“
He won every game, yet she hardly noticed. As long as she hit the ball, it resulted in shameless bragging. When she missed - well, even the fires of Hell couldn't compare to the rage that burst from her mouth. He couldn't remember a time when he'd laugh so hard.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
It seemed to work at first. I tried hard to forget, but there remained inside me a vague knot-of-air kind of thing. And as time went by, the knot began to take on a clear and simple form, a form that I am able to put into words, like this:
Death exists, not as the opposite but as a part of life.
Translate into words, it's a cliche, but at the time I felt it not as words but as that knot of air inside me. Death exists - in a paperweight, in four red and white balls on a billiard table - and we go on living and breathing it into our lungs like fine dust.
Until that time, I had understood death as something entirely separate from and independent of life. The hand of death is bound to take us, I had felt, but until the day it reaches out for us, it leaves us alone. This had seemed to me the simple, logical truth. Life is here, death is over there. I am here, not over there.
The night Kizuki died, however, I lost the ability to see death (and life) in such simple terms. Death was not the opposite of life. It was already here, within my being, it had always been here, and no struggle would permit me to forget that...
I lived through the following spring...with that kind knot of air in my chest, but I struggled all the while against becoming serious. Becoming serious was not the same thing as approaching truth, I sensed, however vaguely. But death was a fact, a serious fact, no matter how you looked at it. stuck inside this suffocating contradiction, I went on endlessly spinning in circles...In the midst of life, everything revolved around death.
”
”
Haruki Murakami (Norwegian Wood)
“
Death exists, not as the opposite but as a part of life. Translated into words, it’s a cliché, but at the time I felt it not as words but as that knot of air inside me. Death exists—in a paperweight, in four red and white balls on a billiard table—and we go on living and breathing it into our lungs like fine dust.
”
”
Haruki Murakami (Norwegian Wood)
“
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter.
He leaned out the archway and glanced at the grand staircase.
Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane.
The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway.
The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone.
John's cry for help came out as a mute, sustained rush of air--
Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness.
Meanwhile, John's heart pounded from shock...then pumped fast for a different reason.
Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal.
"You like to be chased, nalla, " Z said in a voice so deep it distorted.
Bella's smile got even wider as she backed up into a corner. "Maybe."
"So run some more, why don't you." The words were dark and even John caught the erotic threat in them.
Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan.
At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk.
Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing.
He'd caught her.
......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile.
There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time.
God, John wanted that kind of connection.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
Hello, tiny life-form of star compost, did you know that your lizardly life, too, is billiarded this way and that by quantum scissors, papers and stones? That your particles exist in a time-froth of little bridges and holes forever going back and around and under itself ? That the universe is the shape of a doughnut, and that if you had a powerful enough telescope you would see the tip of your tail?
”
”
David Mitchell (Ghostwritten)
“
Speaking about time’s relentless passage, Powell’s narrator compares certain stages of experience to the game of Russian Billiards as once he used to play it with a long vanished girlfriend. A game in which, he says,
“...at the termination of a given passage of time...the hidden gate goes down...and all scoring is doubled. This is perhaps an image of how we live. For reasons not always at the time explicable, there are specific occasions when events begin suddenly to take on a significance previously unsuspected; so that before we really know where we are, life seems to have begun in earnest at last, and we ourselves, scarcely aware that any change has taken place, are careering uncontrollably down the slippery avenues of eternity."
”
”
Anthony Powell (A Dance to the Music of Time: 1st Movement (A Dance to the Music of Time, #1-3))
“
Thought is the brain's three milliards
Of cells from the inside out.
Billions of games of billiards
Marked up as Faith and Doubt.
My Faith, but their collisions;
My logic, but their enzymes;
Their pink epinephrin, my visions;
Their white epinephrin, my crimes.
Since I am the felt arrangement
Of ten to the ninth times three,
Each atom in its estrangement
Must yet be prophetic of me.
”
”
Aldous Huxley (Island)
“
A sign read "Free drinks for billiards competitors only." Hand-lettered below read "All others will pay." It was written in blood. I could tell because a red fairy with what looked like black insect wings was writing it at the time, with his own dismembered finger.
”
”
Red Tash (Troll Or Derby)
“
Death exists, not as the opposite but as a part of life.
Translate into words, it's a cliche, but at the time I felt it not as words but as that knot of air inside me. Death exists - in a paperweight, in four red and white balls on a billiard table - and we go on living and breathing it into our lungs like fine dust.
”
”
Haruki Murakami (Norwegian Wood)
“
When he lost at his favorite game of billiards, he denounced his opponent for devoting so much time to such a game as to have become an expert in it.
”
”
Will Durant (The Story of Philosophy)
“
Billiards doesn’t have to end. A game of billiards could last for ever, even if you were losing all the time. I don’t like things to end.
”
”
Julian Barnes (The Lemon Table)
“
Death exists -- in a paperweight, in four red and white balls on a billiard table -- and we go on living and breathing it into our lungs like fine dust.
Until that time, I had understood death as something entirely separate from and independent life. The hand of death is bound to take us, I had felt, but until it reaches out for us, it leaves us alone. This had seemed to be the simple, logical truth. Life is here, death is there. I am here, not over there.
The night Kizuki died, however, I lost the ability to see death (and life) in such simple terms. Death was not the opposite of life. It was already here, in my being, it had always been here, and no struggle would permit me to forget that. When it took the seventeen-year-old Kizuki that night in May, death took me as well.
”
”
Haruki Murakami (Norwegian Wood)
“
Death exists -- in a paperweight, in four red and white balls on a billiard table -- and we go on living and breathing it into our lungs like fine dust.
Until that time, I had understood death as something entirely separate from and independent of life. The hand of death is bound to take us, I had felt, but until the day it reaches out for us, it leaves us alone. This had seemed to be the simple, logical truth. Life is here, death is there. I am here, not over there.
The night Kizuki died, however, I lost the ability to see death (and life) in such simple terms. Death was not the opposite of life. It was already here, in my being, it had always been here, and no struggle would permit me to forget that. When it took the seventeen-year-old Kizuki that night in May, death took me as well.
”
”
Haruki Murakami (Norwegian Wood)
“
The new government decided the best way to rectify this was to outlaw abortion and prohibit the sale or display of contraceptives in the Weimar constitution of 1919. During a time of unimaginable scarcity and fear, women were forced into motherhood. They were forced to make do, and the pressure to repopulate the nation, to birth and raise a new generation of mothers and soldiers, was enormous. It was the most important thing a woman could possibly do: Be the Good Mother.
”
”
Heinrich Böll (Billiards at Half-Past Nine (The Essential Heinrich Boll))
“
I learned about the propulsion system the discs use. They have a particle emitter that first shoots out a particle going three-quarters the speed of light. Then a trillionth of a second later, it shoots out another particle at light speed. The faster particle bounces off the slower particle like a billiard ball and shoots back to the ship, striking it on the side of the disc. This happens trillions of times per second, and each time the light-speed particles hit the ship, they create thrust. When you get trillions of those particle hits per second, it allows the ship to quickly accelerate to near light speed. The emitter can shoot particles from any part of the disc’s round edge, so it is a great design because it can very easily make turns and travel in any direction.
”
”
David Wilcock (The Ascension Mysteries: Revealing the Cosmic Battle Between Good and Evil)
“
Baudelaire"
When I fall asleep, and even during sleep,
I hear, quite distinctly, voices speaking
Whole phrases, commonplace and trivial,
Having no relation to my affairs.
Dear Mother, is any time left to us
In which to be happy? My debts are immense.
My bank account is subject to the court’s judgment.
I know nothing. I cannot know anything.
I have lost the ability to make an effort.
But now as before my love for you increases.
You are always armed to stone me, always:
It is true. It dates from childhood.
For the first time in my long life
I am almost happy. The book, almost finished,
Almost seems good. It will endure, a monument
To my obsessions, my hatred, my disgust.
Debts and inquietude persist and weaken me.
Satan glides before me, saying sweetly:
“Rest for a day! You can rest and play today.
Tonight you will work.” When night comes,
My mind, terrified by the arrears,
Bored by sadness, paralyzed by impotence,
Promises: “Tomorrow: I will tomorrow.”
Tomorrow the same comedy enacts itself
With the same resolution, the same weakness.
I am sick of this life of furnished rooms.
I am sick of having colds and headaches:
You know my strange life. Every day brings
Its quota of wrath. You little know
A poet’s life, dear Mother: I must write poems,
The most fatiguing of occupations.
I am sad this morning. Do not reproach me.
I write from a café near the post office,
Amid the click of billiard balls, the clatter of dishes,
The pounding of my heart. I have been asked to write
“A History of Caricature.” I have been asked to write
“A History of Sculpture.” Shall I write a history
Of the caricatures of the sculptures of you in my heart?
Although it costs you countless agony,
Although you cannot believe it necessary,
And doubt that the sum is accurate,
Please send me money enough for at least three weeks.
”
”
Delmore Schwartz
“
We may be on the verge of a massive shift in how we view time, causality, and information. Classical causality, the one-thing-after-another billiard-ball world of Isaac Newton and his Enlightenment friends, is being revealed as folk causality, a cultural construct and a belief system, not the way things really are.
”
”
Eric Wargo (Time Loops: Precognition, Retrocausation, and the Unconscious)
“
Speaking to a foreigner was the dream of every student, and my opportunity came at last. When I got back from my trip down the Yangtze, I learned that my year was being sent in October to a port in the south called Zhanjiang to practice our English with foreign sailors. I was thrilled.
Zhanjiang was about 75 miles from Chengdu, a journey of two days and two nights by rail. It was the southernmost large port in China, and quite near the Vietnamese border.
It felt like a foreign country, with turn-of-the-century colonial-style buildings, pastiche Romanesque arches, rose windows, and large verandas with colorful parasols. The local people spoke Cantonese, which was almost a foreign language. The air smelled of the unfamiliar sea, exotic tropical vegetation, and an altogether bigger world.
But my excitement at being there was constantly doused by frustration. We were accompanied by a political supervisor and three lecturers, who decided that, although we were staying only a mile from the sea, we were not to be allowed anywhere near it. The harbor itself was closed to outsiders, for fear of 'sabotage' or defection. We were told that a student from Guangzhou had managed to stow away once in a cargo steamer, not realizing that the hold would be sealed for weeks, by which time he had perished. We had to restrict our movements to a clearly defined area of a few blocks around our residence.
Regulations like these were part of our daily life, but they never failed to infuriate me. One day I was seized by an absolute compulsion to get out. I faked illness and got permission to go to a hospital in the middle of the city. I wandered the streets desperately trying to spot the sea, without success. The local people were unhelpful: they did not like non-Cantonese speakers, and refused to understand me. We stayed in the port for three weeks, and only once were we allowed, as a special treat, to go to an island to see the ocean.
As the point of being there was to talk to the sailors, we were organized into small groups to take turns working in the two places they were allowed to frequent: the Friendship Store, which sold goods for hard currency, and the Sailors' Club, which had a bar, a restaurant, a billiards room, and a ping-pong room.
There were strict rules about how we could talk to the sailors. We were not allowed to speak to them alone, except for brief exchanges over the counter of the Friendship Store. If we were asked our names and addresses, under no circumstances were we to give our real ones. We all prepared a false name and a nonexistent address. After every conversation, we had to write a detailed report of what had been said which was standard practice for anyone who had contact with foreigners. We were warned over and over again about the importance of observing 'discipline in foreign contacts' (she waifi-lu). Otherwise, we were told, not only would we get into serious trouble, other students would be banned from coming.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
... Obviously you're all quite used to the faces. But I'm beginning to wish I were back among my poor old harmless lunatics. Are you all blind, then? So easily fooled? Don't you see they'd kill you all for less than a gesture, for less than a sandwich? You needn't even be dark-haired or blond anymore, or show your grandmother's birth certificate. They'd kill you if they just didn't like your faces. Didn't you see the posters on the wall? Are you blind? You just don't know anymore where you are ... Respectable, respectable. I'm scared, old man-- I've never felt such a stranger among people, not even in 1935 and not in 1942. Maybe I do need time, but even centuries wouldn't be enough to get me used to their faces. Respectable, respectable, without a trace of grief. What's a human being without grief?
”
”
Heinrich Böll (Billiards at Half-Past Nine)
“
There was only one thing for me to do when I started my new life in the dorm: stop taking everything so seriously; establish a proper distance between myself and everything else. Forget about green-felt pool tables and red N-360s and white flowers on school desks; about smoke rising from tall crematorium smokestacks, and chunky paperweights in police interrogation rooms. It seemed to work at first. I tried hard to forget, but there remained inside me a vague knot-of-air kind of thing. And as time went by, the knot began to take on a clear and simple form, a form that I am able to put into words, like this: Death exists, not as the opposite but as a part of life. Translated into words, it’s a cliché, but at the time I felt it not as words but as that knot of air inside me. Death exists—in a paperweight, in four red and white balls on a billiard table—and we go on living and breathing it into our lungs like fine dust.
”
”
Haruki Murakami (Norwegian Wood)
“
After Evie had finished her plate, Sebastian tugged her to the billiards table and handed her a cue stick with a leather tip. Ignoring her attempts to refuse him, he proceeded to instruct her in the basics of the game. “Don’t try to claim this is too scandalous for you,” he told her with mock severity. “After running off with me to Gretna Green, nothing is beyond you. Certainly not one little billiards game. Bend over the table.”
She complied awkwardly, flushing as she felt him lean over her, his body forming an exciting masculine cage as his hands arranged hers on the cue stick. “Now,” she heard him say, “curl your index finger around the tip of the shaft. That’s right. Don’t grip so tightly, sweet…let your hand relax. Perfect.” His head was close to hers, the light scent of sandalwood cologne rising from his warm skin. “Try to imagine a path between the cue ball—that’s the white one—and the colored ball. You’ll want to strike right about there”—he pointed to a place just above center on the cue ball—“to send the object ball into the side pocket. It’s a straight-on shot, you see? Lower your head a bit. Draw the cue stick back and try to strike in a smooth motion.”
Attempting the shot, Evie felt the tip of the cue stick fail to make proper contact with the white ball, sending it spinning clumsily off to the side of the table.
“A miscue,” Sebastian remarked, deftly catching the cue ball in his hand and repositioning it. “Whenever that happens, reach for more chalk, and apply it to the tip of the cue stick while looking thoughtful. Always imply that your equipment is to blame, rather than your skills.”
Evie felt a smile rising to her lips, and she leaned over the table once more. Perhaps it was wrong, with her father having passed away so recently, but for the first time in a long while, she was having fun.
Sebastian covered her from behind again, sliding his hands over hers. “Let me show you the proper motion of the cue stick—keep it level—like this.” Together they concentrated on the steady, even slide of the cue stick through the little circle Evie had made of her fingers. The sexual entendre of the motion could hardly escape her, and she felt a flush rise up from the neck of her gown. “Shame on you,” she heard him murmur. “No proper young woman would have such thoughts.”
A helpless giggle escaped Evie’s lips, and Sebastian moved to the side, watching her with a lazy smile. “Try again.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
The stale air, the incessant, inane clatter of the billiard balls, the perpetual hacking cough of a half-blind journalist opposite me, the spindle-shanked infantry officer, alternately picking his nose or combing his moustache with nicotine-stained fingers in front of a small pocket-mirror, the seething clump of vile, sweaty, gabbling Italians round the card table in the corner, now rapping their knuckles and squawking as they played their trumps, now hawking up a lump of phlegm and spewing it onto the floor: all that was bad enough, but to see it reflected two, three times over in the mirrors on the walls! It slowly sucked the blood out of my veins.
”
”
Gustav Meyrink (The Golem)
“
For a long time I felt cut off from the world, a billiard ball in a Cartesian space, and a gulf separated me from the fish, animals, trees, and people—my mind was not content or whole. There were symptoms, such as having more thoughts than I could possibly use at any given moment, and clumsiness with people, but probably the main symptom was of being shut out of the magic in things. I worried at the problem, studying animals and plants and noticing that all the steps I took did not help. Then one day the gap wasn’t there anymore. After the gap disappeared, I could let a situation tell me what it was about, let people reveal themselves to me, without finding a problem. Sometimes wholeness is just given. It has to be given actually, because effort leads to effort, not to wholeness.
”
”
John Tarrant (Bring Me the Rhinoceros: And Other Zen Koans That Will Save Your Life)
“
And, before long, he'd got fat and his stall was decked out with chrome and plate glass, and glittering automats had been installed. Getting hog-fat on pfennigs, getting bossy though only a few months before he'd been forced to obsequiously lower the price of a lemonade by two pfennigs, meanwhile whispering anxiously, 'But don't tell anyone else.'
No feelings would come to him as he went rocking on in No. 11 through the old town, the new town, past allotment gardens and gravel pits to Blessenfeld. He had heard the names of the stops four thousand times: Boisserée Street, North Park, Bleisscher Station, Inner Ring. They sounded strange, the names, as if out of dreams which others had dreamed and vainly tried to let him share; they sounded like calls for help in a heavy fog, while the almost empty streetcar went on toward the end of the line in the afternoon summer sun.
”
”
Heinrich Böll (Billiards at Half-Past Nine)
“
Let us pause for a moment and consider the structure of the atom as we know it now. Every atom is made from three kinds of elementary particles: protons, which have a positive electrical charge; electrons, which have a negative electrical charge; and neutrons, which have no charge. Protons and neutrons are packed into the nucleus, while electrons spin around outside. The number of protons is what gives an atom its chemical identity. An atom with one proton is an atom of hydrogen, one with two protons is helium, with three protons is lithium, and so on up the scale. Each time you add a proton you get a new element. (Because the number of protons in an atom is always balanced by an equal number of electrons, you will sometimes see it written that it is the number of electrons that defines an element; it comes to the same thing. The way it was explained to me is that protons give an atom its identity, electrons its personality.) Neutrons don't influence an atom's identity, but they do add to its mass. The number of neutrons is generally about the same as the number of protons, but they can vary up and down slightly. Add a neutron or two and you get an isotope. The terms you hear in reference to dating techniques in archeology refer to isotopes—carbon-14, for instance, which is an atom of carbon with six protons and eight neutrons (the fourteen being the sum of the two). Neutrons and protons occupy the atom's nucleus. The nucleus of an atom is tiny—only one millionth of a billionth of the full volume of the atom—but fantastically dense, since it contains virtually all the atom's mass. As Cropper has put it, if an atom were expanded to the size of a cathedral, the nucleus would be only about the size of a fly—but a fly many thousands of times heavier than the cathedral. It was this spaciousness—this resounding, unexpected roominess—that had Rutherford scratching his head in 1910. It is still a fairly astounding notion to consider that atoms are mostly empty space, and that the solidity we experience all around us is an illusion. When two objects come together in the real world—billiard balls are most often used for illustration—they don't actually strike each other. “Rather,” as Timothy Ferris explains, “the negatively charged fields of the two balls repel each other . . . were it not for their electrical charges they could, like galaxies, pass right through each other unscathed.” When you sit in a chair, you are not actually sitting there, but levitating above it at a height of one angstrom (a hundred millionth of a centimeter), your electrons and its electrons implacably opposed to any closer intimacy.
”
”
Bill Bryson (A Short History of Nearly Everything: 2.0)
“
Newton had bequeathed to Einstein a universe in which time had an absolute existence that tick-tocked along independent of objects and observers, and in which space likewise had an absolute existence. Gravity was thought to be a force that masses exerted on one another rather mysteriously across empty space. Within this framework, objects obeyed mechanical laws that had proved remarkably accurate—almost perfect—in explaining everything from the orbits of the planets, to the diffusion of gases, to the jiggling of molecules, to the propagation of sound (though not light) waves. With his special theory of relativity, Einstein had shown that space and time did not have independent existences, but instead formed a fabric of spacetime. Now, with his general version of the theory, this fabric of spacetime became not merely a container for objects and events. Instead, it had its own dynamics that were determined by, and in turn helped to determine, the motion of objects within it—just as the fabric of a trampoline will curve and ripple as a bowling ball and some billiard balls roll across it, and in turn the dynamic curving and rippling of the trampoline fabric will determine the path of the rolling balls and cause the billiard balls to move toward the bowling ball. The curving and rippling fabric of spacetime explained gravity, its equivalence to acceleration, and, Einstein asserted, the general relativity of all forms of motion.92 In the opinion of Paul Dirac, the Nobel laureate pioneer of quantum mechanics, it was “probably the greatest scientific discovery ever made.” Another of the great giants of twentieth-century physics, Max Born, called it “the greatest feat of human thinking about nature, the most amazing combination of philosophical penetration, physical intuition and mathematical skill.
”
”
Walter Isaacson (Einstein: His Life and Universe)
“
Two nights after the Chaworth ball, Gabriel practiced at the billiards table in the private apartments above Jenner's. The luxurious rooms, which had once been occupied by his parents in the earlier days of their marriage, were now reserved for the convenience of the Challon family. Raphael, one of his younger brothers, usually lived at the club, but at the moment was on an overseas trip to America. He'd gone to source and purchase a large quantity of dressed pine timber on behalf of a Challon-owned railway construction company. American pine, for its toughness and elasticity, was used as transom ties for railways, and it was in high demand now that native British timber was in scarce supply.
The club wasn't the same without Raphael's carefree presence, but spending time alone here was better than the well-ordered quietness of his terrace at Queen's Gate. Gabriel relished the comfortably masculine atmosphere, spiced with scents of expensive liquor, pipe smoke, oiled Morocco leather upholstery, and the acrid pungency of green baize cloth. The fragrance never failed to remind him of the occasions in his youth when he had accompanied his father to the club.
For years, the duke had gone almost weekly to Jenner's to meet with managers and look over the account ledgers. His wife Evie had inherited it from her father, Ivo Jenner, a former professional boxer. The club was an inexhaustible financial engine, its vast profits having enabled the duke to improve his agricultural estates and properties, and accumulate a sprawling empire of investments. Gaming was against the law, of course, but half of Parliament were members of Jenner's, which had made it virtually exempt from prosecution.
Visiting Jenner's with his father had been exciting for a sheltered boy. There had always been new things to see and learn, and the men Gabriel had encountered were very different from the respectable servants and tenants on the estate. The patrons and staff at the club had used coarse language and told bawdy jokes, and taught him card tricks and flourishes. Sometimes Gabriel had perched on a tall stool at a circular hazard table to watch high-stakes play, with his father's arm draped casually across his shoulders. Tucked safely against the duke's side, Gabriel had seen men win or lose entire fortunes in a single night, all on the tumble of dice.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
What happens to a billiard ball, say, if you shoot it through a wormhole at its slightly younger self, trying to deflect it off course? A physicist at the Russian Space Institute in Moscow named Igor Novikov worked out the math that would govern a trans-temporal, suicidal (or at least self-inhibiting) billiards game (a sort of cross between billiards and Russian roulette), and he discovered something remarkably reassuring: physical law would actually prevent the billiard ball from inhibiting its past self. In fact, a principle of self-consistency would govern a wormhole-riddled universe. Even if an object could enter a wormhole at some time point B and emerge earlier, at some time point A, it could never actually interfere with its own entry into the wormhole at that later time point B.7 Two of Thorne’s students checked and found that Novikov was right: a time-traveling billiard ball cannot take the place of its younger self.8 (According to physicist Nick Herbert, it is analogous to the exclusion principle discovered by Wolfgang Pauli, which prevents any two electrons from occupying the same states simultaneously—a principle that ultimately makes the world built of tiny probabilistic particles solid.9) More recently, the physicist Seth Lloyd designed and actually conducted such an experiment using a photon and what he called a quantum gun—essentially shooting the photon a few billionths of a second back in time to interfere with its past self. He discovered he couldn’t. “No matter how hard the time-traveler tries, she finds her grandfather is a tough guy to kill.”10 This does not mean that time travel is impossible. Quite the contrary. It means that the time-traveling object encounters and interacts with its earlier self in precisely such a way that its later entry into the wormhole is facilitated rather than impeded. In other words, all possible paths of a billiard ball entering a wormhole would, upon exiting the wormhole earlier, nudge itself into the mouth of the wormhole later, thus completing the causal tautology, or what physicists call the closed-timelike curve. These days, quantum physicists like Lloyd use the idiom of postselection, a kind of informational-causal Darwinism that ensures that the only information that survives its journey into the past is information that does not foreclose its origins in the future. It’s not like there’s a Causality Police stepping in now and again to prevent grandfather paradoxes from occurring, or that time travelers need to step gingerly in the past to avoid disturbing things (a common trope in time-travel stories)—although they may in fact find that funny paranormal experiences impede them in ways they hadn’t expected. Guns might misfire at a crucial moment, for instance. (There’s nothing keeping you from trying to kill your grandfather.) But mainly, it is that time travelers from the future who survive their journey into the past are the ones whose actions somehow lead to the identical future from which they will have been sent back. Time loops, in other words.
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Eric Wargo (Precognitive Dreamwork and the Long Self: Interpreting Messages from Your Future (A Sacred Planet Book))
“
Even in the equations that had been formulated to describe electromagnetism, there is no natural directionality to the interactions of particles; the equations look the same going both directions. If you looked at a video of atoms interacting, you could play it backward and you wouldn’t be able to tell which was correct. It is only in the macroworld of objects, people, planets, and so on, the world governed by entropy, that causation appears to unfold in a single direction. The second law of thermodynamics describes the increasing disorder in the universe at macroscales and is often seen as equivalent to the one-way arrow of time. More and more physicists over the past few decades, sensitive to the nondirectionality that seems to rule at the micro or quantum level, have begun to question the no-teleology rule. Recall that the tiny particles making up the matter and energy of the physical universe are really like worms or strings snaking through the block universe of Minkowski spacetime. Their interactions, which look to us a bit like tiny balls colliding on a billiard table, are from a four-dimensional perspective more like threads intertwining; the twists and turns where they wrap around each other are what we see as collisions, interactions, and “measurements” (in the physicists’ preferred idiom). Each interaction changes information associated with those threads—their trajectory through the block universe (position and momentum) as well as qualities like “spin” that influence that trajectory. According to some recent theories, a portion of the information particles carry with them actually might propagate backward rather than forward across their world lines. For instance, an experiment at the University of Rochester in 2009 found that photons in a laser beam could be amplified in their past when interacted with a certain way during a subsequent measurement—true backward causation, in other words.8 The Israeli-American physicist Yakir Aharonov and some of his students are now arguing that the famous uncertainty principle—the extent to which the outcome of an interaction is random and unpredictable—may actually be a measure of the portion of future influence on a particle’s behavior.9 In other words, the notorious randomness of quantum mechanics—those statistical laws that captured Jung’s imagination—may be where retrocausation was hiding all along. And it would mean Einstein was right: God doesn’t play dice.*23 If the new physics of retrocausation is correct, past and future cocreate the pattern of reality built up from the threads of the material world. The world is really woven like a tapestry on a four-dimensional loom. It makes little sense to think of a tapestry as caused by one side only;
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Eric Wargo (Precognitive Dreamwork and the Long Self: Interpreting Messages from Your Future (A Sacred Planet Book))
“
A strange thing happened to me at those Von Rabbeks’,” he began, trying to put an indifferent and ironical tone into his voice. “You know I went into the billiard-room...” He began describing very minutely the incident of the kiss, and a moment later relapsed into silence... In the course of that moment he had told everything, and it surprised him dreadfully to find how short a time it took him to tell it. He had imagined that he could have
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Elsinore Books (Classic Short Stories: The Complete Collection: All 100 Masterpieces)
“
There’s more!! In addition to your $400,000/year salary, you also get: • A no-questions-asked $50,000 expense account—in other words, you’re not required to provide receipts to get reimbursed. But if you don’t spend it all, you have to give what’s left back to the Treasury Department every year. • To live rent-free in a nice big house that includes a bowling alley, putting green, jogging track, billiard room, tennis courts, swimming pool, and movie theater (with various contacts in Hollywood providing all first-run movies for free). • Five full-time chefs who are standing by to prepare the food you paid for (see above). A nice, secluded, 180-acre vacation home in Maryland called Camp David that includes numerous cabins for the president and guests, a heated pool, tennis, horseshoes, bowling, a three-hole golf course, an archery range, and a trout stream. • The presidential version of “public” transportation: limos, helicopters, and your own personal jets. • Up to one million dollars you can spend every year for “unanticipated needs,” in case you ever go over budget somewhere else.
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Gregg Stebben (White House Confidential: The Little Book of Weird Presidential History)
“
The sooner we can face the bizarre fact that we make our past in the process of finding it, and find it in the process of making it, the sooner our attitude can become one of care for our Long Self in the block universe. Dream journaling with an eye to precognition—precognitive dreamwork—is the first step. But you may find, as you build up a corpus of precognitive dreams and come face to face with the reality of that Long Self on a daily or near-daily basis, that mapping out those dream connections and reexploring what may have seemed like dead-and-gone territory—your past life, however meandering it may have seemed at the time, however traumatic it may have been, even—starts to brings even more amazing rewards and insights than just identifying discrete precognitive dream hits. This is because even if we can’t change the past or future, precognition (and the retrocausation it implies) changes everything we thought we knew about both. It is redemptive. We see our past and future selves unclearly and obliquely. But in fact, the distance between you now and you decades from now, or decades ago, may be just a wrinkled piece of cellophane. When we realize that our major upheavals in the second half of life may actually have been the billiard balls deflecting us when we were younger, it compels a new kind of sympathy and understanding for that immature being we once were—and by extension, a new kind of loyalty to the person we will become. The Long Self is truly an epic composition, and you are the one composing it. Like a writer of your soul, your aesthetic decisions now turn out to have shaped yourself long in the past, and your decisions in your future are shaping your experience now. Tobi characterizes it this way: “I believe we are involved in creating the already-written lives that we enact.” To consciously manifest and realize this amazing fact, you must build habits of self-care. Recognize that care for yourself at other ages is not just an attitude but has a real effect, a real outcome in the past—and via the past, in your future. “This is the part of the route without a short cut,” Tobi insists. “You must do the tasks, you must care.” Tobi wrote in another email: “It delights me to think that all those times I wished aloud to my family that I could go back and assure my younger self and the younger selves of my family members that we got through that time, that all would be well, that we survived, that I actually was doing that.
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Eric Wargo (Precognitive Dreamwork and the Long Self: Interpreting Messages from Your Future (A Sacred Planet Book))
“
Wrath bared his fangs. “John, as God is my fucking witness, I will cut you if you don’t—”
“Easy, there, big guy,” V gritted out. “I’m going to translate. You want to hit the library where we can—”
“No, I want to fucking know where my shellan is!” Wrath boomed.
John started signing, and whereas most of the time people translated half sentences sequentially, V waited until he’d finished the whole report.
A couple of the Brothers muttered in the background as they shook their heads.
“In the library,” V ordered the King in a way John never could have. “You’re gonna wanna do this in the library.”
Wrong thing to say.
Wrath wheeled on the Brother and went for him with such speed and accuracy no one was prepared: One minute V was standing next to the King; the next he was defending himself against an attack that was as unprovoked as it was . . . well, vicious.
And then things went shit-wild. Like Wrath knew he was on the thin edge of a bad ledge, he broke off from V, and went total wrecking ball on the billiards room.
The first thing he ran into was the pool table Butch was chilling next to—and there was barely any time for the cop to get that ashtray up off the side rails: Wrath grabbed the gunnels and flipped the thing like it was nothing but a card table, the mahogany and slate-topped behemoth flying up so high, it wiped out the hanging light fixture above, its weight so great it splintered the marble floor beneath on landing.
Without missing a breath, the King EF5’d into his next victim . . . the heavy leather sofa that Rhage had just leaped up off.
Talk about your couch-icopters.
The entire thing came at John at about five feet off the floor, the pair of ends trading places as it spun around and around, cushions flying in all directions. He didn’t take it personally—especially as its mate do-si-doed with the bar, smashing the top-shelf bottles, liquor splashing all over the walls, the floor, the fire that was crackling in the hearth.
Wrath wasn’t finished.
The King picked up a side table, hauled it overhead, and pitched it in the direction of the TV.
It missed the plasma screen, but managed to shatter an old-fashioned mirror—although the Sony didn’t last.
The coffee table that had been in between the two sofas did that deed, killing the muted image of the two Boston guys and the old man from Southie with the baseball bat shilling for DirectTV.
The Brothers just let Wrath go.
It wasn’t that they were afraid of getting hurt.
Hell, Rhage stepped in and caught the first couch before it tore a hunk off of the archway’s molding.
They just weren’t stupid.
Wrath - Beth x Overnight = Psycho-hose Beast
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J.R. Ward (The King (Black Dagger Brotherhood, #12))
“
In the plain ordinary hustle you hide your true speed; in the
psychological hustle you try to drive your opponent out of his fucking
skull... There is a small-time pool player in San Francisco called Snakeface
who pretends that if he gets beat he might go crazy or get a heart attack.
He's no youngster, but when he misses a shot or gets a bad break he jumps
back, swings his cue in a circle, cusses with all his strength, and turns
beet red. Years ago he used to put his head down and run himself into the
wall, but he gave that up. This act puts quite a bit of pressure on the guy
he is playing, who may not want to kill an old man for two dollars.
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”
Danny McGoorty (McGoorty: A Billiard Hustler's Life)
“
You might argue that even if cats do not have a permanent identity, their atoms do. But this presupposes that atoms are like billiard balls with distinguishing marks and permanent identities. They aren't. Two atoms of the same kind are indistinguishable. One cannot 'put labels on them' and recognize them individually later. Moreover, at the deeper, subatomic level the atoms themselves are in a perpetual state of flux. We think things persist in time because structures persist, and we mistake the structure for substance. But looking for enduring substance is like looking for time. It slips through your fingers. One cannot step into the same river twice.
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Julian Barbour (The End of Time: The Next Revolution in Our Understanding of the Universe)
“
it is hard for me to believe that Cornelius Vanderbilt did not sense, at some point in time, in some dim billiard room of his unconscious, that when he built “The Breakers” he damned himself.
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Joan Didion (Slouching Towards Bethlehem)
“
Like Wheeler and Feynman, Cramer proposed that the wavefunction of a particle moving forward in time is just one of two relevant waves determining its behavior. The retarded wave in Cramer’s theory is complemented by a response wave that travels specifically from the particle’s destination, in temporal retrograde. In his theory, a measurement, or an interaction, amounts to a kind of “handshake agreement” between the forward-in-time and backward-in-time influences.13 This handshake can extend across enormous lengths of time, if we consider what happens when we view the sky at night. As Cramer writes: When we stand in the dark and look at a star a hundred light years away, not only have the retarded waves from the star been traveling for a hundred years to reach our eyes, but the advanced waves generated by absorption processes within our eyes have reached a hundred years into the past, completing the transaction that permitted the star to shine in our direction.14 Cramer may not have been aware of it, but his poetic invocation of the spacetime greeting of the eye and a distant star, and the transactional process that would be involved in seeing, was actually a staple of medieval and early Renaissance optics. Before the ray theory of light emerged in the 1600s, it was believed that a visual image was formed when rays projecting out from the eye interacted with those coming into it. It goes to show that everything, even old physics, comes back in style if you wait long enough—and it is another reason not to laugh too hard, or with too much self-assurance, at hand-waving that seems absurd from one’s own limited historical or scientific standpoint. In short: Cramer’s and Aharonov’s theories both imply a backward causal influence from the photon’s destination. The destination of the photon “already knows” it is going to receive the photon, and this is what enables it to behave with the appropriate politeness. Note that neither of these theories have anything to do with billiard balls moving in reverse, a mirror of causation in which particles somehow fly through spacetime and interact in temporal retrograde. That had been the idea at the basis of Gerald Feinberg’s hypothesized tachyons, particles that travel faster than light and thus backward in time. It inspired a lot of creative thinking about the possibilities of precognition and other forms of ESP in the early 1970s (and especially inspired the science-fiction writer Philip K. Dick), but we can now safely set aside that clunky and unworkable line of thinking as “vulgar retrocausation.” No trace of tachyons has turned up in any particle accelerator, and they don’t make sense anyway. What we are talking about here instead is an inflection of ordinary particles’ observable behavior by something ordinarily unobservable: measurements—that is, interactions—that lie ahead in those particles’ future histories. Nothing is “moving” backwards in time—and really, nothing is “moving” forwards in time either. A particle’s twists and turns as it stretches across time simply contain information about both its past and its future.
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Eric Wargo (Time Loops: Precognition, Retrocausation, and the Unconscious)
“
The egg (which presumably had been liberated from the Piazza's kitchen) was help precisely, released exactly, and timed to the centisecond. The experiment continued with a teacup, a billiard ball, a dictionary, and the pineapple, all of which completed their journey to the dance floor in the same amount of time. Thus, in the ballroom of the Metropol Hotel on the twenty-first of June 1926, was the heretic, Galileo of Galilei, vindicated by a ping, a splat, a smash, a thunk, a thump, and a thud.
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Amor Towles (A Gentleman in Moscow)
“
No such suspension of disbelief was needed on the morning of 13 September 1645. If I had been looking south from my house, I would have seen an awesome sight. During the civil war fought all over Britain and Ireland, the Scottish army led by General David Leslie surprised the Royalists and the Marquis of Montrose at Philiphaugh, west of Selkirk. In the early morning mist, he sent about 2,000 cavalry troopers through our little valley, perhaps keeping to the metalled surface of the old road leading to Oakwood Fort. They moved quietly around Howden Hill and, while Leslie led the rest of his army in a frontal assault, the cavalry attacked the rear of the Royalists and scattered them. Philiphaugh was a savage, sadistic rout with much unnecessary slaughter excused by fundamentalist piety. The greater part of the landscape of the valley was much altered after 1645. The fields, the thorn hedges, the shelterbelts of hardwoods, the steadings, the big houses and their policies are not old. After the middle of the 18th century, the pace of agricultural improvement quickened and shaped much of the countryside we see now and believe to be traditional. One of the most important catalysts was drainage and below where I sit in the evening stretches the 35-acre Tile Field. It is billiard-table flat because it was scraped for clay and at the western end stood a tile works. Its kilns were fired by the trees of the Hartwood and the clay puddled in a pond formed by the Common Burn and the Hartwoodburn.
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Alistair Moffat (Scotland: A History from Earliest Times)
“
It took quantum theory … to reconcile how both ideas could be true: photons and other subatomic particles—electrons, protons, and so forth—exhibit two complementary qualities; they are, as one physicist put it, “wavicles.” To explain the idea … physicists often used a thought experiment, in which Young’s double-slit demonstration is repeated with a beam of electrons instead of light. Obeying the laws of quantum mechanics, the stream of particles would split in two, and the smaller streams would interfere with each other, leaving the same kind of light- and dark-striped pattern as was cast by light. Particles would act like waves.311 In 1961, this idea was actually tested with electrons, and it worked as expected. Elementary particles, chunks of stuff like little billiard balls, behave like waves, provided that you aren’t looking. This can be demonstrated easily even if you shoot a single photon one at a time through a double-slit apparatus.312 However—and this is the frosting on the quantum measurement problem—those very same chunks of stuff behave like particles when you do look at them. Technically, the process of looking is called gaining “which-path” information, in which you learn which path a photon took as it traveled through the double-slit apparatus. To repeat: If you know that it goes through the left slit or the right slit, typically determined using a detector placed behind each slit, then the photon will behave like a particle. But if you don’t know, then it will behave like a wave. Assumptions The experiment we conducted took advantage of this intriguing effect. It was based on two assumptions: (A) If information is gained—by any means—about a photon’s path as it travels through two slits, then the quantum wavelike interference pattern, produced by photons traveling through the slits, will “collapse” in proportion to the certainty of the knowledge obtained. (B) If some aspect of consciousness is a primordial, self-aware feature of the fabric of reality, and that property is modulated by us through capacities we enjoy as attention and intention, then focusing human attention on a double-slit system may extract information about the photon’s path, and in turn that will affect the interference pattern.
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Dean Radin (Supernormal: Science, Yoga and the Evidence for Extraordinary Psychic Abilities)
“
Noether proved mathematically that equations will only exhibit this symmetry if they are associated with a quantity whose value does not change. In other words, for time translation symmetry to exist in the laws of mechanics, something must be conserved. That something is what we call energy. Noether’s theorem goes far beyond energy conservation. It shows that whenever equations contain a symmetry, some quantity must be conserved. For example, the laws of mechanics do not regard one location in space as being more special than any other. Billiard balls follow these laws irrespective of where in the universe they are. This means the laws of mechanics have a spatial symmetry as well as a temporal one. For this to happen, a quantity called momentum is conserved. This is linked to the idea of inertia—the familiar feeling of being thrown forward when the vehicle you’re in brakes suddenly. Put another way, this happens to ensure the laws of mechanics are the same everywhere in the universe. Other conserved quantities linked to symmetries include angular momentum and electrical charge.
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Paul Sen (Einstein's Fridge: How the Difference Between Hot and Cold Explains the Universe)
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once confided to him late at night after a game of billiards and rather a lot of excellent port that his wife hated it so much that she’d only let him do it when she wanted a baby. She was a damned attractive woman, too, and a wonderful wife, as Martyn had said. In other ways. They had five children, and Martyn didn’t think she was going to wear a sixth. Rotten for him. When Edward had suggested that he find consolation elsewhere, Martyn had simply gazed at him with mournful brown eyes and said, ‘But I’m in love with her, old boy, always have been. Never looked at anyone else. You know how it is.’ And Edward, who didn’t, said of course he did. That conversation had warned him off Marcia Slocombe-Jones anyhow. It didn’t matter, because although he could have gone for her there were so many other girls to go for. How lucky he was! To have come back from France not only alive, but relatively unscathed! In winter, his chest played him up a bit due to living in trenches where the gas had hung about for weeks, but otherwise . . . Since then he’d come back, gone straight into the family firm, met Villy at a party, married her as soon as her contract with the ballet company she was with expired and as soon as she’d agreed to the Old Man’s dictate that her career should stop from then on. ‘Can’t marry a gal whose head’s full of something else. If marriage isn’t the woman’s career, it won’t be a good marriage.’ His attitude was thoroughly Victorian, of course, but all the same, there was quite a lot to be said for it. Whenever Edward looked at his own mother, which he did infrequently but with great affection, he saw her as the perfect reflection of his father’s attitude: a woman who had serenely fulfilled all her family responsibilities and at the same time retained her youthful enthusiasms – for her garden that she adored and for music. At over seventy, she was quite capable of playing double concertos with professionals. Unable to discriminate between the darker, more intricate veins of temperament that distinguish one person from another, he could not really see why Villy should not be as happy and fulfilled as the Duchy. (His mother’s Victorian reputation for plain living – nothing rich in food and no frills or pretensions about her own appearance or her household’s had long ago earned her the nickname of Duchess – shortened by her own children to
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Elizabeth Jane Howard (The Light Years (Cazalet Chronicles, #1))
“
THE DEPOT at Nochecita had smooth stuccoed apricot walls, trimmed in a somehow luminous shade of gray—around the railhead and its freight sheds and electrical and machine shops, the town had grown, houses and businesses painted vermilion, sage, and fawn, and towering at the end of the main street, a giant sporting establishment whose turquoise and crimson electric lamps were kept lit all night and daytime, too, for the place never closed. There was an icehouse and a billiard parlor, a wine room, a lunch and eating counter, gambling saloons and taquerías. In the part of town across the tracks from all that, Estrella Briggs, whom everybody called Stray, was living upstairs in what had been once the domestic palace of a mine owner from the days of the first great ore strikes around here, now a dimly illicit refuge for secret lives, dark and in places unrepainted wood rearing against a sky which since this morning had been threatening storm. Walkways in from the street were covered with corrugated snow-shed roofing. The restaurant and bar on the ground-floor corner had been there since the boom times, offering two-bit all-you-can-eat specials, sawdust on the floor, heavy-duty crockery, smells of steaks, chops, venison chili, coffee and beer and so on worked into the wood of the wall paneling, old trestle tables, bar and barstools. At all hours the place’d be racketing with gambling-hall workers on their breaks, big-hearted winners and bad losers, detectives, drummers, adventuresses, pigeons, and sharpers. A sunken chamber almost like a natatorium at some hot-springs resort, so cool and dim that you forgot after a while about the desert waiting out there to resume for you soon as you stepped back into it. . . .
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Thomas Pynchon (Against the Day)
“
What happens is that people don’t know, and so they can’t help me,’ he was saying calmly. ‘But when they open their morning newspapers and see that thirty thousand elephants are being killed every year to make paper knives and
billiard balls, and that there’s a man who's doing his damnedest to stop this mass murder, they’ll raise hell. When they hear that out of a hundred baby elephants captured for the zoos eighty die in the first days, you’ll see what public opinion will say. There's such a thing as popular feeling, you know. That’s the kind of thing that makes a government fall, I tell you. All that’s needed is for the people to know.’
’It was intolerable. I listened gaping, absolutely struck dumb. The man had faith in us, totally and unshakably, and that was something, a faith in us that looked as strong, as natural, as irrational as the elements, as the sea or the wind — something, by God, that looked in the end like the force of truth itself. I had to make an effort to defend myself — not to succumb to that amazing naivete. He really believed that people still had the generosity, the heart, in the ugly times we live in, to worry not only about themselves, but about elephants as well. It was enough to make you weep. I stood there in silence, staring at him — admiring him, I should say — with that gloomy, obstinate expression of his, and that damned briefcase. Ridiculous, if you like, yet also disarming, because I felt he was completely convinced by all the beautiful things man has sung about himself in his moments of inspiration. And with it all, a pigheaded obstinacy — the revolting thoroughness of a schoolmaster who’s got it into his head that he’ll make humanity do its homework and would not hesitate to punish it if it misbehaved. You can see from what I say that he was a highly contagious man.
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Romain Gary (The Roots of Heaven)
“
WhatsApp+27631688634 Snooker table for sale in Hankey, Indwe
Calls/WhatsApp: +27631688634
Snooker tables, pool tables, foosball tables, pinball machines, arcade games and PlayStation 5 Slim for sale at Unity Pool Tables are an excellent addition to any dining room or games room. Furnish your home or pool club with a beautifully handcrafted, functional piece of billiard furniture. We manufacture, service and install beautifully handcrafted hard wood pool tables for sale to homes, clubs and recreational venues in South Africa and across borders. We offer a professional installation service and doorstep delivery across South Africa, including all coastal towns. However, with so many models, styles, and sizes to choose from, it can be tough to choose the best pool table. We’ll go through all the variables and choices, measurements and possibilities with you so you can make the best decision possible.
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Recapture the magic of old-school arcade gaming in the comfort of your own home. This collection of coin-operated machines packs an astounding 6000 retro games into a single cabinet, giving you endless options to challenge your skills and relive the glory days. Built to withstand the test of time, these arcade cabinets are crafted from sturdy wood that will maintain its pristine condition for years to come. And the best part? You can customize the artwork to make it truly your own. Whether you want to showcase your business logo or simply add a personal touch, the creative possibilities are endless.
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Unity Pool Tables
“
WhatsApp+27631688634 Pool table for sale in Port Elizabeth
Calls/WhatsApp: +27631688634
Snooker tables, pool tables, foosball tables, pinball machines, arcade games and PlayStation 5 Slim for sale at Unity Pool Tables are an excellent addition to any dining room or games room. Furnish your home or pool club with a beautifully handcrafted, functional piece of billiard furniture. We manufacture, service and install beautifully handcrafted hard wood pool tables for sale to homes, clubs and recreational venues in South Africa and across borders. We offer a professional installation service and doorstep delivery across South Africa, including all coastal towns. However, with so many models, styles, and sizes to choose from, it can be tough to choose the best pool table. We’ll go through all the variables and choices, measurements and possibilities with you so you can make the best decision possible.
Unleash your inner arcade champion with our Assorted Coin Operated Arcade Machines.
• 6000 games in 1
• Durable wood construction for long-lasting use with overlay, and printed directly onto wood for long-lasting quality.
• Customize with your own branding or choose one of our designs.
Recapture the magic of old-school arcade gaming in the comfort of your own home. This collection of coin-operated machines packs an astounding 6000 retro games into a single cabinet, giving you endless options to challenge your skills and relive the glory days. Built to withstand the test of time, these arcade cabinets are crafted from sturdy wood that will maintain its pristine condition for years to come. And the best part? You can customize the artwork to make it truly your own. Whether you want to showcase your business logo or simply add a personal touch, the creative possibilities are endless.
”
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Unity Pool Tables