Billie Bust Up Quotes

We've searched our database for all the quotes and captions related to Billie Bust Up. Here they are! All 6 of them:

But maybe I’ll try to work myself up. I don’t know if I could do it, but I might try. Because I want to get out of Castle Rock and go to college and never see my old man or any of my brothers again. I want to go someplace where nobody knows me and I don’t have any black marks against me before I start. But I don’t know if I can do it.” “Why not?” “People. People drag you down.” “Who?” I asked, thinking he must mean the teachers, or adult monsters like Miss Simons, who had wanted a new skirt, or maybe his brother Eyeball who hung around with Ace and Billy and Charlie and the rest, or maybe his own mom and dad. But he said: “Your friends drag you down, Gordie. Don’t you know that?” He pointed at Vern and Teddy, who were standing and waiting for us to catch up. They were laughing about something; in fact, Vern was just about busting a gut. “Your friends do. They’re like drowning guys that are holding onto your legs. You can’t save them. You can only drown with them.
Stephen King (The Body)
Ball busting [a friendly form of humor]...contains a fundamental flaw, one that has done immeasurable harm to the male psyche, and basically eliminated dance and music as potential outlets for bonding. That is the use of the term 'gaaay.' It's a form of self-policing, some fucked-up safe word that got called out if any behavior approached a level where it felt intimate or affectionate. Really anything that felt 'feminine,' and that list was long. It was not used to describe romantic attraction to another many--though it certainly insulted that entire idea in an inexcusable way--but instead was used to reinforce what Niobe Way, a psychology professor at NYU, calls the 'crisis of connection' among men. We so fear being called -gaaay- for making connections that are 'feminine' that we sacrifice intimacy for casual banter. It's a huge disconnect, perhaps the central one at the heart of the problems of with modern male bonding. And unlike many 'male' things, it cannot be blamed on genetics. It's cultural. It's learned.
Billy Baker (We Need to Hang Out: A Memoir of Making Friends)
Leigh was amazed to uncover all this. She explains: “When I was a police officer nobody ever trained me on the collateral consequences of marijuana arrests. I had no idea . . . It’s not something they’re made aware of. It’s—go out and get numbers. Do your job.” Just as Jimmy Fletcher—the agent sent by Harry Anslinger to break Billie Holiday—never forgave himself for what he ended up doing to her, Leigh Maddox never forgave herself for what she had done to all the kids she arrested over the years. It was not enough, Leigh decided, for her to say she’s sorry. You have to make amends. So she completed her retraining as a lawyer, quit her job as a cop, and started providing services in Baltimore to help the very people she had been busting and breaking before. She set up a low-cost legal clinic called Just Advice, where she and her students fight to have the arrest records of accused drug offenders expunged any way they can. She writes to universities imploring them to provide access to scholarships to students with drug convictions. She defends drug users in court. This is Leigh’s life now.
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
AT: oKAYYYY, mY BROMO SAPIEN, AT: r U READY, AT: tO GET STRAIGHT IN, FLAT DOWN, BROAD SIDE, SCHOOL FED UP THE BONE BULGE, AT: bY A DOPE SMACKED, TRINKED OUT, SMOTHER FUDGING, AT: tROLLLLLLLLLLLLLLLLL, TG: dont care AT: oK, lET ME, AT: oRGANIZE MY NOTES HERE, AT: oKAYYY, AT: (tURN ON SOME STRICT BEATS MAYBE, iT WILL HELP TO LISTEN TO THEM WHILE i DESTROY YOU,) AT: wHEN THE POLICE MAN BUSTS ME, aND POPS THE TRUNK, AT: hE'S ALL SUPRISED TO FIND I'M TOTING SICK BILLY, AT: wHOSE, AT: gOAT IS THAT, hE ASKS, wHILE HE STOPS TO THUNK AT: aBOUT IT, aND i'S JUST SAY IT'S DAVE'S, yOU SILLY AT: gOOSE, AT: bUT THE MAN SAYS, gOOSE! wHERE, lET ME SEE YOUR HANDS, AT: aND i SAY SHIT SORRY, i DIDN'T KNOW IT WAS HONKTRABAND, AT: wOW, oK, AT: i AM GETTING OFF THE POINT, wHICH WAS, AT: aBOUT THIS HOT MESS DAVE, tHAT YOU GOT LANDED IN, AT: lIKE THE COP i MENTIONED, bUT INSTEAD OF YOUR BADGE, AT: aND YOUR GUN, IT'S YOUR ASS THAT YOU HANDED IN, AT: (aND THEN GOT HANDED BACK TO YOU,) AT: cAUSE THAT'S HOW HUMANS GET SERVED, AT: aND GUYS LIKE YOU DESERVE TO UNDERSTAND THAT iT'S, AT: a CIRCLE AND HORNS IN YOUR BUTT THAT GOT BRANDED IN, AT: (uMM, bEFORE i GAVE YOUR ASS BACK TO YOU, i DID THAT, iS WHAT i MEAN,) AT: bUT i MEAN, gETTING BACK TO THE POINT, oR MAYBE TWO ACTUALLY, AT: tHE FIRST IS YOU SUCK, aND THE SECOND IS HOW i SMACKEDYOUFULLY, AT: (oH YEAH, tHAT RHYME WAS SO ILLLLLLLLL,) AT: bUT NO, jUST JOKING, lET'S SEE, hOW CAN i PUT THIS TACTFULLULLY, AT: i MEAN THE POINTS ON THE HORNS ON MY HEAD, AT: cOMING AT YOU THROUGH TRAFFIC, AT: aIMED AT THE TARGET ON YOUR SHIRT THAT IS RED, AT: wE'RE ABOUT TO GET MAD HORNOGRAPHIC, AT: (i MEAN SORT OF LIKE A GRAPHIC CRIME SCENE, nOT LIKE,) AT: (aNYTHING SEXUAL,) AT: (eRR, wHOAAAAA,) AT: (nEVERMIND,) AT: oK, gETTING BACK TO THE ACTUAL, tACTICAL, vERNACULAR SMACKCICLE, AT: i'M FORCING YOU TO BE LICKING, (aND lIKING,) AT: gRAB MY HORNS AND START KICKING, lIKE YOU'RE RIDING A VIKING, AT: cAUSE i'M YOUR BULLY, aND YOU'RE NOT IN CHARGE, AT: yOU THINK YOU'RE IN CHARGE BUT YOU'RE NOT IN CHARGE, AT: i'M IN CHARGE, cAUSE i'M CHARGING IN, AT: yOUR CHINASHOP, AT: bREAKING, uH, yOUR PLATES AND STUFF, WHICH i DON'T REALLY KNOW, AT: wHAT THE PLATES ARE SUPPOSED TO REPRESENT, bUT, AT: (fUCK,) AT: iT'S JUST THAT YOU THINK YOU ARE THE COCK OF THE WALK'S HOT SHIT AT: bUT WHEN IN FACT YOU ARE NOT, mORE LIKE YOU ARE, AT: sOMETHING THAT RHYMES WITH THE COCK OF THE WALK'S HOT SHIT, AT: bUT IS SO MUCH WORSE THAN THE COCK'S SHIT, AT: sO, gIVEN THAT, lET ME BE THE FIRST, AT: tO SAY YOU ACT LIKE YOU'RE GOLD FROM PROSPIT, AT: wHEN YOU'RE REALLY COLD SHIT FLUSHED FROM DERSE,
Andrew Hussie (Homestuck)
And Billy, if it'll ease your mind any, I want you to know you've got a standing offer to come work for me when you're done with your military service. All you've got to do is say the word.' Now there was a depressing thought, although Billy could see how it might come to that, assuming best-case scenario he made it home with all his limbs and faculties in tact. He'd go to work for Whalers hauling oil-field pipe and blowout protectors all over the wind-scrappled barrens of Central Texas, busting his ass for slightly more than minimum wage and shitty benefits. 'Thank you, sir. I may be taking you up on that.
Ben Fountain (Billy Lynn's Long Halftime Walk)
But Sol was asleep. Sol was snoring. Billy and the gang grabbed ahold and tried to lift him out of it but Sol was as heavy and loud as a whale that had swallowed a foghorn and Billy was getting nervous. Sol was snoring loud enough to wake up Billy’s dead grandmother and right now that was the last person to whom Billy wanted to explain himself. Every attempt at waking Sol was met with cow-like inertia. ‘It aint no use,’ whined Billy, ‘we’ll have to leave him and hope he stays dumb.’ Billy Panacea and the gang cleared out, leaving Sol sound asleep in a corner. The cops had a field day. There was more evidence than they could comprehend, and god knows he had a motive. ‘So you finally did it eh Joe?’ said Chief Henry Blince. ‘That’s right Chief,’ said Solitary, beaming. ‘I did it alright. My prints are all over this premises.’ Sol was sentenced to twenty years, and he sat in his cell chuckling at what could be achieved with a well-measured dose of sleeping tablets. Two weeks later Billy Panacea and the gang brought Sol’s contentment to an end when, in a fit of remorse and criminal fraternity, they nitroed the jail and busted him out.
Steve Aylett (The Crime Studio)