and heels. He stares in anguish at the ceiling and screams, screams like a woman in labor. Finally he collapses, and his cries begin to subside. Little by little he falls silent and lies quiet.
Johannes V. Jensen (Kongens fald)
Instead, I gave them the only salute I could think of. Two middle fingers. Held high for emphasis. The six fiery orbs winked out at once. Hopefully, they’d died from affront. Ben eyed me sideways as he maneuvered from shore. “What in the world are you doing?” “Those red-eyed jerks were on the cliff,” I spat, then immediately felt silly. “All I could think of.” Ben made an odd huffing sound I couldn’t interpret. For a shocked second, I thought he was furious with me. “Nice work, Victoria.” Ben couldn’t hold the laughter inside. “That oughta do it!” I flinched, surprised by his reaction. Ben, cracking up at a time like this? He had such a full, honest laugh—I wished I heard it more. Infectious, too. I couldn’t help joining in, though mine came out in a low Beavis and Butthead cackle. Which made Ben howl even more. In an instant, we were both in stitches at the absurdity of my one-finger salutes. At the insanity of the evening. At everything. Tears wet my eyes as Sewee bobbed over the surf, circling the southeast corner of the island. It was a release I desperately needed. Ben ran a hand through his hair, then sighed deeply. “I love it,” he snickered, steering Sewee through the breakers, keeping our speed to a crawl so the engine made less noise. “I love you, sometimes.” Abruptly, his good humor cut off like a guillotine. Ben’s body went rigid. I felt a wave of panic roll from him, as if he’d accidently triggered a nuclear bomb. I experienced a parallel stab of distress. My stomach lurched into my throat, and not because of the rolling ocean swells. Did he just . . . what did he mean when . . . Oh crap. Ben’s eyes darted to me, then shot back to open water. Even in the semidarkness, I saw a flush of red steal up his neck and into his cheeks. I shifted uncomfortably in my seat. Shifted again. Debated going over the side. Did he really mean to say he . . . loved me? Like, for real? The awkward moment stretched longer than any event in human history. He said “sometimes,” which is a definite qualifier. I love Chinese food “sometimes.” Mouth opened as I searched for words that might defuse the tension. Came up with nothing. I felt trapped in a nightmare. Balanced on a beam a hundred feet off the ground. Sinking underwater in a sealed car with no idea how to get out. Ben’s lips parted, then worked soundlessly, as if he, too, sought to break the horrible awkwardness. A verbal retreat, or some way to reverse time. Is that what I want? For Ben to walk it back? A part of me was astounded by the chaos a single four-word utterance could create. Ben gulped a breath, seemed to reach a decision. As his mouth opened a second time, all the adrenaline in creation poured into my system. “I . . . I was just saying that . . .” He trailed off, then smacked the steering wheel with his palm. Ben squeezed his eyes shut, shaking his head sharply as if disgusted by the effort. Ben turned. Blasted me with his full attention. “I mean it. I’m not going to act—
Kathy Reichs (Terminal (Virals, #5))
Will you never forgive me for what I did so long ago, Jane?” The soft question caught her off guard. “Would you do it again if you had the chance?” She could hardly breathe, awaiting his answer. With a low oath, he glanced away. Then his features hardened into those of the rigid and arrogant Dom he had become. “Yes. I did the only thing I could to keep you happy.” Her breath turned to ice in her throat. “That’s the problem. You still really believe that.” His gaze swung to her again, but before he could say anything more, noises in the hall arrested them both. “It’s gone very quiet in there.” It was the duke’s voice, remarkably clear, sounding as if it came from right outside the door. “Perhaps we should knock first.” Oh no! As Jane frantically set her gown to rights, she heard Lisette say, “Don’t you dare bother them, Max. I’m sure everything’s fine. Let’s come back later.” With panic growing in her belly, Jane glanced around for her tucker. Wordlessly, Dom plucked it from the back of a chair and handed it to her. Without meeting his gaze, she pinned it into her bodice, hoping to hide the tiny holes where Dom had unwittingly ripped it free of its pins. “Besides,” drawled Tristan, “it’s not as if Dom will seduce her or anything. That’s not his vice.” Sweet Lord, were they all right outside the door? “I’m not worried about that,” Max answered. “Miss Vernon isn’t the sort to let him seduce her.” As Jane tensed, Dom hissed under his breath, “Do the blasted idiots not realize we can hear them?” “Apparently not.” Dom furtively adjusted his trousers, which seemed to be rather…oddly protruding just now. Ohhh. Right. This was one time she wished Nancy hadn’t been so forthcoming about what happened to a man’s body when he was aroused. So that, not his pistol, had been the odd bulge digging into her. Definitely not a pistol. Her cheeks positively flamed. Faith, how could she even face his family after this and not give away what she and Dom had been doing? Mortified, she hurried to the looking glass to fix her hair. While she stuffed tendrils back into place and repinned drooping curls, Dom came up behind her to meet her gaze in the mirror. “Before we let them in, I want an answer to my question about Blakeborough.” Curse the stubborn man. How could she tell Dom she was so pathetic that she hadn’t even managed to find another man to love in all the years they’d spent apart? That she’d been foolish enough to wait around for Dom all this time, when he’d happily gone on living his life without her? Her pride couldn’t endure having him know that. To her relief, Tristan said, “Well, whatever they’re up to, we have to get moving.” A knock sounded at the door. “Dom? Jane? Are you done talking?” She met Dom’s gaze with a certain defiance, and he arched one eyebrow in question. So she took matters into her own hands and strode for the door. Caught off guard, Dom swore behind her and snatched up his greatcoat just as she opened the door and said, “Please come in. We’re quite finished.” In more ways than one. Their companions trooped in, casting her and Dom wary glances. Jane looked over to see Dom holding his greatcoat looped over his arm as if to shield the front of him. That brought the blushes back to her cheeks. She caught Lisette furtively watching her, and she cursed herself for wearing her emotions on her sleeve. Better shift her attention elsewhere before Lisette guessed just how shameless she’d been.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))