Blankets Of Love Quotes

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He stared at her, knowing with certainty that he was falling in love. He pulled her close and kissed her beneath a blanket of stars, wondering how on earth he'd been lucky enough to find her.
Nicholas Sparks (The Last Song)
Who said anything about shame?" She gestured down to her naked body, even though it was covered by the blanket. "Honestly, I'm surprised you're not strutting about, boasting to everyone. I certainly would be if I'd tumbled me. "Does your love for yourself know no bounds?" "Absolutely none.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
I think in the end, you would have stayed with me, out of obligation...or maybe comfort. Maybe I was safe to you, and you needed to feel that. I know how scared you get of the unknown. To you...I must be kind of a security blanket. Do you see now, how that doesn't work for me? I don't want to be there, simply because the idea of me being gone is too...scary. I want to be someone's everything. I want fire and passion, and love that's returned, equally. I want to be someone's heart... Even if it means breaking my own.
S.C. Stephens (Thoughtless (Thoughtless, #1))
Your love should never be offered to the mouth of a Stranger / Only to someone who has the valor and daring to cut pieces of their soul off with a knife / Then weave them into a blanket to protect you.
null
I could feel the warmth of his presence as if a soft blanket had been wrapped around my soul, around my heart. It held me and protected me. It sheltered me and I knew I wasn’t alone anymore.
Colleen Houck
At dawn, when you have trouble getting out of bed, tell yourself: “I have to go to work — as a human being. What do I have to complain of, if I’m going to do what I was born for — the things I was brought into the world to do? Or is this what I was created for? To huddle under the blankets and stay warm?” So you were born to feel “nice”? Instead of doing things and experiencing them? Don’t you see the plants, the birds, the ants and spiders and bees going about their individual tasks, putting the world in order, as best they can? And you’re not willing to do your job as a human being? Why aren’t you running to do what your nature demands? You don’t love yourself enough. Or you’d love your nature too, and what it demands of you.
Marcus Aurelius (Meditations)
There are different wells within your heart. Some fill with each good rain, Others are far too deep for that. In one well You have just a few precious cups of water, That "love" is literally something of yourself, It can grow as slow as a diamond If it is lost. Your love Should never be offered to the mouth of a Stranger, Only to someone Who has the valor and daring To cut pieces of their soul off with a knife Then weave them into a blanket To protect you. There are different wells within us. Some fill with each good rain, Others are far, far too deep For that.
The Divan
Denial is like an old blanket. I loved to get on under that thing and curl up and sleep.
Taylor Jenkins Reid (Daisy Jones & The Six)
All hopes of eternity and all gain from the past he would have given to have her there, to be wrapped warm with him in one blanket, and sleep, only sleep. It seemed the sleep with the woman in his arms was the only necessity.
D.H. Lawrence (Lady Chatterley’s Lover)
For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
....finally I see that it’s never been me, just a blanket that keeps you warm. Easily tossed along when something flashier or someone prettier comes along. Your heart I held so carefully, I see, this was all just a game...
Coco J. Ginger
it's colder than hell (yes) but the blankets are thin, and the pulled-down shades are as full of holes as love is.
Charles Bukowski (The People Look Like Flowers at Last)
If you love Alex now, then love him forever. Make him laugh again, and cherish the time you spend together. Take walks and ride your bikes, curl up on the couch and watch movies beneath a blanket. Make him breakfast, but don't spoil him. Let him make breakfast for you as well, so he can show you he thinks you're special. Kiss him and make love to him and consider yourself lucky for having met him, for he's the kind of man who'll prove you right.
Nicholas Sparks (Safe Haven)
When someone loves you it's like having a blanket all round your heart...
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
I love how summer just wraps it’s arms around you like a warm blanket.
Kellie Elmore
Everyone I have lost in the closing of a door the click of the lock is not forgotten, they do not die but remain within the soft edges of the earth, the ash of house fires and cancer in sin and forgiveness huddled under old blankets dreaming their way into my hands, my heart closing tight like fists. - "Indian Boy Love Song #1
Sherman Alexie (The Business of Fancydancing)
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
This is what I want. I want people to take care of me. I want them to force comfort upon me. I want the soft-pillow feeling that I associate with memories of being ill when I was younger, soft pillows and fresh linens and satin-edged blankets and hot chocolate. It's not so much the comfort itself as knowing there's someone who wants to take care of you.
Franny Billingsley (Chime)
She looked so sexy with her sixteen cats that I just had to swipe right, but when she messaged me first quoting Monty Python, I knew it was Tinder love. Maybe on the first date we’ll knit the blanket we’ll make love under.
Jarod Kintz (This Book is Not for Sale)
Give me a moon-blanket night to keep me warm a long-gone smile to comfort me a pair of rain-blue eyes to haunt me a simple soul ...to love me.
Sanober Khan (Turquoise Silence)
She was tired of hugging pillows, counting on blankets for warmth, and reliving romantic moments only in her dreams. She was tired of hoping that every day would hurry so she could get on to the next. Hoping that it would be a better day, an easier day. But it never was. Worked, paid the bills, and went to bed but never slept. Each morning the weight on her shoulders got heavier and heavier and each morning she wished for night to fall quickly so she could return to her bed to hug her pillows and wrap herself in the warmth of her blankets.
Cecelia Ahern
I think in the end, you would have stayed with me, out of obligation...or maybe comfort. Maybe I was safe to you, and you needed to feel that. I know how scared you get of the unknown. To you...I must be kind of a security blanket.
S.C. Stephens (Thoughtless (Thoughtless, #1))
Pressed against her I can hear eternity -- hollow, lonely spaces and currents that churn ceaselessly, and the fallen snow welcomes the falling snow with a whispered "Hush".
Craig Thompson (Blankets)
The trainee knew he should leave, but he was unable to look away. He'd never seen anything snap out so fast or strike so hard as the male's fists. Obviously, the rumours about the instructor were all true. He was a flat-out killer. With a metal clank, a door opened at the other end of the gym, and the sound of a newborn's cries echoed up into the high ceiling. The warrior stopped in midpunch and wheeled around as a lovely female carrying young in a pink blanket came over to him. His face softened, positively melted.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
Tamlin let out a low snarl of approval, and I bit my bottom lip as he removed his pants, along with his undergarments, revealing the proud, thick length of him. My mouth went dry, and I dragged my gaze up his muscled torso, over the panes of his chest, and then— “Come here,” he growled, so roughly the words were barely discernable. I pushed back the blankets, revealing my already naked body, and he hissed.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
She had more of me then I had of myself. We were both wild birds chasing the stars. We’d lose our way and find new places, close our eyes and fall back towards a constellation of dreams. We wrapped ourselves in a blanket of passion and each night we fell deeper without control, into this strange space called love.
Robert M. Drake
Love, be mystical as the flickering blue flame of night as the fully-awoken moon beneath cobwebs of passing clouds amidst chanting high-tides fuzzy, as my blanket big enough to illuminate a hundred thousand billion galaxies and just small enough to fit into my embrace.
Sanober Khan (Turquoise Silence)
Leslie?" Irial whispered. "What are you doing?" "Choosing." Tears were soaking the blanket under Leslie's face. "I'm mine. Not anyone else's." "I'm still yours, though. That won't ever change, Shadow Girl." And then he was gone, and her emotions crashed over her.
Melissa Marr (Ink Exchange (Wicked Lovely, #2))
Thanks for giving me a place to sleep last night, and for the extra blanket. Vi. -Violet's note to Lincoln
Jessica Shirvington (Emblaze (The Violet Eden Chapters, #3))
Are you ashamed of what I've done?" she dared to ask. His brow creased. "Why would you ever think that?" She couldn't quite look him in the eye as she ran a finger down the blanket. "Are you?" Aedion was silent long enough that she lifted her head - but found him gazing toward the door, as though he could see through it, across the city, to the captain. When he turned to her, his handsome face was open - soft in a way she doubted many ever saw. "Never," he said. "I could never be ashamed of you.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
It was lemon verbena day, so the house was filled with a sweet-tart scent that conjured images of picnic blankets and white clouds shaped like true-love hearts.
Sarah Addison Allen (First Frost (Waverley Family, #2))
I love storms—I just don’t like to be in them. I’d prefer to cuddle up under the blankets with a mug of tea and a book while listening to the rain fall.
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
Love doesn't give you very many choices. When you love someone, you just want to be with them. If they break your heart, you will still love them. Because hearts are easy to break, and though love is tender and sometimes fragile, love isn't. Love sort of envelops you. It covers you like a giant shadow, then pulls you in like a blanket. You are so warm. The feeling surrounds you, and no matter how you feel, it is always there. You can't escape it. But you wouldn't want to. You are so, so safe. You can't remember the last time you were this happy. Were you ever? This happy? Every second you are apart feels like hours. Sometimes, right before you fall asleep, you miss them so much it hurts. You ache for them. Their warmth. Their touch. Their smell. You need them. When you can't sleep you wish and wish and wish that they would wake up and talk to you. When you dream of them, you wake up smiling. When pain stabs into you, you reach out for them. You cry to them, begging them to hold you and make it all go away, make everything go away. Love addicts you to its feeling. You never, ever want to lose that feeling. Sometimes the fear of losing love drives people to do crazy things. Like buy a plane ticket. Make a phone call. Run out of a class. Cry. Write. Laugh. Because when you love someone, you really love them. You give them your whole heart. You trust them. You never want to be away from them. Sometimes, you don't even need their words. You just need them there. Love is such an amazing thing, and too many people take it for granted. If you're in love, don't let it go. Don't you dare let it go.
Alysha Speer
My first memory of loving music happened so early. We would always go to the beach in the summer and I would run from blanket to blanket, from family to family and just sing Lion King songs acapella.
Taylor Swift
I miss the way he used to kiss my shoulder whenever it was bare and he was nearby. I miss how he cleared his throat before he took a sip of water and scratched his left arm with his right hand when he was nervous. I miss how he tucked my hair behind my ear when it came loose and took my temperature when I was sick or when he was bored. I miss his glasses on my nightstand. I miss watching him take Sunday afternoon naps on my couch, with the newspaper resting on his stomach like a blanket. How his hands stayed clasped, fingers intertwined, while he slept. I miss the cadence of his speech and the stupidity of his puns. I miss playing doctor when we made love, and even when we didn't. I miss his smell, like fresh laundry and honey (because of his shampoo) at his place. Fresh laundry and coconut (because of my shampoo) at mine. I miss that he used to force me to listen to French rap and would sing along in a horrible accent. I miss that he always said "I love you" when he hung up the phone with his sister, never shy or embarassed, regardless of who else was around. I miss that his ideal Friday night included a DVD, eating Chinese food right out of the carton, and cuddling on top of my duvet cover. I miss that he reread books from his childhood and then from mine. I miss that he was the only man that I have ever farted on, and with, freely. I miss that he understood that the holidays were hard for me and that he wanted me to never feel lonely.
Julie Buxbaum (The Opposite of Love)
Anything in your life that’s acting as a security blanket is only smothering the person you were born to be.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
Here was a torture that Greek inventors of the Feast and the Stone had omitted from their Hades: the Blanket of Self-Deception. A lovely warm blanket as far as it covered the soul in torment, but it never quite covered everything.
Jonathan Franzen (The Corrections)
Trust is not a gasoline-soaked blanket that succumbs to the matches of betrayal, never able to be used for its warmth again; it’s a tapestry that wears thin in places, but can be patched over if you have the right materials, circumstances, and patience to repair it. If you don’t, you’re always the one who feels the coldest when winter comes.
A.J. Darkholme (Rise of the Morningstar (The Morningstar Chronicles, #1))
The blanket was there, but it was the boy's embrace that covered and warmed him.
Jerry Spinelli (Maniac Magee)
Who in the world has not yearned for a loved one, has never said, If only he or she could come back just once, just one more time...? Despite the fact that it can never happen, never ever. Surely this is the saddest thing about our mortal world, and its sadness will go on shrouding human life like a blanket of fog until its final extinction.
Ismail Kadare (The Ghost Rider)
I don’t know how long i tis before we get cold again, and huddle under the blanket together. -It’s getting more difficult to be wise. – He says,laughing into my ear. I smile at him. – I think that’s how it’s supposed to be.
Veronica Roth (Allegiant (Divergent, #3))
Feelings are like blankets, covering you up so you can't see clearly, or like mazes you can too easily get lost inside. I am terrified of getting lost.
Corey Ann Haydu (OCD Love Story)
You have been walking the ocean's edge, holding up your robes to keep them dry. You must dive naked under and deeper under, a thousand times deeper. Love flows down. The ground submits to the sky and suffers what comes. Tell me, is the earth worse for giving in like that? Do not put blankets over the drum. Open completely.
Jalal ad-Din Muhammad ar-Rumi (The Big Red Book)
He quotes an ancient Vedic hymn: “ ‘May your eye go to the Sun, To the wind your soul … Or go to the waters if it suits thee there,’ ” Finch finishes.” “As he (the sheriff) talks, I lie back against the ground, the blanket wrapped around me, and say to the sky, “May your eye go to the Sun, To the wind your soul.… You are all the colors in one, at full brightness.
Jennifer Niven
I made up my mind right then what I really wanted in my life. It was comfort of a home and a family. But more than that, I wanted love. I wanted love to surround me. I wanted to swim in it. I wanted to hold it in my hand like heated sand and pour it through my fingers so it covered my feet. I wanted to taste it, I wanted to smell it. I wanted to wrap myself up in it like a blanket and stay safe and warm inside of it forever. And I wanted to give it. I wanted to drown people in it. I wanted to love with all my heart and be loved just as much in return.
Melodie Ramone (After Forever Ends)
Abusive relationships exist because they provide enough rations of warmth, laughter, and affection to clutch onto like a security blanket in the heap of degradation. The good times are the initial euphoria that keeps addicts draining their wallets for toxic substances to inject into their veins. Scraps of love are food for an abusive relationship.
Maggie Georgiana Young
It's not so much that we're afraid of change or so in love with the old ways, but it's that place in between that we fear . . . . It's like being between trapezes. It's Linus when his blanket is in the dryer. There's nothing to hold on to.
Marilyn Ferguson
We'd sit with a big bowl of popcorn, wrapped together in a queen-size blanket, and would escape to a place where magic was ours for the taking, where men rescued the people they loved instead of abandoning them. A place where, no matter how bad things looked at that moment, there would always be a happy ending.
Jodi Picoult (Between the Lines (Between the Lines, #1))
I know the rules. I've been living here longer than you have." He cracks a smile then. He nudges me back. "Hardly." "Born and raised. You're a transplant." I nudge him again, a little harder, and he laughs and tries to catch hold of my arm. I squirm away, giggling, and he stretches out to tickle my stomach. "Country bumpkin!" I squeal, as he grabs out and wrestles me back onto the blanket, laughing. "City slicker," he says, rolling over on top of me, and then kisses me. Everything dissolves: heat, explosions of color, floating.
Lauren Oliver
I keep my kindness in my eyes Gently folded around my iris Like a velvety, brown blanket That warms my vision I keep my shyness in my hair Tucked away into a ponytail Looking for a chance to escape On a few loose strands in the air I keep my anger on my lips Just waiting to unleash into the world But trust me; it’s never in my heart It evaporates into words I keep my dignity upon my chin Like a torch held up high For those who have betrayed me Radiating a silent, strong message I keep my gratitude in my smile A glistening waterfall in the sun Gently splashing at that person Who made me happy for some reason I keep my sensitivity in my hands Reaching out for your wet cheek Holding you, with all the love The love I want to share, and feel I keep my passion in my writing My words breathing like fire Screeching against an endless road As I continue to be inspired I keep my simplicity in my soul Spread over me like a clear sky Reflecting all that I am And all that’s ever passed me by And I hope you will look Beyond my ordinary face My simple, tied hair My ordinary tastes And I hope you will see me From everyone...apart As I keep my beauty in my heart.
Sanober Khan
She spoke under her breath to Nick. "Is there a reason he's only wearing one sock?" "He puked on his foot." "Oh." She turned back to Huxley. "Can we get you another sock? Maybe a blanket or something?
Julie James (A Lot like Love (FBI/US Attorney, #2))
Mason took in enough cannabis smoke to allow a Lipan Apache manipulating a blanket over it to transmit the complete works of Tennyson.
Richard Condon (Money Is Love)
Kindness is like a warm blanket of snow, softly covering and gently touching the heart.
Heather Wolf (A Snowy Day)
As he talks, I lie back against the ground, the blanket wrapped around me, and say to the sky, "May your eye go to the Sun, To the wind your soul, You are all the colors in one, at full brightness.
Jennifer Niven (All the Bright Places)
Fear is a wet blanket that smothers the fiery passion God deposited in your heart when he formed you. Fear freezes us into inaction. Frozen ideas, frozen souls, frozen bodies can't move, can't dream, can't risk, can't love, and can't live. Fear chains us.
Stasi Eldredge (Becoming Myself: Embracing God's Dream of You)
At dawn, when you have trouble getting out of bed, tell yourself: ‘I have to go to work—as a human being. What do I have to complain of, if I’m going to do what I was born for—the things I was brought into the world to do? Or is this what I was created for? To huddle under the blankets and stay warm? —But it’s nicer here… So you were born to feel ‘nice’? Instead of doings things and experiencing them? Don’t you see the plants, the birds, the ants and spiders and bees going about their individual tasks, putting the world in order, as best they can? And you’re not willing to do your job as a human being? Why aren’t you running to do what your nature demands? —But we have to sleep sometime… Agreed. But nature set a limit on that—as it did on eating and drinking. And you’re over the limit. You’ve had more than enough of that. But not of working. There you’re still below your quota. You don’t love yourself enough. Or you’d love your nature too, and what it demands of you. People who love what they do wear themselves down doing it, they even forget to wash or eat. Do you have less respect for your own nature than the engraver does for engraving, the dancer for dance, the miser for money or the social climber for status? When they’re really possessed by what they do, they’d rather stop eating and sleeping than give up practicing their arts.
Marcus Aurelius (Meditations)
Memory is a slippery thing. When something terrible happens to you, like the loss of someone you love...memory can turn into a soft blanket that hides you from the loss.
Kathi Appelt
Perhaps I was easier to shake off for you because you’re such a together person. I was just an extra layer on the outside… like a blanket you could shrug off and feel just the same…. except maybe a little colder…. But I was always a broken person that was haphazardly held together by little more than my own strength. And so you just seeped in the cracks and mingled with my insides until you became an inseparable part of me. And as painful as that is, it still kind of warms me to know I will always carry a part of you with me.
Ranata Suzuki
I cover up with her black blankets, but I smell like vanilla, and the woods, and trouble. And I kind of love it.
YellowBella (Dusty)
Camp out in the living room. Spread your blankets and pillows on the floor. Get your Pepsi and popcorn. Pretend the TV is broken and talk like you used to when you were dating. Talk till the sun comes up or something else happens. If the floor gets too hard, go back upstairs and go to bed. You won’t forget this evening!
Gary Chapman (The Five Love Languages: The Secret to Love that Lasts)
He sang “I wish I weren’t me” over and over again just flat of the key of love until he forgot the words and could only hum along. Everyday was the same. The same stupid smile on the same stupid boy. Until the days blurred into a haze and the boy dropped into a depression. Not a cool dark room and cigarette depression like the songs he loved, but one that felt like he was being smothered by a safe, suburban, monotonous blanket. Everything felt like a headache to the boy. Every face, every stupid stuttered sentence all wrapped up into the biggest headache ever. So the boy took an aspirin. And another and another and then went to sleep, lullabyed by hopes he would never wake up to.
Pete Wentz (The Boy with the Thorn in His Side)
After this, you want to watch a movie?” Dominic asks. “You can make that cheddar popcorn I love. We can crowd under that blanket that smells like…what’s that smell?” I choke on a fresh wave of fear. “Lavender,” I say as more tears stream down my cheeks. “Yeah. And I’ll let you watch a chick movie because all I really want to do is watch you watch it. Your face gets all dopey when you get love drunk.
Kate Stewart (Exodus (The Ravenhood Duet, #2))
Underwater, we're drowning victims, struggling over and under each others' bodies. But above, we bob with the tide,undercurrents pulling us just far enough apart ,so that we're drifting parallel but not together.
Craig Thompson (Blankets)
Here's the deal about never being authentically loved by your parents: The most fucked-up gesture or morsel of compassion is like a warm blanket.
Angelo Surmelis (The Dangerous Art of Blending In)
We reach the corner, and I begin to head back in the direction of the apartment complex, but I notice he’s stopped walking. I turn around, and he’s pulling something out of the bag he’s holding. He tears away a tag, and a blanket unfolds. No, he didn’t. He holds the blanket out to the old man still there bundled up on the sidewalk. The man looks up at him and takes the blanket. Neither of them says a word. Miles walks to a nearby trash can and tosses the empty bag into it, then heads back toward me while staring down at the ground. He doesn’t even make eye contact with me when we both begin walking in the direction of the apartment complex. I want to tell him thank you, but I don’t. If I tell him thank you, it would seem like I assume he did that for me. I know he didn’t do it for me. He did it for the man who was cold.
Colleen Hoover (Ugly Love)
Words. I’m surrounded by thousands of words. Maybe millions. Cathedral. Mayonnaise. Pomegranate. Mississippi. Neapolitan. Hippopotamus. Silky. Terrifying. Iridescent. Tickle. Sneeze. Wish. Worry. Words have always swirled around me like snowflakes—each one delicate and different, each one melting untouched in my hands. Deep within me, words pile up in huge drifts. Mountains of phrases and sentences and connected ideas. Clever expressions. Jokes. Love songs. From the time I was really little—maybe just a few months old—words were like sweet, liquid gifts, and I drank them like lemonade. I could almost taste them. They made my jumbled thoughts and feelings have substance. My parents have always blanketed me with conversation. They chattered and babbled. They verbalized and vocalized. My father sang to me. My mother whispered her strength into my ear. Every word my parents spoke to me or about me I absorbed and kept and remembered. All of them. I have no idea how I untangled the complicated process of words and thought, but it happened quickly and naturally. By the time I was two, all my memories had words, and all my words had meanings. But only in my head. I have never spoken one single word. I am almost eleven years old.
Sharon M. Draper (Out of My Mind (Out of My Mind, #1))
As long as I can hear the sweet melody of your words, I need not; The angel’s secret, to be whispered in my ears As long as I can lace your silky fingers round my own, I need not; Pretty diamonds, nor big cash nor gold As long as I can watch the handsome sunshine of your face, I need not; Open skies, nor snowfall, nor the rain As long as I can gaze into the emeralds of your eyes, I need not; New colors, new wings or paradise As long as I can feel the tender tickle of your breath, I need not; The drifting wind, nor its call, nor caress As long as I can feel your soft lips upon mine, I need not; Melted sugar, nor the most expensive of wines As long as I can feel your warm body close to me I need not; A blanket, nor a bonfire's luxury As long as I can see you every morning I wake, I need not; A mirror, nor a cloud, nor shade As long as I can keep you in every petal of memories I need not: Dreams, nor desires, nor fantasies And as long as I can hold you in every moment that I breathe, I need not; Oxygen, nor blood, nor heartbeats.
Sanober Khan
I look down at myself, but I don't need to. I can feel it. My hot blood is pounding through my body, flooding capillaries and lighting up cells like Fourth of July fireworks. I can feel the elation of every atom in my flesh, brimming with gratitude for the second chance they never expected to get. The chance to start over, to live right, to love right, to burn up in a fiery cloud and never again be buried in the mud. I kiss Julie to hide the fact that I'm blushing. My face is bright red and hot enough to melt steel. Okay, corpse, a voice in my head says, and I feel a twitch in my belly, more like a gentle nudge than a kick. I'm going now. I'm sorry I couldn't be here for your battle; I was fighting my own. But we won, right? I can feel it. There's a shiver in our legs, a tremor like the Earth speeding up, spinning off into uncharted orbits. Scary, isn't it? But what wonderful thing didn't start out scary? I don't know what the next page is for you, but whatever it is for me I swear I'm not going to fuck it up. I'm not going to yawn off in the middle of a sentence and hide it in a drawer. Not this time. Peel off these dusty wool blankets of apathy and antipathy and cynical desiccation. I want life in all its stupid sticky rawness. Okay. Okay, R. Here it comes.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
When my husband had an affair with someone else I watched his eyes glaze over when we ate dinner together and I heard him singing to himself without me, and when he tended the garden it was not for me. He was courteous and polite; he enjoyed being at home, but in the fantasy of his home I was not the one who sat opposite him and laughed at his jokes. He didn't want to change anything; he liked his life. The only thing he wanted to change was me. It would have been better if he had hated me, or if he had abused me, or if he had packed his new suitcases and left. As it was he continued to put his arm round me and talk about being a new wall to replace the rotten fence that divided our garden from his vegetable patch. I knew he would never leave our house. He had worked for it. Day by day I felt myself disappearing. For my husband I was no longer a reality, I was one of the things around him. I was the fence which needed to be replaced. I watched myself in the mirror and saw that I was mo longer vivid and exciting. I was worn and gray like an old sweater you can't throw out but won't put on. He admitted he was in love with her, but he said he loved me. Translated, that means, I want everything. Translated, that means, I don't want to hurt you yet. Translated, that means, I don't know what to do, give me time. Why, why should I give you time? What time are you giving me? I am in a cell waiting to be called for execution. I loved him and I was in love with him. I didn't use language to make a war-zone of my heart. 'You're so simple and good,' he said, brushing the hair from my face. He meant, Your emotions are not complex like mine. My dilemma is poetic. But there was no dilemma. He no longer wanted me, but he wanted our life Eventually, when he had been away with her for a few days and returned restless and conciliatory, I decided not to wait in my cell any longer. I went to where he was sleeping in another room and I asked him to leave. Very patiently he asked me to remember that the house was his home, that he couldn't be expected to make himself homeless because he was in love. 'Medea did,' I said, 'and Romeo and Juliet and Cressida, and Ruth in the Bible.' He asked me to shut up. He wasn't a hero. 'Then why should I be a heroine?' He didn't answer, he plucked at the blanket. I considered my choices. I could stay and be unhappy and humiliated. I could leave and be unhappy and dignified. I could Beg him to touch me again. I could live in hope and die of bitterness. I took some things and left. It wasn't easy, it was my home too. I hear he's replaced the back fence.
Jeanette Winterson (Sexing the Cherry)
Love is like a blanket: it will keep you warm, but it might also suffocate you. Also, it's probably covered with cat hair—love, I mean.
Jarod Kintz (This Book is Not for Sale)
You are still young. Free . . . Do yourself a favor. Before it’s too late, without thinking about it first, pack a pillow and a blanket and see as much of the world as you can.
Samira Ahmed (Love, Hate and Other Filters)
Riley was quiet for a minute. She gathered her blanket all around her. "Paul always loved you, Alice. He knows I know that. I know he loves me, too. But it's different." Alice opened her mouth, but nothing came out at first. "He loved me once. But I think that part is over," she said slowly. "No, it's not. It hasn't even begun." Riley took Alice's bare foot in her hand and squeezed it. "I told him, though, that he better be good to you. When you came along, I said I'd share you, but I told him to remember that you're my sister. I loved you first."
Ann Brashares (The Last Summer of You and Me)
Just before it was dark, as they passed a great island of Sargasso weed that heaved and swung in the light sea as though the ocean were making love with something under a yellow blanket, his small line was taken by a dolphin. He saw it first when it jumped in the air, true gold in the last of the sun and bending and flapping wildly in the air.
Ernest Hemingway (The Old Man and the Sea)
When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago. You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe. When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself. When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did. You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do.
Alida Nugent (You Don't Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism)
Boundary construction is most evident in three-year-olds. By this time, they should have mastered the following tasks: 1. The ability to be emotionally attached to others, yet without giving up a sense of self and one‘s freedom to be apart, 2. The ability to say appropriate no's to others without fear of loss of love, 3. The ability to take appropriate no's from others without withdrawing emotionally. Noting these tasks, a friend said half-joking, "They need to learn this by age three? How about by fourty-three?" Yes, these are tall orders but boundary development is essential in the early years of life.
Henry Cloud (Boundaries: When to Say Yes, How to Say No to Take Control of Your Life)
The Western States nervous under the beginning change. Texas and Oklahoma, Kansas and Arkansas, New Mexico, Arizona, California. A single family moved from the land. Pa borrowed money from the bank, and now the bank wants the land. The land company--that's the bank when it has land --wants tractors, not families on the land. Is a tractor bad? Is the power that turns the long furrows wrong? If this tractor were ours it would be good--not mine, but ours. If our tractor turned the long furrows of our land, it would be good. Not my land, but ours. We could love that tractor then as we have loved this land when it was ours. But the tractor does two things--it turns the land and turns us off the land. There is little difference between this tractor and a tank. The people are driven, intimidated, hurt by both. We must think about this. One man, one family driven from the land; this rusty car creaking along the highway to the west. I lost my land, a single tractor took my land. I am alone and bewildered. And in the night one family camps in a ditch and another family pulls in and the tents come out. The two men squat on their hams and the women and children listen. Here is the node, you who hate change and fear revolution. Keep these two squatting men apart; make them hate, fear, suspect each other. Here is the anlarge of the thing you fear. This is the zygote. For here "I lost my land" is changed; a cell is split and from its splitting grows the thing you hate--"We lost our land." The danger is here, for two men are not as lonely and perplexed as one. And from this first "we" there grows a still more dangerous thing: "I have a little food" plus "I have none." If from this problem the sum is "We have a little food," the thing is on its way, the movement has direction. Only a little multiplication now, and this land, this tractor are ours. The two men squatting in a ditch, the little fire, the side- meat stewing in a single pot, the silent, stone-eyed women; behind, the children listening with their souls to words their minds do not understand. The night draws down. The baby has a cold. Here, take this blanket. It's wool. It was my mother's blanket--take it for the baby. This is the thing to bomb. This is the beginning--from "I" to "we." If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know Paine, Marx, Jefferson, Lenin, were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I," and cuts you off forever from the "we." The Western States are nervous under the begining change. Need is the stimulus to concept, concept to action. A half-million people moving over the country; a million more restive, ready to move; ten million more feeling the first nervousness. And tractors turning the multiple furrows in the vacant land.
John Steinbeck (The Grapes of Wrath)
It is raining at the top of my roof and I'am inside my blanket in this chilling night with an open window, missing my love and listning the rain singing a lullaby to me.
Shabnam Sinha
We curl up on the couch together, under a blanket, whisper I love you, I missed you, confusing tenses I think.
Lorrie Moore (Self-Help)
White privilege is a manipulative, suffocating blanket of power that envelops everything we know...It's brutal and oppressive, bullying you into not speaking up for fear of losing your loved ones, or job, or flat. It scares you into silencing yourself: you don't get the privilege of speaking honestly about your feelings without extensively assessing the consequences...challenging it can have implications on your quality of life.
Reni Eddo-Lodge (Why I'm No Longer Talking to White People About Race)
There I was, a woman on the rocks by the ocean, wrapped in a blanket, waiting for the return of her lover. Everything I knew about art would say that I was a painting. I was certainly a poem. Sappho was too - her life, perhaps, unknowable, but her feelings were mine. I was mythic.
Melissa Broder (The Pisces)
When it rains, the moisture in the humid air blankets our town with the smell of damp coffee grounds wafting in from the Nescafé factory at the town’s eastern edge. I don’t like coffee but I like that smell. It’s comforting; it unites the town in a common sensory experience; it’s good industry, like the roaring rug mill that fills our ears, brings work and signals our town’s vitality. There is a place here—you can hear it, smell it—where people make lives, suffer pain, enjoy small pleasures, play baseball, die, make love, have kids, drink themselves drunk on spring nights and do their best to hold off the demons that seek to destroy us, our homes, our families, our town.
Bruce Springsteen (Born to Run)
He was a super shiny boy and I liked the shape of him. Under the blanket. In the shower. I liked his shadow on the street and his imprint on the sofa. I hated the smell of hair gel on his head, but I loved it on the pillow. I love the smell of losing someone.
Emma Forrest
Love is a blanket that keeps you warm not one that traps and suffocates you
Kristen Ashley
We will read books together inside the blanket and stay warm. And keep writing poetry in our respective journals. Time will fly but we will still remain inside the blanket forever.
Avijeet Das
I want to lay under the blanket of sky and laugh while the stars wink and we write our story.
A.D. Posey
Under the blanket I find Margot’s hand and link my pinky with hers. “Sister swear.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Abruptly, Elliot startles us all by standing and pulling his chair back so it scrapes across the tile floor. All eyes turn to him. He gazes down at Kate for one moment and then drops to one knee beside her. Oh. My. God. He reaches for her hand, and silence settles like a blanket over the entire restaurant as everyone stops eating, stops talking, stops walking, and stares. "My beautiful Kate, I love you. Your grace, your beauty, and your fiery spirit have no equal, and you have captured my heart. Spend your life with me. Marry me." Holy shit!
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
As a kid, I couldn't sleep without this ratty stuffed elephant," she explains, not sure what made her think of it now. Maybe it's that she'll be soon seeing her dad again, or maybe it's just the plane keying up beneath her, prompting a childish wish for her old security blanket. [Oliver]"I'm not sure that counts" "Clearly you've never met Elephant" He laughs, "Did you come up with that name all by yourself?" "Damn right," she says
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
Wesley went everywhere with me from then on. I even wrapped him in baby blankets and held him in my arms while grocery shopping, to keep him warm during the first cold winter. Occasionally someone would ask to see "the baby," and when I opened the blanket, would leap back shrieking, "What is that?! A dinosaur?" Apparently, the world is full of educated adults with mortgages and stock portfolios who think people are walking around grocery stores with dinosaurs in their arms.
Stacey O'Brien (Wesley the Owl: The Remarkable Love Story of an Owl and His Girl)
Love That’s it: The cashless commerce. The blanket always too short. The loose connexion. To search behind the horizon. To brush fallen leaves with four shoes and in one’s mind to rub bare feet. To let and rent hearts; or in a room with shower and mirror, in a hired car, bonnet facing the moon, wherever innocence stops and burns its programme, the word in falsetto sounds different and new each time. Today, in front of a box office not yet open, hand in hand crackled the hangdog old man and the dainty old woman. The film promised love.
Günter Grass
Lying in bed, half-covered by the blankets, I would drowsily ask why he had come to my door that night long ago. It had become a ritual for us, as it does for all lovers: where, when, why? remember...I understand even old people rehearse their private religion of how they first loved, most guarded of secrets. And he would answer, sleep blurring his words, "Because I had to." The question and the answer were always the same. Why? Because I had to.
Margaret George (The Memoirs of Cleopatra)
We Pashtuns love shoes but don't love the cobbler; we love our scarves and blankets but do not respect the weaver. Manual workers made a great contribution to our society but received no recognition, and this is the reason so many of them joined the Taliban—to finally achieve status and power.
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
Billie laughed at that, full and throaty, and once again she became so incandescently beautiful that George was half-tempted to throw a blanket over her, just to stop anyone else from wanting her.
Julia Quinn (Because of Miss Bridgerton (Rokesbys, #1))
It was Will’s turn to flush. James lay like a sleeping Ganymede, his enervated beauty belying the cruelty and destruction he had rained down on the Stewards. Will hadn’t fluffed James’s pillow, but he had brought him a drink and a blanket. And hung his jacket to dry on the mantel. And his shirt.
C.S. Pacat (Dark Heir (Dark Rise, #2))
For many minutes, we did nothing but touch each other and absorb the sensation into our skin, as if love itself were a tangible blanket wrapping us in an unbreakable bond.
Juliette Cross (Waking the Dragon (Vale of Stars, #1))
At dawn, when you have trouble getting out of bed, tell yourself: “I have to go to work—as a human being. What do I have to complain of, if I’m going to do what I was born for— the things I was brought into the world to do? Or is this what I was created for? To huddle under the blankets and stay warm? —But it’s nicer here. . . . So you were born to feel “nice”? Instead of doing things and experiencing them? Don’t you see the plants, the birds, the ants and spiders and bees going about their individual tasks, putting the world in order, as best they can? And you’re not willing to do your job as a human being? Why aren’t you running to do what your nature demands? —But we have to sleep sometime. . . . Agreed. But nature set a limit on that—as it did on eating and drinking. And you’re over the limit. You’ve had more than enough of that. But not of working. There you’re still below your quota. You don’t love yourself enough. Or you’d love your nature too, and what it demands of you. People who love what they do wear themselves down doing it, they even forget to wash or eat. Do you have less respect for your own nature than the engraver does for engraving, the dancer for the dance, the miser for money or the social climber for status? When they’re really possessed by what they do, they’d rather stop eating and sleeping than give up practicing their arts. Is helping others less valuable to you? Not worth your effort?
Marcus Aurelius (Meditations)
This is why the Enemy wants you to think you have no song to write, no story to tell, no painting to paint. He wants to quiet you. So sing. Let the Word by which the Creator made you fill your imagination, guide your pen, lead you from note to note until a melody is strung together like a glimmering constellation in the clear sky. Love the Lord your God, and love your neighbor, too, by making worlds and works of beauty that blanket the earth like flowers. Let your homesickness keep you always from spiritual slumber. Remember that it is in the fellowship of saints, of friends and family, that your gift will grow best, and will find its best expression. And until the Kingdom comes in its fullness, bend your will to the joyful, tearful telling of its coming. Write about that. Write about that, and never stop.
Andrew Peterson (Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making)
A delicate scent hung in the air as we strolled down the long boulevard toward the Opera House holding hands. Paris had come to life in a very special way, the lights of the Eiffel Tower a gentle reminder that nothing mattered once that starry blanket covered the great city, except love. Love was the reason Paris existed. For those lonely in their soul, their heart a barren wasteland starving for nourishment, she offered hope. For those like Caroline and I, lucky enough to have found each other and begin the healing process to repair our brokenness, Paris was a bastion to love's transforming power. A year ago I could not have pictured myself holding hands with someone as nice as Caroline, as lovely and unpretentious. She was pretty, but her soul made her beautiful. I loved everything about her, including her damage.
Bobby Underwood (The Long Gray Goodbye (Seth Halliday #2))
Night descends as a falling blanket. The city is a constellation of lights, each one representing a hand that turned the lightbulb. A hand attached to a mind containing a universe of memories and myths; a natural history of loves and wounds. Life everywhere. Pulsing, humming. A great wheel turning. A light blinks out here, one replaces it there. Always dying. Always living. We survive until we don’t. All of this ending and beginning is the only thing that is infinite.
Jeff Zentner (Goodbye Days)
Dr. N: How do you manage to hold each other with no bodies? S: (with a sigh of exasperation at me) We envelop each other in light, of course. Dr. N: Tell me what that is like for spirits? S: Like being wrapped in a bright-light blanket of love.
Michael Newton (Journey of Souls: Case Studies of Life Between Lives (Michael Newton's Journey of Souls Book 1))
I must have been in the car for a long time because eventually my sister found me there. I was chain-smoking cigarettes and crying still. My sister knocked on the window. I rolled it down. She looked at me with this curious expression. Then, her curiosity turned to anger. "Charlie, are you smoking?!" She was so mad. I can't tell you how mad she was. "I can't believe you're smoking!" That's when I stopped crying. And started laughing. Because of all the things she could have said right after she got out of there, she picked my smoking. And she got angry about it. And I knew if my sister was angry, then her face wouldn't be that different. And she would be okay. "I'm going to tell Mom and Dad, you know?" "No, you're not." God, I couldn't stop laughing. When my sister thought about it for a second, I think she figured out why she wouldn't tell Mom or Dad. It's like she suddenly remembered where we were and what had just happened and how crazy our whole conversation was considering at all. Then, she started laughing. But the laughing made her feel sick, so I had to get out of the car and help her into the backseat. I had already set up the pillow and the blanket for her because we figured it was probably best for her to sleep it off a little in the car before we went home. Just before she feel asleep, she said, "Well, it you're going to smoke, crack the window at least." Which made me start laughing again. "Charlie, smoking. I can't believe it." Which made me laugh harder, and I said, "I love you." And my sister said, "I love you too. Just stop it with the laughing already.
Stephen Chbosky (The Perks of Being a Wallflower)
Life is full of so much that you refuse to let yourself experience. The blanketing comfort of love, the fulfillment of contagious laughter, the peace of finding true joy, the butterflies of uncontainable excitement…these are all things that make up life. They should never be taken for granted. You of all people should understand that, sweetheart.
L.B. Simmons (The Resurrection of Aubrey Miller)
She gathers my half of the blankets around her and curls up against the wall. She will sleep for hours more, dreaming endless landscapes and novas of colour both gorgeous and frightening. If I stayed she would wake up and describe them to me. All the mad plot twists and surrealist imagery, so vivid to her while so meaningless to me. There was a time when I treasured listening to her, when I found the commotion in her soul bitter-sweet and lovely, but I can no longer bear it.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
He rolled his eyes and took my hand. His hand was hard and calloused, tough with muscle and old scars. The night settled around us like a blanket. I could hear the water lapping against the dock. We were totally alone. “You’re . . . ,” he began, and I waited, heart throbbing in my throat. “Such a pain,” he concluded. “What?” I asked, just as his head swooped in and his mouth touched mine. I tried to speak, but one of Fang’s hands held the back of my head, and he kept his lips pressed against me, kissing me softly but with a Fanglike determination. Oh, jeez, I thought distractedly. Jeez, this is Fang, and me, and . . . Fang tilted his head to kiss me more deeply, and I felt totally lightheaded. Then I remembered to breathe through my nose, and the fog cleared a tiny bit. Somehow we were pressed together, Fang’s arms around me now, sliding under my wings, his hands flat against my back. It was incredible. I loved it. I loved him. It was a total disaster. Gasping, I pulled back. “I, uh—,” I began oh so coherently, and then I jumped up, almost knocking him over, and raced down the dock. I took off, flying fast, like a rocket.
James Patterson (The Final Warning (Maximum Ride, #4))
Rituals and routine became a safety blanket of sorts, something I could wrap around myself when things felt uncertain, which they so often did.
Hazel Hayes (Out of Love)
Christmas is a blanket that warms our cold hearts.
Toni Sorenson
A brick could be used to make love better. Faster isn’t always better. Don’t you want to make love better?

Jarod Kintz (Brick and Blanket Test in Brick City (Ocala) Florida)
Then I guess we cannot miss the famous festival in New Orleans," he found himself saying, just to take the shadows from her eyes. She was silent a moment, her fingers twisting in the blanket. "Do you mean it, Gregori? We can go?" "You know how much I love crowds of humans," he said, straight-faced. She laughed at him. "They don't bite." "I do," he said, the words low and soft, his silver gaze at once possessive.
Christine Feehan (Dark Magic (Dark, #4))
Do you love cuddling, Jer?” “What does cuddling mean?” Oh, the poor baby has such horrible parents. I pull him to me underneath the blanket and hold him close, stroking his hair away from his eyes. “This is called cuddling.” He grins. “Are you gonna cuddling with me every day?
Rina Kent (Vow of Deception (Deception Trilogy, #1))
Villanelle for my valentine Old love, I thought I'd never see the time because of all we've done and often said when I'd be yours, my dear, and you'd be mine. And what relief to soften, and resign the battle of the heart over the head. old love, I thought I'd never see the time when qualms and cold feet that could undermine all we've held out for, dissipate instead now that I'm yours, my dear and you are mine. I'm still amazed how our two lives align the two of us! A pair! Take it as read, old love, I thought I'd never see the time The tangle of our jumpers in the line, the battle for the blankets in our bed confirm that I am yours, and you are mine. So then, this is my pledge, my valentine: my hand's in yours for all that lies ahead. Oh love, there's never been a better time now that I'm yours, and finally, you're mine.
Elise Valmorbida (The Book of Happy Endings: True Stories About Finding Love)
Love flows down. The ground submits to the sky and suffers what comes. Is the ground worse for giving in like that? Do not put blankets over the drum. Open completely. Let your spirit ear listen to the green dome’s passionate murmur.
Jalal ad-Din Muhammad ar-Rumi (A Year With Rumi)
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved. Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said. Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe. The ragged sound cut through the apartment again. “What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air. Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape. “I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand. “I thought we were clear that night was for sleeping.” Ronan shrugged. “Perhaps for you.” “Not tonight. Your pterodactyl woke me. Why is it making that sound?” In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex. “Well, this is not going to do,” he said. “You’re going to have to make it stop.” “She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.” “Can’t you keep her downstairs?” In reply, Ronan half-lifted the little bird toward him. “You tell me.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
I miss the snow. I miss looking at it, walking in it, tasting it. I used to love those days when it was so cold everyone else would be tucked away inside trying to stay warm. I would be the only one out walking, so I could look across the fields and see miles of snow without a single footprint in it. It would be completely silent -- no cars, no birds singing, no doors slamming. Just silence and snow. God, I miss snow. The stars, the moon, the wind, and blankets of pure, pristine snow.
Damien Echols (Life After Death)
Heaped up on the blankets, our bodies bound by weariness and her deep slumber, surrounded by sickness and hope, death and defiance, I touched the soft surrendered curl of Karla's sleeping fingers to my lips, and I pledged my heart to her forever.
Gregory David Roberts (Shantaram)
When I’m with friends now, as an adult, I don’t want to have polite adult tea and talk about our jobs. I don’t want to sit in dress pants while we talk about a New Yorker article. Not really. I want to lie on the couch, cozy in blankets, watching movies, feeling safe enough to pass out and stay the night if we want to. I want to turn English muffins into foundations for pizza bagels at ten p.m., even though they’re not as good as bagels and we know it. I want to tell each other things we can’t talk about online, or we can’t tell our coworkers, and to cry and still be lovable, even if we’re in pain sometimes. To break in front of each other, and pick up the pieces together, before making some dumb joke and telling each other we love each other and knowing we’re safe to be all of it.
Lane Moore (How to Be Alone: If You Want To, and Even If You Don't)
Samuel walked out to Lindsey then, and there she was in his arms, my sweet butterball babe, born ten years after my fourteen years on Earth: Abigail Suzanne. Little Susie to me. Samuel placed Susie on a blanket near the flowers. And my sister, my Lindsey, left me in her memories, where I was meant to be.
Alice Sebold (The Lovely Bones)
One time there was a girl. Her name was Jane. She was a little baby. And she had a blanket. It was a small blanket. It was pink, and soft, and warm. In the morning she woke up. And the first thing she did was to touch the blanket, and it felt soft and warm when she put her fingers on it. Jane loved her pink blanket.
Arthur Miller (Jane's Blanket)
You realize I can never sleep under this blanket with this thread as it is. The thought of it would plague me all night.' 'Were you going to?' he asks, looking over his shoulder at me. 'Well, I'm not going to now.' 'Suggesting you were going to at some point?' 'Suggesting no matter where I sleep in the future, it will not be under this blanket.' 'I was not aware our friendship included sleepovers,' he says. 'Will we be doing each other's hair as well?' 'Yes. I long to see you in an up-do.
Erin McCahan (Love and Other Foreign Words)
Before he became a father, he imagined the relationship as being like an intensive version of owning a pet. The child, he thought, was essentially a passive, a vessel into which you poured your love. On TV that’s how it looked. Children were silent, dormant; you went into their bedrooms, gazed down at them fondly, drew the blankets over them as they slept. But in life, he discovered, parenthood was like – it was – living with a person. A new person, with strong opinions, strong tastes, arbitrary swings of emotion, all of them addressed at you. You were the passive one: the work of care was primarily to endure, to weather the endless, buffeting storms of unmediated will.
Paul Murray (The Bee Sting)
Ruxandra pulled the blanket down just far enough to see the two girls shut the door behind them, stuff something under it to block any light, and throw a blanket over the shutters. A flint sparked one, twice, and a taper flared to life, lighting the faces of her friends. Adela was a short blonde whose breasts pushed against her nightdress and were the despair of the nuns’ attempts to instill modesty. Her parents had sent her to the convent in desperate hopes to keep her from scandal. And between her sweet, round face and her ability to lie shamelessly, she almost managed to make the nuns believe they were being successful. Valeria was slim and dark, a mischief-maker whose pranks had gotten her in trouble more than once. They were both her lovers. Adela called it practice for when they had husbands. Valeria called it wonderful. The nuns declared it a sin in no uncertain terms. And while Ruxandra did her best to obey the nuns in most matters, and to turn her thoughts to God and do his good work, she could not stop loving the girls. From the moment she’d first held Adela’s hand, she’d known that, whatever else their feelings were for each other, they were too sweet to be sinful.
John Patrick Kennedy (Princess Dracula (Princess Dracula #1))
Breakfast! My favorite meal- and you can be so creative. I think of bowls of sparkling berries and fresh cream, baskets of Popovers and freshly squeezed orange juice, thick country bacon, hot maple syrup, panckes and French toast - even the nutty flavor of Irish oatmeal with brown sugar and cream. Breaksfast is the place I splurge with calories, then I spend the rest of the day getting them off! I love to use my prettiest table settings - crocheted placemats with lace-edged napkins and old hammered silver. And whether you are inside in front of a fire, candles burning brightly on a wintery day - or outside on a patio enjoying the morning sun - whether you are having a group of friends and family, a quiet little brunch for two, or an even quieter little brunch just for yourself, breakfast can set the mood and pace of the whole day. And Sunday is my day. Sometimes I think we get caught up in the hectic happenings of the weeks and months and we forget to take time out to relax. So one Sunday morning I decided to do things differently - now it's gotten to be a sort of ritual! This is what I do: at around 8:30 am I pull myself from my warm cocoon, fluff up the pillows and blankets and put some classical music on the stereo. Then I'm off to the kitchen, where I very calmly (so as not to wake myself up too much!) prepare my breakfast, seomthing extra nice - last week I had fresh pineapple slices wrapped in bacon and broiled, a warm croissant, hot chocolate with marshmallows and orange juice. I put it all on a tray with a cloth napkin, my book-of-the-moment and the "Travel" section of the Boston Globe and take it back to bed with me. There I spend the next two hours reading, eating and dreaming while the snowflakes swirl through the treetops outside my bedroom window. The inspiring music of Back or Vivaldi adds an exquisite elegance to the otherwise unruly scene, and I am in heaven. I found time to get in touch with myself and my life and i think this just might be a necessity! Please try it for yourself, and someone you love.
Susan Branch (Days from the Heart of the Home)
He added, We knew it was going to be a big problem. You’ve got this guy with an army of upward of forty walking corpses that he acquired legally but was meant to bury a while back, it’s time for some hard conversations. He’s curing cancer, that’s great, but he’s bookended by two zombies that they’ve dressed in outfits, that’s bad. You’ve got a wizard out in the wop-wops who’s now got blanket bans from nearly every video upload site and a whole bunch of people have entered the country because of his YouTube channel, the government isn’t all, Love that small-business entrepreneur spirit. The government says, This is a cult.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
My parents taught me to zoom in, ya know? It’s easy to judge others from afar. It’s easy to look at someone from outside your world and make blanket statements and judgments on who those people are. Because when you see others’ flaws, you somewhat justify that your flaws are better than theirs. But when you zoom in, when you truly look at the person beside you, you’ll see many of the same things. Hope. Love. Fear. Anger. Once you zoom in, you realize we are all similar in so many ways. We all bleed red, and even monster’s hearts can break. Just gotta remember to always zoom in.
Brittainy C. Cherry (Disgrace)
WRAP ME UP I shiver. He pulls away. "Are you cold?" he asks. "A little. Plus... you know." "What?" "Um... your kisses?" He laughs, pulls me down onto the blanket and wraps his arms and legs around me. Perfect. My kind of blanket.
Lisa Schroeder (The Day Before)
it’s a terrible feeling when you first fall in love. your mind gets completely taken over, you can’t function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don’t care as you can’t hear what they’re saying anyway, and it doesn’t matter since your not really there. things you cared about before don’t seem to matter anymore and things you didn’t think you cared about suddenly do. I must become a brilliant cook, I don’t want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It’s a kind of hell, but you feel like your in heaven. even your body goes out of control, you can’t eat, you don’t sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything’s just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don’t seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down under your love blanket for more, knowing it’s uncomfortable but compulsory. and then, once you think you’ve got him, the panic sets in. what if he goes off me? what if I blow it, say the wrong thing? what if he meets someone better than me? Prettier, thinner, funnier, more like him? who doesn’t bite there nails? perhaps he doesn’t feel the same, maybe this is all in my head and this is just a quick fling for him. why did I tell him that stupid story about not owning up that I knew who spilt the ink on the teachers bag and so everyone was punished for it? does he think I'm a liar? what if I'm not very good at that blow job thing and he’s just being patient with me? he says he loves me; yes, well, we can all say words, can’t we? perhaps he’s just being polite. of course you do your best to keep all this to yourself, you don’t want him to think you're a neurotic nutcase, but now when he’s away doing Real Life it’s agony, your mind won’t leave you alone, it tortures you and examines your every moment spent together, pointing out how stupid you’ve been to allow yourself to get this carried away, how insane you are to imagine someone would feel like that about you. dad did his best to reassure me, but nothing he said made a difference - it was like I wanted to see Simon, but didn’t want him to see me.
Annabel Giles (Birthday Girls)
Anxiety suits the status quo very well. Anxious people make good consumers and good workers. Governments and big business, therefore, love terrorism – they adore it, it’s good for business. Anxiety will drive us back into our comfort blankets of credit-card shopping and bad food, so the system deliberately produces anxiety while simultaneously promising to take it away.
Tom Hodgkinson (The Freedom Manifesto: How to Free Yourself from Anxiety, Fear, Mortgages, Money, Guilt, Debt, Government, Boredom, Supermarkets, Bills, Melancholy, Pain, Depression, Work, and Waste)
But the woman came to her them. The woman with hair of red like roses, hair of white like snowfall. She was young and old. She was blind and could see everything. She spoke softly, in whispers, but her voice carried across the mountain ranges like sleeping giants, the cities lit like fairies and the oceans-undulating mermaids. She laughed at her own sorrow and wept pearls at weddings. Her fingers were branches and her eyes were little blue planets. She said, You cannot hide forever, though you may try. I've seen you in the kitchen, in the garden. I've seen the things you have sewn -curtains of dawn, twilight blankets and dresses for the sisters like a garden of stars. I have heard the stories you tell. You are the one who transforms, who creates. You will go out into the world and show others. They will feel less alone because of you, they will feel understood, unburdened by you, awakened by you, freed of guilt and shame and sorrow. But to share with them you must wear shoes, you must go out you must not hide, you must dance and it will be harder, you must face jealousy and sometimes rage and desire and love which can hurt most of all because of what can then be taken away.
Francesca Lia Block (The Rose and the Beast: Fairy Tales Retold)
I think that one morning, the Papess woke in her tower, and her blankets were so warm, and the sun was so golden, she could not bear it. I think she woke, and dressed, and washed her face in cold water, and rubbed her shaven head. I think she walked among her sisters, and for the first time saw that they were so beautiful, and she loved them. I think she woke up one morning of all her mornings, and found that her heart was as white as a silkworm, and the sun was clear as glass on her brow, and she believed then that she could live, and hold peace in her hand like a pearl.
Catherynne M. Valente (In the Cities of Coin and Spice (The Orphan's Tales, #2))
He closed his eyes. The insides of his eyelids were a brownish black, not at all the same as the thick purple of the night. Darkness had so many colors. It was strange, that, and perhaps a little disquieting. But— ―Oh!‖ A foot slammed into his left calf, and he opened his eyes just in time to see a woman tumbling backward. Right onto his blanket. He smiled. The gods still loved him.
Julia Quinn (Ten Things I Love About You (Bevelstoke, #3))
That was four people right there who loved me. I wished like mad, in that moment, that I had no one at all. Not a single soul. Love was trapping me here. And they didn't know what it was like, what my head was like. Maybe if they were in my head for ten minutes they'd be like, 'Oh, okay, yes, actually. You should jump. There is no way you should feel this amount of pain. Run and jump and close you eyes and just do it. I mean, if you were on fire I could put a blanket around you, but the flames are invisible. There is nothing we can do. So jump. Or give me a gun and I'll shoot you. Euthanasia.' But that was not how it worked. If you are depressed your pain is invisible.
Matt Haig (Reasons to Stay Alive)
Yes, falling in love requires a leap of faith. But people only jump because they don't know what the ground looks like. They believe their landing will be soft. That the ground is covered in soft stuff- feathers, down pillows, fluffy baby blankets, the shaggiest shag carpeting. But I've seen the ground. It is covered in lethal spikes fashioned fro the bones of other jumpers. The fall is not all survivable.
Nicola Yoon (Instructions for Dancing)
And the way I loved her was like nothing else. This, I decided, was the love all other loves were measured against. They say girls look to marry their fathers, but I decided after having Maxie that we all, every one of us, were looking to marry our mothers. Sitting on the sofa with her wrapped in a soft blanket in my arms, I’d think, ‘This baby has it so good.’ It just seemed that the love I’d been searching and hoping for all my life was what Maxie already had right now: two big arms and a lap, a warm blanket, the background music of a heartbeat and a pair of lungs, food at a moment’s notice, sleep at every urge, and a person totally obsessed with her, whose every moment—waking or otherwise—was totally devoted to her comfort and care. Was that so much to ask for?
Katherine Center
I kept saying her name and she would ask What? and I’d say her name again. I’m not afraid of how this sounds to you. I’m not embarrassed now. But if you could understand, had I—can you see why there’s no way I could let her just go away after this? Why I felt this apical sadness and fear at the thought of her getting her bag and sandals and New Age blanket and leaving and laughing when I clutched her hem and begged her not to leave and said I loved her and closing the door gently and going off barefoot down the hall and never seeing her again? Why it didn’t matter if she was fluffy or not terribly bright? Nothing else mattered. She had all my attention. I’d fallen in love with her. I believed she could save me. I know how this sounds, trust me. I know your type and I know what you’re bound to ask. Ask it now. This is your chance. I felt she could save me I said. Ask me now. Say it. I stand here naked before you. Judge me, you chilly cunt. You dyke, you bitch, cooze, cunt, slut, gash. Happy now? All borne out? Be happy. I don’t care. I knew she could. I knew I loved. End of story.
David Foster Wallace (Brief Interviews with Hideous Men)
Kaede told herself that what she felt was only a little seed; she would simply not water it. It wouldn't grow any larger than this tiny prickle of attraction. She wouldn't let it. But that night after everyone had left, and they had all spread their blankets on the floor of the hall, Kaede lay awake for some time, trying to make out the sound of Taisin's breathing in the dark.
Malinda Lo (Huntress)
Late into the night she reads, and the lamplight falls in a soft circle across her tented knees, across the warm blankets, across Luca's casting breath. In their new home, Lydia rereads Amor en los tiempos del colera, first in Spanish, then again in English. No one can take this from her. This book is hers alone.
Jeanine Cummins (American Dirt)
They were a deep emerald green, the exact same color as mine, and they glowed with an intensity I had never witnessed before. A slash of silver crossed each one, the sun's reflection making them sparkle like dancing crystals. The emerald irises appeared to be swirling in circles, creating the illusion that his eyes were never-ending. Flecks of darker emerald clustered around each pupil made my breath catch in my throat. Suddenly, my disheartened mood vanished, almost as if I had never felt sadness before. Something about these eyes held me in place, as if I had found a balance, blanketing me in a cocoon of comfort, free of worries and concerns.
Markelle Grabo (The Elf Girl (Journey into the Realm, #1))
she died of alcoholism wrapped in a blanket on a deck chair on an ocean steamer. all her books of terrified loneliness all her books about the cruelty of loveless love were all that was left of her as the strolling vacationer discovered her body notified the captain and she was quickly dispatched to somewhere else on the ship as everything continued just as she had written it.
Charles Bukowski (The Pleasures of the Damned)
You’ve got to get cold to get warm,” Phoebe said. Now that is the truth. That is so true about so many things. You learn it first with sheets and blankets: that the initial touch of the smooth sheets will send you shivering, but their warming works fast, and you must experience the discomfort to find the later contentment. It’s true with money and love, too. You’ve got to save to have something to spend. Think of how hard it is to ask out a person you like. In my case, Claire asked me to go on a date to the cash machine, so I didn’t actually have to ask her. Still, her lips were cold, but her tongue was warm.
Nicholson Baker (A Box of Matches)
Cecil Palmer spoke of the horrors of everyday life. Nearly every broadcast told a story of impending doom or death, or worse: a long life lived in fruitless fear of doom or death. It wasn't that Jackie wanted to know all of the bad news of the world. It was that she loved sitting in the dark of her bedroom, swaddled in blankets and invisible radio waves.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
This is how it is to come near you A wave of light builds in the black pupil of the eye. The old become young. The opening lines of the Qur'an open still more. Inside every human chest there is a hand, but it has nothing to write with. Love moves further in, where language turns to fresh cream on the tongue. Every accident, and the essence of every being, is a bud, a blanket tucked into a cradle, a closed mouth. All these buds will blossom, and in that moment you will know what your grief was, and how the seed you planted has been miraculously, and naturally, growing. Now silence. Let soul speak inside spoken things.
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
Plato once said that pain restores order to the soul. Rumi said that it lops off the branches of indifference. “The throbbing vein / will take you further / than any thinking.”14 Whatever else it does, pain offers an experience of being human that is as elemental as birth, orgasm, love, and death. Because it is so real, pain is an available antidote to unreality—not the medicine you would have chosen, perhaps, but an effective one all the same. The next time you are in real pain, see how you feel about television shows, new appliances, a clean house, or your resumé. Chances are that none of these will do anything for you. All that will do anything for you is some cool water, held out by someone who has stopped everything else in order to look after you. An extra blanket might also help, a dry pillow, the simple knowledge that there is someone in the house who might hear you if you cried.
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
Whenever I run up against what's called "instinct," I feel like I want to cry. As I begin to realize from various experiences in my life just how enormous our instincts are and how powerless we are against the force that drives us, sometimes I think I might lose my mind. I become distracted, wondering what I should to do. There is no way to resist or accept the force; it simply feels as if some huge thing has blanketed me whole, from the top of my head, so that it can now drag me around freely. There is a certain satisfaction in being dragged around, as well as a separate sad feeling as I watch it happen. Why is it that we cannot be happy with ourself or love only ourself throughout our life? It is pathetic to watch whatever emotions or sense of reason I have acquired up to that point be devoured by instinct. Whenever I let the slightest thing make me forget myself, I can't help but be disappointed. The clear confirmation that that self—me, that is—is also ruled by instinct makes me think I could cry. It makes me want to call out for Mother and Father. But even more pathetic is that—to my surprise—the truth could be found in aspects of myself that I don't like.
Osamu Dazai (Schoolgirl)
Will father be there?" she asked. John turned to her in astonishment. Your father is dead," he replied somberly. "Why should he go to Hades? You have it confused with another place that was abolished long ago." After supper they folded up the table-cloth and spread their blankets for the night. What a dream it was," Kismine sighed, gazing up at the stars. "How strange it seems to be here with one dress and a penniless fianc_! Under the stars," she repeated. "I never noticed the stars before. I always thought of them as great big diamonds that belonged to some one. Now they frighten me. They make me feel that it was all a dream, all my youth." It was a dream," said John quietly. "Everybody's youth is a dream, a form of chemical madness." How pleasant then to be insane!" So I'm told," said John gloomily. "I don't know any longer. At any rate, let us love for a while, for a year or so, you and me. That's a form of divine drunkenness that we can all try. There are only diamonds in the whole world, diamonds and perhaps the shabby gift of disillusion. Well, I have that last and I will make the usual nothing of it." He shivered. "Turn up your coat collar, little girl, the night's full of chill and you'll get pneumonia. His was a great sin who first invented consciousness. Let us lose it for a few hours." So wrapping himself in his blanket he fell off to sleep.
F. Scott Fitzgerald (The Short Stories)
Any woman who has devoted herself to raising children has experienced the hollow praise that only thinly conceals smug dismissal. In a culture that measures worth and achievement almost solely in terms of money, the intensive work of rearing responsible adults counts for little. One of the most intriguing questions in economic history is how this came to be; how mothers came to be excluded from the ranks of productive citizens. How did the demanding job of rearing a modern child come to be termed baby-sitting? When did caring for children become a 'labor of love,;' smothered under a blanket of sentimentality that hides its economic importance?
Ann Crittenden
There’s an important distinction between writing about trauma and writing a tragedy. I sought to write about identity, loss, and injustice … and also of love, joy, connection, friendship, hope, laughter, and the beauty and strength in my Ojibwe community. It was paramount to share and celebrate what justice and healing looks like in a tribal community: cultural events, language revitalization, ceremonies, traditional teachings, whisper networks, blanket parties, and numerous other ways tribes have shown resilience in the face of adversity. Growing up, none of the books I’d read featured a Native protagonist. With Daunis, I wanted to give Native teens a hero who looks like them, whose greatest strength is her Ojibwe culture and community.
Angeline Boulley (Firekeeper's Daughter)
If there’s one sin that I’d like Hollywood to atone for, it isn’t bolstering the belief in love at first sight or having one true soulmate. It’s in convincing me that the kinds of friendships I saw on the screen were possible in real life. You know the types of friendships I’m talking about. The secret-handshake kind of friendship. The watching-movies-snuggled-under-a-blanket, shared-pint-of-ice-cream kind of friendship. The talk-on-the-phone-for-hours-after-already-spending-the-day-together kind of friendship. The unconditional-love, endless-well-of-support, mutual-kinship kind of friendship. I’m pretty sure those types of friendships are completely manufactured by Hollywood. Because if those friendships really exist, I’ve never been part of one.
Elissa Sussman (Funny You Should Ask)
That is a lovely quilt, recruit," he says. "Thank you, sir." "It's the envy of every little girl in Brisadulce. I saw them sitting on the wall today, staring at that blanket and asking their mothers if they could join the Guard so they could have one just like it. Is that what you want, recruit? You want a Guard full of girls?" "If they can fight well enough to defend the King, sir.
Rae Carson (The King's Guard (Fire and Thorns, #0.7))
Distance, the dissonance insurmountable, would be not the end, but a magnet. When fingertips kiss, they imprint and cement something, that cannot be disintegrated. Time becomes a phantom, the wind becomes an anchor, and old dreams- blankets of warmth. Lull with me, Lady, there is no greater escape. Love and war, even when buttered on toast, still makes for the breakfast of champions.
Dave Matthes (The Kaleidoscope Syndrome: An Anthology)
One day in the future, I will show my child her great-grandmother’s jade, the little gold rabbit with the ruby eyes. I will tell her that this will be hers. I will tell her all the stories about how our family survived, about the wars, and the gambling dens, and, yes, eventually even the golf club. I will tell her that when the sky falls, she should use it as a blanket. And then I will give her the shining thing, the thing that none of us got, the thing that only I, in all of my resilient power, can give. The thing that all this pain has given me. I will hold her tight and tell her that I love her more than anything in the world. That she can always come to me for anything at all, and I will fix it if it needs fixing or just listen if she needs to be listened to. And as long as I live, I will never leave.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
And then I saw him. In the snow. Behind the trees. A white wolf. Black on his back and chest. His eyes burned red. He said chase me i love you chase me. I said, “Daddy?” because I was just a little boy again, and my father, my father was there, and he was never going to leave me, he was never going to leave me again. He ran. I chased after him. Tree branches slapped against my face and chest, sharp stings as the blanket flared around me. I almost dropped it. I almost let it go. PackLoveSon to me to me come to me
T.J. Klune (Brothersong (Green Creek, #4))
Do not be so ridiculous, I can more easily find you someone else.” Gripping the bars of his prison so strongly that the bones of his knuckles showed prominently through his pale skin, the monster growled again, “I will have no other.” Nearing the end of his patience, Klaus demanded, “Why? Why are you being so impossible?” Turning to the diminutive creature beneath the blanket, he smiled nastily, his light red eyes gleaming, “Because he wants her.
Gwenn Wright (Filter (The Von Strassenberg Saga, #1))
But you sent off that Flounder fellow," Loki said, and I rolled my eyes. "His name is Finn, and I know you know that," I said as I left the room. Loki grabbed the vacuum and followed me. "You called him by his name this morning." "Fine, I know his name," Loki admitted. We went into the next room, and he set down the vacuum as I started peeling the dusty blankets off the bed. "But you were okay with Finn going off to Oslinna, but not Duncan?" "Finn can handle himself," I said tersely. The bedding got stuck on a corner, and Loki came over to help me free it. Once he had, I smiled thinly at him. "Thank you." "But I know you had a soft spot for Finn," Loki continued. "My feelings for him have no bearing on his ability to do his job." I tossed the dirty blankets at Loki. He caught them easily before setting them down by the door, presumably for Duncan to take to the laundry chute again. "I've never understood exactly what your relationship with him was, anyway," Loki said. I'd started putting new sheets on the bed, and he went around to the other side to help me. "Were you two dating?" "No." I shook my head. "We never dated. We were never anything." I continued to pull on the sheets, but Loki stopped, watching me. "I don't know if that's a lie or not, but I do know that he was never good enough for you." "But I suppose you think you are?" I asked with a sarcastic laugh. "No, of course I'm not good enough for you," Loki said, and I lifted my head to look up at him, surprised by his response. "But I at least try to be good enough." "You think Finn doesn't?" I asked, standing up straight. "Every time I've seen him around you, he's telling you what to do, pushing you around." He shook his head and went back to making the bed. "He wants to love you, I think, but he can't. He won't let himself, or he's incapable. And he never will." The truth of his words stung harder than I'd thought they would, and I swallowed hard. "And obviously, you need someone that loves you," Loki continued. "You love fiercely, with all your being. And you need someone that loves you the same. More than duty or the monarchy or the kingdom. More than himself even." He looked up at me then, his eyes meeting mine, darkly serious. My heart pounded in my chest, the fresh heartache replaced with something new, something warmer that made it hard for me to breathe. "But you're wrong." I shook my head. "I don't deserve that much." "On the contrary, Wendy." Loki smiled honestly, and it stirred something inside me. "You deserve all the love a man has to give." I wanted to laugh or blush or look away, but I couldn't. I was frozen in a moment with Loki, finding myself feeling things for him I didn't think I could ever feel for anyone else. "I don't know how much more laundry we can fit down the chute," Duncan said as he came back in the room, interrupting the moment. I looked away from Loki quickly and grabbed the vacuum cleaner. "Just get as much down there as you can," I told Duncan. "I'll try." He scooped up another load of bedding to send downstairs. Once he'd gone, I glanced back at Loki, but, based on the grin on his face, I'd say his earlier seriousness was gone. "You know, Princess, instead of making that bed, we could close the door and have a roll around in it." Loki wagged his eyebrows. "What do you say?" Rolling my eyes, I turned on the vacuum cleaner to drown out the conversation. "I'll take that as a maybe later!" Loki shouted over it.
Amanda Hocking (Ascend (Trylle, #3))
A snowball formed between her palms, surrounded by a blue glow. "Ready?" she asked, feeling the rush she got when she was about to use magic. She threw her hands up and flung the snowball high into the air. Snow started to fall from the ceiling, washing the floor in a blanket of white. "This is amazing!" Anna marveled, her giggles of joy filling Elsa with pride. Anna, more than anyone else, loved Elsa's gift, and she begged her to use it often. Their parents, on the other hand, wanted her to keep it private. But if a gift like this could bring such joy, shouldn't she share it?
Jen Calonita (Conceal, Don't Feel)
Because it hardly ends with falling in love. Just the opposite. I don't need to tell you, Your Honor, I sense that you understand true loneliness. How you fall in love and it's there that the work begins: day after day, year after year, you must dig yourself up, exhume the contents of your mind and sould for the other to sift through so that you might be known to him, and you, too, must spend days and years wading through all that he excavates for you alone, the archaeology of his being, how exhausting it became, the digging up and the wading through, while my own work, my true work, lay waiting for me. Yes, I always thought there would be more time left for me, more time left for us, and for the child we might one day have, but I never felt that my work could be put aside as they could, my husband and the idea of our child, a little boy or girl that I sometimes even tried to imagine, but always only vaguely enough that he or she remained a ghostly emissary of our future, just her back while she sat playing with her blocks on the floor, or just his feet sticking out of the blanket on our bed, a tiny pair of feet. What of it, there would be time for them, for the life they stood for, the one I was not yet prepared to live because I had not yet done what I had meant to do in this one.
Nicole Krauss (Great House)
Well, fuck a duck,” comes Morris’s delighted voice. I jerk in surprise, then spin around to glare at him for sneaking up on me from behind. Judging by the amusement dancing in his eyes, it’s obvious he peeked over my shoulder and caught a glimpse of the photo I’d been drooling over. “I was wondering how he’d pull that one off,” Morris remarks, still grinning like a fool. “Shouldn’t have doubted him, though. That dude is an unstoppable force of nature.” I narrow my eyes. “He told you about the picture?” “About the whole list, actually. We hung out last night—Lorris is close to taking over Brooklyn, by the way—and he was moaning and groaning about not being able to track down a red velvet couch.” Morris shrugs. “I offered to throw a red blanket on the sofa in my common room and take some pictures, but he said you’d consider that cheating and deprive him of your love.” Stifling a sigh, I shove the phone in my purse, then walk over to the mini-fridge across the room and grab a bottle of water. I twist off the cap, doing my best to ignore the sheer enjoyment Morris is getting out of this. “I wish I was gay,” he says ruefully. A snicker pops out. “Uh-huh. Go on. I’m willing to follow you down this rabbit hole and see where it leads.” “Seriously, Gretch, I love him. I have a boner for him.” Morris sighs. “If I’d known he existed, I wouldn’t have asked you out in the first place.” “Gee, thanks.” “Oh, shut up. You’re awesome, and I’d tap that in a second. But I can’t compete with this guy. He’s operating on a whole other level when it comes to you.
Elle Kennedy (The Mistake (Off-Campus, #2))
Want to know when I first fell a little in love with you?” “When I didn’t faint from fright after meeting Secmis?” She’d come close, practically falling into Brishen’s arms when they escaped the throne room. “That was impressive. No cowering subject before her, but no.” He tugged the blanket over her shoulder where it had fallen away. “It was when you ate the scarpatine and declared it tasted nothing like chicken.” She sniffed. “Then you’re easily impressed. I don’t think I fell in love with you just because you choked down a potato. Granted, you didn’t have to engage it in battle before you ate it.” ‘You’re hard to please.” She thumped his chest above his sternum. “I am not.” “Ouch.” He rubbed the injured spot.
Grace Draven (Eidolon (Wraith Kings, #2))
We knew it was going to be a big problem. You’ve got this guy with an army of upward of forty walking corpses that he acquired legally but was meant to bury a while back, it’s time for some hard conversations. He’s curing cancer, that’s great, but he’s bookended by two zombies that they’ve dressed in outfits, that’s bad. You’ve got a wizard out in the wop-wops who’s now got blanket bans from nearly every video upload site and a whole bunch of people have entered the country because of his YouTube channel, the government isn’t all, Love that small-business entrepreneur spirit. The government says, This is a cult.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
The melody drifted into an aching silence. Austin lifted his head, and she saw his tears, trailing along his cheeks, glistening in the moonlight. She slipped from beneath the blankets, her bare feet hitting the cold floor. "What were you playing?" she asked reverently, not wanting to disturb the ambiance that remained in the room. "That was my heart breaking," he said, his voice ragged. She felt as though her own heart might shatter as she took a step toward him. "Austin—" "Don't stop loving me, Loree. You want me to learn what those little black bugs on those pieces of paper mean, I'll learn. You want me to play the violin from dawn until dusk, hell, I'll play till midnight, just don't stop loving me." She flung her arms around his neck and felt his arms come around her back, the violin tapping against her backside. "Oh, Austin, I couldn't stop loving you if I wanted." "I do know how to love, Loree. I just don't know how to keep a woman loving me." "I'll always love you, Austin," she said trailing kisses over his face. "Always." She felt a slight movement away from her as he set the violin aside, and then his arms came around her, tighter than before. "Let me love you, Loree. I need to love you." -Austin and Loree
Lorraine Heath (Texas Splendor (Texas Trilogy, #3))
Left to themselves people grow their hair. Left to themselves they take off their shoes. Left to themselves they make love sleep easily share blankets, dope & children they are not lazy or afraid they plant seeds, they smile, they speak to one another. The word coming into its own: touch of love on the brain, the ear. We return with the sea, the tides We return as often as leaves, as numerous as grass, gentle, insistent, we remember the way, our babes toddle barefoot thru the cities of the universe.
Diane di Prima (Revolutionary Letters)
They were furious. Did he not know he might catch cold? Why did he not answer their hail? It was no good his telling them he had not heard; they knew better; he had not got flannel ears--Why had he not waited for them? --What was a boat for? Was this a proper time to go a-swimmin? -- Did he think this was midsummer? Or Lammas? -- He was to see how cold he was, blue an trembling like a fucking jelly -- Would a new-joined ships boy have done such a wicked thing? No, sir, he would not. -- What would the skipper, what would Mr Pullings and Mr Babbington say, when they heard of his capers? -- As God loved them, they had never seen anything so foolish: he might strike them blind, else. -- Where had he left his intellectuals? Aboard the sloop? They dried him with handkerchiefs., dressed him by force, and rowed him quickly back to the Polychrest. He was to go below directly, turn in between blankets--no sheets, mind--with a pint of grog and have a good sweat. he was to go up the side now, like a Christian and nobody would notice. Plaice and Lakey were perhaps the strongest men in the ship, with arms like gorillas; they thrust him aboard and hurried him to his cabin without so much as by your leave, and left him there in the charge of his servant, with recommenations for his present care.
Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
Did you know that a mind full of malice and hate is able to actually attack another's body and mind? Thus preventing good from taking place (or at least delaying and disrupting the good)? It's true, and we can call it a "psi-attack" or simply an attack from negativism. The way to overcome these forms of attacks is through cultivating a true Positive Soul through the energy of Love. The Love Nature of your Soul is powerful enough to counteract such attacks, because that positive energy forms a blanket around you. Real life isn't much unlike the movies, aside from the fact that in real life, these things truly affect your life immensely, unlike sitting down in a cinema. The vampires of the world are those who can in fact launch massive psi-attacks on whoever they focus their negative energies onto, and for whatever reasons that may be.
C. JoyBell C.
Things that remind me of Mother are these: the truth ‘mid deception, a warm summer breeze, the calm within chaos, a stitch in a rip, a comforting blanket, the smile on her lip, an ocean of love in a heart big as whales, the morals in everyday stories she tells, a wink amid laughter, the wisdom in books, the peace in humility, beauty in looks, the light and the life in a ray of the sun, the hard work accomplished disguised as pure fun, concern in a handclasp, encouragement too, the hope in a clear morning sky azure blue, the power in prayers uttered soft and sincere, the faith in a promise, and joy in a tear. These things all attest to the wonder and grace of my precious mother, none else could replace.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
It wasn’t beautiful. A Winter wedding is a union of elation and depression, red velvet blankets in a cheap motel room stained with semen from sex devoid of meaning, and black mold clinging to the fringe of floral shower curtains like a heap of dead forevers. You sat down at the foot of the bed, looking at me like I had already
driven away. I was thinking about watching CNN. How fucked up is that? I wanted to know that your second hand, off-white dress, and my black polyester bow tie wasn’t as tragic as a hurricane devouring a suburb, or a train derailment in no where, Virginia, ending the lives of two young college hopefuls. I was naïve. I thought that there were as many right ways to feel love as the amount of
 pubic hair, 
 belly lint, and 
scratch marks abandoned by lovers in our honeymoon suite. When you looked at me in bed that night, I put my hand on your chest to feel a little more human. I don’t know what to call you; a name does not describe the aches, or lack of. This love is unusual and comfortable. If you were to leave, I know I’d search for days, in newspapers and broadcasts, in car accidents and exposés on genocide in Kosovo. (How do I address this? How is one to feel about a love without a name?) My heart would be ambivalent, too scared to look for you behind the curtains of the motel window, outside in the abyss of powder and pay phones because I don’t know how to love you. -Kosovo
Lucas Regazzi
The human heart is fragile. So delicate that it should be protected, taken care of. Nurtured and swaddled among piles of blankets like an infant. Because once it breaks... It´s broken forever. After you heart breaks once, it never heals quite right. There are always cracks, or chipped pieces. And depending on what kind of person you are and what kind personal strenght you have, sometimes after your heart breaks it can feel like you´ve never had a heart at all. Or that it´s hardened. Turned to stone. Then... You change. Become a different person. You become bitter. Cold. Distant. You start to hate things. And people. Pretty much everything around you. You hate the sun for rising every day. You hate the moon for illuminating the night sky. Hate, hate, hate. It consumes you. It eats you alive from the inside out. Until... Hate is the only thing you know. And pretty soon your days stretch on and on and are never ending decades of nothingness. You forget what it´s like to feel. You forget what it´s like to love. And more then anything you feel like you´ll never deserve the kind of love you once had. I´ve been there. I´ve been full of hate.
Lauren Hammond (Beautiful Nightmares (Asylum, #3))
The black mother perceives destruction at every door, ruination at each window, and even she herself is not beyond her own suspicion. She questions whether she loves her children enough- or more terribly, does she love them too much? Do her looks cause embarrassment- or even terrifying, is she so attractive her sons begin to desire her and her daughters begin to hate her. If she is unmarried, the challenges are increased. Her singleness indicates she has rejected or has been rejected by her mate. Yet she is raising children who will become mates. Beyond her door, all authority is in the hands of people who do not look or think or act like her children. Teachers, doctors, sales, clerks, policemen, welfare workers who are white and exert control over her family’s moods, conditions and personality, yet within the home, she must display a right to rule which at any moment, by a knock at the door, or a ring in the telephone, can be exposed as false. In the face of this contradictions she must provide a blanket of stability, which warms but does not suffocate, and she must tell her children the truth about the power of white power without suggesting that it cannot be challenged.
Maya Angelou (The Heart of a Woman (Maya Angelou's Autobiography #4))
My Dearest, I miss you, my darling, as I always do, but today is especially hard because the ocean has been singing to me, and the song is that of our life together. I can almost feel you beside me as I write this letter, and I can smell the scent of wildflowers that always reminds me of you. But at this moment, these things give me no pleasure. Your visits have been coming less often, and I feel sometimes as if the greatest part of who I am is slowly slipping away. I am trying, though. At night when I am alone, I call for you, and whenever my ache seems to be the greatest, you still seem to find a way to return to me. Last night, in my dreams, I saw you on the pier near Wrightsville Beach. The wind was blowing through your hair, and your eyes held the fading sunlight. I am struck as I see you leaning against the rail. You are beautiful, I think as I see you, a vision that I can never find in anyone else. I slowly begin to walk toward you, and when you finally turn to me, I notice that others have been watching you as well. “Do you know her?” they ask me in jealous whispers, and as you smile at me, I simply answer with the truth. “Better than my own heart.” I stop when I reach you and take you in my arms. I long for this moment more than any other. It is what I live for, and when you return my embrace, I give myself over to this moment, at peace once again. I raise my hand and gently touch your cheek and you tilt your head and close your eyes. My hands are hard and your skin is soft, and I wonder for a moment if you’ll pull back, but of course you don’t. You never have, and it is at times like this that I know what my purpose is in life. I am here to love you, to hold you in my arms, to protect you. I am here to learn from you and to receive your love in return. I am here because there is no other place to be. But then, as always, the mist starts to form as we stand close to one another. It is a distant fog that rises from the horizon, and I find that I grow fearful as it approaches. It slowly creeps in, enveloping the world around us, fencing us in as if to prevent escape. Like a rolling cloud, it blankets everything, closing, until there is nothing left but the two of us. I feel my throat begin to close and my eyes well up with tears because I know it is time for you to go. The look you give me at that moment haunts me. I feel your sadness and my own loneliness, and the ache in my heart that had been silent for only a short time grows stronger as you release me. And then you spread your arms and step back into the fog because it is your place and not mine. I long to go with you, but your only response is to shake your head because we both know that is impossible. And I watch with breaking heart as you slowly fade away. I find myself straining to remember everything about this moment, everything about you. But soon, always too soon, your image vanishes and the fog rolls back to its faraway place and I am alone on the pier and I do not care what others think as I bow my head and cry and cry and cry.
Nicholas Sparks (Message in a Bottle)
But I don't know, in the end, what deserts, chasms, achievements, virtues, and beauties have to do with love. We can love for so many different, and paradoxical, qualities in the object of our love--for strength or for weakness, for beauty or for ugliness, for gaiety or for sadness, for sweetness or for bitterness, for goodness or for wickedness, for need or for impervious independence. Then, if we wonder from what secret springs in ourselves gushes our love, our poor brain goes giddy from speculation, and we wonder what is all meaning and worth. Is it our own need that makes us lean toward and wish to succor need, or is it our strength? What way would our strength, if we had it, incline our heart? Do we give love in order to receive love, and even in the transport or endearment carry the usurer's tight-lipped and secret calculation, unacknowledged even by ourselves? Or do we give with an arrogance after all, a passion for self-definition? Or do we simply want a hand, any hand, a human object, to clutch in the dark on the blanket, and fear lies behind everything? Do we want happiness, or is it pain, pain as the index of reality, that we, in the chamber of our heart, want? Oh, if I knew the answer, perhaps then I could feel free.
Robert Penn Warren (Band of Angels)
Ignorance is the world's oldest prison, fear is the world's oldest slave master, envy is the world's oldest poison, desire is the world's oldest fuel, curiosity is the world's oldest scholar, conscience is the world's oldest preacher, karma is the world's oldest judge, time is the world's oldest healer, destiny is the world's oldest prophet, truth is the world's oldest sage, courage is the world's oldest warrior, love is the world's oldest angel, joy is the world's oldest medicine, intelligence is the world's oldest professor, light is the world's oldest mirror, eternity is the world's oldest vault, knowledge is the world's oldest tree, wisdom is the world's oldest fountain, nature is the world's oldest clock, reality is the world's oldest portrait, darkness is the world's oldest curtain, stars are the world's oldest lamps, the sky is the world's oldest blanket, the Earth is the world's oldest bedroom, life is the world's oldest theatre, fate is the world's oldest conductor, people are the world's oldest actors, angels are the world's oldest spectators, and God is the world's oldest theatre owner.
Matshona Dhliwayo
Long ago, when faeries and men still wandered the earth as brothers, the MacLeod chief fell in love with a beautiful faery woman. They had no sooner married and borne a child when she was summoned to return to her people. Husband and wife said a tearful goodbye and parted ways at Fairy Bridge, which you can still visit today. Despite the grieving chief, a celebration was held to honor the birth of the newborn boy, the next great chief of the MacLeods. In all the excitement of the celebration, the baby boy was left in his cradle and the blanket slipped off. In the cold Highland night he began to cry. The baby’s cry tore at his mother, even in another dimension, and so she went to him, wrapping him in her shawl. When the nursemaid arrived, she found the young chief in the arms of his mother, and the faery woman gave her a song she insisted must be sung to the little boy each night. The song became known as “The Dunvegan Cradle Song,” and it has been sung to little chieflings ever since. The shawl, too, she left as a gift: if the clan were ever in dire need, all they would have to do was wave the flag she’d wrapped around her son, and the faery people would come to their aid. Use the gift wisely, she instructed. The magic of the flag will work three times and no more. As I stood there in Dunvegan Castle, gazing at the Fairy Flag beneath its layers of protective glass, it was hard to imagine the history behind it. The fabric was dated somewhere between the fourth and seventh centuries. The fibers had been analyzed and were believed to be from Syria or Rhodes. Some thought it was part of the robe of an early Christian saint. Others thought it was a part of the war banner for Harald Hardrada, king of Norway, who gave it to the clan as a gift. But there were still others who believed it had come from the shoulders of a beautiful faery maiden. And that faery blood had flowed through the MacLeod family veins ever since. Those people were the MacLeods themselves.
Signe Pike (Faery Tale: One Woman's Search for Enchantment in a Modern World)
Blue Planet Phenomenon. she’s from the pink planet called Constellation he’s from the dark planet beyond under a constant monitor no love a interplanetary phenomenon he’s an interstellar she’s studying astronomy what they have seen sets in motion their biology they will meet on the blue planet they should know better it’s death if they get together interplanetary love is forbidden their passion keep it hidden they should know better but they must be together to the blue planet love velocity interstellar crossing Earth’s longitudes hiding their love in the new years eve multitudes they should know better their love still not allowed under another planets blanketing cloud Planet Earth in unified love new years eve blue planet phenomenon she will fall pregnant their baby conceived at a time of human unity their unborn baby and united humanity become one in harmony interstellar before they’re discovered too late their love uncovered they should know better it’s death for forbidden love together trial on dark planet they will all die today “kill them now” judgment say they plea for their unborn baby’s mercy a reprieve child leniency only for their baby clemency “bring on the birth” authorities say a unpredicted baby delivery conceived in a time of human unity a love descendant of humanity interstellar love racing interplanetary embracing human love emanating from their newborn baby blanketing pink planet with love blanketing dark planet with love two planets authority depleting two planets a love meeting now love not forbidden love never to be hidden interstellar love plea she and he with their baby to go free By R.M.Romarney.
R.M. Romarney
A few minutes after they left, Harold bought the blanket from his bed, surrounded himself with his stuffed-toy animals, and built a fort out of them. Children project souls into their favorite stuffed animals and commune with them in the way adults commune with religious icons. Years later he would remember a happy childhood, but it was interwoven with painful separations, confusions, misapprehensions, traumas, and mysteries. This is why all biographies are inadequate; they can never capture the inner currents. This is why self knowledge is limited. Only a few remarkable people can sense the way early experience has built models in the brain. Later in life we build fictions and theories to paper over the mystery of what is happening deep inside, but in childhood, the inexplicableness of the world is still vivid and fresh, and sometimes hits with terrifying force.
David Brooks (The Social Animal: The Hidden Sources of Love, Character, and Achievement)
I went and turned up the heat and hit the switch for the gas fireplace on the wall opposite the bed. Flames roared to life and filled the dim room with dancing orange. "This sure beats my dorm room," she half sighed. I laughed and turned. The breath I was taking in froze halfway to my lungs. She was sitting in the center of my bed, the blankets rumpled and piled around her. My shirt was way too large and the neck slipped down low over one of her slim shoulders, exposing a wide patch of creamy skin. Her cheeks were pink and her lips were swollen. The long thick mass of her hair was tangled and messy, falling around her face and down her back. I'd missed her. I'd missed her even more than I'd let myself realize. But seeing her sitting there taking up so little space in my bed but so much room in my chest was sorta something I couldn't deny. She tilted her head and looked at me, wrinkling her nose. "Do I look a mess?" she asked. I shook my head, unable to speak. I never thought this would happen to me. I never thought I would love someone so much. So fast.
Cambria Hebert (#Hater (Hashtag, #2))
You never told me your name," he says, his voice so hauntingly familiar it causes a rush of heat to blanket my skin. I sigh,staring blankly down the hall when I say, "Psycho Girl-Psycho Horseback Singing Girl..." I shrug. "I've heard it both ways." He squints.His hand reaching for my shoulder,then falling away the instant he catches the look of reproach on my face. "Look," I say,knowing I need to stop him before he can go any further.His kindness will only distract me at a time when I need to stay focused. "I've had a really bad day.And if my calculations are right,I have three hundred and eight more,give or take, before I get to graduate and get the heck out of this place. So,why don't you just call me whatever you want. Everyone else does.It's not like it matters..." My cheeks go hot,my eyes start to sting, and I know I'm rambling like a lunatic,but I cant seem to stop,can't seem to care.The world's most socially inept Seeker-that's me in a nutshell. "Don't let them reduce you to that," he says,his gaze instense, his voice surprising me with its sincerity, its urgency. "Don't let them define how you see yourself,or your place here. And if you ever need someone to talk to,I'm not hard to find.I'm either in class, reading in the library,or eating lunch in the North hallway." The second he says it,my gaze flies down the length of him.Slipping past a gray V-neck tee and dark denim jeans,not the least bit surprised when I land on the same heavy,black, thick-soled shoes I spied earlier. Then before he can say anything more, I'm gone. Trying to ignore the comforting stream of kindness and love that swarms all around me.
Alyson Noel (Fated (Soul Seekers, #1))
I Give You Back' I release you, my beautiful and terrible fear. I release you. You were my beloved and hated twin, but now, I don't know you as myself. I release you with all the pain I would know at the death of my daughters. You are not my blood anymore. I give you back the white soldiers who burned down my home, beheaded my children, raped and sodomized my brothers and sisters. I give you back to those who stole the food from our plates when we were starving. I release you, fear, because you hold these scenes in front of me and I was born with eyes that can never close. I release you, fear, so you can no longer keep me naked and frozen in the winter, or smothered under blankets in the summer. I release you I release you I release you I release you I am not afraid to be angry. I am not afraid to rejoice. I am not afraid to be black. I am not afraid to be white. I am not afraid to be hungry. I am not afraid to be full. I am not afraid to be hated. I am not afraid to be loved, to be loved, to be loved, fear. Oh, you have choked me, but I gave you the leash. You have gutted me, but I gave you the knife. You have devoured me, but I lay myself across the fire. You held y mother down and raped her, but I gave you the heated thing. I take myself back, fear. You are not my shadow any longer. I won't hold you in my hands. You can't live in my eyes, my ears, my voice, my belly, or in my heart my heart my heart my heart But come here, fear I am alive and you are so afraid of dying.
Joy Harjo
Touch" You are already asleep. I lower myself in next to you, my skin slightly numb with the restraint of habits, the patina of self, the black frost of outsideness, so that even unclothed it is a resilient chilly hardness, a superficially malleable, dead rubbery texture. You are a mound of bedclothes, where the cat in sleep braces its paws against your calf through the blankets, and kneads each paw in turn. Meanwhile and slowly I feel a is it my own warmth surfacing or the ferment of your whole body that in darkness beneath the cover is stealing bit by bit to break down that chill. You turn and hold me tightly, do you know who I am or am I your mother or the nearest human being to hold on to in a dreamed pogrom. What I, now loosened, sink into is an old big place, it is there already, for you are already there, and the cat got there before you, yet it is hard to locate. What is more, the place is not found but seeps from our touch in continuous creation, dark enclosing cocoon round ourselves alone, dark wide realm where we walk with everyone.
Thom Gunn (Collected Poems)
Is that a no?" I said. "No. I mean.." He struggled for the smile again. "I'm just waiting for the punch line. Something about making it date so I need to pay. Or you expecting flowers. Or.." He trailed off. "There isn't a punch line," I said. I rose onto my knees and inched over, in front of him. Then I stopped about a foot away. "No punch line, Daniel," I said. "I'm asking if you'll go out with me." He didn't answer. Just reched out, his hand sliding between my hair and face, pulling me toward him and.. And he kissed me. His lips touched mine, tentatively, still unsure, and I eased closer, my arms going around his neck. He kissed me for real then, a long kiss that I felt in the bottom of my soul, a click, some deep part of me saying, "Yes, this is it." Even when the kiss broke off, it didn't end. It was like coming to the surface for a quick gasp of air, then plunging back down again, finding that sweet spot again, and holding onto it for as long as we could. Finally it tapered off, and we were lying on the picnic blanket, side by side, his hand on my hip, kissing slower now, with more breaks for air. until I said, "We should have done that sooner." He smiled, a lazy half smile, and he just looked at me for a moment, our gazes locked, lying there in drowsy happiness, before he said, "I think now's just fine." And he kissed me again, slower and softer now, as we rested there, eyes half closed. "So, about Saturday, did you ask me?" he said after a minute, "Because I'm pretty sure that means yo're paying." "Nope. You were imaging it. Considering how you eat, the meal bill is all yours. But I will spring for the movie. And bring you flowers." He chuckled. "Will you?" "Yep, a dozen pink roses, which you'll have to carry all night or risk offending me." "And what happens if I offend you?" "You don't get any more of this." I leaned in and kissed him again. And we stayed out there, on the blanket, as the sun fell, talking and kissing mostly, just being together. We had a long road ahead of us, and I knew it wasn't going to be easy. But I had everything I wanted-everything I needed-and I'd get through it just fine. We all would.
Kelley Armstrong (The Rising (Darkness Rising, #3))
How was my day? It was a lifetime. It was the best of times and the worst of times. I was both lonely and never alone. I was simultaneously bored out of my skull and completely overwhelmed. I was saturated with touch—desperate to get the baby off of me and the second I put her down I yearned to smell her sweet skin again. This day required more than I’m physically and emotionally capable of, while requiring nothing from my brain. I had thoughts today, ideas, real things to say and no one to hear them. I felt manic all day, alternating between love and fury. At least once an hour I looked at their faces and thought I might not survive the tenderness of my love for them. The next moment I was furious. I felt like a dormant volcano, steady on the outside but ready to explode and spew hot lava at any moment. And then I noticed that Amma’s foot doesn’t fit into her Onesie anymore, and I started to panic at the reminder that this will be over soon, that it’s fleeting—that this hardest time of my life is supposed to be the best time of my life. That this brutal time is also the most beautiful time. Am I enjoying it enough? Am I missing the best time of my life? Am I too tired to be properly in love? That fear and shame felt like adding a heavy, itchy blanket on top of all the hard. But I’m not complaining, so please don’t try to fix it. I wouldn’t have my day or my life any other way. I’m just saying—it’s a hell of a hard thing to explain—an entire day with lots of babies. It’s far too much and not even close to enough. But
Glennon Doyle Melton (Love Warrior)
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
Dodie Smith (I Capture the Castle)
The bunk was a long, rectangular building. Inside, the walls were whitewashed and the floor unpainted. In three walls there were small, square windows, and in the fourth a solid door with a wooden latch. Against the walls were eight bunks, five of them made up with blankets and the other three showing their burlap ticking. Over each bunk there was nailed an apple-box with the opening forward so that it made two shelves for the personal belongings of the occupant of the bunk. And these shelves were loaded with little articles, soap and talcum-powder, razors and those Western magazines ranch-men love to read and scoff at and secretly believe. And there were medicines on the shelves, and little vials, combs; and, from nails on the box-sides, a few neck-ties. Near one wall there was a black cast-iron stove, its stove-pipe going straight up through the ceiling. In the middle of the room stood a big square table littered with playing-cards, and around it were grouped boxes for the players to sit on.
John Steinbeck (Of Mice and Men)
Michael comes to the door with Frederick. ‘Lucky I was here playing Scrabble,’ Frederick says, as they take Henry off my hands. I follow with the wallet and keys that have fallen from his pocket. ‘My father,’ Henry says as they tumble through the door. ‘My son,’ his dad replies, helping him towards the fiction couch. ‘Amy’s going out with Greg Smith,’ I say to explain why Henry’s drunk. ‘I found him in the girls’ toilets.’ ‘In my defence, I was too drunk to know it was the girls’ toilets,’ Henry says. ‘Go to sleep,’ his dad tells him. ‘It’ll seem better in the morning.’ ‘No offence, Dad,’ Henry says, ‘but unrequited love is just as shit in the morning as it is at night. Possibly worse, because you have a whole day ahead of you.’ ‘No offence taken,’ Michael says. ‘You’ve got a point there.’ ‘They should just kill the victims of unrequited love,’ Henry says. ‘They should just take us out the second it happens.’ ‘That would certainly thin the population,’ Michael says, as he tucks a blanket around him.
Cath Crowley (Words in Deep Blue)
When it’s hard to get out of bed in the morning, remind yourself: I am rising to resume my life’s work. How can I be unhappy when I have another opportunity to do what I was born to do? But it’s so comfortable here. Were you born for this—lying in bed under a warm blanket? Life is meant for action and exertion. Consider the ants, bees, and birds, working to bring order to their corners of the universe. Are you unwilling to do the work of a human being? But I worked yesterday; today I need to rest. Rest is for recharging, not for indulgence. Take only what is sufficient for your health and vitality. Too much rest—like too much food or drink—defeats its purpose, weakening the body and dulling the spirit. But I should love and care for myself. If you truly love yourself, love your nature and your vocation. Those who love their work become so absorbed in it, they don’t even think of stopping. Do you love your work the way a dancer loves dancing and a painter loves painting? If not, why is your work less important to you than theirs is to them?
Marcus Aurelius (The Meditations (Stoic Philosophy #2))
I do know you.” I’m still crying, swallowing back spasms in my throat, struggling to breathe. This is a nightmare and I will wake up. This is a monster-story, and he has come back to me a terror-creation, patched together, broken and hateful, and I will wake up and he will be here, and whole, and mine again. I find his hands, lace my fingers through his even as he tries to pull away. “It’s me, Alex. Lena. Your Lena. Remember? Remember 37 Brooks, and the blanket we used to keep in the backyard—” “Don’t,” he says. His voice breaks on the word. “And I always beat you in Scrabble,” I say. I have to keep talking, and keep him here, and make him remember. “Because you always let me win. And remember how we had a picnic one time, and the only thing we could find from the store was canned spaghetti and some green beans? And you said to mix them—” “Don’t.” “And we did, and it wasn’t bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.
Lauren Oliver
The farmers, who rent out their house so they can stay afloat, and sleep all together in a studio, but spend their days off outside on a picnic blanket, living the lives they want to live. Drew and Melanie, with their two homes and their horses and their love story. And Rene, traveling across the world, painting temporary masterpieces. Even my uncle Pete has something good worked out with Melinda and his day trips and his best friend, my dad, who has a small nice house in San Francisco and a dozen neighborhood vendors who know him by name. All of these different ways of living. Even Sophie, with her baby in that apartment, with her record store job and her record collection. I imagine her twirling with her baby across her red carpet with Diana Ross crooning, the baby laughing, the two of them getting older in that apartment, eating meals on red vinyl chairs. Walt, too, as pathetic as his situation is, seems happy in his basement, providing entertainment to Fort Bragg's inner circle. All of them, in their own ways, manage to make their lives work.
Nina LaCour (The Disenchantments)
Hazel sometimes had a fantasy daydream at school where the teacher walked into the classroom and yelled, ISN’T EVERYTHING HORRIBLE? DOESN’T THE PAIN OF THE WORLD OUTWEIGH THE JOY BY TRILLIONS? WOULD YOU LIKE TO PUSH ALL OF THE DESKS INTO THE CENTER OF THE ROOM AND BURN THEM IN A GIANT BONFIRE? THEN WE CAN RUN AROUND SCREAMING AND WEEPING AMIDST THE SMOKE IN A TRUTHFUL PARADE OF OUR HUMAN CONDITION. SINCE YOU ARE SMALL STATURED, CHILDREN, IT MIGHT HELP OTHERS TO FEEL THE FULL BRUNT OF YOUR AGITATION IF YOU WAVE STICKS AND SHRUBBERY OVER YOUR HEADS ALL THE WHILE. WE DON’T WANT TO KILL ANYTHING WE DON’T HAVE TO KILL; EVERYTHING LIVING THAT WE’VE EVER SEEN OR KNOWN WILL DIE WITHOUT OUR INTERVENTION, OURSELVES INCLUDED; THIS IS A PSYCHOLOGICAL LEAD BLANKET THAT EVEN OUR MOST PERVASIVE MOMENTS OF COMFORT CANNOT CRAWL OUT FROM UNDER AND ONE UNEXTINGUISHABLE SOURCE OF DESPAIR, SO WE WON’T BE PERFORMING ANY RITUALISTIC SACRIFICES; THAT’S NOT THE DIRECTION WE WILL GO IN JUST YET; HOWEVER, ASSISTANT PRINCIPAL LAWRENCE IS ON THE PROWL FOR A ROAD CARCASS WE MIGHT BE ABLE TO USE AS A REPRESENTATIVE PROP BECAUSE NOWHERE IN OUR AUTUMN-THEMED POSTER BOARD DéCOR IS MORBIDITY OR DECAY SYMBOLIZED. OUR SCHOOL BOARD MEMBERS CANNOT AGREE ON HOW BEST TO ACKNOWLEDGE THE BOUNDLESSNESS OF HUMAN CRUELTY. IN OUR SOCIETY SOME OF YOU ARE FAR SAFER AND MORE ADVANTAGED THAN OTHERS; AT HOME SOME OF YOU ARE FAR MORE LOVED; SOME OF YOU WILL FIND THAT CONCEPTS LIKE FAIRNESS AND JUSTICE WILL BE THIN, FLICKERING HOLOGRAMS ON THE PERIPHERY OF YOUR LIVES. OH, LOOK, CHILDREN—I SEE MR. LAWRENCE IN THE DISTANCE DRAGGING A PORTION OF A HIGHWAY-SLAUGHTERED DEER. LET’S GO HELP HIM LUG IT INSIDE AND BE REMINDED THAT WE TOO INHABIT BODIES MADE OF MEAT-WRAPPED BONES; LET’S MEDITATE ON THIS CORPOREAL TERROR. Whenever her mother had asked, Hazel always told her, School is great.
Alissa Nutting (Made for Love)
She said, You cannot hide forever, though you may try. I’ve seen you in the kitchen, in the garden. I’ve seen the things you have sewn — curtains of dawn, twilight blankets and dresses for the sisters like a garden of stars. I have heard the stories you tell. You are the one who transforms, who creates. You can go out into the world and show others. They will feel less alone because of you, they will feel understood, unburdened by you, awakened by you, freed of guilt and shame and sorrow. But to share with them you must wear shoes you must go out you must not hide you must dance and it will be harder you must face jealousy and sometimes rage and desire and love which can hurt most of all because of what can then be taken away. So make that astral dress to fit your own body this time. And here are glass shoes made from your words, the stories you have told like a blower -with her torch forming the thinnest, most translucent sheets of light out of what was once sand. But be careful; sand is already broken but glass breaks. The shoes are for dancing, not for running away.
Francesca Lia Block
At dawn, when you have trouble getting out of bed, tell yourself: ‘I have to go to work—as a human being. What do I have to complain of, if I’m going to do what I was born for—the things I was brought into the world to do? Or is this what I was created for? To huddle under the blankets and stay warm? ‘—But it’s nicer here…’ So you were born to feel ‘nice’? Instead of doings things and experiencing them? Don’t you see the plants, the birds, the ants and spiders and bees going about their individual tasks, putting the world in order, as best they can? And you’re not willing to do your job as a human being? Why aren’t you running to do what your nature demands? ‘—But we have to sleep sometime…’ Agreed. But nature set a limit on that—as it did on eating and drinking. And you’re over the limit. You’ve had more than enough of that. But not of working. There you’re still below your quota. You don’t love yourself enough. Or you’d love your nature too, and what it demands of you. People who love what they do wear themselves down doing it, they even forget to wash or eat. Do you have less respect for your own nature than the engraver does for engraving, the dancer for dance, the miser for money or the social climber for status? When they’re really possessed by what they do, they’d rather stop eating and sleeping than give up practicing their arts.
Marcus Aurelius (Meditations)
Where are we?” she asked when I pulled into a parking lot. “The park.” “Isn’t it dangerous at night?” “Not here. Come on.” I pulled her out of her seat and grabbed a blanket from the trunk before trekking through the soft grass. “You always keep a blanket in your car?” “Yeah, for emergencies. Never know when you might need it. Food, water, first-aid kit, too.” “Oh!” she grunted and caught my arm as one of her heels pierced the soft dirt and sank. “You should take those off.” “And walk around barefoot? Hello? Ever heard of hookworms and tetanus?” “Ever heard of snapping your ankles as you fall flat on your face in the dark?” I asked as I squatted in front of her and slipped her foot out of the high heels. “What are you doing?” she gasped, tumbling forward and grabbing onto my shoulders for support. “Removing your obstacles.” She landed a bare foot on the grass as I undid the other shoe. “So now I get tetanus?” I looked up at her, my hands lightly stroking her ankles up to her calves. “You worry too much.” “It’s a real risk. Ask Preeti.” I stood slowly, moving up her body, and hovered above her. “How…how far are we walking?” she asked. “To the river.” “In the dark?” I nodded and handed her the shoes. “Took these off and you won’t even carry them?” “I’ll carry them,” I replied, swooped down, and threw her over the blanket on my shoulder. Liya yelped. “Put me down!” “So you can get tetanus?” I asked and walked toward the river. She laughed. “I hate you!” “You love it.” She slapped my butt and then poked her pointy elbows into my shoulder as she arched her back. “Enjoying the view of my backside from over there?” I slid my hand up the back of her thighs and tugged her dress down to keep her covered. “This isn’t so bad,” she said. “Oh, yeah?” “Yeah.” She slapped my butt again. “Giddyap!” “All right. You asked for it.” Her next words were swallowed up in a scream as I took off at a full sprint. She gripped my shirt, clutching for my waist, as the breeze broke around us. I ran the short distance to the riverside in no time, slowing only when the moonlit gleam on the water’s surface appeared. I placed Liya on the grass, but she swayed away. I grabbed her by the waist to steady her and chuckled. “Are you okay?” “You try doing that upside down.
Sajni Patel (The Trouble with Hating You (The Trouble with Hating You, #1))
But in the end we found it impossible to ignore the impassioned pleas of the Lost City of White Male Privilege, a controversial municipality whose very existence is often denied by many (mostly privileged white males). Others state categorically that the walls of the locale have been irreparably breached by hip-hop and Roberto Bolaño’s prose. That the popularity of the spicy tuna roll and a black American president were to white male domination what the smallpox blankets were to Native American existence. Those inclined to believe in free will and the free market argue that the Lost City of White Male Privilege was responsible for its own demise, that the constant stream of contradictory religious and secular edicts from on high confused the highly impressionable white male. Reduced him to a state of such severe social and psychic anxiety that he stopped fucking. Stopped voting. Stopped reading. And, most important, stopped thinking that he was the end-all, be-all, or at least knew enough to pretend not to be so in public. But in any case, it became impossible to walk the streets of the Lost City of White Male Privilege, feeding your ego by reciting mythological truisms like “We built this country!” when all around you brown men were constantly hammering and nailing, cooking world-class French meals, and repairing your cars. You couldn’t shout “America, love it or leave it!” when deep down inside you longed to live in Toronto.
Paul Beatty (The Sellout)
Dude, what're you waiting for?" Carlos calls. "Plant one on her." I lift my eyes and am shocked to see Brandon is staring at my mouth. He swallows audibly and flicks his gaze to mine. the emotions darkening the soft green color are too confusing to name. Does he want to back out? An exhale of breath leaves Brandon's lips, almost like a laugh, and he scoots closer to me on the blanket. I twist my legs under myself, sitting tall as I face him. He cups my chin and tilts it toward him, drowning me in the now dark-green depths of his eyes, the cologne I gave him for his birthday filling my head. It's woodsy and yummy and I always loved how it smelled on the store testers, but on Brandon, it's even sexier. My eyes flutter closed, and I inhale again, this time slowly. Goose bumps prickle my arms, and my head gets fuzzy. Brandon slides his hand down the column of my neck and brings the other up, threading his fingers through the hair at my nape. His breath fans across my cheek, and everything south of my bellybutton squeezes tight. When his mouth first meets mine, it's hesitant, questioning. But as I move my lips with his, he quickly grows bolder, coaxing them apart. Desire, pure and raw, electrifies my veins as his tongue sweeps my mouth. A whimpering sound springs from my chest, and instinctively, I wrap my arms around his neck, tugging him closer. Needing more. My teeth graze his full bottom lip, and I pull it, sucking on it gently. He moans and knots his fingers in my hair, and a thrill dances down my back. Brandon is an amazing kisser, just as I knew he would be. I have no control over my body's reactions. I lose myself in his lips, his tongue, and his strong arms, forgetting time and space and even my surroundings...
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
Words. I’m surrounded by thousands of words. Maybe millions. Cathedral. Mayonnaise. Pomegranate. Mississippi. Neapolitan. Hippopotamus. Silky. Terrifying. Iridescent. Tickle. Sneeze. Wish. Worry. Words have always swirled around me like snowflakes— each one delicate and different, each one melting untouched in my hands. Deep within me, words pile up in huge drifts. Mountains of phrases and sentences and connected ideas. Clever expressions. Jokes. Love songs. From the time I was really little—maybe just a few months old—words were like sweet, liquid gifts, and I drank them like lemonade. I could almost taste them. They made my jumbled thoughts and feelings have substance. My parents have always blanketed me with conversation. They chattered and babbled. They verbalized and vocalized. My father sang to me. My mother whispered her strength into my ear. Every word my parents spoke to me or about me I absorbed and kept and remembered. All of them. I have no idea how I untangled the complicated process of words and thought, but it happened quickly and naturally. By the time I was two, all my memories had words, and all my words had meanings. But only in my head. I have never spoken one single word. I am almost eleven years old. . . .
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
It was so cold. In the monastery. Sometimes the wind came from the sea with ice in it... It could freeze the skin off your face. Once the snow was so deep we couldn't get out of the doors to the woodshed. A monk jumped from a window. He sank into a drift and took a long time to get up. That night, they made me sleep next to the stove. I was small, thin, like a piece of birch bark. But then the Stove went out. Father Bernard took me into his cell... It was he who first gave me chalk and paper. He was so old his eyes his eyes looked as if he was crying. But he was never sad. In winter he had fewer blankets than the others. He said he didn't need them because God warmed him. (...) But even Father Bernard was cold that night. He laid me down on the bed next to him, wrapped me in an animal skin, then in his own arms. He told me stories about Jesus. How His love could wake the dead and how with Him in one's heart one could heat the world... When I woke it was light. The snow had stopped. I was warm. But he was cold. I gave him the skin but his body was stiff. I didn't know what to do. I got out a piece of paper from his chest under the bed and drew him, lying there. His face had a smile on it. I knew that God had been there when he died. That now He was in me, and because of Father Bernard I would be warm forever.
Sarah Dunant (The Birth of Venus)
Coming close, Tatiana brought her freckled face to him. She glanced around, saw that Dr. Sayers was looking right at them, and said, “God, I won’t get a chance to kiss you, will I? I can’t wait until I can kiss you out in the open.” Her hands patted his chest. “Soon we’ll be out of the thick forest,” she whispered. “Kiss me anyway,” Alexander said. “Really?” “Really.” Tatiana bent, her serene hand remaining on his chest, and her honey lips softly kissed Alexander’s own lips. She pressed her cheek against his. “Shura, open your eyes.” “No.” “Open them.” Alexander opened them. Tatiana gazed at him, her eyes shining, and then she blinked three times quick. Straightening up, she put on her serious face and raising her hand in a salute, said, “Sleep well, Major, and I’ll see you.” “I’ll see you, Tania,” said Alexander. She walked to the end of his bed. No! he wanted to cry out. No, Tania, please come back. What can I leave her with, what can I say, what one word can I leave with her, for her? What one word for my wife? “Tatiasha,” Alexander called after her. God, what was the curator’s name…? She glanced back. “Remember Orbeli—” “Tania!” Dr. Sayers yelled across the ward. “Please come now!” She made a frustrated face and said quickly, “Shura, darling, I’m sorry, I have to run. Tell me when I see you next, all right?” He nodded. Tatiana walked away from Alexander, past the cots, touching a convalescent’s leg and bringing a small smile to the man’s bandaged face. She said good night to Ina and stopped for a second to adjust someone’s blanket. At the door she said a few words to Dr. Sayers, laughed, and then turned to Alexander one last time, and in Tatiana’s eyes he saw her love, and then she was out the door and gone.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
She climbed down the cliffs after tying her sweater loosely around her waist. Down below she could see nothing but jagged rocks and waves. She was creful, but I watched her feet more than the view she saw- I worried about her slipping. My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of- the pure baptismal goal of it. Whoosh and you can start over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end? She was thinking reach the waves, the waves, the waves, and I was watching her navigate the rocks, and when we heard her we did so together- looking up in shock. It was a baby on the beach. In among the rocks was a sandy cove, my mother now saw, and crawling across the sand on a blanket was a baby in knitted pink cap and singlet and boots. She was alone on the blanket with a stuffed white toy- my mother thought a lamb. With their backs to my mother as she descended were a group of adults-very official and frantic-looking- wearing black and navy with cool slants to their hats and boots. Then my wildlife photographer's eye saw the tripods and silver circles rimmed by wire, which, when a young man moved them left or right, bounced light off or on the baby on her blanket. My mother started laughing, but only one assistant turned to notice her up among the rocks; everyone else was too busy. This was an ad for something. I imagined, but what? New fresh infant girls to replace your own? As my mother laughed and I watched her face light up, I also saw it fall into strange lines. She saw the waves behind the girl child and how both beautiful and intoxicating they were- they could sweep up so softly and remove this gril from the beach. All the stylish people could chase after her, but she would drown in a moment- no one, not even a mother who had every nerve attuned to anticipate disaster, could have saved her if the waves leapt up, if life went on as usual and freak accidents peppered a calm shore.
Alice Sebold (The Lovely Bones)
Alex, please.” He balls his fists. “Stop saying my name. You don’t know me anymore.” “I do know you.” I’m still crying, swallowing back spasms in my throat, struggling to breathe. This is a nightmare and I will wake up. This is a monster-story, and he has come back to me a terror-creation, patched together, broken and hateful, and I will wake up and he will be here, and whole, and mine again. I find his hands, lace my fingers through his even as he tries to pull away. “It’s me, Alex. Lena. Your Lena. Remember? Remember 37 Brooks, and the blanket we used to keep in the backyard—” “Don’t,” he says. His voice breaks on the word. “And I always beat you in Scrabble,” I say. I have to keep talking, and keep him here, and make him remember. “Because you always let me win. And remember how we had a picnic one time, and the only thing we could find from the store was canned spaghetti and some green beans? And you said to mix them—” “Don’t.” “And we did, and it wasn’t bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.” I’m gasping, feeling as though I am about to drown; I’m reaching for him blindly, grabbing at his collar. “Stop.” He grabs my shoulders. His face is an inch from mine but unrecognizable: a gross, contorted mask. “Just stop. No more. It’s done, okay? That’s all done now.” “Alex, please—” “Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.” “Alex!” He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.” The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak. He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.” “Please.” I don’t know how I stay on my feet, why I don’t shatter into dust right there, why my heart keeps beating when I want it so badly to stop. “Please don’t do this, Alex.” “Stop saying my name.
Lauren Oliver (Requiem (Delirium, #3))
Some people are naturally solitary. They want to live lone lives, and are content. Most, however, have a need for enduring, close relationships. These provide both a psychic and social framework for personal growth, under­standing, and development. It is an easy enough matter to shout to the skies: "I love my fellow men," when on the other hand you ronn no strong, enduring relationship with others. It is easy to claim an equal love for all members of the species, but love itself requires an understanding that at your level of activity is based upon intimate experience. You cannot love someone you do not know-not unless you water down the definition of love so much that it becomes meaningless. To love someone, you must appreciate how that per­son differs from yourself and from others. You must hold that person in mind so that to some extent love is a kind of meditation-a loving focus upon another individual. Once you experience that kind of love you can translate it into other tenns. The love itself spreads out, expands, so that you can then see others in love's light. Love is naturally creative and explorative-that is, you want to creatively explore the aspects of the beloved one. Even characteristics that would otherwise appear as mults attain a certain loving significance. They are accepted­seen, and yet they make no difference. Because these are still attributes of the beloved one, even the seeming faults are redeemed. The beloved attains prominence over all others. The span of a god's love can perhaps equally hold within its vision the existences of all individuals at one time in an infinite loving glance that beholds each person, seeing each with all his or her peculiar characteristics and tendencies. Such a god's glance would delight in each person's difference from each other person. This would not be a blanket love, a soupy porridge of a glance in which individuality melted, but a love based on a full understand­ing of each individual. The emotion of love brings you closest to an understanding of the nature of All That Is. Love incites dedication, commitment. It specifies. You cannot, therefore, honestly insist that you love humanity and all people equally if you do not love one other person. If you do not love yourself, it is quite difficult to love another.
Seth
A Letter To Say, "I'll See You Later" I remember just like it was yesterday the grapevine, clothesline, lilacs and peonies. I remember the secret hiding place for 50-cent pieces. I remember just like it was yesterday the color wheel Christmas Tree, The Honeymooner’s, The Dukes of Hazzard and Jeopardy! I remember just like it was yesterday the house was full of children, but I was your only and your favorite. You always made time for me, even when I deserved the fly swatter. I remember just like it was yesterday falling asleep to the scent of Dove soap on your pillow, you lying for me so I wouldn’t be abused again. I remember just like it was yesterday your big “Black Cat” and the late, dark nights driving to IFP and knowing there was “No Place Like Home.” I remember just like it was yesterday the “horns” in your ‘do and the smell of Raffinee wafting through the house and Listerine in the bathroom. I remember your bows and polka dots and “just a few fries.” I remember the green blanket. I remember just like it was yesterday the way it felt to sit on your lap and have you sing “She’s Grandma’s Little Baby.” I remember just like it was yesterday the day you told me I could “Shit in the sugar bowl.” I remember just like it was yesterday telling you that you were going to be a great-grandma…for the first time. I remember just like it was yesterday the 1st time you held him in your arms; you helped me raise him. Your house was always our home. I remember just like it was yesterday having my heart broken but you helped me mend it. I remember just like it was yesterday asking for your help when I couldn’t do it on my own; you’ve always been my rock. I remember just like it was yesterday confiding my secrets to you – you were the first to know another baby was on the way, this time a girl. I remember just like it was yesterday the joy they brought to your life; they were the reason you didn’t give up. I remember just like it was yesterday saying words I never meant, not spending more time with you because my life got in the way. I remember just like it was yesterday you loving on me, your strength and vitality, your faith, hope and kindness. I remember just like it was yesterday wishing for more tomorrows so I could tell you that I love you another time. I remember just like it was yesterday having you tell me you love me, “more than anyone will ever know.” I remember just like it was yesterday you taught me to never say good-bye, just say “I’ll see you later.
Amanda Strong
Winter was come indeed bringing with it those pleasures of which the summer dreamer knows nothing—the delight when the fine and glittering day shows in the window, though one knows how cold it is outside; the delight of getting as close as possible to the blazing range which in the shadowy kitchen throws reflections very different from the pale gleams of sunlight in the yard, the range we cannot take with us on our walk, busy with its own activity, growling and grumbling as it sets to work, for in three hours time luncheon must be ready; the delight of filling one's bowl with steaming café-au-lait—for it is only eight o'clock—and swallowing it in boiling gulps while servants at their tasks come in and out with a, 'Good morning: up early, aren't you?' and a kindly, 'It's snug enough in here, but cold outside,' accompanying the words with that smile which is to be seen only on the faces of those who for the moment are thinking of others and not of themselves, whose expressions, entirely freed from egotism, take on a quality of vacillating goodness, a smile which completes that earlier smile of the bright golden sky touching the window-panes, and crowns our every pleasure as we stand there with the lovely heat of the range at our backs, the hot and limpid flavour of the café-au-lait in our mouths; the delight of night-time when, having had to get up to go shiveringly to the icy lavatory in the tower, into which the air creeps through the ill-fitting window, we later return deliciously to our room, feeling a smile of happiness distend our lips, finding it hard not to jump for sheer joy at the thought of the big bed already warm with our warmth, of the still burning fire, the hot-water bottle, the coverlets and blankets which have imparted their heat to the bed into which we are about to slip, walled in, embattled, hiding ourselves to the chin as against enemies thundering at the gates, who will not (and the thought brings gaiety) get the better of us, since they do not even know where we have so snugly gone to earth, laughing at the wind which is roaring outside, climbing up all the chimneys to every floor of the great house, conducting a search on each landing, trying all the locks: the delight of rolling ourselves in the blankets when we feel its icy breath approaching, sliding a little farther down the bed, gripping the hot-water bottle between our feet, working it up too high, and when we push it down again feeling the place where it has been still hot, pulling up the bedclothes to our faces, rolling ourselves into a ball, turning over, thinking—'How good life is!' too gay even to feel melancholy at the thought of the triviality of all this pleasure.
Marcel Proust (Jean Santeuil)
Risking a glance at the dignified young man beside her- what was his name?- Mr. Arthurson, Arterton?- Pandora decided to try her hand at some small talk. "It was very fine weather today, wasn't it?" she said. He set down his flatware and dabbed at both corners of his mouth with his napkin before replying. "Yes, quite fine." Encouraged, Pandora asked, "What kind of clouds do you like better- cumulus or stratocumulus?" He regarded her with a slight frown. After a long pause, he asked, "What is the difference?" "Well, cumulus are the fluffier, rounder clouds, like this heap of potatoes on my plate." Using her fork, Pandora spread, swirled, and dabbed the potatoes. "Stratocumulus are flatter and can form lines or waves- like this- and can either form a large mass or break into smaller pieces." He was expressionless as he watched her. "I prefer flat clouds that look like a blanket." "Altostratus?" Pandora asked in surprise, setting down her fork. "But those are the boring clouds. Why do you like them?" "They usually mean it's going to rain. I like rain." This showed promise of actually turning into a conversation. "I like to walk in the rain, too," Pandora exclaimed. "No, I don't like to walk in it. I like to stay in the house." After casting a disapproving glance at her plate, the man returned his attention to eating. Chastened, Pandora let out a noiseless sigh. Picking up her fork, she tried to inconspicuously push her potatoes into a proper heap again. Fact #64 Never sculpt your food to illustrate a point during small talk. Men don't like it. As Pandora looked up, she discovered Phoebe's gaze on her. She braced inwardly for a sarcastic remark. But Phoebe's voice was gentle as she spoke. "Henry and I once saw a cloud over the English Channel that was shaped in a perfect cylinder. It went on as far as the eye could see. Like someone had rolled up a great white carpet and set it in the sky." It was the first time Pandora had ever heard Phoebe mention her late husband's name. Tentatively, she asked, "Did you and he ever try to find shapes in the clouds?" "Oh, all the time. Henry was very clever- he could find dolphins, ships, elephants, and roosters. I could never see a shape until he pointed it out. But then it would appear as if by magic." Phoebe's gray eyes turned crystalline with infinite variations of tenderness and wistfulness. Although Pandora had experienced grief before, having lost both parents and a brother, she understood that this was a different kind of loss, a heavier weight of pain. Filled with compassion and sympathy, she dared to say, "He... he sounds like a lovely man." Phoebe smiled faintly, their gazes meeting in a moment of warm connection. "He was," she said. "Someday I'll tell you about him." And finally Pandora understood where a little small talk about the weather might lead.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long. “Oh, that’s good. Really, really good. What a grand bed!” Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.” The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious? I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook. “What are you doing?” She looks up, her doe eyes widening. “Getting ready for bed.” “You’re going to sleep there?” “Of course. The sofa’s very uncomfortable.” “Why can’t we share the bed?” She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.” I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.” “That’s not what I mean.” “You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.” And the blush is back. With a vengeance. “I’m not . . . I don’t . . .” “You don’t fart?” I scoff. “Really? Are you not human?” She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining. She shakes her head, pinning me with her eyes. “There’s something wrong with you.” “No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.” She folds her arms, all tight, trembling indignation. It’s adorable. “I’m sleeping in the nook, Your Highness. And that’s that.” I sit up, pinning her gaze right back at her. “Henry.” “What?” “My name is not Highness, it’s fucking Henry, and I’d prefer you use it.” And she snaps. “Fine! Fucking Henry—happy?” I smile. “Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.” I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence. I wiggle around, getting comfy. I turn on my side and fluff the pillow. I squeeze my eyes tight . . . but it’s hopeless. “Fucking hell!” I sit up. And Sarah springs to her feet. “What? What’s wrong?” It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick. I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance. “You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.” “You don’t have to do that.” I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.” She blinks, her little mouth pursed. “Okay.” Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow. The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths. But then, in the near darkness, her delicate voice floats out on a sigh. “All right, we can sleep in the bed together.” Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed. That’s better.
Emma Chase (Royally Matched (Royally, #2))