Black Goggles Quotes

Anyone who's happy in a world this fucked-up has some serious psychological issues. You think I'm crazy because I see things as they are. You'd rather put on Disneyland goggles and watch TV and pretend it's fine. It's not crazy if I see monsters when I live in a fucking nightmare.

If you'd told me even a year before...that I'd wind up whispering my sins in the confessional or on my knees saying the rosary, I would've laughed myself cockeyed. More likely pastime?Pole dancer. International spy. Drug mule. Assassin. I drive under a sky black as graphite to meet my new spiritual director...a bulky Franciscan nun named Sister Margaret, patiently going blind behind fish-tank glasses that magnify her eyes like goggles.

They had come to the edge of the wood now, with no sign of slowing their rapid jog. The road, where it angled across the meadow, was just ahead, dazzling white in the open sunlight. And there, standing on the road, was the man from the night before, the man in the yellow suit, his black hat on his head. Discovering him, seeing his surprise, and presented at once with choices, Winnie’s mind perversely went blank. Instead of crying out for help, she merely goggled at him as they fled past the spot where he stood. Mae Tuck was the only one who spoke, and the most she could offer was: “Teaching our little girl . . . how to ride!

The desert creatures evaporating without a cry and the scientists watching with this thing standing twinned in the black lenses of their goggles.

The haze cleared. My finger twitched, but I had not pulled the trigger. A figure stood from a crouch in the dust; he had fallen from above. He wore a black coat-thin, like a lab coat-dark trousers, black boots, and a pair of goggles over his eyes.

On a night like tonight, without goggles, it’s hard to know where the ocean ends and the sky begins. With no horizon reference, flight decks resemble little more than lighted postage stamps, floating in the middle of space. Everything seems to float—the stars, radio antennas, buoys, ships—in one vast, black, spherical void.

It ascended by levels: Da's cameo recessed against the glow of the tuner's parade,the drawer of utensils withdrawn past its fulcrum, the disembodied face of my brother miming and distorting my desperate attempt by expression alone to make Mum look up from me and see him, I no longer feeling my features' movements so much as seeing them on that writhing white face against the pantry's black, the throttle-popped eyes and cheeks ballooning against the gag's restraint, Mum squatting chairside to even my ears, my face before us bother farther and farther from my own control as I saw in his twin face what all lolly-smeared hand-held brats must see in the fun-house mirror- the gross and pitiless sameness, the distortion in which there is, tiny, at the center, something cruelly true about the we who leer and woggle at stick necks and and concave skulls, goggling eyes that swell to the edges- as the mimicry ascended reflected levels to become finally the burlesque of a wet hysteria that plastered cut strands to a wet white brow, the strangled man's sobs blocked by cloth, storm's thrum and electric hiss and Da's mutter against the lalation of shears meant for lambs, an unseen fit that sent my eyes upward again and again into their own shocked white, knowing past sight that my twin's face would show the same, to mock it- until the last refuge was slackness, giving up the ghost completely for a blank sack gagged mask's mindless stare-un seen and seeing- into a mirror I could not know or feel myself without. No not ever again.

Before opening them, I slowly looked around the room. Sumire’s coat was hanging in the closet. I saw her goggles, her Italian dictionary, her passport. Inside the desk were her ballpoint pen and mechanical pencil. In the window above the desk the gentle, craggy slope was visible. A black cat was walking on top of the wall of the house next door. The bare little boxy room was enveloped in the late-afternoon silence. I closed my eyes and could still hear the waves on the deserted beach that morning. I opened my eyes again, and this

The massive machine bore down on them. Nearly fourteen feet long and six wide, it seemed to completely fill the bridge. Almost a ton and a half of wood, glass, rubber, brass and steel, a monster, roaring and trumpeting as it approached its kill, the great shining black fender arches framing its huge goggling eyes. The thrusting tusks of its sprung-leaf suspension threatened to skewer any soft flesh and young bone that lay in its path. Black smoke billowed from its rear. Sparks spat from behind its grille. No dragon of ancient legend could have seemed more terrifying or more deadly.

Madle named names. Some were on my list and some were not. Those that were not I assumed to be spear carriers. Tally had been well and reliably scouted. The last corpse went out. I gave Madle a small gold piece. He goggled. His customers regarded him with unfriendly eyes. I grinned. “For services rendered.” Madle blanched, stared at the coin. It was a kiss of death. His patrons would think he had helped set the ambush. “Gotcha,” I whispered. “Want to get out of this alive?” He looked at me in fear and hatred. “Who the hell are you guys?” he demanded in a harsh whisper. “The Black Company, Madle. The Black Company.” I don’t know how he managed, but he went even whiter.

 "Oh, but I love them so. There." Margo stepped back, then nodded in satisfaction. "I didn't have much to work with, but…"  "Keep it up, Miss D Cup," Kate grumbled, then looked down and goggled. "Jesus, where did they come from?"  "Amazing, isn't it? In the right harness, those puppies just rise."  "I have breasts." Stunned, Kate patted the swell rising above black satin and lace. "And cleavage."  "It's all a matter of proper positioning and making the most of what we have. Even when it's next to nothing."  "Shut up." Grinning, Kate slicked her hands down her torso. "Look, Ma. I'm a girl." ....Her friend was sitting in an elegant Queen Anne chair wearing a black bustier with matching lacy garter belt and sheer black stockings. "Why, Kate, you look so… different."  "I have tits," she stated and rose. "Margo gave them to me."  

At the high school a pretty girl strolled across the parking lot to her black stallion, let her cigarette dangle from her lips while she put on her helmet, adjusted her goggles. Throwing a slender white leg over the side she jacked her little backside up and down a few times, exciting the steed. Now she came down on his back and he squatted, moaning to the soft squeeze of her hand, then at her sudden clutch shot out fast between the press of her knees. Claude looked down at his shoes as they passed, having seen nothing. But he glanced up in time to watch them glide off under the next streetlamp, the gleaming beast appearing almost languid with release, very pleased with himself and with the girl who clung to his back, small and stiff and unsatisfied. She had been noticed: everywhere along the way the leaning people looked after her as though wondering if the new week had finally begun, then they looked at one another, then back at nothing.

Suddenly a violent noise leaped at them from no source that he could identify. He gasped in terror at what sounded like a man trying to gargle while fighting off a pack of wolves. “Shush!” said Ford. “Listen, it might be important.” “Im … important?” “It’s the Vogon captain making an announcement on the tannoy.” “You mean that’s how the Vogons talk?” “Listen!” “But I can’t speak Vogon!” “You don’t need to. Just put this fish in your ear.” Ford, with a lightning movement, clapped his hand to Arthur’s ear, and he had the sudden sickening sensation of the fish slithering deep into his aural tract. Gasping with horror he scrabbled at his ear for a second or so, but then slowly turned goggle-eyed with wonder. He was experiencing the aural equivalent of looking at a picture of two black silhouetted faces and suddenly seeing it as a picture of a white candlestick. Or of looking at a lot of colored dots on a piece of paper which suddenly resolve themselves into the figure six and mean that your optician is going to charge you a lot of money for a new pair of glasses. He was still listening to the howling gargles, he knew that, only now it had somehow taken on the semblance of perfectly straightforward English. This is what he heard … * Ford Prefect’s original name is only pronounceable in an obscure Betel-geusian dialect, now virtually extinct since the Great Collapsing Hrung Disaster of Gal./Sid./Year 03758 which wiped out all the old Praxibetel communities on Betelgeuse Seven. Ford’s father was the only man on the entire planet to survive the Great Collapsing Hrung Disaster, by an extraordinary coincidence that he was never able satisfactorily to explain. The whole episode is shrouded in deep mystery: in fact no one ever knew what a Hrung was nor why it had chosen to collapse on Betelgeuse Seven particularly. Ford’s father, magnanimously waving aside the clouds of suspicion that had inevitably settled around him, came to live on Betelgeuse Five, where he both fathered and uncled Ford; in memory of his now dead race he christened him in the ancient Praxibetel tongue. Because Ford never learned to say his original name, his father eventually died of shame, which is still a terminal disease in some parts of the Galaxy. The other kids at school nicknamed him Ix, which in the language of Betelgeuse Five translates as “boy who is not able satisfactorily to explain what a Hrung is, nor why it should choose to collapse on Betelgeuse Seven.

If these avatars were real people in a real street, Hiro wouldn't be able to reach the entrance. It's way too crowded. But the computer system that operates the Street has better things to do than to monitor every single one of the millions of people there, trying to prevent them from running into each other. It doesn't bother trying to solve this incredibly difficult problem. On the Street, avatars just walk right through each other. So when Hiro cuts through the crowd, headed for the entrance, he really is cutting through the crowd. When things get this jammed together, the computer simplifies things by drawing all of the avatars ghostly and translucent so you can see where you're going. Hiro appears solid to himself, but everyone else looks like a ghost. He walks through the crowd as if it's a fogbank, clearly seeing The Black Sun in front of him. He steps over the property line, and he's in the doorway. And in that instant he becomes solid and visible to all the avatars milling outside. As one, they all begin screaming. Not that they have any idea who the hell he is -- Hiro is just a starving CIC stringer who lives in a U-Stor-It by the airport. But in the entire world there are only a couple of thousand people who can step over the line into The Black Sun. He turns and looks back at ten thousand shrieking groupies. Now that he's all by himself in the entryway, no longer immersed in a flood of avatars, he can see all of the people in the front row of the crowd with perfect clarity. They are all done up in their wildest and fanciest avatars, hoping that Da5id -- The Black Sun's owner and hacker-in-chief -- will invite them inside. They flick and merge together into a hysterical wall. Stunningly beautiful women, computer-airbrushed and retouched at seventy-two frames a second, like Playboy pinups turned three-dimensional -- these are would-be actresses hoping to be discovered. Wild-looking abstracts, tornadoes of gyrating light-hackers who are hoping that Da5id will notice their talent, invite them inside, give them a job. A liberal sprinkling of black-and-white people -- persons who are accessing the Metaverse through cheap public terminals, and who are rendered in jerky, grainy black and white. A lot of these are run-of-the-mill psycho fans, devoted to the fantasy of stabbing some particular actress to death; they can't even get close in Reality, so they goggle into the Metaverse to stalk their prey. There are would-be rock stars done up in laser light, as though they just stepped off the concert stage, and the avatars of Nipponese businessmen, exquisitely rendered by their fancy equipment, but utterly reserved and boring in their suits.

They stood on tiptoe, strained their eyes. “Let me look.” “Well, look then.” “What you see?” That was the question. No one saw anything. Then, simultaneously, three distinct groups of marchers came into view. One came up 125th Street from the east, on the north side of the street, marching west towards the Block. It was led by a vehicle the likes of which many had never seen, and as muddy as though it had come out of East River. A bare-legged black youth hugged the steering-wheel. They could see plainly that he was bare-legged for the vehicle didn’t have any door. He, in turn, was being hugged by a bare-legged white youth sitting at his side. It was a brotherly hug, but coming from a white youth it looked suggestive. Whereas the black had looked plain bare-legged, the bare-legged white youth looked stark naked. Such is the way those two colors affect the eyes of the citizens of Harlem. In the South it’s just the opposite. Behind these brotherly youths sat a very handsome young man of sepia color with the strained expression of a man moving his bowels. With him sat a middle-aged white woman in a teen-age dress who looked similarly engaged, with the exception that she had constipation. They held a large banner upright between them which read: BROTHERHOOD! Brotherly Love Is The Greatest! Following in the wake of the vehicle were twelve rows of bare-limbed marchers, four in each row, two white and two black, in orderly procession, each row with its own banner identical to the one in the vehicle. Somehow the black youths looked unbelievably black and the white youths unnecessarily white. These were followed by a laughing, dancing, hugging, kissing horde of blacks and whites of all ages and sexes, most of whom had been strangers to each other a half-hour previous. They looked like a segregationist nightmare. Strangely enough, the black citizens of Harlem were scandalized. “It’s an orgy!” someone cried. Not to be outdone, another joker shouted, “Mama don’t ’low that stuff in here.” A dignified colored lady sniffed. “White trash.” Her equally dignified mate suppressed a grin. “What else, with all them black dustpans?” But no one showed any animosity. Nor was anyone surprised. It was a holiday. Everyone was ready for anything. But when attention was diverted to the marchers from the south, many eyes seemed to pop out in black faces. The marchers from the south were coming north on the east side of Seventh Avenue, passing in front of the Scheherazade bar restaurant and the interdenominational church with the coming text posted on the notice-board outside: SINNERS ARE SUCKERS! DON’T BE A SQUARE! What caused the eyes of these dazed citizens to goggle was the sight of the apparition out front. Propped erect on the front bumper of a gold-trimmed lavender-colored Cadillac convertible driven by a fat black man with a harelip, dressed in a metallic-blue suit, was the statue of the Black Jesus, dripping black blood from its outstretched hands, a white rope dangling from its broken neck, its teeth bared in a look of such rage and horror as to curdle even blood mixed with as much alcohol as was theirs. Its crossed black feet were nailed to a banner which read: THEY LYNCHED ME! While two men standing in the back of the convertible held aloft another banner reading: BE NOT AFRAID!

The top surface of the computer is smooth except for a fisheye lens, a polished glass dome with a purplish optical coating. Whenever Hiro is using the machine, this lens emerges and clicks into place, its base flush with the surface of the computer. The neighborhood loglo is curved and foreshortened on its surface. Hiro finds it erotic. This is partly because he hasn't been properly laid in several weeks. But there's more to it. Hiro's father, who was stationed in Japan for many years, was obsessed with cameras. He kept bringing them back from his stints in the Far East, encased in many protective layers, so that when he took them out to show Hiro, it was like watching an exquisite striptease as they emerged from all that black leather and nylon, zippers and straps. And once the lens was finally exposed, pure geometric equation made real, so powerful and vulnerable at once, Hiro could only think it was like nuzzling through skirts and lingerie and outer labia and inner labia. . . . It made him feel naked and weak and brave. The lens can see half of the universe -- the half that is above the computer, which includes most of Hiro. In this way, it can generally keep track of where Hiro is and what direction he's looking in. Down inside the computer are three lasers -- a red one, a green one, and a blue one. They are powerful enough to make a bright light but not powerful enough to burn through the back of your eyeball and broil your brain, fry your frontals, lase your lobes. As everyone learned in elementary school, these three colors of light can be combined, with different intensities, to produce any color that Hiro's eye is capable of seeing. In this way, a narrow beam of any color can be shot out of the innards of the computer, up through that fisheye lens, in any direction. Through the use of electronic mirrors inside the computer, this beam is made to sweep back and forth across the lenses of Hiro's goggles, in much the same way as the electron beam in a television paints the inner surface of the eponymous Tube. The resulting image hangs in space in front of Hiro's view of Reality. By drawing a slightly different image in front of each eye, the image can be made three-dimensional. By changing the image seventy-two times a second, it can be made to move. By drawing the moving three-dimensional image at a resolution of 2K pixels on a side, it can be as sharp as the eye can perceive, and by pumping stereo digital sound through the little earphones, the moving 3-D pictures can have a perfectly realistic soundtrack. So Hiro's not actually here at all. He's in a computer-generated universe that his computer is drawing onto his goggles and pumping into his earphones. In the lingo, this imaginary place is known as the Metaverse. Hiro spends a lot of time in the Metaverse. It beats the shit out of the U-Stor-It.

Templar tactical gear that included dark ceramic body armor worn under black jumpsuits of flame retardant material without markings or insignia, lightweight Kevlar tactical helmets with built–in communications gear along with audio and video recording devices, and military style combat boots. For this mission a set of I2 goggles had also been supplied; the image intensifier headgear – what most people called night vision goggles – would allow them to see in all but total darkness. Each man was armed with a Heckler & Koch MP5 SD submachine gun, a HK Mark 23 .45 caliber handgun and the holy sword they’d been given at their investiture into the Templar ranks.

This severely crew-cutted, Mr Rambo, Die-Hard Terminator type, wore neither helmet nor goggles. He was also shirtless under his black, armoured vest and had two belts of oversized bullets slung over his shoulders and crossing at his chest. He obviously being one of a mind that size was indeed important, looking the butch business as he cradled an almightily impressive BFG in his bared, muscle-bound arms. The outer edge of the right one’s bicep having three stripes tattooed upon in… No, honestly. The huge weapon he held looked as if it’d been specifically designed for bringing down either crack addicted bull elephants, smack riddled rhinos in dire need, or heroin dependant hippos desperate for a fix.

On October 1941 a separate labour code for Jews allowed employers, for instance, to work fourteen-year-old Jewish boys for unlimited hours. Jews were deprived of protective clothing, welders of goggles and gloves. From September 1941 all Jews aged six or over had to wear a Star of David, black with a yellow background, as large as the palm of the hand, with the word Jude in the middle. This was an identification system which made it much easier to detect Jews breaking the countless regulations, turned the entire German nation into a police force and participants in the persecution, and demoralized the Jews themselves.

While Sean was pulling on his fins, Lily had pretended to be busy herself. She’d made a show of tugging on her goggles, just in case he happened to glance up, and saw her staring like an obsessed ninny. Through the tinted blue of her goggles, she watched him surface. Oh my god. Her knees went weak, threatened to buckle. Sean was doing a butterfly kick on his back. Her eyes traveled down the length of his torso, and stopped, transfixed. She swallowed convulsively. Yet she couldn’t have torn her eyes away from the sight of Sean’s narrow hips if someone had screamed, Fire! Encased in black Lycra, they moved in a suggestive rhythm, breaking the surface of the water, sinking, and then rising again, over and over. Unbearably erotic, an answering beat drummed deep inside Lily. Helplessly, she conjured endless hours of sex, Sean’s body driving into her with the same relentless, unbroken rhythm, each flex of his hips thrusting to her very womb. “Something wrong, Lily?” Hal’s impatient voice demanded. Lily nearly leaped out of her skin. She was the only one left on deck besides Hal. “No, nothing,” she said hurriedly, hyperconscious that her voice was reedy thin. “Just about to jump in.” To clear her mind of the sexual fog that lay thick and heavy, she blinked rapidly—only to mutter a soft curse when she realized what had happened. Yanking her goggles off, she dropped to a kneel and swished them viciously in the water. “What’s the problem now?” Hal’s patience was obviously wearing thin. Embarrassed, resentful, and praying Hal wouldn’t guess the real reason why, Lily ground out her explanation. “My glasses fogged.” “They broken? I’ve got—” “No, no . . .” she interrupted tersely, and felt immediately guilty. It wasn’t Hal’s fault her goggles had literally fogged from the heat of her aroused body. It was hers. That’s what she got from staring at Sean McDermott’s groin for too long: fogged mind, fogged goggles. Determined to ignore the sight of Sean moving like a bold lover through the water next to her, that incredible, muscled body within touching distance, Lily gritted her teeth and dove in.

Eric immediately turned around and tried to run back out the door. BONK! He bounced off the door. He tried the wall. Same result. “I’m sorry, but we’ve locked everything down,” Jevvrey said. Eric spun around. Jevvrey was looking at him through the futuristic glasses. He waved to Eric. “Bluetooth Go Wild goggles. $99.99. Available soon for pre-order.” I looked around the room. Jevvrey had added a few things since I’d last seen it. For one, he was sitting on a swivel chair in front of a six-foot-tall black rectangle in the middle of the room. It looked like one of those supercomputers from the movies with switches and buttons and blinking lights all over it. The other thing was Mr. Gregory, sitting at his desk in front of a laptop, looking miserable. “I was hoping you’d make it in time,” Jevvrey said. “In time for what?” “We’re about to find out what happens at the end of the game!” Jevvrey took out his phone and tapped on the screen. “Mark?” Eric asked. Jevvrey nodded. “He’s fading fast now.” He turned the phone around so we could see it. Mark was fading. Not like his health or anything — he was actually disappearing

Back in Beijing, it was 9:56 A.M.—four minutes before the race’s start—and Phelps stood behind his starting block, bouncing slightly on his toes. When the announcer said his name, Phelps stepped onto the block, as he always did before a race, and then stepped down, as he always did. He swung his arms three times, as he had before every race since he was twelve years old. He stepped up on the blocks again, got into his stance, and, when the gun sounded, leapt. Phelps knew that something was wrong as soon as he hit the water. There was moisture inside his goggles. He couldn’t tell if they were leaking from the top or bottom, but as he broke the water’s surface and began swimming, he hoped the leak wouldn’t become too bad.4.18 By the second turn, however, everything was getting blurry. As he approached the third turn and final lap, the cups of his goggles were completely filled. Phelps couldn’t see anything. Not the line along the pool’s bottom, not the black T marking the approaching wall. He couldn’t see how many strokes were left. For most swimmers, losing your sight in the middle of an Olympic final would be cause for panic. Phelps was calm. Everything else that day had gone according to plan. The leaking goggles were a minor deviation, but one for which he was prepared. Bowman had once made Phelps swim in a Michigan pool in the dark, believing that he needed to be ready for any surprise. Some of the videotapes in Phelps’s mind had featured problems like this. He had mentally rehearsed how he would respond to a goggle failure. As he started his last lap, Phelps estimated how many strokes the final push would require—nineteen or twenty, maybe twenty-one—and started counting. He felt totally relaxed as he swam at full strength. Midway through the lap he began to increase his effort, a final eruption that had become one of his main techniques in overwhelming opponents. At eighteen strokes, he started anticipating the wall. He could hear the crowd roaring, but since he was blind, he had no idea if they were cheering for him or someone else. Nineteen strokes, then twenty. It felt like he needed one more. That’s what the videotape in his head said. He made a twenty-first, huge stroke, glided with his arm outstretched, and touched the wall. He had timed it perfectly. When he ripped off his goggles and looked up at the scoreboard, it said “WR”—world record—next to his name. He’d won another gold. After the race, a reporter asked what it had felt like to swim blind. “It felt like I imagined it would,” Phelps said. It was one additional victory in a lifetime full of small wins.4.19

He continued to move forward, skirting a pocket of radiation that had not died in the four years since last he had come this way. They came upon a place where the sands were fused into a glassy sea, and he slowed as he began its passage, peering ahead after the craters and chasms it contained. Three more rockfalls assailed him before the heavens split themselves open and revealed a bright-blue light, edged with violet. The dark curtains rolled back toward the Poles, and the roaring and the gunfire reports diminished. A lavender glow remained in the north, and a green sun dipped toward the horizon at his back. They had ridden it out, and he killed the infras, pushed back his goggles, and switched on the normal night lamps. The desert would be bad enough, all by itself. Something big and batlike swooped through the tunnel of his lights and was gone. He ignored its passage. Five minutes later it made a second pass, this time much closer, and he fired a magnesium flare. A black shape, perhaps forty feet across, was illuminated, and he gave it two five-second bursts from the fifty-calibers, and it fell to the ground and did not return again. To the squares, this was Damnation Alley. To Hell Tanner, this was still the parking lot.

The figure was clad head-to-toe in the same kind of matt black tactical gear utilized by the MI6 OpTeams, his head was hidden behind a mesh balaclava and clumsy night-vision goggles that gave the shooter a bug-eyed aspect. Marc recognized the long, heavy frame of the pistol in the man’s hand. A silenced Mark 23 semi-automatic, the same kind of weapon favoured by American SOCOM operatives. He had no desire to see the gun up close, however, and when the shooter turned away to look to the stern, Marc slipped down the stairwell and moved as fast as he dared past the doors of the passenger deck. At each compartment he paused for a count of three, holding his breath to listen. Nothing. Amidships, he came across an open door and used the muzzle of the Glock to nudge the gap a little wider. He swept left and right, finding no threats

most of those three hundred thousand bought-and-paid-for Afghani soldiers never really existed. They were a “ghost” army of fake names, ranks, and serial numbers that corrupt Afghani politicians and warlords created to bilk the American taxpayer for billions of payroll dollars. Equally important, those nonexistent ghost soldiers had been armed to the teeth with expensive American military equipment. All told, analysts estimated the Taliban was now in possession of at least eighty billion dollars’ worth of weapons and supplies including forty-five UH-60 Black Hawk helicopters, twenty-five hundred armored Humvees, and sixteen thousand pairs of night vision goggles, along with tens of millions of rounds of ammunition for all those abandoned weapons systems.

Their average height was somewhere between two-and-a-half and three feet, which meant that they hardly reached above Ganelon’s kneecap. They were colored a vile, poisonous green, covered with lumps like warts only about the size of doorknobs. Their tremendous breadth of shoulders and thick, massively-thewed arms and barrel chests reminded him of the Indigons he had battled on the Plains of Uth. Bald and hairless, with bullet heads, they had heavy prognathous jaws and long, lipless, gash-like mouths that made them look rather froggy. Froglike, too, were their ugly, goggling eyes which glistened in the moonlight like puddles of spilt ink. They didn’t wear any clothing to speak of, just odd bits, scraps and pieces of iron armor; but they bristled with weapons. Among these were flint-knives, stone axes, clubs roughly carven from petrified wood, and long spears made from slender stony stalactites, with obsidian blades for points. They had no ears, and conversed amongst themselves in clicks, squeaks and hissings. They also had no genitals, just bare tough flesh between their crooked little bowlegs, which terminated in ugly, four-toed feet. They emitted a vile medicinal stench, like iodine. The insides of their mouths were black. And they had fat white tongues, like plump worms.

Beside the camouflaged hangar two great horns, seeming to be enlarged megaphones, pointed toward the sky. Little wires ran from their points to telephone receivers strapped on the ears of intently listening men. They were microphones to detect the first sound of the musical humming of the black flyer. Teddy and Davis were be-furred and goggled, but had pushed up their goggles to take powerful glasses and scan the sky eagerly for a sight of their enemy. Mechanics stood ready at the propellers of the hidden fighting plane, prepared to spin the motors into roaring life the instant the two aviators had settled in their seats. From before the wide doors of the concealed hangar a broad expanse of beach ran smoothly down to the ocean. The little boat tossed and rolled. The men at the microphones listened intently. The others searched the sky. Straight down from a wisp of golden cloud a slim black speck fell toward the earth. At first, so high was it, even

Professor Paglia attended a presentation and lecture by a "feminist theorist from a large Ivy League university who had set out to 'decode' the subliminal sexual oppressiveness . . . [and] to expose the violent sexism . . . in fashion photography". The presentation featured slides of cosmetic ads. One was a Revlon ad of a woman standing in a pool in water up to her chin. "Decapitation!" the feminist theorist shouted. "She showed a picture of a black woman who was wearing aviator goggles and had the collar of her turtleneck sweater pulled up. "Strangulation!" she shouted. "Bondage!". When the "lecture" was over, Professor Paglia, "who considers herself a feminist, stood up and made an impassioned speech. She declared that the fashion photography of the past 40 years is great art, that instead of decapitation she saw the birth of Venus, instead of strangulation she saw references to King Tut". After Professor Paglia finished, "she was greeted, she says, 'with gasps of horror and angry murmuring. It's a form of psychosis, this slogan-filled machinery. The radical feminists have contempt for values other than their own, and they're inspiring in students a resentful attitude toward the world (New York Magazine, 21 January 1991, p. 38).

Singh will crunch numbers, Evgeni will work the logistics of a fix, and I’ll make sure we don’t die from our own mutated bacteria in the meantime. Oh. And fix our eyes. Easy as pie. Nothing to worry about.” “Your bedside manner is amazing.” “I know; I’m a born healer. Keep your legs straight. We don’t want your veins cramping up. There you go.” The sleep sack moved body fluids from the extremities back to the center. At first the pressure was like crawling ants, but gradually the rhythmic pulsing had become as necessary to sleep as darkness. Sadly, it did little for sight. Evgeni’s vision loss was ahead of the curve, but Nedda had noticed a significant softening in her own world. The pressure suits, contacts, goggles, and sleep sacks were supposed to help, but the progressive astigmatism continued. “When I’m up again, test my eyes, okay?” “Sure thing.” Sleep weeks were to slow vision loss and ease the passage of time, making a five-year trip feel like half that. Crew morale was supposed to benefit from them; less time awake with your crewmates meant less time to learn to dislike them, and less time to look out into the blackness of space, dissociating, dislocating.

An American pilot flying a Spad VII swooped low and dropped a bomb over their position. Walter was hit and badly wounded. He clutched at Bücher’s sleeve. “I won’t die now that there’s an armistice, will I?” he pleaded. Bücher attempted to reassure the youth. As he spoke, gas shells began laying a poisonous cloud over the lines. Bücher pulled a mask over Walter’s head, then over his own. Through the goggles he could make out shapes emerging from the odorous haze as the black Americans continued their attempt to breach the line. Bücher stole a glance at his watch. It was two minutes to eleven.

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