“
I don't know where you have to go or what you have to do, but I'll wait for you, John. Every bit of my heart belongs to you, whether you ask for it or not.
”
”
Pittacus Lore (I Am Number Four (Lorien Legacies, #1))
“
I'm inspired by the people I meet in my travels--hearing their stories, seeing the hardships they overcome, their fundamental optimism and decency. I'm inspired by the love people have for their children. And I'm inspired by my own children, how full they make my heart. They make me want to work to make the world a little bit better. And they make me want to be a better man.
”
”
Barack Obama
“
I will always love you, Kellan. Your heart is safe with me.”
Kellan pulled me into a hug and let out a long, shaky breath as he held me. “Promise?” he whispered?
I squeezed him just a little bit tighter. “I promise.” Pulling back, I rested my forehead against his. “Not loving you isn’t possible. Trust me, I tried.
”
”
S.C. Stephens (Reckless (Thoughtless, #3))
“
There is a charge
For the eyeing of my scars, there is a charge
For the hearing of my heart -
It really goes.
And there is a charge, a very large charge,
For a word or a touch
Or a bit of blood
Or a piece of my hair or my clothes.
--from "Lady Lazarus", written 23-29 October 1962
”
”
Sylvia Plath (Ariel: The Restored Edition)
“
To my babies,
Merry Christmas. I'm sorry if these letters have caught you both by surprise. There is just so much more I have to say. I know you thought I was done giving advice, but I couldn't leave without reiterating a few things in writing. You may not relate to these things now, but someday you will. I wasn't able to be around forever, but I hope that my words can be.
-Don't stop making basagna. Basagna is good. Wait until a day when there is no bad news, and bake a damn basagna.
-Find a balance between head and heart. Hopefully you've found that Lake, and you can help Kel sort it out when he gets to that point.
-Push your boundaries, that's what they're there for.
-I'm stealing this snippet from your favorite band, Lake. "Always remember there is nothing worth sharing, like the love that let us share our name."
-Don't take life too seriously. Punch it in the face when it needs a good hit. Laugh at it.
-And Laugh a lot. Never go a day without laughing at least once.
-Never judge others. You both know good and well how unexpected events can change who a person is. Always keep that in mind. You never know what someone else is experiencing within their own life.
-Question everything. Your love, your religion, your passions. If you don't have questions, you'll never find answers.
-Be accepting. Of everything. People's differences, their similarities, their choices, their personalities. Sometimes it takes a variety to make a good collection. The same goes for people.
-Choose your battles, but don't choose very many.
-Keep an open mind; it's the only way new things can get in.
-And last but not least, not the tiniest bit least. Never regret.
Thank you both for giving me the best years of my life.
Especially the last one.
Love,
Mom
”
”
Colleen Hoover (Slammed (Slammed, #1))
“
He's become my best friend the way the others did. Bit by bit, sand passing through an hour glass so slowly, it's impossible to pin down the moment it happens. When suddenly, more of my heart belongs to him than doesn't, and I know I'll never get a single grain back.
”
”
Emily Henry (Happy Place)
“
My heart was a little bit broken, but I still had to go to school. I buttoned my dress shirt over it and my winter coat, too. I hoped it didn't show too much.
”
”
Gabrielle Zevin (Memoirs of a Teenage Amnesiac)
“
You are the trip I did not take, you are the pearls I could not buy,
you are my blue Italian lake, you are my piece of foreign sky.
You are my Honolulu moon, you are the book I did not write,
you are my heart's unuttered tune, you are a candle in my night.
You are the flower beneath the snow, in my dark sky a bit of blue,
answering disappointment's blow with "I am happy! I have you!
”
”
Anne Campbell
“
If you’re not careful,” I said, brushing imaginary wrinkles off the front of my riding habit and breeches, hoping the flush in my cheeks would come across as anger and not embarrassment, “you’ll be the one dragged here in bits and pieces.”
Thomas tilted my chin up with a finger, his intent gaze setting my skin aflame. “I do love it when you speak so maliciously, Wadsworth. Gives my heart a bit of a rush.
”
”
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
“
Only the coffee made my heart work a bit harder. Caffeine was my exercise.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
My memories don’t feel as though they’ve been pulled up by the root. Even if they fade, something remains. Like tiny seeds that might germinate again if the rain falls. And even if a memory disappears completely, the heart retains something. A slight tremor or pain, some bit of joy, a tear.
”
”
Yōko Ogawa (The Memory Police)
“
Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live.
In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake.
That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead.
And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
”
”
Elizabeth Wurtzel (Prozac Nation)
“
I’m not laughing.” I was actually crying. “And please don’t laugh at me now, but I think the reason it’s so hard for me to get over this guy is because I seriously believed David was my soul mate. ”He probably was. Your problem is you don’t understand what that word means. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. And thank God for it. Your problem is, you just can’t let this one go. It’s over, Groceries. David’s purpose was to shake you up, drive you out of your marriage that you needed to leave, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life, then introduce you to your spiritual master and beat it. That was his job, and he did great, but now it’s over. Problem is, you can’t accept that his relationship had a real short shelf life. You’re like a dog at the dump, baby – you’re just lickin’ at the empty tin can, trying to get more nutrition out of it. And if you’re not careful, that can’s gonna get stuck on your snout forever and make your life miserable. So drop it.“But I love him.”
“So love him.” “But I miss him.” “So miss him. Send him some love and light every time you think about him, then drop it. You’re just afraid to let go of the last bits of David because then you’ll be really alone, and Liz Gilbert is scared to death of what will happen if she’s really alone. But here’s what you gotta understand, Groceries. If you clear out all that space in your mind that you’re using right now to obsess about this guy, you’ll have a vacuum there, an open spot – a doorway. And guess what the universe will do with the doorway? It will rush in – God will rush in – and fill you with more love than you ever dreamed. So stop using David to block that door. Let it go.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
What a woman you are,” he murmured, and she heard the emotion in it, the
way the Irish thickened just a bit in his voice. And saw it in those vivid eyes when he drew back. “That you would think of this. That you would do this.”
He shook his head, kissed her. Like the breath, long and quiet.
“I can’t thank you enough. There isn’t enough thanks. I can’t say what this means to me, even to you. I don’t have the words for it.” He took her hands,
brought them both to his lips. “A ghra. You stagger me.”
He framed her face now, touched his lips to her brow. “You’re the beat of my heart, the breath in my body, the light in my soul.
”
”
J.D. Robb (Indulgence in Death (In Death, #31))
“
His black eyes sliced into me, and the corners of his mouth tilted up. My heart fumbled a bit and in that pause, a feeling of gloomy darkness seemed to slide like a shadow over me. It vanished in an instant but I was still staring at him. His smile wasn't friendly. It was a smile that spelled trouble. With a promise.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
And my heart shifted a bit in my chest as I said to him with no guile whatsoever, “I won’t tell anyone unless you say so.” The weight of that jeweled knife and belt seemed to grow. “I wish I had been there to stop it. I should have been there to stop it.” I meant every word. Lucien squeezed our linked arms as we rounded a hedge, the house rising up before us. “You are a better friend to me, Feyre,” he said quietly, “than I ever was to you.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
LADY LAZARUS
I have done it again.
One year in every ten
I manage it--
A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot
A paperweight,
My face a featureless, fine
Jew linen.
Peel off the napkin
O my enemy.
Do I terrify?--
The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.
Soon, soon the flesh
The grave cave ate will be
At home on me
And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.
This is Number Three.
What a trash
To annihilate each decade.
What a million filaments.
The peanut-crunching crowd
Shoves in to see
Them unwrap me hand and foot--
The big strip tease.
Gentlemen, ladies
These are my hands
My knees.
I may be skin and bone,
Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.
The second time I meant
To last it out and not come back at all.
I rocked shut
As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.
Dying
Is an art, like everything else.
I do it exceptionally well.
I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.
It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical
Comeback in broad day
To the same place, the same face, the same brute
Amused shout:
'A miracle!'
That knocks me out.
There is a charge
For the eyeing of my scars, there is a charge
For the hearing of my heart--
It really goes.
And there is a charge, a very large charge
For a word or a touch
Or a bit of blood
Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.
I am your opus,
I am your valuable,
The pure gold baby
That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.
Ash, ash--
You poke and stir.
Flesh, bone, there is nothing there--
A cake of soap,
A wedding ring,
A gold filling.
Herr God, Herr Lucifer
Beware
Beware.
Out of the ash
I rise with my red hair
And I eat men like air.
-- written 23-29 October 1962
”
”
Sylvia Plath (Ariel)
“
I was in a place where nobody knew my heart even a little bit.
”
”
Carol Rifka Brunt
“
I know I'm a bit rough around the edges and I know I've trampled my way through your life, but I do love you with all of my heart. Never doubt that. You're my girl, and I want you and I need you with me forever.
”
”
Raine Miller (Eyes Wide Open (The Blackstone Affair, #3))
“
When I found you, I didn’t know what I was finding,” Alec said. “Words about things that are beautiful and precious to me don’t come easily. You know that. You know me better than anyone.” He licked his dry lips. “And when one day people look back on me and what my life meant, I don’t want them to say, ‘Alec Lightwood fought in the Dark War’ or even ‘Alec Lightwood was Consul once.’ I want them to think, ‘Alec Lightwood loved one man so much he changed the world for him.’ ”
Magnus’s eyes shone bright as stars. He gazed at Alec with eyes full of joy, of a feeling so profound Alec felt humbled to be a part of it. “You know you’ve already changed the world for me.”
“Will you marry me?” Alec whispered. His heart was beating like a frantic bird’s wings. “Right now? Tonight?”
Magnus nodded wordlessly and pulled Alec to his feet. They wrapped their arms around each other, and Alec leaned up just that little bit, since Magnus was just that little bit taller, which he had always loved.
And they kissed for a long time.
”
”
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
“
I love you.'
'Yeah, well...'
'You make my heart want to beat.'
'That's nice and creepy. But I'm with Fletcher.(...) Also, these proclamations of your undying love for me are getting kind of... it's a bit much to be honest. Just hold back a little.'
'But my love for you is eternal.'
'That's exactly the kind of thing I'm talking about.
”
”
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
“
If you've got to my age, you've probably had your heart broken many times. So it's not that difficult to unpack a bit of grief from some little corner of your heart and cry over it.
”
”
Emma Thompson
“
There I go being critical again. Does a man have to stand on one foot and juggle for me to consider him entertaining? What am I looking for? A knight?...No, knights are all polished and shiny. I think my taste runs to something with a bit of tarnish and maybe a few scratches. Someone who can make me laugh and cry and make me angry and make my knees tremble when he touches me.
”
”
Nora Roberts (Heart's Victory)
“
That moment I felt a bit like crying. I don't really know why. Nana's hand felt so warm that it even warmed my heart.
”
”
Ai Yazawa (Nana, Vol. 1)
“
Each time I saw you, I felt like . . . I felt like I knew you a little bit better. I never talked to you but seeing you always smiling or laughing . . . or being peaceful . . .” He shook his head, and my heart spasmed. “There’s something about that . . . it drew me in, Calla. Fuck. I fell for you before you even knew my name.
”
”
Jennifer L. Armentrout (Stay with Me (Wait for You, #3))
“
They're crystal blue, a shade that shouldn't exist on the human body, I shade I immediately crave, a shade that makes my heart beat a little bit faster--almost as if I recognize it. I want to steal it, paint it, throw it into every room I ever decorate. It's the most perfect blue I've ever seen. Even from this distance his eyes are simply remarkable.
”
”
Kiersten White (The Chaos of Stars)
“
His smile pulled up one corner of his mouth and he looked completely destructive. My heart and lady bits would not survive a night with this man.
”
”
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
“
Do you think I'll ever be better at this?" I wondered, mostly to myself. "That my heart might someday stop trying to jump out of my chest whenever you touch me?"
"I really hope not," he said, a bit smug.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
Who am I? And how I wonder, will this story end? . . .
My life? It is'nt easy to explain. It has not been the rip-roaring spectacular I fancied it woulf be, but neither have I burrowed around with the gophers. i suppose it has most resembled a bluechip stock: fairly stable, more ups and downs, and gradually tending over time. A good buy, a lucky buy, and I've learned that not everyone can say this about his life. But do not be misled. I am nothing special; of this I am sure. I am common man with common thought and I've led a common life. There are no monuments dedicated to me, and my name will soon be forgotten, but I've loved another with all my heart and soul, and to me, this has always been enough.
The romantics would call this a love story, the cynics would call it a tragedy. In my mind, it's a little bit of both, and no matter how you choose to view it in the end, it does not change the fact that involves a great deal of my life and the path I've chosen to follow. I have no complaints about the places it has taken me, enough complaints to fill a circus tent about other thins, maybe, but the path I've chosen has always been the right one, and I would'nt have had it any other way.
Time, unfortunatley, does'nt make it easy to stay on course. The path is straight as ever, but now it is strewn with the rocks and gravel that accumulated over a lifetime . . .
There is always a moment right before I begin to read the story when my mind churns, and I wonder, will it happen today? I don't know, for I never know beforehand, and deep down it really doesn't matter. It's the possibility that keeps me going, not the guarantee, a sort of wager on my part. And though you may call me a dreamer or a fool or any other thing, I believe that anything is possible.
I realize that odds, and science, are againts me. But science is not the answer; this I know, this I have learned in my lifetime. And that leaves me with the belief that miracles, no matter how inexplicable or unbelievable, are real and can occur without regard to the natural order of things. So once again, just as I do ecery day, I begin to read the notebook aloud, so that she can hear it, in the hope that the miracle, that has come to dominate my life will once again prevail.
And maybe, just maybe, it will.
”
”
Nicholas Sparks (The Notebook (The Notebook, #1))
“
Dona Crista laughed a bit. "Oh, Pip, I'd be glad for you to try. But do believe me, my dear friend, touching her heart is like bathing in ice."
I imagine. I imagine it feels like bathing in ice to the person touching her. But how does it feel to her? Cold as she is, it must surely burn like fire.
”
”
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
“
I had a choice: Follow my heart or don’t break his. I think in the end I broke a bit of both our hearts.
”
”
Sophie Kinsella (My Not So Perfect Life)
“
He's charmed by her as if she were some fairy!" continued Arabella. "See how he looks round at her, and lets his eyes rest on her. I am inclined to think that she don't care for him quite so much as he does for her. She's not a particular warm-hearted creature to my thinking, though she cares for him pretty middling much-- as much as she's able to; and he could make her heart ache a bit if he liked to try--which he's too simple to do.
”
”
Thomas Hardy (Jude the Obscure)
“
But you, fine sir." John Miller clapped Dexter on the shoulder, a bit unsteadily. "You have problems of your own."
"This is true," Dexter replied, nodding.
"The women," John Miller sighed.
Dexter wiped a hand over his face, and glanced down the road. "The women. Indeed, dear squire, they perplex me as well."
"Ah, the fair Remy," John Miller said grandly, and I felt a flush run up my face. Lissa, in the front seat, put a hand to her mouth.
"The fair Remy," Dexter repeated, "did not see me as a worthwhile risk."
"Indeed."
"I am, of course, a rogue. A rapscallion. A musician. I would bring her nothing but poverty, shame, and bruised shins from my flailing limbs. She is the better for our parting."
John Miller pantomined stabbing himself in the heart. "Cold words, my squire."
"Huffah," Dexter agreed.
"Huffah," John Miller repeated, "Indeed.
”
”
Sarah Dessen (This Lullaby)
“
What?"
"That's sweet."
I am sweet. My heart flip-flops and I bite my lip a little bit. Sweet as in a lollipop, or sweet as in a girl you wold like to kiss passionately in the stacks? That's the question.
”
”
Carrie Jones (Need (Need, #1))
“
It took me years to learn to sit at my desk for more than two minutes at a time, to put up with the solitude and the terror of failure, and the godawful silence and the white paper. And now that I can take it . . . now that I can finally do it . . . I'm really raring to go.
I was in my study writing. I was learning how to go down into myself and salvage bits and pieces of the past. I was learning how to sneak up on the unconscious and how to catch my seemingly random thoughts and fantasies. By closing me out of his world, Bennett had opened all sorts of worlds inside my own head. Gradually I began to realize that none of the subjects I wrote poems about engaged my deepest feelings, that there was a great chasm between what I cared about and what I wrote about. Why? What was I afraid of? Myself, most of all, it seemed.
"Freedom is an illusion," Bennett would have said and, in a way, I too would have agreed. Sanity, moderation, hard work, stability . . . I believed in them too. But what was that other voice inside of me which kept urging me on toward zipless fucks, and speeding cars and endless wet kisses and guts full of danger? What was that other voice which kept calling me coward! and egging me on to burn my bridges, to swallow the poison in one gulp instead of drop by drop, to go down into the bottom of my fear and see if I could pull myself up? Was it a voice? Or was it a thump? Something even more primitive than speech. A kind of pounding in my gut which I had nicknamed my "hunger-thump." It was as if my stomach thought of itself as a heart. And no matter how I filled it—with men, with books, with food—it refused to be still. Unfillable—that's what I was. Nymphomania of the brain. Starvation of the heart.
”
”
Erica Jong (Fear of Flying)
“
We are kissing like crazy. Like our lives depend on it. His tongue slips inside my mouth, gentle but demanding, and it’s nothing like I’ve ever experienced, and I suddenly understand why people describe kissing as melting because every square inch of my body dissolves into his. My fingers grip his hair, pulling him closer. My veins throb and my heart explodes. I have never wanted anyone like this before. Ever.
He pushes me backward and we’re lying down, making out in front of the children with their red balloons and the old men with their chess sets and the
tourists with their laminated maps and I don’t care, I don’t care about any of that.
All I want is Étienne.
The weight of his body on top of mine is extraordinary. I feel him—all of him—pressed against me, and I inhale his shaving cream, his shampoo, and
that extra scent that’s just . . . him. The most delicious smell I could ever imagine.
I want to breathe him, lick him, eat him, drink him. His lips taste like honey. His face has the slightest bit of stubble and it rubs my skin but I don’t care, I
don’t care at all. He feels wonderful. His hands are everywhere, and it doesn’t matter that his mouth is already on top of mine, I want him closer closer
closer.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Wait."
"Stop?"
I bit my lip and nodded.
"Stop everything, or just go no further?"
"Just...just no further."
"Done."
He gathered me into his arms and kissed me, one hand tangled in my hair and the other one caressing down my back, our hearts pulsing out a cadence that the musician in me translated into a concert of lust.
”
”
Tammara Webber (Easy (Contours of the Heart, #1))
“
For my own part, I tend to find the doctrinal books often more helpful in devotion than the devotional books, and I rather suspect that the same experience may await others. I believe that many who find that ‘nothing happens’ when they sit down, or kneel down, to a book of devotion, would find that the heart sings unbidden while they are working their way through a tough bit of theology with a pipe in their teeth and a pencil in their hand.
”
”
C.S. Lewis (God in the Dock: Essays on Theology and Ethics)
“
I stared out the car window and understood that I was in a place where nobody knew my heart even a little bit.
”
”
Carol Rifka Brunt (Tell the Wolves I'm Home)
“
Friends are hard to find. In a lifetime you only get a few. And when you find them, you always know them by sight and heart alone, you always grow a little bit taller in your soul, and you know you have been blessed just to know them.
”
”
Ashley Rice
“
And I was your moon because I shined brighter than any other star in your universe and you were my darkness. Without you I could not see the depth of my light and with you I could set the night a glow. So we needed one another—the dark and the light. Your fear. My courage. Connected, but separated. Different, but the same. A synergy that made no sense, but every bit of sense. We were neither a beginning, nor an end. We were somewhere in between our madness at sunset and the reality we awakened to with each sunrise. We were the ghosts of timing and fate. We were neither fantasy, nor reality--- we were a purpose somewhere in between.
”
”
Shannon L. Alder
“
You make me happy, whenever you're around I'm safe inside your smile.
You make me handsome, whenever I feel my nose just seems a bit too round.
You make me special, and God knows I've longed to be that kind of guy to have around.
You make me love you, and that could be the greatest thing my heart was ever fit to do.
”
”
Jennifer Niven (All the Bright Places)
“
The head nerd of the Cadets is my partner and when it's over he asks me for my number. I'm very flattered and he looks a bit crestfallen when I say no.
"It's because they don't have coverage out here," Griggs tells him.
"No," I say, looking up at Griggs. "It's actually because my heart belongs to someone else." And if I could bottle the look on his face, I'd keep it by my bedside for the rest of my life.
”
”
Melina Marchetta (On the Jellicoe Road)
“
I wonder when you look into my eyes and watch my heart shatter, does it break your heart too, even crack it a little bit?
”
”
Pamela Ann (Scornfully Yours (Torn, #1))
“
Spell-Cleaver. That was his title. She surveyed him with her usual disdain. But Helion gave her the same bow he’d offered me—though his smile was edged with enough sensuality that even my heart raced a bit. No wonder the Lady of Autumn hadn’t stood a chance. “I don’t think we were introduced properly earlier,” he crooned to Nesta. “I’m—” “I don’t care,” Nesta said with a snap of her wrist, striding right past him and up to my side. “I’d like a word,” she said. “Now.” Cassian was biting his knuckle to keep from laughing—at the utter surprise and shock on Helion’s face. It wasn’t every day, I supposed, that anyone of either sex dismissed him so thoroughly. I threw the High Lord a semi-apologetic glance and led my sister out of the room.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
I tilted my head and tossed my hair back, baring my neck. I saw her hesitate, but the sight of my neck and what it offered proved too powerful. A hungry expression crossed her face, and her lips parted slightly, exposing the fangs she normally kept hidden while living among humans. Those fangs contrasted oddly with the rest of her features. With her pretty face and pale blond hair, she looked more like an angel than a vampire.
As her teeth neared my bare skin, I felt my heart race with a mix of fear and anticipation. I always hated feeling the latter, but it was nothing I could help, a weakness I couldn't shake.
Her fangs bit into me, hard, and I cried out at the brief flare of pain. Then it faded, replaced by a wonderful, golden joy that spread through my body. It was better than any of the times I'd been drunk or high. Better than sex—or so I imagined, since I'd never done it. It was a blanket of pure, refined pleasure, wrapping me up and promising everything would be right in the world. On and on it went. The chemicals in her saliva triggered an endorphin rush, and I lost track of the world, lost track of who I was.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
And you still love Marc?"
"More than I can even explain. He's my rock—strong and steady, and ready for anything. He knows what I need before I know it, and he pushes me to work harder, and look deeper, and be better. He challenges me, and infuriates me, and he lights me on fire, deep in my soul. And he has never, ever let me down. Sometimes it feels like he's the only thing keeping my heart beating. I love him so much that it feels like I'm dying a little bit every day that he won't smile at me. Or touch me.
”
”
Rachel Vincent (Alpha (Shifters, #6))
“
At night I would lie in bed and watch the show, how bees squeezed through the cracks of my bedroom wall and flew circles around the room, making that propeller sound, a high-pitched zzzzzz that hummed along my skin. I watched their wings shining like bits of chrome in the dark and felt the longing build in my chest. The way those bees flew, not even looking for a flower, just flying for the feel of the wind, split my heart down its seam.
”
”
Sue Monk Kidd (The Secret Life of Bees)
“
I stood there, staring at the closed doors. I reached out and touched the bone handle.
You can fix this, I told myself. You can make this right. But I just stood there, frozen, Mal's words ringing in my ears. I bit down hard on my lip to silence the sob that shook my chest. That's good, I thought as the tears spilled over. That way the servants won't hear. An ache had started between my ribs, a hard, bright shard of pain that lodged beneath my sternum, pressing tight against my heart.
I didn't hear the Darkling move; I only knew when he was beside me. His long fingers brushed the hair back from my neck and rested on the collar. When he kissed my cheek, his lips were cold.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
Ian, man, I didna tell ye because I didna wish to lose you too. My brother was gone, and my father. I didna mean to lose my own heart's blood as well. For you are dearer to me even than home and family, love.'She cast a lopsided smile at Jamie. 'And that's saying quite a bit.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
Behind my closed lids, my eyes stung, and I bit my lip. Tristan stroked my hair and I opened my eyes, staring into his soul, which was filled with all the sympathy, sorrow, and longing that I felt in my heart. For what I had lost. For what he had never had. And for what he never would have, if I did what he'd asked and abandoned my quest to break the curse.
"I love you, Cécile," he said, and my breath caught. It was one thing to feel it, and quite another to hear the words from his lips.
”
”
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
“
So,” I said. “Not ready to settle down, then?” “Definitely not.” His smile pulled up one corner of his mouth and he looked completely destructive. My heart and lady bits would not survive a night with this man. Good thing that’s not even an option, vagina. Stand down.
”
”
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
“
I was happy in the dream; but when I woke up it was with a feeling that I was falling apart, that I was cracking up from the inside and slowly falling to pieces. My heart was jumping and grating like a cold engine that doesn't want to start. My skin was crawling, and I couldn't manage a single clear thought. It was as if all my thoughts were crushed to bits just as they began to take shape. I didn't get much done that day.
”
”
Ninni Holmqvist (The Unit)
“
One of the questions that surprised me most was this: “Mommy, if Jesus comes to live inside my heart, will I explode?”
“No!” I proclaimed as the children and I headed to the Nile River for a few of them to be baptized that day.
Then I thought about the question a bit more.
“Yes, if Jesus comes to live in your heart, you will explode.” That is exactly what we should do if Jesus comes to live inside our hearts. We will explode with love, with compassion, with hurt for those who are hurting, and with joy for those who rejoice. We will explode with a desire to be more, to be better, to be close to the One who made us.
”
”
Katie Davis (Kisses from Katie)
“
Do Something!
I was sitting on a plane after a long, tiring business trip. I was a bit grouchy and irritable because the rigorous schedule I had made for myself left me exhausted. Looking to not talk to the person next to me and simply endure the flight, I decided to open my newspaper and read about what was happening in the world. As I continued to read, it seemed that everywhere I looked there were stories of injustice, pain, suffering, and people losing hope. Finally, fueled by my tired, irritable state, I became overcome with compassion and frustration for the way things were. I got up and went to the bathroom and broke down.
With tears streaming down my face, I helplessly looked to the sky and yelled to God.
“God, look at this mess. Look at all this pain and suffering. Look at all this killing and hate. God, how could you let this happen? Why don’t you do something?”
Just then, a quiet stillness pacified my heart. A feeling of peace I won’t ever forget engulfed my body.
And, as I looked into my own eyes in the mirror, the answer to my own question came back to me…
“Steve, stop asking God to do something. God already did something, he gave you life. Now YOU do something!
”
”
Steve Maraboli (Life, the Truth, and Being Free)
“
Noel chuckles. “I don’t remember you being this fun back in high school.”
“Yeah, well, I don’t remember you being this much of a dick.” I duck behind the menu and bit the inside of my cheek and curse myself for talking to him this way. I’m going to lose this job before dinner is even over.
He clears his throat. “You know, Lane. If you keep talking to me like that, I might have to show you just how nice I can be.
”
”
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
“
A trained surgeon is also a potential killer, and an important bit of the training lies in accepting the fact. Your intent is entirely benign - or at least you hope so - but your are laying violent hands on someone, and you must be ruthless in order to do it effectively. And sometimes the person under your hands will die, and knowing that . . . you do it anyway.
”
”
Diana Gabaldon (Written in My Own Heart's Blood (Outlander, #8))
“
Suddenly I realized, horrified, that Darry was crying. He didn’t make a sound, but tears were running down his cheeks. I hadn’t seen him cry in years, not even when Mom and Dad had been killed. (I remembered the funeral. I had sobbed in spite of myself; Soda had broken down and bawled like a baby; but Darry had only stood there, his fists in his pockets and that look on his face, the same helpless, pleading look that he was wearing now.) In that second what Soda and Dally and Two-Bit had been trying to tell me came through. Darry did care about me, maybe as much as he cared about Soda, and because he cared he was trying too hard to make something of me. When he yelled “Pony, where have you been all this time?” he meant “Pony, you’ve scared me to death. Please be careful, because I couldn’t stand it if anything happened to you.” Darry looked down and turned away silently. Suddenly I broke out of my daze. “Darry!” I screamed, and the next thing I knew I had him around the waist and was squeezing the daylights out of him. “Darry,” I said, “I’m sorry . . .” He was stroking my hair and I could hear the sobs racking him as he fought to keep back the tears. “Oh, Pony, I thought we’d lost you . . . like we did Mom and Dad . . .” That was his silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay.
”
”
S.E. Hinton (The Outsiders)
“
He stared up at me for a moment, then lifted his head and pulled me down to meet him. It was almost a brotherly kiss, but not quite. Too fragile, too painful. Soft whispers of surprise and confusion swept through the audience. My heart throbbed, and it hurt so badly that I bit his lip. I felt his breath catch and let him go, lowered him to the floor again. Silence lingered overlong.
”
”
M.L. Rio (If We Were Villains)
“
The pain is stronger than ever. I've seen bits of lost Paradises and I know I'll be hopelessly trying to return even if it hurts. The deeper I swing into the regions of nothingness the further I'm thrown back into myself, each time more and more frightening depths below me, until my very being becomes dizzy. There are brief glimpses of clear sky, like falling out of a tree, so I have some idea where I'm going, but there is still too much clarity and straight order of things, I am getting always the same number somehow. So I vomit out broken bits of words and syntaxes of the countries I've passed through, broken limbs, slaughtered houses, geographies. My heart is poisoned, my brain left in shreds of horror and sadness. I've never let you down, world, but you did lousy things to me.
(from "As I was moving ahead occasionally I saw brief glimpses of beauty", 2000)
”
”
Jonas Mekas
“
Colin's chuckles grew more heartfelt. "You really ought to have more faith in your favorite brother, dear sis."
"He’s your favorite brother?" Simon asked, one dark brow raised in disbelief.
"Only because Gregory put a toad in my bed last night," Daphne bit off, "and Benedict's standing has never recovered from the time he beheaded my favorite doll."
"Makes me wonder what Anthony's done to deny him even an honorable mention," Colin murmured.
"Don't you have somewhere else to be?" Daphne asked pointedly.
Colin shrugged. "Not really."
"Didn't," she asked through clenched teeth, "you just tell me you promised a dance to Prudence Featherington?"
"Gads, no. You must have misheard."
"Perhaps Mother is looking for you, then. In fact, I'm certain I hear her calling your name."
Colin grinned at her discomfort. "You're not supposed to be so obvious," he said in a stage whisper, purposely loud enough for Simon to hear. "He'll figure out that you like him."
Simon's entire body jerked with barely contained mirth.
"It's not his company I'm trying to secure," Daphne said acidly. "It's yours I'm trying to avoid."
Colin clapped a hand over his heart. "You wound me, Daff." He turned to Simon. "Oh, how she wounds me."
"You missed your calling, Bridgerton," Simon said genially. "You should have been on the stage."
"An interesting idea," Colin replied, "but one that would surely give my mother the vapors." His eyes lit up. "Now that's an idea. And just when the party was growing tedious. Good eve to you both." He executed a smart bow and walked off.
”
”
Julia Quinn (The Duke and I (Bridgertons, #1))
“
I am progressing along the path of life in my ordinary contentedly fallen and godless condition, absorbed in a merry meeting with my friends for the morrow or a bit of work that tickles my vanity today, a holiday or a new book, when suddenly a stab of abdominal pain that threatens serious disease, or a headline in the newspapers that threatens us all with destruction, sends this whole pack of cards tumbling down. At first I am overwhelmed, and all my little happinesses look like broken toys. Then, slowly and reluctantly, bit by bit, I try to bring myself into the frame of mind that I should be in at all times. I remind myself that all these toys were never intended to possess my heart, that my true good is in another world, and my only real treasure is Christ. And perhaps, by God's grace, I succeed, and for a day or two become a creature consciously dependent on God and drawing its strength from the right sources.
”
”
C.S. Lewis
“
Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should've gotten more."
"Seventeen," Gus corrected.
"I'm assuming you've got some time, you interrupting bastard.
"I'm telling you," Isaac continued, "Augustus Waters talked so much that he'd interrupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness.
"But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him." [...]
"And then, having made my rhetorical point, I will put my robot eyes on, because I mean, with robot eyes you can probably see through girls’ shirts and stuff. Augustus, my friend, Godspeed."
Augustus nodded for a while, his lips pursed, and then gave Isaac a thumbs-up. After he'd recovered his composure, he added, "I would cut the bit about seeing through girls' shirts."
Isaac was still clinging to the lectern. He started to cry. He pressed his forehead down to the podium and I watched his shoulders shake, and then finally, he said, "Goddamn it, Augustus, editing your own eulogy.
”
”
John Green (The Fault in Our Stars)
“
If this were a fairy tale, this would be the part where the fishboy appears and Diana shoots him through the heart. Because he is a tragic hero, he's our fucking Gatsby, and he lived for his fish and he has to die for his fish. He would never let my fake authority, condoning his abandonment, making up rules about what's okay just to save his life, convince him to give up his family. He would never leave.
He would know that without him, none of us will be as good. Me, without a friend; and the fish, without a brother; and the island, without a story; and Diana, without her something real, we will all be a little bit less than we were before we knew him.
So he wouldn't leave. Not until I could come with him. And I have never been less able to leave than I am now.
But this isn't a fairy tale, and he doesn't appear. We stand here for a long time.
He really left.
Because it was all that we could do.
”
”
Hannah Moskowitz (Teeth)
“
Why do you suppose the poets talk about hearts?' he asked me suddenly. 'When they discuss emotional damage? The tissue of hearts is tough as a shoe. Did you ever sew up a heart?'
I shook my head. 'No, but I've watched. I know what you mean.' The walls of a heart are thick and strong, and the surgeons use heavy needles. It takes a good bit of strength, but it pulls together neatly. As much as anything it's like binding a book.
The seat of human emotion should be the liver,' Doc Homer said. 'That would be an appropriate metaphor: we don't hold love in our hearts, we hold it in our livers.'
I understood exactly. Once in ER I saw a woman who'd been stabbed everywhere, most severely in the liver. It's an organ with the consistency of layer upon layer of wet Kleenex. Every attempt at repair just opens new holes that tear and bleed. You try to close the wound with fresh wounds, and you try and you try and you don't give up until there's nothing left.
”
”
Barbara Kingsolver
“
What about me?’ said Grantaire. ‘I’m here.’
‘You?’
‘Yes, me.’
‘You? Rally Republicans! You? In defence of principles, fire up hearts that have grown cold!’
‘Why not?’
‘Are you capable of being good for something?’
‘I have the vague ambition to be,’ said Grantaire.
‘You don’t believe in anything.’
‘I believe in you.’
‘Grantaire, will you do me a favour?’
‘Anything. Polish your boots.’
‘Well, don’t meddle in our affairs. Go and sleep off the effects of your absinthe.’
‘You’re heartless, Enjolras.’
‘As if you’d be the man to send to the Maine gate! As if you were capable of it!’
‘I’m capable of going down Rue des Grès, crossing Place St-Michel, heading off along Rue Monsieur-le-Prince, taking Rue de Vaugirard, passing the Carmelite convent, turning into Rue d’Assas, proceeding to Rue du Cherche-Midi, leaving the Military Court behind me, wending my way along Rue des Vieilles-Tuileries, striding across the boulevard, following Chaussée du Maine, walking through the toll-gate and going into Richefeu’s. I’m capable of that. My shoes are capable of that.’
‘Do you know them at all, those comrades who meet at Richefeu’s?'
‘Not very well. But we’re on friendly terms.’
‘What will you say to them?’
‘I’ll talk to them about Robespierre, of course! And about Danton. About principles.’
‘You?’
‘Yes, me. But I’m not being given the credit I deserve. When I put my mind to it, I’m terrific. I’ve read Prudhomme, I’m familiar with the Social Contract, I know by heart my constitution of the year II. “The liberty of the citizen ends where the liberty of another citizen begins.” Do you take me for a brute beast? I have in my drawer an old promissory note from the time of the Revolution. The rights of man, the sovereignty of the people, for God’s sake! I’m even a bit of an Hébertist. I can keep coming out with some wonderful things, watch in hand, for a whole six hours by the clock.’
‘Be serious,’ said Enjolras.
‘I mean it,’ replied Grantaire.
Enjolras thought for a few moments, and with the gesture of a man who had come to a decision, ‘Grantaire,’ he said gravely, ‘I agree to try you out. You’ll go to the Maine toll-gate.’
Grantaire lived in furnished lodgings very close to Café Musain. He went out, and came back five minutes later. He had gone home to put on a Robespierre-style waistcoat.
‘Red,’ he said as he came in, gazing intently at Enjolras. Then, with an energetic pat of his hand, he pressed the two scarlet lapels of the waistcoat to his chest.
And stepping close to Enjolras he said in his ear, ‘Don’t worry.’
He resolutely jammed on his hat, and off he went.
”
”
Victor Hugo (Les Misérables)
“
I heard the bathroom door close and I kept my eyes screwed shut, but my heart skyrocketed into uncharted territories. I folded my arms around me and held my breath.
There was the slightest movement behind me. Skin brushed against mine. A fine shiver rolled up my spine. An infinite spark transferred between us, something that couldn’t be replicated or forced. How could I’ve forgotten that when connected with Seth? My heart turned over heavily.
Aiden brushed the mass of thick hair over one shoulder and his lips met the space between my neck and shoulder. His hands slid down the slick skin of my arms, cupping over my elbows and then to my wrists. Gently, slowly, he eased my arms to my sides.
I bit down on my lip and my legs started trembling. But he was there. Like always, holding me up when I couldn’t stand on and letting me go when he knew I needed him to. He was more than just a shelter. AIden was my other half, my equal. And he needed no weird Apollyon connection.
Aiden waited, still as a statue, patient as ever, until my muscles unlocked, one by one. Then his hands dropped to my waist and he turned me toward him. A heartbeat passed and he placed his fingers on my chin, tipping my head back.
I opened my eyes, blinking the wetness off my lashes, and the air hitched in my throat. Faint, purplish bruises shadowed his jaw. There was a cut over the bridge of his nose. No doubt injuries I had given him.
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
And I imagined that if I were in some other, better universe, there'd be someone who could tell me, it's okay, or you'll get 'em next time, tiger. Someone would tell me that all the stupid things I'd done, all my mistakes, they didn't matter. This someone would say that, no matter what, she was proud of me, that I filled her heart with warmth, and that that's really the most you could hope for in life - to just for an instant make somebody else just a little bit happier. She would tell me that - guess what, - everything was going to be all right.
”
”
Raphael Bob-Waksberg (Someone Who Will Love You in All Your Damaged Glory)
“
My chest tightens: seeing him so upset breaks my own heart. 'Don't you ever wish you could make that bit go away?" I say, feeling angry at the past. 'That you could erase those painful memories, forget they every happened, just remember the happy times you had together?'
'You must never say that,' he reprimands sternly.
'But why not?' I look at him in surprise.
'Because it's the bad memories that makes you appreciate the good ones. Don't ever wish them away. it's like your nan always used to say, "You need both the sun and the rain to make a rainbow".
”
”
Alexandra Potter (Don't You Forget About Me)
“
I ONLY steal because my dear old family needs the money to live!”
Locke Lamora made this proclamation with his wineglass held high; he and the other Gentlemen Bastards were seated at the old witchwood table in the opulent burrow beneath the House of Perelandro; Calo and Galdo on his right, Jean and Bug on his left. A huge spread of food was set before them, and the celestial chandelier swung overhead with its familiar golden light. The others began to jeer.
“Liar!” they chorused in unison.
“I only steal because this wicked world won’t let me work an honest trade!” Calo cried, hoisting his own glass.
“Liar!”
“I only steal because I have to support my poor lazy twin brother, whose indolence broke our mother’s heart!” Galdo elbowed Calo as he made this announcement.
“Liar!”
“I only steal,” said Jean, “because I’ve temporarily fallen in with bad company.”
“Liar!”
At last the ritual came to Bug; the boy raised his glass a bit shakily and yelled, “I only steal because it’s heaps of fucking fun!”
“BASTARD!
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
“
Darrow shook his head. “Why?” Not about her magic being whittled to nothing. But why she had gone to face them, with little more than embers in her veins. “Terrasen is my home,” Aelin said. It was the only answer in her heart. Darrow smiled—just a bit. “So it is.” He bowed his head. Then his body. “Welcome,” he said, then added as he rose, “Your Majesty.” But Aelin looked to Evangeline, the girl still beaming. Win me back my kingdom, Evangeline. Her order to the girl, all those months ago. And she didn’t know how Evangeline had done it. How she had changed this old lord before them. Yet there was Darrow, gesturing to the gates, to the castle behind him. Evangeline winked at Aelin, as if in confirmation. Aelin just laughed, taking the girl by the hand, and led that promise of Terrasen’s bright future into the castle.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Was there ever a true great love? Anyone who became the object of my obsession and not simply my affections? I honestly don't think so. In part, this was my fault. It was my nature, I suppose. I could not let myself be that unmindful. Isn't that what love is-losing your mind? You don't care what people think. You don't see your beloved's fault, the slight stinginess, the bit of carelessness, the occasional streak of meanness. You don't mind that he's beneath you socially, educationally, financially, and morally-that's the worst I think, deficient morals.
I always minded. I was always cautious of what could go wrong, what was already "not ideal". I paid attention to divorce rates. I ask you this: What's the chance of finding a lasting marriage? Twenty percent? Ten? Did I know any woman who escaped having her heart crushed like a recyclable can? Not a one. From what I have observed, when the anesthesia of love wears off, there is always the pain of consequences. You don't have to be stupid to marry the wrong man.
”
”
Amy Tan (Saving Fish from Drowning)
“
What the hell is that?" yelled Lord Maccon. He had turned to anger so swiftly; Alexia could only stare at him, speechless.
She let out her pent-up breath in a whoosh. Her heart was beating a marathon somewhere in the region of her throat, her skin felt hot and stretched taut over her bones, and she was damp in places she was tolerably certain unmarried gentlewomen were not supposed to be damp in.
Lord Maccon was glaring at her coffee-colored skin, discolored between the neck and shoulder region by an ugly purple mark, the size and shape of a man's teeth.
"that is a bite mark, my lord," she said.
Lord Maccon was ever more enraged. "Who bit you?" he roared.
Alexia tilted her head to one side in amazement. "You did." She was then treated to the spectacle of an Alpha werewolf looking downright hangdog.
"I did?"
She raised both eyebrows at him.
"I did.
”
”
Gail Carriger (Soulless (Parasol Protectorate, #1))
“
He rolled his eyes and took my hand. His hand was hard and calloused, tough with muscle and old scars.
The night settled around us like a blanket. I could hear the water lapping against the dock. We were totally alone.
“You’re . . . ,” he began, and I waited, heart throbbing in my throat. “Such a pain,” he concluded.
“What?” I asked, just as his head swooped in and his mouth touched mine. I tried to speak, but one of
Fang’s hands held the back of my head, and he kept his lips pressed against me, kissing me softly but with a Fanglike determination.
Oh, jeez, I thought distractedly. Jeez, this is Fang, and me, and . . . Fang tilted his head to kiss me more deeply, and I felt totally lightheaded. Then I remembered to breathe through my nose, and the fog cleared a tiny bit. Somehow we were pressed together, Fang’s arms around me now, sliding under my
wings, his hands flat against my back.
It was incredible. I loved it. I loved him.
It was a total disaster.
Gasping, I pulled back. “I, uh—,” I began oh so coherently, and then I jumped up, almost knocking him
over, and raced down the dock. I took off, flying fast, like a rocket.
”
”
James Patterson (The Final Warning (Maximum Ride, #4))
“
A dog creates, transcribes, a new landscape for you. A dog like Colter sharpens your joy of all the seasons, and for a while, sometimes a long while, such a dog seems capable, by himself alone, of holding time in place--of pinning it, and holding it taught. And then when he is gone, it is as if the world is taken away.
Dogs like that are young for what seems like a very long time....
One you have lost a dog--especially the first you trained from a pup, the one you first set sail into the world with--you can never fully give of yourself to another dog. You can never again look at a dog you love without hedging a tiny bit, if only subconsciously, against the day when that dog, too, must leave. You can never again hunt or enter the future so recklessly, so joyously, with that weight of forethought....
As I sleep restlessly, night after night, or more often, as I lie there awake, I can see him running and I feel guilty that I am not there to honor the birds he is finding... One way or the other, he is still out there running. He will never rest.... I will always want him to know a moment's rest, and peace, and he will always know in his hot heart that the only peace to be gotten is by never resting, by always pushing on.
He is my Colter.... I am still his, and he is still mine.
”
”
Rick Bass (Colter: The True Story of the Best Dog I Ever Had)
“
I sat looking at her with rapt attention. My heart was thumping, the blood coursing warmly through my veins. What a wonderful pleasure to be sitting in a human dwelling again, hear a clock ticking, and talk with a lively young girl instead of with myself!
Why don't you say something?"
Ah, how sweet you are!" I said. "I'm sitting here getting fascinated by you, at this moment I'm thoroughly fascinated. I can't help it. You are the strangest person that... Sometimes your eyes are so radiant, I've never seen anything like it, they look like flowers. Eh? No, no, maybe not like flowers but... I'm madly in love with you, and it won't do me a bit of good. What's your name? Really, you must tell me what your name is..."
No, what's your name? Goodness, I almost forgot again! I was thinking all day yesterday that I must ask you. Well, that is, not all day yesterday, I certainly didn't think about you all day yesterday."
Do you know what I've called you? I have called you Ylajali. How do you like it? Such a gliding sound-"
Ylajali?"
Yes."
Is it a foreign language?"
Hmm. No, it's not."
Well, it isn't ugly.
”
”
Knut Hamsun (Hunger)
“
I don't know what I was hoping for. Some small praise, I guess. A bit of encouragement. I didn't get it. Miss Parrish took me aside one day after school let out. She said she'd read my stories and found them morbid and dispiriting. She said literature was meant to uplift the heart and that a young woman such as myself ought to turn her mind to topics more cheerful and inspiring than lonely hermits and dead children.
"Look around yourself, Mathilda," she said. "At the magnificence of nature. It should inspire joy and awe. Reverence. Respect. Beautiful thoughts and fine words."
I had looked around. I'd seen all the things she'd spoken of and more besides. I'd seen a bear cub lift it's face to the drenching spring rains. And the sliver moon of winter, so high and blinding. I'd seen the crimson glory of a stand of sugar maples in autumn and the unspeakable stillness of a mountain lake at dawn. I'd seen them and loved them. But I'd also seen the dark of things. The starved carcasses of winter deer. The driving fury of a blizzard wind. And the gloom that broods under the pines always. Even on the brightest days.
”
”
Jennifer Donnelly (A Northern Light)
“
You do me proud, Captain. But, dear, I want to say one thing and then I'm done; for you don't need much advice of mine after my good man has spoken. I read somewhere that every inch of rope in the British Navy has a strand of red in it, so wherever a bit of it is found it is known. That is the text of my little sermon to you. Virtue, which means honour, honesty, courage, and all that makes character, is the red thread that marks a good man wherever he is. Keep that always and everywhere, so that even if wrecked by misfortune, that sign shall still be found and recognized. Yours is a rough life, and your mates not all we could wish, but you can be a gentleman in the true sense of the word; and no matter what happens to your body, keep your soul clean, your heart true to those who love you, and do your duty to the end.
”
”
Louisa May Alcott (Jo's Boys (Little Women, #3))
“
Hello, Celaena,” he said as calmly as he could, well aware that two Fae males behind him could hear his thundering heart. Rolfe whipped his head toward him. Because it was Celaena who sat here—for whatever purpose, it was Celaena Sardothien in this room. She jerked her chin at Rolfe. “You’ve seen better days, but considering half your fleet has abandoned you, I’d say you look decent enough.” “Get out of my chair,” Rolfe said too quietly. Aelin did no such thing. She just gave Rowan a sultry sweep from foot to face. Rowan’s expression remained unreadable, eyes intent—near-glowing. And then Aelin said to Rowan with a secret smile, “You, I don’t know. But I’d like to.” Rowan’s lips tugged upward. “I’m not on the market, unfortunately.” “Pity,” Aelin said, cocking her head as she noticed a bowl of small emeralds on Rolfe’s desk. Don’t do it, don’t— Aelin swiped up the emeralds in a hand, picking them over as she glanced at Rowan beneath her lashes. “She must be a rare, staggering beauty to make you so faithful.” Gods save them all. He could have sworn Fenrys coughed behind him. Aelin chucked the emeralds into the metal dish as if they were bits of copper, their plunking the only sound. “She must be clever”—plunk—“and fascinating”—plunk—“and very, very talented.” Plunk, plunk, plunk went the emeralds. She examined the four gems remaining in her hand. “She must be the most wonderful person who ever existed.” Another cough from behind him—from Gavriel this time. But Aelin only had eyes for Rowan as the warrior said to her, “She is indeed that. And more.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
I don’t wake up in the morning and think, ‘Wow, I’m on a planet in the Milky Way, in infinite space, bestowed with the gift of consciousness, which I did not give myself, with the gift of language, with lungs that breathe and a heart that beats, none of which I gave myself, with no concrete understanding of the Great Mysteries, knowing only that I was born and will die and nothing of what’s on either side of this brief material and individualized glitch in the limitless expanse of eternity and, I feel, I feel love and pain and I have senses, what a glorious gift! I can relate, and create and serve others or I can lose myself in sensuality and pleasure. What a phenomenal mystery!’ Most days I just wake up feeling a bit anxious and plod a solemn, narrow path of survival, coping. ‘I’ll have a coffee’, ‘I’ll try not to reach for my phone as soon as I stir, simpering and begging like a bad dog at a table for some digital tidbit, some morsel of approval, a text, that’ll do
”
”
Russell Brand (Recovery: Freedom from Our Addictions)
“
He kissed me like I was the empire he was sworn to protect and would die a thousand deaths to keep secure. He kissed me like I was a woman with a deep dark wildness that needed to be fed and he knew just how to do it. He kissed me like he was dying and this was the last kiss he would ever taste. Then his kiss changed and his tongue was velvet and silk as he kissed me like I was fine bone china that needed exacting care and gentleness. Then the storm built in both of us and I ground myself against him, and he was searching with his kiss and his hands sliding down to my ass for the part of me that was a savage animal and so was he and we were going to forget the world and “become two primal, uncomplicated beasts fucking as if the universe depended on our passion to fuel it. And I was pretty sure we could. I felt something building in me, a hunger that was exhilarated to be alive and knew it could come out and play as hard as it wanted, because I could never break this man. Not even with all my superpowers. I could dump every bit of myself on him and never have to worry about giving him a heart attack or breaking a bone or giving him a black eye by accident. He could handle anything. My high temper, my need for adventure and stimulation, my intellect, rages, and rants, my sheer physical strength, even the darkness of my shadow-self. He was a broad-shouldered beast. He was hard and capable and permanent and had an immortal heart. A frenzy of lust exploded inside me and I met the savagery of his kiss with all the savagery in my soul, and there is one fuck of a lot of it.
”
”
Karen Marie Moning (Feversong (Fever, #9))
“
She had been wrong in thinking Christ had been called up against his will to fight in a war. He didn't look - in spite of the crown of thorns - like someone making a sacrifice. Or even like someone determined to "do his bit". He looked instead like Marjorie had looked telling Polly she'd joined the Nursing Service, like Mr Humphreys had looked filling buckets with water and sand to save Saint Paul's, like Miss Laburnum had looked that day she came to Townsend Brothers with the coats. He looked like Captain Faulknor must have looked, lashing the ships together. Like Ernest Shackleton, setting out in that tiny boat across icy seas. Like Colin helping Mr Dunworthy across the wreckage.
He looked ... contented. As if he was where he wanted to be, doing what he wanted to do.
Like Eileen had looked, telling Polly she'd decided to stay. Like Mike must have looked in Kent, composing engagement announcements and letters to the editor. Like I must have looked there in the rubble with Sir Godfrey, my hand pressed against his heart. Exalted. Happy.
To do something for someone or something you loved - England or Shakespeare or a dog or the Hodbins or history - wasn't a sacrifice at all. Even if it cost you your freedom, your life, your youth.
”
”
Connie Willis (All Clear (All Clear, #2))
“
Here are the sounds of Wear. It rattles stone on stone. It sucks its teeth. It sings. It hisses like the rain. It roars. It laughs. It claps its hands. Sometimes I think it prays. In winter, through the ice, I've seen it moving swift and black as Tune, without a sound.
Here are the sights of Wear. It falls in braids. It parts at rocks and tumbles round them white as down or flashes over them in silver quilts. It tosses fallen trees like bits of straw yet spins a single leaf as gentle as a maid. Sometimes it coils for rest in darkling pools and sometimes it leaps its banks and shatters in the air. In autumn, I've seen it breathe a mist so thick and grey you'd never know old Wear was there at all.
Each day, for years and years, I've gone and sat in it. Usually at dusk I clamber down and slowly sink myself to where it laps against my breast. Is it too much to say, in winter, that I die? Something of me dies at least.
First there's the fiery sting of cold that almost stops my breath, the aching torment in my limbs. I think I may go mad, my wits so outraged that they seek to flee my skull like rats a ship that's going down. I puff. I gasp. Then inch by inch a blessed numbness comes. I have no legs, no arms. My very heart grows still. These floating hands are not my hands. The ancient flesh I wear is rags for all I feel of it.
"Praise, Praise!" I croak. Praise God for all that's holy, cold, and dark. Praise him for all we lose, for all the river of the years bears off. Praise him for stillness in the wake of pain. Praise him for emptiness. And as you race to spill into the sea, praise him yourself, old Wear. Praise him for dying and the peace of death.
In the little church I built of wood for Mary, I hollowed out a place for him. Perkin brings him by the pail and pours him in. Now that I can hardly walk, I crawl to meet him there. He takes me in his chilly lap to wash me of my sins. Or I kneel down beside him till within his depths I see a star.
Sometimes this star is still. Sometimes she dances. She is Mary's star. Within that little pool of Wear she winks at me. I wink at her. The secret that we share I cannot tell in full. But this much I will tell. What's lost is nothing to what's found, and all the death that ever was, set next to life, would scarcely fill a cup.
”
”
Frederick Buechner (Godric)
“
I have never been back to the Ozarks. All I have left are my dreams and memories, but if God is willing, some day I’d like to go back—back to those beautiful hills. I’d like to walk again on trails I walked in my boyhood days. Once again I’d like to face a mountain breeze and smell the wonderful scent of the redbuds, and papaws, and the dogwoods. With my hands I’d like to caress the cool white bark of a sycamore. I’d like to take a walk far back in the flinty hills and search for a souvenir, an old double-bitted ax stuck deep in the side of a white oak tree. I know the handle has long since rotted away with time. Perhaps the rusty frame of a coal-oil lantern still hangs there on the blade. I’d like to see the old home place, the barn and the rail fences. I’d like to pause under the beautiful red oaks where my sisters and I played in our childhood. I’d like to walk up the hillside to the graves of my dogs. I’m sure the red fern has grown and has completely covered the two little mounds. I know it is still there, hiding its secret beneath those long, red leaves, but it wouldn’t be hidden from me for part of my life is buried there, too. Yes, I know it is still there, for in my heart I believe the legend of the sacred red fern.
”
”
Wilson Rawls (Where the Red Fern Grows)
“
In one way, at least, our lives really are like movies. The main cast consists of your family and friends. The supporting cast is made up of neighbors, co-workers, teachers, and daily acquaintances. There are also bit players: the supermarket checkout girl with the pretty smile, the friendly bartender at the local watering hole, the guys you work out with at the gym three days a week. And there are thousands of extras --those people who flow through every life like water through a sieve, seen once and never again. The teenager browsing a graphic novel at Barnes & Noble, the one you had to slip past (murmuring "Excuse me") in order to get to the magazines. The woman in the next lane at a stoplight, taking a moment to freshen her lipstick. The mother wiping ice cream off her toddler's face in a roadside restaurant where you stopped for a quick bite. The vendor who sold you a bag of peanuts at a baseball game. But sometimes a person who fits none of these categories comes into your life. This is the joker who pops out of the deck at odd intervals over the years, often during a moment of crisis. In the movies this sort of character is known as the fifth business, or the chase agent. When he turns up in a film, you know he's there because the screenwriter put him there. But who is screenwriting our lives? Fate or coincidence? I want to believe it's the latter. I want that with all my heart and soul.
”
”
Stephen King (Revival)
“
I don't want you to go back to Tove tomorrow."
"I have to."
"I know," he said. "But I don't want you to."
"You can have me for tonight, though." I gave him a small smile, and he lifted his head so his eyes met mine. "That's all I can give you."
"I don't want only one night. I want all of you, forever."
Tears swam in my eyes, and my heart yearned so badly it hurt. Sitting there with Loki, I didn't think I'd ever felt quite so heartbroken.
"Don't cry, Wendy." He smiled sadly at me, and I saw the heartbreak in his eyes mirroring my own. He pulled me to him and kissed my forehead, then my cheeks, then my mouth.
"So, if this is all you'll let me have, then I will take it all," Loki said. "No talking or even worrying about the kingdom or responsibility or anyone else. You're not the Princess. I'm not Vittra. We're only a boy and a girl crazy about each other, and we're naked in bed."
I nodded. "I can do that."
"Good, because I'm determined to make the most of it." He smiled and pushed me down on the bed. "I think we broke the bed a little bit last time. What do you say we see if we can destroy it?
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
Reality is based on your perception of the truth.
Think about that statement for a bit, it will blow your mind, and blow the lid of what you perceive to be real and what is an illusion.
You are here to live YOUR life, YOUR way and on YOUR terms, not for the people you work for, not the people in the media, and not to live in the little box that society may have placed you in.
You are a unique individual, with talents, with drive, with passion, with ambition, with love, with laughter, with a soul that could melt the hardest of hearts, and with a mind as creative as Da Vinci.
You chose this life for a reason, and it certainly wasn't to live a reality created by others. Is this the time to stand up, and say I can live my own reality, create what I want for my own life, have the things I want in life without guilt, knowing that you deserve anything you want and are prepared to put the time and effort into getting?
What if there was a way to bend your reality, a way to use your mind consciously to get what YOU want in life, become wealthy, feel comfortable in your own skin, meet the perfect man or woman, become more spontaneous, feel free, love, be open, be honest, be heartfelt, be grateful, be the one, love life, live, feel it, breathe it.... Welcome to Mind Alchemy Is this the time to Bend Your Reality?
”
”
Steven P. Aitchison
“
Anna?"
"Yeah?"
He pauses. "Never mind."
"What?"
"Nothing."
But his tone is definitely not nothing. I turn to him, and his eyes are closed. His skin is pale and tired. "What?" I ask again,sitting up. St. Clair opens his eyes, noticing I've moved. He struggles,trying to sit up, too, and I help him. When I pull away, he clutches my hand to stop me.
"I like you," he says.
My body is rigid.
"And I don't mean as a friend."
It feels like I'm swallowing my tongue. "Uh. Um. What about-?" I pull my hand away from his. The weight of her name hangs heavy and unspoken.
"It's not right.It hasn't been right, not since I met you." His eyes close again,and his body sways.
He's drunk. He's just drunk.
Calm down,Anna. He's drunk, and he's going through a crisis. There is NO WAY he knows what he's talking about right now. So what do I do? Oh my God, what am I supposed to do?
"Do you like me?" St. Clair asks. And he looks at me with those big brown eyes-which,okay,are a bit red from the drinking and maybe from some crying-and my heart breaks.
Yes,St. Clair.I like you.
But I can't say it out loud, because he's my friend. And friends don't let other friends make drunken declarations and expect them to act upon them the next day.
Then again...it's St. Clair. Beautiful, perfect,wonderful-
And great.That's just great.
He threw up on me.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Nekhbet shrieked in alarm. I turned to see what was going on. Immediately, I wished I could burn my eyes out of my head.
Liz made a gagging sound. "Lord, no! That's wrong!"
"Agh!" Emma shouted, in perfect baboon-speak. "Make him stop!"
Bes had indeed put on his ugly outfit.He climbed onto the roof of the limo and stood there, legs planted, arms akimbo, like Superman- except with only the underwear. For those faint of heart I wont go into detail, but Bes, all of a meter tall, was showing off his disgusting physique- his potbelly, hairy limbs, awful feet, gross flabby bits- and wearing only a blue Speedo. Imagine the worst looking person you've ever seen on a public beach- the person for whom swimwear should be illegal. Bes looked worse than that.
I wasn't sure what to say except: "Put some clothes on!"
Bes laughed= the sort of guffaw that says Ha-ha! I'm amazing!
"Not until they leave," he said. "Or I'll be forced to scare them back to the Duat."
"This is not your affair, dwarf god!" Nekhbet snarled, averting her eyes from his horribleness. "Go away!"
"These children are under my protection," Bes insisted
"I don't know you," I said. "I never met you before today."
"Nonsense. You expressly asked for my protection."
"I didn't ask for the Speedo Patrol!"
Bes leaped off the limo and landed in front of my circle placing himself between Babi and me. The dwarf was even more horrible from behind. His back was so hairy it looked like a mink coat. And on the back of his Speedo was printed DWARF PRIDE.
”
”
Rick Riordan
“
A real panic took hold of me. I didn't know where I was going. I ran along the docks, turned into the deserted streets in the Beauvoisis district; the houses watched my flight with their mournful eyes. I repeated with anguish: Where shall I go? where shall I go? Anything can happen. Sometimes, my heart pounding, I made a sudden right about turn: what was happening behind my back? Maybe it would start behind me and when I would turn around, suddenly, it would be too late. As long as I could stare at things nothing would happen: I looked at them as much as I could, pavements, houses, gaslights; my eyes went rapidly from one to the other, to catch them unawares, stop them in the midst of their metamorphosis. They didn't look too natural, but I told myself forcibly: this is a gaslight, this is a drinking fountain, and I tried to reduce them to their everyday aspect by the power of my gaze. Several times I came across barriers in my path: the Cafe des Bretons, the Bar de la Marine. I stopped, hesitated in front of their pink net curtains: perhaps these snug places had been spared, perhaps they still held a bit of yesterday's world, isolated, forgotten. But I would have to push the door open and enter. I didn't dare; I went on. Doors of houses frightened me especially. I was afraid they would open of themselves. I ended by walking in the middle of the street.
I suddenly came out on the Quai des Bassins du Nord. Fishing smacks and small yachts. I put my foot on a ring set in the stone. Here, far from houses, far from doors, I would have a moment of respite. A cork was floating on the calm, black speckled water.
"And under the water? You haven't thought what could be under the water."
A monster? A giant carapace? sunk in the mud? A dozen pairs of claws or fins labouring slowly in the slime. The monster rises. At the bottom of the water. I went nearer, watching every eddy and undulation. The cork stayed immobile among the black spots.
”
”
Jean-Paul Sartre (Nausea)
“
I.
My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the workings of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.
II.
What else should he be set for, with his staff?
What, save to waylay with his lies, ensnare
All travellers who might find him posted there,
And ask the road? I guessed what skull-like laugh
Would break, what crutch 'gin write my epitaph
For pastime in the dusty thoroughfare.
III.
If at his counsel I should turn aside
Into that ominous tract which, all agree,
Hides the Dark Tower. Yet acquiescingly
I did turn as he pointed, neither pride
Now hope rekindling at the end descried,
So much as gladness that some end might be.
IV.
For, what with my whole world-wide wandering,
What with my search drawn out through years, my hope
Dwindled into a ghost not fit to cope
With that obstreperous joy success would bring,
I hardly tried now to rebuke the spring
My heart made, finding failure in its scope.
V.
As when a sick man very near to death
Seems dead indeed, and feels begin and end
The tears and takes the farewell of each friend,
And hears one bit the other go, draw breath
Freelier outside, ('since all is o'er,' he saith
And the blow fallen no grieving can amend;')
VI.
When some discuss if near the other graves
be room enough for this, and when a day
Suits best for carrying the corpse away,
With care about the banners, scarves and staves
And still the man hears all, and only craves
He may not shame such tender love and stay.
VII.
Thus, I had so long suffered in this quest,
Heard failure prophesied so oft, been writ
So many times among 'The Band' to wit,
The knights who to the Dark Tower's search addressed
Their steps - that just to fail as they, seemed best,
And all the doubt was now - should I be fit?
VIII.
So, quiet as despair I turned from him,
That hateful cripple, out of his highway
Into the path he pointed. All the day
Had been a dreary one at best, and dim
Was settling to its close, yet shot one grim
Red leer to see the plain catch its estray.
IX.
For mark! No sooner was I fairly found
Pledged to the plain, after a pace or two,
Than, pausing to throw backwards a last view
O'er the safe road, 'twas gone; grey plain all round;
Nothing but plain to the horizon's bound.
I might go on, naught else remained to do.
X.
So on I went. I think I never saw
Such starved ignoble nature; nothing throve:
For flowers - as well expect a cedar grove!
But cockle, spurge, according to their law
Might propagate their kind with none to awe,
You'd think; a burr had been a treasure trove.
XI.
No! penury, inertness and grimace,
In some strange sort, were the land's portion. 'See
Or shut your eyes,' said Nature peevishly,
It nothing skills: I cannot help my case:
Tis the Last Judgement's fire must cure this place
Calcine its clods and set my prisoners free.
”
”
Robert Browning
“
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near
lost my breath yes he said I was a flower of the mountain yes so we are
flowers all a womans body yes that was one true thing he said in his life
and the sun shines for you today yes that was why I liked him because I
saw he understood or felt what a woman is and I knew I could always get
round him and I gave him all the pleasure I could leading him on till he
asked me to say yes and I wouldnt answer first only looked out over the
sea and the sky I was thinking of so many things he didnt know of Mulvey
and Mr Stanhope and Hester and father and old captain Groves and the
sailors playing all birds fly and I say stoop and washing up dishes they
called it on the pier and the sentry in front of the governors house with
the thing round his white helmet poor devil half roasted and the Spanish
girls laughing in their shawls and their tall combs and the auctions in
the morning the Greeks and the jews and the Arabs and the devil knows who
else from all the ends of Europe and Duke street and the fowl market all
clucking outside Larby Sharons and the poor donkeys slipping half asleep
and the vague fellows in the cloaks asleep in the shade on the steps and
the big wheels of the carts of the bulls and the old castle thousands of
years old yes and those handsome Moors all in white and turbans like
kings asking you to sit down in their little bit of a shop and Ronda with
the old windows of the posadas glancing eyes a lattice hid for her
lover to kiss the iron and the wineshops half open at night and the
castanets and the night we missed the boat at Algeciras the watchman
going about serene with his lamp and O that awful deepdown torrent O and
the sea the sea crimson sometimes like fire and the glorious sunsets and
the figtrees in the Alameda gardens yes and all the queer little streets
and the pink and blue and yellow houses and the rosegardens and the
jessamine and geraniums and cactuses and Gibraltar as a girl where I was
a Flower of the mountain yes when I put the rose in my hair like the
Andalusian girls used or shall I wear a red yes and how he kissed me
under the Moorish wall and I thought well as well him as another and then
I asked him with my eyes to ask again yes and then he asked me would I
yes to say yes my mountain flower and first I put my arms around him yes
and drew him down to me so he could feel my breasts all perfume yes and
his heart was going like mad and yes I said yes I will Yes.
”
”
James Joyce (Ulysses)
“
According to the biographical notes, Monsieur Julian Carax was twenty-seven, born with the century in Barcelona, and currently living in Paris; he wrote in French and worked at night as a professional pianist in a hostess bar. The blurb, written in the pompous, moldy style of the age, proclaimed that this was a first work of dazzling courage, the mark of a protean and trailblazing talent, and a sign of hope for the future of all of European letters. In spite of such solemn claims, the synopsis that followed suggested that the story contained some vaguely sinister elements slowly marinated in saucy melodrama, which, to the eyes of Monsieur Roquefort, was always a plus: after the classics what he most enjoyed were tales of crime, boudoir intrigue, and questionable conduct.
One of the pitfalls of childhood is that one doesn't have to understand something to feel it. By the time the mind is able to comprehend what has happened, the wounds of the heart are already too deep.
She laughed nervously. She had around her a burning aura of loneliness. "You remind me a bit of Julian," she said suddenly. "The way you look and your gestures. He used to do what you are doing now. He would stare at you without saying a word, and you wouldn't know what he was thinking, and so, like an idiot, you'd tell him things it would have been better to keep to yourself."
"Someone once said that the moment you stop to think about whether you love someone, you've already stopped loving that person forever."
I gulped down the last of my coffee and looked at her for a few moments without saying anything. I thought about how much I wanted to lose myself in those evasive eyes. I thought about the loneliness that would take hold of me that night when I said good-bye to her, once I had run out of tricks or stories to make her stay with me any longer. I thought about how little I had to offer her and how much I wanted from her.
"You women listen more to your heart and less to all the nonsense," the hatter concluded sadly. "That's why you live longer."
But the years went by in peace. Time goes faster the more hollow it is. Lives with no meaning go straight past you, like trains that don't stop at your station.
”
”
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
“
So look," he began, leaning over the desk, "I was—"
"Excuse me?" Bethany said. Her voice was loud, even.
Wes turned and looked at her. As he did so, I watched his profile, his arm, that little bit of the heart in
hand peeking out from his sleeve.
"We can help you over here," Bethany said to him. "Did you have a question?"
"Um, sort of," Wes said, glancing at me, a mild smile on his face. "But—"
"I can answer it," Bethany said solidly, so confidently. Amanda, beside her, nodded, seconding this.
"Really, it's fine," he said, then looked at me again. He raised his eyebrows, and I just shrugged. "Okay,
so—"
"She's only a trainee, she won't know the answer," Bethany told him, pushing her chair over closer to
where he was, her voice too loud, bossy even. "It's better if you ask me. Or ask us."
Then, and only then, did I see the tiniest flicker of annoyance on Wes's face. "You know," Wes said, "I
think she'll know it."
"She won't. Ask me."
Now it wasn't just a flicker. Wes looked at me, narrowing his eyes, and for a second I just stared back.
Whatever happens, I thought, happens. For the first time, time at the info desk was flying.
"Okay," he said slowly, moving down the counter. He leaned on his elbows, closer to Bethany, and she
sat up even straighter, readying herself, like someone onJeopardy awaiting the Daily Double. "So here's
my question."
Amanda picked up a pen, as if there might be a written portion.
"Last night," Wes said, his voice serious, "when the supplies were being packed up, what happened to
the big tongs?"
The sick part was that Bethany, for a second, looked as if she was actually flipping through her mental
Rolodex for the answer. I watched her swallow, then purse her lips. "Well," she said. But that was all.
I could feel myself smiling. A real smile.
Wes looked at Amanda. "Do you know?"
Amanda shook her head slowly.
"All right," he said, turning back to look at me. "Better ask the trainee, then. Macy?"
I could feel Amanda and Bethany looking at me. "They're in the bottom of that cart with the broken
back wheel, under the aprons," I said. "There wasn't room for them with the other serving stuff.
”
”
Sarah Dessen (The Truth About Forever)
“
I first met Winston Churchill in the early summer of 1906 at a dinner party to which I went as a very young girl. Our hostess was Lady Wemyss and I remember that Arthur Balfour, George Wyndman, Hilaire Belloc and Charles Whibley were among the guests…
I found myself sitting next to this young man who seemed to me quite different from any other young man I had ever met. For a long time he seemed sunk in abstraction. Then he appeared to become suddenly aware of my existence. He turned on me a lowering gaze and asked me abruptly how old I was. I replied that I was nineteen. “And I,” he said despairingly, “am thirty-two already. Younger than anyone else who counts, though, “he added, as if to comfort himself. Then savagely: “Curse ruthless time! Curse our mortality. How cruelly short is this allotted span for all we must cram into it!” And he burst forth into an eloquent diatribe on the shortness of human life, the immensity of possible human accomplishment—a theme so well exploited by the poets, prophets, and philosophers of all ages that it might seem difficult to invest it with new and startling significance. Yet for me he did so, in a torrent of magnificent language which appeared to be both effortless and inexhaustible and ended up with the words I shall always remember: “We are all worms. But I do believe that I am a glow worm.”
By this time I was convinced of it—and my conviction remained unshaken throughout the years that followed. Later he asked me whether I thought that words had a magic and music quite independent of their meaning. I said I certainly thought so, and I quoted as a classic though familiar instance the first lines that came into my head.
Charm’d magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.
His eyes blazed with excitement. “Say that again,” he said, “say it again—it is marvelous!” “But I objected, “You know these lines. You know the ‘Ode to a Nightengale.’ ” He had apparently never read or heard of it before (I must, however, add that next time I met him he had not learned not merely this but all of the odes to Keats by heart—and he recited them quite mercilessly from start to finish, not sparing me a syllable).
Finding that he liked poetry, I quoted to him from one of my own favorite poets, Blake. He listened avidly, repeating some lines to himself with varying emphases and stresses, then added meditatively: “I never knew that old Admiral had found so much time to write such good poetry.” I was astounded that he, with his acute susceptibility to words and power of using them, should have left such tracts of English literature entirely unexplored. But however it happened he had lost nothing by it, when he approached books it was “with a hungry, empty mind and with fairly srong jaws, and what I got I *bit*.” And his ear for the beauty of language needed no tuning fork.
Until the end of dinner I listened to him spellbound. I can remember thinking: This is what people mean when they talk of seeing stars. That is what I am doing now. I do not to this day know who was on my other side. Good manners, social obligation, duty—all had gone with the wind. I was transfixed, transported into a new element. I knew only that I had seen a great light. I recognized it as the light of genius…
I cannot attempt to analyze, still less transmit, the light of genius. But I will try to set down, as I remember them, some of the differences which struck me between him and all the others, young and old, whom I have known.
First and foremost he was incalculable. He ran true to no form. There lurked in his every thought and world the ambush of the unexpected. I felt also that the impact of life, ideas and even words upon his mind, was not only vivid and immediate, but direct. Between him and them there was no shock absorber of vicarious thought or precedent gleaned either from books or other minds. His relationship wit
”
”
Violet Bonham Carter
“
One day, I wish to find a man like in my
books. He has to be just like in one of my books.
And he has to love me, love me more than anything
in the world. Most important of all, he has
to think I’m beautiful.”
“Lily, I need to tell you something.” Fazire
was going to tell her about Becky’s wish and his
mistake and let her look forward to something, let
her look forward to the incomparable beauty she
was going to be.
Most of all, he had to stop her wish now. He
didn’t want her wasting it on some fool idea. He
wanted it to be special, perfect, to make her world
better like she had made Becky and Will’s and,
indeed, his.
But again she didn’t hear him. Her eyes were
bright and they were steady on his.
“He has to be tall, very tall and dark and
broad-shouldered and narrow-hipped.”
Fazire stared. He didn’t even know what
“narrow-hipped” meant.
“And he has to be handsome, unbelievably
handsome, impossibly handsome with a strong,
square jaw and powerful cheekbones and tanned
skin and beautiful eyes with lush, thick lashes.
He has to be clever and very wealthy but hardworking.
He has to be virile, fierce, ruthless and
rugged.”
Now she was getting over his head. He didn’t
think there was such a thing as impossibly handsome.
How cheekbones could be powerful,
Fazire didn’t know. He was even thinking he
might have to look up “virile” in the dictionary
Sarah had given him.
“And he has to be hard and cold and maybe a
little bit forbidding, a little bit bad with a broken
heart I have to mend or one encased in ice I have
to melt or better yet… both!”
Fazire thought this was getting a bit ridiculous.
It was the most complicated wish he’d ever
heard.
But she wasn’t yet finished.
“We have to go through some trials and tribulations.
Something to test our love, make it strong
and worthy. And… and… he has to be daring and
very masculine. Powerful. People must respect
him, maybe even fear him. Graceful too and lithe,
like a… like a cat! Or a lion. Or something like
that.”
She was losing steam and Fazire had to admit
he was grateful for it.
“And he has to be a good lover.” Lily shocked
Fazire by saying. “The best, so good, he could almost
make love to me just by using his eyes.”
Fazire felt himself blush. Perhaps he should
have a look at these books she was reading and
show them to Becky. Lily was a very sharp girl,
sharp as a tack (another one of Sarah’s sayings,
although Fazire couldn’t imagine a tack ever being
as clever as Lily) but she was too young to
be reading about any man making love to her
with his eyes. Fazire had never made love, never
would, genies just didn’t. But he was pretty certain
fourteen year old girls shouldn’t be thinking
about it.
Though, he was wrong about that, or at least
Becky would tell him that later.
Then Fazire realised she’d stopped talking.
“Is that it?” he asked.
She thought for a bit, clearly not wanting to
leave anything out.
Then she nodded.
”
”
Kristen Ashley (Three Wishes)
“
Do you think, little flower, that there will ever come a day when you regret meeting me?” he asked quietly.
“Yes,” she said simply.
“I see,” he said tightly.
“Would you like a specific date?”
“You are teasing me,” he realized suddenly.
“No, I’m dead serious. I have an exact date in mind.”
Jacob pulled back to see her eyes, looking utterly perplexed as her pupils sparkled with mischief.
“What date is that? And why are you thinking of pink elephants?”
“The date is September 8, because, according to Gideon, that’s possibly the day I will go into labor. I say ‘possibly,’ because combining all this human/Druid and Demon DNA ‘may make for a longer period of gestation than usual for a human,’ as the Ancient medic recently quoted. Now, as I understand it, women always regret ever letting a man touch them on that day.”
Jacob lurched to his feet, dropping her onto her toes, grabbing her by the arms, and holding her still as he raked a wild, inspecting gaze over her body.
“You are pregnant?” he demanded, shaking her a little. “How long have you known? You went into battle with that monster while you are carrying my child?”
“Our child,” she corrected indignantly, her fists landing firmly on her hips, “and Gideon only just told me, like, five seconds ago, so I didn’t know I was pregnant when I was fighting that thing!”
“But . . . he healed you just a few days ago! Why not tell you then?”
“Because I wasn’t pregnant then, Jacob. If you recall, we did make love between then and now.”
“Oh . . . oh Bella . . .” he said, his breath rushing from him all of a sudden.
He looked as if he needed to sit down and put a paper bag over his head. She reached to steady him as he sat back awkwardly on the altar. He leaned his forearms on his thighs, bending over them as he tried to catch his breath. Bella had the strangest urge to giggle, but she bit her lower lip to repress to impulse.
So much for the calm, cool, collected Enforcer who struck terror into the hearts of Demons everywhere.
“That is not funny,” he grumbled indignantly.
“Yeah? You should see what you look like from over here,” she teased.
“If you laugh at me I swear I am going to take you over my knee.”
“Promises, promises,” she laughed, hugging him with delight. Finally, Jacob laughed as well, his arm snaking out to circle her waist and draw her back into his lap.
“Did you ask . . . I mean, does he know what it is?”
“It’s a baby. I told him I didn’t want to know what it is. And don’t you dare find out, because you know the minute you do I’ll know, and if you spoil the surprise I’ll murder you.”
“Damn . . . she kills a couple of Demons and suddenly thinks she can order all of us around,” he taunted, pulling her close until he was nuzzling her neck, wondering if it was possible for such an underused heart as his to contain so much happiness.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
Reasons Why I Loved Being With Jen
I love what a good friend you are. You’re really engaged with the lives of the people you love. You organize lovely experiences for them. You make an effort with them, you’re patient with them, even when they’re sidetracked by their children and can’t prioritize you in the way you prioritize them.
You’ve got a generous heart and it extends to people you’ve never even met, whereas I think that everyone is out to get me. I used to say you were naive, but really I was jealous that you always thought the best of people.
You are a bit too anxious about being seen to be a good person and you definitely go a bit overboard with your left-wing politics to prove a point to everyone. But I know you really do care. I know you’d sign petitions and help people in need and volunteer at the homeless shelter at Christmas even if no one knew about it. And that’s more than can be said for a lot of us.
I love how quickly you read books and how absorbed you get in a good story. I love watching you lie on the sofa reading one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other galaxy.
I love that you’re always trying to improve yourself. Whether it’s running marathons or setting yourself challenges on an app to learn French or the fact you go to therapy every week. You work hard to become a better version of yourself. I think I probably didn’t make my admiration for this known and instead it came off as irritation, which I don’t really feel at all.
I love how dedicated you are to your family, even when they’re annoying you. Your loyalty to them wound me up sometimes, but it’s only because I wish I came from a big family.
I love that you always know what to say in conversation. You ask the right questions and you know exactly when to talk and when to listen. Everyone loves talking to you because you make everyone feel important.
I love your style. I know you think I probably never noticed what you were wearing or how you did your hair, but I loved seeing how you get ready, sitting in front of the full-length mirror in our bedroom while you did your make-up, even though there was a mirror on the dressing table.
I love that you’re mad enough to swim in the English sea in November and that you’d pick up spiders in the bath with your bare hands. You’re brave in a way that I’m not.
I love how free you are. You’re a very free person, and I never gave you the satisfaction of saying it, which I should have done. No one knows it about you because of your boring, high-pressure job and your stuffy upbringing, but I know what an adventurer you are underneath all that.
I love that you got drunk at Jackson’s christening and you always wanted to have one more drink at the pub and you never complained about getting up early to go to work with a hangover. Other than Avi, you are the person I’ve had the most fun with in my life.
And even though I gave you a hard time for always trying to for always trying to impress your dad, I actually found it very adorable because it made me see the child in you and the teenager in you, and if I could time-travel to anywhere in history, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beautiful and clever and funny you are. That you are spectacular even without all your sports trophies and music certificates and incredible grades and Oxford acceptance.
I’m sorry that I loved you so much more than I liked myself, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of myself, either. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental.
I love you. I always will. I'm glad we met.
”
”
Dolly Alderton (Good Material)
“
Filth, filth, filth, from morning to night. I know they're poor but they could wash. Water is free and soap is cheap. Just look at that arm, nurse.'
The nurse looked and clucked in horror. Francie stood there with the hot flamepoints of shame burning her face. The doctor was a Harvard man, interning at the neighborhood hospital. Once a week, he was obliged to put in a few hours at one of the free clinics. He was going into a smart practice in Boston when his internship was over. Adopting the phraseology of the neighborhood, he referred to his Brooklyn internship as going through Purgatory, when he wrote to his socially prominent fiancee in Boston.
The nurse was as Williamsburg girl... The child of poor Polish immigrants, she had been ambitious, worked days in a sweatshop and gone to school at night. Somehow she had gotten her training... She didn't want anyone to know she had come from the slums.
After the doctor's outburst, Francie stood hanging her head. She was a dirty girl. That's what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn't breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies?
She looked at the nurse... She thought the nurse might say something like:
Maybe this little girl's mother works and didn't have time to wash her good this morning,' or, 'You know how it is, Doctor, children will play in the dirt.' But what the nurse actuallly said was, 'I know, Isn't it terrible? I sympathize with you, Doctor. There is no excuse for these people living in filth.'
A person who pulls himself up from a low environment via the bootstrap route has two choices. Having risen above his environment, he can forget it; or, he can rise above it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel upclimb. The nurse had chosen the forgetting way. Yet, as she stood there, she knew that years later she would be haunted by the sorrow in the face of that starveling child and that she would wish bitterly that she had said a comforting word then and done something towards the saving of her immortal soul. She had the knowledge that she was small but she lacked the courage to be otherwise.
When the needle jabbed, Francie never felt it. The waves of hurt started by the doctor's words were racking her body and drove out all other feeling. While the nurse was expertly tying a strip of gauze around her arm and the doctor was putting his instrument in the sterilizer and taking out a fresh needle, Francie spoke up.
My brother is next. His arm is just as dirty as mine so don't be suprised. And you don't have to tell him. You told me.' They stared at this bit of humanity who had become so strangely articulate. Francie's voice went ragged with a sob. 'You don't have to tell him. Besides it won't do no godd. He's a boy and he don't care if he is dirty.'... As the door closed, she heard the doctor's suprised voice.
I had no idea she'd understand what I was saying.' She heard the nurse say, 'Oh, well,' on a sighing note.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
In my travels on the surface, I once met a man who wore his religious beliefs like a badge of honor upon the sleeves of his tunic. "I am a Gondsman!" he proudly told me as we sat beside eachother at a tavern bar, I sipping my wind, and he, I fear, partaking a bit too much of his more potent drink. He went on to explain the premise of his religion, his very reason for being, that all things were based in science, in mechanics and in discovery. He even asked if he could take a piece of my flesh, that he might study it to determine why the skin of the drow elf is black. "What element is missing," he wondered, "that makes your race different from your surface kin?"
I think that the Gondsman honestly believed his claim that if he could merely find the various elements that comprised the drow skin, he might affect a change in that pigmentation to make the dark elves more akin to their surface relatives. And, given his devotion, almost fanaticism, it seemed to me as if he felt he could affect a change in more than physical appearance.
Because, in his view of the world, all things could be so explained and corrected. How could i even begin to enlighten him to the complexity? How could i show him the variations between drow and surface elf in the very view of the world resulting from eons of walking widely disparate roads?
To a Gondsman fanatic, everything can be broken down, taken apart and put back together. Even a wizard's magic might be no more than a way of conveying universal energies - and that, too, might one day be replicated. My Gondsman companion promised me that he and his fellow inventor priests would one day replicate every spell in any wizard's repertoire, using natural elements in the proper combinations.
But there was no mention of the discipline any wizard must attain as he perfects his craft. There was no mention of the fact that powerful wizardly magic is not given to anyone, but rather, is earned, day by day, year by year and decade by decade. It is a lifelong pursuit with gradual increase in power, as mystical as it is secular.
So it is with the warrior. The Gondsman spoke of some weapon called an arquebus, a tubular missile thrower with many times the power of the strongest crossbow.
Such a weapon strikes terror into the heart of the true warrior, and not because he fears that he will fall victim to it, or even that he fears it will one day replace him. Such weapons offend because the true warrior understands that while one is learning how to use a sword, one should also be learning why and when to use a sword. To grant the power of a weapon master to anyone at all, without effort, without training and proof that the lessons have taken hold, is to deny the responsibility that comes with such power.
Of course, there are wizards and warriors who perfect their craft without learning the level of emotional discipline to accompany it, and certainly there are those who attain great prowess in either profession to the detriment of all the world - Artemis Entreri seems a perfect example - but these individuals are, thankfully, rare, and mostly because their emotional lacking will be revealed early in their careers, and it often brings about a fairly abrupt downfall. But if the Gondsman has his way, if his errant view of paradise should come to fruition, then all the years of training will mean little. Any fool could pick up an arquebus or some other powerful weapon and summarily destroy a skilled warrior. Or any child could utilize a Gondsman's magic machine and replicate a firebal, perhaps, and burn down half a city.
When I pointed out some of my fears to the Gondsman, he seemed shocked - not at the devastating possibilities, but rather, at my, as he put it, arrogance. "The inventions of the priests of Gond will make all equal!" he declared. "We will lift up the lowly peasant
”
”
R.A. Salvatore (Streams of Silver (Forgotten Realms: Icewind Dale, #2; Legend of Drizzt, #5))