“
I want you here. I don't care if it's a hundred degrees and every blade of grass dies. Without you, none of that matters to me.
”
”
Kami Garcia
“
The chaos in my head spun itself into a silk of silence. I had distilled myself to the immediacy of hand, blade, blood, flesh.
”
”
Caroline Kettlewell (Skin Game)
“
Petyr 'Littlefinger' Baelish: The realm. Do you know what the realm is? It's the thousand blades of Aegon's enemies, a story we agree to tell each other over and over, until we forget that it's a lie.
Lord Varys: But what do we have left, once we abandon the lie? Chaos? A gaping pit waiting to swallow us all.
Petyr 'Littlefinger' Baelish: Chaos isn't a pit. Chaos is a ladder. Many who try to climb it fail and never get to try again. The fall breaks them. And some, are given a chance to climb. They refuse, they cling to the realm or the gods or love. Illusions. Only the ladder is real. The climb is all there is.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Congratulations! You have learned the skill: Small Blades. ‘My blade might only be four inches long, but I promise, you’ll feel me. +2% attack speed. +2% bonus to damage.
”
”
Aleron Kong (The Land: Founding (Chaos Seeds, #1))
“
Wind and breeze are separated today
Crimson twilight denies to fade away
Grass blades turn brown to match the soil
We pretend to smile at every turmoil
”
”
Munia Khan
“
Once in the chaos, he could have sworn he saw a tall white horse beside the bay stallion, whose rider kept the bandits' blades from finding the girl. But then Sasha realized it was only a cloud of flying snow.
”
”
Katherine Arden (The Girl in the Tower (The Winternight Trilogy, #2))
“
Running away?" He taunted, as I drew my glamour to me, feeling it surge beneath my skin. "Always a coward, weren't you, prince? Never had the guts to really go for the kill."
"You're right," I murmured, startling him. He frowned in wary surprise, and I smiled. "I always regretted my words against Puck. There was always a part of me that didn't want to go through with it." I lowered my blade, touching the tip to the floor. Ice spread from the point of the weapon, coating the ground and the walls, freezing the mirrors with sharp crinkling sounds.
"But with you," I continued, narrowing my eyes, "it's different. You're the part of him that I hate. The part that revels in the chaos you cause, the lives you destroy. And I can say this with complete certainty - killing you will be a pleasure.
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
We can’t tweak the genes of the food we eat without suspicion,” Erskine added. “We can pick and choose the naturally mutated ones until a blade of grass is a great ear of corn, but we can’t do it with purpose. Vic had dozens of examples like these. He rattled them off in the cafeteria that day.” Erskine ticked his fingers as he counted. “Vaccines versus natural immunities, cloning versus twins, modified foods. Or course he was perfectly right. The bastard always was. It was the manmade part that would have caused the chaos. It would be knowing that people were out to get us, that there was danger in the air we breathed.
”
”
Hugh Howey (Second Shift: Order (Shift, #2))
“
Chaos and order rested on two sides of a sharp edge, but so did pain and pleasure. Harmony and discord. There was not one without the other. Always the dance of tension. One could choose which side to lean into if or when the blade tipped off-center.
”
”
Luanne G. Smith (The Conjurer (The Vine Witch, #3))
“
Vivian, look!’ chirped Kate, looking up at the amber skies. ‘It’s a sundog!’
Vivian stared into the waking light of Christmas dawn and saw not one, but two rising suns.
‘They’re rare, these. Must be the low-hanging ice crystals creating an echo. A mirror to the sun.’
Like an enormous blade of Æbe’trax, the parhelion had parted the sky in two sectors – one small and made out of dawn, the other large and moulded by nightfall. Each side was dominated by its own mirror-sun, strung across the low firmament like two Christmas baubles.
Vivian squinted. The larger sun was grazed by a shadow.
”
”
Louise Blackwick (The Book of Chaos (Vivian Amberville, #2))
“
Fire it was, purposefully wrought - fire as makes a blade, for slaughter. Its eyes seethed with flame, not good nor evil, the sanctarian read in her mind, but also that which makes a wyrm, that is, its cunning, and its malice.
”
”
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0))
“
know a devil when I see one.” “And just how many devils have you met?” I ask her, leaning down close, the blade still against her neck. I hear her swallow. “Not many,” she admits, “but every time I look in the mirror, there’s one staring back at me.
”
”
K.V. Rose (The Cruelest Chaos (Unsainted, #3))
“
Let me be accursed. Let me be vile and base, only let me kiss the hem of the veil in which my God is shrouded. Though I may be following the devil, I am Thy son, O Lord, and I love Thee, and I feel the joy without which the world cannot stand. Joy everlasting fostereth The soul of all creation, It is her secret ferment fires The cup of life with flame. 'Tis at her beck the grass hath turned Each blade towards the light And solar systems have evolved From chaos and dark night, Filling the realms of boundless space Beyond the sage's sight. At bounteous Nature's kindly breast, All things that breathe drink Joy, And birds and beasts and creeping things All follow where She leads. Her gifts to man are friends in need, The wreath, the foaming must, To angels- vision of God's throne, To insects- sensual lust.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
. . . what seems to be an isolated patch of blue mist floats lightly on the glare of the horizon. This is the peninsula of Azuera, a wild chaos of sharp rocks and stony levels cut about by vertical ravines. It lies far out to sea like a rough head of stone stretched from a green-clad coast at the end of a slender neck of sand covered with thickets of thorny scrub. Utterly waterless, for the rainfall runs off at once on all sides into the sea, it has not soil enough—it is said—to grow a single blade of grass, as if it were blighted by a curse. The poor, associating by an obscure instinct of consolation the ideas of evil and wealth, will tell you that it is deadly because of its forbidden treasures. The common folk of the neighbourhood, peons of the estancias, vaqueros of the seaboard plains, tame Indians coming miles to market with a bundle of sugar-cane or a basket of maize worth about threepence, are well aware that heaps of shining gold lie in the gloom of the deep precipices cleaving the stony levels of Azuera. Tradition has it that many adventurers of olden time had perished in the search.
”
”
Joseph Conrad (Nostromo)
“
The chaos and the confusion of all possible outcomes penetrated every pixel of computer generated light, and the waves of all sub-existential normality flooded by, creating an atmosphere of peaceful eventuality. I felt that a gradual restoration was in place, and that piece by piece, universes were being reformed and restored.
”
”
Joel Julian (Blade Spinner (The Scribbling Man, #2))
“
A BRAVE AND STARTLING TRUTH
We, this people, on a small and lonely planet
Traveling through casual space
Past aloof stars, across the way of indifferent suns
To a destination where all signs tell us
It is possible and imperative that we learn
A brave and startling truth
And when we come to it
To the day of peacemaking
When we release our fingers
From fists of hostility
And allow the pure air to cool our palms
When we come to it
When the curtain falls on the minstrel show of hate
And faces sooted with scorn are scrubbed clean
When battlefields and coliseum
No longer rake our unique and particular sons and daughters
Up with the bruised and bloody grass
To lie in identical plots in foreign soil
When the rapacious storming of the churches
The screaming racket in the temples have ceased
When the pennants are waving gaily
When the banners of the world tremble
Stoutly in the good, clean breeze
When we come to it
When we let the rifles fall from our shoulders
And children dress their dolls in flags of truce
When land mines of death have been removed
And the aged can walk into evenings of peace
When religious ritual is not perfumed
By the incense of burning flesh
And childhood dreams are not kicked awake
By nightmares of abuse
When we come to it
Then we will confess that not the Pyramids
With their stones set in mysterious perfection
Nor the Gardens of Babylon
Hanging as eternal beauty
In our collective memory
Not the Grand Canyon
Kindled into delicious color
By Western sunsets
Nor the Danube, flowing its blue soul into Europe
Not the sacred peak of Mount Fuji
Stretching to the Rising Sun
Neither Father Amazon nor Mother Mississippi who, without favor,
Nurture all creatures in the depths and on the shores
These are not the only wonders of the world
When we come to it
We, this people, on this minuscule and kithless globe
Who reach daily for the bomb, the blade and the dagger
Yet who petition in the dark for tokens of peace
We, this people on this mote of matter
In whose mouths abide cankerous words
Which challenge our very existence
Yet out of those same mouths
Come songs of such exquisite sweetness
That the heart falters in its labor
And the body is quieted into awe
We, this people, on this small and drifting planet
Whose hands can strike with such abandon
That in a twinkling, life is sapped from the living
Yet those same hands can touch with such healing, irresistible tenderness
That the haughty neck is happy to bow
And the proud back is glad to bend
Out of such chaos, of such contradiction
We learn that we are neither devils nor divines
When we come to it
We, this people, on this wayward, floating body
Created on this earth, of this earth
Have the power to fashion for this earth
A climate where every man and every woman
Can live freely without sanctimonious piety
Without crippling fear
When we come to it
We must confess that we are the possible
We are the miraculous, the true wonder of this world
That is when, and only when
We come to it.
”
”
Maya Angelou (A Brave and Startling Truth)
“
Sometimes, I consider whether the Emperor hated the Primarchs the way Fulgrim hates us."
"Speak for yourself. Our father does not hate us."
"Of course he does. From afar, you feel the lie of his warmth, the false affection you all so urgently crave. And he gives it to you but always from pity. You are his champion, yet still you cannot see it. You will never be as close to him as I was. You never see the way he really looks at us. Never seeing the wonders we wrought, only the limitations. Not our triumphs, just our flaws. He hates us, Lucius, because to Fulgrim, we are not his sons. We are a mirror, holding up an image before him that he can never do anything other than hate. We are his own failure made manifest, the miscarriage that comes about when a father tries to mould his children into something better than himself.
”
”
Ian St. Martin (Lucius: The Faultless Blade (Warhammer 40,000))
“
I search the chaos—through a knot of Resistance fighters descending on a pair of legionnaires, past a Mask fighting off ten rebels at once, to the rubble of the tunnel, where my mother stands. An old Scholar slave trying to escape the havoc makes the mistake of crossing her path. She plunges her scim into his heart with a casual brutality. When she yanks the blade out, she doesn’t look at the slave. Instead, she stares at me. As if we are connected, as if she knows my every thought, her gaze slices across the square. She smiles.
”
”
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
“
Afterward, I pretended to be patient as Akos taught me how to predict how strong a poison would be without tasting it. I tried to seal every moment in my memory. I needed to know how to brew these concoctions on my own, because soon he would be gone. If the renegades and I were caught in our attempt tonight, I would probably lose my life. If we succeeded, Akos would be home, and Shotet would be in chaos, without its leader. Either way, it was unlikely that I would see him again.
“No, no,” Akos said. “Don’t hack at it--slice. Slice!”
“I am slicing,” I said. “Maybe if your knives weren’t so dull--”
“Dull? I could cut your fingertip off with this knife!”
I spun the knife in my hand and caught it by the handle. “Oh? Could you?”
He laughed, and put his arm across my shoulders. I felt my heartbeat in my throat. “Don’t pretend you’re not capable of delicacy; I’ve seen it myself.”
I scowled, and tried to focus on “slicing.” My hands were trembling a little. “See me dancing in the training room and you think you know everything about me.”
“I know enough. Look, slices! Told you so.”
He lifted his arm, but kept his hand against my back, right under my shoulder blade. I carried the feeling with me for the rest of the night, as we finished the elixir and got ready for bed and he shut the door between us.
”
”
Veronica Roth (Carve the Mark (Carve the Mark, #1))
“
Chaos quickly threw up his hands. 'You're not in danger. I'm here because a friend of ours needs help- your help. He's about to make a horrible decision and you need to change his mind before it's too late to save him. I'm not here to hurt you, Evangeline.'
'Then why don't you get the hell away from her,' growled Archer.
Evangeline hadn't heard him approach. She just turned and suddenly Archer- Jacks- was there. It was easier to think of him as Jacks as she watched him, striding swiftly in between the crates, glaring at Chaos with murder in his eyes.
'I don't want you near her. Ever.' Jacks pulled out his sword, and before Chaos had time to speak, he shoved the blade right through his chest.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
Gift am I, of Ferrol’s hand
these laws to halt the chaos be,
No king shall die, no tyrant cleaved
save by the perilous sound of me.
Cursed the silent hand that strikes
forever to his brethren lost,
Doomed of darkness and of light
so be the tally and the cost.
Breath upon my lips announce
the gauntlet loud so all may hear,
Thine challenge for the kingly seat
so all may gather none need fear.
But once upon a thousand three
unless by death I shall cry,
No challenge, no dispute proceed
a generation left to die.
Upon the sound, the sun shall pass
and with the rising of the new,
Combat will begin and last
until there be but one of two.
A bond formed betwixt opponents
protected by Ferrol’s hand,
From all save the blade, the bone,
and skill of the other’s hand.
Should champion be called to fight
evoked is the Hand of Ferrol,
Which protects the championed from all
and champion from all—save one—from peril.
Battle is the end for one
for the other all shall sing.
For when the struggle at last is done
the victor shall be king
”
”
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
“
When we are young, we yearn for battle. In the firelit halls we listen to the songs of heroes; how they broke the foemen, splintered the shield wall, and soaked their swords in the blood of enemies. As youngsters we listen to the boast of warriors, hear their laughter as they recall battle, and their bellows of pride when their lord reminds them of some hard-won victory. And those youngsters who have not fought, who have yet to hold their shield against a neighbour's shield in the wall, are despised and disparaged. So we practise. Day after day we practise, with spear, sword, and shield. We begin as children, learning blade-craft with wooden weapons, and hour after hour we hit and are hit. We fight against men who hurt us in order to teach us, we learn not to cry when the blood from a split skull sheets across the eyes, and slowly the skill of the sword-craft builds.
Then the day comes when we are ordered to march with the men, not as children to hold the horses and to scavenge weapons after the battle, but as men. If we are lucky we have a battered old helmet and a leather jerkin, maybe even a coat of mail that hangs like a sack. We have a sword with a dented edge and a shield that is scored by enemy blades. We are almost men, not quite warriors, and on some fateful day we meet an enemy for the first time and we hear the chants of battle, the threatening clash of blades on shields, and we begin to learn that the poets are wrong and that the proud songs lie. Even before the shield walls meet, some men shit themselves. They shiver with fear. They drink mead and ale. Some boast, but most are quiet unless they join a chant of hate. Some men tell jokes, and the laughter is nervous. Others vomit. Our battle leaders harangue us, tell us of the deeds of our ancestors, of the filth that is the enemy, of the fate our women and children face unless we win, and between the shield walls the heroes strut, challenging us to single combat, and you look at the enemy's champions and they seem invincible. They are big men; grim-faced, gold hung, shining in mail, confident, scornful, savage.
The shield wall reeks of shit, and all a man wants is to be home, to be anywhere but on this field that prepares for battle, but none of us will turn and run or else we will be despised for ever. We pretend we want to be there, and then the wall at last advances, step by step, and the heart is thumping fast as a bird's wing beating, the world seems unreal. Thought flies, fear rules, and then the order to quicken the charge is shouted, and you run, or stumble, but stay in your rank because this is the moment you have spent a lifetime preparing for, and then, for the first time, you hear the thunder of shield walls meeting, the clangour of battle swords, and the screaming begins.
It will never end.
Till the world ends in the chaos of Ragnarok, we will fight for our women, for our land, and for our homes. Some Christians speak of peace, of the evil of war, and who does not want peace? But then some crazed warrior comes screaming his god's filthy name into your face and his only ambitions are to kill you, to rape your wife, to enslave your daughters, and take your home, and so you must fight.
”
”
Bernard Cornwell (The Flame Bearer (The Saxon Stories, #10))
“
What about your staff?” “I wasn’t carrying it. People get unhappy when you carry a five-cubit length of wood. They think it’s dangerous. Of course, carrying a blade is respectable.
”
”
L.E. Modesitt Jr. (The Death of Chaos (The Saga of Recluce, #5))
“
The boy was gripping a lantern in his right hand. Perhaps he had taken it from the butler’s office. He might have looked awkward, but he moved like a cat. Cristian didn’t even sense him approach.
The boy raised the lantern high above his head. Cristian fumbled with the lock on the door, his shaking left hand trying to work the mechanism while his right arm held the dagger to Flora’s throat.
The boy took a step.
Then another.
He was almost within reach.
The door swung open. Cristian started to turn.
“Now!” Cass screamed.
The boy slammed the lantern hard against Cristian’s skull, and Cass heard the same crunching sound she’d heard when she’d hit him with the fireplace poker. He slumped to the ground, unconscious. The dagger fell to the floor with a clatter. Flora landed on her hands and knees, shaking and sobbing.
Luca thundered down the servants’ stairs, skidding to a stop as he witnessed the chaos. Bortolo and Narissa were right behind him. “Cass, what happened?” Luca asked.
The servants were weeping. The boy who had knocked out Cristian looked a bit dazed himself. The lantern hung limply from his right hand.
“He saved us.” Cass gestured at the boy.
Luca only then recognized the crumpled form on the floor. “Cristian,” he said. Turning to Narissa, he added, “Send for the Town Guard immediately.”
Narissa hurried toward the front of the house. Cristian groaned, his eyelids fluttering. Flora stumbled back from him, one hand clutching her throat.
Luca placed the sole of his boot on Cristian’s neck. “Someone get some rope,” he barked. Turning to the sandy-haired boy, he asked, “Who are you?”
“Matteo Querini.” The boy set the lantern on the kitchen counter and frowned at Cristian. “Where I come from, a man does not hold a blade to a lady’s throat.” He turned to Cass. “Signorina Caravello, I presume? I’m here to assume control of the estate. Sorry. I was a bit delayed in my arrival.”
“On the contrary.” Cass dipped into a shallow curtsy. “I’d say you arrived just in time.
”
”
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
“
It might have been a moment or an hour. To this day I do not know. I listen to my poets sing of age-old fights and I think no, it was not like that, and certainly that fight aboard Haesten's ship was nothing like the version my poets warble. It was not heroic and grand, and it was not a lord of war giving out death with unstoppable sword-skill. It was panic. It was abject fear. It was men shitting themselves with fright, men pissing, men bleeding, men grimacing and men crying as pathetically as whipped children. It was a chaos of flying blades, of shields breaking, of half-caught glimpses, of despairing parries and blind lunges. Feet slipped on blood and the dead lay with curling hands and the injured clutched awful wounds that would kill them and they cried for their mothers and the gulls cried, and all that the poets celebrate, because that is their job. They make it sound marvelous. And the wind blew soft across the flooding tide that filled Beamfleot's creek with swirling water in which the new-shed blood twisted and faded, faded and twisted, until the cold green sea diluted it.
”
”
Bernard Cornwell (Sword Song (The Saxon Stories, #4))
“
My battle joy was short-lived. Iolaus seized the back of my tunic and yanked me back, stepping between me and the other fighter. He’d found his footing and his strength. The fortunes of the skirmish changed and ended with a single stab of Iolaus’s borrowed sword. My enemy made a hideous sound and crumpled.
Iolaus turned to me, his face monstrous. “In the name of all the gods, Helen, what are you doing here?” He was so enraged he called me by my true name, but it was lost in the chaos of battle. “Get back to the ship now, or I swear by Zeus himself, I’ll drag you there by the hair!”
I gave him a sour look. “You’ll need both hands free for that. Better give me that sword back first.” I nodded at the blade I’d brought him, the one that had saved his life.
Iolaus wasn’t in the mood for inconvenient reminders. “I’ll thank you later, if you’re alive to hear it. Now get back to the ship before something else hap--”
A fresh war cry from one of the remaining riders tore the air, loud and imperious enough to draw everyone’s attention.
”
”
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
“
The knife was on my lips already, and his eyes looked so wild that I wouldn’t have been surprised if he shoved the sharp blade into my mouth if I didn’t comply. He took his time dragging the blade full of marshmallow across my tongue. “Suck it clean.
”
”
Shain Rose (Corrupted Chaos)
“
Ah well, like the last greatest Irish man I ever knew once said to me: all is fair in death and chaos - and if my time has come to pass, let me go with a blade in my hand, and without any class.
”
”
Caroline Peckham (The Death Club (Dead Men Walking, #1))
“
There is no emotion, there is peace, she told herself. There is no ignorance, there is knowledge. There is no passion, there is serenity. There is no chaos, there is harmony.
”
”
Delilah S. Dawson (Inquisitor: Rise of the Red Blade (Star Wars))
“
Rituals brought order to the chaos of life.
”
”
Ilona Andrews (Fated Blades (Kinsmen, #3))
“
JACK I’m Jack, the Sword of Summer, Sumarbrander, Blade of Frey. That is, I was his, until he tossed me away. FREY Jack, I did you wrong. You know I’m feeling the guilt. JACK Yeah, right. Forget you, man. Talk to my hilt! FREY Come on, Slice! Give me a chance. At least let me explain why I passed you off to Skirnir— JACK I know why. You were insane. You sat on Odin’s throne to search for Freya, your lost sister. A giantess caught your eye. So much for Freya. You just dissed her. FREY Gerd was gorgeous. Total hottie. I dream of her still. Shining face, lovely hair— JACK I think I’m going to be ill. FREY I know you’ve suffered, Blade of Frey, Sword of Summer, Sumarbrander. JACK The worst is yet to come, when I’m with my new commander. FREY You mean Surt, at Ragnarok. JACK The Black One of Muspellheim. On the day of doom, he’ll wield me— FREY —and free the Wolf. Chaos time. JACK Boiling seas. Bloodred skies. FREY Gods will vanish. Giants rise. JACK I’ll be sad to see you go. FREY Will you really? JACK Really? No. FREY Destiny is destiny. We all have our parts to play. JACK I’ll act mine now then, Nature Boy, and say, “See you later, Frey.” FREY There’ll never be another quite like you, Sword of Summer. Our paths may cross again. If not…good-bye, old friend.
”
”
Rick Riordan (Hotel Valhalla Guide to the Norse Worlds: Your Introduction to Deities, Mythical Beings & Fantastic Creatures (Magnus Chase and the Gods of Asgard))
“
As the pavement expanded, his innocence was slowly buried under asphalt, swallowed as all childhoods eventually are. But the earth protested, bending and warping the pavement with roots and blades of grass that pushed up through the cracks, and he learned that wildness was not something that can ever be tamed.
”
”
Cory Richards (The Color of Everything: A Journey to Quiet the Chaos Within)
“
Forged from Chaos, weaved from the entrails of Ophiotaurus... and," he continued slyly, "dipped in the blood of Uranus.
”
”
Heidi Hastings (Hades and Persephone: The Golden Blade)
“
Out of sight. Aero will be thrilled. My hands tremble at my proximity to the man I need to pretend to trust with everything I am. My mind circles back to the blade strapped to the inside of my thigh, but my legs close tightly, yielding the need for it. “I don’t know what you’ve heard, but this place is rumbling with chaos,” he declares, leaning against the wall, still holding my hand. “I overheard my father discussing the situation with Alastor Abbott.” My ears perk up at the name. “They say there’s a madman out on the hunt. An excommunicated member of the church who was put away for a gruesome crime many years ago. He’s escaped from prison, disgruntled over his own fallout with Christ, looking to terminate Christians and believers alike. He has everything to do with the state of chaos our community is in.” The lies they’re feeding the public. Disgusting. “Whoever he is, they also suspect he took Jacob,” he says with a hitch in his tone. “How? How is this possible?
”
”
Jescie Hall (That Sik Luv)
“
We became something for you, Bernadette. Havoc is a blade; wield it.
”
”
C.M. Stunich (Chaos at Prescott High (The Havoc Boys, #2))
“
The massive wardrobe, decorated with stickers and posters of Jack’s favourite bands, stood in the corner. I went to it and opened both the doors – then stepped back in amazement.
It was like something out of a fashion spread. Footwear was aligned in two perfectly straight lines along the bottom of the wardrobe, with boots at the back and shoes at the front. Each pair was polished and had a pair of socks folded up in the left shoe or boot. Above the shoes, Jack’s clothes were hung up on fancy padded hangers, organized by colour going from black through grey, white, pale pink, dark pink, purple and then blue. One quarter of the wardrobe was taken up with closet shelves, where every item, from T-shirts to jeans to scarves, was folded into a perfect geometric square that I wouldn’t have been able to achieve with two helpers, a ruler, and sticky tape.
I turned my head and looked at the chaos of the room. Then I looked back at the wardrobe.
No wonder she never let me see inside before.
“Jack, you big fat fake.” I let out a laugh that was half sob. “Look at this. Look! She’s the worst neat freak of them all, and I never even knew. I never even knew…”
Trying not to mess anything up too much, I searched through the neat piles of T-shirts until I found what seemed to be a plain, scoop-necked white top with short sleeves. I pulled it out, but when I unfolded it, there turned out to be a tattoo-style design on the front: a skull sitting on a bed of gleaming emeralds, with a green snake poking out of one eyehole. In Gothic lettering underneath, it read WELCOME TO MALFOY MANOR.
Typical Jack, I thought, hugging the shirt to my chest for a second. Pretending to be cool Slytherin when she’s actually swotty Ravenclaw through and through.
”
”
Zoë Marriott (Darkness Hidden (The Name of the Blade, #2))
“
He soon laid eyes on the enemy again – warriors of Lorgar’s Legion, advancing through the unnatural dusk with raw confidence, surrounded by the spectral flicker of half-instantiated daemonkind. Their armour was carved with words of power, decorated with the bones and the flesh of those they had slain, their helms deformed into outstretched maws, or serpent’s mouths, or the leer of some Neverborn warp prince. Their cantrips stank and pulsed around them, making the natural air recoil and mist shred itself into appalled ribbons.
They were engorged with their veil-drawn power, sick on it, their blades running with new-cut fat and their belts hung with severed scalps. For all that, they were still warriors, and they detected Valdor’s presence soon enough. Nine curved blades flickered into guard, nine genhanced bodies made ready to take him down.
He raced straight into the heart of them, lashing out with his spear, slicing clean through corrupted ceramite. The combined blades danced, snickering in and out of one another’s path as if in some rehearsed ritual of dance-murder, all with the dull gold of the lone Custodian at its centre. A poisoned gladius nearly caught his neck. A fanged axe-edge nearly plunged into his chest. Long talons nearly pulled him down, ripe to be trodden into the mire under the choreo graphed stamp of bronze-chased boots.
But not quite. They were always just a semi-second too slow, a fraction too predictable. The gap between the fighters was small, but it remained unbridgeable. His spear slammed and cut, parried and blocked, an eye-blink ahead of the lesser blades, a sliver firmer and more lethal in its trajectory, until black blood was thrown up around it in thick flurries and the lens-fire in the Word Bearers’ helms died out, one by one.
Afterwards, Valdor withdrew, breathing heavily, taking a moment to absorb the visions he had been gifted with each kill. Lorgar’s scions were little different to the true daemons in what they gave him – brief visions of eternal torment, wrapped up in archaic religious ciphers and a kind of perpetually forced ecstasy. They were steeped in some of the purest, deepest strands of Chaos, wilfully dredging up the essence of its mutating, despoiling genius and turning it, through elaborate tortures, into a way of war. To fight them was to be reminded, more acutely than with most others, of the consequences of defeat.
”
”
Chris Wraight (Warhawk (The Siege of Terra #6))
“
What happened to the High King?” Feyre asked. Rhys ran a hand over a page of the book. “Fionn was betrayed by his queen, who had been leader of her own territory, and by his dearest friend, who was his general. They killed him, taking some of his bloodline’s most powerful and precious weapons, and then out of the chaos that followed, the seven High Lords rose, and the courts have been in place ever since.” Feyre asked, “Does Amren remember this?” Rhys shook his head. “Only vaguely now. From what I’ve gleaned, she arrived during those years before Fionn and Gwydion rose, and went into the Prison during the Age of Legends—the time when this land was full of heroic figures who were keen to hunt down the last members of their former masters’ race. They feared Amren, believing her one of their enemies, and threw her into the Prison. When she emerged again, she’d missed Fionn’s fall and the loss of Gwydion, and found the High Lords ruling.” Nesta considered all Lanthys had said. “And what is Narben?” “Lanthys asked about it?” “He said my sword isn’t Narben. He sounded surprised.” Rhys studied her blade. “Narben is a death-sword. It’s lost, possibly destroyed, but stories say it can slay even monsters like Lanthys.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
nothing like the version my poets warble. It was not heroic and grand, and it was not a lord of war giving out death with unstoppable sword-skill. It was panic. It was abject fear. It was men shitting themselves with fright, men pissing, men bleeding, men grimacing and men crying as pathetically as whipped children. It was a chaos of flying blades, of shields breaking, of half-caught glimpses, of despairing parries and blind lunges. Feet slipped on blood and the dead lay with curling hands and the injured clutched awful wounds that would kill them and they cried for their mothers and the gulls cried, and all that the poets celebrate, because that is their job.
”
”
Bernard Cornwell (Sword Song (The Saxon Stories, #4))
“
Shank off, you faithless skiv!”
“Then say my name,” Taein said as he rose and adjusted his coat. “You know exactly who I am.”
“You’re the Unkillable Kid—” The mugger said through a froth of blood, his squirming growing weaker.
Taein picked him up by the lapels and drew the mugger’s face so close he could see the broken blood vessels in his eyes. “Say. My. Name.”
“Taein,” Big said, and he burst into tears.
And Taein he was, after all.
He was the prince of purloining, scourge of the streets, survivor against all natural odds, reckless to the point of delusion. He was Taein, survivor of the BlackBlades, the Unkillable Kid himself, (or unkillable as far as he knew, at least), and if a good thrashing was all that could beat back the numbness anymore, even just for a few adrenaline-soaked moments, so be it. It was better to feel anything other than his usual state of abysmal emptiness—even pain—because that emptiness haunted him like a starving child, dogging his heels every waking minute, leaching through his very bloodstream as a hard frost crawls along a windowpane.
He was Taein—terror of thieves, conductor of chaos, sweetheart of spite—and if brushing hands with death was all that could shake him halfway to life anymore, so be it.
”
”
S. A. Matey (Prince of Glass: Remastered (Thorn & Ash Series Book 1))
“
Choose what you say carefully, Ash, because there is not antidote for the poison of a few words. They often kill faster than a blade.
”
”
Brea Lamb (Of Realms and Chaos (The Coveted, #2))
“
Jaghatai started to cough, sending more bloody spurts out over the ripped-apart ground. His shattered gauntlet still clutched the hilt of his blade, but the arm must have been broken in many places. Only slowly, as he trudged back, did Mortarion realise that the sound was bitter laughter.
'I… absorbed,' Jaghatai rasped, 'the… pain.'
Mortarion halted. 'What do you mean?'
'I… know,' Jaghatai said, his voice a liquid slur. 'The Terminus Est. You… gave up. I… did not.' And then he grinned – his split lips, his flayed cheeks, his lone seeing eye, twisting into genuine, spiteful pleasure. 'My endurance is… superior.'
So that was what they all believed. Not that he had done what needed to be done. Not that he had sacrificed everything to make his Legion invincible, even suffering the ignominy of using Calas as his foil, even condemning himself to the permanent soul-anguish of daemonhood so that the change could never be undone by anyone, not even his father.
That he had been weak.
”
”
Chris Wraight (Warhawk (The Siege of Terra #6))
“
Flayers sped ahead of the horde, their blade arms scything before them; huge hammer-headed beetles, the juggernauts, stampeded like bulls; swollen carriers and fast-moving stingers filled the skies. And of course, masses of ghouls.
”
”
Michael R. Miller (Ascendant (Songs of Chaos, #1))
“
You fall, you rise, you continue on, refusing to believe your failures until once more they strike you down. You return, slowly diminishing, but unwilling to stop, unwilling to succumb. You are your race, Lucius. You are humanity and as with the rest of your kind, I delight in your dance, all the way to its end.
”
”
Ian St. Martin (Lucius: The Faultless Blade (Warhammer 40,000))
“
There was no unity to their attack. These were not wolves, pack animals that coordinated to dominate a larger prey. They were mercenaries, single fighters who relied on their skills with a blade and nothing - and no one - else.
Had they struck him in concert, the Incubi might have pushed Lucius to the brink of defeat, or at least driven him away from their charge. They were exemplary, their craft honed to a brilliant edge, and fast as quicksilver. United, they would have been a terrible foe. As individuals, they were an amusing challenge, but nothing more.
It last seven clashes before the first Eldar fell. The alien crashed to the deck, trying in vain to stymie the slopping discharge of his guts with arms that no longer had hands. Decreased by a third, the potency of the other two visibly diminished. Lucius could focus a greater share of his murderous attention on each of them, reducing their chances of survival from slim to non-existent.
The second would die screaming, eventually, as Lucius crushed him in the grip of his lash and pitched him into the abyss. The third paused, shoulders heaving with exertion, before leaping at Lucius, its silver glaive flashing high. The Eldar came crashing down before the Eternal, blood spurting from the stump where its head had been moments before.
”
”
Ian St. Martin (Lucius: The Faultless Blade (Warhammer 40,000))
“
Tell me, because I really am quite curious. What precisely did you expect to happen when my dear perfidious brother brought me here? Did you truly believe I would be content to serve out the rest of my days as your sport? Did you truly believe I would not kill every single one of you, and hurl this satellite into your little cesspool of a city? You have no idea what you have unleashed upon yourself. I relish death. It holds no power over me, Eldar, because it holds no mystery. I have drunk from the well of oblivion time and again. I have bathed in chemical fire within the shattering bones of a warship as its reactor split and gave birth to a momentary star. I have felt the edge of fourteen blades as they sundered my hearts. I have drowned at the bottom of a world of endless ocean. I have tasted the most potent poisons this reality and the ones beyond can produce. I have been executed, assassinated, pulverised and ground to mulch. Yet here I stand. Against the very forces that set and order reality, here I stand. Unbowed. Undefeated. Eternal. What can you possibly offer, to threaten me?
”
”
Ian St. Martin (Lucius: The Faultless Blade (Warhammer 40,000))
“
Lilian?” Kevin needed a moment to register that, indeed, Lilian was standing before him. “What are you doing here? I thought you were taking a bath with the others.” “I was going to,” Lilian admitted, “but then I realized that my mate and I haven’t been able to spend much time alone together because my family kept getting in the way, and I thought this would be the perfect opportunity for us to bond.” “Bond?” He studied the girl, and eventually realized that she wasn’t looking at his face. Feeling a sense of unease growing in the pit of his stomach, Kevin looked down. His face grew red. He let out a loud “eep!” and tried to cover himself with his hands. “Ufufufu,” Lilian chuckled. “You’re still too cute when you get embarrassed like that.” Kevin tried to glare at her, but the blush on his face lessened the effect. “It’s got nothing to do with being embarrassed and everything to do with common decency,” he insisted, lying through his teeth. “Most people don’t stand around in the nude while someone else is present, not even if they’re dating that person.” “Most people aren’t mated to a kitsune.” “Ugh…” She had him there. “Kevin” Lilian’s eyes were warm and so incredibly earnest that Kevin was unable to look away, “you are my mate; the person I love more than anyone else in this world.” Delicate hands reached up and cupped his face. “This isn’t some random person wanting to see you naked. This is me, your mate, who wants to become more intimate with you. If it helps, I promise not to touch anything below the belt.” Staring at the girl with an uncomprehending gaze, Kevin’s mind became a warzone, a battle the likes of which no one had ever seen before—mostly because it was all happening in his mind. *** The desolate wasteland spread out for miles, its borders traveling far beyond the distant horizon. Cracks traversed the ground like a myriad system of interconnecting spiderwebs. There was no flora or fauna in this wasteland. It was the perfect place… for war. Two forces stood on opposite ends of each other, armies of nearly equal might. Multi-segmented plates clicked together as figures moved and jostled each other. Horned helms adorned the many heads, their faceplates masking their identities. Hands gripped massive halberds with leaf-shaped blades that gleamed like a thousand suns. The army on the northern border wore white armor, while those in the southern quadrant wore red. A moment of silence swept through the clearing. A tumbleweed rolled across the ground. It was the unspoken signal for the battle to start, and the two forces rushed in toward the center, yelling out their battle cries. “For Lilian!!” “For chastity!!” Thunder struck the earth as these two titanic armies fought. Bodies were thrown into the air with impunity. Halberds clashed, the sound of metal on metal, steel ringing against steel, rang out in a symphony of chaos. Sparks flew and shouts accompanied the maelstrom of combat. It was, indeed, a battle worthy of being placed within the annals of history. A third party soon entered the fray. From one of the many cliffs surrounding the battlefield, an army appeared. Unlike the two forces duking it out down below, this army was bereft of nearly all their clothes. Wearing nothing but simple loincloths and bandoleers similar to Tarzan’s, the group of individuals looked identical. Messy blond hair framed bright blue eyes that glared down at the battlefield. With nary a thought, this force surged down the cliff, their own battle cry echoing across the land. “DEATH TO THE CHERRY!!” And so more chaos was unleashed upon the battlefield. ***
”
”
Brandon Varnell (A Fox's Family (American Kitsune #4))
“
The Rasu’s head and neck toppled to land at Caleb’s feet, and he hurled the mass of metal down the street in the opposite direction from the other half—
—sprouting limbs stretched out from the torso and leg that remained to claw insidiously at him. He slashed blindly, a whirlwind of finely honed blades slicing through every appendage and sending chunks of Rasu flying through the air like confetti. The grasping limbs finally stopped moving, and the last disparate pieces fell to the ground.
The world began to rush back in around him—the low rumble of distant buildings collapsing, the closer gasps, shouts, and insistent footsteps. He worked to find his voice and project it above the chaos. “We need to move before this monster puts itself back together.”
Marlee gaped at him from the sidewalk, her eyes wide and mouth open. “Oh my god. Everything they ever said about you is true!
”
”
G.S. Jennsen (Inversion (Riven Worlds #2; Amaranthe #15))
“
I take out salad ingredients, vegetables, herbs and several knives: peeler, smooth-bladed and serrated. I cut half a cucumber into cubes, then move onto the mushrooms which I slice into little slithers, I go back to the cucumber, cutting wafer-thin slices, skip to topping and tailing green beans, pop whole beetroots into the oven, I scoop the flesh out of avocados and grapefruits, and put the chard into boiling water. The whole idea is not to get bored. The theory, because I have a theory about peeling things, is to leave room for random opportunities. With cooking, as with everything else, we tend to curb our instincts. Speed and chaos allow for a slight loss of control. Cutting vegetables into different shapes and sizes encourages combinations which might not have been thought of otherwise. In a salad of mushrooms, cucumber and lamb's lettuce, the chervil needs to stay whole, in sprigs, to make a contrast because the other ingredients are so fine, almost transparent, and slippery. If its thin stems and tiny branches didn't contradict the general sense of languor- accentuated by the single cream instead of olive oil in the dressing- the whole thing would descend into melancholy.
”
”
Agnès Desarthe (Chez Moi: A Novel)
“
It would be easier to cover your ears,” I suggested. Meg retracted her blades. She rummaged through her supplies while the rumble of the chariot’s wheels got faster and closer. “Hurry,” I said. Meg ripped open a pack of seeds. She sprinkled some in each of her ear canals, then pinched her nose and exhaled. Tufts of bluebonnets sprouted from her ears. “That’s interesting,” Piper said. “WHAT?” Meg shouted. Piper shook her head. Never mind. Meg offered us bluebonnet seeds. We both declined. Piper, I guessed, was naturally resistant to other charmspeakers. As for me, I did not intend to get close enough to be Medea’s primary target. Nor did I have Meg’s weakness—a conflicted desire, misguided but powerful, to please her stepfather and reclaim some semblance of home and family—which Medea could and would exploit. Besides, the idea of walking around with lupines sticking out of my ears made me queasy. “Get ready,” I warned. “WHAT?” Meg asked. I pointed at Medea’s chariot, now charging toward us out of the gloom. I traced my finger across my throat, the universal sign for kill that sorceress and her dragons. Meg summoned her swords. She charged the sun dragons as if they were not ten times her size. Medea yelled with what sounded like real concern, “Move, Meg!” Meg charged on, her festive ear protection bouncing up and down like giant blue dragonfly wings. Just before a head-on collision, Piper shouted, “DRAGONS, HALT!” Medea countered, “DRAGONS, GO!” The result: chaos not seen since Plan Thermopylae. The beasts lurched in their harnesses, Right Dragon charging forward, Left Dragon stopping completely. Right stumbled, pulling Left forward so the two dragons crashed together. The yoke twisted and the chariot toppled sideways, throwing Medea across the pavement like a cow from a catapult. Before the dragons could recover, Meg plunged in with her double blades. She beheaded Left and Right, releasing from their bodies a blast of heat so intense my sinuses sizzled. Piper ran forward and yanked her dagger from the dead dragon’s eye. “Good job,” she told Meg. “WHAT?” Meg asked.
”
”
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
“
The holoCan washes them in pale light. Government news programs tell them to seek shelter. In her pocket the girl carries a folded piece of paper that she found in the gutter. On it is a little curved sword. She’s seen it before on the cube. Her teachers at the government school say it brings chaos. War. It has set the spheres on fire. But now she secretly draws the blade in the fog her breath has made on the window, and she feels brave. Then the bombs begin to fall.
”
”
Pierce Brown (Iron Gold (Red Rising Saga, #4))
“
The lion sword, the dedicated spear, she who sees beyond. Three on the boat, and he who is dead yet lives. The great battle done, but the world not done with battle. The land divided by the return, and the guardians balance the servants. The future teeters on the edge of a blade.
”
”
Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
“
Her aura stuck in my mind like sticky toffee, trying to massage and process the information. As I observed the chaos of my thought patterns, a feeling of foreboding doom was about to unfold in our reality.
”
”
Lali A. Love, Blade of Truth
“
But Flo was already slipping off her blue jacket, her boots, her socks, then lifting her T-shirt over her head. ‘Has she lost the plot?’ Bobby whispered to Skandar. ‘It’s April!’ ‘Umm, Flo,’ Mitchell said, ‘what exactly…?’ Flo stood on the river’s edge in a bright blue swimming costume, Blade shining at her side. She looked amused at the expressions on her quartet’s faces. She put a hand on her hip, and – in a perfect imitation of Bobby – said, ‘Are you honestly telling me that you came to the Water Trial without swimwear? Amateurs.
”
”
A.F. Steadman (Skandar and the Chaos Trials)
“
all is fair in death and chaos - and if my time has come to pass, let me go with a blade in my hand, and without any class.
”
”
Caroline Peckham (The Death Club (Dead Men Walking, #1))
“
In the blackness, I smelled your humanity, and aimed in the opposite direction. Love, warm and grasping, splashed against the walls; love splashed onto our bodies; love splashing inside of us defiantly. And I found you in this smoking chaos; our shoulder blades kissed.
”
”
Kyle “Guante” Tran Myhre
“
Aware of the three men, the truck slowed to a halt, shifted gears and on its emergency brake. A moment passed as relays moved into action; then a portion of the loading surface tilted and a cascade of heavy cartons spilled down onto the roadway. With the objects fluttered a detailed inventory sheet.
"You know what to do," O'Neill said rapidly. "Hurry up, before it gets out of here."
Expertly, grimly, the three men grabbed up the deposited cartons and ripped the protective wrappers from them. Objects gleamed: a binocular microscope, a portable radio, heaps of plastic dishes, medical supplies, razor blades, clothing, food. Most of the shipment, as usual, was food. The three men systematically began smashing objects. In a few minutes, there was nothing but a chaos of debris littered around them.
"That's that," O'Neill panted, stepping back. He fumbled for his checksheet. "Now let's see what it does.
”
”
Philip K. Dick (Autofac)
“
Fulgrim took a shuddering breath and raised his hands to the heavens, screaming his loss at the sight of his brother so cruelly murdered... He saw the resentment he had picked at for months, only now understanding the altruism of Ferrus Manus's deed and the loss of life his selfless act had incurred. Where before he had seen only self-aggrandisement in his brother's action, he now saw it for the heroic deed it had truly been. His brother's critical comments, the wounding darts meant to undermine him, he now saw had been jests designed to puncture his self-importance and restore his humility. What he had perceived as Ferrus's prideful boasts and rash actions had been deeds of courage that he had spitefully dismissed. Ferrus's rejection of his attempt to betray him was the act of a true friend, but only now did he see how his brother had, even then, tried to save him.'No, no, no,' wept Fulgrim as the true horror of what he had done struck him with the force of a thunderbolt. He looked around through tear-filled eyes and saw the horrific changes wrought upon his beloved Legion, the perversions that masqueraded as epicurean pleasure. 'Everything I have done is ashes,' he whispered and swept up the golden Fireblade, so recently wielded by his brother in an attempt to undo the evil Fulgrim had embraced. Fulgrim reversed the blade and held its fiery tip against his body, the edge blackening his hand sand burning the skin through the rents torn in his armour. To end things now would be the easiest thing in the world, to take away the guilt and wash the pain away in a sharp trirust of steel into his vitals. Fulgrim gripped the sword tightly, drawing blood from his palms where the blade's edge sliced his skin. No, noble suicide is not for the likes of you, Fulgrim.'Then what?' howled Fulgrim, hurling away the sword his brother had forged. Oblivion: the sweet emptiness of eternal peace. I can grant you what you crave… an end to guilt and pain. Fulgrim rose to his feet and stood tall beneath the storm wracked clouds of Isstvan V, his once beautiful face streaked with tears, and his pristine armour stained with the blood of his beloved brother. Fulgrim lifted his hands and looked at the blood there. 'Oblivion,' he said, his voice hoarse. 'Yes, I crave the boon of nothingness. 'Then leave yourself open to me and I will put an end to it all. Fulgrim took a last look around. The grim-faced warriors who had foolishly thrown in their lot with the Warmaster: Marius, Julius and thousands more were damned, and they could not see it. All around him, he could hear the sounds of the future, of warfare and death. The thought that he shared the guilt of the destruction of the Emperor's dream was the greatest shame and sorrow he had ever known. An end to it all would be a blessed relief. 'Oblivion,' he whispered as he dosed his eyes. 'Do it. End me. 'The barriers in Fulgrim's mind dropped and he felt the elation of a creature older than time as it poured into the void in his soul. No sooner had its touch claimed his flesh for its own than he knew he had made the worst mistake of his life. Fulgrim screamed as he fought to keep it out, but it was already too late. His consciousness was crushed into the dark, unused corners of his mind, forever to be a mute witness to the havoc wrought by his body's new master. One moment Fulgrim was a primarch, one of the Emperor's Children, the next he was a thing of Chaos.
”
”
Graham McNeill