Bird Hatching Quotes

You see, cuckoos are parasites. They lay their eggs in other birds' nests. When the egg hatches, the baby cuckoo pushes the other baby birds out of the nest. The poor parent birds work themselves to death trying to find enough food to feed the enormous cuckoo child who has murdered their babies and taken their places." "Enormous?" said Jace. "Did you just call me fat?" "It was an analogy." "I am not fat.

It may be hard for an egg to turn into a bird: it would be a jolly sight harder for a bird to learn to fly while remaining an egg. We are like eggs at present. And you cannot go on indefinitely being just an ordinary, decent egg. We must be hatched or go bad.

What an impossible and miraculous and hideous thing this was. An ugly plan hatched by an ugly boy now dreamt into ugly life. From dream to reality. How appropiate it was that Ronan, left to his own devices, manifested beautiful cars and beautiful birds and tenderhearted brothers, while Adam, when given the power, manifested a filthy string of perverse murders.

The Inquisitor stared at him as if he were a talking cockroach. "Do you know about the cuckoo bird, Jonathan Morgenstern?" Jace wondered if perhaps being the Inquisitor—it couldn't be a pleasant job—had left Imogen Herondale a little unhinged. "The cuckoo bird," she said. "You see, cuckoos are parasites. They lay their eggs in other birds' nests. When the egg hatches, the baby cuckoo pushes the other baby birds out of the nest. The poor parent birds work themselves to death trying to find enough food to feed the enormous cuckoo child who has murdered their babies and taken their places." "Enormous?" said Jace. "Did you just call me fat?" "It was an analogy." "I am not fat.

Boredom is the dream bird that hatches the egg of experience. A rustling in the leaves drives him away.

His own image; no longer a dark, gray bird, ugly and disagreeable to look at, but a graceful and beautiful swan. To be born in a duck's nest, in a farmyard, is of no consequence to a bird, if it is hatched from a swan's egg.

Adam said, "You were smart to figure it out." "Oh, I don't know," Gansey replied, but it was clear he was proud. Adam felt like he had helped a bird hatch from an egg.

We ate the birds. We ate them. We wanted their songs to flow up through our throats and burst out of our mouths, and so we ate them. We wanted their feathers to bud from our flesh. We wanted their wings, we wanted to fly as they did, soar freely among the treetops and the clouds, and so we ate them. We speared them, we clubbed them, we tangled their feet in glue, we netted them, we spitted them, we threw them onto hot coals, and all for love, because we loved them. We wanted to be one with them. We wanted to hatch out of clean, smooth, beautiful eggs, as they did, back when we were young and agile and innocent of cause and effect, we did not want the mess of being born, and so we crammed the birds into our gullets, feathers and all, but it was no use, we couldn’t sing, not effortlessly as they do, we can’t fly, not without smoke and metal, and as for the eggs we don’t stand a chance. We’re mired in gravity, we’re earthbound. We’re ankle-deep in blood, and all because we ate the birds, we ate them a long time ago, when we still had the power to say no.

Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.

Algebra applies to the clouds, the radiance of the star benefits the rose--no thinker would dare to say that the perfume of the hawthorn is useless to the constellations. Who could ever calculate the path of a molecule? How do we know that the creations of worlds are not determined by falling grains of sand? Who can understand the reciprocal ebb and flow of the infinitely great and the infinitely small, the echoing of causes in the abyss of being and the avalanches of creation? A mite has value; the small is great, the great is small. All is balanced in necessity; frightening vision for the mind. There are marvelous relations between beings and things, in this inexhaustible whole, from sun to grub, there is no scorn, each needs the other. Light does not carry terrestrial perfumes into the azure depths without knowing what it does with them; night distributes the stellar essence to the sleeping plants. Every bird that flies has the thread of the infinite in its claw. Germination includes the hatching of a meteor and the tap of a swallow's beak breaking the egg, and it guides the birth of the earthworm, and the advent of Socrates. Where the telescope ends, the microscope begins. Which of the two has a greater view? Choose. A bit of mold is a pleiad of flowers; a nebula is an anthill of stars. The same promiscuity, and still more wonderful, between the things of the intellect and material things. Elements and principles are mingled, combined, espoused, multiplied one by another, to the point that the material world, and the moral world are brought into the same light. Phenomena are perpetually folded back on themselves. In the vast cosmic changes, universal life comes and goes in unknown quantities, rolling everything up in the invisible mystery of the emanations, using everything, losing no dream from any single sleep, sowing a microscopic animal here, crumbling a star there, oscillating and gyrating, making a force of light, and an element of thought, disseminated and indivisible dissolving all, that geometric point, the self; reducing everything to the soul-atom; making everything blossom into God; entangling from the highest to the lowest, all activities in the obscurity of a dizzying mechanism, linking the flight of an insect to the movement of the earth, subordinating--who knows, if only by the identity of the law--the evolutions of the comet in the firmament to the circling of the protozoa in the drop of water. A machine made of mind. Enormous gearing, whose first motor is the gnat, and whose last is the zodiac.

Take this one to the bank: birds are hatched from eggs and are always egg-shaped. Maybe there's no escaping the shape that molds you, no getting around how you got started even if you do break out.

You got the eggs in you; the world is fully ready to celebrate the chicks out of your laying labour. Never give up. Go and breed! Go and breed great dreams.

This process of assimilation, which takes place in depth, requires a state of relaxation that is becoming rarer and rarer. If sleep is the apogee of physical relaxation, boredom is the apogee of mental relaxation. Boredom is the dream bird that hatches the egg of experience. A rustling in the leaves drives him away. His nesting places - the activities that are intimately associated with boredom - are already extinct in the cities and are declining in the country as well. With this the gift for listening is lost and the community of listeners disappears. For storytelling is always the art of repeated stories, and this art is lost when the stories are no longer retained.

Not every hen lay eggs. Not every hen that lays eggs gets them hatched. Not everyone born with greatness becomes as such. Go, hatch your eggs.

Falling in love wasn’t like a bird hatching from an egg, for all both events were rather messy and fraught with vulnerability.

Do you know about the cuckoo bird, Jonathon Morgenstern?" Jace wonderwd if perhaps being the Inquisitor—it couldn't be a pleasant job—had left Imogen Herondale a little unhinged. "The what?" "The cuckoo bird," she said. "You see, cuckoos are parasites. They lay their eggs in other birds' nests. When the egg hatches, the baby cuckoo pushes the other baby birds out of the nest. The poor parent birds work themselves to death trying to find enough food for the enormous cuckoo child who has murdered their babies and taken their places." "Enormous?" said Jace. "Did you just call me fat?" "It was an analogy." "I am not fat.

the cuckoo bird," she said, "You see, cuckoos are parasites. THey lay their eggs in in other birds' nests. Whhen the egg hatches, the baby cuckoopushes the other birds out of the nest. THe poor parent birds work to death trying to find enough food to feed the enormous cuckoo child who has murdered their babies and taken their places.' Enormous?' said Jace. 'Did you just call me fat?' It was an analogy.' I am not fat.

Never leave the egg in you not laid. Don't leave the laid eggs there not hatched. You deserve the best; you were created to use every gift in you!

Then you pray the prayer that is the essence of every ritual: God, I have no hope. I am torn to shreds. You are my first and my last and only refuge. Don’t do daily prayers like a bird pecking, moving its head up and down. Prayer is an egg. Hatch out the total helplessness inside. —RUMI

A SWALLOW, returning from abroad and especially fond of dwelling with men, built herself a nest in the wall of a Court of Justice and there hatched seven young birds. A Serpent gliding past the nest from its hole in the wall ate up the young unfledged nestlings. The Swallow, finding her nest empty, lamented greatly and exclaimed: "Woe to me a stranger! that in this place where all others' rights are protected, I alone should suffer wrong.

In a lifetime of hearing people celebrate weekends, she finally saw what all the fuss was about. By no means did her workload cease on Saturday, but it did shift gears. If her kids wanted to pull everything out of the laundry basket to make a bird's nest and sit in it, fine. Dellarobia could even sit in there with them and incubate, if she so desired. Household chores no longer called her name exclusively. She had an income. She'd never before understood how much her life in this little house had felt to her like confinement in a sinking vehicle after driving off a bridge. ..... To open a hatch and swim away felt miraculous. Working outside the home took her about fifty yards from her kitchen, which was far enough. She couldn't see the dishes in the sink.

If you buy an egg thinking it's a goose's egg, and when it hatches it is actually a bird of paradise; no manner of convincing and reproach will turn the bird of paradise into a goose. Even if you make it go to goose church and goose school and eat goose feeds and only hang out with geese! In the end, it will still belong to paradise.

Artists and artisans both demonstrate with perfect clarity that a person is least able to appropriate for himself those things which are most peculiarly his. His works leave him as birds do the best in which they were hatched. In this respect an architect's fate is the strangest of all. How often he employs his whole intellect and warmth of feeling in the creation of rooms from which he must exclude himself. Royal halls owe their splendor to him, and he may not share in the enjoyment of their finest effects. In temples he draws the line between himself and the holy of holies; the steps he built to ceremonies that lift up the heady, he may no longer climb; just as the goldsmith worships only from afar the monstrance which he wrought in the fire and set with jewels. With the keys of the palace the architect hands over all it's comforts to the wealthy man, and has not the least part in them. Surely in this way art must little by little grow away from the artist, if the work, like a child provided for, no longer teaches back to touch its father.

To Juan at the Winter Solstice There is one story and one story only That will prove worth your telling, Whether as learned bard or gifted child; To it all lines or lesser gauds belong That startle with their shining Such common stories as they stray into. Is it of trees you tell, their months and virtues, Or strange beasts that beset you, Of birds that croak at you the Triple will? Or of the Zodiac and how slow it turns Below the Boreal Crown, Prison to all true kings that ever reigned? Water to water, ark again to ark, From woman back to woman: So each new victim treads unfalteringly The never altered circuit of his fate, Bringing twelve peers as witness Both to his starry rise and starry fall. Or is it of the Virgin's silver beauty, All fish below the thighs? She in her left hand bears a leafy quince; When, with her right hand she crooks a finger, smiling, How many the King hold back? Royally then he barters life for love. Or of the undying snake from chaos hatched, Whose coils contain the ocean, Into whose chops with naked sword he springs, Then in black water, tangled by the reeds, Battles three days and nights, To be spewed up beside her scalloped shore? Much snow if falling, winds roar hollowly, The owl hoots from the elder, Fear in your heart cries to the loving-cup: Sorrow to sorrow as the sparks fly upward. The log groans and confesses: There is one story and one story only. Dwell on her graciousness, dwell on her smiling, Do not forget what flowers The great boar trampled down in ivy time. Her brow was creamy as the crested wave, Her sea-blue eyes were wild But nothing promised that is not performed.

When Erasmus was accused of having “laid the egg that Luther hatched,” he acknowledged that he might have done so, but said he had expected quite another kind of a bird. Though he had criticized clerical abuses, he had never wanted to cause a rupture in the church, and he remained in its bosom till his death.

Young people and dreams are like baby turtles on the beach. The eggs hatch and they have to scramble to the water before the birds get them. We all have our sights set on water, but only a lucky few make it there unscathed. Life has a way of swooping in and picking off the forces and beliefs that motivates us.

Amelia and Poppy both glanced at their younger sister quizzically. “Do you know what we’re talking about, Bea?” Amelia asked. “Yes, of course. Merripen’s in love with her. I knew it a long time ago, from the way he washed her window.” “Washed her window?” both older sisters asked at the same time. “Yes, when we lived in the cottage at Primrose Place. Win’s room had a casement window that looked out onto the big maple tree— do you remember? After the scarlet fever, when Win couldn’t get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds’ nest on one of the tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?” “No,” Amelia said with difficulty, her eyes stinging. “I didn’t know he did that.” “Merripen said the sky should always be blue for her,” Beatrix said. “And that was when I knew he … are you crying, Poppy?” Poppy used a napkin to dab at the corners of her eyes. “No. I just inh-haled some pepper.” “So did I,” Amelia said, blowing her nose.

The mountain pine beetle is a tiny creature that chews through a lodgepole’s bark, gouges out a hollow in the wood and lays its eggs. The larvae hatch hungry and feed on the cambium layer, a tree’s most vital part, the annual layer of cells that makes up a growth ring. To prevent drowning in the tree’s sap, the beetle larvae can eject a choking fungus that not only halts the life-giving flow of sap, but stains the wood a grey-blue color.

I find film in its modern form to be quite bullying. It spoon-feeds us, which has the effect of watering down our collective cultural imagination. It is as if we are freshly hatched birds looking up with our mouths open waiting for Hollywood to feed us more regurgitated worms. The 'Watchmen' film sounds like more regurgitated worms. I for one am sick of worms. Can’t we get something else? Perhaps some takeout? Even Chinese worms would be a nice change.

PRAYER IS AN EGG On Resurrection Day God will say, "What did you do with the strength and energy your food gave you on earth? How did you use your eyes? What did you make with your five senses while they were dimming and playing out? I gave you hands and feet as tools for preparing the ground for planting. Did you, in the health I gave, do the plowing?" You will not be able to stand when you hear those questions. You will bend double, and finally acknowledge the glory. God will say, "Lift your head and answer the questions." Your head will rise a little, then slump again. "Look at me! Tell what you've done." You try, but you fall back flat as a snake. "I want every detail. Say!" Eventually you will be able to get to a sitting position. "Be plain and clear. I have given you such gifts. What did you do with them?" You turn to the right looking to the prophet for help, as though to say, I am stuck in the mud of my life. Help me out of this! They will answer, those kings, "The time for helping is past. The plow stands there in the field. You should have used it. "Then you turn to the left, where your family is, and they will say, "Don't look at us! This conversation is between you and your creator." Then you pray the prayer that is the essence of every ritual: God, I have no hope. I am torn to shreds. You are my first and last and only refuge. Don't do daily prayers like a bird pecking, moving its head up and down. Prayer is an egg. Hatch out the total helplessness inside.

To be born in a duck's nest in a farmyard is of no consequence to a bird if it is hatched from a swan's egg. He now felt glad at having suffered sorrow and trouble, because it enabled him to enjoy so much better all the pleasure and happiness around him; for the great swans swam round the newcomer and stroked his neck with their beaks, as a welcome.

was the color of a recently hatched baby bird, and just as ugly. Panic has never become me.

One poultry specialist mused, “Mathematically, it is evident that the present rate of improvement in growth cannot be continued for more than a couple of decades, or the industry will be faced with a bird that virtually explodes upon hatching.

There was once a town in the heart of America where all life seemed to live in harmony with its surroundings. The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines. Then foxes barked in the hills and deer silently crossed the fields, half hidden in the mists of the fall mornings. Along the roads, laurel, viburnum, and alder, great ferns and wildflowers delighted the traveler's eye through much of the year. Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them. Others came to fish the streams, which flowed clear and cold out of the hills and contained shady pools where trout lay. So it had been from the days many years ago when the first settlers raised their homes, sank their wells, and built their barns. Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens, the cattle, and sheep sickened and died. Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients. There had been sudden and unexplained deaths, not only among adults but even among children whoe would be stricken suddently while at play and die within a few hours. There was a strange stillness. The birds, for example--where had they gone? Many people spoke of them, puzzled and disturbed. The feeding stations in the backyards were deserted. The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was no sound; only silence lay over the fields and woods and marsh. On the farms the hens brooded, but no chicks hatched. The farmers complained that they were unable to raise any pigs--the litters were small and the young survived only a few days. The apple trees were coming into bloom but no bees droned among the blossoms, so there was no pollination and there would be no fruit. The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire. These, too, were silent, deserted by all living things. Even the streams were not lifeless. Anglers no longer visited them, for all the fish had died. In the gutters under the eaves and between the shingles of the roofs, a white granular powder still showed a few patches; some weeks before it had fallen like snow upon the roofs and the lawns, the fields and streams. No witchcraft, no enemy action had silenced the rebirth of life in this stricken world. The people had done it to themselves.

A man found an eagle’s egg and put it in a nest of a barnyard hen. The eaglet hatched with the brood of chicks and grew up with them. All his life the eagle did what the barnyard chicks did, thinking he was a barnyard chicken. He scratched the earth for worms and insects. He clucked and cackled. And he would thrash his wings and fly a few feet into the air. Years passed and the eagle grew very old. One day he saw a magnificent bird above him in the cloudless sky. It glided in graceful majesty among the powerful wind currents, with scarcely a beat of its strong golden wings. The old eagle looked up in awe. “Who’s that?” he asked. “That’s the eagle, the king of the birds,” said his neighbor. “He belongs to the sky. We belong to the earth—we’re chickens.” So the eagle lived and died a chicken, for that’s what he thought he was.

Young girls would paint themselves like parakeets. Bothersome children are like parakeets. If you dream a parakeet is lying in an oven you may be certain that soon you will die. The shells of hatched parakeets turn into maggots, which turn into lizards, which creep down the throats of sleeping people

This druid feeling I get in the woods’s so thrilling it makes me want to crap, so I dug a hole with a flat stone inside a clump of mitten-leafed shrubs. I pulled down my cacks and squatted. It’s ace shitting outside like a caveman. Let go, thud, subtle crinkle on dry leaves. Squatted craps come out smoother than craps in bogs. Crap’s peatier and steamier in open air, too. (My one fear is bluebottles flying up my arsehole and laying eggs in my lower intestine. Larvae’d hatch and get to my brain. My cousin Hugo told me it actually happened to an American kid called Akron Ohio.) “Am I normal,” I said aloud just to hear my voice, “talking to myself in a wood like this?” A bird so near it might’ve perched on a curl of my ear musicked a flute in a jar. I quivered to own such an unownable thing. If I could’ve climbed into that moment, that jar, and never ever left, I would’ve done. But my squatting calves were aching, so I moved. The unownable bird took fright and vanished down its tunnel of twigs and nows.

The sleeper dreams of an egg and knows an egg. He dreams the egg is hatched and a bird rises from the shell. Awake, he sees an egg and knows a star, and the star will shine. But how shall we wake the sleeper from his dreaming? How shall we enter his chamber and wake him to power? We can show him the door, but how shall we give him the key?

A caged bird in spring knows perfectly well that there is some way in which he should be able to serve. He is well aware that there is something to be done, but he is unable to do it. What is it? He cannot quite remember, but then he gets a vague inkling and he says to himself, “The others are building their nests and hatching their young and bringing them up,” and then he bangs his head against the bars of the cage. But the cage does not give way and the bird is maddened by pain. “What a idler,” says another bird passing by - what an idler. Yet the prisoner lives and does not die. There are no outward signs of what is going on inside him; he is doing well, he is quite cheerful in the sunshine. But then the season of the great migration arrives, an attack of melancholy. He has everything he needs, say the children who tend him in his cage - but he looks out, at the heavy thundery sky, and in his heart of hearts he rebels against his fate. I am caged, I am caged and you say I need nothing, you idiots! I have everything I need, indeed! Oh! please give me the freedom to be a bird like other birds!

In the words of the infamous Ice Cube, today was a good day. #GangstaRapInspiration   ...   You know when people say don’t count your chickens before they hatch?   I hate the saying. I’m terrified of birds and their evil, beady eyes and razor-sharp beaks waiting to peck me to death. But that’s not the point. The point is someone should’ve repeated this to me before I skipped down the street, whistling rap songs.

Wild geese pair off for life. I never knew them to even make an application for divorce. The male guards his mate on the nest. As soon as the young hatch, he protects them from the side opposite the mother, keeping the babies between the parents. He will leave his family for her and for her only, but he will die in the front ranks for any of them....I have placed their bushels of corn around one of my mating pairs, and of the thousands of hungry geese that come here, none will interfere with these little plots to take even one kernel...When traveling in the air, the male Canada Goose leads the way, breaking the air for his sweetheart, who is quartering behind him, and his family travels next to her. In brief, he is one of the most self-sacrificing, godly-principled leaders the human eye ever beheld, and to know him is to love and admire him.

When He said, ‘Be perfect,’ He meant it. He meant that we must go in for the full treatment. It is hard; but the sort of compromise we are all hankering after is harder—in fact, it is impossible. It may be hard for an egg to turn into a bird: it would be a jolly sight harder for it to learn to fly while remaining an egg. We are like eggs at present. And you cannot go on indefinitely being just an ordinary, decent egg. We must be hatched or go bad.

Some people can’t handle power. Some men seem decent until you give them a slave, and soon they’re a tyrant, beating and raping the slave in their charge. Power is a test, Liv. All power is a test. We don’t call it breaking the halo. We call it breaking the egg. You never know what kind of bird is going to be hatched. And some are born deformed and must be put down. That is tragedy, but not murder. Do you think your father could handle a little extra power?

The white men in the East are like birds. They are hatching out their eggs every year, and there is not room enough in the East and they must go elsewhere; and they come west, as you have seen them coming for the last few years. And they are still coming, and will come until they overrun all of this country; and you can't prevent it. [...] Everything is decided in Washington by the majority, and these people come out west and see that the Indians have a big body of land they are not using, and they say we want the land.

So not only couldn’t their Thanksgiving turkeys fly when they were alive, they couldn’t walk, either. As a child, Citra always felt bad for them, even though the Thunderhead took great pains to make sure such birds—and all livestock—were raised humanely. Citra had seen a video on it in third grade. The turkeys, from the moment of their hatching, were suspended in a warm gel, and their small brains were wet-wired into a computer that produced for them an artificial reality in which they experienced flight, freedom, reproduction, and all the things that would make a turkey content.

All summers take me back to the sea. There in the long eelgrass, like birds' eggs waiting to be hatched, my brothers and sister and I sit, grasses higher than our heads, arms and legs like thicker versions of the grass waving in the wind, looking up at the blue sky. My mother is gathering food for dinner: clams and mussels and the sharply salty greens that grow by the shore. It is warm enough to lie here in the little silty puddles like bathwater left in the tub after the plug has been pulled. It is the beginning of July and we have two months to live out the long, nurturing days, watching the geese and the saltwater swans and the tides as they are today, slipping out, out, out as the moon pulls the other three seasons far away wherever it takes things. Out past the planets, far away from Uranus and the edge of our solar system, into the brilliantly lit dark where the things we don't know about yet reside. Out past my childhood, out past the ghosts, out past the breakwater of the stars. Like the silvery lace curtains of my bedroom being drawn from my window, letting in light, so the moon gently pulls back the layers of the year, leaving the best part open and free. So summer comes to me.

A man found an eagle’s egg and put it in a nest of a barnyard hen. The eaglet hatched with the brood of chicks and grew up with them. All his life the eagle did what the barnyard chicks did, thinking he was a barnyard chicken. He scratched the earth for worms and insects. He clucked and cackled. And he would thrash his wings and fly a few feet into the air. Years passed and the eagle grew very old. One day he saw a magnificent bird above him in the cloudless sky. It glided in graceful majesty among the powerful wind currents, with scarcely a beat of its strong golden wings. The old eagle looked up in awe. “Who’s that?” he asked.

After all, a kiss between real lovers is not some type of contract, a neatly defined moment of pleasure, something obtained by greedy conquest, or any kind of clear saying of how it is. It is a grief-drenched hatching of two hearts into some ecstatic never-before-seen bird whose new uncategorizable form, unrecognized by the status quo, gives the slip to Death's sure rational deal. For love is a delicious and always messy extension of life that unfrantically outgrows mortality's rigid insistence on precise and efficient definition. Having all the answers means you haven't really ecstatically kissed or lived, thereby declaring the world defined and already finished. Loving all the questions on the other hand is a vitality that makes any length of life worth living. Loving doesn't mean you know all the notes and that you have to play all the notes, it just means you have to play the few notes you have long and beautifully. Like the sight of a truly beautiful young woman, smooth and gliding, melting hearts at even a distant glimpse, that no words, no matter how capable, can truly describe; a woman whose beauty is only really known by those who take a perch on the vista of time to watch the years of life speak out their long ornate sentences of grooves as they slowly stretch into her smoothness, wrinkling her as she glides struggling, decade by decade, her gait mitigated by a long trail of heavy loads, joys, losses, and suffering whose joint-aching years of traveling into a mastery of her own artistry of living, becomes even more than beauty something about which though we are even now no more capable of addressing than before, our admiration as original Earth-loving human beings should nonetheless never remain silent. And for that beauty we should never sing about, but only sing directly to it. Straightforward, cold, and inornate description in the presence of such living evidence of the flowering speech of the Holy in the Seed would be death of both the beauty and the speaker. Even if we always fail when we speak, we must be willing to fail magnificently, for even an eloquent failure, if in the service of life, feeds the Divine. Is it not a magical thing, this life, when just a little ash, cinder, and unclear water can arrange themselves into a beautiful old woman who sways, lifts, kisses, loves, sickens, argues, loses, bears up under it all, and, wrinkling, still lives under all that and yet feeds the Holy in Nature by just the way she moves barefoot down a path? If we can find the hearts, tongues, and brightness of our original souls, broken or not, then no matter from what mess we might have sprung today, we would be like those old-time speakers of life; every one of us would have it in our nature to feel obligated by such true living beauty as to know we have to say something in its presence if only for our utter feeling of awe. For, finally learning to approach something respectfully with love, slowly with the courtesy of an ornate indirectness, not describing what we see but praising the magnificence of her half-smiles of grief and persistent radiance rolling up from the weight-bearing thumping of her fine, well-oiled dusty old feet shuffling toward the dawn reeds at the edge of her part of the lake to fetch a head-balanced little clay jar of water to cook the family breakfast, we would know why the powerful Father Sun himself hurries to get his daily glimpse of her, only rising early because she does.

GDP is a cuckoo in the economic nest. And to understand why, you need to know a thing or two about cuckoos because they are wily birds. Rather than raise their own offspring, they surreptitiously lay their eggs in the unguarded nests of other birds. The unsuspecting foster parents dutifully incubate the interloper’s egg along with their own. But the cuckoo chick hatches early, kicks other eggs and young out of the nest, then emits rapid calls to mimic a nest full of hungry offspring. This takeover tactic works: the foster parents busily feed their oversized tenant as it grows absurdly large, bulging out of the tiny nest it has occupied. It’s a powerful warning to other birds: leave your nest unattended and it may well get hijacked.

For many years, a family of ospreys lived in a large nest near my summer home in Maine. Each season, I carefully observed their rituals and habits. In mid-April, the parents would arrive, having spent the winter in South America, and lay eggs. In early June, the eggs hatched. The babies slowly grew, as the father brought fish back to the nest, and in early to mid August were large enough to make their first flight. My wife and I recorded all of these comings and goings with cameras and in a notebook. We wrote down the number of chicks each year, usually one or two but sometimes three. We noted when the chicks first began flapping their wings, usually a couple of weeks before flying from the nest. We memorized the different chirps the parents made for danger, for hunger, for the arrival of food. After several years of cataloguing such data, we felt that we knew these ospreys. We could predict the sounds the birds would make in different situations, their flight patterns, their behavior when a storm was brewing. Reading our “osprey journals” on a winter’s night, we felt a sense of pride and satisfaction. We had carefully studied and documented a small part of the universe. Then, one August afternoon, the two baby ospreys of that season took flight for the first time as I stood on the circular deck of my house watching the nest. All summer long, they had watched me on that deck as I watched them. To them, it must have looked like I was in my nest just as they were in theirs. On this particular afternoon, their maiden flight, they did a loop of my house and then headed straight at me with tremendous speed. My immediate impulse was to run for cover, since they could have ripped me apart with their powerful talons. But something held me to my ground. When they were within twenty feet of me, they suddenly veered upward and away. But before that dazzling and frightening vertical climb, for about half a second we made eye contact. Words cannot convey what was exchanged between us in that instant. It was a look of connectedness, of mutual respect, of recognition that we shared the same land. After they were gone, I found that I was shaking, and in tears. To this day, I do not understand what happened in that half second. But it was one of the most profound moments of my life.

. . . Do you remember all the tiny turtles? How they hatched and how they began to run down toward the shore. On the way many were eaten up by birds. Only a few survived and made it to the ocean, to the water. There even more were eaten by fish, and perhaps some few grew up and became large. Just a few managed to carry out the program of their lives. The others were consumed by life. Their forms disappeared. They disinte- grated in the stomachs of birds or fish. Became the flapping of wings or the gentle movements of tail fins. But the original idea, to become a tur- tle, was not realized. That could only happen in the great depths. That is essentially man’s place in the universe. Just a few of us reach the edge of the water, the place where the spirit can be nourished. Just a few of us accomplish our goal and become Human, far too many become some- thing else, something used up by life, something that is equated with life. But when we come down to the great depths. Then the world is still and clarified . . . I want so much to be your sustenance, to be your light and your water. That’s why I’m often seized by bitterness when I see that instead I’m the person who makes you desperate, chaotic, confused and unhappy . . . My own wonderful turtle, I feel and I hope that you have this some- thing extra in you that can open your eyes so that you can see the ugly vampire that sits on your back, that creature in yourself that empties you of nourishment. And when you begin to suspect something of this . . . this unknown power that is fed by your negative emotional life willwithdraw, the devil will lose his interest in you and God will redouble his. Forgive me this letter. I love you.

The rock has split, the egg has hatched, the prismatically plumed bird of life has escaped from its cage. It spreads its wings and is perched now on the peak of the huge African mountain Kilimanjaro. Strange recompense, in the depths of our despair at the unfathomable mist into which all mankind is plunging, a curious force awakens. It is Hope long asleep, aroused once more. Wilson has taken an army of advisers and sailed for England. The ship has sunk. But the men are all good swimmers. They take the women on their shoulders and buoyed on by the inspiration of the moment they churn the free seas with their sinewy arms, like Ulysses, landing all along the European seaboard. Yes, hope has awakened once more in men's hearts. It is NEW! Let us go forward! The imagination, freed from the handcuffs of "Art", takes the lead! Her Feet are bare and not too delicate. In fact those who come behind her have much to think of. Hm. Let it pass.

No worldly mind would ever have suspected that He Who could make the sun warm the earth would one day have need of an ox and an ass to warm Him with their breath; that He Who, in the language of Scriptures, could stop the turning about of Arcturus would have His birthplace dictated by an imperial census; that He, Who clothed the fields with grass, would Himself be naked; that He, from Whose hands came planets and worlds, would one day have tiny arms that were not long enough to touch the huge heads of the cattle; that the feet which trod the everlasting hills would one day be too weak to walk; that the Eternal Word would be dumb; that Omnipotence would be wrapped in swaddling clothes; that Salvation would lie in a manger; that the bird which built the nest would be hatched therein—no one would ever have suspected that God coming to this earth would ever be so helpless. And that is precisely why so many miss Him. Divinity is always where one least expects to find it.

Has anyone had a look at Merripen's shoulder?" Amelia asked, glancing at Win. "It's probably time for the dressing to be changed." "I'll do it," Win said at once. "And I'll take up a supper tray." "Beatrix will accompany you," Amelia advised. "I can manage the tray," Win protested. "It's not that... I meant it's not proper for you to be alone with Merripen in his room." Win looked surprised, and made a face. "I don't need Beatrix to come. It's only Merripen, after all." After Win left the dining hall, Poppy looked at Amelia. "Do you think that Win really doesn't know how he-" "I have no idea. And I've never dared to broach the subject, because I don't want to put ideas into her head." "I hope she doesn't know," Beatrix ventured. "It would be dreadfully sad if she did." Amelia and Poppy both glanced at their younger sister quizzically. "Do you know what we're talking about, Bea?" Amelia asked. "Yes, of course. Merripen's in love with her. I knew it a long time ago, from the way he washed her window." "Washed her window?" both older sisters asked at the same time. "Yes, when we lived in the cottage at Primrose Place. Win's room had a casement window that looked out onto the big maple tree- do you remember? After the scarlet fever, when Win couldn't get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds' nest on one of the other tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look so grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?" "No," Amelia said with difficulty, her eyes stinging. "I didn't know he did that." "Merripen said the sky should always be blue for her," Beatrix said. "And that was when I knew he... are you crying, Poppy?" Poppy used a napkin to dab at the corners of her eyes. "No, I just inh-haled some pepper." "So did I," Amelia said, blowing her nose.

I flipped through one story after another until finally I came to a story about a fig tree. This fig grew on a green lawn between the house of a Jewish man and a convent, and the Jewish man and a beautiful dark nun kept meeting at the tree to pick the ripe figs, until one day they saw an egg hatching in a bird's nest on a branch of the tree, and as they watched the little bird peck its way out of the egg, they touched the backs of their hands together, and then the nun didn't come out to pick figs with the Jewish man any more but a mean-faced Catholic kitchen maid came to pick them instead and counted up the figs the man picked after they were both through to be sure he hadn't picked any more than she had, and the man was furious. I thought it was a lovely story, especially the part about the fig tree in winter under the snow and then the fig tree in spring with all the green fruit. I felt sorry when I came to the last page. I wanted to crawl in between those black lines of print the way you crawl through a fence, and go to sleep under that beautiful big green fig tree.

Algebra applies to the clouds; the radiance of the star benefits the rose; no thinker would dare to say that the perfume of the hawthorn is useless to the constellations. Who could ever calculate the path of a molecule? How do we know that the creations of worlds are not determined by falling grains of sand? Who can understand the reciprocal ebb and flow of the infinitely great and the infinitely small, the echoing of causes in the abyss of being and the avalanches of creation? A mite has value; the small is great, the great is small; all is balanced in necessity: frightening vision for the mind. There are marvelous relations between beings and things; in this inexhaustible whole, from sun to grub, there is no scorn; each needs the other. Light does not carry terrestrial perfumes into the azure depths without knowing what it does with them; night distributes the stellar essence to the sleeping plants. Every bird that flies has the thread of the infinite in its claw. Germination includes the hatching of a meteor and the tap of a swallow's beak breaking the egg, and it guides the birth of an earthworm and the advent of Socrates. Where the telescope ends, the microscope begins. Which of the two has the greater view? Choose. A bit of mold is a pleiad of flowers; a nebula is an anthill of stars.

That is why the real problem of the Christian life comes where people do not usually look for it. It comes the very moment you wake up each morning. All your wishes and hopes for the day rush at you like wild animals. And the first job each morning consists simply in shoving them all back; in listening to that other voice, taking that other point of view, letting that other larger, stronger, quieter life come flowing in. And so on, all day. Standing back from all your natural fussings and frettings; coming in out of the wind. We can only do it for moments at first. But from those moments the new sort of life will be spreading through our system: because now we are letting Him work at the right part of us. It is the difference between paint, which is merely laid on the surface, and a dye or stain which soaks right through. He never talked vague, idealistic gas. When He said, ‘Be perfect,’ He meant it. He meant that we must go in for the full treatment. It is hard; but the sort of compromise we are all hankering after is harder—in fact, it is impossible. It may be hard for an egg to turn into a bird: it would be a jolly sight harder for it to learn to fly while remaining an egg. We are like eggs at present. And you cannot go on indefinitely being just an ordinary, decent egg. We must be hatched or go bad.

This Compost" Something startles me where I thought I was safest, I withdraw from the still woods I loved, I will not go now on the pastures to walk, I will not strip the clothes from my body to meet my lover the sea, I will not touch my flesh to the earth as to other flesh to renew me. O how can it be that the ground itself does not sicken? How can you be alive you growths of spring? How can you furnish health you blood of herbs, roots, orchards, grain? Are they not continually putting distemper'd corpses within you? Is not every continent work'd over and over with sour dead? Where have you disposed of their carcasses? Those drunkards and gluttons of so many generations? Where have you drawn off all the foul liquid and meat? I do not see any of it upon you to-day, or perhaps I am deceiv'd, I will run a furrow with my plough, I will press my spade through the sod and turn it up underneath, I am sure I shall expose some of the foul meat. 2 Behold this compost! behold it well! Perhaps every mite has once form'd part of a sick person—yet behold! The grass of spring covers the prairies, The bean bursts noiselessly through the mould in the garden, The delicate spear of the onion pierces upward, The apple-buds cluster together on the apple-branches, The resurrection of the wheat appears with pale visage out of its graves, The tinge awakes over the willow-tree and the mulberry-tree, The he-birds carol mornings and evenings while the she-birds sit on their nests, The young of poultry break through the hatch'd eggs, The new-born of animals appear, the calf is dropt from the cow, the colt from the mare, Out of its little hill faithfully rise the potato's dark green leaves, Out of its hill rises the yellow maize-stalk, the lilacs bloom in the dooryards, The summer growth is innocent and disdainful above all those strata of sour dead. What chemistry! That the winds are really not infectious, That this is no cheat, this transparent green-wash of the sea which is so amorous after me, That it is safe to allow it to lick my naked body all over with its tongues, That it will not endanger me with the fevers that have deposited themselves in it, That all is clean forever and forever, That the cool drink from the well tastes so good, That blackberries are so flavorous and juicy, That the fruits of the apple-orchard and the orange-orchard, that melons, grapes, peaches, plums, will none of them poison me, That when I recline on the grass I do not catch any disease, Though probably every spear of grass rises out of what was once a catching disease. Now I am terrified at the Earth, it is that calm and patient, It grows such sweet things out of such corruptions, It turns harmless and stainless on its axis, with such endless successions of diseas'd corpses, It distills such exquisite winds out of such infused fetor, It renews with such unwitting looks its prodigal, annual, sumptuous crops, It gives such divine materials to men, and accepts such leavings from them at last.

Do you think that Win really doesn’t know how he—” “I have no idea. And I’ve never dared to broach the subject, because I don’t want to put ideas into her head.” “I hope she doesn’t know,” Beatrix ventured. “It would be dreadfully sad if she did.” Amelia and Poppy both glanced at their younger sister quizzically. “Do you know what we’re talking about, Bea?” Amelia asked. “Yes, of course. Merripen’s in love with her. I knew it a long time ago, from the way he washed her window.” “Washed her window?” both older sisters asked at the same time. “Yes, when we lived in the cottage at Primrose Place. Win’s room had a casement window that looked out onto the big maple tree—do you remember? After the scarlet fever, when Win couldn’t get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds’ nest on one of the tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?” “No,” Amelia said with difficulty, her eyes stinging. “I didn’t know he did that.” “Merripen said the sky should always be blue for her,” Beatrix said. “And that was when I knew he … are you crying, Poppy?” Poppy used a napkin to dab at the corners of her eyes. “No. I just inh-haled some pepper.” “So did I,” Amelia said, blowing her nose.

Mrs. Barnstable took her to a beautiful room with windows overlooking the gardens. “This is yours,” the housekeeper said. “No one has occupied it before.” The bed was made of light blue upholstered panels, the bedclothes of white linen. There was a graceful lady’s writing desk in the corner, and a satin maple wardrobe with a looking glass set in the door. “Mr. Merripen personally selected the wallpaper,” Mrs. Barnstable said. “He nearly drove the interior architect mad with his insistence on seeing hundreds of samples until he found this pattern.” The wallpaper was white, with a delicate pattern of flowering branches. And at sparse intervals, there was the motif of a little robin perched on one of the twigs. Slowly Win went to one of the walls and touched one of the birds with her fingertips. Her vision blurred. During her long recuperation from the scarlet fever, when she had grown tired of holding a book in her hands and no one had been available to read to her, she had stared out the window at a robin’s nest in a nearby maple tree. She had watched the fledglings hatch from their blue eggs, their bodies pink and veined and fuzzy. She had watched their feathers grow in, and she had watched the mother robin working to fill their ravenous beaks. And Win had watched as, one by one, they had flown from the nest while she remained in bed. Merripen, despite his fear of heights, had often climbed a ladder to wash the second-floor window for her. He had wanted her view of the outside world to be clear. He had said the sky should always be blue for her. “You’re fond of birds, Miss Hathaway?” the housekeeper asked. Win nodded without looking around, afraid that her face was red with unexpressed emotion. “Robins especially,” she half-whispered.

Anthology-- What binds together the moments/of earthly grace? What gathers up/the last white daisy in an amber field;/ a baby bird hatching from a speckled egg;/the look in a teacher's kind eyes,/a look that says, You are gifted?/Gifted as in given by God,/like the words she penned on cold/ winter mornings so that/someone way down the way,/someone far into history,/might know what it felt like to be/ what she had become: a girl/ whose life was an anthology/of sad.

Do you know about the cuckoo bird, Jonathan Morgenstern?” Jace wondered if perhaps being the Inquisitor—it couldn’t be a pleasant job—had left Imogen Herondale a little unhinged. “The what?” “The cuckoo bird,” she said. “You see, cuckoos are parasites. They lay their eggs in other birds’ nests. When the egg hatches, the baby cuckoo pushes the other baby birds out of the nest. The poor parent birds work themselves to death trying to find enough food to feed the enormous cuckoo child who has murdered their babies and taken their places.” “Enormous?” said Jace. “Did you just call me fat?” “It was an analogy.” “I am not fat.

...whenever you find a clearing like this," Beatrix said, leading Christopher to a small, sun-dappled meadow, "it's most likely an ancient field enclosure from the Bronze Age. They knew nothing about fertilizing, so when a patch of land became unproductive, they simply cleared a new area. And the old areas became covered with gorse and bracken and heather. And here-" she showed him the cavity of an oak tree near the clearing- "is where I watched a hobby chick hatch in early summer. Hobbies don't build their own nests, they use ones made by other birds. They're so fast when they fly, they look like sickles cutting through the air." Christopher listened attentively. With the breeze playing lightly in his dark gold hair, and a slight smile on his lips, he was so handsome that it was difficult not to gape at him. "You know all the secrets of this forest, don't you?" he asked gently. "There's so much to learn, I've only scratched the surface. I've filled books with sketches of animals and plants, and I keep finding new ones to study.

It is this heightened state that may produce several relatively new phenomena in childhood today. As the clinical psychologist Catherine Steiner-Adair,10 the author of The Big Disconnect: Protecting Childhood and Family Relationships in the Digital Age, observes, the most commonly heard complaint when children are asked to go off-line is “I’m bored.” Confronted with the dazzling possibilities for their attention on a nearby screen, young children quickly become awash with, then accustomed to, and ever so gradually semi-addicted to continuous sensory stimulation. When the constant level of stimulation is taken away, the children respond predictably with a seemingly overwhelming state of boredom. “I’m Bored.” There are different kinds of boredom. There is a natural boredom that is part of the woof of childhood that can often provide children with the impetus to create their own forms of entertainment and just plain fun. This is the boredom that Walter Benjamin described years ago as the “dream bird that hatches the egg of experience.”11 But there may also be an unnatural, culturally induced, new form of boredom that follows too much digital stimulation. This form of boredom may de-animate children in such a fashion as to prevent them from wanting to explore and create real-world experiences for themselves, particularly outside their rooms, houses, and schools. As Steiner-Adair wrote, “If they become addicted to playing on screens,12 children will not know how to move through that fugue state they call boredom, which is often a necessary prelude to creativity.” It would be an intellectual shame to think that in the spirit of giving our children as much as we can through the many creative offerings of the latest, enhanced e-books and technological innovations, we may inadvertently deprive them of the motivation and time necessary to build their own images of what is read and to construct their own imaginative off-line worlds that are the invisible habitats of childhood. Such cautions are neither a matter of nostalgic lament nor an exclusion of the powerful, exciting uses of the child’s imagination fostered by technology. We will return to such uses a little later. Nor should worries over a “lost childhood” be dismissed as a cultural (read Western) luxury. What of the real lost childhoods? one might ask, in which the daily struggle to survive trumps everything else? Those children are never far from my thoughts or my work every day of my life.

He is a big fan of children being raised by their mothers at home. “Nurseries are similar to poultry farms into which chicks are crammed after they are hatched,” he says, and meanders down a small detour about how the meat of wild birds is tastier than the meat of factory chickens to prove his point.

Life aboard ship was like living in paradise for my agile friend and he could have continued this way forever if he hadn't discovered a splendid new game. When the stevedores were loading or discharging the ship, Peanut would hop onto the edge of the hatch and urinate down on them. Oh what great fun he had, never thinking that they would object to what he was doing. At first they would try to catch him but he was far too agile for them. Not that I understood what they were saying but I knew enough to know that the stevedores were shouting Bassa swearwords at him. Frustrated they would flip him the bird as they climbed down into the hold, foiled again. What a wonderful time Peanut had! His safest refuge was on top of the Wheel House, where the stevedores couldn’t go. Sometimes as a place of last resort he would dive through the open porthole into my state room. He didn’t like the Engine Room, as an alternate route to safety, since it was too hot and noisy. Besides the engineers didn’t much like a monkey messing with their things and who knows what trouble he could get into down there? Peanut, was wonderful entertainment when visitors came aboard. The Pan American flight attendants, they were called stewardesses back then, thought him adorable. I always had roasted peanuts for them to feed him, which he would pick and chew apart, littering the deck. The stewardess’s that came for my famous pizza parties always tried to pick him up and cuddle with him. Monkeys are unpredictable so I cautioned them to be careful but being such a cute little guy they seldom were. Ear rings were a favorite piece of jewelry to tug on, causing the ladies to scream. Most often he would let go but the wings above their pockets was another matter. Peanut would yank and pull on the insignia until it was his. I knew where he usually hid his loot and so could return their stuff but some of the stewardesses flew home without their wings.

When she was a girl, Eleanor had completely believed the tale. That Zephyr brought her back from Africa with him, a pearl that he'd swallowed, that had remained hidden deep within his jaw when he was shot, skinned, sold, and shipped, during the decades his pelt was put on proud display at the big house and through his subsequent repair to reduced circumstances at the Lake House. It was there, one day, when the tiger's head was tilted just so, that the pearl rolled out of his lifeless mouth and became lost in the long weave of the library carpet. It was trodden on, bypassed, and all but forgotten, until one dark night, while the household slept, it was found by fairies on a mission of theft. They took the pearl deep into the woods, where it was laid on a bed of leaves, studied and pondered and tentatively stroked, before being stolen by a bird, who mistook it for an egg. High in the treetops, the pearl began to grow and grow and grow, until the bird became frightened that her own eggs would be crushed and she rolled the argent orb back down the side of the tree, where it landed with a soft thud on a bed of leaf fall. There, in the light of the full moon, surrounded by curious fairy folk, the egg began to hatch and a baby emerged. The fairies gathered nectar to feed her and took turns rocking the babe to sleep, but soon no amount of nectar was enough, and even fairy magic could not keep the child content. A meeting was held and it was decided the woods were no place for a human child and she must be returned to the house, laid on the doorstep in a wrap of woven leaves. As far as Eleanor was concerned, it explained everything: why she felt such an affinity with the woods, why she'd always been able to glimpse the fairies in the meadows where other people saw only grass, why birds had gathered on the ledge outside the nursery window when she was an infant. It also explained the fierce tiger rage that welled up inside her at times, that made her spit and scream and stomp, so that Nanny Bruen hissed and told her she'd come to no good if she didn't learn to control herself. Mr. Llewellyn, on the other hand, said there were worse things in life than a temper, that it only proved one had an opinion. And a pulse, he added, the alternative to which was dire! He said a girl like Eleanor would do well to keep the coals of her impudence warm, for society would seek to cool them soon enough.

weren’t seeing any animals: their constant complaining was driving them away. Only the birds remained, and even they seemed skittish. He was just a guide, however, so he said nothing. There were five Americans. Three women and two men. The guide was interested in how they were paired off. It seemed unlikely that the fat man, Henderson, had all three women for himself. No matter how rich he was, shouldn’t two women at one time be enough? Perhaps the tall man had one? Perhaps not. As far as the guide could tell, the tall man was there to act as Henderson’s bodyguard and servant only. He and Henderson did not act

My mother, like the female birds of many species, had developed a drab protective coloration that let her blend into the background, invisible as long as she remained silent. She counseled me to adopt the same strategy, to be quiet and meek, but I could never manage it. I always felt like a fledgling cuckoo bird, hatched from an egg laid in an alien nest, a chick too big, too loud, too rambunctious for its adopted parents. When I graduated from high school, my father suggested that I take a job clerking at the local drugstore. I packed my bags and left.

Rookies are like baby turtles,” he said. “As soon as they hatch out they make a run for the water. Them that make it without getting eaten by birds grow up to be big turtles. Them that don’t—don’t. An officer’s first responsibility is to stay alive.

Just one hour in nature has been shown to improve our memory and attention by 20 percent. Imagine the feeling of lying is a park and watching the clouds drift by, the awe of discovering newly hatched chicks in a birds nest, the exhilaration of riding waves at the beach. Those experiences clear our minds, leave us refreshed in spirit, and fill us with a renewed sense of possibility. Imagine that connection to nature is commonplace, everyday, in the midst of growing cities and the urban lives that more and more people are adopting, rather only on weekends or when we are on vacation. BUILDINGS DESIGNED FOR LIFE by Amanda Sturgeon

Ramana Maharshi’s message was clear—we must first seek to understand ourselves. Without knowledge of our superior spiritual nature, we will remain tied to the trivial and mundane. In our present bodily consciousness, our situation is like the eagle in the story below. An eagle’s egg was placed amid a brood of chickens. Thinking it to be one of their own, the hens lovingly hatched it along with their own eggs. Consequently, the baby eagle which emerged from it grew up in the company of little chicks. The result was ‘monkey see, monkey do’. The chicks would say, ‘Cluck, cluck, cluck’, and the baby eagle would also cackle along. The chicks would flutter their wings and hop clumsily on the ground. The eagle would do the same, unaware of its God-given ability to fly at altitudes of 10,000 feet above the ground. One day, an adult eagle flew by. The baby eagle looked at it with amazement, and exclaimed, ‘Wow, what a majestic bird! How is it flying at such a glorious height with so much elegance?’ ‘That is an eagle’, replied the chickens. ‘It is the king of birds; naturally, its abilities are far greater. We cannot do what it can do.’ The baby eagle believed the chickens’ sermon, and it continued its pathetic life, fluttering and cackling like them. What a pity! It was born to rule the skies but had become conditioned to flutter on the ground. Like the eagle, we too were fashioned to sparkle in the magnificence of our spirit but became illusioned to wallow in the mediocrity of bodily conceptions. As a poet said: phūla chunane āye the bāge-hayāt meṅ, khāra jhāra meṅ dāmana ulaphā kara raha gaye ‘We had come to pluck flowers from the garden of life, but in the ensuing hustle and bustle of human existence, we ended up entangled in thorns.’ On realizing our soul nature, what becomes our potential? The next section provides the answer. The

The tuatara's most efficient operating temperature seems to be around 12 degrees C. At such low temperatures, the chemistry of an animal's body works very slowly indeed and in consequence, the tuatara has a very lethargic life style. It only breathes about once every seven seconds, even when active, and when resting it may go for an hour without breathing at all. It takes about twenty years to grow to maturity. A female, having started to develop her eggs within her oviduct, needs four years to complete them. Even wrapping a shell around them, which a bird manages in a matter of a few hours, takes her six to eight months. And once her eggs have been laid, they take about fourteen months to hatch-the longest embryonic development of any reptile. Such is life in the slow lane. On the other hand, it is thought that tuataras may live for as much as a hundred and twenty years or more-and that is longer than any known lizard.

There was a lone poppy-head in the field that was saving its thoughts on a pile in the wood and when it had shaken its fear of motion it borrowed a sugar bowl at a small train station and dispatched this letter I am always so alone I miss your fine tentacles My skin is no longer smoked Now I belong to that order of birds who let others hatch their eggs Come I send sweetest regards

I have been told that when a baby bird is ready to hatch, if you break the egg for the bird, it will die. The bird must peck its own way out of the egg into the world. This aggressive “workout” strengthens the bird, allowing it to function in the outside world. Robbed of this responsibility, it will die. This is also the way God has made us. If he “hatches” us, does our work for us, invades our boundaries, we will die. We must not shrink back passively. Our boundaries can only be created by our being active and aggressive, by our knocking, seeking, and asking

Twitch!” No, that would never work, he thought. So he continued flipping through the tw’s in the dictionary. Twister. Twist tie. Twit. Twitch. Twitcher. Twitchy. Twite. And then, there it was. “The light chirping sound made by certain birds.” Noah’s heart started to pound as he continued to read. “A similar sound, especially light, tremulous speech or laughter.” This is it, he thought. “Agitation or excitement; flutter.” A verb. Twitter. Twitter. Twittered. Twittering. Twitters.

Under Tyson, all these businesses have been drawn onto one property. The company controls every step of meat production, with each aspect being centrally directed from the company’s headquarters in Springdale. The company’s control spans the lifetime of the animals it raises. Before there is a chicken or an egg, there is Tyson. The company’s geneticists select which kinds of birds will be grown. They breed and crossbreed the avian bloodlines to engineer meaty breasts and rapid metabolism in the same way automobiles are first cut from clay, then engineered on a drafting board before they’re built. The birds begin their brief life at the Tyson plant, within the heated hive of its industrial hatchery. The company produces more than two billion eggs a year, but none of them are sold to consumers. They are all hatched inside the company’s buildings and the chicks are transported in Tyson trucks to Tyson farms. The Tyson trucks retrieve the birds six weeks later, bringing them back to the plant, where the chickens are funneled into chutes in the side of the slaughterhouses

Shift said, ‘And what if the hillsides your houses are on slip into the valleys, and everything is buried in mud? What if the wind flattens your houses, or floods wash them off their foundations? What if you’re all like too many mound-building birds in the same forest—you get so tired of stealing each other’s twigs and sticks that no nests are finished, and no chicks hatch? You can’t keep doing everything over, so you sit down in the ruins and starve. What if that? What if the floods sweep the soil into the sea, and the sea seeps up through the land and turns it sour? What if the conditions for civilisation are gone?’ Taryn

It is possible that what stirred inside her head at that moment was her brain, waking up. She was nine years old, and she was in the third A grade at school, but that was the first time she had ever had a whole thought of her very own. At home, Aunt Frances had always known exactly what she was doing, and had helped her over the hard places before she even knew they were there; and at school her teachers had been carefully trained to think faster than the scholars. Somebody had always been explaining things to Elizabeth Ann so industriously that she had never found out a single thing for herself before. This was a very small discovery, but an original one. Elizabeth Ann was as excited about it as a mother-bird over the first egg that hatches.

Easter was a religious observance by bird-worshipers on Earth. They commemorated the day a huge rodent stole their pre-hatched young, tortured them with boiling water and vinegar-based pigments, and then distributed them to its followers. The highlight of the event is the ritualized consumption of something called a ‘chocolate bunny.

He began with a blanket code which every business man was summoned to sign—to pay minimum wages and observe the maximum hours of work, to abolish child labor, abjure price increases and put people to work. Every instrument of human exhortation opened fire on business to comply—the press, pulpit, radio, movies. Bands played, men paraded, trucks toured the streets blaring the message through megaphones. Johnson hatched out an amazing bird called the Blue Eagle. Every business concern that signed up got a Blue Eagle, which was the badge of compliance.

Some youngsters settle down close to their hatching site, and others travel farther, but nobody knows exactly how far they go on average. Once they get there, though, they waste no time in making new pigeons. The age of sexual maturity is pretty variable, but birds can start to pair up when they're only six to eight months old. All too soon, the newly adult pigeons are dancing, strutting, and building their terrible nests . . .

The swallows flew there each spring and made little mud nests to raise their babies in after they hatched. People say there used to be so many birds in the sky, it became dark while they flew over the streets to their destination. If you didn't look up, you might think it was an eclipse..."Frankie why do you love those birds so much?" Luis would ask him each year when they returned. And Frankie would always say the same thing: "Because I can count on them.

Sugarcane entailed a variety of operations that favored the diffusion of the fearful yellow fever insect vector. First was the process of forest clearing, which destroyed the natural habitat of the insect-devouring birds that kept mosquito numbers in check. Land clearance thus enabled Aedes aegypti arriving as stowaways to establish the critical mass necessary to survive in the Caribbean. Deforestation led in turn to soil erosion, siltage, flooding, and the formation of marshes along the coasts that were the delight of flying insects. After the forest was cleared, the planting and cultivation of the sugar fields created further opportunities for Aedes aegypti. The mosquito does not require large expanses of water for breeding, preferring the sides of containers for laying its eggs at or slightly above the waterline. Thus, cisterns, water barrels, pots, and broken crockery were ideal. The innumerable clay pots that plantations used for the first stages of refining sugar and extracting molasses were also perfect, and the sweet liquid was an excellent nutrient for newly hatched larvae.

you need to know a thing or two about cuckoos because they are wily birds. Rather than raise their own offspring, they surreptitiously lay their eggs in the unguarded nests of other birds. The unsuspecting foster parents dutifully incubate the interloper’s egg along with their own. But the cuckoo chick hatches early, kicks other eggs and young out of the nest, then emits rapid calls to mimic a nest full of hungry offspring. This takeover tactic works: the foster parents busily feed their oversized tenant as it grows absurdly large, bulging out of the tiny nest it has occupied. It’s a powerful warning to other birds: leave your nest unattended and it may well get hijacked.

I ponder it now, while holding this new book in my hands, the words still slick like the feathers of a newly hatched bird." —Gemma Gorga

You know it too, this very hour of the morning when life is barely hatched. The sun melting under the snow. The bud breathing under the frost. The numbed wing of the bird. The morning has its truths that whisper only in a low voice. Very low. We have to be silent. God walks barefoot in the gardens.

Now I’m no art critic, but in a time seen as a bridge between the late middle ages and the early renaissance, where the church played such a substantial part in the day to day running of people's lives, Bosch’s Garden of Earthly Delights, which is painted on oak with a square middle panel flanked by two doors that close over the centre like shutters, is rather racy. When the outer shutters are folded over they show a grisaille painting of the earth during creation. But it’s the three scenes of the inner triptych that fascinate me. If you’re unfamiliar with the painting, I’ll do my best to describe it for you. Apologies in advance if I miss anything out. It’s regular sort of stuff, you know, naked women being fondled by demons, a bloke being kissed by a pig dressed as a nun, another bloke being eaten by some kind of story book character while loads of blackbirds fly out of his arse, a couple locked in a glass sphere and – let’s not beat about the Bosch here – locked in each other’s embrace as well. There are loads of people feeding each other fruit, doing handstands, hatching out of eggs, climbing up ladders to get inside the bodies of other people and looking at demon’s arses. There’s a couple getting caught shagging by giant birds, and a white bloke and a black Rastafarian with ‘locks (400 years before the Rastafari movement was founded) about to have a snog. You’ve got God giving Eve to a very puny-looking, limp-dicked Adam, and there’s a bunch of people sitting around a table inside the body of another bloke while an old woman fills up on wine from a decent-sized barrel while a kind of giant metal face pukes out loads of naked blokes who go running into a trumpet and another bloke being fed a cherry by a giant bird while a white bloke shows a black lady something in the sky. It’s all going on! There's loads of those ‘living dead’ mateys walking about, and a bloke carrying giant grapes past a topless girl with, it has to be said, pretty decent tits. She’s balancing a giant dice on her head while doing something strange to another bloke’s arse while a rabbit in clothes walks past. You can’t see what she’s doing because there’s a table in the way but beside them is a serpent-type creature with just one massive boob and a pretty pert nipple. One huge tit the size of his chest! Of all things, he’s holding a backgammon board up in the air. I’d say Bosch was a tit man, wouldn’t you? But there’s more. There’s a crowd of naked girls – black & white - in a water pool, all balancing cherries on their heads; read into that what you will. There are just LOADS of naked women in this water pool, including one of the black girls who’s balancing a peacock on her head. There are dozens of nudists riding horses around them in a circle. Some are sharing the same horse, so I must admit that in places it appears to be a little intimate. And now what have we got! There’s a couple cavorting inside a giant shell which is being carried on the back of another bloke. Why doesn’t he just put it down and climb in and have a threes-up? There are people with wings, creatures reading books and just more and more nudists. There’s a naked woman lying back, and this other bloke with his face extremely close to her nether regions! What on earth does the blighter think he’s playing at? There’s loads of grey half men-half fish, some balancing red balls on their heads like seals, and another fellow doing a handstand underwater while holding onto his nuts. You’ve got a ball in a river with people climbing all over it, while a bloke inside the ball is touching a lady in what appears to be a very inappropriate manner! There’s a kind of platypus-type fish reading a book underground and Theresa May triggering Article 50 of Brexit (just kidding about the Theresa May bit).

That May, Einstein excitedly informed a friend, "In the tranquility of my sickness, I have laid a wonderful egg in the area of general relativity. Whether the bird that will hatch from it will be vital and long-lived only the gods know. So far I am blessing my sickness that has endowed me with it.

The monarch butterfly is a cardiotonic. It increases the tone of the heart muscle, causing more effective emptying of the chambers. The butterfly will help Diego. It will be good for him." "Do we use monarchs, too- in the United States, I mean?" I asked desperately. "You take digitalis from the digitoxin found in plants. Mostly foxglove. I use a digitalis-like toxin found in the monarch butterflies. Both have the same properties. The monarch lays its eggs on the milkweed plant, which also produces cardioglycosides. As the insects hatch and grow, they feed on the milkweed and ingest the heart medicine from the plant. They sequester it in their bodies, never using it and never excreting it." "Why do they do that?" "To keep predators away. Digitalis has a bitter taste that keeps the birds away.

A bird is honored for the eggs it lays, but only truly rewarded for the eggs that hatch.

The H-P system indicates the age of the bird in essentially the same way as the Life-Year system. The bird is considered to be in its first year (with plumages labeled first basic and first alternate) from hatching until the prebasic molt a year later, in its second year from that time until the following prebasic molt, and so on.

Ideas are like birds flying over the head; learn to nest, nurture and brood their eggs, they will hatch greatness and success.

Angry Birds by Maisie Aletha Smikle Angry birds from whence does your anger come? Who taught toothless birds to chirp like mad dogs and hiss like rattle snake? Did their anger come from the eggs from which they were hatched? Did their anger come from an envious psychotic owner? Who was envious of the birds' sweet dispensation And went on a selfish rampage Converting birds dogs chickens and cats into insanity With no regard for animals or humanity Sweet gentle toothless birds Converted into rambling mad dogs Barking and howling at nothing and at everything Annoying even the quiet ants Oh sweet gentle birds Filled with toxic angry madness Don't disturb the sleeping ants Or the living who rest in peace Ramble at the cemetery You have killed them with your rambling noise Now they lie six feet under Thanking God they are not up yonder To hear such despicable rambling Who placed angry birds in tree tops? Who placed angry birds on window sills? With the intention to kill The quiet holy spirit And things gentle and quiet Oh sweet gentle birds They have stolen your melodious melody They have envied your charm They have envied your quiet beauty And have converted you into angry birds to kill the calm And the imperishable precious beauty of quiet tranquility

How did the bird get inside the house? Through the door I said. No. Through a window. Listen they said. How did the bird get inside the house? Through a window I said. No. Through the chimney. How did it get inside? Through the chimney I said. It hatched inside. Who named the bird? A child. A child named it. The bird is nameless. Who named the bird? I said no one. The bird is nameless. What is your name? they said. I am nameless I said. Yes they said.

Inevitably, I began to wonder what these birds see when they look at me. I assume they just see a human who for some reason pays attention to them. They don’t know what my work is, they don’t see progress—they just see recurrence, day after day, week after week. And through them, I am able to inhabit that perspective, to see myself as the human animal that I am, and when they fly off, to some extent, I can inhabit that perspective too, noticing the shape of the hill that I live on and where all of the tall trees and good landing spots are. I noticed that some ravens live half in and half out of the Rose Garden, until I realized that there is no “rose garden” to them. These alien animal perspectives on me and our shared world have provided me not only with an escape hatch from contemporary anxiety but also a reminder of my own animality and the animateness of the world I live in. Their flights enable my own literal flights of fancy, recalling a question that one of my favorite authors, David Abram, asks in Becoming Animal: An Earthly Cosmology: “Do we really believe that the human imagination can sustain itself without being startled by other shapes of sentience?”20

Cielo de Pájaros blazes like a glacier on such mornings, white sun reflecting off the long rows of glass roofs which descend toward the Pacific in giant steps, like Dante’s Purgatory. The city is named for the birds, they say over a million, wild but cultivated, hatched and fed in the flower trenches that separate the tiers, so the flocks constantly splash up out of hiding and fall away again into the trench depths, like the wave crests of a flying sea.

I look through the birds from every continent section in the encyclopedia, searching for one kind whose body doesn't look like an egg, upright or sidewise. But from loon to bluejay, ostrich to starling, all their shapes agree. Take this one to the bank: birds are hatched from eggs and are always egg-shaped. Maybe there's no escaping the shape that molds you, no getting around how you got started even if you do break out... Except for one thing: wings are born from that shape. They don't come from any other.