Blake Movie Quotes

Yes. Smashing. You’ll be just like those four chaps in the movie. You know the one, with the oversized marshmallow.

Sex was never as neat as the movies made it. Real sex was messy. Good sex was messier.

I'd killed him in the end, but revenge only makes things all better in the movies. In real life, once the villain is dead the trauma lives on inside the victims.

Daemon cursed again and I moved, blocking him. “Who does that?” Daemon demanded.Heat rolled off his body. “Actually, Kiefer Sutherland did. In the original Buffy movie,” he explained. When I continued to gape at him, he grimaced. “It was on TV a few nights ago. He threw one at Buffy and she caught it.”“That was Donald Sutherland—the dad,” Daemon corrected, much to my surprise.Blake shrugged“Same difference.” “I’m not Buffy!” I yelled.

Remember William Blake who said: "Improvement makes straight, straight roads, but the crooked roads without improvement are roads of genius." The truth is, life itself, is always startling, strange, unexpected. But when the truth is told about it everybody knows at once that it is life itself and not made up. But in ordinary fiction, movies, etc, everything is smoothed out to seem plausible--villains made bad, heroes splendid, heroines glamorous, and so on, so that no one believes a word

I make jewelry. I drink caramel machiattos. I wear Hello Kitty to bed. Of course I love romantic comedies,' I said with a smile as we neared my house. But I didn’t just love them. I wanted to live within them. I wanted a love like in the movies.

I'm a Christian, but if God is truly a God of love, then why would he have a private torture chamber where he put people that he was suppose to love and forgive to punish forever? if you actually read the Bible, the idea of hell like in the movies and most books was invented by a writer. Dante's inferno was ripped off by the Church to give people something to ba afraid of...

Save the what? I call it the “Save the Cat” scene. They don’t put it into movies anymore. And it’s basic. It’s the scene where we meet the hero and the hero does something — like saving a cat — that defines who he is and makes us, the audience, like him.

Uber drivers, summoned by phone, awaited them and drove them to the restaurant. This 'sleight of hand' was Father Jon's idea. Jennifer felt like an actress in a James Bond movie, but she appreciated the subterfuge.

And it's beyond my energy to explain why I don't think that four-letter word that everyone's so obsessed over and that gets everyone into so much trouble and pretty much makes everyone behave like an ass can live in a place like this. Somewhere during dry cleaning, details, and missed meals, it flakes away and what you're left with is married people with a tolerable affinity for each other. That little four-letter word can exist only in poetry, or movies of 2 to 3 hours in length. Maybe in a mini-series. This place of dull details and irksome obligations is a home only to other four-letter words, which are used much more frequently.

The Covenant of the Arc is the screenwriting law that says: Every single character in your movie must change in the course of your story. The only characters who don’t change are the bad guys. But the hero and his friends change a lot.

follow the money

You are one ugly motherfucker.” Ethan chuckled. “Sorry. I couldn’t resist. It’s from a movie. Seriously, what the hell are you?

But here’s my little trade secret that I put into every All Is Lost moment just for added spice, and it’s something that many hit movies have. I call it the whiff of death. I started to notice how many great movies use the All Is Lost point to kill someone. Obi Wan in Star Wars is the best example — what will Luke do now?? All Is Lost is the place where mentors go to die, presumably so their students can discover “they had it in them all along.” The mentor’s death clears the way to prove that. But what if you don’t have an Obi Wan character? What if death isn’t anywhere near your story? Doesn’t matter. At the All Is Lost moment, stick in something, anything that involves a death. It works every time. Whether it’s integral to the story or just something symbolic, hint at something dead here. It could be anything. A flower in a flower pot. A goldfish. News that a beloved aunt has passed away. It’s all the same.

Margo shushing Alice, who had to sigh theatrically every time Cary Grant did a Cary Grant thing.

21. Jane Eyre “When being bullied Keisha Blake found it useful to remember that if you read the relevant literature or watched the pertinent movies you soon found that being bullied was practically a sign of a superior personality, and the greater the intensity of the bullying the more likely it was to be avenged at the other end of life, when qualities of the kind Keisha Black possessed– cleverness, will-to-power– became ‘their own reward,’ and that this remained true even if the people in the literature and movies looked nothing like you, came from a different socio-economic and historical universe, and– had they ever met you– would very likely have enslaved you, or at best, bullied you to precisely the same extent as Lorna Mackenzie who had a problem with the way you acted like you were better than everyone else”.

It’s still one of my favorite movies ever, but if we can’t acknowledge they are the worst parents of all time, take me to the lakes where all the poets (and Meredith Blake almost) went to die, I don’t belong.

This task was given to Shigeru Miyamoto, a floppy-haired first-time game designer who idealistically believed that videogames should be treated with the same respect given to books, movies, and television shows.

I’m Christian, but if God is truly a God of love, then why would he have a private torture chamber where he put people that he was supposed to love and forgive to be punished forever? If you actually read the Bible, the idea of hell like in the movies and most books was invented by a writer. Dante’s Inferno was ripped off by the Church to give people something to be afraid of, to literally scare people into being Christian.

Because if someone is determined to do something evil there’s really no stopping them. It’s not the music they listen to, in the television or movies they watch, or video games they play, or even the books they read.

I would say that if Rilo Kiley were ... hmmm ... a human being ... hmmm ... he's probably laying on his back in a morgue with a tag on his toe. Now, I see movies where the dead get up and walk. And when they do that, rarely do good things happen.

I mean to tell you, the Law's notion of justice is more cold-blooded than any outlaw I ever knew. And I mean 'outlaw,' not criminal. 'Criminal' doesn't distinguish between guys like men and the guys who own the banks and insurance companies and stock markets, who own the factories and coal mines and oil fields, who own the goddamn Law. I once said to John that being an outlaw was about the only way left for a man to hold on to his self-respect, and he said Ain't that the sad truth. The girls laughed along with us because they knew it wasn't a joke.... John got the publicity because he loved it ... he carried on like the whole thing was an adventure movie and he was Douglas Fairbanks. He wanted to to be a 'star.' That's how he was. Not me. I never even liked having my picture taken. All I ever wanted was to show the bastards who own the law that it didn't mean they owned me.

His little piece-of-crap loft didn’t have books or movies, but he had a metric shit ton of weapons and ammo. He opened the door to the closet he’d made into his own private supply shop. Jake whistled. “Is that C-4? Are you fucking kidding me?” Jesse shrugged. Everyone needed a hobby. “I like to be prepared, sir.” “We’re not your superior officers, man. It’s just Jake.” Jake practically salivated. “Is that a fucking P90?” Jake caressed the Belgian made submachine gun. It was highly restricted. Jesse had spent a lot of money buying it on the black market. “You can take it. It might come in handy.” God, he sounded like a five-year-old trying to make a friend. Sean nabbed his SR-25 and an extra cartridge. “This should do it.

In 1964, long-playing vinyl records sounded great. It was the age of high fidelity, and even your parents were likely to have a good-sounding console or tube components and a nice set of speakers, A&R, KLH, and so on. All the telephones worked, and they sounded good, too. Rarely did anyone ever lose a call, and that was usually on an overseas line. Anyone could work a TV set, even your grandmother. Off, on, volume, change the channel, period. By then, just about everyone had an aerial on the roof, and the signal was strong: ten, twelve simple channels of programming, not all good, but lots of swell black-and-white movies from the thirties and forties, all day and most of the night. No soul-deadening porn or violence. Decent news programs and casual entertainment featuring intelligent, charming celebrities like Steve Allen, Groucho Marx, Jack Paar, Jack Benny, Rod Serling, and Ernie Kovacs. Yeah, call me old Uncle Fuckwad, I don’t care. William Blake’s “dark Satanic mills” of the industrial revolution may have enslaved the bodies of Victorian citizens, but information technology is a pure mindfuck. The TV Babies have morphed into the Palm People. For example, those people in the audience who can’t experience the performance unless they’re sending instant videos to their friends: Look at me, I must be alive, I can prove it, I’m filming this shit. You know what? I refuse to look at you. You’re a corpse. And you prove that every day, with everything you do and everything you say. Wake up, ya dope! Outside

Stupid Screenwriter Tricks - However clever we think we are, sometimes we go too far in our enthusiasm. We are creative people and think everyone will get it - well, they don't. Stunts don't work. Lame attempts to get attention don't work. Here are some other don'ts: Don't package yourself in a big crate and mail yourself to William Morris. Don't take out a full-page advertisement in Variety with your picture and phone number with the slogan: Will Write for Food. Don't have your picture taken with a cut-out photo of your favorite movie star and send to him autographed with the phrase: We should be in business together! And whatever you do, don't threaten to leap off the Hollywood sign as leverage to get someone to read your screenplay. It's been done, babe, it's been done.

timelines register the pain of her loss for the first time. “I’m sorry, honey.” He remembers the day she died, eight weeks ago. She had become almost childlike by that point, her mind gone. He had to feed her, dress her, bathe her. But this was better than the time right before, when she had enough cognitive function left to be aware of her complete confusion. In her lucid moments, she described the feeling as being lost in a dreamlike forest—no identity, no sense of when or where she was. Or alternatively, being absolutely certain she was fifteen years old and still living with her parents in Boulder, and trying to square her foreign surroundings with her sense of place and time and self. She often wondered if this was what her mother felt in her final year. “This timeline—before my mind started to fracture—was the best of them all. Of my very long life. Do you remember that trip we took—I think it was during our first life together—to see the emperor penguins migrate? Remember how we fell in love with this continent? The way it makes you feel like you’re the only people in the world? Kind of appropriate, no?” She looks off camera, says, “What? Don’t be jealous. You’ll be watching this one day. You’ll carry the knowledge of every moment we spent together, all one hundred and forty-four years.” She looks back at the camera. “I need to tell you, Barry, that I couldn’t have made it this long without you. I couldn’t have kept trying to stop the inevitable. But we’re stopping today. As you know by now, I’ve lost the ability to map memory. Like Slade, I used the chair too many times. So I won’t be going back. And even if you returned to a point on the timeline where my consciousness was young and untraveled, there’s no guarantee you could convince me to build the chair. And to what end? We’ve tried everything. Physics, pharmacology, neurology. We even struck out with Slade. It’s time to admit we failed and let the world get on with destroying itself, which it seems so keen on doing.” Barry sees himself step into the frame and take a seat beside Helena. He puts his arm around her. She snuggles into him, her head on his chest. Such a surreal sensation to now remember that day when she decided to record a message for the Barry who would one day merge into his consciousness. “We have four years until doomsday.” “Four years, five months, eight days,” Barry-on-the-screen says. “But who’s counting?” “We’re going to spend that time together. You have those memories now. I hope they’re beautiful.” They are. Before her mind broke completely, they had two good years, which they lived free from the burden of trying to stop the world from remembering. They lived those years simply and quietly. Walks on the icecap to see the Aurora Australis. Games, movies, and cooking down here on the main level. The occasional trip to New Zealand’s South Island or Patagonia. Just being together. A thousand small moments, but enough to have made life worth living. Helena was right. They were the best years of his lives too. “It’s odd,” she says. “You’re watching this right now, presumably four years from this moment, although I’m sure you’ll watch it before then to see my face and hear my voice after I’m gone.” It’s true. He did. “But my moment feels just as real to me as yours does to you. Are they both real? Is it only our consciousness that makes it so? I can imagine you sitting there in four years, even though you’re right beside me in this moment, in my moment, and I feel like I can reach through the camera and touch you. I wish I could. I’ve experienced over two hundred years, and at the end of it all, I think Slade was right. It’s just a product of our evolution the way we experience reality and time from moment to moment. How we differentiate between past, present, and future. But we’re intelligent enough to be aware of the illusion, even as we live by it, and so,

Kalinske then described what made the videogame industry unique, what made it superbly unpredictable, and what tomorrow might or might not bring. But along this wild roller-coaster ride, there was one thing that would not change. “Suspension of disbelief. It’s always been the fundamental component of diversion, whether that diversion is books, movies, or the theater. Advances in gaming mean we will come to supply that component more effectively than any other medium. The interactive entertainment business is going to allow the Walter Mitty in all of us to finally realize our dreams. We are going to become great football players, race car drivers, or aviators. We are going to move into and occupy new worlds that were formerly only available to us in dreams.

the console was just the movie theater, but it was the movies that kept people coming back for more.

I tracked down a vegan baker and had this cake special ordered for tonight. It’s a vanilla cake made with almond milk and maple syrup, glazed with cocoa icing. The damn thing smells delicious, yet my mouth is as dry as the Sahara Desert. That’s probably because of the message. Or, I should say, question iced on top of the cake. Walking up to the kitchen, I see her shaking her booty as she sings to the loud music blasting through the apartment. In her hand, she has a knife and is cutting up a banana. On the stove, I can see a small pot of melted dark chocolate and what looks like toasted and chopped walnuts on a plate. “Hey, babe! You’re home too early.” She gives me a fake pout. “I wanted to surprise you.” Setting my chin on her shoulder, I place my hands on her hips and watch as she starts cutting up another banana. “Surprise me with what, Pixie?” “Something sweet for us to eat while we watch the movie tonight.” Kissing the side of her neck, I murmur into her skin, “I’ve got your sweet covered.” She looks at the box with curious eyes. “Oh? And what do you have there, Trevor Blake?” Lifting the lid, I push the now visible cake with its question closer to her, and she gasps. Her hands start to tremble, and I watch the hand holding the knife with a wary eye. Perhaps I should have asked her to put that down first. I watch her face as her eyes tear up at the question in red icing. Will You Marry Me? The ring is the dot at the bottom of the question mark, shiny and blinking at her. Standing here, I wait for an answer. And I wait more. Thing is, it’s too quiet. There are silent tears running down her face, but she’s not said a single word. Fuck. What if she isn’t ready for this? I open my mouth to try to fix this, but suddenly my little sprite is squealing loudly, jumping up and down. I should be fucking thrilled that she’s happy, but all I can see is that knife bouncing up and down with her little body. She’s talking so fast I can barely understand what she’s saying. “Oh-my-gosh-Trevor-are-you-serious-right-now!” “Babe, happy as hell that you’re excited, but can you do me a favor really quick?” Paisley stops jumping up and down and nods her head repeatedly like a bobble head doll. I have to stop myself from laughing at her. She smiles brightly at me. “If you wanna know my answer, it’s yes!” “Well, that, too. But, Pixie, can you please put down the knife? Would really fucking hate it if one of us got accidentally stabbed on the night that I’m asking you to become my wife.

The desk lamp was the only light in the room. The vampire had requested the overheads be turned out. His name was Sabin, and he stood against the far wall, huddling in the dark. He was covered head to foot in a black, hooded cape. He looked like something out of an old Vincent Price movie. I’d never seen a real vampire dress like that. The

I feel strange. Like I’m simultaneously watching a movie and acting in it.

Tom finds a new skill: ping-pong. Why? Because he does what’s put in front of him without judgment.

Brianna Campbell always has been a dreamer. She loved fairytales with happy endings. Ever since she was a child she loved to pretend. Brianna was a latchkey child, raised on unhealthy amount of television and movies. She idolized black actors

The Die Hard escape method only works in movies, in case you were wondering. The trapdoor in the ceiling of an elevator car is always padlocked closed from above.

You look like you’ve just stepped out of two different porno movies.

You look like a B-movie Dracula.'" - Anita to Aubrey Guilty Pleasures

Her smile reminded Theresa of a movie star smile—toothy and wide, and if you stared too hard at it, not quite real.

Shortly after they’d been paired up, his very staid and British partner had professed a deep and utterly false love of all things comic book and they’d started going to the movies or to comic book stores. Simon looked so out of place, but it had gone a long way to build trust between them. Simon Weston had been the first person since Iraq to sacrifice for Jesse Murdoch.

Hey, Julia. What would you say about coming to New York for the weekend? I have a new set of ropes I’ve been meaning to use, and a restaurant I want to try, and a big king-size bed you’d look spectacular tied up to. Oh, and there’s also a new heist movie coming out this weekend that we could see.” She laughed once. “Let me get this straight. I’m being invited to the Big Apple for dinner, a movie and a little bondage?” “Yes, that would be correct.

You know, the Buddhists say that if you meet someone, and your heart pounds, and your hands shake, and your knees go weak, that that's not the one. When you meet your soulmate, you'll feel completely calm. - Isn't it Romantic, Movie

Blake, I reckon them Seattle newsboys must-a took him t’ the movies t’ see Rin-tin-tin do his stuff. Why, that actor dog allers clumb ladders, er jumped inter the water, er through winders jest in the nick o’ time t’ save his master; and Luck’s ‘zackly like him.

His little piece-of-crap loft didn’t have books or movies, but he had a metric shit ton of weapons and ammo. He opened the door to the closet he’d made into his own private supply shop. Jake whistled. “Is that C-4? Are you fucking kidding me?” Jesse shrugged. Everyone needed a hobby. “I like to be prepared, sir.” “We’re not your superior officers, man. It’s just Jake.” Jake practically salivated. “Is that a fucking P90?

Now you can spend the rest of the holidays the right way: relaxing at home with cocoa and Hallmark Christmas movies. Like me.

It wasn’t true what they said in the movies. The nerdy, shy girl doesn’t get the boy. What she gets is to be in her twenties and still a virgin. While this wouldn’t have been my first choice, I couldn’t regret what had happened.

Imagine what the public outcry would be if the president stated he didn’t wish Blacks or Jews to settle in the United States, not because they’re Jewish or black, but because he is afraid of them. Since his motivation is fear, not race or religion, he is not discriminating. That rationale, as fictional President Andrew Shepard declared in the movie The American President, would make him the ‘President of Fantasyland.

The number one thing a good logline must have, the single most important element, is: irony. My good friend and former writing partner, the funny and fast-typing Colby Carr, pointed this out to me one time and he’s 100% correct. And that goes for whether it’s a comedy or a drama. A cop comes to L.A. to visit his estranged wife and her office building is taken over by terrorists – Die Hard A businessman falls in love with a hooker he hires to be his date for the weekend – Pretty Woman I don’t know about you, but I think both of these loglines, one from a drama, one from a romantic comedy, fairly reek of irony. And irony gets my attention. It’s what we who struggle with loglines like to call the hook, because that’s what it does. It hooks your interest. What is intriguing about each of the spec sales I’ve cited above is that they, too, have that same ironic touch. A holiday season of supposed family joy is turned on its cynical head in the 4 Christmases example. What could be more unexpected (another way to say “ironic”) for a new employee, instead of being welcomed to a company, to be faced with a threat on his life during The Retreat? What Colby identified is the fact that a good logline must be emotionally intriguing, like an itch you have to scratch. A logline is like the cover of a book; a good one makes you want to open it, right now, to find out what’s inside. In identifying the ironic elements of your story and putting them into a logline, you may discover that you don’t have that. Well, if you don’t, then there may not only be something wrong with your logline — maybe your story’s off, too. And maybe it’s time to go back and rethink it. Insisting on irony in your logline is a good place to find out what’s missing. Maybe you don’t have a good movie yet.

Me gusta uno de Viki King, que lleva el aventurado título de How to Write a Movie in 21 Days

Thunder, lightning, rain, hail, anxious fog and all the other things that accompany an iconic horror movie or damn fire tale about Tea, Cake, and lashings of Untimely Death, were occurring all over the little island known colloquially (and everywhere else) as The Skull.

She shut the door, slid the seat forward, and slipped the same key that had opened the door into the ignition. If this were a movie, the car wouldn’t start, she thought. The engine roared to life.

It wasn’t hard to access back catalogues of stuff from his own time, of course, the big movies, many of the TV series – though there were baffling blanks, and he had the sense that there had been some major loss of data over the centuries. A burning of the library of Alexandria, that had swept away, for instance, a 2030s big-budget remake of Blake’s Seven. He had found a reference to its existence, and that was all. An agonising loss.

On the surface, nothing about Bryant’s move felt logical. He was a B student with a 1080 SAT score. He was being recruited by everyone, with Duke considered the most probable landing spot. He had yet to work out for a single NBA scout, many of whom had never actually heard of him. “He’s kidding himself,” Marty Blake, the NBA’s scouting director, told the Los Angeles Times. “Sure he’d like to come out. I’d like to be a movie star. He’s not ready.” “You watch Kobe Bryant and you don’t see special,” said Rob Babcock, Minnesota’s director of player personnel. “His game doesn’t say, ‘I’m a very special talent.’ ” “I think it’s a total mistake,” said Jon Jennings, the Boston Celtics’ director of basketball development. “Kevin Garnett was the best high school player I ever saw, and I wouldn’t have advised him to jump. And Kobe is no Kevin Garnett.

my champagne glass. As I hunt, a hand brushes my arm. I startle, turn, and look into midnight-blue eyes that pierce me. Like in a movie, or a book. Okay, I’ll admit, I’m a certified romantic. I grew up on a steady diet of romantic-comedy

It will occur to him months from now that if this had been a movie, he wouldn’t have done it. Wouldn’t have sunk to the level of this monster. But the ugly truth is it never even crosses Ethan’s mind not to do it. And though he will continually dream about the crash, about all the things Aashif did to him, this moment will never haunt him. He will only wish it could have lasted longer.

Shigeru Miyamoto, a floppy-haired first-time game designer who idealistically believed that videogames should be treated with the same respect given to books, movies, and television shows.

This is how horror movies start,” Charlotte said, clutching her stomach. “Or end. The girl in the woods. Everyone knows she’s a goner.” “She’s only a goner because the writers make her out to be an idiot. We’re not idiots.” “Okay, thrillers, then. Women just vanish, disappear, and they’re not idiots. Women’s bodies are not okay in thrillers... ...Bad things happen all the time to non-idiots, and this is the setting. This is where it all goes down.