Bland Girl Quotes

We've searched our database for all the quotes and captions related to Bland Girl. Here they are! All 39 of them:

When you have been just told that the girl you love is definitely betrothed to another, you begin to understand how Anarchists must feel when the bomb goes off too soon.
P.G. Wodehouse (Summer Lightning (Blandings Castle, #4))
Every fairy tale, it seems, concludes with the bland phrase "happily ever after." Yet every couple I have ever known would agree that nothing about marriage is forever happy. There are moments of bliss, to be sure, and lengthy spans of satisfied companionship. Yet these come at no small effort, and the girl who reads such fiction dreaming her troubles will end ere she departs the altar is well advised to seek at once a rational women to set her straight.
Catherine Gilbert Murdock (Princess Ben)
I’m not a kid!” she told Shane hotly. “I’m only, like, a year younger than Eve!” “And girls are much more mature.” Eve nodded wisely. “So you’re about ten years older than Shane, then.” “Seriously,” Claire insisted. “I’m not a kid!” “Whatever you say, kid,” Shane said blandly. “Cheer up. Just means you don’t have to put up with me telling you how much sex I didn’t get.” “I’m telling Michael,” Eve warned. “About how much sex I didn’t get? Go ahead.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
When you close the book, does the story end? No! That's such a bland way to read. Every story goes on forever in our imaginations, and its characters live on.
Mizuki Nomura (Book Girl and the Captive Fool (light novel) (Volume 3) (Book Girl, 3))
Joan was nothing more than a friend. He was not in love with her. One does not fall in love with a girl whom one has met only three times. One is attracted, yes; but one does not fall in love. A moment's reflection enabled him to diagnose his sensations correctly. This odd impulse to leap across the compartment and kiss Joan was not love. It was merely the natural desire of a good-hearted young man to be decently chummy with his species.
P.G. Wodehouse (Something Fresh (Blandings Castle, #1))
Because fate would not slight me so unspeakably. I'd seek a noon-day sun if I were paired with one such as you." "Such as me," she repeated blandly. She'd been mocked too often over her lifetime to take offense. Her skin was as thick as armor. "Yes, you. An ignorant, mortal Kmart checkout girl." He took the sharpest knife from his place setting, absently turning it between his left thumb and forefinger. "Kmart? I should have been so lucky. Those jobs were hard to come by. I worked at my uncle's outfitter shop." "Then you're even worse. You're an outfitter checkout girl with aspirations for Kmart." "Still better than a demon.
Kresley Cole (Lothaire (Immortals After Dark, #11))
Science, with a thousand triumphs to her credit, has not yet succeeded in discovering the correct reply for a young man to make who finds himself in the appalling position of being apologized to by a pretty girl.
P.G. Wodehouse (Something Fresh (Blandings Castle, #1))
We didn't think the library was funny looking in it's faux- Greek splendor, nor did we find the cuisine limited or bland, or the movies at the Michigan theater relentlessly American and mindless. These were opinions I came to later, after I became a denizen of a City, an expatriate anxious to distance herself from the bumpkin ways of her youth. I am suddenly consumed by nostalgia for the little girl who was me, who loved the fields and believed in God, who spent winter days home sick from school reading Nancy Drew and sucking menthol cough drops, who could keep a secret.
Audrey Niffenegger (The Time Traveler's Wife)
The first thing to get in your head is that every single Girl can be caught - and that you'll catch her if You set your toils right. Birds will sooner fall dumb in Springtime, Cicadas in summer, or a hunting-dog Turn his back on a hare, than a lover's bland inducements Can fail with a woman, Even one you suppose Reluctant will want it.
Ovid
Most of Arbus's work lies within the Warhol aesthetic, that is, defines itself in relation to the twin poles of boringness and freakishness; but it doesn't have the Warhol style. Arbus had neither Warhol's narcissism and genius for publicity nor the self-protective blandness with which he insulates himself from the freaky nor his sentimentality. It is unlikey that Warhol, who comes from a working-class family, ever felt any ambivalence toward success which afflicted the children of the Jewish upper middle classes in the 1960s. To someone raised as a Catholic, like Warhol (and virtually everyone in his gang), a fascination with evil comes much more genuinely than it does to someone from a Jewish background. Compared with Warhol, Arbus seems strikingly vulnerable, innocent--and certainly more pessimistic. Her Dantesque vision of the city (and the suburbs) has no reserves of irony. Although much of Arbus's material is the same as that depicted in, say, Warhol's Chelsea Girls (1966)...For Arbus, both freaks and Middle America were equally exotic: a boy marching in a pro-war parade and a Levittown housewife were as alien as a dwarf or a transvestite; lower-middle-class suburbia was as remote as Times Square, lunatic asylums, and gay bars. Arbus's work expressed her turn against what was public (as she experienced it), conventional, safe, reassuring--and boring--in favor of what was private, hidden, ugly, dangerous, and fascinating. These contrasts, now, seem almost quaint. What is safe no long monopolizes public imagery. The freakish is no longer a private zone, difficult of access. People who are bizarre, in sexual disgrace, emotionally vacant are seen daily on the newsstands, on TV, in the subways. Hobbesian man roams the streets, quite visible, with glitter in his hair.
Susan Sontag (On Photography)
If girls realized their responsibilities they would be so careful when they smiled that they would probably abandon the practice altogether. There are moments in a man's life when a girl's smile can have as important results as an explosion of dynamite.
P.G. Wodehouse (Something Fresh (Blandings Castle, #1))
My love for these books, at its purest, is not really about Peeta or anything silly and girly. I love that a young woman character is fierce and strong but hum in ways I find believable, relatable. Katniss is clearly a heroine, but a heroine with issues. She intrigues me because she never seems to know her own strength. She isn't blandly insecure the way girls are often forced to be in fiction. She is brave but flawed. She is a heroine, but she is also a girl who loves two boys and can't choose which boy she loves more. She is not sure she is up to the task of leading a revolution, but she does her best, even as she doubts herself. Katniss endures the unendurable. She is damaged and it shows. At times, it might seem like her suffering is gratuitous, but life often presents unendurable circumstances people manage to survive. Only the details differ. The Hunger Games trilogy is dark and brutal, but in the end, the books also offer hope - for a better world and a better people and, for one woman, a better life, a life she can share with a man who understands her strength and doesn't expect her to compromise that strength, a man who can hold her weak places and love her through the darkest of her memories, the worst of her damage. Of course I love the Hunger Games. The trilogy offers the tempered hope that everyone who survives something unendurable hungers for.
Roxane Gay
Girl, where were you last night? I waited up until Arsenio was over.
Eleanor Taylor Bland (Slow Burn (Marti MacAlister, #2))
In Ashbury I am not a homeowner, not even a tenant – I’m a lodger, occupant of the small second bedroom in Cathy’s bland and inoffensive duplex, subject to her grace and favour.
Paula Hawkins (The Girl on the Train)
None of us was normal. But “normal,” as I’d learned in math, was just a statistical concept, an averaged smoothing out of all diverse and interesting permutations to some hypothetical midpoint so generalized it was unlikely to surprise or offend. Or to delight. Normal was nice. Normal was bland. Normal was damned boring. Our differences, our own brand of crazy, were what made each of us special and unique and fascinating.
Joanne Macgregor (The Law of Tall Girls)
Her angel didn’t look at all like she’d expected. He was no benevolent creature with long, flowing robes and a bland, peaceful smile. Instead he was the stuff of every teenage girl’s—and quite a few teenage boys’—fantasies.
Rosalie Lario
One glance at the girl convinced R. Jones that he had been right. Circumstances had made him a rapid judge of character, for in profession of living by one's wits in a large city, the first principle of offence and defence is to sum people up at first sight.
P.G. Wodehouse (Something Fresh (Blandings Castle, #1))
Oh Brancepeth,’ said the girl, her voice trembling, ‘why haven’t you any money? If only you had the merest pittance - enough for a flat in Mayfair and a little weekend place in the country somewhere and a couple of good cars and a villa in the South of France and a bit of trout fishing on some decent river, I would risk all for love.
P.G. Wodehouse (Lord Emsworth and Others (Blandings Castle, #5.5))
In northwest Seattle, there is an immensely popular 'old-fashioned' ice cream parlor. It is modern, spotless, and gleaming, bursting with comfortable looking people on a warm summer evening. The parlor is dedicated to nostalgia, from the old-time decor to the striped candy, the ragtime music, the costumes of the smiling young waiters, the Gibson-girl menu with its gold-rush type, and the open-handed hospitality of the Old West. It serves sandwiches, hamburgers, and kiddie 'samiches,' but its specialty is ice-cream concoctions, all of them with special names, including several so vast and elaborate that they cost several dollars and arrive with so much fanfare that all other activities stop as the waiters join in a procession as guards of honor. Nobody seems to care that the sandwiches and even the ice cream dishes have a curious blandness, so that everything tastes rather alike and it is hard to remember what one has eaten. Nothing mars the insistent, bright, wholesome good humor that presses on every side. Yet somehow there is pathos as well. For these patrons are the descendants of pioneers, of people who knew the frontiers, of men who dared the hardships of Chilkoot Pass to seek gold in the Klondike. That is their heritage, but now they only sit amid a sterile model of the past, spooning ice cream while piped-in ragtime tinkles unheard.
Charles A. Reich (The Greening of America)
May I interrupt you for a few moments?” “Of course.” She gestured to a chair near her writing desk, and set the pen in its holder. Noticing the deliberately bland expression on his face, she asked, “What scheme are you hatching?” He blinked in surprise. “How do you know there’s a scheme?” “Whenever you try to look innocent, it’s obvious you’re up to something.” West grinned. “The girls wouldn’t dare approach you about it, but I told them I would, since it’s been established that I can outrun you when necessary.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
I wouldn’t have thought she had that much to say,” Pandora agreed. “Perhaps it’s just that she’s never able to slide a word in edgewise,” West remarked blandly. A few seconds later, he was pelted with a shower of sugar lumps. “Girls,” Kathleen exclaimed indignantly. “Stop that at once! West, don’t you dare encourage them by laughing!” She sent a threatening glance at Devon, who was desperately trying to suppress his amusement. “Or you,” she said severely. “I won’t,” he promised, wincing and reflecting ruefully that whoever said laughter was the best medicine had never broken a rib.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
When the card came back you couldn't have found any red on it with a microscope. The pitchman handed down a ponderous mohair Teddybear and Ballard slapped down three dimes again. When he had won two bears and a tiger and a small audience the pitchman took the rifle away from him. That's it for you, buddy, he hissed. You never said nothin about how many times you could win. Step right up, sang the barker. Who's next now. Three big grand prizes per person is the house limit. Who's our next big winner. Ballard loaded up his bears and the tiger and started off through the crowd. They lord look at what all he's won, said a woman. Ballard smiled tightly. Young girls' faces floated past, bland and smooth as cream. Some eyed his toys. The crowd was moving toward the edge of a field and assembling there, Ballard among them, a sea of country people watching into the dark for some midnight contest to begin. A light sputtered off in the field and a blue tailed rocket went skittering toward Canis Major. High above their upturned faces it burst, sprays of lit glycerine flaring across the night, trailing down the sky in loosely falling ribbons of hot spectra soon. burnt to naught. Another went up, a long whishing sound, fishtailing aloft. In the bloom of its opening you could see like its shadow the image of the rocket gone before, the puff of black smoke and ashen trails arcing out and down like a huge and dark medusa squatting in the sky. In the bloom of light too you could see two men out in the field crouched over their crate of fireworks like assassins or bridge blowers. And you could see among the faces a young girl with candy apple on her lips and her eyes wide. Her pale hair smelled of soap, woman child from beyond the years, rapt below the sulphur glow and pitch light of some medieval fun fair. A lean sky long candle skewered the black pools in her eyes. Her fingers clutched. In the flood of this breaking brimstone galaxy she saw the man with the bears watching her and she edged closer to the girl by her side and brushed her hair with two fingers quickly.
Cormac McCarthy (Child of God)
A long time ago Ian had told her he was half in love with her, yet now that they were betrothed he’d never spoken a word of it, had not even pretended. She wasn’t certain of his motives or his feelings; she wasn’t certain of her own, either. All she really knew was that the sight of his hard, handsome face with its chiseled features, and hold amber eyes never failed to make her entire being feel tense and alive. She knew he liked to kis her, and that she very much liked being kissed by him. Added to his other attractions was something else that drew her inexorably to him: From their very first meeting, Elizabeth had sensed that beneath his bland sophistication and rugged virility Ian Thornton had a depth that most people lacked. “It’s so hard to know,” she whispered, “how I ought to feel or what I ought to think. And I have the worst feeling it’s not going to matter what I know or what I think,” she added almost sadly, “because I am going to love him.” She opened her eyes and looked at Alex. “It’s happening, and I cannot stop it. It was happening two years ago, and I couldn’t stop it then, either. So you see,” she added with a sad little smile, “it would be so much nicer for me if you could love him just a little, too.” Alex reached across the table and took Elizabeth’s hands in hers. “If you love him, then he must be the very best of men. I shall henceforth make it a point to see all his best qualities!” Alex hesitated, and then she hazarded the question: “Elizabeth, does he love you?” Elizabeth shook her head. “He wants me, he says, and he wants children.” Alex swallowed embarrassed laughter. “He what?” “He wants me, and he wants children.” A funny, knowing smile tugged at Alexandra’s lips. “You didn’t tell me he said the first part. I am much encouraged,” she teased while a rosy blush stole over her cheeks. “I think I am, too,” Elizabeth admitted, drawing a swift, searching look from Alex. “Elizabeth, this is scarcely the time to discuss this-in fact,” Alex added, her flush deepening. “I don’t think there is a really good time to discuss it-but has Lucinda explained to you how children are conceived?” “Yes, of course,” Elizabeth said without hesitation. “Good, because I would have been the logical one otherwise, and I still remember my reaction when I found out. It was not a pretty sight,” she laughed. “On the other hand, you were always much the wiser girl than I.” “I don’t think so at all,” Elizabeth said, but she couldn’t imagine what there was, really, to blush about. Children, Lucinda had told her when she’d asked, were conceived when a husband kissed his wife in be. And it hurt the first time. Ian’s kisses were sometimes almost bruising, but they never actually hurt, and she enjoyed them terribly. As if speaking her feelings aloud to Alexandra had somehow relieved her of the burden of trying to deal with them, Elizabeth was so joyously relaxed that she suspected Ian noticed it at once when the men joined them in the drawing room. Ian did notice it; in fact, as they sat down to play a game of cards in accordance with Elizabeth’s cheery suggestion, he noticed there was a subtle but distinct softening in the attitudes of both ladies toward him.
Judith McNaught (Almost Heaven (Sequels, #3))
And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress? Well, there was his native charm. People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners. The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man." There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words." But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable. Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat." Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle." Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it." But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124
Shawn Levy (The Last Playboy : the High Life of Porfirio Rubirosa)
[Scarlett] knew how to smile so that her dimples leaped, how to walk pigeon-toed so that her wide hoop skirts swayed entrancingly, how to look up into a man's face and then drop her eyes and bat the lids rapidly so that she seemed a-tremble with gentle emotion. Most of all she learned how to conceal from men a sharp intelligence beneath a face as sweet and bland as a baby's. Ellen, by soft admonition, . . . labored to inculcate in her the qualities that would make her truly desirable as a wife. "You must be more gentle, dear, more sedate," Ellen told her daughter. "You must not interrupt gentlemen when they are speaking, even if you do think you know more about matters than they do. Gentlemen do not like forward girls." [Ellen] taught her all that a gentlewoman should know, but she learned only the outward signs of gentility. The inner grace from which these signs should spring, she never learned nor did she see any reason for learning it. Appearances were enough, for the appearances of ladyhood won her popularity and that was all she wanted. . . . At sixteen, thanks to Mammy and Ellen, she looked sweet, charming and giddy, but she was, in reality, self-silled, vain and obstinate. She had the easily stirred passions of her Irish father and nothing except the thinnest veneer of her mother's unselfish and forbearing nature. . . It was not that these two loving mentors deplored Scarlett's high spirits, vivacity and charm. These were traits of which Southern women were proud. It was Gerald's headstrong and impetuous nature in her that gave them concern, and they sometimes feared they would not be able to conceal her damaging qualities until she had made a good match. But Scarlett intended to marry-and marry Ashley-and she was willing to appear demure, pliable and scatterbrained, if those were the qualities that attracted men. Just why men should be this way, she did not know. She only knew that such methods worked. It never interested her enough to try to think out the reason for it, for she knew nothing of the inner workings of any human being's mind, not even her own. She knew only that if she did or said thus-and-so, men would unerringly respond with the complementary thus-and-so. It was like a mathematical formula and no more difficult . . . If she knew little about men's minds, she knew even less about the minds of women, for they interested her less. She had never had a girl friend, and she never felt any lack on that account. To her, all women, including her two sisters, were natural enemies in pursuit of the same prey-man.
Margaret Mitchell (Gone with the Wind)
What I want to know is whether or not I can expect a repetition of it, if I were to agree with what Alexandra wants.” Drowning in angry mortification, Elizabeth nevertheless managed not to flinch or drop her gaze, and although her voice shook slightly, she managed to say calmly and clearly, “I have no control over wagging tongues, your grace. If I had, I would not have been the topic of scandal two years ago. However, I have no desire whatever to reenter your society. I still have scars enough from my last sortie among the Quality.” Having deliberately injected a liberal amount of derision into the word “Quality,” Elizabeth closed her mouth and braced herself to be verbally filleted by the old woman whose white brows had snapped together over the bridge of her thin nose. An instant later, however, the pale hazel eyes registered something that might have been approval, then they shifted to Alexandra. With a curt nod the dowager said, “I quite agree, Alexandra. She has spirit enough to endure what they will put her through. Amazing, is it not,” continued the dowager to Elizabeth with a gruff smile, “that on the one hand we of the ton pride ourselves on our civilized manners, and yet many of us will dine on one another’s reputations in preference to the most sumptuous meal.” Leaving Elizabeth to sink slowly and dazedly into a chair she’d shot out of but moments before, the dowager then walked over to the sofa and seated herself, her eyes narrowed in thought. “The Willington’s ball tonight will be a complete crush,” she said after a moment. “That may be to our advantage-everyone of importance and otherwise will be there. Afterward there’ll be less reason to gossip about Elizabeth’s appearance, for everyone will have seen her for themselves.” “Your grace,” Elizabeth said, flustered and feeling some expression of gratitude was surely in order for the trouble the dowager was about to be put to, “it-it’s beyond kind of you to do this-“ “Nonsense,” the woman interrupted, looking appalled. “I am rarely kind. Pleasant, at times,” she continued while Alexandra tried to hide her amusement. “Even gracious when the occasion demands, but I wouldn’t say ‘kind.’ ‘Kind’ is so very bland. Like lukewarm tea. Now, if you will take my advice, my girl,” she added, looking at Elizabeth’s strained features and pale skin, “you will immediately take yourself upstairs and have a long and restorative nap. You’re alarmingly peaked. While you rest”-she turned to Alexandra-“Alexandra and I will make our plans.” Elizabeth reacted to this peremptory order to go to bed exactly as everyone reacted to the dowager duchess’s orders: After a moment of shocked affront she did exactly as she was bidden.
Judith McNaught (Almost Heaven (Sequels, #3))
sighed, smirking and rolling her eyes in friendly, amused exasperation. Grabbing his shirt, she pulled him up to her. His hands caught her shoulders, pulling her even closer. They kissed. It was definitely not one-sided, or platonic. Wow. Um. When they let go, Will gave me a playful nod. “I've got a job to do.” He ran off so fast that he almost disappeared. All he left was the little white fortune card, fluttering to the floor. Cassie crouched down to pick it up. With that same bland, cynical smirk she looked at it, then flipped it around in her fingers for me to read: 'In six minutes, you will kiss the girl standing next to you.
Richard Roberts (Please Don't Tell My Parents I've Got Henchmen)
Pretty is what you call girls who are sweet and bland and boring. You're not pretty. You're the only thing in the room no matter how full it is. You're the kind of woman men go to war for. Even beautiful doesn't cut it for you. You're breath taking in the most extraordinary way.
Caroline Peckham (The Death Club (Dead Men Walking, #1))
His eyebrows were raised incredulously and I think he said something about so many tears coming out of such a small girl and probably that made me cry even more because it was such a tender and funny thing to say and I would have been so relieved to hear him talk to me that way because when he didn’t look at me at all the world seemed completely bland and indifferent and interminable and I felt so very odious.
Claire-Louise Bennett (Checkout 19)
You do not know me, Perry.”“No, I guess not.”“Perhaps by the end of the evening you will.”I looked at her. What was that supposed to mean? Ever since her comment about blood, I realized I’d been thinking about Sissy Spacek in Carrie, the high school loser in her homemade prom dress, drenched in pig blood, unleashing a firestorm of psychokinetic destruction on the high school gym ... The distress must have shown on my face, because for the first time ever, Gobi actually laughed. Her eyes sparkled, a bright and glinting green behind her glasses, and for an instant the light transformed her entire face—the bland, expressionless mask slipped away to reveal an actual girl underneath: feminine, uninhibited, spontaneous, and alive. It occurred to me that I might have been missing something this whole time.
Joe Schreiber (Au Revoir, Crazy European Chick (Perry & Gobi, #1))
Needless to say, the newcomer is not a pretty girl. In fact, he’s a bland-looking Asian guy, wearing chinos and a black compression shirt. This is not a good look on anyone, but this guy is too flabby to even make it look arrogant. He takes a stool two down from Anders, looks around, and then raps on the bar with his knuckles. Neckbeard seems to have disappeared. Charity is busy brushing Anders’ hair back from his forehead with one hand. Mr. Chinos raps again, louder. Charity rolls her eyes, steps back from Anders, and turns to our new friend. “What can I getcha, hon?” “Gin and tonic,” he says. “Not too much ice.” She turns away to make his drink. Anders is eyeballing Mr. Chinos. How many beers has he downed by now? Four? Five? His sandwich is only half eaten. A drunken Anders is a punchy Anders, and a punchy Anders is an Anders that I have to take to the emergency room because he broke his own fibula. “Hey,” I say. “You about ready to head home?
Edward Ashton (Three Days in April)
Ah —" he gave a rueful, bland little smile — "I see that you, too, think I'm cruel and heartless. But Andrew cannot focus his mind, and attentions, on a single project. He has an annoying and unproductive habit of hitting upon an idea, then failing to follow it through."  He took a sip of his coffee and smiled benignly at Juliet. "If I do not mock and challenge him, he will never design his flying machine." "You're a very manipulative man, Your Grace. Do you always employ such methods to get others to behave as you would wish?" Again, that derisive little smile. "Only when it is necessary, Miss Paige. Now, be a good girl and take those letters up to Gareth, would you? I find that the scent of them is giving me a headache.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
And that—Bella’s overweening blandness—as much as the guilty-pleasure rescue fantasy, may explain the series’ appeal: Twilight’s heroine is so insipid, so ordinary, so clumsy, so Not Hot. Isn’t that great? Think about it: what a relief that must be for girls who feel constant pressure to be physically, socially, and academically perfect! Bella does not spend two hours with a flatiron, ace her calculus test, score the winning goal in her lacrosse match, then record a hit song. Bella does not spout acidly witty dialogue. Bella does not wear $200 jeans on her effortlessly slim hips.
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
The attendant looked at Camilo, looked at Link, blandly, incuriously. Link thought, In New York all the black boys who go in for what they like to call Caddies also go in for white girls. So this is old hat to him. He figures that if I'm rich enough--numbers or women or rackets of one kind or another--to drive one of these crates, then almost any good-looking white girl is going to find me acceptable. Money transforms the black male. Makes him beautiful in the eyes of the white female. Black and comely. No. It was black but comely, take it for granted that blackness and comeliness were not only possible but went hand in hand.
Ann Petry (The Narrows)
Cora narrowed her eyes. That was interesting. She’d never seen a matron at a true loss for words before. But Miss Lennox didn’t look like a matron anymore, did she? She had when the day started, all bland disapproval and interchangeable strictness, but that had been before she had a name. Giving a person a name changed them.
Seanan McGuire (Where the Drowned Girls Go (Wayward Children, #7))
I’m a politician, Nickolas, not a bully! Thus, I have tentacles to do my dirty work for me.” Hammerdell laughed blandly. “Your orator does not feel very good? Beautiful girl, but she does not know when to shut her mouth. Even more beautiful when she is silent and quiet!” “Bastard, I’ll kill you!” Christopher suddenly jumped off his place and picked up both weapons, aiming them at the corrupt politician.
I.G. Lilith (Scarlett: Dawn Of Rebellion #1)
Good thing I’m only worth my vagina to him,” I say blandly. Joke’s on him, my girl parts have a permanent no-vacancy sign on them, alas. “What is va-shy-nuh?” Farli asks. “I do not know this word.” “Never mind.” I probably shouldn’t be teaching Farli dirty human words.
Ruby Dixon (Barbarian's Prize (Ice Planet Barbarians, #5))
Where’s Helen?” “She’s keeping company with Mr. Winterborne,” Cassandra said brightly. How had that come about? Devon sent a questioning glance to West, who hitched his shoulders in a slight shrug. “Mr. Winterborne had a rather difficult day,” Kathleen explained. “He’s feverish, and the laudanum makes him ill. It’s against all decorum, obviously, but Helen asked if she might try to help him.” “That’s very kind of her,” Devon said. “And it’s kind of you to allow it.” “Mrs. Church told me that Mr. Winterborne isn’t snapping and snarling anymore,” Pandora volunteered. “He’s resting on pillows and drinking orchid tea. And Helen has been chattering like a magpie for hours.” Cassandra looked dumbfounded. “Helen, chattering for hours? That doesn’t seem possible.” “I wouldn’t have thought she had that much to say,” Pandora agreed. “Perhaps it’s just that she’s never able to slide a word in edgewise,” West remarked blandly. A few seconds later, he was pelted with a shower of sugar lumps. “Girls,” Kathleen exclaimed indignantly. “Stop that at once! West, don’t you dare encourage them by laughing!” She sent a threatening glance at Devon, who was desperately trying to suppress his amusement. “Or you,” she said severely. “I won’t,” he promised, wincing and reflecting ruefully that whoever said laughter was the best medicine had never broken a rib.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
So, you like a little pain with your pleasure, don’t you, naughty girl?” Syssi paused to think. “I guess it’s like sprinkling spice on a dish that is otherwise bland... I don’t like bland food.
I.T. Lucas (Dark Stranger: The Dream (The Children of the Gods #1))