Black And White Outfits Quotes

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The fact that students passed him by in uniform and he was standing there in torn jeans and faded old concert T-shirt made me smile. The rebel in me could totally relate. I stopped in front of him. "They're not going to let you stay in school dressed like that. I got a huge lecture for wearing a black shirt the other day." He glanced my outfit, which didn't really diverge from my normal fashion, and arched an eyebrow. Black cargo pants, white tank, grey zip-up hoodie, with a blade strapped to my thigh and a dagger in my boot. "What? Pants are black. Shirt is white. Blade stays." I grinned wider. "Because I'm special.
Kelly Keaton (A Beautiful Evil (Gods & Monsters, #2))
She was slender and dressed like an Edwardian maid, complete with a starched white bib apron over a full black skirt and white cotton blouse. Her face didn’t fit her outfit, being too long and sharp-boned, with black almond-shaped eyes. Despite her mob cap she wore her hair loose, a black curtain that fell to her waist. She instantly gave me the creeps and not just because I’ve seen too many Japanese horror films.
Ben Aaronovitch (Midnight Riot (Rivers of London #1))
But the observers were even more surprised by her thigh boots, black breeches, and the red leather corset she wore over a white shirt. It was a daring outfit, to say the least... She also wore a sword and rode her horse like a man. It was scandalous... Page 37 of ARC
Pierre Pevel (The Alchemist in the Shadows (The Cardinal's Blades, #2))
Shadow A ninja who wears a black outfit with a white mask.  Elemental power: Can turn himself into a shadow to sneak along the ground or up walls.
Dave Villager (Dave the Villager 14: An Unofficial Minecraft Novel (The Legend of Dave the Villager))
outfit for work that day. She matched the colors of the Washington Wolves perfectly. She was all sleekness and shine with her black dress, white jacket, red shoes, red lips, and a silvery white bob that fell
Karla Sorensen (Focused (Ward Sisters, #1))
I restrained the urge to slam my door. On the right stood a teenage guy with thick chestnut hair, chocolatey brown eyes, and the kind of perfectly square jaw I thought only existed on models. He wore khaki pants and a white shirt - classic preppy gear, though on him it looked incredibly hot. The man on the left had black hair with wings of pure white at the temples, and unbelievable blue eyes the color of the Caribbean. Not that I've ever seen the Caribbean, but I swear you could have cut and pasted his eyes right into an ad for the Bahamas. Meanwhile, I looked like I didn't know how to operate a washing machine. My shorts had a glob of strawberry jelly on them from breakfast, my wrinkled gray T-shirt looked like it had been slept in (which it had), and my Seattle Mariners baseball hat had a dark ring around the brim. Grandma practically winced as her gaze traveled up and down my outfit. Her taste runs toward matching velour tracksuits, so I don't usually worry about her opinion much. Still, this time I think she was right.
Inara Scott (The Candidates (Delcroix Academy, #1))
For a six-year-old, she’s got some talent, and this drawing is among her better ones, in a way. The six figures actually resemble us—Patrick, Steven, the twins, me, and Sonia. We’re all standing in our garden, holding hands under a tree that’s blooming with white stars. She’s got the twins in matching outfits and she’s drawn something that looks more like a suitcase than a briefcase in Patrick’s free hand. Steven wears his new pin; my hair is pulled back into a ponytail. Around my wrist and Sonia’s are bracelets: red for her and black for me. We’re all smiling under a sun she’s decorated with orange hearts. “Beautiful,” I say, taking the drawing. But I don’t think it’s beautiful. I think it’s the ugliest fucking thing I’ve ever seen.
Christina Dalcher (Vox)
Every day, not only did he wear his red and white outfit, complete with shiny black belt and boots, but he was determined to be as jolly as could be, because the easiest way to make other people happy was to be happy yourself, or at least to act as if you were. That was how his mother had done it. And even his father too, once upon a time.
Matt Haig (A Boy Called Christmas (Christmas, #1))
She was wearing a wonderful Claudia outfit — a purple-and-white striped bodysuit under a gray jumper-thing. The legs of the bodysuit stretched all the way to her ankles, but she was wearing purple push-down socks anyway. Around her middle was a wide purple belt with a buckle in the shape of a telephone. And on her feet were black ballet slippers.
Ann M. Martin (Good-bye Stacey, Good-bye (The Babysitters Club, #13))
I open the cover to find a picture of myself, standing straight and strong, in a black uniform. Only one person could have designed the outfit, at first glance utterly utilitarian, at second a work of art. The swoop of the helmet, the curve to the breastplate, the slight fullness of the sleeves that allows the white folds under the arms to show. In his hands, I am again a mockingjay. “Cinna,
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I fall in love with one special hat, but it happens to be on the head of the old Indian who is waiting on us. It is an old black hat, broken with white lines where it must have been crumpled and stepped on and kicked, and its brim droops like a hound's ear all along one side, but it is a wonderful hat, a magic hat. D'Artagnan wore a hat like that when he came up from Gascony, and Don Quixote wore a hat like that when he went home at last. Around the crown its owner has placed a thin silver band, as simply made as a wedding ring. They do look long-married, the old man and his black hat.
Peter S. Beagle (I See by My Outfit)
That the men in our family got to traipse around naked, while I had to wear outfits that resembled those favored by Mennonite women, taught me at a very young age to feel guilty about my appearance and contributed to me developing all sorts of body image issues down the road. Ruthanne prohibited me from wearing pants because, as she explained to me, “Pants separate a woman’s legs, and that tempts men to want to have intercourse with you.” I was only to wear skirts or dresses, otherwise I would be disobeying God’s desire for women to be modest. Not wanting to defy God or—gulp—get raped, I did as I was told, but this new rule presented some difficulties.
Rachel Dolezal (In Full Color: Finding My Place in a Black and White World)
He seemed normal again, or as normal as Myrnin ever got, anyway. He'd begged, borrowed, or outright stolen a long, black velvet coat, and under it he was still wearing the poofy white Pierrot pants from his costume, dark boots, and no shirt. Long, black, glossy hair and decadently shining eyes. Oliver took in the outfit, and raised a brow. "You look like you escaped from a Victorian brothel," he said. "One that . . . specialized." In answer, Myrnin skinned up the sleeves of the coat. The wound in his back might have healed--or might be healing, anyway--but the burns on his wrists and hands were still livid red, with an unhealthy silver tint to them. "Not the sort of brothel I'd normally frequent, by choice," he said, "though of course you might be more adventurous, Oliver.
Rachel Caine (Lord of Misrule (The Morganville Vampires, #5))
When she was finished with the mailbox, Lisey trudged back down the driveway with her buckets in the long evening light. Breakfast had been coffee and oatmeal, lunch little more than a scoop of tuna and mayo on a scrap of lettuce, and dead cat or no dead cat, she was starved. She decided to put off her call to Woodbody until she had some food in her belly. The thought of calling the Sheriff's Office—anyone in a blue uniform, for that matter—hadn't yet returned to her. She washed her hands for three minutes, using very hot water and making sure any speck of blood was gone from under her nails. Then she found the Tupperware dish containing the leftover Cheeseburger Pie, scraped it onto a plate, and blasted it in the microwave. While she waited for the chime, she hunted a Pepsi out of the fridge. She remembered thinking she'd never finish the Hamburger Helper stuff once her initial lust for it had been slaked. You could add that to the bottom of the long, long list of Things in Life Lisey Has Been Wrong About, but so what? Big diddly, as Cantata had been fond of saying in her teenage years. "I never claimed to be the brains of the outfit," Lisey told the empty kitchen, and the microwave bleeped as if to second that. The reheated gloop was almost too hot to eat but Lisey gobbled it anyway, cooling her mouth with fizzy mouthfuls of cold Pepsi. As she was finishing the last bite, she remembered the low whispering sound the cat's fur had made against the tin sleeve of the mailbox, and the weird pulling sensation she'd felt as the body began, reluctantly, to come forward. He must have really crammed it in there, she thought, and Dick Powell once more came to mind, black-and-white Dick Powell, this time saying And have some stuffing! She was up and rushing for the sink so fast she knocked her chair over, sure she was going to vomit everything she'd just eaten, she was going to blow her groceries, toss her cookies, throw her heels, donate her lunch. She hung over the sink, eyes closed, mouth open, midsection locked and straining. After a pregnant five-second pause, she produced one monstrous cola-burp that buzzed like a cicada. She leaned there a moment longer, wanting to make absolutely sure that was all. When she was, she rinsed her mouth, spat, and pulled "Zack McCool"'s letter from her jeans pocket. It was time to call Joseph Woodbody.
Stephen King (Lisey's Story)
Back in L.A., I’d remained friends with my freshman-year boyfriend, Collin, and we’d become even closer after he confided in me one dark and emotional night that he’d finally come to terms with his homosexuality. Around that time, his mother was visiting from Dallas, and Collin invited me to meet them at Hotel Bel Air for brunch. I wore the quintessential early-1990s brunch outfit: a copper-brown silk tank with white, dime-size polka dots and a below-the-knee, swinging skirt to match. A flawless Pretty Woman--Julia Roberts polo match replica. I loved that outfit. It was silk, though, and clingy, and the second I sat down at the table I knew I was in trouble. My armpits began to feel cool and wet, and slowly I noticed the fabric around my arms getting damper and damper. By the time our mimosas arrived, the ring of sweat had spread to the level of my third rib; by mealtime, it had reached the waistline of my skirt, and the more I tried to will it away, the worse it got. I wound up eating my Eggs Florentine with my elbows stuck to my hip bones so Collin and his mother wouldn’t see. But copper-brown silk, when wet, is the most unforgiving fabric on the planet. Collin had recently come out to his parents, so I’d later determined I’d experienced some kind of sympathetic nervousness on Collin’s behalf. I never wore that outfit again. Never got the stains out. Nor would I ever wear this suit again.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
they felt like they were informed. It was a fine line--too much information led to more interrogation and too little information leads to major snooping. Thrace believed that I had developed the rare ability to express something while revealing nothing. However, I couldn’t shake the feeling that a sorcerer with laughing hazel eyes might have the ability to see beyond all my fine lines. I smiled at that whimsical thought as I finished my pot roast and parental interrogation.   Chapter 2: Mortal Combat   I woke up groggy because I set my alarm for a half hour earlier than usual to get ready to work out. I don’t know why I did that. Ok. I might know why I did that, but 6:00am was too early for rational thought. I kept my outfit simple with black yoga pants and a retro Offspring tee. It was much more difficult to get my thick auburn hair to calm down after a night of restless sleep. Luckily, I didn’t get any zits overnight which would have been just my luck. After some leave-in conditioner and some shine spray, I hoped my hair no longer looked like a bird’s nest. I headed downstairs just in time to see my dad coming from the kitchen with his coffee, my Mt. Dew, and Zone bar. Hello, my name is Calliope, and I am an addict. My drug is caffeine. I like my caffeine cold usually in the fountain pop variety—Mt. Dew in the morning and Diet Dr. Pepper in the afternoon. I like the ice and carbonation, but in the morning on the way to work out, I’ll take what I can get. I thanked my dad for my version of breakfast as we walked to the car. He only grunted his reply. We slid into the white Taurus and headed to the YMCA. I actually started to get nervous, as we got closer. We were at the Y before I was mentally prepared. I sighed and lumbered out of the car. As we walked in and headed toward opposite locker rooms, dad announced, “Meet you back here in an hour, Calli.
Stacey Rychener (Intrigue (Night Muse #1))
Something I can help you find?” he asks. Because to be fair, I’m digging through his drawer. “Nope,” I tell him. “Found it.” “Everly, what in the hell are you doing?” He’s finished buttoning his shirt and is staring at me, hands on hips, the corners of his eyes creased as he frowns. “I’m putting on your underwear,” I tell him, stepping into a pair of his briefs. I was digging around for a black pair. Why the hell do they even sell them in white? Just, no. “Why?” He still looks bewildered, but he’s stopped staring at me to tuck in his shirt. “You got me all worked up and horny in there.” I point a thumb in the direction of the bathroom. “I gave you an orgasm.” He seems confused by my accusation. I snort. “Right. Which you know only makes me want your dick more.” I glance over at the clothing I brought, contemplating what will work with this underwear. I’ve been chatting with his assistant Sandra all week about what people wear to this party. Sawyer was zero help on that front. “Wear whatever you want,” he’d said. As if I can pick an outfit with that kind of direction. “I hope you’re wearing your new cufflinks with that shirt,” I tell him, eyeing his outfit of black slacks and grey dress shirt. He holds up the cat cufflinks I gave him at Christmas and fastens his left sleeve. “I still don’t understand what my underwear has to do with anything.” “Oh!” I pull a solid black sleeveless dress with a full skirt and a wide waistband off the hanger and step into it. “Because you’re obviously planning on having your way with me at this party. Probably gonna shove me into a coat closet and fuck me with your hand over my mouth so no one hears us. And if anyone’s panties are getting left behind at this party, it’s gonna be yours.” He nods slowly and fastens his right sleeve. “Do women your age still use the phrase ‘having your way with me?’” “I just did. Anyway, yours are more absorbent. Can you zip me?” I turn my back to him and swipe my hair over one shoulder, waiting. I feel his fingers on the zipper, the fabric gathering slowly up my back. He finishes and rests his thumbs on the back of my neck, rubbing small circles into my skin as he kisses the nape of my neck. I shudder, feeling his touch all the way to the black briefs. “That’s a pretty elaborate plan I came up with,” he murmurs. I turn and nod, sadly. “I know. You’re kind of a menace.” “It’s good of you to put up with me.” I shrug. “Someone’s got to.” “I’m not going to be able to rip those underwear off of you.” “Haha!” I point at him with one hand and slip a heel on with my other. “I knew it!
Jana Aston (Right (Cafe, #2))
The warden’s office was all cheap paneling and institutional green furnishings. As Ben would’ve said, “Think Cool Hand Luke.” Every surface was either metal or fake wood. The warden was fat with a buzz cut and rolls of flesh almost obscuring his collar. His white shirt was short-sleeved and outfitted with a red and black clip-on tie. He smoked a cigarette as he studied me across his desk. I sat in front of him holding a worn copy of Dr. Seuss’s You’re Only Old Once! A gift from Ben sent via the warden. The last communication Carver the Cannibal would have with me. He had revoked my visitation rights. I wasn’t allowed in the prison anymore.
Karin Slaughter (Pretty Girls)
Lawrence’s suggestion for a starter wardrobe: a black dress, a fitted black jacket, black pants, a black skirt, a camel-colored skirt, a white blouse, a trendy-looking cardigan in a color (red could be good, for instance), several cool, inexpensive blouses (from places such as H&M or Zara) that pick up or work with the color of the cardigan and will go with your pants and skirts. For shoes, go for black heels and a pair of colored ones (they will make one of your all-black outfits look totally fab). Then build from there.
Kate White (I Shouldn't Be Telling You This: Success Secrets Every Gutsy Girl Should Know)
The people at the front are young, energetic, and incredibly brave. There’s a Black girl, in her twenties, skinny as a rail, with a black kerchief over her face. The kerchief is useful in both pandemics and the fog of tear gas. She wears skinny jeans and a black T-shirt with “Black Lives Matter” on it. Some white adults are as offended by her choice of wardrobe as she is by their overall indifference. She’s opposed by much larger men, outfitted like extras in Mad Max or RoboCop. The only thing threatening about her is her mouth and her willpower. On Facebook, the police and their family don’t even create original slogans, but instead co-opt hers by posting things like “all lives matter” and “blue lives matter.” It seems to be their way of saying that her “Black life” doesn’t matter. Whites who favor the protesters have to justify their leanings, like they’re traitors to a race war that they didn’t start and don’t believe in... This girl is intelligent and talented, someone who should be leading this country into the twenty-first century. Instead, she’s out in the street risking her life because she dares to be dissatisfied.
Gary J. Floyd (Eyes Open With Your Mask On)
The people at the front are young, energetic, and incredibly brave. There’s a Black girl, in her twenties, skinny as a rail, with a black kerchief over her face. The kerchief is useful in both pandemics and the fog of tear gas. She wears skinny jeans and a black T-shirt with “Black Lives Matter” on it. Some white adults are as offended by her choice of wardrobe as she is by their overall indifference. She’s opposed by much larger men, outfitted like extras in Mad Max or RoboCop. The only thing threatening about her is her mouth and her willpower. ...This girl is intelligent and talented, someone who should be leading this country into the twenty-first century. Instead, she’s out in the street risking her life because she dares to be dissatisfied.
Gary J Floyd
I am Alice,” said the ninja, “leader of the Ninja Squad!”  She pulled out two wooden swords and swirled them around her head before striking a pose. She was clad all in black, and only her eyes were visible through the small slit in her hood. Another ninja stepped forward. He was also clad head to toe in black, with a white mask covering his face. “I’m Shadow,” he said, “the leader of the Ninja Squad, and master of the art of shadow stealth techniques. I can hide inside any shadow, and sneak up on any foe.” Another ninja stepped forward. He was wearing a black ninja outfit, but over his eye-slit he was wearing a pair of sunglasses. “Hey dudes, I’m DJ,” he said, “the jukebox ninja, and leader of the Ninja Squad. I can hide inside music, and assassinate foes with the power of awesome beats.” “Wait,” said Dave. “How can all three of you be the leader?” “We held a vote,” said Shadow, looking a bit embarrassed, “to see who should be leader. And, um…” “Everyone voted for themselves,” said Alice. “Riiight,” said Dave. “Anyway, now that’s out of the way—” “Silence mortal!” yelled another ninja. “We haven’t finished our introductions yet! I am Kyle the Mighty! Defeater of zombies and defender of this realm! I can summon thunder from the heavens to smite my foes! I am the leader of the Ninja Squad!
Dave Villager (Dave the Villager 12: An Unofficial Minecraft Book (The Legend of Dave the Villager))
Jackson’s best friend, Howell, was black, and when Jackson told him about Binky having a cat called Nigger, he roared with laughter. Howell dated from Jackson’s army days—they had started out as squaddies together. “Bleck men,” Howell laughed, doing a disturbing impression of an old white lady, disturbing given that Howell was six-foot-six and the blackest black man Jackson had ever met. After his discharge, Howell had returned to his native Birmingham and was currently working as a doorman for a large hotel, a job that required him to wear a ridiculous pantomime costume—a royal blue frock coat covered in gold braid and, even more ridiculously, a top hat. Howell had such an imposing presence that rather than losing dignity in this flunky’s outfit he actually made it seem strangely distinguished.
Kate Atkinson (Case Histories (Jackson Brodie #1))
The distance record holder was the black and white Arctic tern, with its 22,000-mile yearly journey between polar ice caps, but in fall 2006, a team of researchers published news of sooty shearwaters captured in their New Zealand breeding burrows and outfitted with satellite tracking devices. Flying in a giant figure eight over the Pacific basin, they journey 39,000 miles a year. (The birds can also dive beneath the ocean’s surface, searching for squid, to 225 feet.) In 2007, an even more astonishing record was established by a bar-tailed godwit. Satellite tracking allowed researchers to follow a female shorebird who flew 7,145 miles nonstop from Alaska to New Zealand. In nine days, she crossed the vast Pacific, without a single meal, rest, or drink.
Sy Montgomery (Birdology: Adventures with a Pack of Hens, a Peck of Pigeons, Cantankerous Crows, Fierce Falcons, Hip Hop Parrots, Baby Hummingbirds, and One Murderously Big Living Dinosaur)
I get up and stare out at the place where I live. I’m right at the heart of Planet Normal. Its strangest resident maybe, but I don’t care about that. I like a place where dads go to work in the mornings and people grumble when the post is late. If Rattigan’s army of the undead is out there waiting for me, they’re well disguised. There are some clouds dotting the sky. Those high stately ones that look like ships sailing in from the west. There aren’t many of them, though, and the sun is already well into its stride. It’s going to be hot. Drift downstairs. Eat a nectarine straight from the fridge. Make tea. Eat something else, because we citizens of Planet Normal don’t get by on a single nectarine. I unlock my garden shed and open a window in there, because if it’s hot outside, the shed can get boiling. It’ll be too hot even with the window open, but I lock up all the same. I always do. I’d intended to shower and stuff, but I did all that last night and I’ve already let too much time drift by to do it all again now. Sharp means sharp, now, Griffiths. Apart from sniffing my wrists to make sure they don’t smell of the firing range, I do as little as I can. But I have to get dressed. That’s easy, normally. Select a bland, appropriate outfit from the array of bland, appropriate outfits I have in my wardrobe. I used to own almost nothing that wasn’t black, navy, tan, white, charcoal or a pink so muted that you might as well call it beige. I never thought those colours suited me particularly. I didn’t have an opinion on the subject. It was just a question of following the golden rule: observe what others do, then follow suit. A palette of muted classic colours seemed like the safest way to achieve the right effect. Since Kay turned fourteen or fifteen, however, she’s campaigned to get me to liven up my wardrobe. It’s still hardly vibrating with life. It still looks something like an exhibition of Next office wear, 2004‒10. All the same, I have options now that I wouldn’t have had a few years back. And today I’ll be seeing Dave Brydon. He’ll be seeing me. I want his eyes on me, and I want his eyes to be hungry ones, sexed up and passionate. I
Harry Bingham (Talking to the Dead (Fiona Griffiths, #1))
I pulled my hair up in a messy ponytail upon leaving the bedroom and didn’t change from my blue and white shorts and red tank top I wore to bed the night before (Go, USA!). The shirt is tight and the shorts are short, but I'm completely comfortable. Graham is presently glaring at me like he doesn’t like me too much, so I'm thinking he is not comfortable with my outfit—or he still isn't over last night. I don't think he's ever been so angry with me before—well, except for maybe that time I accidentally put salt in his girlfriend's coffee instead of sugar. I pour myself a cup of coffee, showing him my back. And I wait. He doesn't make me wait long. His voice is brittle as he snaps, “Do you have to dress like that?” “I always dress like this. You never seemed to care before.” I give my behind an extra wiggle just to irritate him. I know I've succeeded when something thumps loudly against the tabletop. “I think you should dress like that more often,” Blake immediately replies. “Did anyone ask you?” is Graham's hotheaded comeback. “In fact, I think you’re wearing too many clothes. You should remove some.” A low growl leaves Graham. When I finally face the Malone boys, it is to find them staring one another down from across the small table. Graham’s wearing a white t-shirt and black shorts; his brother is in jeans and a brown shirt. Their coloring is so different, as are their features, but they are both striking in appearance, and their expressions currently mimic one another’s. “Graham, you're being an ass,” I calmly inform him. He grabs a piece of toast off his plate and whips it at me. I duck and it lands in the sink. To say I’m surprised would be an understatement. Toast throwing now? This is what our friendship has resorted to? “I will not live with someone who throws toast at me in anger,” I announce, setting my untouched cup of coffee on the counter. Blake snorts, covering his mouth with the back of his hand as he turns his attention to the world beyond the sliding glass patio doors. Graham blinks at me, like he doesn’t understand what I just said or maybe he doesn’t understand what he just did. Either way, I grab my mug and stride out of the room and down the hall to my bedroom. I’ll drink my coffee in peace, away from the toast throwing. Only peace is not to be mine. The door immediately opens after I close it, and there is Graham, staring at me, his head cocked, his expression unnamable. “This coffee is hot,” I warn, holding the white mug out. “You wanna be a toast thrower then I can be a coffee thrower. Just saying.” “Put the coffee down.” “No.” He takes a step toward me. “Come on. Please.” “You threw toast at me,” I point out, in case he forgot. “I don’t know why I did that,” he mumbles, looking down. When he lifts his eyes to me, they are pleading. “Please?” With a sigh, I comply. I am putty in his hands—or I could be. I keep the mug within reach on the dresser, should I need it as backup. As soon as I let the cup go, I’m pulled against his hard chest, his strong arms wrapping around me, his chin on the crown of my head. His scent cocoons me; a mixture of soap and Graham, and I inwardly sigh. He should throw toast more often if this is the end result. “I’m sorry—for last night, for the toast.
Lindy Zart (Roomies)
Every day, not only did he wear his red and white outfit, complete with shiny black belt and boots, but he was determined to be as jolly as could be, because the easiest way to make other people happy was to be happy yourself, or at least to act as if you were.
Matt Haig (A Boy Called Christmas)
sexual thoughts are only the beginning of why it would be a disaster if we could read each other’s minds,” continued Hall, right on cue. “And I’m not talking about just being able to read each other’s surface thoughts, which would be bad enough, but being able to read each other’s innermost thoughts. The problem goes far beyond just reading all the white lies we tell each other dozens of times a day to spare each other’s feelings.” “Like telling your friend you like her new outfit when you actually despise it?” “Right. You could argue that these lies are at least told for the right reasons. But what I’m talking about is far worse. People wishing other people were dead. Wives learning what their husbands are really thinking about when they’re pretending to be listening to them, and vice versa. Or what their partners are thinking about during sex. Spouses learning of the sordid details of past infidelities, both real and fantasized. Subordinates who despise their bosses. You think there are any employees only pretending to laugh at the bosses’ jokes? Coworkers who badmouth colleagues behind their backs. Kids learning what their parents really think about their fifth grade art projects, and their general criticisms and disappointments. And parents reading the hatred toward them that nearly all kids feel at one time or another. And revealed prejudices, even among the best and most open-minded of us. Not necessarily just against blacks, or whites, or Asians, or homosexuals, or Arabs. But against the obese. Rednecks. Snobs. Sluts. Believe me, I’ve been reading minds. I know.
Douglas E. Richards (Mind's Eye (Nick Hall, #1))
The greatest proof of my status is my uniform. Every single day I go to class in clothing that many men wear only once in their lives, if at all: a morning suit, identical to the clothing of a bridegroom. It consists of a black tailcoat, a black waistcoat under which I wear a white shirt with a starched collar and thin white cotton tie, a pair of black pinstriped trousers and black shoes. By the time my teens are over, I will have worn one of the smartest outfits in anyone's wardrobe hundreds of times. The effect of this is that, when I put on a business suit for work or any formal occasion, I look as relaxed as if I am wearing a pair of pyjamas.
Musa Okwonga (One of Them)
First: Spend at least six hours getting ready. Study yourself in the mirror at home. Is your hairdo media-friendly? Will your outfit read in black and white? Does your “look” inspire at least two clever sound bites?
James St. James (Party Monster: A Fabulous but True Tale of Murder in Clubland)
The door at the back of Ventura Superior Courtroom One swung open, and a smiling, confident Elizabeth Duncan sashayed in like she owned the place. Her grand entrance was hindered only by the fact that she was cuffed to a deputy sheriff. Mrs. Duncan nodded and raised her finger tips to a few familiar faces in the press section that she'd come to know during the week-long jury selection process. Reporters and photographers swarmed. 'How about a few pictures before we start?' one newsman called out. Mrs.'s Duncan's dapper little attorney, S. Ward Sullivan, nodded his permission. The deputy unfastened the cuffs. Mrs. Duncan stood next to her chair at the defense table and rubbed her wrist before turning toward reporters. 'Do you like my new outfit?' she asked as she fluffed the skirt of her two-piece, black and white dress. 'Frank bought it for me.' Flashbulbs popped.
Deborah Holt Larkin (A Lovely Girl: The Tragedy of Olga Duncan and the Trial of One of California's Most Notorious Killers)
Dylan Caruso, the one in all black with silvery-white hair and black roots, rings and tattoos all over his hands, seductive hooded eyes covered in kohl, and a killer smile, flicks a lighter on and off. Alistair King sits next to him in his black netted outfit covered in thick jewelry, his curly, light-brown hair softly swishing in the wind, and a devilish smirk on his pale face as he looks down at the girls. But worst of all is Felix Rivera … a brown-haired guy with a face so sharply cut and intense sanpaku hazel eyes so deeply sunken in that it does honor to his society’s name.
Clarissa Wild (Sick Boys)
As we were to be here over Sunday, and Monterey was the best place to go ashore on the whole coast, and we had had no liberty-day for nearly three months, every one was for going ashore. On Sunday morning, as soon as the decks were washed, and we had got breakfast, those who had obtained liberty began to clean themselves, as it is called, to go ashore. A bucket of fresh water apiece, a cake of soap, a large coarse towel, and we went to work scrubbing one another, on the forecastle. Having gone through this, the next thing was to get into the head,—one on each side—with a bucket apiece, and duck one another, by drawing up water and heaving over each other, while we were stripped to a pair of trowsers. Then came the rigging-up. The usual outfit of pumps, white stockings, loose white duck trowsers, blue jackets, clean checked shirts, black kerchiefs, hats well varnished, with a fathom of black ribbon over the left eye, a silk handkerchief flying from the outside jacket pocket, and four or five dollars tied up in the back of the neckerchief, and we were “all right.” One of the quarter-boats pulled us ashore, and we steamed up to the town. I
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
Dad had always composed his daily look carefully: neatly combed hair, seasonal tie featuring pumpkins in October or flags in July, dark leather loafers buffed to a high shine, white doctor’s coat laundered in hot water and pressed crisp. True, he also mowed the lawn in black knee socks and khaki shorts. I’m not saying he always made good choices, just that the outfits, like other decisions, had always been his to make.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
I moved back toward those deceptively safe red curtains, and tugged a string to let my cloak fall to the stone floor. Under it, I wore a laced outfit of thin, black strips that left my backside gloriously bare from ears to thighs. There was silence for nearly a full second. It allowed the cameras to zoom in on my scars. I’d been shot, stabbed, bitten, and beaten for years, and I was covered in proof of it. “Wow. That might boost her ranking enough to start the competition with both food and medical credits! Will you look at those scars! Oh! Nice tattoos!” The aroused crowd cheered wildly as I turned to face them, revealing a front view that spider-webbed over my body in a tan glow. I appeared almost nude, except for my weapons that gleamed like deadly jewels and the ink that crossed my back and front.
Angela White (The Change (The Bachelor Battles, #1))
finally decided to wear my fuzzy white V-neck sweater with a denim skirt, boots, and lots of silver jewelry. My boots are black, but the sweater and jewelry would be very snowy. I put the outfit on my bed to change into later.
Coco Simon (Mia's Baker's Dozen (Cupcake Diaries Book 6))
All your suits, cravats, socks, and shoes are black. All your shirts and underwear are white.’ He looked at the rug by the bed. ‘And your slippers are red tartan. You don’t have outfits, Johannes. You have a uniform.
Jonathan L. Howard (The Brothers Cabal (Johannes Cabal, #4))
In addition to sharing grog, black and white sailors wore the same naval outfit. This consisted of navy blue bell-bottom pants, tight blue woolen caps, and a bloused blue woolen frock with jumper flaps on the front and back.
Peter Kurtz (Bluejackets in the Blubber Room: A Biography of the William Badger, 1828-1865)
Taking quick looks behind him on the trail, Lew Basnight was apt to see things that weren’t necessarily there. Mounted figure in a black duster and hat, always still, turned sidewise in the hard, sunlit distance, horse bent to the barren ground. No real beam of attention, if anything a withdrawal into its own lopsided star-shaped silhouette, as if that were all it had ever aspired to. It did not take long to convince himself that the presence behind him now, always just out of eyeball range, belonged to one and the same subject, the notorious dynamiter of the San Juans known as the Kieselguhr Kid. The Kid happened to be of prime interest to White City Investigations. Just around the time Lew was stepping off the train at the Union Station in Denver, and the troubles up in the Coeur d’Alene were starting to bleed over everywhere in the mining country, where already hardly a day passed without an unscheduled dynamite blast in it someplace, the philosophy among larger, city-based detective agencies like Pinkerton’s and Thiel’s began to change, being as they now found themselves with far too much work on their hands. On the theory that they could look at their unsolved cases the way a banker might at instruments of debt, they began selling off to less-established and accordingly hungrier outfits like White City their higher-risk tickets, including that of the long-sought Kieselguhr Kid. It was the only name anybody seemed to know him by, “Kieselguhr” being a kind of fine clay, used to soak up nitroglycerine and stabilize it into dynamite. The Kid’s family had supposedly come over as refugees from Germany shortly after the reaction of 1849, settling at first near San Antonio, which the Kid-to-be, having developed a restlessness for higher ground, soon left, and then after a spell in the Sangre de Cristos, so it went, heading west again, the San Juans his dream, though not for the silver-mine money, nor the trouble he could get into, both of those, he was old enough by then to appreciate, easy enough to come by. No, it was for something else. Different tellers of the tale had different thoughts on what. “Don’t carry pistols, don’t own a shotgun nor a rifle—no, his trade-mark, what you’ll find him packing in those tooled holsters, is always these twin sticks of dynamite, with a dozen more—” “Couple dozen, in big bandoliers across his chest.” “Easy fellow to recognize, then.” “You’d think so, but no two eyewitnesses have ever agreed. It’s like all that blasting rattles it loose from everybody’s memory.” “But say, couldn’t even a slow hand just gun him before he could get a fuse lit?” “Wouldn’t bet on it. Got this clever wind-proof kind of striker rig on to each holster, like a safety match, so all’s he has to do’s draw, and the ‘sucker’s all lit and ready to throw.” “Fast fuses, too. Some boys down the Uncompahgre found out about that just last August, nothin left to bury but spurs and belt buckles. Even old Butch Cassidy and them’ll begin to coo like a barn full of pigeons whenever the Kid’s in the county.” Of course, nobody ever’d been sure about who was in Butch Cassidy’s gang either. No shortage of legendary deeds up here, but eyewitnesses could never swear beyond a doubt who in each case, exactly, had done which, and, more than fear of retaliation—it was as if physical appearance actually shifted, causing not only aliases to be inconsistently assigned but identity itself to change. Did something, something essential, happen to human personality above a certain removal from sea level? Many quoted Dr. Lombroso’s observation about how lowland folks tended to be placid and law-abiding while mountain country bred revolutionaries and outlaws. That was over in Italy, of course. Theorizers about the recently discovered subconscious mind, reluctant to leave out any variable that might seem helpful, couldn’t avoid the altitude, and the barometric pressure that went with it. This was spirit, after all.
Thomas Pynchon (Against the Day)
In a blink, his avatar changed to fat guy wearing a cheap plaid suit and what my grandfather used to call the ‘Full Cleveland’ outfit: white belt and matching white shoes.
Craig Alanson (Black Ops (Expeditionary Force, #4))
That self-confidence only blossomed into full-blown delusion as I got older. Eventually, the braids were replaced by a bob cut with bangs that had the presence Tina Yothers’s bangs did at her peak during Family Ties. Wait till these white boys at my new school get a whiff of me, I’d tell myself as I got dressed in the morning. Oh, they definitely did. And if Calvin Klein were to bottle that odor, it would have been called: Eau de Weary Grandmother at Post Office Who Hums a Negro Spiritual Parfum. Rolls off the tongue, doesn’t it? To make matters worse, I often paired my asexual hairdo with lived-in black dress shoes, pleated khakis, and a primary-colored turtleneck from Eddie Bauer. At best, this outfit could be described as “Jehovah Witness Chic,” and at worst, “recent Heaven’s Gate defector.” This, my friends, was the milk shake that did not bring all the boys to the yard. It was the milk shake that made them go, “You know, I’m really not into dairy right now.
Phoebe Robinson (You Can't Touch My Hair: And Other Things I Still Have to Explain)
Dylan Caruso, the one in all black with silvery-white hair and black roots, rings and tattoos all over his hands, seductive hooded eyes covered in kohl, and a killer smile, flicks a lighter on and off. Alistair King sits next to him in his black netted outfit covered in thick jewelry, his curly, light-brown hair softly swishing in the wind, and a devilish smirk on his pale face as he looks down at the girls.
Clarissa Wild (Sick Boys)