Black Onyx Quotes

We've searched our database for all the quotes and captions related to Black Onyx. Here they are! All 81 of them:

Kat tipped her head back, meeting my stare. Her throat worked on her next words. "I think I might love you." Air punched out of my lungs. I held her tight, and I knew right then I would burn down the whole universe for her if I had to. I would do anything to keep her safe. Kill. Heal. Die. Anything. Because she was my everything.
Jennifer L. Armentrout (Onyx (Lux, #2))
Do you... feel anything around me?" "Other than what I felt this morning when I saw how good you looked in those jeans?" "Daemon." I sighed, trying to disregard the girl in my that screamed, HE NOTICED ME! "I'm being serious.
Jennifer L. Armentrout (Onyx (Lux, #2))
I can help Katy," Blake wheezed. "Good enough for you?" "What?" I demanded, dropping my hands. "Yeah, see, you saying her name alone makes me want to kill you. So, no, not good enough for me.
Jennifer L. Armentrout (Onyx (Lux, #2))
Surprise widened his eyes as he stepped back. "Caving in so easily?" "Caving in?" I laughed without feeling. "I just want you out of my face." Daemon chuckled deeply. "Keep telling yourself that, Kitten." "Keep using your ego steroids.
Jennifer L. Armentrout (Onyx (Lux, #2))
I tried to push down my anger. One thing I hated more than Daemon's douche-nozzle side was him telling me what to do. "You don't own me, Daemon." "It's not about ownership, you little nut." "Nut?" I glared at him. "I wouldn't call me names when I have a knife in my hand.
Jennifer L. Armentrout (Onyx (Lux, #2))
I grinned at Daemon and held up a bulb that was so green it almost matched his eyes. I decided it was going to be his bulb.
Jennifer L. Armentrout (Onyx (Lux, #2))
"Something on a line, it's discord and rhyme - whatever, whatever, la la la - Mouth is alive, all running inside, and I'm hungry like the -" Warmth spread down my neck. "It's actually,'I howl and I whine. I'm after you,' and not blah or whatever.
Jennifer L. Armentrout (Onyx (Lux, #2))
Daemon was suddenly in front of me. I took an involuntary step back. "Do you think I didn't enjoy kissing you? That I haven't thought about it every second since then? And I know you have. Just admit it." In the pit of my stomach, tight coils thrummed. "What is the point of this?" "Have you?" "Oh, for crap's sake, yes, I have. I do! Do you want me to write it down for you? Send you an e-mail or a text? Will that make you feel better?" Daemon arched a brow. "You don't need to be sarcastic.
Jennifer L. Armentrout (Onyx (Lux, #2))
Breaking the cookie in two, he handed me the larger piece. I snatched it away, half tempted to throw it back in his face, but it was...it was chocolate chip. So I ate it and loved it.
Jennifer L. Armentrout (Onyx (Lux, #2))
I want you to change me. I want to become what she is" -Will "I can't just twitch my nose and make it happen." -Daemon
Jennifer L. Armentrout (Onyx (Lux, #2))
I don’t think we got the chance to introduce ourselves the other night at the diner. My name is Blake Saunders.” He offered his free hand. Daemon glanced at Blake’s hand before returning his gaze to me. “I know who you are.” Oh, geez. I twisted toward Blake. “This is Daemon Black.” His smile faltered. “Yeah, I know who he is, too.” Laughing under his breath, Daemon straightened. At his full height, he was a good head taller than Blake. “It’s always nice to meet another fan.” Yeah, Blake had no idea what to say to that.
Jennifer L. Armentrout (Onyx (Lux, #2))
More books." His eyes went wide. "You have, like, then books you just said you haven't read." "Doesn't mean I won't get more books." I smiled at is incredulous expression. "I haven't been able to read a lot lately, but I will, and then I won't be out of anything new to read.
Jennifer L. Armentrout (Onyx (Lux, #2))
Anyway, I think you guys need to talk or…I don’t know. Cave to your passions.” I busted out laughing. “Oh my God, are you serious?” She grinned.
Jennifer L. Armentrout (Onyx (Lux, #2))
Cupping my cheeks, he exhaled a soft groan, and his lips scorched mine as he deepened the kiss until we both were breathless from its intensity. Daemon moved as close as he could with the chair between us. Gripping his arms, I held onto him, wanting him closer. The chair prevented all but our lips and hands from touching. Frustrating. Move, I ordered restlessly. It trembled under my foot, and then the heavy oak chair slid out from under me, dodging our leaning bodies. Unprepared for the sudden void, Daemon lurched forward, and I was unable to carry the unexpected weight. I collapsed backward, bringing Daemon along with me. The full contact of his body, flush against mine, sent my senses into chaotic overdrive. His tongue swept over mine as his fingers splayed across my cheeks. His hand slid down my side, gripping my hip as he urged me closer. The kisses slowed and his chest rose as he drank me in. With one last lingering exploration, he lifted his head and smiled down at me. My heart skipped a beat as he hovered over me with an expression that tugged deep in my chest. He moved his finger back up, along my cheek, trailing an invisible path to my chin. "I didn't move that chair, Kitten." "I know." "I'm assuming you didn't like where it was?" "It was in your way," I said. My hands were still curled around his arms. "I can see that." Daemon smoothed a fingertip over the curve of my bottom lip before taking my hand, pulling me up.
Jennifer L. Armentrout (Onyx (Lux, #2))
So much wanting and longing, clutching, desiring, passion and hatred and terrible need. Here, death was suitable, there was room for it, the grip of life's relentless urges slackened, replaced by this icy simplicity. This wasnt her death. It was his. That was the sad and honest truth. Though it would stay with her, it would be more like a black onyx heart on a silver chain, worn privately, under her clothes, close to her body, all her life. The guilt, the beauty, everything. It wasnt over, it had only begun. Well ok then, Okay.
Janet Fitch (Paint it Black)
Dee:I can't believe you ate all the ice cream, Daemon! Daemon:I didn't eat all of it. Dee:Oh, so it ate itself? Did the spoon eat it? Oh wait, I know. The carton ate it. Daemon:Actually, I think the freezer ate it.
Jennifer L. Armentrout (Onyx (Lux, #2))
Say it" "Say what?" I asked "Tell me what you told me earlier" My heart leaped into my throat. I'd told him a lot of things, but I knew what he wanted to hear. "I love you". His eyes darkened a second before he kissed me until I was ready to say screw the whole doing-right-by-me thing. "That's all I wanted to hear" "Those three words?" "Always those three words.
Jennifer L. Armentrout
The world is black and white and all the shades of grey in between.
Mindee Arnett (Onyx and Ivory (Rime Chronicles, #1))
—Daemon Black —respondió por mí—. Soy el chico que le quita el sueño por las noches y con el que fantasea. Soy el chico con el que está completamente obsesionada.
Jennifer L. Armentrout (Onyx (Lux, #2))
She giggled, then popped a lollipop back in her mouth. “Okay, before you tell me no, I already cleared it with Ash.” I frowned. “Cleared what?” “Ash is throwing a little New Year’s Eve party at her house. It’s just going to be a few of us. Daemon is going.” “Uh, I doubt Ash is okay with me going to her party.” “No, she is.” Dee pinged around the living room like a captured butterfly. “She promised she’d be cool with it. I think you’re growing on her.” “Like mold,” I muttered.
Jennifer L. Armentrout (Onyx (Lux, #2))
-... Pero ¿sabes en que pense todo el día ayer? un pensamiento que no me puedo evitar no importa cuan disgustado estoy contigo. -No. -Que tengo suerte porque la persona que no puedo sacar de mi cabeza, la persona que significa más para mi de lo que puedo soportar aun está viva, ella está todavía allí, y esa eres tu.
Jennifer L. Armentrout (Onyx (Lux, #2))
I don’t know what tomorrow is going to bring, what a year from now is going to be like. Hell, we may end up killing each other over something stupid next week. It’s a possibility. But all I do know is what I feel for you isn’t going anywhere.
Jennifer L. Armentrout (Onyx (Lux, #2))
Everything that had happened flipped through my head like a photo album I wanted to burn.
Jennifer L. Armentrout (Onyx (Lux, #2))
Deadly and sweet—that was what Daemon was; two very different kinds of souls rested in him, fused together.
Jennifer L. Armentrout (Onyx (Lux, #2))
He’s tall, with windblown black hair and dark brows. The line of his jaw is strong and covered by warm tawny skin and dark stubble, and when he folds his arms across his torso, the muscles in his chest and arms ripple, moving in a way that makes me swallow. And his eyes… His eyes are the shade of gold-flecked onyx. The contrast is startling, jaw-dropping even—everything about him is. His features are so harsh that they look carved, and yet they’re astonishingly perfect, like an artist worked a lifetime sculpting him, and at least a year of that was spent on his mouth. He’s the most exquisite man I’ve ever seen.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
My searchlight expired, but still I ran. I heard voices, and yowls, and echoes, but above all there gently rose that impious, insidious scurrying, gently rising, rising as a stiff bloated corpse gently rises above an oily river that flows under endless onyx bridges to a black putrid sea. Something bumped into me - something soft and plump. It must have been the rats; the viscous, gelatinous, ravenous army that feast on the dead and the living...
H.P. Lovecraft (Tales of H.P. Lovecraft)
A modéstia é para os santos e perdedores. Eu não sou nenhum dos dois.
Jennifer L. Armentrout (Onyx (Lux, #2))
I’ve met some pricks in my time, but you, sir, are an entire fucking cactus.
Nikita Parmenter (Black Onyx (Black Onyx Academy, #1))
Inclinó su cabeza besándo las lágrimas hasta que atrapó cada una de ellas con su aliento. Entonces sus labios alcanzaron los míos y el espacio desapareció. El mundo entero desapareció por aquellos preciosos momentos.
Jennifer L. Armentrout (Onyx (Lux, #2))
Kat didn’t get it when it came to the whole Thanksgiving thing. She didn’t think she belonged or was a part of us. She had no idea that she was beginning to mean more to me than… Well, than anyone else that was going to be here on Thanksgiving. And that was dangerous. Potentially stupid. Risky. Also exhilarating. Thrilling.
Jennifer L. Armentrout (Onyx (Lux, #2))
The crimson satin lining gleamed in the firelight, and so, too, did his eyes. When he looked up at her, there was a mist to them once again. “Little magpie,” he whispered as he looked at the black onyx ring. “You gave up everything for this, didn’t you?” She nodded. “That is how much I trust you. Everything I had hidden away in that biscuit jar went to this. All my worldly goods are in that ring, Jude.” “Then I will take it and hold it close, and never give you cause for regret.” He put the ring on his index finger, and Isabella grinned. How perfect it looked—how utterly sensual. She wanted that ringed hand on her body, comforting her. Loving her.
Charlotte Featherstone (Seduction & Scandal (The Brethren Guardians, #1))
Pasaron varios segundos antes de que respondiera. -eso es lo divertido de tratar de escapar. Nunca puedes hacerlo.Tal vez por un tiempo , pero no del todo
Jennifer L. Armentrout (Onyx (Lux, #2))
Si hay algo hay un nosotros.
Jennifer L. Armentrout (Onyx (Lux, #2))
Kevin said, “All your clothes are black.” Karla’s brows drew together. “Not exactly.” She pointed out different items. “Onyx, charcoal, thunderhead. Shall I go on?
Regina Duke (The Wedding Wager (Colorado Billionaires, #1))
The woman turns away; one wing blackens like an onyx gem while the other glows white like a bright spotlight. She flies into the sky, leaving the crowd staring in astonishment. Angels fly away in two directions. Half make a black storm of moving, twisting shapes. The other half forms a white-as-snow moving cloud. The ranks are divided.
Laura Kreitzer (Abyss (Timeless, #3))
It was an unusual sunset. Having sat behind opaque drapery all day, I had not realized that a storm was pushing in and that much of the sky was the precise shade of old suits of armor one finds in museums. At the same time, patches of brilliance engaged in a territorial dispute with the oncoming onyx of the storm. Light and darkness mingled in strange ways both above and below. Shadows and sunshine washed together, streaking the landscape with an unearthly study of glare and gloom. Bright clouds and black folded into each other in a no-man's land of the sky. The autumn trees took on the appearance of sculptures formed in a dream, their leaden-colored trunks and branches and iron-red leaves all locked in an infinite and unliving moment, unnaturally timeless. The gray lake slowly tossed and tumbled in a dead sleep, nudging unconsciously against its breakwall of numb stone. A scene of contradiction and ambivalence, a tragicomedic haze over all. A land of perfect twilight.
Thomas Ligotti (The Nightmare Factory)
Soon they reached the opened city gates. Two massive horse statues stood, one on either side of the entrance. They weren’t identical but asymmetrical complements of each other. The left one, carved in sleek ivory, was leaned back on its haunches, just coming up to a rear, muzzle pointed skyward. The right, carved from glistening onyx, black as pitch, was in full rear, its head curved downward, forelegs striking.
Mindee Arnett (Onyx & Ivory (Rime Chronicles, #1))
Si hay algo, hay un nosotros.
Jennifer L. Armentrout (Onyx (Lux, #2))
Modesty is for saints and losers, I am neither-Daemon Black, Onyx
Jennifer L. Armentrout (Onyx (Lux, #2))
Once red, she became a starless sky, an endless midnight, a hole in the universe swallowing up the world, leaving everyone blind. Onyx, ebony, jet black.
Tiffany D. Jackson (Monday's Not Coming)
. I can still see Ricky on that roof... the sunlight shining in his round dark eyes, eyes dark as the onyx stones on my mother’s silver bracelet. His shiny black hair was matted and shoulder-length. I wondered who cut his hair. My grandmother cut mine.
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
He did not appear to be a very tall man; what I could see of legs seemed stumpy, though heavily muscled. His chest was broad and deep. Later I learned that he swam in the sea almost every morning. His thick strong arms were circled with leather wristbands and a bronze armlet above his left elbow that gleamed with polished onyx and lapis lazuli... Puckered white scars from old wounds stood out against the dark skin of his arms, parting the black hairs like roads through a forest... Odysseos wore a sleeveless tunic, his legs and feet bare, but he had thrown a lamb's fleece across his wide shoulders. His face was thickly bearded with dark curly hair that showed a trace of grey. His heavy mop of ringlets came down to his shoulders and across his forehead almost down to his black eyebrows. Those eyes were as grey as the sea outside on this rainy afternoon, probing, searching, judging.
Ben Bova
Letters blend to give rise to words  Like colors pave way for the birth of million shades! Evanescence reminisces sepia! Memory takes back to black and white! Music pops hot pink! Dance rocks wine red! Marvelous is miraculous as the indigo! Magnificent is magnanimous like Russian red! Splendid is classy like arctic blue! Resplendent inspires like  strawberry pink! Flamboyance is flowery like fuchsia! Flawless is perfect like flamingo! Extraordinary stands out like lime yellow! Peculiar is unique like cyan! Pleasant pleases like periwinkle! Soothing soothes like lemonade! Opulent glitters gold! Spectacular shimmers silver! Nice is as mild as dulce de leche! Attractive dazzles onyx! Powerful is headstrong like tangerine! Puissance stupefies like scarlet red! Mellifluence is dissolving, like lavender! Sonorous sounds magenta! Lovely cutely blushes! Sweet is peachy! Richness is wealthy like lush green! Poverty is brown as in flower wilt! Candid is frank as candy red! Altruism is selfless like parmesan! But, BEAUTY IS IRIDESCENT! Which
Sivaranjini Senthilvel (Poesy passel!: Painted by an 18 year old's word palette...)
As Yarrow slept and the moon rose high in the sky, a breeze rustled through stalks of onyx-hued basil and deep gray sage, tall as sunflowers. Starlight fell in slants across petals of black violets. A night-dark strawberry rolled across the ground. A plum-colored tomato fell from its stem. Borage and pansies and nasturtium in varying shades of black and gray turned the darkness into its own kind of rainbow. Beneath the soil lurked something even darker. Generations of pain saturated the earth, fed each stem and fruit and flower. In the soft, thick leaves of sage: loss. In the blackened basil: broken hearts. Tucked inside the husks of charcoal corn: anger and betrayal. Trapped within the bell of burgundy calla lilies: stolen innocence.
Liz Parker (In the Shadow Garden)
The light was grainy, dusty; it looked like the Milky Way had spread from the top of the sky all down the west, and the tented shapes of the mountains were huge and satin black against it, and the ridgeline trees made a filigree of onyx. The wind had increased but not cooled; the promise of full summer was in it. And when Dr. Barcroft turned from the west to look again at the house, he was hardly surprised to see that it had begun to turn like a wheel upon a vertical axle as the silhouettes of the dancers raced past window after window. It was as if their dancing, the female slide and shuffle, the masculine drum and thunder, propelled the house behind them; it had become a merry-go-round, turning steadily and stately as the music went just a little bit faster, just a little more, and he could tell there were furies in it, whirlwinds and cyclones and hurricanes that Quigley's fiddle barely held in check, that his calling could barely control.
Fred Chappell
When Vince came into the room, necklace of onyx draped over his throat, and one attached to his arm like a leash, his eyes changed at the sight of her. He turned to Bellamy. “But where’s Adeline?” “We sent her home,” Malik said. “Then who—” “Me,” Charlie said. “If you can make a stupid decision, then I can make one too.” He shook his head. “This is supposed to be a punishment.” “Oh, I know,” she said. “You’re going to be stuck in my head, with all my secrets. Even I don’t know all my secrets. It’s going to be awful.” He appeared to be seriously considering strangling her. “Char.” “She volunteered,” Vicereine said. “And confessed to quite a few crimes just to convince us.” The look he gave her was scathing. “Did she?” “I’ll need your feet to be bare,” Vicereine said, all business now. Charlie reached down to take off her boots. They were already untied, the laces loose from kicking them off in the tower. Vince appeared to be belatedly wondering if he could break free of the onyx chains and escape. She saw him pull against the shining loop over his wrist. It must have held, because his expression set into grim lines. “You don’t know what I’ll be like, after. No one does,” he said under his breath. “You’ll still be you,” Charlie whispered back.
Holly Black (Book of Night (Book of Night, #1))
Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.
Kyoko M. (The Holy Dark (The Black Parade, #3))
She took out a charcoal stick and began to sketch-- on the workbench itself. Of course the moon wouldn't come to her in songs or poems or crystals or whatever... she felt the most centered, the most tranquil, when she was painting or drawing. Lost in her own world or in new ones she imagined. She shouldn't have made a chart; she should have drawn a circle, with the moons going from waxing to waning all the way around... She hummed to herself a little, the way she always did when she painted. Her hair began to glow. A little shading here, a few light strokes in the middle of the full moon for the face that Rapunzel saw there... Circles and shadows and crosshatching... She worked extra hard on the profile of the fatter waxing crescent, where the moon would be now. She knew what it looked like as she felt her hand shape it. Her power surged; her hair began to sparkle. She looked around frantically for something to release her magic on. The first thing she saw was her tea, so she grabbed the red clay cup and wrapped the end of a braid around it. Just like with Pascal, sparks sprayed off her hair and over the object. When they faded they revealed... ... a heavy, crude clay cup. Rapunzel started to slump in disappointment-- and then noticed something. Where the hair had touched the sides, the cup was now shiny black, like onyx or obsidian.
Liz Braswell (What Once Was Mine)
But she was a widow and she had to watch her behavior. Not for her the pleasures of unmarried girls. She had to be grave and aloof. Ellen had stressed this at great length after catching Frank's lieutenant swinging Scarlett in the garden swing and making her squeal with laughter. Deeply distressed, Ellen had told her how easily a widow might get herself talked about. The conduct of a widow must be twice as circumspect as that of a matron. 'And God only knows,' thought Scarlett, listening obediently to her mother's soft voice, 'matrons never have any fun at all. So widows might as well be dead.' A widow had to wear hideous black dresses without even a touch of braid to enliven them, no flower or ribbon or lace or even jewelry, except onyx mourning brooches or necklaces made from the deceased's hair. And the black crepe veil on her bonnet had to reach to her knees, and only after three years of widowhood could it be shortened to shoulder length. Widows could never chatter vivaciously or laugh aloud. Even when they smiled, it must be a sad, tragic smile. And, most dreadful of all, they could in no way indicate an interest in the company of gentlemen. And should a gentleman be so ill bred as to indicate an interest in her, she must freeze him with a dignified but well-chosen reference to her dead husband. Oh, yes, thought Scarlett, drearily, some widows do remarry eventually, when they are old and stringy. Though Heaven knows how they manage it, with their neighbors watching. And then it's generally to some desperate old widower with a large plantation and a dozen children.
Margaret Mitchell (Gone with the Wind)
his hands moved busily among the puppets, choosing, discarding, until they pounced finally on the moon with her crystal eyes and her hands shaped like stars. 'I will be the moon,' Kyel said. 'You must make a wish to me.' Lydea slid her fingers into the fox's head, with its sly smile and fiery velvet pelt. 'I wish,' she said, 'that you would take your nap.' 'No,' the prince said patiently, 'you must make a true wish. And I will grant it because I am the moon.' 'Then I must make a fox's wish. I wish for an open door to every hen house, and the ability to jump into trees.' The moon sank onto the blue hillock of Kyel's knee. 'Why?' 'So that I can escape the farmer's dogs when they run after me.' 'Then you should wish,' the prince said promptly, 'that you could jump as high as the moon.' 'A good wish. But there are no hens on the moon, and how would I get back to Ombria?' The moon rose again, lifted a golden hand. 'On a star.' The governess smiled. The fox stroked the prince's hair while he shook away the moon and replaced it with the sorceress, who had one amethyst eye and one emerald, and who wore a black cloak that shimmered with ribbons of faint, changing colors. 'I am the sorceress who lives underground,' the prince said. 'Is there really a sorceress who lives underground?' 'So they --' Lydea checked herself, let the fox speak. 'So they say, my lord.' 'How does she live? Does she have a house?' She paused again, glimpsing a barely remembered tale. 'I think she does. Maybe even her own city beneath Ombria. Some say that she has an ancient enemy, who appears during harsh and perilous times in Ombria's history. Then and only then does the sorceress make her way out of her underground world to fight the evil and restore hope to Ombria.' ... The sorceress descended, long nose down on the silk. Kyel picked another puppet up, looked at it silently a moment. The queen of pirates, whose black nails curved like scimitars, whose hair was a rigid knoll in which she kept her weapons, stared back at him out of glittering onyx eyes.
Patricia A. McKillip (Ombria in Shadow)
Memories trickled through the pain as Onyx's eyes travelled down the tar road he knelt on. Its black, sour surface melted into the erratic horizon.
Ronel van Tonder (Compile: Quest (The Corrupted SUN Script, #1))
Only one ring remained on his pinky finger. My ring. The ring that I had worn for 500 years. Only then did I notice that his own hands were bare. It was a tiny silver band with a dark, black stone -- onyx. “Never wear onyx unless you want or know death,” he once told me. I believed him. Besides, up until that moment, I was confident no vampire enjoyed creating death more than I did.
Rebecca Maizel (Infinite Days (Vampire Queen, #1))
His hair was black as onyx and his smile wrapped itself around anyone who saw it.
Kae Tempest (The Bricks that Built the Houses)
In their place a shadowblack realm, the sky above cut from ebony and the ground beneath me carved from onyx. All was black and yet I could see every detail of the landscape surrounding me with perfect clarity.
Sebastien de Castell (Crownbreaker (Spellslinger, #6))
I just . . . I just wanted to make sure you were . . . okay.” He shoved away from the door as he took a long stride toward her, letting the door slam behind him. “I should be asking you the same thing,” he said, cringing, his voice filled with concern. Violet knew how she looked. The bruise on her cheek had turned a strange combination of green, yellow, and purple. The swelling had gone down, but not enough for anyone else to notice. “I’m fine.” She hedged and then tried to shrug it off. “If you like bar-fight chic.” His face darkened. “I wasn’t really talking about what’s on the outside.” “You mean, like, it’s what’s on the inside that counts?” Rafe grimaced, the ghost of a smile finding his lips. “Well, when you put it that way, it sounds sort of . . .” “Sweet?” “I was gonna say lame. But, yeah, that works too.” “Yeah? Well, you look . . .” She was going to say better, but she practically stumbled over the word. He looked anything but better. If she looked beat-up, he looked downright thrashed. Even behind the bandages, Violet could see scrapes and mottled skin. “Terrible. You look terrible.” She moved closer to him on the landing as he unlocked the closed door. “But better than the last time I saw you, I guess.” Rafe tried to laugh, but winced and grabbed his ribs. “Damn, V, I wouldn’t plan on a career in nursing if I were you; your bedside manner stinks.” His eyes clouded over when he saw her stroking the black onyx hanging from around her neck. “Krystal?” he asked. “For protection,” Violet clarified. “Um, yeah, I got one too. Mine’s for healing.” He tugged at the silver chain around his neck. He held up an irregular-looking stone that had been tucked beneath his shirt. It was cloudy—opaque—and Violet wondered at the mystical qualities Krystal believed it possessed. “I meant it’s from Krystal. Right?” “Oh, yeah . . . right.” She nodded, realizing she’d misunderstood his question.
Kimberly Derting (The Last Echo (The Body Finder, #3))
Root Chakra Gemstones •       With the utmost care and devotion, BLACK TOURMALINE guards its keeper and her property. It is the mineral-kingdom's most protective stone. Place four pieces at your home or property's four corners to protect your home and land, and keep one piece in your car to prevent theft. •       JET is a wood component which is decayed under high pressure and deoxygenated. Though light in weight, when it comes to defense, jet packs a heavy punch, eliminating curses or hexes, and extracting dark magic that originates from past ages or lifetimes. Our ancestors claimed that holding a piece of jet, including the Plague, would help protect them from illness. •       ONYX helps empathy by absorbing and transmuting low vibrations in people or places as a working tool. Having the bearer physically powerful and formidable, and gaining good luck and a great harvest, is believed. •       RED AVENTURINE purifies and detoxifies energy frequencies to help clear the trauma stored, promoting a deeper connection with energy source. It helps to promote strong body ventilation, remove accumulated toxins, and increase blood flow. •       RED JASPER is a battle-stone of resilience and reminds the carrier of her personal strength and ability to overcome challenges. Native Americans claimed red jasper would reinforce warriors going into combat. The red color, because of the protective properties of the stone, reflected the blood they would not have spilled.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
The man was undeniably striking, with black hair, sleek and shiny as onyx, and eyes that matched. He had
Onley James (Play Dirty (Wages of Sin, #2))
Even now, years later, there’s only one face I see when I hear the word “beautiful.” High cheekbones with alabaster skin. The most astonishing green irises set in unblinking almond eyes. Long black hair, sleek as a waterfall of onyx.
Naomi West (Caged Rose (Aminoff Bratva, #1))
There sat his sister-in-law with her smooth, macramé, onyx hair, a cigarette clasped delicately between her long, elegant fingers. Her hair was dark not as dark as her eyes looking at the windows of the man standing in front of her was not worth the time and gaze. Her bright red lips were parted slightly to reveal her perfectly straight teeth except a crooked one of the bottom but one to not gaze deeply was not one to tell. Were her lips as red as blood or did they seem so against the snow of his skin? She was dressed in all black sitting cross legged, her right over the left and her cheeks were hollowed accentuating her delicate cheekbones. Despite the conjecture that she had hair that did not look the silkiest and her garb was giving a presumption of ragged ancestry, her general stillness of power, and disdain of sentiments coupled with the wine, cigarettes and the leather eclipsed her unruly appearance making the lady look like blasé royalty.
Aliza S. (the Poppy fields near the French countryside)
It was like marble or quartz, but cut through to show the layers of black and white, with sometimes just a hint of red or brown. “What’s this edge made of?” “Onyx. My first big play on Broadway was The Onyx Ring. The pool is one of my few luxuries.
Edward D. Hoch (The Spy and the Thief: A Jeffery Rand and Nick Velvet Collection)
The third turns in my direction and my heart simply…stops. He’s tall, with windblown black hair and dark brows. The line of his jaw is strong and covered by warm tawny skin and dark stubble, and when he folds his arms across his torso, the muscles in his chest and arms ripple, moving in a way that makes me swallow. And his eyes… His eyes are the shade of gold-flecked onyx. The contrast is startling, jaw-dropping even—everything about him is. His features are so harsh that they look carved, and yet they’re astonishingly perfect, like an artist worked a lifetime sculpting him, and at least a year of that was spent on his mouth. He’s the most exquisite man I’ve ever seen. And living in the war college means I’ve seen a lot of men. Even the diagonal scar that bisects his left eyebrow and marks the top corner of his cheek only makes him hotter. Flaming hot. Scorching hot. Gets-you-into-trouble-and-you-like-it level of hot. Suddenly, I can’t remember exactly why Mira told me not to fuck around outside my year group.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
I’m black that’s what runs deep inside my soul. I’m Nile that what makes me perennial I’m Okavango that’s what makes me mysterious I’m the lake Tanganyika thus what bellows deep inside I’m black,I’m deep jet I’m Chinhoyi thus what makes me constant I’m Kalahari thus what makes me amazing I’m black as an onyx I’m coal that’s what makes me thermal
Tapiwanaishe Pamacheche
I've met some pricks in my time, but you sir, are an entire fucking cactus.
Nikita Parmenter (Black Onyx (Black Onyx Academy, #1))
I couldn't read, and it had almost killed me. I hadn't even won properly. I sank to my knees, letting the platform carry me, and covered my face in my shaking hands. Tears burned just before pain seared through my left arm. I would never beat the third task. I would never free Tamlin, or his people. The pain shot through my bones again, and through my increasing hysteria, I heard words inside my head that stopped me short. Don't let her see you cry. Put your hands at your sides and stand up. I couldn't. I couldn't move. Stand. Don't give her the satisfaction of seeing you break. My knees and spine, not entirely of my own will, forced me upright, and when the ground at last stopped moving, I looked at Amarantha with tearless eyes. Good, Rhysand told me. Stare her down. No tears- wait until you're back in your cell. Amarantha's face was drawn and white, her black eyes like onyx as she beheld me. I had won, but I should be dead. I should be squashed, my blood oozing everywhere. Count to ten. Don't look at Tamlin. Just stare at her. I obeyed. It was the only thing that kept me from giving in to the sobs trapped within my chest, thundering to get out. I willed myself to meet Amarantha's gaze. It was cold and vast and full of ancient malice, but I held it. I counted to ten. Good girl. Now walk away. Turn on your heel- good. Walk toward the door. Keep your chin high. Let the crowd part. One step after another. I listened to him, let him keep me tethered to sanity as I was escorted back to my cell by the guards-who still kept their distance. Rhysand's words echoed through my mind, holding me together. But when my cell door closed, he went silent, and I dropped to the floor and wept.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
He’s tall, with windblown black hair and dark brows. The line of his jaw is strong and covered by warm tawny skin and dark stubble, and when he folds his arms across his torso, the muscles in his chest and arms ripple, moving in a way that makes me swallow. And his eyes… His eyes are the shade of gold-flecked onyx. The contrast is startling, jaw-dropping even—everything about him is. His features are so harsh that they look carved, and yet they’re astonishingly perfect, like an artist worked a lifetime sculpting him, and at least a year of that was spent on his mouth.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Cassilda: (speaking to herself) We strain our ears for the sound of love, but must all mothers bear the horror of seeing their Children grow from wonderful possibility to grim reality? Stranger: (Stands mutely in the shadows, his hands folding across his chest) Cassilda: If only we could stay a moment behind the veil of time, and live in that moment of indecision. Stranger: (Whispers so Cassilda cannot hear) Existence is decision. (...) [Te Child appears before the closed curtain] 1 Te Child: I am not the Prologue, nor the Afterword; call me the Prototaph. My role is this: to tell you it is now too late to close the book or quit the theatre. You already thought you should have done so earlier, but you stayed. How harmless it all is! No definite principles are involved, no doctrines promulgated in these pristine pages, no convictions outraged…but the blow has fallen, and now it is too late. And shall I tell you where the sin lies? It is yours. You listened to us; and all the say you stay to see the Sign. Now you are ours, or, since the runes also run backwards, we are yours…forever. (...) Along the shore the cloud waves break, The twin suns sink behind the lake, The shadows lengthen In Carcosa. Strange is the night where black stars rise, And strange moons circle through the skies But stranger still is Lost Carcosa. Songs that the Hyades shall sing, Where flap the tatters of the King, Must die unheard in Dim Carcosa. Song of my soul, my voice is dead; Die thou, unsung, as tears unshed Shall dry and die in Lost Carcosa. (...) [As the gong continues to strike, everyone begins to unmask. There are murmurs and gestures of surprise, real or polite, as identities are recognized or revealed. Ten there is a wave of laugher. The music becomes louder and increases in tempo.] Camilla: You, sir, should unmask. Stranger: Indeed? Camilla: Indeed, it’s time. We have all laid aside disguise but you. Stranger: I wear no mask. Camilla: No mask? No mask! Stranger: I, I am the Pallid Mask itself. I, I am the Phantom of Truth. I came from Alar. My star is Aldebaran. Truth is our invention; it is our weapon of war. And see–by this sign we have conquered, and the siege of good and evil is ended… § [On the horizon, the towers of Carcosa begin to glow] Noatalba: (Pointing) Look, look! Carcosa, Carcosa is on fire! (...) The King: Te Phantom of ruth shall be laid. Te scalloped tattersof Te King must hide Haita forever. As for thee, Yhtill– All: No! No, no! Te King: And as for thee, we tell you this; it is a fearful thing to fall into the hands of the living god. (...) Te Stranger falls, and everyone else sinks slowly to the ground after him. Te King can now be seen, although only faintly. He stands in state upon the balcony. He has no face, and is twice as tall as a man. He wears painted shows under his tattered, fantastically colored robes, and a streamer of silk appears to fall from the pointed tip of his hood. Behind his back he holds inverted a torch with a turned and jeweled shaft, which emits smoke, but no light. At times he appears to be winged; at others, haloed. These details are for the costumier; at no point should Te King be sufficiently visible to make themall out. Behind him, Carcosa and the Lake of Hali have vanished. Instead, there appears at his back a huge sculptured shield, in shape suggesting a labrys of onyx, upon which the Yellow Sign is chased in gold. Te rest of the stage darkens gradually, until, at the end, it is lit only by the decomposed body of the Stranger, phosphorescing bluely.]
Talbot Estus
He’s tall, with windblown black hair and dark brows. The line of his jaw is strong and covered by warm tawny skin and dark stubble, and when he folds his arms across his torso, the muscles in his chest and arms ripple, moving in a way that makes me swallow. And his eyes… His eyes are the shade of gold-flecked onyx. The contrast is startling, jaw-dropping even—everything about him is. His features are so harsh that they look carved, and yet they’re astonishingly perfect, like an artist worked a lifetime sculpting him, and at least a year of that was spent on his mouth. He’s
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
I was standing on a battlefield aflame with silvery fire, clad in armor of deepest black that concealed mud and gore, the speckled evidence of war. My bloodied hands bore a great gold-handled broadsword whose onyx blade was veined with scrollwork that seemed almost illuminated from within. I swung the blade around me in slow, menacing circles that dared my enemy to approach. A shadowed figure stood nearby, and lifeless bodies—Descended and mortal—lay in a broad ring at my feet, as if they’d been thrown back by the force of a massive explosion. My face was grim, undaunted. Sad, I think—but strong. Unbreakably strong.
Penn Cole (Spark of the Everflame (Kindred's Curse, #1))
tugging her through the crowds and toward the real tourist draw of the Gate. Jutting out of the quartz about four feet off the ground lay the dial pad: a solid-gold block embedded with seven different gems, each for a different quarter of the city, the insignia of each district etched beneath it. Emerald and a rose for Five Roses. Opal and a pair of wings for the CBD. Ruby and a heart for the Old Square. Sapphire and an oak tree for Moonwood. Amethyst and a human hand for Asphodel Meadows. Tiger’s-eye and a serpent for the Meat Market. And onyx—so black it gobbled the light—and a set of skull and crossbones for the Bone Quarter.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
They’re luck charms,” the magpie said, waving a feathery hand over the trays of gems. “White is for joy; green for wealth; red for love and fertility; blue for wisdom … Take your pick.” Hunt asked, “What’s the black for?” The magpie’s onyx-colored mouth curved upward. “For the opposite of luck.” She tapped one of the black opals, kept contained within a glass dome. “Slip it under the pillow of your enemy and see what happens to them.” Bryce cleared her throat. “Interesting as that may be—” Hunt held out a silver mark. “For the white.” Bryce’s brows rose, but the magpie swept up the mark, and plunked the white opal into Hunt’s awaiting palm. They left, ignoring her gratitude for their business. “I didn’t peg you for superstitious,” Bryce said. But Hunt paused at the end of the row of stalls and took her hand. He pressed the opal into it, the stone warm from his touch. The size of a crow’s egg, it shimmered in the firstlights high above. “You could use some joy,” Hunt said quietly. Something bright sparked in her chest. “So could you,” she said, attempting to press the opal back into his palm. But Hunt stepped away. “It’s a gift.” Bryce’s face warmed again, and she looked anywhere but at him as she smiled. Even though she could feel his gaze lingering on her face while she slid the opal into the pocket of her jacket.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
session itself, I’ll change into a silk robe and some underwear that they’ll provide, so it doesn’t particularly matter what I wear for this initial part of the evening. I’m just here to get my bearings, have some (more) Dutch courage with Maddy in the bar area, and soak up the atmosphere. A sleek, beautiful brunette ushers us through the double doors at the end of the lobby, and we find ourselves in a stunning room. There’s an aesthetic overlap with Genevieve’s office and no suggestion of the den-of-sin vibe I was expecting. No black walls, or red leather banquettes, or sex swings. Maybe they’re all next door. No, the room here is all white, with luscious mouldings and spectacular deco chandeliers dimmed to their lowest setting. The massive picture windows facing the back of the building have their shutters closed, and it’s pretty dark, but nowhere near dingy. The focal point of the entire space is a huge bar, crafted entirely from backlit pink onyx, a line of sleek kelly green bar stools dotted in front of it. It’s utterly gorgeous. And the people? I glance around quickly. First impression is that I’m at the bar of Nobu or Sexy Fish. It’s a Mayfair crowd. Well-heeled. International. Accomplished-looking. Phew. Despite Genevieve’s reassurances to the contrary, I did wonder if this place was going to be this young virgin and a load of leering old men.
Elodie Hart (Unfurl (Alchemy, #1))
My dear. Lillian would like to ask you about a necklace in the chest.” “Oh?” “The unusual black piece with the onyx pendant?” Her uncle’s face looked disturbed, his eyes stared at the tablecloth, unseeing.
Julie Klassen (The Apothecary's Daughter)
Let me see,” Opal said. She quickly slurped up the rest of her lunch and then took the collar. She examined it very closely. Sure enough, she could see bits of evergreen fur pinched along the buckle strap. As she looked closer, she noticed something else. Several pieces of black onyx were sewn into the back of the collar, and they started glowing. “Well look at that,” Jack said. “Somebody’s put a spider in this biscuit.
Mark Caldwell Jones (Opal Summerfield and The Battle of Fallmoon Gap (Book 1))
In the pantry she found a jug of olive oil, several bulbs of garlic and onion, some ripe tomatoes, half a lemon, several dates, a big cabbage, some rice, jars of cardamom, tea, pepper, green wheat, sugar, turmeric, salt, nutmeg, fenugreek, dried mint, saffron, cinnamon, oregano, sumac, lentils, and powdered coffee. And behind all this, glowing and sweating, smooth and satiny, black as onyx and fat as a baby, she found an eggplant. Aunt Camille held it up high in the air with both hands like a midwife holds the newly caught infant and announced, "The answer to our prayers!" Thus ensued some scooping and scraping, some slicing and dicing, some stuffing and some baking. She found a few raisins here, a few pine nuts there, did some frying in aliya- the fat of the lamb's tail. She had to experiment a bit with the heat in that fire-hold- and before you knew it, there was a magnificent dish of stuffed eggplant presented on a cobalt-blue glass platter. The fragrance of the dish filled the kitchen and wafted around them as she carried the platter through the forest to the jinn. He hadn't stopped his prayers once in all this time, but as Aunt Camille drew closer, the rich, garlicky, buttery, nuttery, eggplanty flavor swirled around his head until he felt his senses would be lifted right out of his body.
Diana Abu-Jaber (Crescent)
He had expected to find them impressive, perhaps even frightening. He had not thought to find them beautiful. Yet they were. As black as onyx, polished smooth, so the bone seemed to shimmer in the light of his torch. They liked the fire, he sensed. He’d thrust the torch into the mouth of one of the larger skulls and made the shadows leap and dance on the wall behind him. The teeth were long, curving knives of black diamond. The flame of the torch was nothing to them; they had bathed in the heat of far greater fires. When he had moved away, Tyrion could have sworn that the beast’s empty eye sockets had watched him go. There were nineteen skulls. The oldest was more than three thousand years old; the youngest a mere century and a half. The most recent were also the smallest; a matched pair no bigger than mastiff’s skulls, and oddly misshapen, all that remained of the last two hatchlings born on Dragonstone. They were the last of the Targaryen dragons, perhaps the last dragons anywhere, and they had not lived very long. From there the skulls ranged upward in size to the three great monsters of song and story, the dragons that Aegon Targaryen
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
You look very animalistic digging like that, I told him. Like a wee doggie who can’t reach his bone. Sand erupted as Tyrrik blurred up the dune to stand before me. I pursed my lips, trying to hold back the smile as I waited. He leaned over me, his onyx gaze studying my face. I felt his inhale as he took in my scent just as I was soaking in his pine and smoke smell. “You want to rethink that statement?” he asked, his voice low and menacing. My heart skipped a beat at the sound, but I stood on my toes and reached up, using a finger on each hand to press down the tops of his ears so they stuck out. “Nope,” I replied, raising my eyebrows as I shook my head. “Just like a wee doggie.” I inched closer to him and said, “Arf.
Raye Wagner (Black Crown (The Darkest Drae, #3))
I stood in my room. I shifted my feet on the white marble. Sunlight poured into the room like a golden waterfall. I looked behind me. The two cat statues of black onyx flanked the door. The bed was made up with a silk sheet. The water fall shower fell from the ceiling into the pool. It all was still here. The white gauze curtain swayed in the window and I grinned. I could not help but grin. I entered the balcony and looked down at the river that fell into the ravine. As always, I could jump and I would land in the pool below. I could smell the earth and the green. I could feel the wind and the spray of mist carried on the breeze like never before. It was real. I could touch it.And I knew, beyond the trees was my cottage and stream.
Angela B. Chrysler (Broken)
Around a curved corner came the glimmer of an eerie green light. Talis stopped, his legs refusing to take another step. His blood thumped hard through his temples. Two ghostly-green, glowing orbs hovered in the darkness. In between stood a statue of the terrifying Zagros—in a battle-stance—wielding an executioner’s blade in one hand and in the other he held hundreds of tiny, severed heads tied together by a string. The onyx statue of the Lord of the Underworld. His mouth was open wide, tongue stretched out. Talis felt the hairs stand up along the back of his neck. The statue was revolting. A cloaked figure in black knelt before the statue, mumbling prayers. Golden orbs floated in the air all around the chamber. Candles were lit around the kneeling figure, giving off a freakish, flickering light. Mara grabbed Talis' arm and they hid behind a boulder and bent down, straining to listen. “I vow,” the figure said, “that my father… his soul find shall find respite. The endless war of Nyx—spare him, oh great Zagros, I beg you will spare him such a fate.” She leaned close to Talis, and whispered, “It’s Rikar.” What was he doing here? He was a foul-tempered student of the Order of the Dawn and Nikulo’s sparring partner. After she spoke, Rikar whirled around and glared at them. His eyes glowed green for a moment and then dimmed to black. “You dare violate the sanctity of this temple?” Mara and Talis stepped out from the shadows, bathed in the violent green light glowing around the statue. Rikar raised a hand and Talis felt a sickening energy creep up his legs and into his stomach, squeezing hard until massive bursts of pain shot through his body. Talis winced. What kind of strange magic was Rikar using on him? “Stop it!” Mara hissed, glowering at Rikar. “Leave it for the Blood Dagger competition.” Talis gasped and coughed as the pain diminished. He balled up a fist and started to charge at Rikar but Mara held him back. “I won’t even need to use a drop of magic against you pathetic runts.” Rikar stood and strode past them, shoving Talis aside. “Nice to see you’re all better, Your Royal Highness. I look forward to using my sword to make you wounded again.” He chuckled, pulling his cloak over his head as he stormed out. “What was that all about?” Mara shook her head. “Why was he in here, anyway?” “I really don’t want to know… Rikar has acted incredibly strange since his father died.” Mara shuddered, as if a cold chill had fallen over her. “Didn’t you used to be friends? What happened to him?” Talis wished he knew, but Rikar had always refused to talk about what had happened. Turning aside, she took a deep breath and faced the onyx statue, as if filled with a new resolve. “We have to complete the rites of initiation and do it quickly.” She motioned toward the shrine and they knelt together on the outer ley line. After their knees touched the ley line, a faint green light rose and strengthened into a blistering blaze that Talis could feel in his legs.
John Forrester (Fire Mage (Blacklight Chronicles, #1))
Around a curved corner came the glimmer of an eerie green light. Talis stopped, his legs refusing to take another step. His blood thumped hard through his temples. Two ghostly-green, glowing orbs hovered in the darkness. In between stood a statue of the terrifying Zagros—in a battle-stance—wielding an executioner’s blade in one hand and in the other he held hundreds of tiny, severed heads tied together by a string. The onyx statue of the Lord of the Underworld. His mouth was open wide, tongue stretched out. Talis felt the hairs stand up along the back of his neck. The statue was revolting. A cloaked figure in black knelt before the statue, mumbling prayers. Golden orbs floated in the air all around the chamber. Candles were lit around the kneeling figure, giving off a freakish, flickering light. Mara grabbed Talis' arm and they hid behind a boulder and bent down, straining to listen. “I vow,” the figure said, “that my father… his soul find shall find respite. The endless war of Nyx—spare him, oh great Zagros, I beg you will spare him such a fate.” She leaned close to Talis, and whispered, “It’s Rikar.” What was he doing here? He was a foul-tempered student of the Order of the Dawn and Nikulo’s sparring partner. After she spoke, Rikar whirled around and glared at them. His eyes glowed green for a moment and then dimmed to black. “You dare violate the sanctity of this temple?” Mara and Talis stepped out from the shadows, bathed in the violent green light glowing around the statue. Rikar raised a hand and Talis felt a sickening energy creep up his legs and into his stomach, squeezing hard until massive bursts of pain shot through his body. Talis winced. What kind of strange magic was Rikar using on him? “Stop it!” Mara hissed, glowering at Rikar. “Leave it for the Blood Dagger competition.” Talis gasped and coughed as the pain diminished. He balled up a fist and started to charge at Rikar but Mara held him back. “I won’t even need to use a drop of magic against you pathetic runts.” Rikar stood and strode past them, shoving Talis aside. “Nice to see you’re all better, Your Royal Highness. I look forward to using my sword to make you wounded again.” He chuckled, pulling his cloak over his head as he stormed out.
John Forrester (Fire Mage (Blacklight Chronicles, #1))
Emerald and a rose for Five Roses. Opal and a pair of wings for the CBD. Ruby and a heart for the Old Square. Sapphire and an oak tree for Moonwood. Amethyst and a human hand for Asphodel Meadows. Tiger’s-eye and a serpent for the Meat Market. And onyx—so black it gobbled the light—and a set of skull and crossbones for the Bone Quarter.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Jutting out of the quartz about four feet off the ground lay the dial pad: a solid-gold block embedded with seven different gems, each for a different quarter of the city, the insignia of each district etched beneath it. Emerald and a rose for Five Roses. Opal and a pair of wings for the CBD. Ruby and a heart for the Old Square. Sapphire and an oak tree for Moonwood. Amethyst and a human hand for Asphodel Meadows. Tiger’s-eye and a serpent for the Meat Market. And onyx—so black it gobbled the light—and a set of skull and crossbones for the Bone Quarter.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))