Blast Man Quotes

We've searched our database for all the quotes and captions related to Blast Man. Here they are! All 100 of them:

Women want their love to be reciprocated in the same way they give it; they want their romantic lives to be as rewarding as they make them for their potential mates; they want the emotions that they turn on full blast to be met with the same intensity; and they expect the premium they put on commitment to be equally adhered to, valued, and respected.
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
In peace there's nothing so becomes a man as modest stillness and humility; but when the blast of war blows in our ears, then imitate the action of the tiger; stiffen the sinews, summon up the blood, disguise fair nature with hard-favor'd rage.
William Shakespeare (Henry V)
Regardless, you ask why I did not greet you. Well, let us assume that I had acted as you suggest I should. Upon your approach, you would have had me gush over you?” “Naturally.” “You would have me point out how stunning you appear in that gown?” “I wouldn’t complain.” “Mention how your dazzling eyes glisten in the fireworks like burning embers?” “That would be nice.” “Expound on how your lips are so perfectly red that they could leave any man breathless with wonder, yet drive him compose the most brilliant of poetry each time he recalled the moment?” “I’d be flattered for certain.” “And you claim you want these reactions from me?” “I do.” “Well blast it, woman,” Lightsong said, picking up his cup. “If I’m stunned, dazzled, and breathless, then how the hell am I supposed to greet you? By definition, won’t I be struck dumb?” She laughed. “Well, then, you’ve obviously found your tongue now.” “Surprisingly, it was in my mouth,” he said. “I always forget to check there.
Brandon Sanderson (Warbreaker)
Once more unto the breach, dear friends, once more; Or close the wall up with our English dead. In peace there's nothing so becomes a man As modest stillness and humility: But when the blast of war blows in our ears, Then imitate the action of the tiger; Stiffen the sinews, summon up the blood, Disguise fair nature with hard-favour'd rage; Then lend the eye a terrible aspect; Let pry through the portage of the head Like the brass cannon; let the brow o'erwhelm it As fearfully as doth a galled rock O'erhang and jutty his confounded base, Swill'd with the wild and wasteful ocean. Now set the teeth and stretch the nostril wide, Hold hard the breath and bend up every spirit To his full height. On, on, you noblest English. Whose blood is fet from fathers of war-proof! Fathers that, like so many Alexanders, Have in these parts from morn till even fought And sheathed their swords for lack of argument: Dishonour not your mothers; now attest That those whom you call'd fathers did beget you. Be copy now to men of grosser blood, And teach them how to war. And you, good yeoman, Whose limbs were made in England, show us here The mettle of your pasture; let us swear That you are worth your breeding; which I doubt not; For there is none of you so mean and base, That hath not noble lustre in your eyes. I see you stand like greyhounds in the slips, Straining upon the start. The game's afoot: Follow your spirit, and upon this charge Cry 'God for Harry, England, and Saint George!
William Shakespeare (Henry V)
A man rarely knows the day and hour when he will die. I could be killed any moment and there's not a blasted thing I can do about it.
Christopher Paolini (Brisingr (The Inheritance Cycle #3))
Just like a damned man, he thought exasperatedly. She got what she wanted, then curled up and went to sleep. That was what he was supposed to do, blast and confound her bloody impudence.
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
I am a greaser," Sodapop chanted. "I am a JD and a hood. I blacken the name of our fair city. I beat up people. I rob gas stations. I am a menace to society. Man, do I have fun!" "Greaser...greaser...greaser..."Steve singsonged. "O, victim of enviornment, underprivelaged, rotton no-count hood!" Juvenile delinquent, you're no good!" Darry shouted. Get thee hence, white trash," Two-Bit said in asnobbish voice. "I am a Soc. I am the privelaged and the well-dressed. I throw beer blasts, drive fancy cars, break windows at fancy parties." And what do you do for fun?" I inquired in a serious, awed voice. I jump greasers!" Two-Bit screamed, and did a cartwheel.
S.E. Hinton
If chance be the Father of all flesh, Disaster is his rainbow in the sky, And when you hear State of Emergency! Sniper Kills Ten! Troops on Rampage! Whites go Looting! Bomb Blasts School! It is but the sound of man worshiping his maker.
Steve Turner (Poems)
Oh, for heaven's sake, she thought with droll exasperation, this certainly explains a lot. It's no wonder I haven't been able to keep my hands off the blasted man since the day I met him. He's an artifact! A Celtic one at that!
Karen Marie Moning (The Dark Highlander (Highlander, #5))
But when you talk about Nabokov and Coover, you’re talking about real geniuses, the writers who weathered real shock and invented this stuff in contemporary fiction. But after the pioneers always come the crank turners, the little gray people who take the machines others have built and just turn the crank, and little pellets of metafiction come out the other end. The crank-turners capitalize for a while on sheer fashion, and they get their plaudits and grants and buy their IRAs and retire to the Hamptons well out of range of the eventual blast radius. There are some interesting parallels between postmodern crank-turners and what’s happened since post-structural theory took off here in the U.S., why there’s such a big backlash against post-structuralism going on now. It’s the crank-turners fault. I think the crank-turners replaced the critic as the real angel of death as far as literary movements are concerned, now. You get some bona fide artists who come along and really divide by zero and weather some serious shit-storms of shock and ridicule in order to promulgate some really important ideas. Once they triumph, though, and their ideas become legitimate and accepted, the crank-turners and wannabes come running to the machine, and out pour the gray pellets and now the whole thing’s become a hollow form, just another institution of fashion. Take a look at some of the critical-theory Ph.D. dissertations being written now. They’re like de Man and Foucault in the mouth of a dull child. Academia and commercial culture have somehow become these gigantic mechanisms of commodification that drain the weight and color out of even the most radical new advances. It’s a surreal inversion of the death-by-neglect that used to kill off prescient art. Now prescient art suffers death-by acceptance. We love things to death, now. Then we retire to the Hamptons.
David Foster Wallace
Shall each man," cried he, "find a wife for his bosom, and each beast have his mate, and I be alone? I had feelings of affection, and they were requited by detestation and scorn. Man! You may hate, but beware! Your hours will pass in dread and misery, and soon the bolt will fall which must ravish from you your happiness forever. Are you to be happy while I grovel in the intensity of my wretchedness? You can blast my other passions, but revenge remains—revenge, henceforth dearer than light or food! I may die, but first you, my tyrant and tormentor, shall curse the sun that gazes on your misery. Beware, for I am fearless and therefore powerful. I will watch with the wiliness of a snake, that I may sting with its venom. Man, you shall repent of the injuries you inflict.
Mary Wollstonecraft Shelley (Frankenstein)
Today the danger of the pro-life position, which I vigorously support, is that it can be frighteningly selective. The rights of the unborn and the dignity of the age-worn are pieces of the same pro-life fabric. We weep at the unjustified destruction of the unborn. Did we also weep when the evening news reported from Arkansas that a black family had been shotgunned out of a white neighborhood. When we laud life and blast abortionists, our credibility as Christians is questionable. On one hand we proclaim the love and anguish, the pain and joy that goes into fashioning a single child. We proclaim how precious each life is to God and should be to us. On the other hand, when it is the enemy that shrieks to heaven with his flesh in flames, we do not weep, we are not shamed; we call for more
Brennan Manning (The Ragamuffin Gospel)
Revenge is not a straight line, it’s a circle. It’s a grenade that goes off while you’re still in the room, and you can’t help but be caught in the blast.
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
By now you've probably noticed that except when safely contained by quotes, Zampanò always steers clear of such questionable four-letter language. This instance in particular proves that beneath all that cool psuedo-academic hogwash lurked a very passionate man who knew how important it was to say "fuck" now and then, and say it loud too, relish its syllabic sweetness, its immigrant pride, a great American epic word really, starting at the lower lip, often the very front of the lower lip, before racing all the way to the back of the throat, where it finishes with a great blast, the concussive force of the K catching up then with the hush of the F already on its way, thus loading it with plenty of offense and edge and certainly ambiguity. FUCK. A great by-the-bootstrap prayer or curse if you prefer, depending on how you look at it, or use it, suited perfectly for hurling at the skies or at the world, or sometimes, if said just right, for uttering with enough love and fire, the woman beside you melts inside herself, immersed in all that word-heat.
Mark Z. Danielewski (House of Leaves)
We've done so much together, wherever I go and whatever I see, I think of you. Newborn babies; the pattern on the plate that you can see under a paper-thin slice of sashimi; fireworks in August. The moon hidden behind the clouds over the ocean at night. When I'm sitting down someplace, inadvertently stepping on someone's toes, and have to apologize. And when someone picks up something I've dropped, and I thank him. When I see an elderly man tottering along,and wonder how much longer he has to live. Dogs and cats peeking out from alleyways. A beautiful view from a tall building. The warm blast of air you feel when you go down into a subway station. The phone ringing in the middle of the night. Even when I have crushes on other men, I always see you in the curve of their eyebrows." "Yet I must remain calm, detached. It's a little like trying to ignore a plate of delicious food when you're really hungry. When it beckons you, there's no problem with enjoying the aroma and appreciating it with your eyes, but at some point you have to separate yourself and realize, like a professional waiter does, that it's not your own. It's my job to ignore those plates heaped with delicious morsels and just carry them where they need to go.
Banana Yoshimoto
London I wander thro' each charter'd street, Near where the charter'd Thames does flow. And mark in every face I meet Marks of weakness, marks of woe. In every cry of every Man, In every Infants cry of fear, In every voice: in every ban, The mind-forg'd manacles I hear How the Chimney-sweepers cry Every blackning Church appalls, And the hapless Soldiers sigh Runs in blood down Palace walls But most thro' midnight streets I hear How the youthful Harlots curse Blasts the new-born Infants tear And blights with plagues the Marriage hearse.
William Blake (Songs of Innocence and of Experience)
Why have you let your mind get so entwined," my master said, "that you have slowed your walk? Why should you care about what's whispered here? Come, follow me, and let these people talk: stand like a sturdy tower that does not shake its summit though the winds may blast; always the man in whom thought thrusts ahead of thought allows the goal he's set to move far off- the force of one thought saps the other's force.
Dante Alighieri (The Divine Comedy: Inferno - Purgatorio - Paradiso)
Let me tell you the truth about the world to which you so desperately want to return. It is a place of pain and suffering and grief. When you left it, cities were being attacked. Women and children were being blasted to pieces or burned alive by bombs dropped from planes flown by men with wives and children of their own. People were being dragged from their homes and shot in the street. Your world is tearing itself apart, and the most amusing thing of all is that it was little better before the war started. War merely gives people an excuse to indulge themselves further, to murder with impunity. There were wars before it, and there will be wars after it, and in between people will fight one another and hurt one another and maim one another and betray one another, because that is what they have always done. And even if you avoid warfare and violent death, little boy, what else do you think life has in store for you? You have already seen what it is capable of doing. It took your mother from you, drained her of health and beauty, and then cast her aside like the withered, rotten husk of a fruit. It will take others from you too, mark me. Those whom you care about--lovers, children--will fall by the wayside, and your love will not be enough to save them. Your health will fail you. You will become old and sick. Your limbs will ache, your eyesight will fade, and your skin will grow lined and aged. There will be pains deep within that no doctor will be able to cure. Diseases will find a warm, moist place inside you and there they will breed, spreading through your system, corrupting it cell by cell until you pray for the doctors to let you die, to put you out of your misery, but they will not. Instead you will linger on, with no one to hold your hand or soothe your brow, as Death comes and beckons you into his darkness. The life you left behind you is no life at all. Here, you can be king, and I will allow you to age with dignity and without pain, and when the time comes for you to die, I will send you gently to sleep and you will awaken in the paradise of your choosing, for each man dreams his own heaven.
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
Now, for example, people with freckles aren’t thought of as a minority by the nonfreckled. They aren’t a minority in the sense we’re talking about. And why aren’t they? Because a minority is only thought of as a minority when it constitutes some kind of a threat to the majority, real or imaginary. And no threat is ever quite imaginary. Anyone here disagree with that? If you do, just ask yourself, What would this particular minority do if it suddenly became the majority overnight? You see what I mean? Well, if you don’t – think it over! “All right. Now along come the liberals – including everybody in this room, I trust – and they say, ‘Minorities are just people, like us.’ Sure, minorities are people – people, not angels. Sure, they’re like us – but not exactly like us; that’s the all-too- familiar state of liberal hysteria in which you begin to kid yourself you honestly cannot see any difference between a Negro and a Swede….” (Why, oh why daren’t George say “between Estelle Oxford and Buddy Sorensen”? Maybe, if he did dare, there would be a great atomic blast of laughter, and everybody would embrace, and the kingdom of heaven would begin, right here in classroom. But then again, maybe it wouldn’t.) “So, let’s face it, minorities are people who probably look and act and – think differently from us and hay faults we don’t have. We may dislike the way they look and act, and we may hate their faults. And it’s better if we admit to disliking and hating them than if we try to smear our feelings over with pseudo liberal sentimentality. If we’re frank about our feelings, we have a safety valve; and if we have a safety valve, we’re actually less likely to start persecuting. I know that theory is unfashionable nowadays. We all keep trying to believe that if we ignore something long enough it’ll just vanish…. “Where was I? Oh yes. Well, now, suppose this minority does get persecuted, never mind why – political, economic, psychological reasons. There always is a reason, no matter how wrong it is – that’s my point. And, of course, persecution itself is always wrong; I’m sure we all agree there. But the worst of it is, we now run into another liberal heresy. Because the persecuting majority is vile, says the liberal, therefore the persecuted minority must be stainlessly pure. Can’t you see what nonsense that is? What’s to prevent the bad from being persecuted by the worse? Did all the Christian victims in the arena have to be saints? “And I’ll tell you something else. A minority has its own kind of aggression. It absolutely dares the majority to attack it. It hates the majority–not without a cause, I grant you. It even hates the other minorities, because all minorities are in competition: each one proclaims that its sufferings are the worst and its wrongs are the blackest. And the more they all hate, and the more they’re all persecuted, the nastier they become! Do you think it makes people nasty to be loved? You know it doesn’t! Then why should it make them nice to be loathed? While you’re being persecuted, you hate what’s happening to You, you hate the people who are making it happen; you’re in a world of hate. Why, you wouldn’t recognize love if you met it! You’d suspect love! You’d think there was something behind it – some motive – some trick…
Christopher Isherwood (A Single Man)
Man hurries, God does not. That is why man's works are uncertain and maimed, while God's are flawless and sure. My eyes welling with tears, I vowed never to transgress this eternal law again. Like a tree I would be blasted by wind, struck by sun and rain, and would wait with confidence; the long-desired hour of flowering and fruit would come.
Nikos Kazantzakis (Report to Greco)
And what other kind of man would you want leading you into battle?” he says, reading my Noise. “What other kind of man is suitable for war?” A monster, I think, remembering what Ben told me once. War makes monsters of men. “Wrong,” says the Mayor. “It’s war that makes us men in the first place. Until there’s war, we are only children.” Another blast of the horn comes roaring down at us, so loud it nearly takes our heads off and it puts the army off its stride for a second or two. We look up the road to the bottom of the hill. We see Spackle torches gathering there to meet us. “Ready to grow up, Todd?” the Mayor asks.
Patrick Ness (Monsters of Men (Chaos Walking, #3))
Where have the years gone, Ruby Rose? Sometimes I have to stop and think about how old I am. When I wake up in the morning, before I move this tired old body or look in the blasted mirror, I swear I'm still a young man. It just feels like yesterday. I don't know how it's gone so fast.
Lea Davey (Silkworm Secrets (Silkworm Secrets Series #1))
Terror is very fond of associations; we love to connect the agitation of the elements with the agitated life of man; and never did a blast roar, or a gleam of lightning flash, that was not connected in the imagination of some one, with a calamity that was to be dreaded, deprecated, or endured,–with the fate of the living, or the destination of the dead. The
Charles Robert Maturin (Melmoth the Wanderer (Annotated))
Blast the man! How dare he pack his bags and ride away after all the work she'd done! Worse, how dare he do it while looking so damned appealing?
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
The lucky ones died in the blasts. They were spared the fate of starvation, cannibalism, rape and slaughter. Where a man could be killed over half-eaten can of corn.
Joe Reyes (Aftermath)
... a man's spirit could be torn apart and cease and yet his body keep on living...His spirit blasted away so that he had become lonesome and estranged from all around him...It seemed a poor swap to find that the only way one might keep from fearing death was to act numb and set apart as if dead already.
Charles Frazier (Cold Mountain)
A man who has been shaken by a two-ton blockbuster has a frame of reference. He can equate the impact of an H-bomb with his own experience, even though the H-bomb blast is a million times more powerful than the shock he endured. To someone who has never felt a bomb, bomb is only a word. An H-bomb's fireball is something you see on television. It is not something that incinerates you to a cinder in the thousandth part of a second. So the H-bomb is beyond the imagination of all but a few Americans, while the British, Germans, and Japanese can comprehend it, if vaguely. And only the Japanese have personal understanding of atomic heat and radiation.
Pat Frank (Alas, Babylon (Perennial Classics))
Mary Magdalene With wandering eyes and aimless zeal, She hither, thither, goes; Her speech, her motions, all reveal A mind without repose. She climbs the hills, she haunts the sea, By madness tortured, driven; One hour's forgetfulness would be A gift from very heaven! She slumbers into new distress; The night is worse than day: Exulting in her helplessness; Hell's dogs yet louder bay. The demons blast her to and fro; She has not quiet place, Enough a woman still, to know A haunting dim disgrace. A human touch! a pang of death! And in a low delight Thou liest, waiting for new breath, For morning out of night. Thou risest up: the earth is fair, The wind is cool; thou art free! Is it a dream of hell's despair Dissolves in ecstasy? That man did touch thee! Eyes divine Make sunrise in thy soul; Thou seest love in order shine:- His health hath made thee whole! Thou, sharing in the awful doom, Didst help thy Lord to die; Then, weeping o'er his empty tomb, Didst hear him Mary cry. He stands in haste; he cannot stop; Home to his God he fares: 'Go tell my brothers I go up To my Father, mine and theirs.' Run, Mary! lift thy heavenly voice; Cry, cry, and heed not how; Make all the new-risen world rejoice- Its first apostle thou! What if old tales of thee have lied, Or truth have told, thou art All-safe with Him, whate'er betide Dwell'st with Him in God's heart!
George MacDonald
Nowadays, if a man living in a civilized country (ha!) hears cannon blasts in his sleep, he will, of course, mistake them for thunderclaps, gun salutes on the feast day of the local patron saint, or furniture being moved by the slime-buckets living upstairs, and go right on sleeping soundly. But the ringing of the telephone, the triumphal march of the cell phone, or the doorbell, no: Those are all sounds of summons in response to which the civilzed man (ha-ha!) has no choice but to surface from the depths of slumber and answer.
Andrea Camilleri (August Heat)
We are as clouds that veil the midnight moon; How restlessly they speed, and gleam, and quiver, Streaking the darkness radiantly!--yet soon Night closes round, and they are lost for ever; Or like forgotten lyres, whose dissonant strings Give various response to each varying blast, To whose frail frame no second motion brings One mood or modulation like the last. We rest. -- A dream has power to poison sleep; We rise. -- One wandering thought pollutes the day; We feel, conceive or reason, laugh or weep; Embrace fond woe, or cast our cares away: It is the same!--For, be it joy or sorrow, The path of its departure still is free: Man's yesterday may ne'er be like his morrow; Nought may endure but Mutability.
Percy Bysshe Shelley
Where's the king? Gent. Contending with the fretful elements; Bids the wind blow the earth into the sea, Or swell the curled waters 'bove the main, That things might change or cease; tears his white hair, Which the impetuous blasts, with eyeless rage, Catch in their fury and make nothing of; Strives in his little world of man to outscorn The to-and-fro-conflicting wind and rain. This night, wherein the cub-drawn bear would couch, The lion and the belly-pinched wolf Keep their fur dry, unbonneted he runs, And bids what will take all.
William Shakespeare
I was always fishing for something on the radio. Just like trains and bells, it was part of the soundtrack of my life. I moved the dial up and down and Roy Orbison's voice came blasting out of the small speakers. His new song, "Running Scared," exploded into the room. Orbison, though, transcended all the genres - folk, country, rock and roll or just about anything. His stuff mixed all the styles and some that hadn't even been invented yet. He could sound mean and nasty on one line and then sing in a falsetto voice like Frankie Valli in the next. With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. With him, it was all about fat and blood. He sounded like he was singing from an Olympian mountaintop and he meant business. One of his previous songs, "Ooby Dooby" was deceptively simple, but Roy had progressed. He was now singing his compositions in three or four octaves that made you want to drive your car over a cliff. He sang like a professional criminal. Typically, he'd start out in some low, barely audible range, stay there a while and then astonishingly slip into histrionics. His voice could jar a corpse, always leave you muttring to yourself something like, "Man, I don't believe it." His songs had songs within songs. They shifted from major to minor key without any logic. Orbison was deadly serious - no pollywog and no fledgling juvenile. There wasn't anything else on the radio like him.
Bob Dylan (Chronicles, Volume One)
Let us be just, my friends! What a splendid destiny for a nation to be the Empire of such an Emperor, when that nation is France and when it adds its own genius to the genius of that man! To appear and to reign, to march and to triumph, to have for halting-places all capitals, to take his grenadiers and to make kings of them, to decree the falls of dynasties, and to transfigure Europe at the pace of a charge; to make you feel that when you threaten you lay your hand on the hilt of the sword of God; to follow in a single man, Hannibal, Caesar, Charlemagne; to be the people of some one who mingles with your dawns the startling announcement of a battle won, to have the cannon of the Invalides to rouse you in the morning, to hurl into abysses of light prodigious words which flame forever, Marengo, Arcola, Austerlitz, Jena, Wagram! To cause constellations of victories to flash forth at each instant from the zenith of the centuries, to make the French Empire a pendant to the Roman Empire, to be the great nation and to give birth to the grand army, to make its legions fly forth over all the earth, as a mountain sends out its eagles on all sides to conquer, to dominate, to strike with lightning, to be in Europe a sort of nation gilded through glory, to sound athwart the centuries a trumpet-blast of Titans, to conquer the world twice, by conquest and by dazzling, that is sublime; and what greater thing is there?" "To be free," said Combeferre.
Victor Hugo (Les Misérables)
At a time like this, scorching irony, not convincing argument, is needed. O! had I the ability, and could reach the nation's ear, I would, to-day, pour out a fiery stream of biting ridicule, blasting reproach, withering sarcasm, and stern rebuke. For it is not light that is needed, but fire; it is not the gentle shower, but thunder. We need the storm, the whirlwind, and the earthquake. The feeling of the nation must be quickened; the conscience of the nation must be roused; the propriety of the nation must be startled; the hypocrisy of the nation must be exposed; and its crimes against God and man must be proclaimed and denounced.
Frederick Douglass
I enjoyed this scene; and yet my enjoyment was embittered both by the memory of the past, and the anticipation of the future. I was formed for peaceful happiness. During my youthful days discontent never visited my mind; and if I was ever overcome by ennui, the sight of what is beautiful in nature, or the study of what is excellent and sublime in the productions of man, could always interest my heart, and communicate elasticity to my spirits. But I am a blasted tree; the bolt has entered my soul; and I felt then that I should survive to exhibit, what I shall soon cease to be -- a miserable spectacle of wrecked humanity, pitiable to others, and intolerable to myself.
Mary Wollstonecraft Shelley (Frankenstein)
And the places she turns up in Jamaica are all the more curious. I remember being at sound-system dances and hearing everyone from Bob Marley Kenny Rogers (yes, Kenny Rogers) to Sade to Yellowman to Beenie Man being blasted at top volume while the crowd danced and drank up a storm. But once the selector (DJ in American parlance) began to play a Celine Dion song, the crowd went buck wild and some people started firing shots in the air.... I also remember always hearing Celine Dion blasting at high volume whenever I passed through volatile and dangerous neighborhoods, so much that it became a cue to me to walk, run or drive faster if I was ever in a neighborhood I didn't know and heard Celine Dion mawking over the airwaves.
Carl Wilson (Let's Talk About Love: A Journey to the End of Taste)
A little while ago, I stood by the grave of the old Napoleon—a magnificent tomb of gilt and gold, fit almost for a dead deity—and gazed upon the sarcophagus of rare and nameless marble, where rest at last the ashes of that restless man. I leaned over the balustrade and thought about the career of the greatest soldier of the modern world. I saw him walking upon the banks of the Seine, contemplating suicide. I saw him at Toulon—I saw him putting down the mob in the streets of Paris—I saw him at the head of the army of Italy—I saw him crossing the bridge of Lodi with the tri-color in his hand—I saw him in Egypt in the shadows of the pyramids—I saw him conquer the Alps and mingle the eagles of France with the eagles of the crags. I saw him at Marengo—at Ulm and Austerlitz. I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter's withered leaves. I saw him at Leipsic in defeat and disaster—driven by a million bayonets back upon Paris—clutched like a wild beast—banished to Elba. I saw him escape and retake an empire by the force of his genius. I saw him upon the frightful field of Waterloo, where Chance and Fate combined to wreck the fortunes of their former king. And I saw him at St. Helena, with his hands crossed behind him, gazing out upon the sad and solemn sea. I thought of the orphans and widows he had made—of the tears that had been shed for his glory, and of the only woman who ever loved him, pushed from his heart by the cold hand of ambition. And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door, and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky—with my children upon my knees and their arms about me—I would rather have been that man and gone down to the tongueless silence of the dreamless dust, than to have been that imperial impersonation of force and murder, known as 'Napoleon the Great.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
He liked the electric darkness and the hot dirty air and the blasts of noise and traffic and the manic barking sirens and the crush of people. It helped a lonely man feel connected and isolated both at the same time.
Lee Child (The Hard Way (Jack Reacher, #10))
Man comes into the world a blind, groping mite. He knows hunger and the fear of noise and of falling. His life is spent in flight - flight from hunger and from the thunderbolt of destiny. From his moment of birth he begins to fall through the whistling air of Time: down, down into a chasm of darkness . . . we come like a breath of wind over the fields of morning. We go like a lamp flame caught by a blast from a darkened window. In between we journey from table to table, from battle to bottle, from bed to bed. We suck, we chew, we swallow, we lick, we try to mash life into us like an am-am-amoeba God damn it! Somebody lets us loose like a toad out of a matchbox and we jump and jump and jump and the guy always behind us, and when he gets tired he stomps us to death and our guts squirt out on each side of the boot of All Merciful Providence. The son-of-a-bitch!
William Lindsay Gresham (Nightmare Alley)
This instance in particular proves that beneath all that cool pseudo-academic hogwash lurked a very passionate man who knew how important it was to say "fuck" now and then, and say it loud too, relish its syllabic sweetness, its immigrant pride, a great American epic word really, starting at the lower lip , often the very front of the lower lip, before racing all the way to the back of the throat, where it finishes with a great blast, the concussive force of the K catching up then with the hush of the F already on its way, thus loading it with plenty of offense and edge and certainly ambiguity. FUCK. A great by-the-bootstrap prayer or curse of you prefer, depending on how you look at it, or use it, suited perfectly for hurling at the skies or at the world, or sometimes, if said just right, for uttering with enough love and fire, the woman beside you melts inside herself.
Mark Z. Danielewski (House of Leaves)
There is something universal about being stood up in a city restaurant between one and two—a spiritual no-man’s-land, whose blasted trees, entrenchments, and ratholes we all share, disarmed by the gullibility of our hearts.
John Cheever (The Stories of John Cheever)
Jason winced. “Knocked out twice in two days,” he muttered. “Some demigod.” He glanced sheepishly at Percy. “Sorry, man. I didn’t mean to blast you.” Percy’s shirt was peppered with burn holes. His hair was even more disheveled than normal. Despite that, he managed a weak laugh. “Not the first time. Your big sister got me good once at camp.” “Yeah, but…I could have killed you.” “Or I could have killed you,” Percy said. Jason shrugged. “If there’d been an ocean in Kansas, maybe.” “I don’t need an ocean—” “Boys,” Annabeth interrupted, “I’m sure you both would’ve been wonderful at killing each other. But right now, you need some rest.” “Food first,” Percy said. “Please?
Rick Riordan (The Heroes of Olympus: Books I-III (The Heroes of Olympus, #1-3))
...a minority is only thought of as a minority if it constitutes some kind of threat to the majority, real or imaginary. And no threat is ever quite imaginary...Just ask yourselves: what would this particular minority do if it suddenly became the majority, overnight? 'All right - now along come the liberals - including everybody in the room, I trust - and they say, 'minorities are just people, like us '. Sure, minorities are people, just like us'. Sure, minorities are people; people , not angels. Sure, they're like us - but not exactly like us; that's the all-too-familiar state of liberal hysteria, in which you begin to kid yourself you honestly cannot see a difference between a Negro and a Swede -' (Why, oh why daren't George say 'between Estelle Oxford and Buddy Sorensen'? Maybe, if he did dare, there would be a great atomic blast of laughter, and everybody would embrace, and the kingdom of heaven would begin, right here in the classroom 278. But then, again, maybe it wouldn't.) 'So,let's face it, minorities are people who probably look and act and think differently from us, and have faults we don't have. We may dislike the way they look and act, and we may hate their faults. And it's better if we admit to disliking and hating them, than if we try to smear out feelings over with pseudo-liberal sentimentality. If we're frank about our feelings, we have a safety-valve; and if we have a safety-valve, we're actually less likely to start persecuting...
Christopher Isherwood (A Single Man)
A beast is just what you want. A big, dark medieval brute to throw you to the ground, tear the clothes from your body, and have his wicked way with you. I know I’m right. I haven’t forgotten how excited you were in the aftermath of that blast." The nerve of him! How could he tell? She lifted her chin. "Well, I haven't forgotten the sound you made when I first touched your brow. It wasn't even a moan, it was more like . . . like a whimper." He made a dismissive sound. "Oh yes. A plaintive, yearning whimper. Because you want an angel. A sweet, tender virgin to hold you and stroke you and whisper precious promises and make you feel human." "That's absurd," he scoffed. "You're just begging to be taught a hard, fast lesson in what it means to please a man." "You're just longing to put your head in my lap and feel my fingers in your hair. He backed her up against a rock. "You need a good ravaging." "You," she breathed, "need a hug." They stared at each other for long, tense moments. At first, looking each other in the eye. Then looking each other in the lips. "You know what I think?" he said, coming closer. So close she could feel his breath wash warm against her cheek. "I think we’re having one of those vexing arguments again." "The kind where both sides are right?" "Hell, yes." And this time, when they kissed, they both made that sound. That deep, moaning, yearning, whimpering sound. That sound that said yes. And at last. And you are exactly what I need.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Keep the faculty of effort alive in you by a little gratuitous exercise every day. That is, be systematically ascetic or heroic in little unnecessary points, do every day or two something for no other reason than that you would rather not do it, so that when the hour of dire need draws nigh, it may find you not unnerved and untrained to stand the test. So with the man who has daily inured himself to habits of concentrated attention, energetic volition, and self-denial in unnecessary things. He will stand like a tower when everything rocks around him, and when his softer fellow-mortals are winnowed like chaff in the blast.
William James (Talks to Teachers on Psychology and to Students on Some of Life's Ideals)
And thus it passed on from Candlemass until after Easter, that the month of May was come, when every lusty heart beginneth to blossom, and to bring forth fruit; for like as herbs and trees bring forth fruit and flourish in May, in like wise every lusty heart that is in any manner a lover, springeth and flourisheth in lusty deeds. For it giveth unto all lovers courage, that lusty month of May, in something to constrain him to some manner of thing more in that month than in any other month, for divers causes. For then all herbs and trees renew a man and woman, and likewise lovers call again to their mind old gentleness and old service, and many kind deeds that were forgotten by negligence. For like as winter rasure doth alway arase and deface green summer, so fareth it by unstable love in man and woman. For in many persons there is no stability; for we may see all day, for a little blast of winter's rasure, anon we shall deface and lay apart true love for little or nought, that cost much thing; this is no wisdom nor stability, but it is feebleness of nature and great disworship, whosomever useth this. Therefore, like as May month flowereth and flourisheth in many gardens, so in like wise let every man of worship flourish his heart in this world, first unto God, and next unto the joy of them that he promised his faith unto; for there was never worshipful man or worshipful woman, but they loved one better than another; and worship in arms may never be foiled, but first reserve the honour to God, and secondly the quarrel must come of thy lady: and such love I call virtuous love. But nowadays men can not love seven night but they must have all their desires: that love may not endure by reason; for where they be soon accorded and hasty heat, soon it cooleth. Right so fareth love nowadays, soon hot soon cold: this is no stability. But the old love was not so; men and women could love together seven years, and no licours lusts were between them, and then was love, truth, and faithfulness: and lo, in like wise was used love in King Arthur's days. Wherefore I liken love nowadays unto summer and winter; for like as the one is hot and the other cold, so fareth love nowadays; therefore all ye that be lovers call unto your remembrance the month of May, like as did Queen Guenever, for whom I make here a little mention, that while she lived she was a true lover, and therefore she had a good end.
Thomas Malory (Le Morte d'Arthur: King Arthur and the Legends of the Round Table)
I am wholly devoid of public spirit or moral purpose. This is incomprehensible to many men, and they seek to remedy the defect by crediting me with purposes of their own. The only thing I respect is intellectual honesty, of which, of course, intellectual courage is a necessary part. A Socialist who goes to jail for his opinions seems to me a much finer man than the judge who sends him there, though I disagree with all the ideas of the Socialist and agree with some of those of the judge. But though he is fine, the Socialist is nevertheless foolish, for he suffers for what is untrue. If I knew what was true, I'd probably be willing to sweat and strive for it, and maybe even to die for it to the tune of bugle-blasts. But so far I have not found it.
H.L. Mencken (In Defense of Women)
We have become imprisoned by technology and by our jobs. Sure, there’s nothing wrong with being ambitious, responsible, and hard-working. But, I’d hate for anyone to die wishing they’d enjoyed life more and worked less. Your final thought should be, “Man, I had a friggin’ blast. An amazing life. No regrets. It’s been a great run. A crapload of fun.
Art Rios (Let's Talk: ...About Making Your Life Exciting, Easier, And Exceptional)
Oh, for heavens sake, she thought with droll exasperation, this certainly explains a lot. It's no wonder I haven't been able to keep my hands off the blasted man since the day I met him. He's an artifact! A Celtic one at that! "Well, that's one way of thinking of me, lass," Dageus purred, his dark eyes gleaming with satisfaction. "Tell me I didn't just say that aloud!" Chloe was horrified. Silvan cleared his throat. "You did. He's an artifact.
Karen Marie Moning
She was in big trouble now. "You stupid man," she said to the body on the floor. "Why did you have to lunge at me like that? Why couldn't you have left well enough alone? I told your father I wasn't going to marry you. I told him I wouldn't marry you if you were the last idiot in Britain." She nearly stamped her foot in frustration. Why was it her words never came out quite the way she intended them to? "What I meant to say was that you are an idiot," she said to Percy, who, not surprisingly, didn't respond, "and that I wouldn't marry you if you were the last man in Britain, and- Oh, blast. What am I doing talking to you, anyway? You're quite dead.
Julia Quinn (To Catch an Heiress (Agents of the Crown, #1))
Try as we will to take the “cure” of ineffectuality; to meditate on the Taoist fathers’ doctrine of submission, of withdrawal, of a sovereign absence; to follow, like them, the course of consciousness once it ceases to be at grips with the world and weds the form of things as water does, their favorite element—we shall never succeed. They scorn both our curiosity and our thirst for suffering; in which they differ from the mystics, and especially from the medieval ones, so apt to recommend the virtues of the hair shirt, the scourge, insomnia, inanition, and lament. “A life of intensity is contrary to the Tao,” teaches Lao Tse, a normal man if ever there was one. But the Christian virus torments us: heirs of the flagellants, it is by refining our excruciations that we become conscious of ourselves. Is religion declining? We perpetuate its extravagances, as we perpetuate the macerations and the cell-shrieks of old, our will to suffer equaling that of the monasteries in their heyday. If the Church no longer enjoys a monopoly on hell, it has nonetheless riveted us to a chain of sighs, to the cult of the ordeal, of blasted joys and jubilant despair. The mind, as well as the body, pays for “a life of intensity.” Masters in the art of thinking against oneself, Nietzsche, Baudelaire, and Dostoevsky have taught us to side with our dangers, to broaden the sphere of our diseases, to acquire existence by division from our being. And what for the great Chinaman was a symbol of failure, a proof of imperfection, constitutes for us the sole mode of possessing, of making contact with ourselves.
Emil M. Cioran (The Temptation to Exist)
At that sound the bent shape of the king sprang suddenly erect. Tall and proud he seemed again; and rising in his stirrups he cried in a loud voice, more clear than any there had ever heard a mortal man achieve before: Arise, arise, Riders of Theoden! Fell deeds awake: fire and slaughter! spear shall be shaken, shield be splintered, a sword-day, a red day, ere the sun rises! Ride now, ride now! Ride to Gondor! With that he seized a great horn from Guthlaf his banner-bearer, and he blew such a blast upon it that it burst asunder. And straightway all the horns in the host were lifted up in music, and the blowing of the horns of Rohan in that hour was like a storm upon the plain and a thunder in the mountains. Ride now, ride now! Ride to Gondor! Suddenly the king cried to Snowmane and the horse sprang away. Behind him his banner blew in the wind, white horse upon a field of green, but he outpaced it. After him thundered the knights of his house, but he was ever before them. Eomer rode there, the white horsetail on his helm floating in his speed, and the front of the first eored roared like a breaker foaming to the shore, but Theoden could not be overtaken. Fey he seemed, or the battle-fury of his fathers ran like new fire in his veins, and he was borne up on Snowmane like a god of old, even as Orome the Great in the battle of the Valar when the world was young. his golden shield was uncovered, and lo! it shone like an image of the Sun, and the grass flamed into green about the white feet of his steed. For morning came, morning and a wind from the sea; and darkness was removed, and the hosts of Mordor wailed, and terror took them, and they fled, and died, and the hoofs of wrath rode over them. And then all the host of Rohan burst into song, and they sang as they slew, for the joy of battle was on them, and the sound of their singing that was fair and terrible came even to the City.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
Oh. I see. So your grace never curses.” “I do not.” “Words like cor . . . bollocks . . . damn . . . devil . . . blast . . . bloody hell . . .” She pronounced the words with relish, warming to her task. “They don’t cross a duchess’s lips?” “No.” “Never?” “Never.” Miss Simms’s fair brow creased in thought. “What if a duchess steps on a tack? What if a gust of wind steals a duchess’s best powdered wig? Not even then?” “Not even when an impertinent farm girl provokes a duchess to a simmering rage,” she replied evenly. “A duchess might contemplate all manner of cutting remarks and frustrated oaths. But even in the face of extreme annoyance, she stifles any such ejaculations.” “My,” Miss Simms said, wide-eyed. “I do hope dukes aren’t held to the same standard. Can’t be healthy for a man, always stifling his ejaculations.” Griff promptly broke the prohibition against elbows on the table, smothering a burst of laughter with his palm and disguising it as a coughing
Tessa Dare (Any Duchess Will Do (Spindle Cove, #4))
A tired man lay down his head in a dusty room so dim, and for so long his wife did shake and yell to waken him. Meanwhile his thoughts, his dreams, did stir of sandy, red bullfights, of powder-blasts in the air and carnival delights. Yet still his wife was in despair in a dusty room so dim, for she knew death was a whore not far from tempting him.
Roman Payne
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
With a volley of blasts it emerged from the shed, moving in a fierce and stately way. Mr. Shiftlet was in the driver’s seat, sitting very erect. He had an expression of serious modesty on his face as if he had just raised the dead.
Flannery O'Connor (A Good Man Is Hard to Find and Other Stories)
O, in the solitude of those mountains I feel free, free as the air, like a light blasting unharnessed through space. A thousand cities, a thousand palaces I would give just for a corner of the Philippines where far away from man I could feel truly free!
José Rizal (El Filibusterismo (Noli Me Tangere, #2))
Only one thing had her balking: his cool kiss. Especially when compared to Mr. Pinter's hot ones. Curse that man. No matter how much she told herself his kisses hadn't meant anything, her wounded pride wanted to believe otherwise. Her wounded pride insisted they'd been too passionate to be meant only as a lesson. Her wounded pride was a blasted nuisance.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Linnet’s thudding heart raced blood through her veins, sending a flush of embarrassing heat to her face. She had been avoiding him, but she could never tell him why. It took all her discipline not to quail under Sir Anthony’s penetrating gaze. Blast the man. She’d lost count of the times he’d made her feel like a blushing maiden. Strictly speaking, she was still a maiden, but she’d given up blushing years ago—along with simpering, flirting, and so many other talents deemed useful to unmarried women. Except, of course, in Sir Anthony’s august presence.
Vanessa Kelly (Lost in a Royal Kiss (The Renegade Royals, #0.5))
See, boys?” Moundshroud’s face flickered with the fire. “The days of the Long Cold are done. Because of this one brave, new-thinking man, summer lives in the winter cave.” “But?” said Tom. “What’s that got to do with Halloween?” “Do? Why, blast my bones, everything. When you and your friends die every day, there’s no time to think of Death, is there? Only time to run. But when you stop running at long last—” He touched the walls. The apemen froze in mid-flight. “—now you have time to think of where you came from, where you’re going. And fire lights the way, boys. Fire and lightning. Morning stars to gaze at. Fire in your own cave to protect you. Only by night fires was the caveman, beastman, able at last to turn his thoughts on a spit and baste them with wonder. The sun died in the sky. Winter came on like a great white beast shaking its fur, burying him. Would spring ever come back to the world? Would the sun be reborn next year or stay murdered? Egyptians asked it. Cavemen asked it a million years before. Will the sun rise tomorrow morning?” “And that’s how Halloween began?” “With such long thoughts at night, boys. And always at the center of it, fire. The sun. The sun dying down the cold sky forever. How that must have scared early man, eh? That was the Big Death. If the sun went away forever, then what?
Ray Bradbury (The Halloween Tree)
Georgette was a hip queer. She (he) didn't try to disguise or conceal it with marriage and mans talk, satisfying her homosexuality with the keeping of a secret scrapbook of pictures of favorite male actors or athletes or by supervising activities of young boys or visiting turkish baths or mens locker rooms, leering sidely while seeking protection behind a carefully guarded guise of virility (fearing that moment at a cocktail party or in a bar when this front may start crumbling from alcohol and be completely disintegrated with an attempted kiss or groping of an attractive young man and being repelled with a punch and - rotten fairy - followed with hysteria and incoherent apologies and excuses and running from the room) but, took a pride in being a homosexual by feeling intellectually and esthetically superior to those (especially women) who weren't gay (look at all the great artists who were fairies!); and with the wearing of womens panties, lipstick, eye makeup (this including occasionally gold and silver - stardust - on the lids),long marcelled hair, manicured and polished fingernails, the wearing of womens clothes complete with a padded bra, high heels and wig (one of her biggest thrills was going to BOP CITY dressed as a tall stately blond ( she was 6'4 in heels) in the company of a negro (he was a big beautiful black bastard and when he floated in all the cats in the place jumped and the squares bugged. We were at crazy pad before going and were blasting like crazy, and were up so high that I just didnt give ashit for anyone honey, let me tell you!); and the occasional wearing of menstrual napkin.
Hubert Selby Jr.
The witch approached it and pared its edges with a sword that she drew from her thigh. Then she sat down beside it on the earth and sang to it while it cooled. Not like the runes that enraged the flames was the song she sang to the sword: she whose curses had blasted the fire till it shrivelled big logs of oak crooned now a melody like a wind in summer blowing from wild wood gardens that no man tended, down valleys loved once by children, now lost to them but for dreams, a song of such memories as lurk and hide along the edges of oblivion, now flashing from beautiful years of glimpse of some golden moment, now passing swiftly out of remembrance again, to go back to the shades of oblivion, and leaving on the mind those faintest traces of little shining feet which when dimly perceived by us are called regrets. She sang of old Summer noons in the time of harebells: she sang on that high dark heath a song that seemed so full of mornings and evenings preserved with all their dews by her magical craft from days that had else been lost, that Alveric wondered of each small wandering wing, that her fire had lured from the dusk, if this were the ghost of some day lost to man, called up by the force of her song from times that were fairer.
Lord Dunsany (The King of Elfland's Daughter)
People like Ruby Sales, who remains committed to engaging what she names “the culture of whiteness,” always have my undying respect. In 1965, when a white man, Jonathan Daniels, knocked her down thus taking a shotgun blast meant for her, fired by another white man, Tom Coleman, she says she stood between the best and the worst our democracy has to offer. The murkiness as we exist alongside each other calls us forward. I don’t want to forget that I am here; at any given moment we are, each of us, next to any other capable of both the best and the worst our democracy has to offer.
Claudia Rankine (Just Us: An American Conversation)
For life is a fire burning along a piece of string--or is it a fuse to a powder keg which we call God?--and the string is what we don't know, our Ignorance, and the trail of ash, which, if a gust of wind does not come, keeps the structure of the string, is History, man's Knowledge, but it is dead, and when the fire has burned up all the string, then man's Knowledge will be equal to God's Knowledge and there won't be any fire, which is Life. Or if the string leads to a powder keg, then there will be a terrific blast of fire, and even the trail of ash will be blown completely away.
Robert Penn Warren (All the King's Men)
Until one morning, one of the coldest mornings of the year, when I came in with the book cart and found Jean Hollis Clark, a fellow librarian, standing dead still in the middle of the staff room. "I heard a noise from the drop box," Jean said. "What kind of noise?" "I think it's an animal." "A what?" "An animal," Jean said. "I think there's an animal in the drop box." That was when I heard it, a low rumble from under the metal cover. It didn't sound like an animal. It sounded like an old man clearing his throat. Gurr-gug-gug. Gurr-gug-gug. But the opening at the top of the chute was only a few inches wide, so that would be quite a squeeze for an old man. It had to be an animal. But what kind? I got down on my knees, reached over the lid, and hoped for a chipmunk. What I got instead was a blast of freezing air. The night before, the temperature had reached minus fifteen degrees, and that didn't take into account the wind, which cut under your coat and squeezed your bones. And on that night, of all nights, someone had jammed a book into return slot, wedging it open. It was as cold in the box as it was outside, maybe colder, since the box was lined with metal. It was the kind of cold that made it almost painful to breathe. I was still catching my breath, in fact, when I saw the kitten huddled in the front left corner of the box. It was tucked up in a little space underneath a book, so all I could see at first was its head. It looked grey in the shadows, almost like a little rock, and I could tell its fur was dirty and tangled. Carefully, I lifted the book. The kitten looked up at me, slowly and sadly, and for a second I looked straight into its huge golden eyes. The it lowered its head and sank back down into its hole. At that moment, I lost every bone in my body and just melted.
Vicki Myron (Dewey the Library Cat: A True Story)
Fine. I understand,” she said with a little shrug, turning her head slightly so he couldn’t see her eyes. “If it’s really that important to you, I’ll go have sex with a human male first. Then I’ll know what I’m talking about before I broach the matter with you again.” Jacob felt the statement the same way he had felt the blast of Elijah’s intervention the first night he had touched her. It slammed into him with breathtaking brutality, destroying his sense of direction and balance. Rage surged through him, turning his eyes into glistening black voids. The idea of another man touching that precious skin, kissing her sweet, delicious mouth, was more than he could stand. What she was suggesting this time was too much. Beyond too much. “Over my dead body . . . over my obliterated soul will I ever allow such a thing.” The declaration was a cross between a growl and a soft roar. Bella could see him shaking from head to toe, could feel it vibrating through the door behind her. In all of an instant, the cool, sophisticated Jacob disappeared and a possessive beast reared its head in his place. Now that’s more like it, Isabella mused, with a mental smile. “But”—she blinked her wide eyes up at him in all innocence—“you just said—“ “I said forget it, Isabella!” the Enforcer exploded, the pressure of his hands on the door at her back making the wood pop and creak ominously. “No one is going to touch you, do you understand?
Jacquelyn Frank (Jacob (Nightwalkers, #1))
Uselessness Let mine not be the saddest fate of all, To live beyond my greater self; to see My faculties decaying, as the tree Stands stark and helpless while its green leaves fall Let me hear rather the imperious call, Which all men dread, in my glad morning time, And follow death ere I have reached my prime, Or drunk the strengthening cordial of life's gall. The lightning's stroke or the fierce tempest blast Which fells the green tree to the earth to-day Is kinder than the calm that lets it last, Unhappy witness of its own decay. May no man ever look on me and say, 'She lives, but all her usefulness is past.
Ella Wheeler Wilcox (Poems Of Cheer)
A man rarely knows the day and hour when he will die. I could be killed at any moment, and there's not a blasted thing I can do about it. What will happen will happen, and I won't waste the time I have aboveground worrying. Misfortune always comes to those who wait. The trick is to find happiness in the brief gaps between disasters.
Christopher Paolini (Brisingr (The Inheritance Cycle #3))
Inman guessed Swimmer's spells were right in saying a man's spirit could be torn apart and cease and yet his body keep on living. They could take deathblows independently. He was himself a case in point, and perhaps not a rare one, for his spirit, it seemed, had been about burned out of him to fear that the mere existence of the Henry repeating rifle or the éprouvette mortar made all talk of spirit immediately antique. His spirit, he feared, had been blasted away so that he had become lonesome and estranged from all around him as a sad old heron standing pointless watch in the mudflats of a pond lacking frogs. It seemed a poor swap to find that the only way one might keep from fearing death was to act numb and set apart as if dead already, with nothing left of you but a hut of bones.
Charles Frazier (Cold Mountain)
The North Wind and the Sun disputed which was the more powerful, and agreed that he should be declared the victor who could first strip a wayfaring man of his clothes. The North Wind first tried his power, and blew with all his might; but the keener became his blasts, the closer the Traveler wrapped his cloak around him, till at last, resigning all hope of victory, he called upon the Sun to see what he could do. The Sun suddenly shone out with all his warmth. The Traveler no sooner felt his genial rays that he took off one garment after another, and at last, fairly overcome with heat, undressed, and bathed in a stream that lay in his path. Persuasion i better than Force.
Aesop (Aesop's Fables)
At 13:57 local time, a low yield nuclear warhead exploded in the city of Chongjin, North Korea. A long standing military target. Chongjin is home to some 532,000 men, women, and children. This city has survived a number of wars. It will not survive this. But her people will. As 13:57 and .00001 microseconds, half a million Koreans seemed to materialize on a hilltop 35 miles away from the blast. They were carried there . . . One at a time, sometimes two . . . At a hair's breadth short of the speed of light . . . By one man . . . The Flash. The Fastest Man Alive.
Joe Kelly (JLA, Vol. 14: Trial by Fire)
At first there was nothing - a profound blue darkness running running deep, laced by skeins of starlight and pale phosphorescent flashes. This four o-clock hour was a moment of utter silence, the indrawn breath of dark, the absolute, trance-like balance between night and day. Then, when it seemed that nothing would ever move or live or know the light again, a hot wind would run over the invisible water. It was like a fore-blast of the turning world, an intimation that its rocks and seas and surfaces still stirred against the sun. One strained one's eyes, scarce breathing, searching for a sign. Presently it came. Far in the east at last the horizon hardened, an imperceptible line dividing sky and sea, sharp as a diamond cut on glass. A dark bubble of cloud revealed itself, warmed slowly, flushing from within like a seed growing, a kernel ripening, a clinker hot with locked-in fire. Gradually the cloud throbbed red with light, then suddenly caught the still unrisen sun and burst like an expanding bomb. Flares and streamers began to fall into the sea, setting all things on fire. After the long unthinking darkness everything now began to happen at once. The stars snapped shut, the sky bled green, vermillion tides ran over the water, the hills around took on the colour of firebrick, and the great sun drew himself at last raw and dripping from the waves. Scarlet, purple, and clinker-blue, the morning, smelling of thyme and goats, of charcoal, splintered rock and man's long sojourn around this lake
Laurie Lee (A Rose for Winter)
stopping to look at him sprawled out on the mattress, my brilliant, long-legged man with the rumpled hair and remarkable eyes, my comrade, my fuck-buddy, my wisecracking, true-blue companion for the long road ahead, and because I hated to leave him without saying good-bye, I would mist up the air above his body with half a dozen small blasts of my lily-of-the-valley eau de cologne so that a part of me would still be there with him when he opened his eyes.
Paul Auster (Baumgartner)
I wasn’t asking for my father, Vi. I was asking for me.” “You what?” I forget all pretense of watching the sparring match, giving Halden my full attention. “I never told you I was sorry.” His face softens, and his gaze skims over my face like he’s noticing every detail that’s changed. “And I should have. If you’re not with Riorson—” “I am in love with him.” I bristle. “I haven’t so much as thought about you in years. Don’t chase just because you like a challenge. You’ll lose.” Halden scoffs. “Anyone who’s ever dated a rider knows their first priority—their first love—is their dragon. Once you accept that, another man hardly feels like a challenge.” My lips part. He’s right. Our first priorities are our dragons. They’re irreplaceable. “Besides, with all this time we have coming up together on this mission, I thought maybe you’d at least be willing to have a quiet dinner with me?” His smirk slips. “Tell me you don’t let your non-boyfriend control you. Allow me to apologize properly, the way I should have three years ago.” He lifts a hand toward the loosened strands of my braid, but never makes it. Shadows blast straight through the wards and hit Halden in the chest like a battering ram, sending the crown prince of Navarre flying backward—straight into the rock wall. Shit.
Rebecca Yarros (Onyx Storm (The Empyrean, #3))
Collins was in the space capsule all alone. While his partners were down there collecting rocks, Collins was manning the wheel. Twenty-six times he circled the moon—solo. Imagine? He was completely out of radio contact. Couldn’t talk to his partners. Couldn’t talk to NASA. He was cut off from every living soul in the universe. If he panicked, if he fucked up, if he pushed the wrong button, he’d strand Armstrong and Aldrin. Or if they did something wrong, if their lunar car broke down, if they couldn’t restart the thing, if they couldn’t blast off and reconnect with Collins forty-five miles above the moon, he’d have to head back to earth all by himself. Leave his partners to die. Slowly running out of air. While watching earth in the distance. It was such a real possibility, Collins returning to earth by himself, that Nixon wrote up a speech to the nation. Collins—now that’s one stone-cold wheelman. That’s the guy you want sitting at the wheel of a gassed-up Ford while you’re inside a bank.
J.R. Moehringer (Sutton)
Home? What is home? Home is where a house is that you come back to when the rainy season is about to begin, to wait until the next dry season comes around. Home is where your woman is, that you come back to in the intervals between a greater love - the only real love - the lust for riches buried in the earth, that are your own if you can find them. Perhaps you do not call it home, even to yourself. Perhaps you call them 'my house,' 'my woman,' What if there was another 'my house,' 'my woman,' before this one? It makes no difference. This woman is enough for now. Perhaps the guns sounded too loud at Anzio or at Omaha Beach, at Guadalcanal or at Okinawa. Perhaps when they stilled again some kind of strength had been blasted from you that other men still have. And then again perhaps it was some kind of weakness that other men still have. What is strength, what is weakness, what is loyalty, what is perfidy? The guns taught only one thing, but they taught it well: of what consequence is life? Of what consequence is a man? And, therefore, of what consequence if he tramples love in one place and goes to find it in the next? The little moment that he has, let him be at peace, far from the guns and all that remind him of them. So the man who once was Bill Taylor has come back to his house, in the dusk, in the mountains, in Anahuac. ("The Moon Of Montezuma")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
When I was very young and the urge to be someplace else was on me, I was assured by mature people that maturity would cure this itch. When years described me as mature, the remedy prescribed was middle age. In middle age I was assured greater age would calm my fever and now that I am fifty-eight perhaps senility will do the job. Nothing has worked. Four hoarse blasts of a ships's whistle still raise the hair on my neck and set my feet to tapping. The sound of a jet, an engine warming up, even the clopping of shod hooves on pavement brings on the ancient shudder, the dry mouth and vacant eye, the hot palms and the churn of stomach high up under the rib cage. In other words, I don't improve; in further words, once a bum always a bum. I fear the disease is incurable. I set this matter down not to instruct others but to inform myself. When the virus of restlessness begins to take possession of a wayward man, and the road away from Here seems broad and straight and sweet, the victim must first find in himself a good and sufficient reason for going. This to the practical bum is not difficult. He has a built-in garden of reasons to chose from. Next he must plan his trip in time and space, choose a direction and a destination. And last he must implement the journey. How to go, what to take, how long to stay. This part of the process is invariable and immortal. I set it down only so that newcomers to bumdom, like teen-agers in new-hatched sin, will not think they invented it. Once a journey is designed, equipped, and put in process, a new factor enters and takes over. A trip, a safari, an exploration, is an entity, different from all other journeys. It has personality, temperament, individuality, uniqueness. A journey is a person in itself; no two are alike. And all plans, safeguards, policing, and coercion are fruitless. We find after years of struggle that we do not take a trip; a trip takes us. Tour masters, schedules, reservations, brass-bound and inevitable, dash themselves to wreckage on the personality of the trip. Only when this is recognized can the blown-in-the glass bum relax and go along with it. Only then do the frustrations fall away. In this a journey is like marriage. The certain way to be wrong is to think you control it.
John Steinbeck (Travels with Charley: In Search of America)
Remember me. I will be with you in the grave on the night you leave behind your shop and your family. When you hear my soft voice echoing in your tomb, you will realize that you were never hidden from my eyes. I am the pure awareness within your heart, with you during joy and celebration, suffering and despair. On that strange and fateful night you will hear a familar voice -- you'll be rescued from the fangs of snakes and the searing sting of scorpions. The euphoria of love will sweep over your grave; it will bring wine and friends, candles and food. When the light of realization dawns, shouting and upheaval will rise up from the graves! The dust of ages will be stirred by the cities of ecstasy, by the banging of drums, by the clamor of revolt! Dead bodies will tear off their shrouds and stuff their ears in fright-- What use are the senses and the ears before the blast of that Trumpet? Look and you will see my form whether you are looking at yourself or toward that noise and confusion. Don't be blurry-eyed, See me clearly- See my beauty without the old eyes of delusion. Beware! Beware! Don't mistake me for this human form. The soul is not obscured by forms. Even if it were wrapped in a hundred folds of felt the rays of the soul's light would still shine through. Beat the drum, Follow the minstrels of the city. It's a day of renewal when every young man walks boldly on the path of love. Had everyone sought God Instead of crumbs and copper coins T'hey would not be sitting on the edge of the moat in darkness and regret. What kind of gossip-house have you opened in our city? Close your lips and shine on the world like loving sunlight. Shine like the Sun of Tabriz rising in the East. Shine like the star of victory. Shine like the whole universe is yours!
Jalal ad-Din Muhammad ar-Rumi (Rumi: In the Arms of the Beloved)
Then it was horn time. Time for the big solo. Sonny lifted the trumpet - One! Two! - He got it into sight - Three! We all stopped dead. I mean we stopped. That wasn't Sonny's horn. This one was dented-in and beat-up and the tip-end was nicked. It didn't shine, not a bit. Lux leaned over-you could have fit a coffee cup into his mouth. "Jesus God," he said. "Am I seeing right?" I looked close and said: "Man, I hope not." But why kid? We'd seen that trumpet a million times. It was Spoof's. Rose-Ann was trembling. Just like me, she remembered how we'd buried the horn with Spoof. And she remembered how quiet it had been in Sonny's room last night... I started to think real hophead thoughts, like - where did Sonny get hold of a shovel that late? and how could he expect a horn to play that's been under the ground for two years? and - That blast got into our ears like long knives. Spoof's own trademark! Sonny looked caught, like he didn't know what to do at first, like he was hypnotized, scared, almighty scared. But as the sound came out, rolling out, sharp and clean and clear - new-trumpet sound - his expression changed. His eyes changed: they danced a little and opened wide. Then he closed them, and blew that horn. Lord God of the Fishes, how he blew it! How he loved it and caressed it and pushed it up, higher and higher and higher. High C? Bottom of the barrel. He took off, and he walked all over the rules and stamped them flat. The melody got lost, first off. Everything got lost, then, while that horn flew. It wasn't only jazz; it was the heart of jazz, and the insides, pulled out with the roots and held up for everybody to see; it was blues that told the story of all the lonely cats and all the ugly whores who ever lived, blues that spoke up for the loser lamping sunshine out of iron-gray bars and every hop head hooked and gone, for the bindlestiffs and the city slicers, for the country boys in Georgia shacks and the High Yellow hipsters in Chicago slums and the bootblacks on the corners and the fruits in New Orleans, a blues that spoke for all the lonely, sad and anxious downers who could never speak themselves... And then, when it had said all this, it stopped and there was a quiet so quiet that Sonny could have shouted: 'It's okay, Spoof. It's all right now. You get it said, all of it - I'll help you. God, Spoof, you showed me how, you planned it - I'll do my best!' And he laid back his head and fastened the horn and pulled in air and blew some more. Not sad, now, not blues - but not anything else you could call by a name. Except... jazz. It was Jazz. Hate blew out of that horn, then. Hate and fury and mad and fight, like screams and snarls, like little razors shooting at you, millions of them, cutting, cutting deep... And Sonny only stopping to wipe his lip and whisper in the silent room full of people: 'You're saying it, Spoof! You are!' God Almighty Himself must have heard that trumpet, then; slapping and hitting and hurting with notes that don't exist and never existed. Man! Life took a real beating! Life got groined and sliced and belly-punched and the horn, it didn't stop until everything had all spilled out, every bit of the hate and mad that's built up in a man's heart. ("Black Country")
Charles Beaumont (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
On an air-cooled engine like this, extreme overheating can cause a “seizure”. This machine has had one...in fact, three of them. I took this machine into a shop because I thought it wasn’t important enough to justify getting into myself, having to learn all the complicated details. The shop was a different scene from the ones I remembered. The mechanics, who had once all seemed like ancient veterans, now looked like children. A radio was going full blast and they were clowning around and talking and seemed not to notice me. They sat down to do a job and they performed it like chimpanzees. Nothing personal in it. The radio was a clue. You can’t really think hard about what you’re doing and listen to the radio at the same time. But the biggest clue seemed to be their expressions. They were hard to explain. Good-natured, friendly, easygoing—and uninvolved. They were like spectators. I found the cause of the seizures a few weeks later, waiting to happen again. It was a little twenty-five-cent pin in the internal oil-delivery system that had been sheared and was preventing oil from reaching the head at high speeds. On this trip I think we should notice it, explore it a little, to see if in that strange separation of what man is from what man does we may have some clues as to what the hell has gone wrong in this twentieth century. I don’t want to hurry it. That itself is a poisonous twentieth-century attitude. When you want to hurry something, that means you no longer care about it and want to get on to other things. I just want to get at it slowly, but carefully and thoroughly, with the same attitude I remember was present just before I found that sheared pin. It was that attitude that found it, nothing else.
Robert M. Pirsig
Curran lunged through the window He was huge, neither a man, nor a lion. Curran’s usual warrior form stood upright. This creature moved on all fours. Enormous, bulging with muscle under a gray pelt striped with whip marks of darker gray, six hundred pounds at least. His head was lion, his eyes were human, and his fangs were monster. So that’s what the Beast Lord with no brakes looked like. He landed on the floor of my living room. Muscles twisted and crawled, stretching and snapping. The gray fur melted, fading into human skin, and Curran stood on my carpet, nude and pissed off, his eyes glowing gold. His voice was a deep snarl. “I know he’s here. I can smell him.” I felt an irresistible urge to brain him with something heavy. “Did you lose your sense of smell? Saiman’s scent is two hours old.” Golden eyes burned me. “Where is he?” “Under my bed.” The bed went airborne. It flew across the living room and slammed into the wall with a thud. That was just about enough of that. “What the hell do you think you’re doing?” “Saving you from whatever mess you got yourself into this time.” Why me? “There is no mess! It’s a professional arrangement.” “He’s paying you?” Curran snarled. “No. I’m paying him.” He roared. His mouth was human, but the blast of sound that shot out of it was like thunder. “Ran out of words, Your Majesty?” “Why him?” he growled. “Of all the men you could have, why would you hire him for that?” “Because he has the best equipment in the city and he knows how to use it!” As soon as I said it, I realized how he would take it. The beginnings of another thundering roar died in Curran’s throat. He stared at me, mute. Oh, this was too good. I threw my hands up. “The lab! I’m talking about his lab, not his dick, you idiot.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
We owe all to Jesus crucified. What is your life, my brethren, but the cross? Whence comes the bread of your soul but from the cross? What is your joy but the cross? What is your delight, what is your heaven, but the Blessed One, once crucified for you, who ever liveth to make intercession for you? Cling to the cross, then, put both arms around it! Hold to the Crucified, and never let Him go. Come afresh to the cross at this moment, and rest there now and for ever! Then, with the power of God resting upon you, go forth and preach the cross! Tell out the story of the bleeding Lamb. Repeat the wondrous tale, and nothing else. Never mind how you do it, only proclaim that Jesus died for sinner. The cross held up by a babe’s hands is just as powerful as if a giant held it up. The power lies in the word itself, or rather in the Holy Spirit who works by it and with it. O glorious Christ, when I have had a vision of Thy cross, I have seen it at first like a common gibbet, and Thou wast hanging on it like a felon; but, as I have looked, I have seen it begin to rise, and tower aloft till it has reached the highest heaven, and by its mighty power has lifted up myriads to the throne of God. I have seen its arms extend and expand until they have embraced all the earth. I have seen the foot of it go down deep as our helpless miseries are; and what a vision I have had of Thy magnificence, O Thou crucified One! Brethren, believe in the power of the cross for the conversion of those around you. Do not say of any man that he cannot be saved. The blood of Jesus is omnipotent. Do not say of any district that it is too sunken, or of any class of men that they are too far gone: the word of the cross reclaims the lost. Believe it to be the power of God, and you shall find it so. Believe in Christ crucified, and preach boldly in His name, and you shall see great and gladsome things. Do not doubt the ultimate triumph of Christianity. Do not let a mistrust flit across your soul. The cross must conquer; it must blossom with a crown, a crown commensurate with the person of the Crucified, and the bitterness of His agony. His reward shall parallel His sorrows. Trust in God, and lift your banner high, and now with psalms and songs advance to battle, for the Lord of hosts is with us, the Son of the Highest leads our van. Onward, with blast of silver trumpet and shout of those that seize the spoil. Let no man’s heart fail him! Christ hath died! Atonement is complete! God is satisfied! Peace is proclaimed! Heaven glitters with proofs of mercy already bestowed upon ten thousand times ten thousand! Hell is trembling, heaven adoring, earth waiting. Advance, ye saints, to certain victory! You shall overcome through the blood of the Lamb.
Charles Haddon Spurgeon
Brutality is boring. Over and over, hell night after hell night, the same old dumb, tedious, bestial routine: making men crawl; making men groan, hanging men from the bars; shoving men; slapping men; freezing men in the showers; running men into walls; displaying shackled fathers to their sons and sons to their fathers. And if it turned out that you'd been given the wrong man, when you were done making his life unforgettably small and nasty, you allowed him to be your janitor and pick up the other prisoners' trash. There was always another prisoner, and another. Faceless men under hoods: you stripped them of their clothes, you stripped them of their pride. There wasn't much more you could take away from them, but people are inventive: one night some soldiers took a razor to one of Saddam's former general in Tier 1A and shaved off his eyebrows. He was an old man. "He looked like a grandfather and seemed like a nice guy," Sabrina Harman said, and she had tried to console him, telling him he looked younger and slipping him a few cigarettes. Then she had to make him stand at attention facing a boom box blasting the rapper Eminem, singing about raping his mother, or committing arson, or sneering at suicides, something like that⁠—these were some of the best-selling songs in American history. "Eminem is pretty much torture all in himself, and if one person's getting tortured, everybody is, because that music's horrible," Harman said. The general maintained his bearing against the onslaught of noise. "He looked so sad," Harman said. "I felt so bad for the guy." In fact, she said, "Out of everything I saw, that's the worst." This seems implausible, or at least illogical, until you think about it. The MI block was a place where a dead guy was just a dead guy. And a guy hanging from a window frame or a guy forced to drag his nakedness over a wet concrete floor⁠—well, how could you relate to that, except maybe to take a picture? But a man who kept his chin up while you blasted him with rape anthems, and old man shorn of his eyebrows whose very presence made you think of his grandkids--you could let that get to you, especially if you had to share in his punishment: "Slut, you think I won't choke no whore / til the vocal cords don't work in her throat no more!..." or whatever the song was.
Philip Gourevitch (Standard Operating Procedure)
Said Red Molly to James that's a fine motorbike A girl could feel special on any such like Said James to Red Molly, my hat's off to you It's a Vincent Black Lightning, 1952 And I've seen you at the corners and cafes it seems Red hair and black leather, my favourite colour scheme And he pulled her on behind And down to Boxhill they did ride Said James to Red Molly, here's a ring for your right hand But I'll tell you in earnest I'm a dangerous man I've fought with the law since I was seventeen I robbed many a man to get my Vincent machine Now I'm 21 years, I might make 22 And I don't mind dying, but for the love of you And if fate should break my stride Then I'll give you my Vincent to ride Come down, come down, Red Molly, called Sergeant McRae For they've taken young James Adie for armed robbery Shotgun blast hit his chest, left nothing inside Oh, come down, Red Molly to his dying bedside When she came to the hospital, there wasn't much left He was running out of road, he was running out of breath But he smiled to see her cry And said I'll give you my Vincent to ride Says James, in my opinion, there's nothing in this world Beats a 52 Vincent and a red headed girl Now Nortons and Indians and Greeveses won't do They don't have a soul like a Vincent 52 He reached for her hand and he slipped her the keys He said I've got no further use for these I see angels on Ariels in leather and chrome Swooping down from heaven to carry me home And he gave her one last kiss and died And he gave her his Vincent to ride
Richard L. Thompson
You could not save him.” Dretta nodded. “But he saved you. And you, Merros Dulver, you are supposed to save us from these Sa’ba Taalor when they attack. That’s what I keep hearing. That you are a hero and will keep us safe from the people that killed my husband.” Her voice was calm as she looked away from him to layer slices of roast meat and bread on his plate. When she looked up at him again her eyes were dry. “Keep us safe. Keep me safe. And while you are doing that, I want you to find the bitch that murdered my man and I want you to carve her head from her body.” Her voice was still calm; as if she were discussing the crops she might plant on the last lands of her villa. “Bring me her head and prove to me that my husband made the right choice in dying for you.
James A. Moore (The Blasted Lands (Seven Forges, #2))
Of course a miracle may happen, and you may be a great painter, but you must confess the chances are a million to one against it. It'll be an awful sell if at the end you have to acknowledge you've made a hash of it." "I've got to paint," he repeated. "Supposing you're never anything more than third-rate, do you think it will have been worth while to give up everything? After all, in any other walk in life it doesn't matter if you're not very good; you can get along quite comfortably if you're just adequate; but it's different with an artist." "You blasted fool," he said. "I don't see why, unless it's folly to say the obvious." "I tell you I've got to paint. I can't help myself. When a man falls into the water it doesn't matter how he swims, well or badly: he's got to get out or else he'll drown.
W. Somerset Maugham (The Moon and Sixpence)
Amazing. Chamberlain let his eyes close down to the slits, retreating within himself. He had learned that you could sleep on your feet on the long marches. You set your feet to going and after a while they went by themselves and you sort of turned your attention away and your feet went on walking painlessly, almost without feeling, and gradually you closed down your eyes so that all you could see were the heels of the man in front of you, one heel, other heel, one heel, other heel, and so you moved on dreamily in the heat and the dust, closing your eyes against the sweat, head down and gradually darkening, so you actually slept with the sight of the heels in front of you, one heel, other heel, and often when the man in front of you stopped you bumped into him. There were no heels today, but there was the horse he led by the reins. He did not know the name of this horse. He did not bother any more; the horses were all dead too soon. Yet you learn to love it. Isn’t that amazing? Long marches and no rest, up very early in the morning and asleep late in the rain, and there’s a marvelous excitement to it, a joy to wake in the morning and feel the army all around you and see the campfires in the morning and smell the coffee… … awake all night in front of Fredericksburg. We attacked in the afternoon, just at dusk, and the stone wall was aflame from one end to the other, too much smoke, couldn’t see, the attack failed, couldn’t withdraw, lay there all night in the dark, in the cold among the wounded and dying. Piled-up bodies in front of you to catch the bullets, using the dead for a shield; remember the sound? Of bullets in dead bodies? Like a shot into a rotten leg, a wet thick leg. All a man is: wet leg of blood. Remember the flap of a torn curtain in a blasted window, fragment-whispering in that awful breeze: never, forever, never, forever. You have a professor’s mind. But that is the way it sounded. Never. Forever. Love that too? Not love it. Not quite. And yet, I was never so alive.
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
Be big enough to offer the truth to people and if it short circuits them I think that's tragic. I think that's sad but, I will not strike no unholy bargains to self erase. I wont do it. I don't care how many people fucked up their lives. I don't care how many bad choices people have made. I don't care how much pettiness they've consumed and spat out. I don't care how much viciousness , rage, abuse, spanking they've dealt out. I am gonna tell the truth as I see it and I'm going to be who I fucking am and if that causes the world to shift in it's orbit and half the evil people get thrown off the planet and up into space well, you shouldn't of been standing in evil to begin with because, there is gravity in goodness. So, sorry; I have to be who I am. Everyone ells is taken. There is no other place I can go than in my own head. I can't jump from skull to skull until I find one that suits bad people around me better. I don't have that choice. So, be your fucking self. Speak your truth and if there are people around you who tempt you with nonexistence , blast through that and give them the full glory of who you are. Do not withhold yourself from the world. Do not piss on the incandescent gift of your existence. Don't drown yourself in the petty fog and dustiness of other peoples ancient superstitions, beliefs, aggressions, culture, and crap. No, be a flare. We're all born self expressive. We are all born perfectly comfortable with being incredibly inconvenient to our parents. We shit, piss, wake up at night, throw up on their shoulders, scream, and cry. We are in our essence, in our humanity, perfectly comfortable with inconveniencing others. That's how we are born. That's how we grow. That's how we develop. Well, I choose to retain the ability to inconvenience the irrational. You know I had a cancer in me last year and I'm very glad that the surgeons knife and the related medicines that I took proved extremely inconvenient to my cancer and I bet you my cancer was like "Aw shit. I hate this stuff man." Good. I'm only alive because medicine and surgery was highly inconvenient to the cancer within me. That's the only reason I'm alive. So, be who you are. If that's inconvenient to other people that's their goddamn business, not yours. Do not kill yourself because other people are dead. Do not follow people into the grave. Do not atomize yourself because, others have shredded themselves into dust for the sake of their fears and their desire to conform with the history of the dead.
Stefan Molyneux
The sound of the trumpets died away and Orlando stood stark naked. No human being since the world began, has ever looked more ravishing. His form combined in one the strength of a man and a woman’s grace. As he stood there, silver trumpets prolonged their note, as if reluctant to leave the lovely sight which their blast had called forth; and Chastity, Purity, and Modesty, inspired, no doubt, by Curiosity, peeped in at the door and threw a garment like a towel at the naked form which, unfortunately, fell short by several inches. Orlando looked at himself up and down in a long looking-glass, without showing any signs of discompose, and went presumably, to his bath. We many take advantage of this pause in the narrative to make certain statements. Orlando had become a woman - there is no denying it. But in every other respect, Orlando remained precisely as he had been. The change in sex, though it altered their future, did nothing whatever to alter their identity. Their faces remained, as their portraits prove, practically the same. His memory - but in the future we must, for convention’s sake, say ‘her’ for ‘his’, and ‘she’ for ‘he’ - her memory then, went back through all the events of her past life without encountering any obstacle. Some slight haziness there may have been, as if a few dark spots had fallen into the clear pool of memory; certain things had become a little dimmed; but that was all. The change seemed to have been accomplished painlessly and completely and in such a way that Orlando herself showed no surprise at it. Many people, taking this into account, and holding that such a change in sex is against nature, have been at great pains to prove (1) that Orlando has always been a woman, (2) that Orlando is at this moment a man. Let biologists and psychologists determine. It is enough for us to state the simple fact; Orlando was a man till the age of thirty; when he became a woman and has remained so ever since.
Virginia Woolf (Orlando)
Fellow-citizens, pardon me, allow me to ask, why am I called upon to speak here to-day? What have I, or those I represent, to do with your national independence? Are the great principles of political freedom and of natural justice, embodied in that Declaration of Independence, extended to us? And am I, therefore, called upon to bring our humble offering to the national altar, and to confess the benefits and express devout gratitude for the blessings resulting from your independence to us? I am not included within the pale of this glorious anniversary! Your high independence only reveals the immeasurable distance between us. The blessings in which you this day rejoice are not enjoyed in common. The rich inheritance of justice, liberty, prosperity, and independence bequeathed by your fathers is shared by you, not by me. The sunlight that brought life and healing to you has brought stripes and death to me. This Fourth of July is yours, not mine. You may rejoice, I must mourn. To drag a man in fetters into the grand illuminated temple of liberty, and call upon him to join you in joyous anthems, were inhuman mockery and sacrilegious irony. Do you mean, citizens, to mock me, by asking me to speak today? What, to the American slave, is your Fourth of July? I answer: a day that reveals to him, more than all other days of the year, the gross injustice and cruelty to which he is a constant victim. To him, your celebration is a sham; your boasted liberty, an unholy license; your national greatness, swelling vanity; your sounds of rejoicing are empty and heartless; your denunciation of tyrants, brass fronted impudence; your shouts of liberty and equality, hollow mockery; your prayers and hymns, your sermons and thanksgivings, with all your religious parade and solemnity, are, to Him, mere bombast, fraud, deception, impiety, and hypocrisy—a thin veil to cover up crimes that would disgrace a nation of savages. There is not a nation of the earth guilty of practices more shocking and bloody than are the people of these United States at this very hour. At a time like this, scorching irony, not convincing argument, is needed. O! had I the ability, and could reach the nation’s ear, I would, to-day, pour forth a stream, a fiery stream of biting ridicule, blasting reproach, withering sarcasm, and stern rebuke. For it is not light that is needed, but fire; it is not the gentle shower, but thunder. We need the storm, the whirlwind, the earthquake. The feeling of the nation must be quickened; the conscience of the nation must be roused; the propriety of the nation must be startled; the hypocrisy of the nation must be exposed; and the crimes against God and man must be proclaimed and denounced.
Frederick Douglass (Frederick Douglass: Selected Speeches and Writings)
Because you deserve a duke, damn it!” A troubled expression furrowed his brow. “You deserve a man who can give you the moon. I can’t. I can give you a decent home in a decent part of town with decent people, but you…” His voice grew choked. “You’re the most amazing woman I’ve ever known. It destroys me to think of what you’ll have to give up to be with me.” “I told you before-I don’t care!” she said hotly. “Why can’t you believe me?” He hesitated a long moment. “The truth?” “Always.” “Because I can’t imagine why you’d want me when you have men of rank and riches at your fingertips.” She gave a rueful laugh. “You grossly exaggerate my charms, but I can’t complain. It’s one of many things I adore about you-that you see a better version of me than I ever could.” Remembering the wonderful words he’d said last night when she’d been so self-conscious, she left the bed to walk up to him. “Do you know what I see when I look at you?” His wary gaze locked with hers. “Proper Pinter. Proud Pinter.” “Yes, but that’s just who you show to the world to protect yourself.” She reached up to stroke his cheek, reveling in the ragged breath that escaped him. “When you let down your guard, however, I see Jackson-who ferrets out the truth, no matter how hard. Who risks his own life to protect the weak. Who’d sacrifice anything to prevent me from having to sacrifice everything.” Catching her hand, he halted its path. “You see a saint,” he said hoarsely. “I’m not a saint; I’m a man with needs and desires and a great many rough edges.” “I like your rough edges,” she said with a soft smile. “If I’d really wanted a man of rank and riches, I probably would have married long ago. I always told myself I couldn’t marry because no one wanted me, but the truth was, I didn’t want any of them.” She fingered a lock of hair. “Apparently I was waiting for you, rough edges and all.” His eyes turned hot with wanting. Drawing her hand to his lips, he kissed the palm so tenderly that her heart leapt into her throat. When he lifted his head, he said, “Then marry me, rough edges and all.” She swallowed. “That’s what you say now, when we’re alone and you’re caught up in-“ He covered her mouth with his, kissing her so fervently that she turned into a puddle of mush. Blast him-he always did that, too, when they were alone; it was when they were with others that he reconsidered their being together forever. And he still had said nothing of live. “That’s enough of that,” she warned, drawing back from him. “Until you make a proper proposal, before my family, you’re not sharing my bed.” “Sweeting-“ “Don’t you ‘sweeting’ me, Jackson Pinter.” She edged away from him. “I want Proper Pinter back now.” A mocking smile crossed his lips. “Sorry, love. I threw him out when I saw how he was mucking up my private life.” Love? No, she wouldn’t let that soften her. Not until she was sure he wouldn’t turn cold later. “You told Oliver you’d behave like a gentleman.” “To hell with your brother.” He stalked her with clear intent. Even as she darted behind a chair to avoid him, excitement tore through her. “Aren’t you still worried Gran will cut me off, and you’ll be saddled with a spoiled wife and not enough money to please her?” “To hell with your grandmother, too. For that matter, to hell with the money.” He tossed the chair aside as if it were so much kindling; it clattered across the floor. “It’s you I want.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
The Winding Stair My Soul. I summon to the winding ancient stair; Set all your mind upon the steep ascent, Upon the broken, crumbling battlement, Upon the breathless starlit air, 'Upon the star that marks the hidden pole; Fix every wandering thought upon That quarter where all thought is done: Who can distinguish darkness from the soul My Self. The consecretes blade upon my knees Is Sato's ancient blade, still as it was, Still razor-keen, still like a looking-glass Unspotted by the centuries; That flowering, silken, old embroidery, torn From some court-lady's dress and round The wodden scabbard bound and wound Can, tattered, still protect, faded adorn My Soul. Why should the imagination of a man Long past his prime remember things that are Emblematical of love and war? Think of ancestral night that can, If but imagination scorn the earth And intellect is wandering To this and that and t'other thing, Deliver from the crime of death and birth. My Self. Montashigi, third of his family, fashioned it Five hundred years ago, about it lie Flowers from I know not what embroidery - Heart's purple - and all these I set For emblems of the day against the tower Emblematical of the night, And claim as by a soldier's right A charter to commit the crime once more. My Soul. Such fullness in that quarter overflows And falls into the basin of the mind That man is stricken deaf and dumb and blind, For intellect no longer knows Is from the Ought, or knower from the Known - That is to say, ascends to Heaven; Only the dead can be forgiven; But when I think of that my tongue's a stone. II My Self. A living man is blind and drinks his drop. What matter if the ditches are impure? What matter if I live it all once more? Endure that toil of growing up; The ignominy of boyhood; the distress Of boyhood changing into man; The unfinished man and his pain Brought face to face with his own clumsiness; The finished man among his enemies? - How in the name of Heaven can he escape That defiling and disfigured shape The mirror of malicious eyes Casts upon his eyes until at last He thinks that shape must be his shape? And what's the good of an escape If honour find him in the wintry blast? I am content to live it all again And yet again, if it be life to pitch Into the frog-spawn of a blind man's ditch, A blind man battering blind men; Or into that most fecund ditch of all, The folly that man does Or must suffer, if he woos A proud woman not kindred of his soul. I am content to follow to its source Every event in action or in thought; Measure the lot; forgive myself the lot! When such as I cast out remorse So great a sweetness flows into the breast We must laugh and we must sing, We are blest by everything, Everything we look upon is blest
W.B. Yeats
In the center of the room Elizabeth stood stock still, clasping and unclasping her hands, watching the handle turn, unable to breathe with the tension. The door swung open, admitting a blast of frigid air and a tall, broad-shouldered man who glanced at Elizabeth in the firelight and said, “Henry, it wasn’t necess-“ Ian broke off, the door still open, staring at what he momentarily thought was a hallucination, a trick of the flames dancing in the fireplace, and then he realized the vision was real: Elizabeth was standing perfectly still, looking at him. And lying at her feet was a young Labrador retriever. Trying to buy time, Ian turned around and carefully closed the door as if latching it with precision were the most paramount thing in his life, while he tried to decide whether she’d looked happy or not to see him. In the long lonely nights without her, he’d rehearsed dozens of speeches to her-from stinging lectures to gentle discussions. Now, when the time was finally here, he could not remember one damn word of any of them. Left with no other choice, he took the only neutral course available. Turning back to the room, Ian looked at the Labrador. “Who’s this?” he asked, walking forward and crouching down to pet the dog, because he didn’t know what the hell to say to his wife. Elizabeth swallowed her disappointment as he ignored her and stroked the Labrador’s glossy black head. “I-I call her Shadow.” The sound of her voice was so sweet, Ian almost pulled her down into his arms. Instead, he glanced at her, thinking it encouraging she’d named her dog after his. “Nice name.” Elizabeth bit her lip, trying to hide her sudden wayward smile. “Original, too.” The smile hit Ian like a blow to the head, snapping him out of his untimely and unsuitable preoccupation with the dog. Straightening, he backed up a step and leaned his hip against the table, his weight braced on his opposite leg. Elizabeth instantly noticed the altering of his expression and watched nervously as he crossed his arms over his chest, watching her, his face inscrutable. “You-you look well,” she said, thinking he looked unbearably handsome. “I’m perfectly fine,” he assured her, his gaze level. “Remarkably well, actually, for a man who hasn’t seen the sun shine in more than three months, or been able to sleep without drinking a bottle of brandy.” His tone was so frank and unemotional that Elizabeth didn’t immediately grasp what he was saying. When she did, tears of joy and relief sprang to her eyes as he continued: “I’ve been working very hard. Unfortunately, I rarely get anything accomplished, and when I do, it’s generally wrong. All things considered, I would say that I’m doing very well-for a man who’s been more than half dead for three months.” Ian saw the tears shimmering in her magnificent eyes, and one of them traced unheeded down her smooth cheek. With a raw ache in his voice he said, “If you would take one step forward, darling, you could cry in my arms. And while you do, I’ll tell you how sorry I am for everything I’ve done-“ Unable to wait, Ian caught her, pulling her tightly against him. “And when I’m finished,” he whispered hoarsely as she wrapped her arms around him and wept brokenly, “you can help me find a way to forgive myself.” Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: “I’m sorry,” he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. “I’m sorry.” Slowly, he bent his head, covering her mouth with his. “I’m so damned sorry.
Judith McNaught (Almost Heaven (Sequels, #3))
He thanked me with a smiling nod, measured out a few minims of the red tincture and added one of the powders. The mixture, which was at first of a reddish hue, began, in proportion as the crystals melted, to brighten in colour, to effervesce audibly, and to throw off small fumes of vapour. Suddenly and at the same moment, the ebullition ceased and the compound changed to a dark purple, which faded again more slowly to a watery green. My visitor, who had watched these metamorphoses with a keen eye, smiled, set down the glass upon the table, and then turned and looked upon me with an air of scrutiny. "And now," said he, "to settle what remains. Will you be wise? will you be guided? will you suffer me to take this glass in my hand and to go forth from your house without further parley? or has the greed of curiosity too much command of you? Think before you answer, for it shall be done as you decide. As you decide, you shall be left as you were before, and neither richer nor wiser, unless the sense of service rendered to a man in mortal distress may be counted as a kind of riches of the soul. Or, if you shall so prefer to choose, a new province of knowledge and new avenues to fame and power shall be laid open to you, here, in this room, upon the instant; and your sight shall be blasted by a prodigy to stagger the unbelief of Satan.
Robert Louis Stevenson (Dr. Jekyll and Mr. Hyde)
She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat. Just a memory now, save for the faint bite of whiskey on her lips. And the heat. She still tasted his scorching, masculine heat. Belatedly, she closed her eyes. “There, now,” he murmured. “All better.” Better? Worse? The darkness behind her eyelids held no answers, so she opened them again. Different. This strange, strong man held her in his protective embrace, and she was lost in his intriguing green stare, and his kiss reverberated in her bones with more force than a powder blast. And now she felt different. The heat and weight of him…they were like an answer. The answer to a question Susanna hadn’t even been aware her body was asking. So this was how it would be, to lie beneath a man. To feel shaped by him, her flesh giving in some places and resisting in others. Heat building between two bodies; dueling heartbeats pounding both sides of the same drum. Maybe…just maybe…this was what she’d been waiting to feel all her life. Not swept her off her feet-but flung across the lane and sent tumbling head over heels while the world exploded around her. He rolled onto his side, giving her room to breathe. “Where did you come from?” “I think I should ask you that.” She struggled up on one elbow. “Who are you? What on earth are you doing here?” “Isn’t it obvious?” His tone was grave. “We’re bombing the sheep.” “Oh. Oh dear. Of course you are.” Inside her, empathy twined with despair. Of course, he was cracked in the head. One of those poor soldiers addled by war. She ought to have known it. No sane man had ever looked at her this way. She pushed aside her disappointment. At least he had come to the right place. And landed on the right woman. She was far more skilled in treating head wounds than fielding gentlemen’s advances. The key here was to stop thinking of him as an immense, virile man and simply regard him as a person who needed her help. An unattractive, poxy, eunuch sort of person. Reaching out to him, she traced one fingertip over his brow. “Don’t be frightened,” she said in a calm, even tone. “All is well. You’re going to be just fine.” She cupped his cheek and met his gaze directly. “The sheep can’t hurt you here.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
On one side hung a very large oil-painting so thoroughly besmoked, and every way defaced, that in the unequal cross-lights by which you viewed it, it was only by diligent study and a series of systematic visits to it, and careful inquiry of the neighbors, that you could any way arrive at an understanding of its purpose. such unaccountable masses of shades and shadows, that at first you almost thought some ambitious young artist, in the time of the New England hags, had endeavored to delineate chaos bewitched. But by dint of much and earnest contemplation, and oft repeated ponderings, and especially by throwing open the little window towards the back of the entry, you at last come to the conclusion that such an idea, however wild, might not be altogether unwarranted. But what most puzzled and confounded you was a long, limber, portentous, black mass of something hovering in the centre of the picture over three blue, dim, perpendicular lines floating in a nameless yeast. A boggy, soggy, squitchy picture truly, enough to drive a nervous man distracted. Yet was there a sort of indefinite, half-attained, unimaginable sublimity about it that fairly froze you to it, till you involuntarily took an oath with yourself to find out what that marvellous painting meant. Ever and anon a bright, but, alas, deceptive idea would dart you through. - It's the Black Sea in a midnight gale. - It's the unnatural combat of the four primal elements. - It's a blasted heath. - It's a Hyperborean winter scene. - It's the breaking- up of the ice-bound stream of Time. But at last all these fancies yielded to that one portentous something in the picture's midst. That once found out, and all the rest were plain. But stop; does it not bear a faint resemblance to a gigantic fish? even the great Leviathan himself?
Herman Melville (Moby-Dick or, The Whale)
Adelia began to get cross. Why was it women who were to blame for everything—everything, from the Fall of Man to these blasted hedges? “We are not in a labyrinth, my lord,” she said clearly. “Where are we, then?” “It’s a maze.” “Same difference.” Puffing at the horse: “Get back, you great cow.” “No, it isn’t. A labyrinth has only one path and you merely have to follow it. It’s a symbol of life or, rather, of life and death. Labyrinths twist and turn, but they have a beginning and an end, through darkness into light.” Softening, and hoping that he would, too, she added, “Like Ariadne’s. Rather beautiful, really.” “I don’t want mythology, mistress, beautiful or not, I want to get to that sodding tower. What’s a maze when it’s at home?” “It’s a trick. A trick to confuse. To amaze.” “And I suppose Mistress Clever-boots knows how to get us out?” “I do, actually.” God’s rib, he was sneering at her, sneering. She’d a mind to stay where she was and let him sweat. “Then in the name of Christ, do it.” “Stop bellowing at me,” she yelled at him. “You’re bellowing.” She saw his teeth grit in the pretense of a placatory smile; he always had good teeth. Still did. Between them, he said, “The Bishop of Saint Albans presents his compliments to Mistress Adelia and please to escort him out of this hag’s hole, for the love of God. How will you do it?” “My business.” Be damned if she’d tell him. Women were defenseless enough without revealing their secrets. “I’ll have to take the lead.” She stumped along in front, holding Walt’s mount’s reins in her right hand. In the other was her riding crop, which she trailed with apparent casualness so that it brushed against the hedge on her left. As she went, she chuntered to herself. Lord, how disregarded I am in this damned country. How disregarded all women are. ... Ironically, the lower down the social scale women were, the greater freedom they had; the wives of laborers and craftsmen could work alongside their men—even, sometimes, when they were widowed, take over their husband’s trade. Adelia trudged on. Hag’s hole. Grendel’s mother’s entrails. Why was this dreadful place feminine to the men lost in it? Because it was tunneled? Womb-like? Is this woman’s magic? The great womb? Is that why the Church hates me, hates all women? Because we are the source of all true power? Of life? She supposed that by leading them out of it, she was only confirming that a woman knew its secrets and they did not. Great God, she thought, it isn't a question of hatred. It’s fear. They are frightened of us. And Adelia laughed quietly, sending a suggestion of sound reverberating backward along the tunnel, as if a small pebble was skipping on water, making each man start when it passed him. “What in hell was that?” Walt called back stolidly, “Reckon someone’s laughing at us, master.” “Dear God.
Ariana Franklin (The Serpent's Tale (Mistress of the Art of Death, #2))
Every year before the Days of Awe, the Ba-al Shem Tov, the founder of Hasidic Judaism, held a competition to see who would blow the shofar for him on Rosh Hashanah. Now if you wanted to blow the shofar for the Ba-al Shem Tov, not only did you have to blow the shofar like a virtuoso, but you also had to learn an elaborate system of kavanot — secret prayers that were said just before you blew the shofar to direct the shofar blasts and to see that they had the proper effect in the supernal realms. All the prospective shofar blowers practiced these kavanot for months. They were difficult and complex. There was one fellow who wanted to blow the shofar for the Ba-al Shem Tov so badly that he had been practicing these kavanot for years. But when his time came to audition before the Ba-al Shem, he realized that nothing he had done had prepared him adequately for the experience of standing before this great and holy man, and he choked. His mind froze completely. He couldn’t remember one of the kavanot he had practiced for all those years. He couldn’t even remember what he was supposed to be doing at all. He just stood before the Ba-al Shem in utter silence, and then, when he realized how egregiously — how utterly — he had failed this great test, his heart just broke in two and he began to weep, sobbing loudly, his shoulders heaving and his whole body wracking as he wept. All right, you’re hired, the Ba-al Shem said. But I don’t understand, the man said. I failed the test completely. I couldn’t even remember one kavanah. So the Ba-al Shem explained with the following parable: In the palace of the King, there are many secret chambers, and there are secret keys for each chamber, but one key unlocks them all, and that key is the ax. The King is the Lord of the Universe, the Ba-al Shem explained. The palace is the House of God. The secret chambers are the sefirot, the ascending spiritual realms that bring us closer and closer to God when we perform commandments such as blowing the shofar with the proper intention, and the secret keys are the kavanot. And the ax — the key that opens every chamber and brings us directly into the presence of the King, where he may be — the ax is the broken heart, for as it says in the Psalms, “God is close to the brokenhearted.
Alan Lew (This Is Real and You Are Completely Unprepared: The Days of Awe as a Journey of Transformation)
{From Luther Burbank's funeral. He was loved until he revealed he was an atheist, then he began to receive death threats. He tried to amiably answer them all, leading to his death} It is impossible to estimate the wealth he has created. It has been generously given to the world. Unlike inventors, in other fields, no patent rights were given him, nor did he seek a monopoly in what he created. Had that been the case, Luther Burbank would have been perhaps the world's richest man. But the world is richer because of him. In this he found joy that no amount of money could give. And so we meet him here today, not in death, but in the only immortal life we positively know--his good deeds, his kindly, simple, life of constructive work and loving service to the whole wide world. These things cannot die. They are cumulative, and the work he has done shall be as nothing to its continuation in the only immortality this brave, unselfish man ever sought, or asked to know. As great as were his contributions to the material wealth of this planet, the ages yet to come, that shall better understand him, will give first place in judging the importance of his work to what he has done for the betterment of human plants and the strength they shall gain, through his courage, to conquer the tares, the thistles and the weeds. Then no more shall we have a mythical God that smells of brimstone and fire; that confuses hate with love; a God that binds up the minds of little children, as other heathen bind up their feet--little children equally helpless to defend their precious right to think and choose and not be chained from the dawn of childhood to the dogmas of the dead. Luther Burbank will rank with the great leaders who have driven heathenish gods back into darkness, forever from this earth. In the orthodox threat of eternal punishment for sin--which he knew was often synonymous with yielding up all liberty and freedom--and in its promise of an immortality, often held out for the sacrifice of all that was dear to life, the right to think, the right to one's mind, the right to choose, he saw nothing but cowardice. He shrank from such ways of thought as a flower from the icy blasts of death. As shown by his work in life, contributing billions of wealth to humanity, with no more return than the maintenance of his own breadline, he was too humble, too unselfish, to be cajoled with dogmatic promises of rewards as a sort of heavenly bribe for righteous conduct here. He knew that the man who fearlessly stands for the right, regardless of the threat of punishment or the promise of reward, was the real man. Rather was he willing to accept eternal sleep, in returning to the elements from whence he came, for in his lexicon change was life. Here he was content to mingle as a part of the whole, as the raindrop from the sea performs its sacred service in watering the land to which it is assigned, that two blades may grow instead of one, and then, its mission ended, goes back to the ocean from whence it came. With such service, with such a life as gardener to the lilies of the field, in his return to the bosoms of infinity, he has not lost himself. There he has found himself, is a part of the cosmic sea of eternal force, eternal energy. And thus he lived and always will live. Thomas Edison, who believes very much as Burbank, once discussed with me immortality. He pointed to the electric light, his invention, saying: 'There lives Tom Edison.' So Luther Burbank lives. He lives forever in the myriad fields of strengthened grain, in the new forms of fruits and flowers, plants, vines, and trees, and above all, the newly watered gardens of the human mind, from whence shall spring human freedom that shall drive out false and brutal gods. The gods are toppling from their thrones. They go before the laughter and the joy of the new childhood of the race, unshackled and unafraid.
Benjamin Barr Lindsey
Will you never forgive me for what I did so long ago, Jane?” The soft question caught her off guard. “Would you do it again if you had the chance?” She could hardly breathe, awaiting his answer. With a low oath, he glanced away. Then his features hardened into those of the rigid and arrogant Dom he had become. “Yes. I did the only thing I could to keep you happy.” Her breath turned to ice in her throat. “That’s the problem. You still really believe that.” His gaze swung to her again, but before he could say anything more, noises in the hall arrested them both. “It’s gone very quiet in there.” It was the duke’s voice, remarkably clear, sounding as if it came from right outside the door. “Perhaps we should knock first.” Oh no! As Jane frantically set her gown to rights, she heard Lisette say, “Don’t you dare bother them, Max. I’m sure everything’s fine. Let’s come back later.” With panic growing in her belly, Jane glanced around for her tucker. Wordlessly, Dom plucked it from the back of a chair and handed it to her. Without meeting his gaze, she pinned it into her bodice, hoping to hide the tiny holes where Dom had unwittingly ripped it free of its pins. “Besides,” drawled Tristan, “it’s not as if Dom will seduce her or anything. That’s not his vice.” Sweet Lord, were they all right outside the door? “I’m not worried about that,” Max answered. “Miss Vernon isn’t the sort to let him seduce her.” As Jane tensed, Dom hissed under his breath, “Do the blasted idiots not realize we can hear them?” “Apparently not.” Dom furtively adjusted his trousers, which seemed to be rather…oddly protruding just now. Ohhh. Right. This was one time she wished Nancy hadn’t been so forthcoming about what happened to a man’s body when he was aroused. So that, not his pistol, had been the odd bulge digging into her. Definitely not a pistol. Her cheeks positively flamed. Faith, how could she even face his family after this and not give away what she and Dom had been doing? Mortified, she hurried to the looking glass to fix her hair. While she stuffed tendrils back into place and repinned drooping curls, Dom came up behind her to meet her gaze in the mirror. “Before we let them in, I want an answer to my question about Blakeborough.” Curse the stubborn man. How could she tell Dom she was so pathetic that she hadn’t even managed to find another man to love in all the years they’d spent apart? That she’d been foolish enough to wait around for Dom all this time, when he’d happily gone on living his life without her? Her pride couldn’t endure having him know that. To her relief, Tristan said, “Well, whatever they’re up to, we have to get moving.” A knock sounded at the door. “Dom? Jane? Are you done talking?” She met Dom’s gaze with a certain defiance, and he arched one eyebrow in question. So she took matters into her own hands and strode for the door. Caught off guard, Dom swore behind her and snatched up his greatcoat just as she opened the door and said, “Please come in. We’re quite finished.” In more ways than one. Their companions trooped in, casting her and Dom wary glances. Jane looked over to see Dom holding his greatcoat looped over his arm as if to shield the front of him. That brought the blushes back to her cheeks. She caught Lisette furtively watching her, and she cursed herself for wearing her emotions on her sleeve. Better shift her attention elsewhere before Lisette guessed just how shameless she’d been.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))