Bill Cunningham Quotes

Fashion is the armor to survive everyday life.

He who seeks beauty will find it.

Money’s the cheapest thing. Liberty and freedom is the most expensive.

If you don’t take money, they can’t tell you what to do.

It’s a ridiculous belief that money brings taste; it definitely doesn’t. As a matter of fact, it often merely allows one to enjoy bad taste with louder vulgarity.

I don’t want to know how a thirty-year-old became rich and famous; I want to hear how an eighty-year-old spent her life in obscurity, kept making art, and lived a happy life. I want to know how Bill Cunningham jumped on his bicycle every day and rode around New York taking photos in his eighties. I want to know how Joan Rivers was able to tell jokes up until the very end. I want to know how in his nineties, Pablo Casals still got up every morning and practiced his cello.

The country would not have half the trouble with mentally disturbed people it has if parents would accept each child’s God-given personality and stop trying to force what they feel is more suitable for their offspring.

Those who seek beauty will find it.

Cassie, if I do treatment, I’m most likely going to be too sick to want to do any of those things. It may only prolong my life for a short time. And leaving my parents with an enormous amount of debt because of medical bills is not what I want. How can I do that to them?” “They love you, Xuan. There’s no price tag on your life.” “What would you do if you were me?” “I would fight!” I shouted. “I’ve been trying to accept my fate, and I think you need to as well.

Today’s Children, The Woman in White, and The Guiding Light crossed over and interchanged in respective storylines.) June 2, 1947–June 29, 1956, CBS. 15m weekdays at 1:45. Procter & Gamble’s Duz Detergent. CAST: 1937 to mid-1940s: Arthur Peterson as the Rev. John Ruthledge of Five Points, the serial’s first protagonist. Mercedes McCambridge as Mary Ruthledge, his daughter; Sarajane Wells later as Mary. Ed Prentiss as Ned Holden, who was abandoned by his mother as a child and taken in by the Ruthledges; Ned LeFevre and John Hodiak also as Ned. Ruth Bailey as Rose Kransky; Charlotte Manson also as Rose. Mignon Schrieber as Mrs. Kransky. Seymour Young as Jacob Kransky, Rose’s brother. Sam Wanamaker as Ellis Smith, the enigmatic “Nobody from Nowhere”; Phil Dakin and Raymond Edward Johnson also as Ellis. Henrietta Tedro as Ellen, the housekeeper. Margaret Fuller and Muriel Bremner as Fredrika Lang. Gladys Heen as Torchy Reynolds. Bill Bouchey as Charles Cunningham. Lesley Woods and Carolyn McKay as Celeste, his wife. Laurette Fillbrandt as Nancy Stewart. Frank Behrens as the Rev. Tom Bannion, Ruthledge’s assistant. The Greenman family, early characters: Eloise Kummer as Norma; Reese Taylor and Ken Griffin as Ed; Norma Jean Ross as Ronnie, their daughter. Transition from clergy to medical background, mid-1940s: John Barclay as Dr. Richard Gaylord. Jane Webb as Peggy Gaylord. Hugh Studebaker as Dr. Charles Matthews. Willard Waterman as Roger Barton (alias Ray Brandon). Betty Lou Gerson as Charlotte Wilson. Ned LeFevre as Ned Holden. Tom Holland as Eddie Bingham. Mary Lansing as Julie Collins. 1950s: Jone Allison as Meta Bauer. Lyle Sudrow as Bill Bauer. Charita Bauer as Bert, Bill’s wife, a role she would carry into television and play for three decades. Laurette Fillbrandt as Trudy Bauer. Glenn Walken as little Michael. Theo Goetz as Papa Bauer. James Lipton as Dr. Dick Grant. Lynn Rogers as Marie Wallace, the artist.

The individual who says it is not possible should move out of the way of those doing it. ~ Tricia Cunningham

When Bill Cunningham invites him on the air, it is not to set the story straight so the story ends. It is to add a new chapter, a new twist that propels the narrative forward into another week of ratings cycles.

hears the apartment door close, then the sound of her heels on the staircase. He stands staring at the house on television. Bill Cunningham, looking energized, says: “—movement in an upstairs window

If we want to change course, it’s as simple as ABC. We just get Roger Chaffee’s tracking network to send up a state vector and a couple of other things to Dave Scott’s computer, which feeds pointing commands through Dick Gordon’s instrument panel to Donn Eisele’s controls, which cause Walt Cunningham’s electricity to power Gene Cernan’s engines, which fire, to get us out of Bill Anders’s radiation zone into the position called for by Buzz Aldrin’s flight plan. The rest of you guys must be loafing!

The late fashion photographer Bill Cunningham occasionally declined to invoice magazines for his work. When a young upstart asked him why that was, Cunningham’s response was epic: “If you don’t take money, they can’t tell you what to do, kid.

Bill Cunningham: “Si no ganas dinero, nadie puede decirte qué hacer.

America is a commercial marketplace, and very few people are educated to understand artists or appreciate originality.

My childhood love affair didn't die, it just vanished. Women had stopped wearing hats.

... in high fashion - it's rarely an art, as most people don't have the taste, money, or time.

I want to know how Bill Cunningham jumped on his bicycle every day and rode around New York taking photos in his eighties.