Bizarre Celebrity Quotes

Never presume to know a person based on the one dimensional window of the internet. A soul can’t be defined by critics, enemies or broken ties with family or friends. Neither can it be explained by posts or blogs that lack facial expressions, tone or insight into the person’s personality and intent. Until people “get that”, we will forever be a society that thinks Beautiful Mind was a spy movie and every stranger is really a friend on Facebook.

I don’t have any regrets,” a famous movie actor said in an interview I recently witnessed. “I’d live everything over exactly the same way.” “That’s really pathetic,” the talk show host said. “Are you seeking help?” “Yeah. My shrink says we’re making progress. Before, I wouldn’t even admit that I would live it all over,” the actor said, starting to choke up. “I thought one life was satisfying enough.” “My God,” the host said, cupping his hand to his mouth. “The first breakthrough was when I said I would live it over, but only in my dreams. Nocturnal recurrence.” “You’re like the character in that one movie of yours. What’s it called? You know, the one where you eat yourself.” “The Silence of Sam.” “That’s it. Can you do the scene?” The actor lifts up his foot to stick it in his mouth. I reach over from my seat and help him to fit it into his bulging cheeks. The audience goes wild.

Just this past summer, I took online courses in introductory logic and law through civilization. Often the weight of history, with its facts heaped upon facts requiring complex chains of inference to sort through – I mean complex for someone with the soft brain of a tomato merchant; for me the premises are obvious and the conclusions dire and inescapable – threatened to crush me, and I was ultimately forced to abandon the whole undertaking. By way of recovery, I spent the rest of the summer immersed in a Freudian meditation on some choice tabloids. The mysterious lives of celebrities make for challenging induction. The reasoning process involves navigating many gaps in our knowledge of them. What is certain is that under the iceberg of glitz and glamor lie neurotic, depraved individuals with bizarre habits and hobbies, people who think they’re above the law.

You’re a movie star. A celebrity with millions of fans.” “And you’re a wildlife ranger who traps giant, dangerous black bears for a living and acts like it’s no big deal. Tell me that doesn’t sound like a heaping helping of crazy, with bizarre gravy, and a slice of mashed loco for Cocoa Puffs.

My personal beasties are ugly and ridiculous and they weigh me down and are exhausting to carry around. Sometimes it feels like they are larger than I am. They are destructive and baffling and ungainly. And yet. And yet, there is something wonderful in embracing the peculiar and extraordinary monsters that make us unique. There is joy in accepting the curious and erratic beasts that force us to see the world in new ways. And there is an uncanny sort of fellowship that comes when you recognize the beasties that other people carry with them and the battles we are all fighting even when they seem invisible to the rest of the world. We all have these monsters, I suspect, although they come from different places and have different names and causes. But what we do with them makes a difference. And, whenever I can, I take mine out in the sun and try to appreciate that the flowers it rips up from the garden can sometimes be just as lovely when stuck in the teeth of its terrible mouth. Embrace your beasties. Love your awkwardness. Enjoy yourself. Celebrate the bizarreness that is you because, I assure you, you are more wondrous than you can possibly imagine … monsters and all.

The most terribly human moments—the ones we want to pretend never happened—are the very same moments that make us who we are today. I’ve reserved the very best stories of my life for this book…to celebrate the strange, and to give thanks for the bizarre.

The celebrated opening image of 'The Love Song of J. Alfred Prufrock' is another case in point: Let us go then, you and I, When the evening is spread out against the sky Like a patient etherised upon a table... How, the reader wonders, can the evening look like an anaesthetised body? Yet the point surely lies as much in the force of this bizarre image as in its meaning. We are in a modern world in which settled correspondences or traditional affinities between things have broken down. In the arbitrary flux of modern experience, the whole idea of representation - of on thing predictably standing for another - has been plunged into crisis; and this strikingly dislocated image, one which more or less ushers in 'modern' poetry with a rebellious flourish, is a symptom of this bleak condition.

Carlyle had no option but to sit down and recompose the book as best he could—a task made all the more challenging by the fact that he no longer had notes to call on, for it had been his bizarre and patently misguided practice to burn his notes as he finished each chapter, as a kind of celebration of work done.

Professor J. B. S. Haldane was one of the most celebrated scientists in Britain. A pioneering and broad-ranging thinker, he developed a mathematical theory of population genetics, predicted that hydrogen-producing windmills would replace fossil fuel, explained nuclear fission, and suffered a perforated eardrum while testing a homemade decompression chamber: “Although one is somewhat deaf,” he wrote, “one can blow tobacco smoke out of the ear in question, which is a social accomplishment.

One encounters in the streets, late at night on the evenings of fetes, the most strange and bizarre passers-by. Do these nights of popular celebration cause ancient and forgotten avatars to stir in the depths of the human soul? This evening, in the movement of the sweaty and excited crowd, I am certain that I passed between the masks of the liberated Bythinians and encountered the courtesans of the Roman decadence. There emerged, this evening, from that swarming esplanade of Des Invalides - amid the crackle of fireworks, the shooting stars, the stink of frying, the hiccuping of drunkards and the reeking atmosphere of menageries - the wild effusions of one of Nero's festivals. It was like the odour of a May evening on the Basso-Porto of Naples. It was easy to believe that the faces in that crowd were Sicilian.

Cagliari central defender Comunardo Niccolai became celebrated for his ability to score bizarre own goals in the 1960s, so much that self inflicted problems in general are often referred to as 'Niccolai-like'.

The theological perspective of participation actually saves the appearances by exceeding them. It recognizes that materialism and spiritualism are false alternatives, since if there is only finite matter there is not even that, and that for phenomena really to be there they must be more than there. Hence, by appealing to an eternal source for bodies, their art, language, sexual and political union, one is not ethereally taking leave of their density. On the contrary, one is insisting that behind this density resides an even greater density – beyond all contrasts of density and lightness (as beyond all contrasts of definition and limitlessness). This is to say that all there is only is because it is more than it is. (...) This perspective should in many ways be seen as undercutting some of the contrasts between theological liberals and conservatives. The former tend to validate what they see as the modern embrace of our finitude – as language, and as erotic and aesthetically delighting bodies, and so forth. Conservatives, however, seem still to embrace a sort of nominal ethereal distancing from these realities and a disdain for them. Radical orthodoxy, by contrast, sees the historic root of the celebration of these things in participatory philosophy and incarnational theology, even if it can acknowledge that premodern tradition never took this celebration far enough. The modern apparent embrace of the finite it regards as, on inspection, illusory, since in order to stop the finite vanishing modernity must construe it as a spatial edifice bound by clear laws, rules and lattices. If, on the other hand, following the postmodern options, it embraces the flux of things, this is an empty flux both concealing and revealing an ultimate void. Hence, modernity has oscillated between puritanism (sexual or otherwise) and an entirely perverse eroticism, which is in love with death and therefore wills the death also of the erotic, and does not preserve the erotic as far as an eternal consummation. In a bizarre way, it seems that modernity does not really want what it thinks it wants; but on the other hand, in order to have what it thinks it wants, it would have to recover the theological. Thereby, of course, it would discover also that that which it desires is quite other than it has supposed

But then I thought: no, what we really have here is an example of a presumably normal and sane person whose thinking has been deranged by the concept of celebrity. An example of someone who genuinely believes that because she has seen my photograph and read my novels, she knows me personally-and in fact knows better than I do what is best for my life. And it's normal! It's normal for her not only to think these bizarre thoughts privately, but to express them in public, and receive positive feedback and attention as a result. She has no idea that she is, in this small limited respect, quite literally insane, because everyone around her is also insane in exactly the same way. They really cannot tell the difference between someone they have heard of, and someone they personally know. And they believe that the feelings they have about this person they imagine me to be-intimacy, resentment, hatred, pity-are as real as the feelings they have about their own friends. It makes me wonder whether celebrity culture has sort of metastasized to fill the emptiness left by religion. Like a malignant growth where the sacred used to be

Bill Clinton was being celebrated that evening, which I immediately thought was bizarre since Clinton signed DOMA, the Defense of Marriage Act, and implemented Don’t Ask, Don’t Tell but then I remembered that GLAAD had also honored Brett Ratner the year after he’d (innocuously, I thought) jokingly told the moderator during a Q&A after a screening of one of his movies that “rehearsal is for fags” and was forced to repent

The farther we’ve gotten from the magic and mystery of our past, the more we’ve come to need Halloween. It’s a festival of fantasy, a celebration of otherness, the one time each year when the mundane is overturned in favor of the bizarre, and everyone can become anyone or anything they wish. At its core, Halloween is a chance to confront our most primal fear—death—and attempt to control it or, at the very least, mock it.

There's one thing you ought to know about old people," Alberto Terégo told me on our early morning walk on the beach. "Like what?" I asked my friend in reply. "Like old people don't mind if you kill them," Terégo said. "Just don't give them any more crap while you're doing it." "Are you talking about yourself?" I said. "You're telling me you'd rather have someone kill you than give you a hard time?” My head was starting to hurt. It usually did when I talked with Terégo, but never so soon into our daily conservation. He was grinning now, knowing he had me again. I just stared at him. He has this uncanny knack of making me feel he's laid a booby trap of punji sticks on which I'm about to impale myself. “That's ridiculous," I said finally, feeling like a kid for not being able to come up with a better response to his bizarre suggestion. “No, it's life,” Terégo said, his grin growing larger. “What's life?” I said. “Taking crap,” he said. "Taking crap is life?" I said. The grin hung ear to ear now. “It's what nice people do,” Terégo said. “There's an 18th century proverb that says we all have to eat a peck of dirt before we die. We do it from an early age, so old people have been doing it for a very long time, way beyond the proverbial amount that broke the camel's back.” “Eating dirt is life?” I said, feeling the pain grow under my arched eyebrows. "That's right," he said. "Eating dirt?" I repeated dully. "We do it to be team players, so we don’t rock the boat, to go with the flow," Terégo said. "We put up, shut up, get along--no matter what--with people even the Dalai Lama would slap silly. We defer to their foolishness, stupidity, biases, racism, ego, telling them what they want to hear, keeping quiet when we ought to be speaking up loud and clear. We put a sock in it even though it chokes us. We do it so we won’t offend, to fit in, be neighborly, sociable, kind. We do it so people will like us, love and reward and hire and promote us. We do it to be successful, secure, happy." "We eat dirt to be happy," I said, my eyes starting to glaze over like frost on window panes in deep winter. "You see the supreme irony in that," Terégo said, the triumph in his voice almost palpable, galling me no end.

Obviously, in those situations, we lose the sale. But we’re not trying to maximize each and every transaction. Instead, we’re trying to build a lifelong relationship with each customer, one phone call at a time. A lot of people may think it’s strange that an Internet company is so focused on the telephone, when only about 5 percent of our sales happen through the telephone. In fact, most of our phone calls don’t even result in sales. But what we’ve found is that on average, every customer contacts us at least once sometime during his or her lifetime, and we just need to make sure that we use that opportunity to create a lasting memory. The majority of phone calls don’t result in an immediate order. Sometimes a customer may be calling because it’s her first time returning an item, and she just wants a little help stepping through the process. Other times, a customer may call because there’s a wedding coming up this weekend and he wants a little fashion advice. And sometimes, we get customers who call simply because they’re a little lonely and want someone to talk to. I’m reminded of a time when I was in Santa Monica, California, a few years ago at a Skechers sales conference. After a long night of bar-hopping, a small group of us headed up to someone’s hotel room to order some food. My friend from Skechers tried to order a pepperoni pizza from the room-service menu, but was disappointed to learn that the hotel we were staying at did not deliver hot food after 11:00 PM. We had missed the deadline by several hours. In our inebriated state, a few of us cajoled her into calling Zappos to try to order a pizza. She took us up on our dare, turned on the speakerphone, and explained to the (very) patient Zappos rep that she was staying in a Santa Monica hotel and really craving a pepperoni pizza, that room service was no longer delivering hot food, and that she wanted to know if there was anything Zappos could do to help. The Zappos rep was initially a bit confused by the request, but she quickly recovered and put us on hold. She returned two minutes later, listing the five closest places in the Santa Monica area that were still open and delivering pizzas at that time. Now, truth be told, I was a little hesitant to include this story because I don’t actually want everyone who reads this book to start calling Zappos and ordering pizza. But I just think it’s a fun story to illustrate the power of not having scripts in your call center and empowering your employees to do what’s right for your brand, no matter how unusual or bizarre the situation. As for my friend from Skechers? After that phone call, she’s now a customer for life. Top 10 Ways to Instill Customer Service into Your Company   1. Make customer service a priority for the whole company, not just a department. A customer service attitude needs to come from the top.   2. Make WOW a verb that is part of your company’s everyday vocabulary.   3. Empower and trust your customer service reps. Trust that they want to provide great service… because they actually do. Escalations to a supervisor should be rare.   4. Realize that it’s okay to fire customers who are insatiable or abuse your employees.   5. Don’t measure call times, don’t force employees to upsell, and don’t use scripts.   6. Don’t hide your 1-800 number. It’s a message not just to your customers, but to your employees as well.   7. View each call as an investment in building a customer service brand, not as an expense you’re seeking to minimize.   8. Have the entire company celebrate great service. Tell stories of WOW experiences to everyone in the company.   9. Find and hire people who are already passionate about customer service. 10. Give great service to everyone: customers, employees, and vendors.

But most important, I see me . . . or rather, the me I’ve become. Because I can finally see that all the terrible parts of my life, the embarrassing parts, the incidents I wanted to pretend never happened, and the things that make me “weird” and “different,” were actually the most important parts of my life. They were the parts that made me me. And this was the very reason I decided to tell this story . . . to celebrate the strange, to give thanks for the bizarre, and to one day help my daughter understand that the reason her mother appeared mostly naked on Fox News (that’s in book two, sorry) is probably the same reason her grandfather occasionally brings his pet donkey into bars: Because you are defined not by life’s imperfect moments, but by your reaction to them. Because there is joy in embracing—rather than running screaming from—the utter absurdity of life. And because it’s illegal to leave an unattended donkey in your car, even if you do live in Texas.

Oh,Ella. I wish you'd had a better time at the ball." "Fuhgeddaboudit," I muttered. Greaseball. Freddy. Freak. "It's not like she and I were ever going to be BFFs." "I wasn't just referring to Amanda." Of course he wasn't. "I'll try," I moaned into the crook of my elbow. "Oh, Lord.I'll try to carry on." "That sounds rather dramatic, even for you." "It's Styx," I told him. "After your time, before mine. I don't know all the words,but those work for the moment. And for the record, I'm being ironic, not dramatic." "If you say so." I ignored him. "I have had my last flutter over Alex Bainbridge. I mean it. Frankie was right.How many signs do I need that we are never, ever going to have...anything...before I get it? Obviously, it doesn't matter that we realte to the same schizo seventies songs. Or that we can discuss antique Japanese woodblock prints. Or that when he sits next to me, he kinda takes my breath away. You would think that would count for a lot,wouldn't you?" Edward gets the concept of rhetorical questions, so I went on. "I wouldn't even want to hazard a guess about what makes Amanda's pulse go all skittery, but I would bet anything it's not Alex. And he's still with her. He doesn't belong with her, but apparently he feels he belongs to her. Explain that,please." "Oh,Ella.We men are not always the best at looking beyond the...er..." "Boobs,Edward. You can say it. Amanda Alstead has boobs and blonda hair. Beyond that, I can't see a single thing that's special about her." "Because there isn't a single thing. Beyond the...er, obvious. You,on the other hand,are a creature of infinite charms. Shall I list them alphabetically or from the top down?" I scowled up at him. "Y'know, you are beginning to sound a little too much like Frankie and Sadie,my deluded Greek chorus." "yes,well,I rather thought that's what friends are for." "You're not supposed to be my friend," I muttered. "You're supposed to be my Prince Charming." "Ahem." Edward's sculpted lips compressed into a grim line. "Have you looked at me lately? I am supposed to be startling and even a bit scary." "Nope.Neither." I rested my chin on my forearm. "To me,you are perfect. You are loyal and reliable and completely lacking in surprises." "That is a good thing?" "Absolutely," I said. "It's an excellent thing.I don't want any more surprises, over." "Hardly an admirable goal,that." "Maybe not," I agreed, "but pleasant. Among all the other bizarreness tonight, I found something new to be afraid of. Evil girlfriends." "Now,Ella. You can't go on being afraid forever." "Oh,yes,I can. As far as Amanda Alstead is concerned, I can." Edward tilted his head and studied me for a moment. He looked annoyed. "Why do you insist on having these conversations with me when you ignore everything I have to say?" It was a pretty good question. "Fine." I sat up straight and folded my hands in my lap. Home Truth time. "Go ahead. On this night when we celebrate the mysteries of life and death..Say something profound, something startling." There was a long silence. Then, "Boo," Edward said. "Thank you,Mr. Willing." "Don't mention it, Miss Marino. I am yours to command.

MT: Mimetic desire can only produce evil? RG: No, it can become bad if it stirs up rivalries but it isn't bad in itself, in fact it's very good, and, fortunately, people can no more give it up than they can give up food or sleep. It is to imitation that we owe not only our traditions, without which we would be helpless, but also, paradoxically, all the innovations about which so much is made today. Modern technology and science show this admirably. Study the history of the world economy and you'll see that since the nineteenth century all the countries that, at a given moment, seemed destined never to play anything but a subordinate role, for lack of “creativity,” because of their imitative or, as Montaigne would have said, their “apish” nature, always turned out later on to be more creative than their models. It began with Germany, which, in the nineteenth century, was thought to be at most capable of imitating the English, and this at the precise moment it surpassed them. It continued with the Americans in whom, for a long time, the Europeans saw mediocre gadget-makers who weren't theoretical or cerebral enough to take on a world leadership role. And it happened once more with the Japanese who, after World War II, were still seen as pathetic imitators of Western superiority. It's starting up again, it seems, with Korea, and soon, perhaps, it'll be the Chinese. All of these consecutive mistakes about the creative potential of imitation cannot be due to chance. To make an effective imitator, you have to openly admire the model you're imitating, you have to acknowledge your imitation. You have to explicitly recognize the superiority of those who succeed better than you and set about learning from them. If a businessman sees his competitor making money while he's losing money, he doesn't have time to reinvent his whole production process. He imitates his more fortunate rivals. In business, imitation remains possible today because mimetic vanity is less involved than in the arts, in literature, and in philosophy. In the most spiritual domains, the modern world rejects imitation in favor of originality at all costs. You should never say what others are saying, never paint what others are painting, never think what others are thinking, and so on. Since this is absolutely impossible, there soon emerges a negative imitation that sterilizes everything. Mimetic rivalry cannot flare up without becoming destructive in a great many ways. We can see it today in the so-called soft sciences (which fully deserve the name). More and more often they're obliged to turn their coats inside out and, with great fanfare, announce some new “epistemological rupture” that is supposed to revolutionize the field from top to bottom. This rage for originality has produced a few rare masterpieces and quite a few rather bizarre things in the style of Jacques Lacan's Écrits. Just a few years ago the mimetic escalation had become so insane that it drove everyone to make himself more incomprehensible than his peers. In American universities the imitation of those models has since produced some pretty comical results. But today that lemon has been squeezed completely dry. The principle of originality at all costs leads to paralysis. The more we celebrate “creative and enriching” innovations, the fewer of them there are. So-called postmodernism is even more sterile than modernism, and, as its name suggests, also totally dependent on it. For two thousand years the arts have been imitative, and it's only in the nineteenth and twentieth centuries that people started refusing to be mimetic. Why? Because we're more mimetic than ever. Rivalry plays a role such that we strive vainly to exorcise imitation. MT

Edinburgh For those who like walking, Edinburgh reigns supreme. The Royal Mile runs through the centre of the tourist area connecting Edinburgh Castle with Holyrood Palace. It’s a little over a mile and, in addition to passing old Edinburgh historic sites, it is lined with independent shops, cafes and pubs along the way. For this is Edinburgh’s Old Town, all cobbled streets beneath the lofty castle. The New Town is less than ten minutes walk away and it’s far from new. Instead New Town is Georgian, built by the wealthy residents in the 18th century. Its wide streets and perfect proportions create a visual joy for walking. It’s tough to name Edinburgh’s main sites, but here goes: the castle, continuously occupied for more than 1000 years; Holyrood Palace, the Queen’s official residence in Scotland; Mary King’s Close, a preserved 18th century tenement on the Royal Mile and; the Grassmarket, a network of cobbled lanes with independent shops and cafes. I could go on. Edinburgh is particularly busy during the festival that takes place from August to early September. It began as a military tattoo, developed into a fairly high brow arts festival and has expanded to host off‐stage events from the clever to the bizarre. Edinburgh also hosts a massive Hogmanay, or New Year, celebration with music and dancing in the streets all through the night and often into the next day. The city is at its busiest during the August festival and again at New Year. Public transport by bus and tram is available from the airport to the city centre. Downside: It is an expensive place to visit at peak periods and it can be tough to find a place to stay. Your first visit should be at quieter times. To read: Edinburgh is a literary city and so many novels have

Embrace your beasties. Love your awkwardness. Enjoy yourself. Celebrate the bizarreness that is you because, I assure you, you are more wondrous than you can possibly imagine … monsters and all.

Greetings, cybernuts! This is I.B. Nosey, your official unofficial reporter!

Since he planned on sleeping in anyway, Myron started drinking. He was not what one would call a great drinker—he held his liquor about as well as a fourteen-year-old girl—but tonight, at this wonderful albeit bizarre celebration, he felt in the mood to imbibe. So did Win, though it took far more to get him buzzed. Cognac was mother’s milk to Win. He rarely showed the effects, at least on the outside. Tonight

Another television calamity, broadcast by CBS on November 17, was the Star Wars Holiday Special. The show featured appearances by most of the cast, except Alec Guinness, and took advantage of early McQuarrie artwork for the Wookiee planet (the story has the principals going to Chewbacca’s homeworld to celebrate Life Day). With odd musical numbers; cameos by celebrity TV stars, such as Art Carney, Harvey Korman, and Beatrice Arthur; and a campy, bizarre production décor light-years from the feeling of the first film, the Holiday Special was an example of how Black Falcon and Lucasfilm had yet to hone their approval processes.

…The children of God, being the children of the resurrection.… For he is not a God of the dead, but of the living: for all live unto him. —Luke 20:36, 38 (KJV) EASTER: CELEBRATE I’d like to think that, unlike Peter, I wouldn't have denied Jesus three times, but my faith is tepid, sketchy, uncertain. I wish it were different. I wish, like my mother, I could hold on to my faith, no matter what. Weird thing is, I can accept the bizarre claim that an itinerant preacher in first-century Palestine was crucified like a common criminal, was dead and buried…but not buried for long. I can buy that—which, you gotta admit, is a pretty large story to swallow. And I can believe His message is a living one—not because I have that much faith but because it makes sense to me: We're here to help others so that “whenever you cared for one of the least of these, you did it for me.” Yessir. Roger. Understood. But that Someone could forgive my trespasses, my myriad short- comings, my irrational fuming, my weak-willed nature so that I can help others by forgiving them…no. No can do. My ego won’t allow it. This Easter, I think I’ve figured out at least one gift inherent in the Jesus story: It’s about letting go of ego, that ridiculous remnant from our hominid past, that lying leftover that says we’re in control, we need neither the world nor each other, thank you very much, that we don’t require (and therefore don’t deserve) forgiveness…my God. Just let it go. Let. It. Go. Bury the past; then roll away the stone and celebrate what’s risen in its place. Lord, this Easter, help rid me of my selfish ego. Granted, ego is easy and forgiveness is difficult…but today, of all days, I’m willing to try the hard way. —Mark Collins Digging Deeper: Mt 28:8–10; Lk 24:1–12; Jn 11:25–26

The whole point of the entertainment industry is, of course, to make money: that has been its raison d’être ever since P. T. Barnum first put on a show. And Marlon had tried to rack up as much money as he could, too; it was supposed to help him get free of the business. Yet he’d been completely unprepared for the banality of the past five years. During that time, he’d acquired a deep antipathy for the growing culture of celebrity. In a country that had “the highest crime rate in the [Western] world, the highest delinquency rate, the most alcoholics, [where] two billion dollars’ worth of tranquilizers were sold last year and half the hospital beds are occupied by mental patients,” he asked, why did the media waste so much time on celebrity news? It was “madness,” Marlon concluded. But “anyone who objects,” he groused, “is considered to be idiosyncratic, bizarre, uncooperative, dishonest.” He let out a cry. “I can’t win.

He longed, he said, for the glorious spirit of bipartisan consensus he had witnessed during the nation’s Bicentennial celebrations, and at Hubert Humphrey’s funeral. So he concluded with a challenge to his colleagues: “If you want to see the reputations of decent people sullied, stand aside and be silent. “If you want to see people of dignity, integrity, and self-respect refuse to seek public office for fear of what might be conjured or dredged up to attack them or their families, stand aside and be silent.… “If you want to see dissent crushed and expression stifled, stand aside and be silent. “If you want to see the fevered exploitation of a handful of highly emotional issues distract the nation from problems of great consequence, stand aside and be silent. “If you want to see your government deadlocked by rigid intransigence, stand aside and be silent. “If you want this nation held up to worldwide scorn and ridicule because of the outrageous statements and bizarre beliefs of its leaders, stand aside and be silent and let the Howard Phillipses, the Meldrim Thomsons, and the William Loebs speak for all of us.

inquisitor’s stick, beginning with the bizarre claims of Mary Toft, the Englishwoman from Surrey who in 1726 tricked doctors into believing she’d given birth to rabbits. Though the hoax was eventually unmasked, the king’s own credulous doctor was embarrassed by the scandal and the wider medical profession also emerged with egg on its

Some serial killers take their disordered and inflated sense of superiority and complusion to create myths about themselves a step further, into a deliberate barbaric quest for celebrity status. This is arguably the characteristic that most separates serial killers from other offenders who kill under different circumstances or for different motives (discussed in the previous chapter.) The serial killer's reflexivity of action, or his autobiographical self-awareness as an ersatz public figure, suggest that fame and celebrity are two of the chief driving forces in his cliche-laden mind... The serial killer's sense of self-importance fits in with this bizarre demimonde created by cyberspace.

The modern world represents in some respects an enormous improvement over the world in which our ancestors lived; but in other respects it exhibits a lamentable decline. The improvement appears in the physical conditions of life, but in the spiritual realm there is a corresponding loss. The loss is clearest, perhaps, in the realm of art. Despite the mighty revolution which has been produced in the external conditions of life, no great poet is now living to celebrate the change; humanity has suddenly become dumb. Gone, too, are the great painters and the great musicians and the great sculptors. The art that still subsists is largely imitative, and where it is not imitative it is usually bizarre. Even the appreciation of the glories of the past is gradually being lost, under the influence of a utilitarian education that concerns itself only with the production of physical well-being.

Multiculturalism Multiculturalism was introduced as an early attempt to destroy nationalism. The bizarre and unpopular millennial celebrations held in London were an early version of Agenda 21 – designed to help eradicate English nationalism. Anyone who opposes multiculturalism is automatically denounced as a racist.

First published in 2020 this book contains over 560 easily readable compact entries in systematic order augmented by an extensive bibliography, an alphabetical list of countries and locations of individuals final resting places (where known) and a day and month list in consecutive order of when an individual died. It details the deaths of individuals, who died too early and often in tragic circumstances, from film, literature, music, theatre, and television, and the achievements they left behind. In addition, some ordinary people who died in bizarre, freak, or strange circumstances are also included. It does not matter if they were famous or just celebrated by a few individuals, all the people in this book left behind family, friends and in some instances devotees who idolised them. Our heartfelt thoughts and sympathies go out to all those affected by each persons death. Whether you are concerned about yourself, a loved one, a friend, or a work colleague there are many helplines and support groups that offer confidential non-judgemental help, guidance and advice on mental health problems (such as anxiety, bereavement, depression, despair, distress, stress, substance abuse, suicidal feelings, and trauma). Support can be by phone, email, face-to-face counselling, courses, and self-help groups. Details can be found online or at your local health care organisation. There are many conspiracy theories, rumours, cover-ups, allegations, sensationalism, and myths about the cause of some individual’s deaths. Only the facts known at the time of writing are included in this book. Some important information is deliberately kept secret or undisclosed. Sometimes not until 20 or even 30 years later are full details of an accident or incident released or in some cases found during extensive research. Similarly, unsolved murders can be reinvestigated years later if new information becomes known. In some cases, 50 years on there are those who continue to investigate what they consider are alleged cover-ups. The first name in an entry is that by which a person was generally known. Where relevant their real name is included in brackets. Date of Death | In the entry detailing the date an individual died their age at the time of their death is recorded in brackets. Final Resting Place | Where known details of a persons final resting place are included. “Unknown” | Used when there is insufficient evidence available to the authorities to establish whether an individuals’ death was due to suicide, accident or caused by another. Statistics The following statistics are derived from the 579 individual “cause of death” entries included in this publication. The top five causes of death are, Heart attack/failure 88 (15.2%) Cancer 55 (9.5%) Fatal injuries (plane crash) 43 (7.4%) Fatal injuries (vehicle crash/collision) 39 (6.7%) Asphyxiation (Suicide) 23 (4%). extract from 'Untimely and Tragic Deaths of the Renowned, The Celebrated, The Iconic

But it wasn’t just Fox. On March 23, just after we’d gone to war in Libya, he surfaced on ABC’s The View, saying, “I want him to show his birth certificate. There’s something on that birth certificate that he doesn’t like.” On NBC, the same network that aired Trump’s reality show The Celebrity Apprentice in prime time and that clearly didn’t mind the extra publicity its star was generating, Trump told a Today show host that he’d sent investigators to Hawaii to look into my birth certificate. “I have people that have been studying it, and they cannot believe what they’re finding.” Later, he’d tell CNN’s Anderson Cooper, “I’ve been told very recently, Anderson, that the birth certificate is missing. I’ve been told that it’s not there and it doesn’t exist.” Outside the Fox universe, I couldn’t say that any mainstream journalists explicitly gave credence to these bizarre charges. They all made a point of expressing polite incredulity, asking Trump, for example, why he thought George Bush and Bill Clinton had never been asked to produce their birth certificates. (He’d usually reply with something along the lines of “Well, we know they were born in this country.” ) But at no point did they simply and forthrightly call Trump out for lying or state that the conspiracy theory he was promoting was racist. Certainly, they made little to no effort to categorize his theories as beyond the pale—like alien abduction or the anti-Semitic conspiracies in The Protocols of the Elders of Zion. And the more oxygen the media gave them, the more newsworthy they appeared.

of the Radishes When Spanish explorers brought radishes to Mexico in the 16th century, farmers near the modern-day city of Oaxaca quickly started farming the veggies. Unfortunately, nobody wanted to buy them. Not knowing what to do with all the extra produce, vendors began carving the radishes into ornate shapes and using the vegetable sculptures to lure customers to their produce stands. Amazingly, it worked. The novelty items became so popular that farmers began leaving their radishes in the ground long after harvest season, letting them grow into bizarrely shaped behemoths. Now, December 23 is known as Noche de Rabanos (Night of the Radishes). Oaxacans celebrate it each year by gathering in the town square to display and admire elaborately detailed radishes modeled into saints, nativity scenes, and even the town itself.