Blackboard Love Quotes

I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.

Clouds are poems, and the most moving poems linger on the blackboard so long, written in cursive so lovely, they also exist inside our fingertips. We never really erase them at the end of the lesson.

THE DEATH OF LEOPOLD GURSKY Leopold Gursky started dying on August 18, 1920. He died learning to walk. He died standing at the blackboard. And once, also, carrying a heavy tray. He died practicing a new way to sign his name. Opening a window. Washing his genitals in the bath. He died alone, because he was too embarrassed to phone anyone. Or he died thinking about Alma. Or when he chose not to.

Can you draw a picture on the blackboard when somebody doesn't want you to? asked the rooster promptly. "Yes," answered Kenny," if you write them a very nice poem." "What is an only goat?" "A lonely goat," answered Kenny. The rooster shut one eye and looked at Kenny. "can you hear a horse on the roof?" he asked. "If you know how to listen in the night," said Kenny. "Can you fix a broken promise?" "Yes," said Kenny,"if it only looks broken,but really isn't." The rooster drew his head back into his feathers and whispered, "What is a very narrow escape?" "When somebody almost stops loving you," Kenny whispered back.

I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world's cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday.

I Ask for Silence" Now they can leave me in peace. Now they grow used to my absence. I am going to close my eyes. I want only five things, five chosen roots. One is an endless love. Two is to see the autumn. I cannot exist without leaves flying and falling to the earth. The third is the solemn winter, the rain I loved, the caress of fire in the rough cold. Fourth, the summer, plump as a watermelon. And fifthly, your eyes, Matilde, my dear love, I won’t sleep without your eyes, I won’t exist without your gaze, I adjust the spring for you to follow me with your eyes. That, friends, is all I want. Next to nothing, close to everything. Now they can go if they wish. I have lived so much that some day they will have to forget me forcibly, rubbing me off the blackboard. My heart was inexhaustible. But because I ask for silence, don’t think I’m going to die. The opposite is true; it happens I am going to live. To be, and to go on being. I will not be, however, if inside me, the crop does not keep sprouting, the shoots first, breaking through the earth to reach the light; but the mothering earth is dark, and, deep inside me, I am dark. I am a well in the water of which the night leaves behind stars and goes on alone across fields. It’s a question of having lived so much that I want to live a bit more. I never felt my voice so clear, never have been so rich in kisses. Now, as always, it is early. The light is a swarm of bees. Let me alone with the day. I ask leave to be born.

I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fetuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong.

home, alone in my room, with the sounds of #2 and #5 trains rumbling in the distance, I started with a letter to myself. Dear Juliet, Repeat after me: You are a bruja. You are a warrior. You are a feminist. You are a beautiful brown babe. Surround yourself with other beautiful brown and black and indigenous and morena and Chicana, native, Indian, mixed race, Asian, gringa, boriqua babes. Let them uplift you. Rage against the motherfucking machine. Question everything anyone ever says to you or forces down your throat or makes you write a hundred times on the blackboard. Question every man that opens his mouth and spews out a law over your body and spirit. Question every single thing until you find the answer in a daydream. Don’t question yourself unless you hurt someone else. When you hurt someone else, sit down, and think, and think, and think, and then make it right. Apologize when you fuck up. Live forever. Consult the ancestors while counting stars in the galaxy. Hold wisdom under tongue until it’s absorbed into the bloodstream. Do not be afraid. Do not doubt yourself. Do not hide Be proud of your inhaler, your cane, your back brace, your acne. Be proud of the things that the world uses to make you feel different. Love your fat fucking glorious body. Love your breasts, hips, and wide-ass if you have them and if you don’t, love the body you do have or the one you create for yourself. Love the fact that you have ingrown hairs on the back of your thighs and your grandma’s mustache on your lips. Read all the books that make you whole. Read all the books that pull you out of the present and into the future. Read all the books about women who get tattoos, and break hearts, and rob banks, and start heavy metal bands. Read every single one of them. Kiss everyone. Ask first. Always ask first and then kiss the way stars burn in the sky. Trust your lungs. Trust the Universe. Trust your damn self. Love hard, deep, without restraint or doubt Love everything that brushes past your skin and lives inside your soul. Love yourself. In La Virgen’s name and in the name of Selena, Adiosa.

I am in love with everything around me, the dotted white lines moving across my teacher's blackboard, the smell of chalk, the flag jutting out from the wall and slowly swaying above. There is nothing more beautiful that P.S. 106. Nothing more perfect than my first-grade classroom. No one more kind than Ms. Feilder, who meets me at the door each morning, takes my hand from my sister's, smiles down and says, Now that Jacqueline is here, the day can begin. And I believe her. Yes, I truly believe her.

My dreams of physics academia always entailed me as a full-time researcher, a blackboard, and long hours spent pondering the theories on the equatorial sections of Schwarzschild wormholes.

One thing in the school was captivating, lovely. Pictures of birds. Rose didn’t know if the teacher had climbed up and nailed them above the blackboard, too high for easy desecration, if they were her first and last hopeful effort, or if they dated from some earlier, easier time in the school’s history. Where had they come from, how had they arrived there, when nothing else did, in the way of decoration, illustration? A red-headed woodpecker; an oriole; a blue jay; a Canada goose. The colors clear and long-lasting. Backgrounds of pure snow, of blossoming branches, of heady summer sky. In an ordinary classroom they would not have seemed so extraordinary. Here they were bright and eloquent, so much at variance with everything else that what they seemed to represent was not the birds themselves, not those skies and snows, but some other world of hardy innocence, bounteous information, privileged lightheartedness. No stealing from lunch pails there; no slashing coats; no pulling down pants and probing with painful sticks; no fucking; no Franny.

I told him about how our second form teacher, Miss Crane, drew the tiniest chalk mark on the blackboard and explained that a point is “zero-dimensional,” meaning it doesn’t actually exist. But once you have two points—two nonexistent points—you can fill in the space between with lots and lots of points, and you get a line, which has length, so it’s now one dimension, which you could argue means it does now exist. Miss Crane dotted her chalk against the board, over and over, in a straight line, demonstrating how a series of nothings could become something. (Actually, you could also argue the line still doesn’t exist, it’s just a concept, but I’d learned by then not to add caveats to everything I said. This was, after all, a love letter.) I told Jack how I leaned forward that day in class as if I stood with my toes hanging over the very precipice of enlightenment. In my naivete, I believed Miss Crane was about to explain something that explained everything. Something I felt I almost already knew, but could not articulate; it was related to infinity and God, the ocean and space, the universe and my dad. Of course, I did not achieve enlightenment in my geometry lesson. Miss Crane put the chalk down and told us to take out our compasses and protractors. I told Jack that when I was with him, I felt like I was close to understanding what I had nearly understood that day.

After being conditioned as a child to the lovely never-never land of magic, of fairy queens and virginal maidens, of little princes and their rosebushes, of poignant bears and Eeyore-ish donkeys, of life personalized, as the pagans loved it, of the magic wand, and the faultless illustrations—the beautiful dark-haired child (who was you) winging through the midnight sky on a star-path in her mother’s box of reels—of Griselda in her feather-cloak, walking barefoot with the Cuckoo in the lantern-lit world of nodding mandarins, of Delight in her flower garden with the slim-limbed flower sprites … all this I knew, and felt, and believed. All this was my life when I was young. To go from this to the world of “grown-up” reality … To feel the sexorgans develop and call loud to the flesh; to become aware of school, exams (the very words as unlovely as the sound of chalk shrilling on the blackboard), bread and butter, marriage, sex, compatibility, war, economics, death, and self. What a pathetic blighting of the beauty and reality of childhood. Not to be sentimental, as I sound, but why the hell are we conditioned into the smooth strawberry-and-cream Mother-Goose-world, Alice-in-Wonderland fable, only to be broken on the wheel as we grow older and become aware of ourselves as individuals with a dull responsibility in life? To learn snide and smutty meanings of words you once loved, like “fairy.” —From The Journals of Sylvia Plath

His tears couldn’t change that stony outcropping in his character any more than a single summer cloudburst can change the shape of rock. There were good uses for such hardness—she knew that, had known it as a woman raising a boy on her own in a city that cared little for mothers and less for their children—but Larry hadn’t found any yet. He was just what she had said he was: the same old Larry. He would go along, not thinking, getting people—including himself—into jams, and when the jams got bad enough, he would call upon that hard streak to extricate himself. As for the others? He would leave them to sink or swim on their own. Rock was tough, and there was toughness in his character, but he still used it destructively. She could see it in his eyes, read it in every line of his posture … even in the way he bobbed his cancer-stick to make those little rings in the air. He had never sharpened that hard piece of him into a blade to cut people with, and that was something, but when he needed it, he was still calling on it as a child did—as a bludgeon to beat his way out of traps he had dug for himself. Once, she had told herself Larry would change. She had; he would. But this was no boy in front of her; this was a grown-up man, and she feared that his days of change—the deep and fundamental sort her minister called a change of soul rather than one of heart—were behind him. There was something in Larry that gave you the bitter zing of hearing chalk screech on a blackboard. Deep inside, looking out, was only Larry. He was the only one allowed inside his heart. But she loved him.

When I first started coming to the seminar, Gelfand had a young physicist, Vladimir Kazakov, present a series of talks about his work on so-called matrix models. Kazakov used methods of quantum physics in a novel way to obtain deep mathematical results that mathematicians could not obtain by more conventional methods. Gelfand had always been interested in quantum physics, and this topic had traditionally played a big role at his seminar. He was particularly impressed with Kazakov’s work and was actively promoting it among mathematicians. Like many of his foresights, this proved to be golden: a few years later this work became famous and fashionable, and it led to many important advances in both physics and math. In his lectures at the seminar, Kazakov was making an admirable effort to explain his ideas to mathematicians. Gelfand was more deferential to him than usual, allowing him to speak without interruptions longer than other speakers. While these lectures were going on, a new paper arrived, by John Harer and Don Zagier, in which they gave a beautiful solution to a very difficult combinatorial problem.6 Zagier has a reputation for solving seemingly intractable problems; he is also very quick. The word was that the solution of this problem took him six months, and he was very proud of that. At the next seminar, as Kazakov was continuing his presentation, Gelfand asked him to solve the Harer–Zagier problem using his work on the matrix models. Gelfand had sensed that Kazakov’s methods could be useful for solving this kind of problem, and he was right. Kazakov was unaware of the Harer–Zagier paper, and this was the first time he heard this question. Standing at the blackboard, he thought about it for a couple of minutes and immediately wrote down the Lagrangian of a quantum field theory that would lead to the answer using his methods. Everyone in the audience was stunned.

Something diseased and furry had crawled into her mouth and expired while she slept. That was the only possible explanation as to why Neve had a rancid taste in her mouth and a heavy, viscous paste coating her teeth and tongue. ‘I think I’m dying,’ she groaned. The wretched state of her mouth was the least of it. There was a pounding in her head, echoed in the roiling of her gut, and her bones ached, her vital organs ached, her throat ached, even her hair follicles ached. ‘You’re not dying,’ said a voice in her ear, which sounded like nails scraping down a blackboard, even though Max’s voice had barely risen above a whisper. ‘You’ve got a hangover.’ Neve had had hangovers before and they just made her feel a tiny bit nauseous and grouchy. This felt like the bastard child of bubonic plague and the ebola virus. ‘Dying,’ she reiterated, and now she realised that she was in bed, which had been a very comfy bed the last time she’d slept in it, but now it felt as if she was lying on a pile of rocks, and even though she had the quilt and Max’s arm tucked around her, she was still cold and clammy. Neve tried to raise her head but her gaze collided with the stripy wallpaper and as well as searing her retinas, it was making her stomach heave. ‘Sick. Going to be sick.’ ‘Sweetheart, I don’t think so,’ Max said, stroking the back of her neck with feather-soft fingers. ‘You’ve already thrown up just about everything you’ve eaten in the last week.’ ‘Urgh …’ Had she? The night before was a big gaping hole in her memory. ‘What happened?’ ‘I don’t know what happened but I got a phone call from the Head of Hotel Security at three in the morning asking me if I could identify a raving madwoman in a silver dress who couldn’t remember her room number but insisted that someone called Max Pancake was sleeping there. They thought you might be a hack from the Sunday Mirror pretending to be absolutely spannered as a way of getting into the hotel.’ ‘Oh, no …’ ‘Yeah, apparently Ronaldo’s staying in one of the penthouse suites and I saw Wayne and Coleen in the bar last night. Anyway, as you were staggering down the corridor, you told me very proudly that you’d lost your phone and you’d just eaten two pieces of KFC and a bag of chips.’ ‘KFC? Oh, God …’ ‘But I wouldn’t worry about that because after you’d tried to persuade me to have my wicked way with you, you started throwing up and you didn’t stop, not for hours. I thought you were going to sleep curled around the toilet at one point.’ ‘Goodness …

Do not treat this as a time of introspective penitence. To the extent you must clean up, do it with the attitude of someone showering and changing clothes, getting ready for the best banquet you have ever been to. This does not include three weeks of meditating on how you are not worthy to go to banquets. Of course you are not. Haven’t you heard of grace? Celebrate the stuff. Use fudge and eggnog and wine and roast beef. Use presents and wrapping paper. Embedded in many of the common complaints you hear about the holidays (consumerism, shopping, gluttony, etc.) are false assumptions about the point of the celebration. You do not prepare for a real celebration of the Incarnation through thirty days of Advent Gnosticism. At the same time, remembering your Puritan fathers, you must hate the sin while loving the stuff. Sin is not resident in the stuff. Sin is found in the human heart—in the hearts of both true gluttons and true scrooges—both those who drink much wine and those who drink much prune juice. If you are called up to the front of the class, and you get the problem all wrong, it would be bad form to blame the blackboard. That is just where you registered your error. In the same way, we register our sin on the stuff. But—because Jesus was born in this material world, that is where we register our piety as well. If your godliness won’t imprint on fudge, then it is not true godliness. Some may be disturbed by this. It seems a little out of control, as though I am urging you to “go overboard.” But of course I am urging you to go overboard. Think about it—when this world was “in sin and error pining,” did God give us a teaspoon of grace to make our dungeon a tad more pleasant? No. He went overboard.

--Birthday Star Atlas-- "Wildest dream, Miss Emily, Then the coldly dawning suspicion— Always at the loss—come day Large black birds overtaking men who sleep in ditches. A whiff of winter in the air. Sovereign blue, Blue that stands for intellectual clarity Over a street deserted except for a far off dog, A police car, a light at the vanishing point For the children to solve on the blackboard today— Blind children at the school you and I know about. Their gray nightgowns creased by the north wind; Their fingernails bitten from time immemorial. We're in a long line outside a dead letter office. We're dustmice under a conjugal bed carved with exotic fishes and monkeys. We're in a slow drifting coalbarge huddled around the television set Which has a wire coat-hanger for an antenna. A quick view (by satellite) of the polar regions Maternally tucked in for the long night. Then some sort of interference—parallel lines Like the ivory-boned needles of your grandmother knitting our fates together. All things ambigious and lovely in their ambiguity, Like the nebulae in my new star atlas— Pale ovals where the ancestral portraits have been taken down. The gods with their goatees and their faint smiles In company of their bombshell spouses, Naked and statuesque as if entering a death camp. They smile, too, stroke the Triton wrapped around the mantle clock When they are not showing the whites of their eyes in theatrical ecstasy. Nostalgias for the theological vaudeville. A false springtime cleverly painted on cardboard For the couple in the last row to sigh over While holding hands which unknown to them Flutter like bird-shaped scissors . . . Emily, the birthday atlas! I kept turning its pages awed And delighted by the size of the unimaginable; The great nowhere, the everlasting nothing— Pure and serene doggedness For the hell of it—and love, Our nightly stroll the color of silence and time.

Slowly, just as the sun appeared behind the craggy black peaks, Dane felt Dewey's hand loosen. The old man began to slide away, his eyes fixed on the clean, yellow light. Then Dewey seemed to flinch and draw back. His fingers wrapped around Dane's hand, and he held on, struggling to return. Dane remembered what Helen had said. "It's okay, Dewey, I'll miss you. But everything is taken care of here." Dane swallowed hard and drew a deep breath. "You're free to go," Dane said in a clear, gentle voice. "I love you." Slowly, gently, the fingers that had built a house and written biology lessons on a blackboard and fished and loved and wiped away Dane's tears… slowly the gnarled old fingers went slack.

A Crow's Elegy for the Farmer's Daughter” We gathered in the fern-thin treetops at dusk or in the flat sear of noon strutted among puddles and spoke only of the sky's empty torment or ourselves. Once in awhile we flapped in the dust and silver rain and disparaged wind with our bevel-winged plummetings and soundless glides. We did not care who shot at us for our raucous predawn menacing or for settling like a plague of black books in fields under the blindness of those homespun effigies leering and motionless and coming unstuffed. We did not care for you though we saw the cortege winding past the arbor and drunken berry rows, the ghosts of peach trees bowing to acknowledge death's grand simplicity at last revealed. We were pieces of a blackboard upon which last rites were written and did not care who could or could not see that we were gods and you were not ever coming home, in spite of the mourners' deeply foolish love we could imagine only by flying into the sun, where every grief is charred and finally burned away. —Christopher Howell, Gaze. (Milkweed Editions; Original edition February 7, 2012)

me. I sat on a carpet of matted, yellow weeds, snapping twigs between my fingers and longing for Emily Apple. Emily. I’d loved that girl since the third grade, when she was gangly, buck-toothed, and freckle-faced. What was it about her that pierced my heart? It wasn’t sexual. Heck, our chests were the same size. That changed in seventh grade. As the girls in our class started looking more womanly, Emily exceeded them all. She’d stand at the blackboard multiplying and dividing numbers, while my mouth gaped

connections with all of the children; she had a knack. But it seemed there would always be an errand which I would do in earnest, a blackboard to wipe clean, or papers to hand out to the desks, or an important message written on a memo pad, folded and handed to me with instructions on how to get to where I had to hand it in. I think we all have those teachers, the ones who like us. As a child I had a strong, warm temperament – I can see the spark in my eyes when I look at photos of back then. I was driven and some teachers loved me for it. And, of course, some didn’t. I loved Mrs Arkinson and I knew she loved me. Her eyes said so. The way she helped me said so. The pat on my head, the hand on my shoulder, the encouragement and rewards. When Mrs Arkinson was pleased with you, well, you felt like you could survive forever on that small nod or pat on the head. It was like she pushed confidence

the witch in The Lion, the Witch and the Wardrobe only understands the grabbing kind of authority—if you want something, you take it. She does not understand Aslan's kind of authority at all. What does she think when Aslan comes to negotiate Edmund's release? Remember that Edmund had betrayed his brother and sisters, and because of that, even though he had been rescued from the witch, she has a lawful claim on him because he is a traitor. Aslan does not dispute the claim. Instead, he does something that is shocking and incomprehensible to all those who, like the witch, only understand the grasping kind of authority: He agrees to give himself in exchange for Edmund. This is because Aslan knows that the way to authority is through sacrifice. Even so, when Aslan fulfills his part of the agreement, it is very difficult for him. Just understanding the principle of sacrifice does not automatically make that sacrifice easy. When he goes to his death, he is so sorrowful that he allows Lucy and Susan to accompany him part way and provide some comfort and companionship. When the witch sees Aslan coming, she believes she has triumphed. "'The fool!' she cried, 'The fool has come. Bind him fast'" (151). All she understands is what Aslan calls the "deep magic," which allows a traitor to be freed if another chooses to die in his place. But after Aslan comes back to life, he explains the witch's mistake: "'It means,' said Aslan, 'That though the witch knew the deep magic, there is a magic deeper still which she did not know'" (163). The deeper magic is that love and sacrifice conquer hate and greed. Love and sacrifice create true, ultimate authority. So it is not just that Aslan died for Edmund as the perfect, substitutionary sacrifice for a traitor, thus saving him—though of course he did die in Edmund's place and he did save him. There is more to it: After his death and resurrection, Aslan gains true authority. He had authority before, but after this it grows and changes in a glorious way. But sinful people cannot understand this "deep magic." You can explain it, read it from the Bible, draw it on a blackboard, and shout it at the top of your lungs, but a sinful heart cannot know this principle: if you give, you get. They just cannot get it into their heads—or rather, into their hearts. For they do not have an intellectual problem; they have a spiritual problem.