“
You know the world is going crazy when the best rapper is a white guy, the best golfer is a black guy, the tallest guy in the NBA is Chinese, the Swiss hold the America's Cup, France is accusing the U.S. of arrogance, Germany doesn't want to go to war, and the three most powerful men in America are named "Bush", "Dick", and "Colin." Need I say more?
”
”
Chris Rock
“
Power is much easier to acquire than it is to hold on to.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
She loves the serene brutality of the ocean, loves the electric power she felt with each breath of wet, briny air.
”
”
Holly Black (Tithe (Modern Faerie Tales, #1))
“
Desire is an odd thing. As soon as it’s sated, it transmutes. If we receive golden thread, we desire the golden needle.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
Black for hunting through the night
For death and mourning the color's white
Gold for a bride in her wedding gown
And red to call the enchantment down
White silk when our bodies burn
Blue banners when the lost return
Flame for the birth of a Nephilim
And to wash away our sins.
Gray for the knowledge best untold
Bone for those who don't grow old
Saffron lights the victory march
Green to mend our broken hearts
Silver for the demon towers
And bronze to summon wicked powers
-Shadowhunter children's rhyme
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Show your power by appearing powerless.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
He's flint, you're tinder.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
I understand more that pain is evidence to our awakening to truth and also a measure of closeness to truth.
”
”
Adam Scott Huerta (Motive Black (Motive Black Series, #1))
“
Mary stared at the dreamlike happenings on the page. Human figures faced each other; the man’s head was a golden ball with rays reaching up to huge stars and out to the distant mountains; the woman’s silver head was sickle-shaped and surrounded by birds like eagles with white beaks. Some of the black letters glowed because they had tips like tiny flames.
”
”
Susan Rowland (The Alchemy Fire Murder (Mary Wandwalker #2))
“
The future belongs to those who prepare for it today.
”
”
Malcolm X (Malcolm X, Black Liberation, and the Road to Workers Power)
“
What do you think?" I ask.
"Your suit looks like mine." Kenji frowns. "I'm supposed to be the one with the black suit. Why can't you have a pink suit? Or a yellow suit-"
"Because we're not the freaking Power Rangers," Winston says, rolling his eyes.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
Give me the waters of Lethe that numb the heart, if they exist, I will still not have the power to forget you.
”
”
Ovid (The Poems of Exile: Tristia and the Black Sea Letters)
“
Sometimes words were cheap. They could be powerful, but in those rare occasions like now, words meant nothing.
”
”
Jennifer L. Armentrout (Origin (Lux, #4))
“
I have said that he has the power to deliver a compliment and make it hurt. So, too, he can say something that ought to be insulting and deliver it in such a way that it feels like being truly seen.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
The first peace, which is the most important, is that which comes within the souls of people when they realize their relationship, their oneness with the universe and all its powers, and when they realize at the center of the universe dwells the Great Spirit, and that its center is really everywhere, it is within each of us.
”
”
Black Elk
“
You don’t deserve me,” he agreed. “You deserve better. But you’re stuck with me, and you might as well get over it.” Scooping me under him in one agile movement, he rolled on top of me, his black eyes all pirate. “I have no intention of letting you go easily, something to keep in mind. I don’t care if it’s another man, your mother, or the powers of hell trying to pry us apart, I’m not easing up and I’m not saying good-bye.
”
”
Becca Fitzpatrick (Finale (Hush, Hush, #4))
“
And just because you have colleges and universities doesn't mean you have education.
”
”
Malcolm X (Malcolm X, Black Liberation, and the Road to Workers Power)
“
I kissed him on the mouth, and then I threatened to kiss him some more if he didn't do exactly what I wanted.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
Consider the black widow spider. It's a timid little beastie, useful and, for my taste, the prettiest of the arachnids, with its shiny, patent-leather finish and its red hourglass trademark. But the poor thing has the fatal misfortune of possessing enormously too much power for its size. So everybody kills it on sight.
”
”
Robert A. Heinlein (Stranger in a Strange Land)
“
My doctrine is this, that if we see cruelty or wrong that we have the power to stop, and do nothing, we make ourselves sharers in the guilt.
”
”
Anna Sewell (Black Beauty)
“
Clap her in chains," says Randalin.
Never have I so wished there was a way for me to show I was telling the truth. But there isn't. No oath of mine carries any weight.
I feel a guard's hand close on my arm. Then Cardan's voice comes.
"Do not touch her."
A terrible silence follows. I wait for him to pronounce judgement on me. Whatever he commands will be done. His power is absolute. I don't even have the strength to fight back.
"Whatever can you mean?" Randalin says. "She's-"
"She is my wife," Cardan says, his voice carrying over the crowd.
"The rightful High Queen of Elfhame. And most definitely not in exile.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
Oh what a wonderful soul so bright inside you. Got power to heal the sun’s broken heart, power to restore the moon’s vision too.
”
”
Aberjhani (Songs from the Black Skylark zPed Music Player)
“
There is something more powerful than any army. Something strong enough to topple kings, and even Darklings. Do you know what that thing is?”
I shook my head, inching away from him.
“Faith,” he breathed, his black eyes wild. “Faith.
”
”
Leigh Bardugo (Shadow and Bone (Shadow and Bone, #1))
“
The more powerful you become, the more others will find ways to master you. They'll do it through those you love and those you hate. They will find the bit and the bridle that fits your mouth and will make you yield.
”
”
Holly Black (Ironside (Modern Faerie Tales, #3))
“
If I say your voice is an amber waterfall in which I yearn to burn each day, if you eat my mouth like a mystical rose with powers of healing and damnation, If I confess that your body is the only civilization I long to experience… would it mean that we are close to knowing something about love?
”
”
Aberjhani (Visions of a Skylark Dressed in Black)
“
I'll understand if you don't want me. But I will be heartbroken. You are all I ever dreamed of and hoped for. You are much, much more. Please know that I didn't think I was mean-minded. But I realize I am. I don't want you to put your arms around me and say it's all right, that you forgive me. I want you to be sure that you do, and my love for you will last as long as I live. I can see no lightness, no humour, no joke to make. I just hope that we will be able to go back to when we had laughter, and the world was coloured, not black and white and grey. I am so sorry for hurting you. I could inflict all kinds of pain on myself, but it would not take back any I gave to you. - David Power
”
”
Maeve Binchy (Echoes)
“
Do you know why this world is as bad as it is?... It is because people think only about their own business, and won't trouble themselves to stand up for the oppressed, nor bring the wrong-doers to light... My doctrine is this, that if we see cruelty or wrong that we have the power to stop, and do nothing, we make ourselves sharers in the guilt.
”
”
Anna Sewell (Black Beauty)
“
Nicasia said that as mortal power grows, land and sea ought to be united. And that they would be, either in the way she hoped or the way I should fear.”
“Ominous,” I say.
“It seems I have a singular taste for women who threaten me.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
All power is cursed,” I say. “The most terrible among us will do anything to get it, and those who’d wield power best don’t want it thrust upon them. But that doesn’t mean they can avoid their responsibilities forever.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
Well, Vin says that there's something behind all this, right? Some evil force of doom or whatever? Well, if I were said force of doom, then I certainly wouldn't have used my powers to turn the land black. It just lacks flair. Red. Now, that would be an interesting color. Think of the possibilities--if the ash were red, the rivers would run like blood. Black is so monotonous that you can forget about it, but red--you'd always be thinking, 'Why, look at that. That hill is red. That evil force of doom trying to destroy me certainly has style.
”
”
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
“
The Black female is assaulted in her tender years by all those common forces of nature at the same time that she is caught in the tripartite crossfire of masculine prejudice, white illogical hate and Black lack of power.
The fact that the adult American Negro female emerges a formidable character is often met with amazement, distaste and even belligerence. It is seldom accepted as an inevitable outcome of the struggle won by survivors and deserves respect if not enthusiastic acceptance.
”
”
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
“
We got it." Val grinned and lifted her fist. "Wonder twin powers activate!"
Ruth grinned back, knocking her fist into Val's. "Shape of two fucking lunatics.
”
”
Holly Black (Valiant (Modern Faerie Tales, #2))
“
Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.
”
”
Brian Eno (A Year With Swollen Appendices)
“
How sweetly he came to her, she thought. Even with his bulk and power, he came to her...sweetly.
”
”
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
“
It is not necessary that you believe that the officer who choked Eric Garner set out that day to destroy a body. All you need to understand is that the officer carries with him the power of the American state and the weight of an American legacy, and they necessitate that of the bodies destroyed every year, some wild and disproportionate number of them will be black.
”
”
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
“
You have no idea…” I ran out of words at that point. Her being this close after so long was the sweetest kind of torture. Each breath she took, I felt in every part of my body, in some areas more than others. Really inappropriate, but she always had a powerful hold over me. Common sense jumped out the window.
”
”
Jennifer L. Armentrout (Origin (Lux, #4))
“
I'm sorry, but I don't want to be an emperor. That's not my business. I don't want to rule or conquer anyone. I should like to help everyone if possible; Jew, Gentile, black man, white. We all want to help one another. Human beings are like that. We want to live by each other's happiness, not by each other's misery. We don't want to hate and despise one another. In this world there is room for everyone, and the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way. Greed has poisoned men's souls, has barricaded the world with hate, has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge has made us cynical; our cleverness, hard and unkind. We think too much and feel too little. More than machinery, we need humanity. More than cleverness, we need kindness and gentleness. Without these qualities, life will be violent and all will be lost. The airplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in men; cries out for universal brotherhood; for the unity of us all. Even now my voice is reaching millions throughout the world, millions of despairing men, women, and little children, victims of a system that makes men torture and imprison innocent people. To those who can hear me, I say, do not despair. The misery that is now upon us is but the passing of greed, the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish. Soldiers! Don't give yourselves to brutes, men who despise you, enslave you; who regiment your lives, tell you what to do, what to think and what to feel! Who drill you, diet you, treat you like cattle, use you as cannon fodder. Don't give yourselves to these unnatural men - machine men with machine minds and machine hearts! You are not machines, you are not cattle, you are men! You have the love of humanity in your hearts! You don't hate! Only the unloved hate; the unloved and the unnatural. Soldiers! Don't fight for slavery! Fight for liberty! In the seventeenth chapter of St. Luke, it is written that the kingdom of God is within man, not one man nor a group of men, but in all men! In you! You, the people, have the power, the power to create machines, the power to create happiness! You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure. Then in the name of democracy, let us use that power. Let us all unite. Let us fight for a new world, a decent world that will give men a chance to work, that will give youth a future and old age a security. By the promise of these things, brutes have risen to power. But they lie! They do not fulfill that promise. They never will! Dictators free themselves but they enslave the people. Now let us fight to fulfill that promise. Let us fight to free the world! To do away with national barriers! To do away with greed, with hate and intolerance! Let us fight for a world of reason, a world where science and progress will lead to all men's happiness. Soldiers, in the name of democracy, let us all unite!
”
”
Charlie Chaplin
“
I don't think anybody cares about unwed mothers unless they're black or poor. The question is not morality, the question is money. That's what we're upset about.
”
”
Toni Morrison
“
Where lies the strangling fruit that came from the hand of the sinner I shall bring forth the seeds of the dead to share with the worms that gather in the darkness and surround the world with the power of their lives while from the dimlit halls of other places forms that never were and never could be writhe for the impatience of the few who never saw what could have been. In the black water with the sun shining at midnight, those fruit shall come ripe and in the darkness of that which is golden shall split open to reveal the revelation of the fatal softness in the earth. The shadows of the abyss are like the petals of a monstrous flower that shall blossom within the skull and expand the mind beyond what any man can bear, but whether it decays under the earth or above on green fields, or out to sea or in the very air, all shall come to revelation, and to revel, in the knowledge of the strangling fruit—and the hand of the sinner shall rejoice, for there is no sin in shadow or in light that the seeds of the dead cannot forgive. And there shall be in the planting in the shadows a grace and a mercy from which shall blossom dark flowers, and their teeth shall devour and sustain and herald the passing of an age. That which dies shall still know life in death for all that decays is not forgotten and reanimated it shall walk the world in the bliss of not-knowing. And then there shall be a fire that knows the naming of you, and in the presence of the strangling fruit, its dark flame shall acquire every part of you that remains.
”
”
Jeff Vandermeer (Annihilation (Southern Reach, #1))
“
Words have power. And I may be privileged and have a higher IQ than any of our former teachers, but when people look at me? They see a black, male teenager. And there is nothing quite as frightening to some folks as an angry young black man.
”
”
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
“
Witch. The word slithers from the mouth like a serpent, drips from the tongue as thick and black as tar. We never thought of ourselves as witches, my mother and I. For this was a word invented by men, a word that brings power to those that speak it, not those that it describes. A word that builds gallows and pyres, turns breathing women into corpses.
”
”
Emilia Hart (Weyward)
“
The thing that scares me is that some part of me understands where they're coming from. They took everything from us, you know? Why shouldn’t we be able to take it back if we have the power to?
”
”
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
“
Why am I the way I am?” His tone makes it clear he’s proposing something I might suggest he ask, not really wondering about it. “There are no real answers, Jude. Why was I cruel to Folk? Why was I awful to you? Because I could be. Because I liked it. Because, for a moment, when I was at my worst, I felt powerful, and most of the time, I felt powerless, despite being a prince and the son of the High King of Faerie.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
They're powerful, those songs. At times they've been my only way back, the only door out of the dark, bad places the black dog calls home.
”
”
Johnny Cash (Cash)
“
I saw power, yet meekness, forcefulness, yet gentleness, discipline, yet compassion. I had never seen eyes like His.
”
”
Chuck Black
“
You can take a thing when no one’s looking. But defending it, even with all the advantage on your side, is no easy task,” Madoc told her with a laugh. She looked up to find him offering her a hand. “Power is much easier to acquire than it is to hold on to.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
She was a very pretty woman. She had dark red hair and her eyes -- her eyes are just like mine, Harry thought, edging a little closer to the glass. Bright green -- exactly the same shape, but then he noticed that she was crying; smiling, but crying at the same time. The tall, thin, black-haired man standing next to her put his arm around her. He wore glasses, and his hair was very untidy. It stuck up at the back, just like Harry's did.
Harry was so close to the mirror now that his nose was nearly touching that of his reflection.
"Mum?" he whispered. "Dad?"
They just looked at him, smiling. And slowly, Harry looked into the faces of the other people in the mirror and saw other pairs of green eyes like his, other noses like his, even a little old man who looked as though he had Harry's knobbly knees -- Harry was looking at his family, for the first time in his life.
The Potters smiled and waved at Harry and he stared hungrily back at them, his hands pressed flat against the glass as though he was hoping to fall right through it and reach them. He had a powerful kind of ache inside of him, half joy, half terrible sadness.
”
”
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
“
The Queen of Flame and Shadow, the Heir of Fire, Aelin of the Wildfire, Fireheart . . .
She burned through each title, even as she became them, became what those foreign ambassadors had hissed when they reported on a child-queen's growing, unstable power in Terrasen. A promise that had been whispered into the blackness.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
The truth is that even big collections of ordinary books distort space, as can readily be proved by anyone who has been around a really old-fashioned secondhand bookshop, one that looks as though they were designed by M. Escher on a bad day and has more stairways than storeys and those rows of shelves which end in little doors that are surely too small for a full-sized human to enter. The relevant equation is: Knowledge = power = energy = matter = mass; a good bookshop is just a genteel Black Hole that knows how to read.
”
”
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
“
It is amazing what a woman can do if only she ignores what men tell her she can't.
”
”
Carol K. Carr (India Black (Madam of Espionage, #1))
“
When the black thing was at its worst, when the illicit cocktails and the ten-mile runs stopped working, I would feel numb as if dead to the world. I moved unconsciously, with heavy limbs, like a zombie from a horror film. I felt a pain so fierce and persistent deep inside me, I was tempted to take the chopping knife in the kitchen and cut the black thing out I would lie on my bed staring at the ceiling thinking about that knife and using all my limited powers of self-control to stop myself from going downstairs to get it.
”
”
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
“
In my mind, I see a line. And over that line, I see green fields and lovely flowers and beautiful white women with their arms stretched out to me over that line, but I can’t seem to get there no-how. I can't seem to get over that line.
”
”
Harriet Tubman
“
I have observed this in my experience of slavery,--that whenever my condition was improved, instead of its increasing my contentment, it only increased my desire to be free, and set me to thinking of plans to gain my freedom. I have found that, to make a contented slave, it is necessary to make a thoughtless one. It is necessary to darken his moral and mental vision, and, as far as possible, to annihilate the power of reason. He must be able to detect no inconsistencies in slavery; he must be made to feel that slavery is right; and he can be brought to that only when he ceased to be a man.
”
”
Frederick Douglass (Narrative of the Life of Frederick Douglass)
“
Chapter 1.
He adored New York City. He idolized it all out of proportion...no, make that: he - he romanticized it all out of proportion. Yeah. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin.'
Uh, no let me start this over.
'Chapter 1.
He was too romantic about Manhattan, as he was about everything else. He thrived on the hustle bustle of the crowds and the traffic. To him, New York meant beautiful women and street-smart guys who seemed to know all the angles...'.
Ah, corny, too corny for my taste. Can we ... can we try and make it more profound?
'Chapter 1.
He adored New York City. For him, it was a metaphor for the decay of contemporary culture. The same lack of individual integrity that caused so many people to take the easy way out was rapidly turning the town of his dreams in...'
No, that's going to be too preachy. I mean, you know, let's face it, I want to sell some books here.
'Chapter 1.
He adored New York City, although to him it was a metaphor for the decay of contemporary culture. How hard it was to exist in a society desensitized by drugs, loud music, television, crime, garbage...'
Too angry, I don't want to be angry.
'Chapter 1.
He was as tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat.'
I love this.
'New York was his town, and it always would be.
”
”
Woody Allen (Manhattan)
“
This book will prove the following ten facts:
1. A Goon is a being who melts into the foreground and sticks there.
2. Pigs have wings, making them hard to catch.
3. All power corrupts, but we need electricity.
4. When an irresistible force meets an immovable object, the result is a family fight.
5. Music does not always sooth the troubled beast.
6. An Englishman's home is his castle.
7. The female of the species is more deadly than the male.
8. One black eye deserves another.
9. Space is the final frontier, and so is the sewage farm.
10. It pays to increase your word power.
”
”
Diana Wynne Jones (Archer's Goon)
“
Here was an ugly little girl asking for beauty....A little black girl who wanted to rise up out of the pit of her blackness and see the world with blue eyes. His outrage grew and felt like power. For the first time he honestly wished he could work miracles.
”
”
Toni Morrison (The Bluest Eye)
“
I’m not strong enough for this,” he whispered in her ear—like he didn’t want anyone to hear that coming out of his mouth. Ever. Running her hands up his powerful back, she held him just as hard. “But I am.
”
”
J.R. Ward (The King (Black Dagger Brotherhood, #12))
“
When there is a lot of power concentrated in one place, there are plenty of scraps to fight over. If the Court isn’t busy drinking poison, then it’s drinking bile.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
She sighed in relief. "You came."
Kell stepped into the room, the black ring's cord swinging from his fingers. "You called.
”
”
Victoria Schwab (The Fragile Threads of Power (Threads of Power, #1))
“
The ordinary procedure of the nineteenth century is that when a powerful and noble personage encounters a man of feeling, he kills, exiles, imprisons or so humiliates him that the other, like a fool, dies of grief.
”
”
Stendhal (The Red and the Black)
“
Black is beautiful. Black isn’t power. Knowledge is power. You can be black as a crow or white as snow but if you don’t know and you ain’t got no dough, you can’t go and that’s for sho’.
”
”
Lewis H. Michaux
“
Fuck forgiveness.
That’s what they want me to do. Make it easy for them. Clear their consciences. Let them get away with what they’ve done.
The powerful. The strong. The privileged.
Not a fucking chance.
”
”
Leah Raeder (Black Iris)
“
This is what it means to be a woman in this world. Every step is a bargain with pain. Make your black deals in the black wood and decide what you’ll trade for power. For the opposite of weakness, which is not strength but hardness. I am a trap, but so is everything. Pick your price. I am a huckster with a hand in your pocket. I am freedom and I will eat your heart.
”
”
Catherynne M. Valente (Six-Gun Snow White)
“
By the power vested in me thanks to Google, I know pronounce you husband and wife! You may kiss the bride!
”
”
J.R. Ward (The King (Black Dagger Brotherhood #12))
“
The power of the white world is threatened whenever a black man refuses to accept the white world's definitions.
”
”
James Baldwin
“
You've never in your life seen a horse run so fast! He's all power-all beauty.
”
”
Walter Farley (The Black Stallion (The Black Stallion, #1))
“
Librarians are hot. They have knowledge and power over their domain...It is no coincidence how many librarians are portrayed as having a passionate interior, hidden by a cool layer of reserve. Aren't books like that? On the shelf, their calm covers belie the intense experience of reading one. Reading inflames the soul. Now, what sort of person would be the keeper of such books?
”
”
Holly Black
“
Every day that I don’t beg Cardan for forgiveness over a feud he started is a day I win. He can humiliate me, but every time he does and I don’t back down, he makes himself less powerful. After all, he’s throwing everything he’s got at someone as weak as I am and it’s not working. He’s going to take himself down.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
Yes, Marcos is gay. Marcos is gay in San Francisco, black in South Africa, an Asian in Europe, a Chicano in San Ysidro, an anarchist in Spain, a Palestinian in Israel, a Mayan Indian in the streets of San Cristobal, a Jew in Germany, a Gypsy in Poland, a Mohawk in Quebec, a pacifist in Bosnia, a single woman on the Metro at 10pm, a peasant without land, a gang member in the slums, an unemployed worker, an unhappy student and, of course, a Zapatista in the mountains.
Marcos is all the exploited, marginalised, oppressed minorities resisting and saying `Enough'. He is every minority who is now beginning to speak and every majority that must shut up and listen. He is every untolerated group searching for a way to speak. Everything that makes power and the good consciences of those in power uncomfortable -- this is Marcos.
”
”
Subcomandante Marcos
“
... the young people are the ones who most quickly identify with the struggle and the necessity to eliminate the evil conditions that exist.
”
”
Malcolm X (Malcolm X, Black Liberation, and the Road to Workers Power)
“
The seconds tick. They always do. The power of an entire sun cannot stop them even for a moment, and so death comes between the moments, like a thief of light in the dark.
”
”
Christopher Pike (Black Blood (The Last Vampire, #2))
“
Personally, I think so-called "common language" is more interesting and apropos than "proper English"; it's passionate and powerful in ways that "wherefore art thou ass and thy elbow" just isn't.
”
”
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
“
I hate how they have the power to kill my future, kill me. They treat my Black skin like a gun or a grenade or a knife that is dangerous and lethal, when really it’s them. The guys at the top powering everything.
”
”
Faridah Àbíké-Íyímídé (Ace of Spades)
“
To me, at least in retrospect, the really interesting question is why dullness proves to be such a powerful impediment to attention. Why we recoil from the dull. Maybe it’s because dullness is intrinsically painful; maybe that’s where phrases like ‘deadly dull’ or ‘excruciatingly dull’ come from. But there might be more to it. Maybe dullness is associated with psychic pain because something that’s dull or opaque fails to provide enough stimulation to distract people from some other, deeper type of pain that is always there, if only in an ambient, low-level way, and which most of us spend nearly all our time and energy trying to distract ourselves from feeling, or at least from feeling directly or with our full attention. Admittedly, the whole thing’s pretty confusing, and hard to talk about abstractly…but surely something must lie behind not just Muzak in dull or tedious places any more but now also actual TV in waiting rooms, supermarkets’ checkouts, airport gates, SUVs’ backseats. Walkman, iPods, BlackBerries, cell phones that attach to your head. This terror of silence with nothing diverting to do. I can’t think anyone really believes that today’s so-called ‘information society’ is just about information. Everyone knows it’s about something else, way down.
”
”
David Foster Wallace
“
Fairy tales are full of girls who wait, who endure, who suffer. Good girls. Obedient girls. Girls who crush nettles until their hands bleed. Girls who haul water for witches. Girls who wander through deserts or sleep in ashes or make homes for transformed brothers in the woods. Girls without hands, without eyes, without the power of speech, without any power at all. But then a prince rides up and sees the girl and finds her beautiful. Beautiful, not despite her suffering, but because of it.
”
”
Holly Black (The Lost Sisters (The Folk of the Air, #1.5))
“
I was never really certain why he scared the bejesus out of me. Nothing scared me growing up. I’ve been playing with dead people since the day I was born, so it’s good thing, yet the Big Bad scared me. Which brings me to the reason I called.”
“Which was to give me nightmares for the rest of my life?”
“Oh, no, that’s just a plus. Why was I so scared of him?”
“Hon, for one thing he was this powerful, massive, black smokelike being.”
“So, you’re saying I’m a racist?
”
”
Darynda Jones (Third Grave Dead Ahead (Charley Davidson, #3))
“
Power, wealth and immortality--they don't bring happiness. You will never know what the word means.
”
”
Christopher Pike (Black Blood (The Last Vampire, #2))
“
Do not touch her
A terrible silence follows. I wait for him to pronounce judgment on me. Whatever he commands will be done. His power is absolute. I don't even have the strength to fight back.
Whatever can you mean? Randalin says. She's -----
She is my wife, Cardan says
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
As night fell, Yamamoto, aboard the huge battleship Yamato, steamed eastward at full speed into the night. Far ahead the destroyers went to flank speed to search for the US carriers. Lookouts, with the best night-vision binoculars in the world, swept the night horizon where the very dark sky meets the black ocean. The faintest shape, the tiniest pinprick of light, would show there was something out there, like the superstructure of a ship over the horizon. There was nothing.
”
”
Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
“
Nina knew the power of black and white images. Sometimes a thing was its truest self when the colors were stripped away.
”
”
Kristin Hannah (Winter Garden)
“
Today I wore a pair of faded old jeans and a plain grey baggy shirt. I hadn't even taken a shower, and I did not put on an ounce of makeup. I grabbed a worn out black oversized jacket to cover myself with even though it is warm outside. I have made conscious decisions lately to look like less of what I felt a male would want to see. I want to disappear.
”
”
Sierra D. Waters (Debbie.)
“
Black Magick is the process of self-transformation through an antinomian initiatory structure, Black meaning the hidden wisdom, power of darkness, dreams and staging the reality you wish and Magick being the process to ascend, become immortal in spirit.
”
”
Michael W. Ford (Adamu: Luciferian Tantra and Sex Magick)
“
We get power by taking it.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
Take your feelings and hold them with softness, but also with power. And whenever you feel afraid, know you can ask your fear about itself.
”
”
Junauda Petrus (The Stars and the Blackness Between Them)
“
The struggle is inner: Chicano, indio, American Indian, mojado, mexicano, immigrant Latino, Anglo in power, working class Anglo, Black, Asian--our psyches resemble the bordertowns and are populated by the same people. The struggle has always been inner, and is played out in outer terrains. Awareness of our situation must come before inner changes, which in turn come before changes in society. Nothing happens in the "real" world unless it first happens in the images in our heads.
”
”
Gloria E. Anzaldúa
“
It is necessary to remember, as we think critically about domination, that we all have the capacity to act in ways that oppress, dominate, wound (whether or not that power is institutionalized). It is necessary to remember that it is first the potential oppressor within that we must resist – the potential victim within that we must rescue – otherwise we cannot hope for an end to domination, for liberation.
”
”
bell hooks (Talking Back: Thinking Feminist, Thinking Black)
“
The erotic state – again, a mixture of concentration and spontaneity – is a hypnoidal state, probably the most powerful kind that we are capable of experiencing, and it is in this condition that unexpected regions of the self are revealed, as the majority of people know from experience.
”
”
Peter Redgrove (The Black Goddess and the Unseen Real: Our Uncommon Senses and Their Common Sense)
“
Your suit looks just like mine.” Kenji frowns. “I’m supposed to be the one with the black suit. Why can’t you have a pink suit? Or a yellow suit—”
“Because we’re not the freaking Power Rangers,” Winston says, rolling his eyes.
“What the hell is a Power Ranger?” Kenji shoots back.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
Honey, de white man is de ruler of everything as fur as Ah been able tuh find out. Maybe it's some place way off in de ocean where de black man is in power, but we don't know nothin' but what we see.
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
If you are a monster, stand up.
If you are a monster, a trickster, a fiend,
If you’ve built a steam-powered wishing machine
If you have a secret, a dark past, a scheme,
If you kidnap maidens or dabble in dreams
Come stand by me.
If you have been broken, stand up.
If you have been broken, abandoned, alone
If you have been starving, a creature of bone
If you live in a tower, a dungeon, a throne
If you weep for wanting, to be held, to be known,
Come stand by me.
If you are a savage, stand up.
If you are a witch, a dark queen, a black knight,
If you are a mummer, a pixie, a sprite,
If you are a pirate, a tomcat, a wright,
If you swear by the moon and you fight the hard fight,
Come stand by me.
If you are a devil, stand up.
If you are a villain, a madman, a beast,
If you are a strowler, a prowler, a priest,
If you are a dragon come sit at our feast,
For we all have stripes, and we all have horns,
We all have scales, tails, manes, claws and thorns
And here in the dark is where new worlds are born.
Come stand by me.
”
”
Catherynne M. Valente
“
The needs of a society determine its ethics, and in the Black American ghettos the hero is that man who is offered only the crumbs from his country's table but by ingenuity and courage is able to take for himself a Lucullan feast. Hence the janitor who lives in one room but sports a robin's-egg-blue Cadillac is not laughed at but admired, and the domestic who buys forty-dollar shoes is not criticized but is appreciated. We know that they have put to use their full mental and physical powers. Each single gain feeds into the gains of the body collective.
”
”
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
“
Every little thing is sent for something, and in that thing there should be happiness and the power to make happy. Like the grasses showing tender faces to each other, thus we should do, for this was the wish of the
Grandfathers of the World.
”
”
Black Elk (Black Elk Speaks: Being the Life Story of a Holy Man of the Oglala Sioux)
“
Nonviolence is a powerful and just weapon. It is a weapon unique in history, which cuts without wounding and ennobles the man who wields it. It is a sword that heals.
”
”
Martin Luther King Jr. (Why We Can't Wait)
“
Wherever I found religion in my life I found strife, the attempt of one individual or group to rule another in the name of God. The naked will to power seemed always to walk in the wake of a hymn.
”
”
Richard Wright (Black Boy)
“
I'm not good at having friends. I mean, I can make myself useful to people. I can fit in. I get invited to parties and I can sit at any table I want in the cafeteria.
But actually trusting someone when they have nothing to gain from me just doesn't make sense.
All friendships are negotiations of power.
”
”
Holly Black (White Cat (Curse Workers, #1))
“
I’ve grown quite weary of the spunky heroines, brave rape victims, soul-searching fashionistas that stock so many books. I particularly mourn the lack of female villains — good, potent female villains. Not ill-tempered women who scheme about landing good men and better shoes (as if we had nothing more interesting to war over), not chilly WASP mothers (emotionally distant isn’t necessarily evil), not soapy vixens (merely bitchy doesn’t qualify either). I’m talking violent, wicked women. Scary women. Don’t tell me you don’t know some. The point is, women have spent so many years girl-powering ourselves — to the point of almost parodic encouragement — we’ve left no room to acknowledge our dark side. Dark sides are important. They should be nurtured like nasty black orchids.
”
”
Gillian Flynn
“
And because I had been a hustler, I knew better than all whites knew, and better than nearly all of the black 'leaders' knew, that actually the most dangerous black man in America was the ghetto hustler. Why do I say this? The hustler, out there in the ghetto jungles, has less respect for the white power structure than any other Negro in North America. The ghetto hustler is internally restrained by nothing. He has no religion, no concept of morality, no civic responsibility, no fear--nothing. To survive, he is out there constantly preying upon others, probing for any human weakness like a ferret. The ghetto hustler is forever frustrated, restless, and anxious for some 'action'. Whatever he undertakes, he commits himself to it fully, absolutely. What makes the ghetto hustler yet more dangerous is his 'glamour' image to the school-dropout youth in the ghetto.These ghetto teen-agers see the hell caught by their parents struggling to get somewhere, or see that they have given up struggling in the prejudiced, intolerant white man’s world. The ghetto teen-agers make up their own minds they would rather be like the hustlers whom they see dressed ‘sharp’ and flashing money and displaying no respect for anybody or anything. So the ghetto youth become attracted to the hustler worlds of dope, thievery, prostitution, and general crime and immorality.
”
”
Malcolm X (The Autobiography of Malcolm X)
“
I feel my soul as vast as the world, truly a soul as deep as the deepest of rivers; my chest has the power to expand to infinity. I was made to give and they prescribe for me the humility of the cripple.
”
”
Frantz Fanon (Black Skin, White Masks)
“
Some thought magic came from the mind, others the soul, or the heart, or the will. But Kell knew it came from the blood.
Blood was magic made manifest. There it thrived. And there it poisoned. Kell had seen what happened when power warred with the body, watched it darken in the veins of corrupted men, turning their blood from crimson to black. If red was the color of magic in balance—of harmony between power and humanity—then black was the color of magic without balance, without order, without restraint.
As an Antari, Kell was made of both, balance and chaos; the blood in his veins, like the Isle of Red London, ran a shimmering, healthy crimson, while his right eye was the color of spilled ink, a glistening black.
”
”
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
“
You’re a heartbreaker, Isabelle Lightwood,” he said, as lightly as he could with her blood still running through him like fire. “Jace told Clary once you’d walk all over me in high-heeled boots.”
“That was then. You’re different now.” She eyed him.
“You’re not scared of me.”
He touched her face. “A nd you’re not scared of anything.”
“I don’t know.” Her hair fell forward. “Maybe you’ll b r eak my heart.” Before he could say anything, she kissed him, and he wondered if she could taste her own blood. “Now shut up. I want to sleep,” she said, and she curled up against his side and closed her eyes.
Somehow, now, they fit, where they hadn’t before.
Nothing was awkward, or poking into him, or banging against his leg. It didn’t feel like childhood and sunlight and gentleness. It felt strange and heated and exciting and powerful and… different. Simon lay awake, his eyes on the ceiling, his hand stroking Isabelle’s silky black hair absently. He felt like he’d been caught up in a tornado and deposited somewhere very far away, where nothing was familiar. Eventually he turned his head and kissed Izzy, very lightly, on the forehead; she stirred and murmured but didn’t open her eyes.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Capitalism is not wicked or cruel when the commodity is the whore; profit is not wicked or cruel when the alienated worker is a female piece of meat; corporate bloodsucking is not wicked or cruel when the corporations in question, sell cunt; racism is not wicked or cruel when the black cunt or yellow cunt or red cunt or Hispanic cunt or Jewish cunt has her legs splayed for any man's pleasure; poverty is not wicked or cruel when it is the poverty of dispossessed women who have only themselves to sell; violence by the powerful against the powerless is not wicked or cruel when it is called sex; slavery is not wicked or cruel when it is sexual slavery; torture is not wicked or cruel when the tormented are women, whores, cunts. The new pornography is left-wing; and the new pornography is a vast graveyard where the Left has gone to die. The Left cannot have its whores and its politics too.
”
”
Andrea Dworkin (Pornography: Men Possessing Women)
“
Latent in every man is a venom of amazing bitterness, a black resentment; something that curses and loathes life, a feeling of being trapped, of having trusted and been fooled, of being helpless prey to impotent rage, blind surrender, the victim of a savage, ruthless power that gives and takes away, enlists a man, drops him, promises and betrays, and -crowning injury- inflicts on him the humiliation of feeling sorry for himself.
”
”
Paul Valéry
“
It's nothing like the way they describe it in the movies, like all the stars aligning and fireworks exploding across an ink-black sky. It feels both quieter and bigger than that, as simple as coming home and as dizzying and all-encompassing as the wind rushing in around us. It feels like a thousand banished and buried moments have been building up to this - to us alone and untethered and weak with wanting - and maybe they have.
”
”
Ann Liang (If You Could See the Sun)
“
Magic comes from the heart, from your feelings, your deepest expressions of desire. That's why black magic is so easy—it comes from lust, from fear and anger, from things that are easy to feed and make grow. The sort I do is harder. It comes from something deeper than that, a truer and purer source—harder to tap, harder to keep, but ultimately more elegant, more powerful. My magic. That was at the heart of me. It was a manifestation of what I believed, what I lived. It came from my desire to see to it that someone stood between the darkness and the people it would devour. It came from my love of a good steak, from the way I would sometimes cry at a good movie or a moving symphony. From my life. From the hope that I could make things better for someone else, if not always for me. Somewhere, in all of that, I touched on something that wasn't tapped out, in spite of how horrible the past days had been, something that hadn't gone cold and numb inside of me. I grasped it, held it in my hand like a firefly, and willed its energy out, into the circle I had created with the spinning amulet on the end of its chain.
”
”
Jim Butcher (Fool Moon (The Dresden Files, #2))
“
The one test of the really weird (story) is simply this--whether or not there be excited in the reader a profound sense of dread, and of contact with unknown spheres and powers; a subtle attitude of awed listening, as if for the beating of black wings or the scratching of outside shapes and entities on the known universe's utmost rim.
”
”
H.P. Lovecraft (Supernatural Horror in Literature)
“
My future husband was devastation poured into a suit. Not handsome by conventional means, but so powerful and compelling his presence swallowed every molecule of oxygen in the room like a black hole consuming a newborn star. There were generically good-looking men, and there was him.
”
”
Ana Huang (King of Wrath (Kings of Sin, #1))
“
Bloodclan, Attack!"
Not a cat moved
Tigerstar's amber eyes widened and he screeched "Attack, I order you!"
Still none of the warriors moved, eccept for the small black cat who took a pace forward. He glanced twored Firestar. "I am Scourge, leader of Bloodclan," he meowed, his voice cold and quiet. "Tigerstar, my warriors are not yours to command. They will attack when I tell them, and not before."
The look Tigerstar gave him was incredulous and glittered with all the hatred he had ever shown to Firestar, as is he couldn't beleive that this scrap of a cat was defying him. Firestar seized his oppertunity. He paced forward untill he stood right infront of the two leaders. Behind him, he heard graystripe hiss, "Firestar,be
careful!"
But this was no time for being careful. The very future of the forest was at stake, balanced on the breadth of a hair between Tigerstar's bloodthirsty quest for power and the whims of the unknown bloodclan.
Now Firestar could see that the collar Scourge wore around his neck was studded with teath--The teath of dogs, and...CATS' teath too. Great Starclan! Did they kill their own kind and wear there teath as trophies?
”
”
Erin Hunter (The Darkest Hour (Warriors, #6))
“
Time and again, racist ideas have not been cooked up from the boiling pot of ignorance and hate. Time and again, powerful and brilliant men and women have produced racist ideas in order to justify the racist policies of their era, in order to redirect the blame for their era’s racial disparities away from those policies and onto Black people.
”
”
Ibram X. Kendi (Stamped from the Beginning: The Definitive History of Racist Ideas in America)
“
I didn't want to believe that killing was deep inside of me. I didn't want to think about the part of me that took a dark joy in gathering all the power it could and using it as I saw fit, everything else be damned. There was power to be had in hatred, too, in anger and in lust, in selfishness and in pride. And I knew that there was some dark corner of me that would enjoy using magic for killing—and then long for more. That was black magic, and it was easy to use. Easy and fun. Like Legos.
”
”
Jim Butcher (Fool Moon (The Dresden Files, #2))
“
Anything seemed possible, likely, feasible, because I wanted everything to be possible... Because I had no power to make things happen outside of me in the objective world, I made things happen within. Because my environment was bare and bleak, I endowed it with unlimited potentialities, redeemed it for the sake of my own hungry and cloudy yearning.
”
”
Richard Wright (Cliffs Notes on Wright's Black Boy)
“
The problem is that white people see racism as conscious hate, when racism is bigger than that. Racism is a complex system of social and political levers and pulleys set up generations ago to continue working on the behalf of whites at other people’s expense, whether whites know/like it or not. Racism is an insidious cultural disease. It is so insidious that it doesn’t care if you are a white person who likes black people; it’s still going to find a way to infect how you deal with people who don’t look like you. Yes, racism looks like hate, but hate is just one manifestation. Privilege is another. Access is another. Ignorance is another. Apathy is another. And so on. So while I agree with people who say no one is born racist, it remains a powerful system that we’re immediately born into. It’s like being born into air: you take it in as soon as you breathe. It’s not a cold that you can get over. There is no anti-racist certification class. It’s a set of socioeconomic traps and cultural values that are fired up every time we interact with the world. It is a thing you have to keep scooping out of the boat of your life to keep from drowning in it. I know it’s hard work, but it’s the price you pay for owning everything.
”
”
Scott Woods
“
You could still be lying,” says the Roach. He turns to Cardan. “Try her.”
“Your pardon?” Cardan says, drawing himself up, and the Roach seems to suddenly remember to whom he’s speaking in such an offhanded way.
“Don’t be such a prickly rose, Your Majesty,” the Roach says with a shrug and a grin. “I’m not giving you an order. I’m suggesting that if you tried to glamour Jude, we could find out the truth.”
Cardan sighs and walks toward me. I know this is necessary. I know that he doesn’t intend to hurt me. I know he can’t glamour me. And yet I draw back automatically.
“Jude?” he asks.
“Go ahead,” I say.
I hear the glamour enter his voice, heady and seductive and more powerful than I expected. “Crawl to me,” he says with a grin. Embarrassment pinks my cheeks.
I stay where I am, looking at all their faces. “Satisfied?”
The Bomb nods. “You’re not charmed.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
As she chattered and laughed and cast quick glances into the house and the yard, her eyes fell on a stranger, standing alone in the hall, staring at her in a cool impertinent way that brought her up sharply with a mingled feeling of feminine pleasure that she had attracted a man and an embarrassed sensation that her dress was too low in the bosom. He looked quite old, at least thirty-five. He was a tall man and powerfully built. Scarlett thought she had never seen such a man with such wide shoulders, so heavy with muscles, almost too heavy for gentility. When her eye caught his, he smiled, showing animal-white teeth below a close-clipped black mustache. He was dark of face, swarthy as a pirate, and his eyes were as bold and black as any pirate's appraising a galleon to be scuttled or a maiden to be ravished. There was a cool recklessness in his face and a cynical humor in his mouth as he smiled at her, and Scarlett caught her breath. She felt that she should be insulted by such a look as was annoyed with herself because she did not feel insulted. She did not know who he could be, but there was undeniably a look of good blood in his dark face. It showed in the thin hawk nose over the full red lips, and high forehead and the wide-set eyes.
”
”
Margaret Mitchell (Gone with the Wind)
“
I was astonished, bewildered. This was America, a country where, whatever its faults, people could speak, write, assemble, demonstrate without fear. It was in the Constitution, the Bill of Rights. We were a democracy...
But I knew it wasn't a dream; there was a painful lump on the side of my head...
The state and its police were not neutral referees in a society of contending interests. They were on the side of the rich and powerful. Free speech? Try it and the police will be there with their horses, their clubs, their guns, to stop you.
From that moment on, I was no longer a liberal, a believer in the self-correcting character of American democracy. I was a radical, believing that something fundamental was wrong in this country--not just the existence of poverty amidst great wealth, not just the horrible treatment of black people, but something rotten at the root. The situation required not just a new president or new laws, but an uprooting of the old order, the introduction of a new kind of society--cooperative, peaceful, egalitarian.
”
”
Howard Zinn (You Can't Be Neutral on a Moving Train: A Personal History of Our Times)
“
Love is a hollow word which seems at home in song lyrics and greeting cards, until you fall in love and discover it’s disconcerting power. Depression means nothing more than the blues, commercially packaged angst, a hole in the ground; until you find it’s black weight settled inside your mother’s chest, disrupting her breathing, leaching her days, and yours, of colour and the nights of rest.
”
”
Jerry Pinto (Em and The Big Hoom)
“
I see only one hope for our country, and that is when white men and black men, desiring neither power nor money, but desiring only the good for their country, come together to work for it.
I have one great fear in my heart, that one day when they are turned to loving, they will find we are turned to hating.
”
”
Alan Paton (Cry, the Beloved Country)
“
Living in a female body, a Black body, an aging body, a fat body, a body with mental illness is to awaken daily to a planet that expects a certain set of apologies to already live on our tongues. There is a level of “not enough” or “too much” sewn into these strands of difference.
”
”
Sonya Renee Taylor (The Body Is Not an Apology: The Power of Radical Self-Love)
“
... He'd been about to turn away when she lifted her face to the moon and sang.
It was not in any language that he knew. Not in the common tongue, or in Eyllwe, or in the languages of Fenharrow or Melisande, or anywhere else on the continent
This language was ancient, each word full of power and rage and agony.
She did not have a beautiful voice. And many of the words sounded like half sobs, the vowels stretched by the pangs of sorrow, the consonants hardened by anger. She beat her breast in time, so full of savage grace, so at odds with the black gown and veil she wore. The hair on the back of his neck stood as the lament poured from her mouth, unearthly and foreign, a song of grief so old that it predated the stone castle itself.
And the the song finished, its end as butal and sudden as Nehemia's death had been.
She stood there a few moments, silent and unmoving.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
Ruby, what does the future look like?” Nico asked. “I can’t picture it. I try all the time, but I can’t imagine it. Jude said it looked like an open road just after a rainstorm.”
I turned back toward the board, eyes tracing those eight letters, trying to take their power away; change them from a place, a name, to just another word. Certain memories trap you; you relive their thousand tiny details. The damp, cool spring air, swinging between snow flurries and light rain. The hum of the electric fence. The way Sam used to let out a small sigh each morning we left the cabin. I remembered the path to the Factory the way you never forgot the story behind a scar. The black mud would splatter over my shoes, momentarily hiding the numbers written there. 3285. Not a name.
You learned to look up, craning your neck back to gaze over the razor wire curled around the top of the fence. Otherwise, it was too easy to forget that there was a world beyond the rusting metal pen they’d thrown all of us animals into.
“I see it in colors,” I said. “A deep blue, fading into golds and reds—like fire on a horizon. Afterlight. It’s a sky that wants you to guess if the sun is about to rise or set.”
Nico shook his head. “I think I like Jude’s better.”
“Me too,” I said softly. “Me too.
”
”
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
“
Kaladin screamed, reaching the end of the bridge. Finding a tiny surge of strength somewhere, he raised his spear and threw himself off the end of the wooden platform, launching into the air above the cavernous void.
Bridgemen cried out in dismay. Syl zipped about him with worry. Parshendi looked up with amazement as a lone bridgeman sailed through the air toward them.
His drained, worn-out body barely had any strength left. In that moment of crystallized time, he looked down on his enemies. Parshendi with their marbled red and black skin. Soldiers raising finely crafted weapons, as if to cut him from the sky. Strangers, oddities in carapace breastplates and skullcaps. Many of them wearing beards.
Beards woven with glowing gemstones.
Kaladin breathed in.
Like the power of salvation itself—like rays of sunlight from the eyes of the Almighty—Stormlight exploded from those gemstones. It streamed through the air, pulled in visible streams, like glowing columns of luminescent smoke. Twisting and turning and spiraling like tiny funnel clouds until they slammed into him.
And the storm came to life again.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
Even in the face of powerful structures of domination, it remains possible for each of us, especially those of us who are members of oppressed and/or exploited groups as well as those radical visionaries who may have race, class, and sex privilege, to define and determine alternative standards, to decide on the nature and extent of compromise.
”
”
bell hooks (Talking Back: Thinking Feminist, Thinking Black)
“
If I could forgive, it meant I was a strong good person who could take responsibility for the path I had chosen for myself, and all the consequences that accompanied that choice. And it gave me the simple but powerful satisfaction of extending a kindness to another person in a tough spot.
”
”
Piper Kerman (Orange Is the New Black)
“
If humans one day become extinct from a catastrophic collision, there would be no greater tragedy in the history of life in the universe. Not because we lacked the brain power to protect ourselves but because we lacked the foresight. The dominant species that replaces us in post-apocalyptic Earth just might wonder, as they gaze upon our mounted skeletons in their natural history museums, why large-headed Homo sapiens fared no better than the proverbially pea-brained dinosaurs.
”
”
Neil deGrasse Tyson (Death by Black Hole: And Other Cosmic Quandaries)
“
He examined the chess problem and set out the pieces. It was a tricky ending, involving a couple of knights.
'White to play and mate in two moves.'
Winston looked up at the portrait of Big Brother. White always mates, he thought with a sort of cloudy mysticism. Always, without exception, it is so arranged. In no chess problem since the beginning of the world has black ever won. Did it not symbolize the eternal, unvarying triumph of Good over Evil? The huge face gazed back at him, full of calm power. White always mates.
”
”
George Orwell (1984)
“
When the power of the shift rips the human body apart and transforms it into its new shape, there lives a second, less than a second, a mere shimmer of time when the mind is without a home, no body to call its own. Existence is painless in there, nothing but formlessness beyond understanding. A secret place, it contains nothing but the essence of self, a lost self. In the fire of pain, Colton found a whisper of that place, its ghost, its echo, and from that echo he withdrew a thread of deepest black.
”
”
Finn Marlowe (A Thread of Deepest Black)
“
I remember you was conflicted
Misusing your influence
Sometimes I did the same
Abusing my power, full of resentment
Resentment that turned into a deep depression
Found myself screaming in the hotel room
I didn’t wanna self destruct
The evils of Lucy was all around me
So I went running for answers
Until I came home
But that didn’t stop survivor’s guilt
Going back and forth trying to convince myself the stripes I earned
Or maybe how A-1 my foundation was
But while my loved ones was fighting the continuous war back in the city, I was entering a new one
A war that was based on apartheid and discrimination
Made me wanna go back to the city and tell the homies what I learned
The word was respect
Just because you wore a different gang color than mine's
Doesn’t mean I can’t respect you as a black man
Forgetting all the pain and hurt we caused each other in these streets
If I respect you, we unify and stop the enemy from killing us
But I don’t know, I’m no mortal man, maybe I’m just another nigga
”
”
Kendrick Lamar, To Pimp a Butterfly
“
[On Schopenhauer in Black and White] Schopenhauer's views of love are flawed. Love can't be merely an illusion of the mind to aid in procreation, but the path to redemption for an otherwise violently selfish species. Past human greatness has proven that when challenged, love can overpower impulsive instinct, and in essence, the vilest aspects of our nature.
”
”
Tiffany Madison
“
Finally, don’t put on a Let’s Be Fair tone and say “But black people are racist too.” Because of course we’re all prejudiced (I can’t even stand some of my blood relatives, grasping, selfish folks), but racism is about the power of a group and in America it’s white folks who have that power. How? Well, white folks don’t get treated like shit in upper-class African-American communities and white folks don’t get denied bank loans or mortgages precisely because they are white and black juries don’t give white criminals worse sentences than black criminals for the same crime and black police officers don’t stop white folk for driving while white and black companies don’t choose not to hire somebody because their name sounds white and black teachers don’t tell white kids that they’re not smart enough to be doctors and black politicians don’t try some tricks to reduce the voting power of white folks through gerrymandering and advertising agencies don’t say they can’t use white models to advertise glamorous products because they are not considered “aspirational” by the “mainstream.
”
”
Chimamanda Ngozi Adichie (Americanah)
“
Simon's walls were covered in what looked like pages ripped from a comic book, but when I squinted, I realized they were hand drawn. Some were black-and-white, but most were in full color,
everything from character sketches to splash panels to full pages, done in a style that wasn't quite manga, wasn't
quite comic book.
”
”
Kelley Armstrong (The Summoning (Darkest Powers #1))
“
And once upon a time I wondered: Is writing epic fantasy not somehow a betrayal? Did I not somehow do a disservice to my own reality by paying so much attention to the power fantasies of disenchanted white men?
But. Epic fantasy is not merely what Tolkien made it.
This genre is rooted in the epic — and the truth is that there are plenty of epics out there which feature people like me. Sundiata’s badass mother. Dihya, warrior queen of the Amazighs. The Rain Queens. The Mino Warriors. Hatshepsut’s reign. Everything Harriet Tubman ever did. And more, so much more, just within the African components of my heritage. I haven’t even begun to explore the non-African stuff. So given all these myths, all these examinations of the possible… how can I not imagine more? How can I not envision an epic set somewhere other than medieval England, about someone other than an awkward white boy? How can I not use every building-block of my history and heritage and imagination when I make shit up?
And how dare I disrespect that history, profane all my ancestors’ suffering and struggles, by giving up the freedom to imagine that they’ve won for me.
”
”
N.K. Jemisin
“
Most kinds of power require a substantial sacrifice by whoever wants the power. There is an apprenticeship, a discipline lasting many years. Whatever kind of power you want. President of the company. Black belt in karate. Spiritual guru. Whatever it is you seek, you have to put in the time, the practice, the effort. You must give up a lot to get it. It has to be very important to you. And once you have attained it, it is your power. It can’t be given away: it resides in you. It is literally the result of your discipline.
”
”
Michael Crichton (Jurassic Park (Jurassic Park, #1))
“
For no good reason, he thought of Xhex. Xhex was a thunderstorm made up of hues of black and iron gray, power leashed but no less lethal for its control. Cormia was a sunny day cast in rainbow of brightness. He put his hand over his heart and bowed to her, then left. As he started up for his room, he wondered whether he liked the storm or the sunshine better.
”
”
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
“
We solemnly swear that we are up to no good. On this fortnight of October 31st, 1975, the four Marauders agree to follow each other until death do us part. We also agree to always keep secret the Great Power that we possess. Oh, yes- and one more thing. To make Snivellus's life during and after Hogwarts a living hell.
Signed (in no significant order),
Padfoot
Moony
Prongs
Wormtail
”
”
Mordred (Forever Alive)
“
No religion I ever encountered made any sense. None are consistent. Most gods are megalomaniacs and paranoid psychotics by their worshippers' description. I don't see how they could survive their own insanity. But it's not impossible that human beings are incapable of interpreting a power so much greater than themselves. Maybe religions are twisted and perverted shadows of truth. Maybe there are forces which shape the world. I myself have never understood why, in a universe so vast, a god would care about something so trivial as worship or human destiny.
”
”
Glen Cook (The White Rose (The Chronicles of the Black Company, #3))
“
England is not the jewelled isle of Shakespeare's much-quoted message, nor is it the inferno depicted by Dr Goebbels. More than either it resembles a family, a rather stuffy Victorian family, with not many black sheep in it but with all its cupboards bursting with skeletons. It has rich relations who have to be kow-towed to and poor relations who are horribly sat upon, and there is a deep conspiracy of silence about the source of the family income. It is a family in which the young are generally thwarted and most of the power is in the hands of irresponsible uncles and bedridden aunts. Still, it is a family. It has its private language and its common memories, and at the approach of an enemy it closes its ranks. A family with the wrong members in control - that, perhaps is as near as one can come to describing England in a phrase.
”
”
George Orwell (Why I Write)
“
A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister.
Jules, Helen had called him. Her little brother.
The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids.
The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart.
“Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.”
Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd.
“Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Despite long-standing claims by elites that Blacks, women, Latinos, and other similarly derogated groups in the United States remain incapable of producing the type of interpretive, analytical thought that is labeled theory in the West, powerful knowledges of resistance that toppled former social structures of social inequality repudiate this view. Members of these groups do in fact theorize, and our critical social theory has been central to our political empowerment and search for justice.
”
”
Patricia Hill Collins
“
The White liberal is the worst enemy to America and the worst enemy to the Black man. Let me first explain what I mean by this White liberal. In America there’s no such thing as Democrats and Republicans anymore. That’s antiquated. In America you have liberals and conservatives. This is what the American political structure boils down to among Whites. The only people who are still living in the past and thinks in terms of “I’m a Democrat” or “I’m a Republican” is the American Negro. He’s the one who runs around bragging about party affiliation and he’s the one who sticks to the Democrat or sticks to the Republican, but White people in America are divided into two groups, liberals and Republicans…or rather, liberals and conservatives. And when you find White people vote in the political picture, they’re not divided in terms of Democrats and Republicans, they’re divided consistently as conservatives and as liberal. The Democrats who are conservative vote with Republicans who are conservative. Democrats who are liberals vote with Republicans who are liberals. You find this in Washington, DC. Now the White liberals aren’t White people who are for independence, who are liberal, who are moral, who are ethical in their thinking, they are just a faction of White people who are jockeying for power the same as the White conservatives are a faction of White people who are jockeying for power. Now they are fighting each other for booty, for power, for prestige and the one who is the football in the game is the Negro. Twenty million Black people in this country are a political football, a political pawn an economic football, an economic pawn, a social football, a social pawn...
”
”
Malcolm X
“
It's me," a deep voice rumbled.
The hands released me and I turned. There stood Derek, all six foot of him. Maybe it was just the thrill of seeing him, but he looked better than I remembered. His black hair was still lank, and his face was still dotted with acne. But he looked...better.
~~~~~
Tori waited until Derek was gone, then shuddered. "Okay, Derek always weired me out, but the wolf man stuff is seriously creepy. Suits him, I suppose. A creepy power for a creepy guy."
"I thought he looked better."
She stared at me.
"What? He does. Probably because he's starting his wolf changes and he's not stressed out about being in Lyle House. That must help."
"You know what will really help? Shampoo. Deodorant - "
I raised my hand to cut her off. "He smelled fine, so don't start that. I'm sure his wearing deodorant and - for once-it's working. As for showers, they're a little hard to come by on the street, and we won't look much better soon."
"I'm just saying."
"Do you think he doesn't know you're saying? News flash-he's not stupid.
”
”
Kelley Armstrong (The Awakening (Darkest Powers, #2))
“
Diana gave her a measured look and ducked down behind the counter. She came up a moment later with a sword about the length of Clary's forearm. "What do you think of this?"
Clary stared at the weapon. It was undoubtedly beautiful. The cross-guard, grip and pommel were gold chased with obsidian, the blade a silver so dark it was nearly black.
"It's a shortsword. You might want to look at the other side," said Diana, and she flipped the sword over. On the opposite side of the blade, down the center ridge, ran a pattern of black stars.
"Oh." Clary's heart thumped painfully; she took a step away and nearly bumped into Jace, who had come up behind her, frowning. "That's a Morgenstern sword."
"Yes, it is." The sword-seller's eyes were shrewd. "Long ago the Morgensterns commissioned two blades from Wayland the Smith-a matched set. You have doubtless seen the the larger sword already, for Valentine Morgenstern carried it, and now his son carries it after him."
"You know who we are," Jace said. It wasn't a question. "Who Clary is."
"The Shadowhunter world is small," said Diana, and she looked from one of them to the other. "I'm on the Council. I've seen you give testimony, Valentine's daughter."
Clary looked doubtfully at the blade. "I've seen two men bear the larger version of that sword, and I hated them both. There are no Morgensterns in this world now who are dedicated to anything but evil."
Jace said, "There's you."
"I'll give it to you," said Diana. "You're right that people hate the Morgensterns; it's not the sort of item I could sell elsewhere. Or would necessarily want to. It should go to good hands."
"I don't want it," Clary said.
"If you flinch from it, you give it power over you," said Diana. "Take it, and cut your brother's throat with it, and reclaim the honor of your blood.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Death has a body like a model, the clothes of a poet and the smile of your best friend. She wears a top hat for fun, her ankh necklace for power, and carries a big black umbrella for travelling to the 'sunless lands.' I wonder what she smells like? I'm sure it's fresh and clean and her laugh must be rinkly or maybe it's warm and chuckly, but whatever it is, Death laughs a lot.
We talk about the 'miracle of birth' but what about the 'miracle of death'? We have the science of death pretty much figured out, but death's magic and inevitability have been feared and ignored for a long time now.
What if Death is a person?
”
”
Neil Gaiman (Death: The Time of Your Life)
“
Wow,” I said. “That story is disturbing on so many different levels. One thing that’s mystifying about Indian mythology is how often the names change. The skin color changes – she’s golden, she’s black, she’s pink. Her name changes – she’s Durga, Kali, Parvati. Her personality changes – she’s a loving mother, she’s a fierce warrior, she’s terrible in her wrath, she’s a lover, she’s vengeful, she’s weak and mortal, then she’s powerful and can’t be defeated. Then there’s her marital status – she’s sometimes single, sometimes married. It’s hard to keep all the stories straight.”
Ren snickered. “Sounds like a normal woman to me.
”
”
Colleen Houck
“
The chanting grew louder, deep male voice pumping.
She looked to the brothers, the tall, fierce men who were now part of her life. Wrath pivoted and put his arm around her. Together, they swayed to the rhythm that swelled, filling the air. The brothers were as one as they paid homage in their language, a single powerful entity.
But then, in a high, keening call, one voice broke out, lifting above the others, shooting higher and higher. The sound of the tenor was so clear, so pure, it brought shivers to the skin, a yearning warmth to the chest. The sweet notes blew the ceiling off with their glory, turning the chamber into cathedral, the brothers into a tabernacle.
Bringing the very heavens close enough to touch.
It was Zsadist.
His eys closed, his head back, his mouth wide open, he sang.
The scarred one, the soulless one, had the voice of an angel.
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
“
And Grandfather Crow said to First Woman, tell me your stories so that I might know who you are and what you value. If your stories are of the glory of war, I will know you value power. If your stories are of kinship, I know you value relationship. If your stories are of many children, I know you value legacy. But if your stories are of adaptation and survival, of long memory and revenge, then I will know you are a Crow like me.
”
”
Rebecca Roanhorse (Black Sun (Between Earth and Sky, #1))
“
We ignore the blackness of outer space and pay attention to the stars, especially if they seem to order themselves into constellations. “Common as the air” meant something worthless, but Hackworth knew that every breath of air that Fiona drew, lying in her little bed at night, just a silver flow in the moonlight, was used by her body to make skin and hair and bones. The air became Fiona, and deserving—no, demanding—of love. Ordering matter was the sole endeavor of Life, whether it was a jumble of self-replicating molecules in the primordial ocean, or a steam-powered English mill turning weeds into clothing, or Fiona lying in her bed turning air into Fiona.
”
”
Neal Stephenson (The Diamond Age: Or, a Young Lady's Illustrated Primer)
“
Not everything in life is so black and white, but the authenticity of the Book of Mormon and its keystone role in our religion seem to be exactly that. Either Joseph Smith was the prophet he said he was, a prophet who, after seeing the Father and the Son, later beheld the angel Moroni, repeatedly heard counsel from Moroni's lips, and eventually received at his hands a set of ancient gold plates that he then translated by the gift and power of God, or else he did not. And if he did not, he would not be entitled to the reputation of New England folk hero or well-meaning young man or writer of remarkable fiction. No, nor would he be entitled to be considered a great teacher, a quintessential American religious leader, or the creator of great devotional literature. If he had lied about the coming forth of the Book of Mormon, he would certainly be none of these...
If Joseph Smith did not translate the Book of Mormon as a work of ancient origin, then I would move heaven and earth to meet the "real" nineteenth-century author. After one hundred and fifty years, no one can come up with a credible alternative candidate, but if the book were false, surely there must be someone willing to step forward-if no one else, at least the descendants of the "real" author-claiming credit for such a remarkable document and all that has transpired in its wake. After all, a writer that can move millions can make millions. Shouldn't someone have come forth then or now to cashier the whole phenomenon?
”
”
Jeffrey R. Holland
“
This is the difference between racism and prejudice. There is an unattributed definition of racism that defines it as prejudice plus power. Those disadvantaged by racism can certainly be cruel, vindictive, and prejudiced. Everyone has the capacity to be nasty to other people, to judge them before they get to know them. But there simply aren't enough black people in positions of power to enact racism against white people on the kind of grand scale it currently operates at against black people. Are black people over-represented in the places and spaces where prejudice could really take effect? The answer is almost always no.
”
”
Reni Eddo-Lodge (Why I'm No Longer Talking to White People About Race)
“
Love, he realized, was like the daggers he made in his forge: When you first got one it was shiny and new and the blade glinted bright in the light. Holding it against your palm, you were full of optimism for what it would be like in the field, and you couldn't wait to try it out. Except those first couple of nights out were usually awkward as you got used to it and it got used to you.
Over time, the steel lost its brand-new gleam, and the hilt became stained, and maybe you nicked the shit out of the thing a couple of times. What you got in return, however, saved your life: Once the pair of you were well acquainted, it became such a part of you that it was an extension of your own arm. It protected you and gave you a means to protect your brothers; it provided you with the confidnece and the power to face whatever came out of the night; and wherever you went, it stayed with you, right over your heart, always there when you needed it.
You had to keep the blade up, however. And rewrap the hilt from time to time. And double-check the weight.
Funny...all of that was well, duh when it came to weapons. Why hadn't it dawned on him that matings were the same?
(From the thoughts of Vishous)
”
”
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
“
To me, at least in retrospect, the really interesting question is why dullness proves to be such a powerful impediment to attention. Why we recoil from the dull. Maybe it's because dullness is intrinsically painful; maybe that's where phrases like 'deadly dull' or 'excruciatingly dull' come from. But there might be more to it. Maybe dullness is associated with psychic pain because something that's dull or opaque fails to provide enough stimulation to distract people from some other, deeper type of pain that is always there, if only in an ambient low-level way, and which most of us spend nearly all our time and energy trying to distract ourselves from feeling, or at least from feeling directly or with our full attention. Admittedly, the whole thing's pretty confusing, and hard to talk about abstractly...but surely something must lie behind not just Muzak in dull or tedious places anymore but now also actual TV in waiting rooms, supermarkets' checkouts, airports' gates, SUVs' backseats. Walkmen, iPods, BlackBerries, cell phones that attach to your head. The terror of silence with nothing diverting to do. I can't think anyone really believes that today's so-called 'information society' is just about information. Everyone knows it's about something else, way down.
”
”
David Foster Wallace (The Pale King)
“
You cannot seriously think you’re going to fight this guy. He could kick your ass with one arm tied behind his back, much less with all his voluminous vampire powers. He’s probably stronger than you, faster than you. He can probably jump higher. Hell, he can probably glamour you into making out with him right there on the mats.”
We simultaneously looked over to where Ethan, half naked, was toeing off his black leather loafers. The muscles in his abdomen clenched as he moved. So did the lines of corded muscle across his shoulders.
God, but he was beautiful.
I narrowed my gaze.
Beautiful but evil. Wicked. The repugnant dregs of foul malevolence. Or something.
“Jesus,” Mallory whispered. “I want to support your quest for revenge and all, but maybe you should just let him glamour you.” She looked at me, and I could tell she was trying not to laugh. “Either you’re fucked, or you’re fucked, right?
”
”
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
“
But I feel more powerful than ever. And more peaceful too. I am living more truthfully than I’ve ever lived. I may not be the exact portrait of womanhood that my teenage self envisaged (sophisticated and slim; wearing black dresses and drinking martinis and meeting men at book launches and exhibition openings). I may not have all the exact things I thought I’d have at thirty. Or all the things I’ve been told I should have. But I feel content; grateful for every morning that I wake up with another day on this earth and another chance to do good and feel good and make others feel good too.
”
”
Dolly Alderton (Everything I Know About Love)
“
The skies were filled with an unreal fire; blue, burnt with amber, red, orange and yellow. This fire was no natural thing. It clawed across the sky, and below it all life shivered and retreated. The land lay scorched, the mountains and glens trembling.
The man stood pale in the false light, a statue, watching. Then he moved, shaking off the stillness, and looked towards the power that shook the world. His clenched fist opened and clean white light leapt to the sky. A huge concussion rocked the mountains. All light was quenched. The sky turned black, then clear and blue. A distant rainbow promised that all was well and God still cared for this lost land.
Alastair Munro fell back, the soft heather a safety net, all power gone, all anger lost. Angus Ferguson was beside him as ever, a reassuring voice, a reminder of why Munro was there, why he must go on, why this was his destiny
”
”
Robert Reid (White Light Red Fire)
“
The Black Horse made its beholder a master of combat. The Golden Egg granted great wealth. The Prophet offered glimpses of the future. The White Eagle bestowed courage. The Maiden bequeathed great beauty. The Chalice turned liquid into truth serum. The Well gave clear sight to recognize one’s enemies. The Iron Gate offered blissful serenity, no matter the struggle. The Scythe gave its beholder the power to control others. The Mirror granted invisibility. The Nightmare allowed its user to speak into the minds of others. The Twin Alders had the power to commune with Blunder’s ancient entity, the Spirit of the Wood.
”
”
Rachel Gillig (One Dark Window (The Shepherd King, #1))
“
His stare shifted back over to Qhuinn. The guy's huge body was arching into the human woman, his broad shoulders and his tight hips and his long, powerful legs guaranteeing her one hell of a ride. He was amazing at sex.
Not that Blay would know firsthand. He'd seen it and he'd heard it...and he'd imagined what it would be like. But when the opportunity had arisen, he'd been relegated to a small, special class: denied. Actually, it was more of a category than a class...because he was the only one who Qhuinn would not have sex with.
”
”
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
“
I look down past the stars to a terrifying darkness. I seem to recognize the place, but it's impossible. "Accident," I whisper. I will fall. I seem to desire the fall, and though I fight it with all my will I know in advance I can't win. Standing baffled, quaking with fear, three feet from the edge of a nightmare cliff, I find myself, incredibly, moving towards it. I look down, down, into bottomless blackness, feeling the dark power moving in me like an ocean current, some monster inside me, deep sea wonder, dread night monarch astir in his cave, moving me slowly to my voluntary tumble into death.
”
”
John Gardner (Grendel)
“
The Roach shakes his head. “I can learn from Jude’s example, though. I can ask for a promise. If we’re spotted, if we’re set upon, promise to go back to Elfhame immediately. You must do everything in your power to get to safety, no matter what.”
Cardan glances toward me, as though for help. When I am silent, he frowns, annoyed with both of us. “Although I am wearing the cloak Mother Marrow made me, the one that will turn any blade, I still promise to run, tail between my legs. And since I have a tail, that should be amusing for everyone. Are you satisfied?
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
There are three basic flavors of incentive: economic, social, and moral. Very often a single incentive scheme will include all three varieties. Think about the anti-smoking campaign of recent years. The addition of a $3-per-pack “sin tax” is a strong economic incentive against buying cigarettes. The banning of cigarettes in restaurants and bars is a powerful social incentive. And when the U.S. government asserts that terrorists raise money by selling black-market cigarettes, that acts as a rather jarring moral incentive.
”
”
Steven D. Levitt (Freakonomics: A Rogue Economist Explores the Hidden Side of Everything)
“
Israel's demonstration of its military prowess in 1967 confirmed its status as a 'strategic asset,' as did its moves to prevent Syrian intervention in Jordan in 1970 in support of the PLO. Under the Nixon doctrine, Israel and Iran were to be 'the guardians of the Gulf,' and after the fall of the Shah, Israel's perceived role was enhanced. Meanwhile, Israel has provided subsidiary services elsewhere, including Latin America, where direct US support for the most murderous regimes has been impeded by Congress. While there has been internal debate and some fluctuation in US policy, much exaggerated in discussion here, it has been generally true that US support for Israel's militarization and expansion reflected the estimate of its power in the region.
The effect has been to turn Israel into a militarized state completely dependent on US aid, willing to undertake tasks that few can endure, such as participation in Guatemalan genocide. For Israel, this is a moral disaster and will eventually become a physical disaster as well. For the Palestinians and many others, it has been a catastrophe, as it may sooner or later be for the entire world, with the growing danger of superpower confrontation.
”
”
Noam Chomsky
“
Black Girls… Stop settling for less than what you deserve. That’s why I stress self-love! There comes a time when you can no longer blame a man. You’ve got to hold yourself accountable for the choices that you make. Choose wisely! Slow down. Pay attention. Don’t allow his good looks and swag to blind you from the truth. Don’t be so easily flattered by money, cars, jewelry, and all of that other stuff. Your heart and well-being is worth much more than that. Choose someone who respects, loves, and adores you. Somebody who has your best interest at heart. Nothing less! Allow yourself to experience REAL love. Stop giving your love, time, and attention to men who clearly don’t deserve it. #ItsAllUpToYou
”
”
Stephanie Lahart
“
...After all, acknowledging unfairness then calls decent people forth to correct those injustices. And since most persons are at their core, decent folks, the need to ignore evidence of injustice is powerful: To do otherwise would force whites to either push for change (which they would perceive as against their interests) or live consciously as hypocrites who speak of freedom and opportunity but perpetuate a system of inequality.
The irony of American history is the tendency of good white Americanas to presume racial innocence. Ignorance of how we are shaped racially is the first sign of privilege.
In other words. It is a privilege to ignore the consequences of race in America.
”
”
Tim Wise
“
The basic distortions in the media are not innocent errors, for they are not random; rather they move in the same overall direction again and again, favoring management over labor, corporatism over anti-corporatism, the affluent over the poor, private enterprise over socialism, Whites over Blacks, males over females, officialdom over protesters, conventional politics over dissidence, anticommunism and arms-race militarism over disarmament, national chauvinism over internationalism, US dominance of the Third World over revolutionary or populist nationalist change. The press does many things and serves many functions but its major role, its irreducible responsibility, is to continually recreate a view of reality supportive of existing social and economic class power.
”
”
Michael Parenti (Inventing Reality: The Politics of News Media)
“
Were I to go down into the market-place, armed with the powers of witchcraft, and take a peasant by the shoulders and whisper to him, 'In your lifetime, have you known peace?' wait for his answer, shake his shoulders and transform him into his father, and ask him the same question, and transform him in his turn to his father, I would never hear the word 'Yes,' if I carried my questioning of the dead back for a thousand years. I would always hear, 'No, there was fear, there were our enemies without, our rulers within, there was prison, there was torture, there was violent death.
”
”
Rebecca West (Black Lamb and Grey Falcon)
“
I write to make peace with the things I cannot control. I write to create red in a world that often appears black and white. I write to discover. I write to uncover. I write to meet my ghosts. I write to begin a dialogue. I write to imagine things differently and in imagining things differently perhaps the world will change. I write to honor beauty. I write to correspond with my friends. I write as a daily act of improvisation. I write because it creates my composure. I write against power and for democracy. I write myself out of my nightmares and into my dreams. I write in a solitude born out of community. I write to the questions that shatter my sleep. I write to the answers that keep me complacent. I write to remember. I write to forget….
I write because I believe in words. I write because I do not believe in words. I write because it is a dance with paradox. I write because you can play on the page like a child left alone in sand. I write because it belongs to the force of the moon: high tide, low tide. I write because it is the way I take long walks. I write as a bow to wilderness. I write because I believe it can create a path in darkness….
write as ritual. I write because I am not employable. I write out of my inconsistencies. I write because then I do not have to speak. I write with the colors of memory. I write as a witness to what I have seen. I write as a witness to what I imagine….
I write because it is dangerous, a bloody risk, like love, to form the words, to say the words, to touch the source, to be touched, to reveal how vulnerable we are, how transient we are. I write as though I am whispering in the ear of the one I love.
”
”
Terry Tempest Williams (Red: Passion and Patience in the Desert)
“
-You know how to call me
although such a noise now
would only confuse the air
Neither of us can forget
the steps we danced
the words you stretched
to call me out of dust
Yes I long for you
not just as a leaf for weather
or vase for hands
but with a narrow human longing
that makes a man refuse
any fields but his own
I wait for you at an
unexpected place in your journey
like the rusted key
or the feather you do not pick up.-
-I WILL NEVER FIND THE FACES
FOR ALL GOODBYES I'VE MADE.-
For Anyone Dressed in Marble
The miracle we all are waiting for
is waiting till the Parthenon falls down
and House of Birthdays is a house no more
and fathers are unpoisoned by renown.
The medals and the records of abuse
can't help us on our pilgrimage to lust,
but like whips certain perverts never use,
compel our flesh in paralysing trust.
I see an orphan, lawless and serene,
standing in a corner of the sky,
body something like bodies that have been,
but not the scar of naming in his eye.
Bred close to the ovens, he's burnt inside.
Light, wind, cold, dark -- they use him like a bride.
I Had It for a Moment
I had it for a moment
I knew why I must thank you
I saw powerful governing men in black suits
I saw them undressed
in the arms of young mistresses
the men more naked than the naked women
the men crying quietly
No that is not it
I'm losing why I must thank you
which means I'm left with pure longing
How old are you
Do you like your thighs
I had it for a moment
I had a reason for letting the picture
of your mouth destroy my conversation
Something on the radio
the end of a Mexican song
I saw the musicians getting paid
they are not even surprised
they knew it was only a job
Now I've lost it completely
A lot of people think you are beautiful
How do I feel about that
I have no feeling about that
I had a wonderful reason for not merely
courting you
It was tied up with the newspapers
I saw secret arrangements in high offices
I saw men who loved their worldliness
even though they had looked through
big electric telescopes
they still thought their worldliness was serious
not just a hobby a taste a harmless affectation
they thought the cosmos listened
I was suddenly fearful
one of their obscure regulations
could separate us
I was ready to beg for mercy
Now I'm getting into humiliation
I've lost why I began this
I wanted to talk about your eyes
I know nothing about your eyes
and you've noticed how little I know
I want you somewhere safe
far from high offices
I'll study you later
So many people want to cry quietly beside you
”
”
Leonard Cohen (Flowers for Hitler)
“
Wylan cleared his throat. “The chemistry is complicated. I was hoping Kuwei would help.”
Nina said something to Kuwei in Shu. He shrugged and looked away, lip jutting out slightly. Whether it was the recent death of his father or the fact that he’d found himself stuck in a cemetery with a band of thieves, the boy had become increasingly sullen.
“Well?” Jesper prodded.
“I have other interests,” Kuwei replied.
Kaz’s black gaze pinned Kuwei like the tip of a dagger. “I suggest rethinking your priorities.”
Jesper gave Kuwei another nudge. “That’s Kaz’s way of saying, ‘Help Wylan or I’ll seal you up in one of these tombs and see how that suits your interests.’ ”
Matthias was no longer sure what the Shu boy understood or didn’t, but apparently he’d received the message. Kuwei swallowed and nodded grudgingly.
“The power of negotiation,” Jesper said, and shoved a cracker in his mouth.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Hey Meg! Communication implies sound. Communion doesn't.' He sent her a brief image of walking silently through the woods, the two of them alone together., their feet almost noiseless on the rusty carpet of pine needles. They walked without speaking, without touching, and yet they were as close as it is possible for two human beings to be. They climbed up through the woods, coming out into the brilliant sunlight at the top of the hill. A few sumac trees showed their rusty candles. Mountain laurel, shiny, so dark a green the leaves seemed black in the fierceness of sunlight, pressed toward the woods. Meg and Calvin had stretched out in the thick, late-summer grass, lying on their backs, gazing up into the shimmering blue of sky, a vault interrupted only by a few small clouds.
And she had been as happy, she remembered, as it is possible to be, and as close to Calvin as she had ever been to anybody in her life, even Charles Wallace, so close that their separate bodies, daisies and buttercups joining rather than dividing them, seemed a single enjoyment of summer and sun and each other.
That was surely the purest kind of thing.
Mr. Jenkins had never had that kind of communion with another human being, a communion so rich and full that silence speaks more powerfully than words.
”
”
Madeleine L'Engle (A Wind in the Door (Time Quintet, #2))
“
The real enemy" is the totality of physical and mental constraints by which capital, or class society, or statism, or the society of the spectacle expropriates everyday life, the time of our lives. The real enemy is not an object apart from life. It is the organization of life by powers detached from it and turned against it. The apparatus, not its personnel, is the real enemy. But it is by and through the apparatchiks and everyone else participating in the system that domination and deception are made manifest. The totality is the organization of all against each and each against all. It includes all the policemen, all the social workers, all the office workers, all the nuns, all the op-ed columnists, all the drug kingpins from Medellin to Upjohn, all the syndicalists and all the situationists.
”
”
Bob Black (The Abolition of Work and Other Essays)
“
I’ve gotten my Phosphor to work at last.” Henry proudly brandished the object. “It functions on the principle of witchlight but is five times more powerful. Merely press a button, and you will see a blaze of light the like of which you have never imagined.”
There was a silence. “So,” said Will finally, “it’s a very, very bright witchlight, then?”
“Exactly,” Henry said.
“Is that useful, precisely?” Jem inquired. “After all, witchlight is just for illumination. It’s not as if it’s dangerous… .”
“Wait till you see it!” Henry replied. He held up the object. “Watch.”
Will moved to object, but it was too late; Henry had already pressed the button. There was a blinding flare of light and a whooshing sound, and the room was plunged into blackness. Tessa gave a yelp of surprise, and Jem laughed softly.
“Am I blind?” Will’s voice floated out of the darkness, tinged with annoyance. “I’m not going to be at all pleased if you’ve blinded me, Henry.”
“No.” Henry sounded worried. “No, the Phosphor seems to— Well, it seems to have turned all the lights in the room off.”
“It’s not supposed to do that?” Jem sounded mild, as always.
“Er,” said Henry, “no.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
This never happens again," I said quietly. "You try to get to me through other mortals again and I'll kill you."
Mavra's rotted lips turned up at one corner. "No, you won't," she said in her dusty voice. "You don't have that kind of power."
"I can get it," I said.
"But you won't," she responded, mockery in her tone. "It wouldn't be right."
I stared at her for a full ten seconds before I said, in a very quiet voice, "I've got a fallen angel tripping all over herself to give me more power. Queen Mab has asked me to take the mantle of Winter Knight twice now. I've read Kemmler's book. I know how the Darkhallow works. And I know how to turn necromancy against the Black Court."
Mavra's filmed eyes flashed with anger.
I continued to speak quietly, never raising my voice. "So once again, let me be perfectly clear. If anything happens to Murphy and I even think you had a hand in it, fuck right and wrong. If you touch her, I'm declaring war on you. Personally. I'm picking up every weapon I can get. And I'm using them to kill you. Horribly.
”
”
Jim Butcher (Dead Beat (The Dresden Files, #7))
“
Once, he’d been the Seducer, the Executioner, the High Priest of the Hourglass, the Prince of the Darkness, the High Lord of Hell.
Once, he’d been Consort to Cassandra, the great Black-Jeweled, Black Widow Queen, the last Witch to walk the Realms.
Once, he’d been the only Black-Jeweled Warlord Prince in the history of the Blood, feared for his temper and the power he wielded.
Once, he’d been the only male who was a Black Widow.
Once, he’d ruled the Dhemlan Territory in the Realm of Terreille and her sister Territory in Kaeleer, the Shadow Realm. He’d been the only male ever to rule without answering to a Queen and, except for Witch, the only member of the Blood to rule Territories in two Realms.
Once, he’d been married to Hekatah, an aristo Black Widow Priestess from one of Hayll’s Hundred Families.
Once, he’d raised two sons, Mephis and Peyton. He’d played games with them, told them stories, read to them, healed their skinned knees and broken hearts, taught them Craft and Blood Law, showered them with his love of the land as well as music, art, and literature, encouraged them to look with eager eyes upon all that the Realms had to offer—not to conquer but to learn. He’d taught them to dance for a social occasion and to dance for the glory of Witch. He’d taught them how to be Blood.
But that was a long, long time ago.
”
”
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
“
There's something easy about the idea that vampirism is some kind of disease- then they can't help it if they attack us, that they commit murders and atrocities, that they can only control themselves sometimes. They're sick; its not their fault. And there's something even easier about the idea of demonic invasion, something forcing our loved ones to do all manner of terrible things. Still not their fault, only now we can destroy them. But the third option, the possibility that there's something monstrous inside of us that can be unleashed, is the most disturbing of all. Maybe its just us, us with a raging hunger, us with a couple of accidental murders under our belt. Humanity, with the training wheels off the bike, careening down a steep hill. Humanity, freed from the constraints of consequence and gifted with power. Humanity, grown away from all things human.
”
”
Holly Black (The Coldest Girl in Coldtown)
“
The door to Blay's room opened wide without a knock, a hello, a hey-are-you-decent.
Qhuinn stood in between the jambs, breathing hard, like he’d run down the hall of statues.
Sh**, had Layla lost the pregnancy after all?
Those mismatched eyes searched around. “You by yourself?”
Why the hell would— Oh, Saxton. Right. “Yes—”
The male took three strides forward, reached up . . . and kissed the ever-loving crap out of Blay.
The kiss was the kind that you remembered all your life, the connection forged with such totality that everything from the feel of the body against your own, to the warm slid of another’s lips on yours, to the power as well as the control, was etched into your mind...
”
”
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
“
76. David Hume – Treatise on Human Nature; Essays Moral and Political; An Enquiry Concerning Human Understanding
77. Jean-Jacques Rousseau – On the Origin of Inequality; On the Political Economy; Emile – or, On Education, The Social Contract
78. Laurence Sterne – Tristram Shandy; A Sentimental Journey through France and Italy
79. Adam Smith – The Theory of Moral Sentiments; The Wealth of Nations
80. Immanuel Kant – Critique of Pure Reason; Fundamental Principles of the Metaphysics of Morals; Critique of Practical Reason; The Science of Right; Critique of Judgment; Perpetual Peace
81. Edward Gibbon – The Decline and Fall of the Roman Empire; Autobiography
82. James Boswell – Journal; Life of Samuel Johnson, Ll.D.
83. Antoine Laurent Lavoisier – Traité Élémentaire de Chimie (Elements of Chemistry)
84. Alexander Hamilton, John Jay, and James Madison – Federalist Papers
85. Jeremy Bentham – Introduction to the Principles of Morals and Legislation; Theory of Fictions
86. Johann Wolfgang von Goethe – Faust; Poetry and Truth
87. Jean Baptiste Joseph Fourier – Analytical Theory of Heat
88. Georg Wilhelm Friedrich Hegel – Phenomenology of Spirit; Philosophy of Right; Lectures on the Philosophy of History
89. William Wordsworth – Poems
90. Samuel Taylor Coleridge – Poems; Biographia Literaria
91. Jane Austen – Pride and Prejudice; Emma
92. Carl von Clausewitz – On War
93. Stendhal – The Red and the Black; The Charterhouse of Parma; On Love
94. Lord Byron – Don Juan
95. Arthur Schopenhauer – Studies in Pessimism
96. Michael Faraday – Chemical History of a Candle; Experimental Researches in Electricity
97. Charles Lyell – Principles of Geology
98. Auguste Comte – The Positive Philosophy
99. Honoré de Balzac – Père Goriot; Eugenie Grandet
100. Ralph Waldo Emerson – Representative Men; Essays; Journal
101. Nathaniel Hawthorne – The Scarlet Letter
102. Alexis de Tocqueville – Democracy in America
103. John Stuart Mill – A System of Logic; On Liberty; Representative Government; Utilitarianism; The Subjection of Women; Autobiography
104. Charles Darwin – The Origin of Species; The Descent of Man; Autobiography
105. Charles Dickens – Pickwick Papers; David Copperfield; Hard Times
106. Claude Bernard – Introduction to the Study of Experimental Medicine
107. Henry David Thoreau – Civil Disobedience; Walden
108. Karl Marx – Capital; Communist Manifesto
109. George Eliot – Adam Bede; Middlemarch
110. Herman Melville – Moby-Dick; Billy Budd
111. Fyodor Dostoevsky – Crime and Punishment; The Idiot; The Brothers Karamazov
112. Gustave Flaubert – Madame Bovary; Three Stories
113. Henrik Ibsen – Plays
114. Leo Tolstoy – War and Peace; Anna Karenina; What is Art?; Twenty-Three Tales
115. Mark Twain – The Adventures of Huckleberry Finn; The Mysterious Stranger
116. William James – The Principles of Psychology; The Varieties of Religious Experience; Pragmatism; Essays in Radical Empiricism
117. Henry James – The American; The Ambassadors
118. Friedrich Wilhelm Nietzsche – Thus Spoke Zarathustra; Beyond Good and Evil; The Genealogy of Morals;The Will to Power
119. Jules Henri Poincaré – Science and Hypothesis; Science and Method
120. Sigmund Freud – The Interpretation of Dreams; Introductory Lectures on Psychoanalysis; Civilization and Its Discontents; New Introductory Lectures on Psychoanalysis
121. George Bernard Shaw – Plays and Prefaces
”
”
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
“
There was a wicked ole witch once called Black Aliss. She was an unholy terror. There's never been one worse or more powerful. Until now. Because I could spit in her eye and steal her teeth, see. Because she didn't know Right from Wrong, so she got all twisted up, and that was the end of her.
"The trouble is, you see, that if you do know Right from Wrong, you can't choose Wrong. You just can't do it and live. So.. if I was a bad witch I could make Mister Salzella's muscles turn against his bones and break them where he stood... if I was bad. I could do things inside his head, change the shape he thinks he is, and he'd be down on what had been his knees and begging to be turned into a frog... if I was bad. I could leave him with a mind like a scrambled egg, listening to colors and hearing smells...if I was bad. Oh yes." There was another sigh, deeper and more heartfelt.
"But I can't do none of that stuff. That wouldn't be Right."
She gave a deprecating little chuckle. And if Nanny Ogg had been listening, she would have resolved as follows: that no maddened cackle from Black Aliss of infamous memory, no evil little giggle from some crazed Vampyre whose morals were worse than his spelling, no side-splitting guffaw from the most inventive torturer, was quite so unnerving as a happy little chuckle from a Granny Weatherwax about to do what's best.
”
”
Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
“
And far away, as Frodo put on the Ring and claimed it for his own, even in Sammath Naur the very heart of his realm, the Power in Barad-dûr was shaken, and the Tower trembled from its foundations to its proud and bitter crown. The Dark Lord was suddenly aware of him, and his Eye piercing all shadows looked across the plain to the door that he had made; and the magnitude of his own folly was revealed to him in a blinding flash, and all the devices of his enemies were at last laid bare. Then his wrath blazed in consuming flame, but his fear rose like a vast black smoke to choke him. For he knew his deadly peril and the thread upon which his doom now hung.
From all his policies and webs of fear and treachery, from all his stratagems and wars his mind shook free; and throughout his realm a tremor ran, his slaves quailed, and his armies halted, and his captains suddenly steerless, bereft of will, wavered and despaired. For they were forgotten. The whole mind and purpose of the Power that wielded them was now bent with overwhelming force upon the Mountain. At his summons, wheeling with a rending cry, in a last desperate race there flew, faster than the winds, the Nazgûl, the Ringwraiths, and with a storm of wings they hurtled southwards to Mount Doom.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
This wasn’t what she expected. Never, in her wildest dreams. This... this was the Blood Queen of Garbhán Isle? Scourge of the Madron lands? Destroyer of Villages? Demon Killer of Women and Children? She who had blood pacts with the darkest of gods? This was Annwyl the Bloody?
Talaith watched, fascinated, as Annwyl held onto Morfyd the Witch’s wrists. Morfyd — the Black Witch of Despair, Killer of the Innocent, Annihilator of Souls, and all around Mad Witch of Garbhán Isle or so she was called on the Madron lands — had actually tried to sneak up on Annwyl to put ointment on the nasty wound the queen had across her face. But as soon as the warrior saw her, she squealed and grabbed hold of her. Now Annwyl lay on her back, Morfyd over her, trying her best to get Annwyl to stop being a ten year old.
“If you just let me—”
“No! Get that centaur shit away from me, you demon bitch!”
“Annwyl, I’m not letting you go home to my brother looking like that. You look horrific.”
“He’ll have to love me in spite of it. Now get off!”
...
“Ow!”
“Crybaby.”
No, this isn’t what Talaith expected. Annwyl the Blood Queen was supposed to be a vicious, uncaring warrior bent on revenge and power. She let her elite guard rape and and pillage wherever they went, and she used babies as target practice while their mothers watched in horror. That’s what she was supposed to be and that’s what Talaith expected to find. Instead, she found Annwyl. Just Annwyl. A warrior who spent most of her resting time reading or mooning over her consort. She was silly, charming, very funny, and fiercely protective of everyone. Her elite guard, all handpicked by Annwyl, were sweet, vicious fighters and blindingly loyal to their queen.
”
”
G.A. Aiken (About a Dragon (Dragon Kin, #2))
“
There are monsters all around us
They can be so hard to see
hey don't have fangs, no blood-soaked claws
They look like you and me.
But we're not defenseless
We're no damsels in distress
Together we can fend off the attack
All we gotta do is watch our backs.
Your body is beautiful how it is
Who you love is nobody's business
We all contemplate life and death
It's the poet who gives these thoughts
breath.
The monster is strong, don't be mistaken
It thrives on fear-keeps us isolated
But together we can fend off its attack
All we gotta do is watch our backs.
In your darkest hour
When the fight's made you weary
When you think you've lost your power
When you can't see clearly
When you're ready to surrender
Give in to the black
look over your shoulder
I've got your back.
”
”
Gayle Forman (Sisters in Sanity)
“
Let's grant that the stars are scattered through space, hither and yon. But how hither, and how yon? To the unaided eye the brightest stars are more than a hundred times brighter than the dimmest. So the dim ones are obviously a hundred times farther away from Earth, aren't they?
Nope.
That simple argument boldly assumes that all stars are intrinsically equally luminous, automatically making the near ones brighter than the far ones. Stars, however, come in a staggering range of luminosities, spanning ten orders of magnitude ten powers of ten. So the brightest stars are not necessarily the ones closest to Earth. In fact, most of the stars you see in the night sky are of the highly luminous variety, and they lie extraordinarily far away.
If most of the stars we see are highly luminous, then surely those stars are common throughout the galaxy.
Nope again.
High-luminosity stars are the rarest. In any given volume of space, they're outnumbered by the low-luminosity stars a thousand to one. It's the prodigious energy output of high-luminosity stars that enables you to see them across such large volumes of space.
”
”
Neil deGrasse Tyson (Death by Black Hole: And Other Cosmic Quandaries)
“
Because there is nothing, nothing on Urras that we Anarresti need! We left with empty hands, a hundred and seventy years ago, and we were right. We took nothing. Because there is nothing here but States and their weapons, the rich and their lies, and the poor and their misery. There is no way to act rightly, with a clear heart, on Urras. There is nothing you can do that profit does not enter into, and fear of loss, and the wish for power. You cannot say good morning without knowing which of you is ‘superior’ to the other, or trying to prove it. You cannot act like a brother to other people, you must manipulate them, or command them, or obey them, or trick them. You cannot touch another person, yet they will not leave you alone. There is no freedom. It is a box—Urras is a box, a package, with all the beautiful wrapping of blue sky and meadows and forests and great cities. And you open the box, and what is inside it? A black cellar full of dust, and a dead man. A man whose hand was shot off because he held it out to others.
”
”
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
“
A certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present; and there must be a hint, expressed with a seriousness and portentousness becoming its subject, of that most terrible conception of the human brain - a malign and particular suspension or defeat of those laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space .... Therefore we must judge a weird tale not by the author's intent, or by the mere mechanics of the plot; but by the emotional level which it attains at its least mundane point... The one test of the really weird is simply this - whether or not there be excited in the reader a profound sense of dread, and of contact with unknown spheres and powers; a subtle attitude of awed listening, as if for the beating of black wings or the scratching of outside shapes and entities on the known universe's utmost rim.
”
”
H.P. Lovecraft (Supernatural Horror in Literature)
“
Leftists may claim that their activism is motivated by compassion or by moral principles, and moral principle does play a role for the leftist of the oversocialized type. But compassion and moral principle cannot be the main motives for leftist activism. Hostility is too prominent a component of leftist behavior; so is the drive for power. Moreover, much leftist behavior is not rationally calculated to be of benefit to the people whom the leftists claim to be trying to help. For example, if one believes that affirmative action is good for black people, does it make sense to demand affirmative action in hostile or dogmatic terms? Obviously it would be more productive to take a diplomatic and conciliatory approach that would make at least verbal and symbolic concessions to white people who think that affirmative action discriminates against them.
But leftist activists do not take such an approach because it would not satisfy their emotional needs. Helping black people is not their real goal. Instead, race problems serve as an excuse for them to express their own hostility and frustrated need for power. In doing so they actually harm black people, because the activists’ hostile attitude toward the white majority tends to intensify race hatred.
”
”
Theodore John Kaczynski (Industrial Society and Its Future)
“
I became totally absorbed into this forest existence. It was an unparalleled period when aloneness was a way of life; a perfect opportunity, it might seem, for meditating on the meaning of existence and my role in it all. But I was far too busy learning about the chimpanzees'lives to worry about the meaning of my own. I had gone to Gombe to accomplish a specific goal, not to pursue my early preoccupation with philosophy and religion. Nevertheless, those months at Gombe helped to shape the person I am today-I would have been insensitive indeed if the wonder and the endless fascination of my new world had not had a major impact on my thinking. All the time I was getting closer to animals and nature, and as a result, closer to myself and more and more in tune with the spiritual power that I felt all around. For those who have experienced the joy of being alone with nature there is really little need for me to say much more; for those who have not, no words of mine can even describe the powerful, almost mystical knowledge of beauty and eternity that come, suddenly, and all unexpected. The beauty was always there, but moments of true awareness were rare. They would come, unannounced; perhaps when I was watching the pale flush preceding dawn; or looking up through the rustling leaves of some giant forest tree into the greens and browns and the black shadows and the occasionally ensured bright fleck of blue sky; or when I stood, as darkness fell, with one hand on the still warm trunk of a tree and looked at the sparkling of an early moon on the never still, softly sighing water of Lake Tanganyika.
”
”
Jane Goodall
“
Racism is both overt and covert. It takes two, closely related forms: individual whites acting against individual blacks, and acts by the total white community against the black community. We call these individual racism and institutional racism. The first consists of overt acts by individuals, which cause death, injury or the violent destruction of property. This type can be recorded by television cameras; it can frequently be observed in the process of commission. The second type is less overt, far more subtle, less identifiable in terms of specific individuals committing the acts. But it is no less destructive of human life. The second type originates in the operation of established and respected forces in the society, and thus receives far less public condemnation than the first type. When white terrorists bomb a black church and kill five black children, that is an act of individual racism, widely deplored by most segments of the society. But when in that same city - Birmingham, Alabama - five hundred black babies die each year because of the lack of proper food, shelter and medical facilities, and thousands more are destroyed and maimed physically, emotionally and intellectually because of conditions of poverty and discrimination in the black community, that is a function of institutional racism. When a black family moves into a home in a white neighborhood and is stoned, burned or routed out, they are victims of an overt act of individual racism which many people will condemn - at least in words. But it is institutional racism that keeps black people locked in dilapidated slum tenements, subject to the daily prey of exploitative slumlords, merchants, loan sharks and discriminatory real estate agents. The society either pretends it does not know of this latter situation, or is in fact incapable of doing anything meaningful about it.
”
”
Stokely Carmichael (Black Power: The Politics of Liberation)
“
RAINBOW VOICES
I ask people of the world and children of light to start reflecting the stories of their souls to vibrate wisdom around the earth. Pick up a paintbrush or microphone. Press the inks of your pens to paper or tap words onto your screens, and start sharing what you know and have learned with the masses. Turn your personal painting into a piece of the earth's puzzle so that our unified assemblage of thoughts, experiences and lessons reveal common truths that cannot be denied. Imagine the changes that could happen if everyone suddenly stopped acting like someone else, became true to themselves, and celebrated the beauty of their uniqueness. Only after people have willingly removed their masks and costumes, and have begun pouring light from their hearts to reveal their vulnerability, dreams and pains, will we be able to see that beneath the surface we are all the same. After all, how can the world collectively fight for truth, if soldiers in its army are void of truth? We must first all be true by putting truth in our words and actions. And to do so, everyone must learn to think and react with their conscience. Imagine what Truth could do to neutralize the clutches of evil once this black and white world suddenly became embraced by a strong rainbow of loud powerful voices. We could put color back into every home, every school, every industry, every nation, and every garden on earth where flowers have been crushed by corruption.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
Give me the strongest cheese, the one that stinks best;
and I want the good wine, the swirl in crystal
surrendering the bruised scent of blackberries,
or cherries, the rich spurt in the back
of the throat, the holding it there before swallowing.
Give me the lover who yanks open the door
of his house and presses me to the wall
in the dim hallway, and keeps me there until I’m drenched
and shaking, whose kisses arrive by the boatload
and begin their delicious diaspora
through the cities and small towns of my body.
To hell with the saints, with martyrs
of my childhood meant to instruct me
in the power of endurance and faith,
to hell with the next world and its pallid angels
swooning and sighing like Victorian girls.
I want this world. I want to walk into
the ocean and feel it trying to drag me along
like I’m nothing but a broken bit of scratched glass,
and I want to resist it. I want to go
staggering and flailing my way
through the bars and back rooms,
through the gleaming hotels and weedy
lots of abandoned sunflowers and the parks
where dogs are let off their leashes
in spite of the signs, where they sniff each
other and roll together in the grass, I want to
lie down somewhere and suffer for love until
it nearly kills me, and then I want to get up again
and put on that little black dress and wait
for you, yes you, to come over here
and get down on your knees and tell me
just how fucking good I look.
- “For Desire
”
”
Kim Addonizio
“
First having read the book of myths,
and loaded the camera,
and checked the edge of the knife-blade,
I put on
the body-armor of black rubber
the absurd flippers
the grave and awkward mask.
I am having to do this
not like Cousteau with his
assiduous team
aboard the sun-flooded schooner
but here alone.
There is a ladder.
The ladder is always there
hanging innocently
close to the side of the schooner.
We know what it is for,
we who have used it.
Otherwise
it is a piece of maritime floss
some sundry equipment.
I go down.
Rung after rung and still
the oxygen immerses me
the blue light
the clear atoms
of our human air.
I go down.
My flippers cripple me,
I crawl like an insect down the ladder
and there is no one
to tell me when the ocean
will begin.
First the air is blue and then
it is bluer and then green and then
black I am blacking out and yet
my mask is powerful
it pumps my blood with power
the sea is another story
the sea is not a question of power
I have to learn alone
to turn my body without force
in the deep element.
And now: it is easy to forget
what I came for
among so many who have always
lived here
swaying their crenellated fans
between the reefs
and besides
you breathe differently down here.
I came to explore the wreck.
The words are purposes.
The words are maps.
I came to see the damage that was done
and the treasures that prevail.
I stroke the beam of my lamp
slowly along the flank
of something more permanent
than fish or weed
the thing I came for:
the wreck and not the story of the wreck
the thing itself and not the myth
the drowned face always staring
toward the sun
the evidence of damage
worn by salt and sway into this threadbare beauty
the ribs of the disaster
curving their assertion
among the tentative haunters.
This is the place.
And I am here, the mermaid whose dark hair
streams black, the merman in his armored body.
We circle silently
about the wreck
we dive into the hold.
I am she: I am he
whose drowned face sleeps with open eyes
whose breasts still bear the stress
whose silver, copper, vermeil cargo lies
obscurely inside barrels
half-wedged and left to rot
we are the half-destroyed instruments
that once held to a course
the water-eaten log
the fouled compass
We are, I am, you are
by cowardice or courage
the one who find our way
back to this scene
carrying a knife, a camera
a book of myths
in which
our names do not appear.
”
”
Adrienne Rich (Diving Into the Wreck)
“
As the British Empire fell, the Afrikaner rose up to claim South Africa as his rightful inheritance. To maintain power in the face of the country’s rising and restless black majority, the government realized they needed a newer and more robust set of tools. They set up a formal commission to go out and study institutionalized racism all over the world. They went to Australia. They went to the Netherlands. They went to America. They saw what worked, what didn’t. Then they came back and published a report, and the government used that knowledge to build the most advanced system of racial oppression known to man. Apartheid was a police state, a system of surveillance and laws designed to keep black people under total control. A full compendium of those laws would run more than three thousand pages and weigh approximately ten pounds, but the general thrust of it should be easy enough for any American to understand. In America you had the forced removal of the native onto reservations coupled with slavery followed by segregation. Imagine all three of those things happening to the same group of people at the same time. That was apartheid.
”
”
Trevor Noah (Born a Crime: Stories from a South African Childhood (One World Essentials))
“
Look at them, the bugs. Humans have used everything in their power to extinguish them: every kind of poison, aerial sprays, introducing and cultivating their natural predators, searching for and destroying their eggs, using genetic modification to sterilize them, burning with fire, drowning with water. Every family has bug spray, every desk has a flyswatter under it… this long war has been going on for the entire history of human civilization. But the outcome is still in doubt. The bugs have not been eliminated. They still proudly live between the heavens and the earth, and their numbers have not diminished from the time before the appearance of the humans. The Trisolarans who deemed the humans bugs seemed to have forgotten one fact: The bugs have never been truly defeated. A small black cloud covered the sun and cast a moving shadow against the ground. This was not a common cloud, but a swarm of locusts that had just arrived. As the swarm landed in the fields nearby, the three men stood in the middle of a living shower, feeling the dignity of life on Earth. Ding Yi and Wang Miao poured the two bottles of wine they had with them on the ground beneath their feet, a toast for the bugs.
”
”
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
“
You know what's wrong with scientific power?... It's a form of inherited wealth... Most kinds of power require a substantial sacrifice by whoever wants the power. There is an apprenticeship, a discipline lasting many years. Whatever kind of power you want. President of the company. Black belt in karate. Spiritual Guru. Whatever it is you seek, you have to put in the time, the practice, the effort. You must give up a lot to get it. It has to be very important to you. And once you have attained it, it is your power. It can't be given away: it resides in you. It is literally the result of your discipline. Now, what is interesting about this process is that, by the time someone has acquired the ability to his with his bare hands, he has also matured to the point where he won't use it unwisely. So that kind of power has a built-in control. The discipline of the getting the power changes you so that you won't abuse it. But scientific power is like inherited wealth: attained without discipline. You read what others have done, and you take the next step... There is no discipline... no mastery: old scientists are ignored. There is no humility before nature... A karate master does not kill people with his bare hands. He does not lose his temper and kill his wife. The person who kills is the person who has no discipline, no restraint, and who has purchased his power in the form of a Saturday night special. And that is the kind of power that science fosters, and permits.
”
”
Michael Crichton (Jurassic Park (Jurassic Park, #1))
“
The most common theory points to the fact that men are stronger than women and that they have used their greater physical power to force women into submission. A more subtle version of this claim argues that their strength allows men to monopolize tasks that demand hard manual labor, such as plowing and harvesting. This gives them control of food production, which in turn translates into political clout. There are two problems with this emphasis on muscle power. First, the statement that men are stronger is true only on average and only with regard to certain types of strength. Women are generally more resistant to hunger, disease, and fatigue than men. There are also many women who can run faster and lift heavier weights than many men. Furthermore, and most problematically for this theory, women have, throughout history, mainly been excluded from jobs that required little physical effort, such as the priesthood, law, and politics, while engaging in hard manual labor in the fields....and in the household. If social power were divided in direct relation to physical strength or stamina, women should have got far more of it. Even more importantly, there simply is no direct relation between physical strength and social power among humans. People in their sixties usually exercise power over people in their twenties, even though twenty-somethings are much stronger than their elders. ...Boxing matches were not used to select Egyptian pharaohs or Catholic popes. In forager societies, political dominance generally resides with the person possessing the best social skills rather than the most developed musculature. In fact, human history shows that there is often an inverse relation between physical prowess and social power. In most societies, it’s the lower classes who do the manual labor.
Another theory explains that masculine dominance results not from strength but from aggression. Millions of years of evolution have made men far more violent than women. Women can match men as far as hatred, greed, and abuse are concern, but when push comes to shove…men are more willing to engage in raw physical violence. This is why, throughout history, warfare has been a masculine prerogative. In times of war, men’s control of the armed forces has made them the masters of civilian society too. They then use their control of civilian society to fight more and more wars. …Recent studies of the hormonal and cognitive systems of men and women strengthen the assumption that men indeed have more aggressive and violent tendencies and are…on average, better suited to serve as common soldiers. Yet, granted that the common soldiers are all men, does it follow that the ones managing the war and enjoying its fruits must also be men? That makes no sense. It’s like assuming that because all the slaves cultivating cotton fields are all Black, plantation owners will be Black as well. Just as an all-Black workforce might be controlled by an all-White management, why couldn’t an all-male soldiery be controlled by an all-female government?
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
I hurried to the southern corridor, relieved when I was safe in the blackness there. Relieved and horrified. It was really over now.
I'm so afraid, I whimpered.
Before Mel could respond, a heavy hand dropped on my shoulder from the darkness.
"Going somewhere?"
I was so tightly wound that I shrieked in terror; I was so terrified that my shriek was only a breathless little squeal.
"Sorry!" Jared's arm went round my shoulders, comforting. "I'm sorry. I didn't mean to scare you."
"What are you doing here?" I demanded, still breathless.
"Following you. I've been following you all night."
"Well, stop it now."
There was a hesitation in the dark, and his arm didn't move. I shrugged out from under it, but he caught my wrist. His grip was firm; I wouldn't be able to shake free easily.
"You're going to see Doc?" he asked, and there was no confusion in his question. It was obvious that he wasn't talking about a social visit.
"Of course I am." I hissed the words so that he wouldn't hear the panic in my voice. "What else can I do after today?It's not going to get any better. And this isn't Jeb's decision to make."
"I know. I'm on your side."
It made me angry that these words still had the power to hurt me, to bring tears stinging into my eyes. I tried to hold onto the thought of Ian - he was the anchor, as Kyle somehow had been for Sunny - but it was hard with Jared's hand touching me, with the smell of him in my nose. Like trying to make out the song of one violin when the entire percussion section was bashing away...
"Then let me go, Jared. Go away. I want to be alone." The words came out fierce and fast and hard. It was easy to hear that they weren't lies.
"I should come with you."
"You'll have Melanie back soon enough," I snapped. "I'm only asking for a few minutes, Jared. Give me that much."
Another pause; his hand didn't loosen.
"Wanda, I would come to be with you."
The tears spilled over. I was grateful for the darkness.
"It wouldn't feel that way," I whispered. "So there's no point.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
Vishous came up onto the dais, his eyes down. He accepted the silver glove from Z and slipped it over the black leather he already wore on his hand. Then he scored himself with a quick flash of the black blade and stared at the skull as his blood dripped down into the basin, joining the others'.
"My flesh," he whispered.
He seemed to hesitate before turning to Butch. Then he pivoted and their eyes met. As candlelight flickered over V's hard face and got caught in his diamond irises, Butch felt his breath get tight: At that moment, his roommate looked as powerful as a god...and maybe even as beautiful.
Vishous stepped in close and slid his hand from Butch's shoulder to the back of his neck. "Your flesh," V breathed. Then he paused, as if asking for something.
Without thinking, Butch titled his chin up, aware that he was offering himself, aware the he...oh, fuck. He stopped his thoughts, completely weirded out by the vibe that had sprung up from God only knew where.
In slow motion Vishous's dark head dropped down and there was a silken brush as his goatee moved against Butch's throat. With delicious precision, V's fangs pressed against the vein that ran up from Butch's heart, then slowly, inexorably, punched through skin. Their chests merged.
Butch closed his eyes and absorbed the feel of it all, the warmth of their bodies so close, the way V's hair felt soft on his jaw, the slide of a powerful male arm as it slipped around his waist. On their own accord, Butch's hands left the pegs and came to rest on V's hips, squeezing that hard flesh, bringing them together from head to foot. A tremor went through one of them. Or maybe...shit, it was more likely they both shuddered.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
The Death of Allegory
I am wondering what became of all those tall abstractions
that used to pose, robed and statuesque, in paintings
and parade about on the pages of the Renaissance
displaying their capital letters like license plates.
Truth cantering on a powerful horse,
Chastity, eyes downcast, fluttering with veils.
Each one was marble come to life, a thought in a coat,
Courtesy bowing with one hand always extended,
Villainy sharpening an instrument behind a wall,
Reason with her crown and Constancy alert behind a helm.
They are all retired now, consigned to a Florida for tropes.
Justice is there standing by an open refrigerator.
Valor lies in bed listening to the rain.
Even Death has nothing to do but mend his cloak and hood,
and all their props are locked away in a warehouse,
hourglasses, globes, blindfolds and shackles.
Even if you called them back, there are no places left
for them to go, no Garden of Mirth or Bower of Bliss.
The Valley of Forgiveness is lined with condominiums
and chain saws are howling in the Forest of Despair.
Here on the table near the window is a vase of peonies
and next to it black binoculars and a money clip,
exactly the kind of thing we now prefer,
objects that sit quietly on a line in lower case,
themselves and nothing more, a wheelbarrow,
an empty mailbox, a razor blade resting in a glass ashtray.
As for the others, the great ideas on horseback
and the long-haired virtues in embroidered gowns,
it looks as though they have traveled down
that road you see on the final page of storybooks,
the one that winds up a green hillside and disappears
into an unseen valley where everyone must be fast asleep.
”
”
Billy Collins
“
I will go home and much of what I will have to say will seem strange to the people of my village... But I will teach and work and things will happen, slowly and swiftly. At times it will seem that nothing changes at all... and then again... the sudden dramatic events which make history leap into the future. And then quiet again. Retrogression even. Guns, murder, revolution. And I even will have moments when I wonder if the quiet was not better than all that death and hatred. But I will look about my village at the illiteracy and disease and ignorance and will not wonder long. And perhaps... perhaps I will be a great man... I mean perhaps I will hold on to the substance of truth and find my way always with the right course... and perhaps for it I will be butchered in my bed some night by the servants of empire...
...perhaps the things I believe now for my country will be wrong and outmoded, and I will not understand and do terrible things to have things my way or merely to keep my power. Don't you see that there will be young men and women, not British soldiers then, but my own black countrymen... to step out of the shadows some evening and slit my then useless throat? Don't you see they have always been there... that they always will be. And that such a thing as my own death will be an advance? They who might kill me even... actually replenish me!
”
”
Lorraine Hansberry (A Raisin in the Sun)
“
My mother's suffering grew into a symbol in my mind, gathering to itself all the poverty, the ignorance, the helplessness; the painful, baffling, hunger-ridden days and hours; the restless moving, the futile seeking, the uncertainty, the fear, the dread; the meaningless pain and the endless suffering. Her life set the emotional tone of my life, colored the men and women I was to meet in the future, conditioned my relation to events that had not yet happened, determined my attitude to situations and circumstances I had yet to face. A somberness of spirit that I was never to lose settled over me during the slow years of my mother's unrelieved suffering, a somberness that was to make me stand apart and look upon excessive joy with suspicion, that was to make me keep forever on the move, as though to escape a nameless fate seeking to overtake me.
At the age of twelve, before I had one year of formal schooling, I had a conception of life that no experience would ever erase, a predilection for what was real that no argument could ever gainsay, a sense of the world that was mine and mine alone, a notion as to what life meant that no education could ever alter, a conviction that the meaning of living came only when one was struggling to wring a meaning out of meaningless suffering.
At the age of twelve I had an attitude toward life that was to endure, that was to make me seek those areas of living that would keep it alive, that was to make me skeptical of everything while seeking everything, tolerant of all and yet critical. The spirit I had caught gave me insight into the sufferings of others, made me gravitate toward those whose feelings were like my own, made me sit for hours while others told me of their lives, made me strangely tender and cruel, violent and peaceful.
It made me want to drive coldly to the heart of every question and it open to the core of suffering I knew I would find there. It made me love burrowing into psychology, into realistic and naturalistic fiction and art, into those whirlpools of politics that had the power to claim the whole of men's souls. It directed my loyalties to the side of men in rebellion; it made me love talk that sought answers to questions that could help nobody, that could only keep alive in me that enthralling sense of wonder and awe in the face of the drama of human feeling which is hidden by the external drama of life.
”
”
Richard Wright (Black Boy (American Hunger))
“
A psychotic world we live in. The madmen are in power. How long have we known this? Faced this?-And-how many of us do know it? Not Lotze. Perhaps if you know you are insane then you are not insane. Or you are becoming sane, finally. Waking up. I suppose only a few are aware of all this. Isolated persons here and there. But the broad masses...what do they think? All these hundreds of thousands in this city, here. Do they imagine that they live in a sane world? Or do they guess, glimpse the truth...?
But, he thought, what does it mean, insane? A legal definition. What do I mean? I feel it, see it, but what is it?
He thought, it is something they do, something they are. It is their unconsciousness. Their lack of knowledge about others. Their not being aware of what they do to others, the destruction they have caused and are causing. No, he thought. That isn't it. I don't know; I sense it, inuit it. But-they are purposely cruel...is that it? No. God, he thought, I can't find it, make it clear. Do they ignore parts of reality? Yes. But it is more. It is their plans. Yes, their plans. The conquering of the planets. Something frenzied and demented, as was their conquering of Africa, and before that, Europe and Asia.
Their view; it is cosmic. Not of man here, a child there, but an abstraction: race, land. Volk. Land. Blut. Ehre. Not of honorable men but of Ehre itself, honor; the abstract is real, the actual is invisible to them. Die Gute, but not good men, this good man. It is their sense of space and time. They see through the here, the now, into the vast black deep beyond, the unchanging. And that is fatal to life. Because eventually there will be no life; there was once only the dust particles in space, the hot hydrogen gases, nothing more, and it will come again. This is an interval, ein Augenblick. The cosmic process is hurrying on, crushing life back into the granite and methane; the wheel turns for all life. It is all temporary. And they-these madmen-respond to the granite, the dust, the longing of the inanimate; they want to aid Natur.
And, he thought, I know why. They want to be the agents, not the victims, of history. They identify with God's power and believe they are godlike. That is their basic madness. They are overcome by some archetype; their egos have expanded psychotically so that they cannot tell where they begin and the godhead leaves off. it is not hubris, not pride; it is inflation of the ego to its ultimate-confusion between him who worships and that which is worshiped. Man has not eaten God; God has eaten man.
What they do not comprehend is man's helplessness. I am weak, small, of no consequence to the universe. It does not notice me; I live on unseen. But why is that bad? Isn't it better that way? Whom the gods notice they destroy. Be small...and you will escape the jealousy of the great.
”
”
Philip K. Dick (The Man in the High Castle)
“
Almost as an article of faith, some individuals believe that conspiracies are either kooky fantasies or unimportant aberrations. To be sure, wacko conspiracy theories do exist. There are people who believe that the United States has been invaded by a secret United Nations army equipped with black helicopters, or that the country is secretly controlled by Jews or gays or feminists or black nationalists or communists or extraterrestrial aliens. But it does not logically follow that all conspiracies are imaginary.
Conspiracy is a legitimate concept in law: the collusion of two or more people pursuing illegal means to effect some illegal or immoral end. People go to jail for committing conspiratorial acts. Conspiracies are a matter of public record, and some are of real political significance. The Watergate break-in was a conspiracy, as was the Watergate cover-up, which led to Nixon’s downfall. Iran-contra was a conspiracy of immense scope, much of it still uncovered. The savings and loan scandal was described by the Justice Department as “a thousand conspiracies of fraud, theft, and bribery,” the greatest financial crime in history.
Often the term “conspiracy” is applied dismissively whenever one suggests that people who occupy positions of political and economic power are consciously dedicated to advancing their elite interests. Even when they openly profess their designs, there are those who deny that intent is involved. In 1994, the officers of the Federal Reserve announced they would pursue monetary policies designed to maintain a high level of unemployment in order to safeguard against “overheating” the economy. Like any creditor class, they preferred a deflationary course. When an acquaintance of mine mentioned this to friends, he was greeted skeptically, “Do you think the Fed bankers are deliberately trying to keep people unemployed?” In fact, not only did he think it, it was announced on the financial pages of the press. Still, his friends assumed he was imagining a conspiracy because he ascribed self-interested collusion to powerful people.
At a World Affairs Council meeting in San Francisco, I remarked to a participant that U.S. leaders were pushing hard for the reinstatement of capitalism in the former communist countries. He said, “Do you really think they carry it to that level of conscious intent?” I pointed out it was not a conjecture on my part. They have repeatedly announced their commitment to seeing that “free-market reforms” are introduced in Eastern Europe. Their economic aid is channeled almost exclusively into the private sector. The same policy holds for the monies intended for other countries. Thus, as of the end of 1995, “more than $4.5 million U.S. aid to Haiti has been put on hold because the Aristide government has failed to make progress on a program to privatize state-owned companies” (New York Times 11/25/95).
Those who suffer from conspiracy phobia are fond of saying: “Do you actually think there’s a group of people sitting around in a room plotting things?” For some reason that image is assumed to be so patently absurd as to invite only disclaimers. But where else would people of power get together – on park benches or carousels? Indeed, they meet in rooms: corporate boardrooms, Pentagon command rooms, at the Bohemian Grove, in the choice dining rooms at the best restaurants, resorts, hotels, and estates, in the many conference rooms at the White House, the NSA, the CIA, or wherever. And, yes, they consciously plot – though they call it “planning” and “strategizing” – and they do so in great secrecy, often resisting all efforts at public disclosure. No one confabulates and plans more than political and corporate elites and their hired specialists. To make the world safe for those who own it, politically active elements of the owning class have created a national security state that expends billions of dollars and enlists the efforts of vast numbers of people.
”
”
Michael Parenti (Dirty Truths)
“
I believe in Free Will, the Force Almighty by which we conduct ourselves as if we were the sons and daughters of a just and wise God, even if there is no such Supreme Being. And by free will, we can choose to do good on this earth, no matter that we all die, and do not know where we go when we die, or if a justice or explanation awaits us.
I believe that we can, through our reason, know what good is, and in the communion of men and women, in which the forgiveness of wrongs will always be more significant than the avenging of them, and that in the beautiful natural world that surrounds us, we represent the best and the finest of beings, for we alone can see that natural beauty, appreciate it, learn from it, weep for it, and seek to conserve it and protect it.
I believe finally that we are the only true moral force in the physical world, the makers of, ethics and moral ideas, and that we must be as good as the gods we created in the past to guide us.
I believe that through our finest efforts, we will succeed finally in creating heaven on earth, and we do it every time that we love, every time that we embrace, every time that we commit to create rather than destroy, every time that we place life over death, and the natural over what is unnatural, insofar as we are able to define it.
And I suppose I do believe in the final analysis that a peace of mind can be obtained in the face of the worst horrors and the worst losses. It can be obtained by faith in change and in will and in accident and by faith in ourselves, that we will do the right thing, more often than not, in the face of adversity.
For ours is the power and the glory, because we are capable of visions and ideas which are ultimately stronger and more enduring than we are.
That is my credo. That is my belief, for what it's worth, and it sustains me. And if I were to die right now, I wouldn't be afraid. Because I can't believe that horror or chaos awaits us.
If any revelation awaits us at all, it must be as good as our ideals and our philosophy. For surely nature must embrace the visible and the invisible, and it couldn't fall short of us. The thing that makes the flowers open and the snowflakes fall must contain a wisdom and a final secret as intricate and beautiful as the blooming camellia or the clouds gathering above, so white and so pure in the blackness.
If that isn't so, then we are in the grip of a staggering irony. And all the spooks of hell might as well dance. There could be a devil. People who burn other people to death are fine. There could be anything.
But the world is simply to beautiful for that.
At least it seems that way to me.
”
”
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
“
Blow on, ye death fraught whirlwinds! blow,
Around the rocks, and rifted caves;
Ye demons of the gulf below!
I hear you, in the troubled waves.
High on this cliff, which darkness shrouds
In night's impenetrable clouds,
My solitary watch I keep,
And listen, while the turbid deep
Groans to the raging tempests, as they roll
Their desolating force, to thunder at the pole.
Eternal world of waters, hail!
Within thy caves my Lover lies;
And day and night alike shall fail
Ere slumber lock my streaming eyes.
Along this wild untrodden coast,
Heap'd by the gelid' hand of frost;
Thro' this unbounded waste of seas,
Where never sigh'd the vernal breeze;
Mine was the choice, in this terrific form,
To brave the icy surge, to shiver in the storm.
Yes! I am chang'd - My heart, my soul,
Retain no more their former glow.
Hence, ere the black'ning tempests roll,
I watch the bark, in murmurs low,
(While darker low'rs the thick'ning' gloom)
To lure the sailor to his doom;
Soft from some pile of frozen snow
I pour the syren-song of woe;
Like the sad mariner's expiring cry,
As, faint and worn with toil, he lays him down to die.
Then, while the dark and angry deep
Hangs his huge billows high in air ;
And the wild wind with awful sweep,
Howls in each fitful swell - beware!
Firm on the rent and crashing mast,
I lend new fury to the blast;
I mark each hardy cheek grow pale,
And the proud sons of courage fail;
Till the torn vessel drinks the surging waves,
Yawns the disparted main, and opes its shelving graves.
When Vengeance bears along the wave
The spell, which heav'n and earth appals;
Alone, by night, in darksome cave,
On me the gifted wizard calls.
Above the ocean's boiling flood
Thro' vapour glares the moon in blood:
Low sounds along the waters die,
And shrieks of anguish fill the' sky;
Convulsive powers the solid rocks divide,
While, o'er the heaving surge, the embodied spirits glide.
Thrice welcome to my weary sight,
Avenging ministers of Wrath!
Ye heard, amid the realms of night,
The spell that wakes the sleep of death.
Where Hecla's flames the snows dissolve,
Or storms, the polar skies involve;
Where, o'er the tempest-beaten wreck,
The raging winds and billows break;
On the sad earth, and in the stormy sea,
All, all shall shudd'ring own your potent agency.
To aid your toils, to scatter death,
Swift, as the sheeted lightning's force,
When the keen north-wind's freezing breath
Spreads desolation in its course,
My soul within this icy sea,
Fulfils her fearful destiny.
Thro' Time's long ages I shall wait
To lead the victims to their fate;
With callous heart, to hidden rocks decoy,
And lure, in seraph-strains, unpitying, to destroy.
”
”
Anne Bannerman (Poems by Anne Bannerman.)
“
Thank you for inviting me here today " I said my voice sounding nothing like me. "I'm here to testify about things I've seen and experienced myself. I'm here because the human race has become more powerful than ever. We've gone to the moon. Our crops resist diseases and pests. We can stop and restart a human heart. And we've harvested vast amounts of energy for everything from night-lights to enormous super-jets. We've even created new kinds of people, like me.
"But everything mankind" - I frowned - "personkind has accomplished has had a price. One that we're all gonna have to pay."
I heard coughing and shifting in the audience. I looked down at my notes and all the little black words blurred together on the page. I just could not get through this.
I put the speech down picked up the microphone and came out from behind the podium.
"Look " I said. "There's a lot of official stuff I could quote and put up on the screen with PowerPoint. But what you need to know what the world needs to know is that we're really destroying the earth in a bigger and more catastrophic was than anyone has ever imagined.
"I mean I've seen a lot of the world the only world we have. There are so many awesome beautiful tings in it. Waterfalls and mountains thermal pools surrounded by sand like white sugar. Field and field of wildflowers. Places where the ocean crashes up against a mountainside like it's done for hundreds of thousands of years.
"I've also seen concrete cities with hardly any green. And rivers whose pretty rainbow surfaces came from an oil leak upstream. Animals are becoming extinct right now in my lifetime. Just recently I went through one of the worst hurricanes ever recorded. It was a whole lot worse because of huge worldwide climatic changes caused by... us. We the people."
....
"A more perfect union While huge corporations do whatever they want to whoever they want and other people live in subway tunnels Where's the justice of that Kids right here in America go to be hungry every night while other people get four-hundred-dollar haircuts. Promote the general welfare Where's the General welfare in strip-mining toxic pesticides industrial solvents being dumped into rivers killing everything Domestic Tranquility Ever sleep in a forest that's being clear-cut You'd be hearing chain saws in your head for weeks. The blessings of liberty Yes. I'm using one of the blessings of liberty right now my freedom of speech to tell you guys who make the laws that the very ground you stand on the house you live in the children you tuck in at night are all in immediate catastrophic danger.
”
”
James Patterson (The Final Warning (Maximum Ride, #4))