Biking At Night Quotes

We've searched our database for all the quotes and captions related to Biking At Night. Here they are! All 100 of them:

You’re in my dreams every night. I wake up in the morning and all I think about is you in my house, you and Noah finally mine. My family. It’s even better than ridin’ my bike. I’m crazy for you, Soph.
Joanna Wylde (Reaper's Legacy (Reapers MC, #2))
The way I feel about you . . . it’s crazy.” “You got the crazy part right,” she snapped, pulling away from me. “I practiced this in my head the whole time we were on the bike, so just hear me out.” “Travis—” “I know we’re fucked-up, all right? I’m impulsive and hot tempered, and you get under my skin like no one else. You act like you hate me one minute, and then you need me the next. I never get anything right, and I don’t deserve you . . . but I fucking love you, Abby. I love you more than I’ve loved anyone or anything, ever. When you’re around, I don’t need booze or money or the fighting or the one-night stands . . . all I need is you. You’re all I think about. You’re all I dream about. You’re all I want.
Jamie McGuire (Walking Disaster (Beautiful, #2))
I can’t function here anymore. I mean in life: I can’t function in this life. I’m no better off than when I was in bed last night, with one difference: when I was in my own bed—or my mom’s—I could do something about it; now that I’m here I can’t do anything. I can’t ride my bike to the Brooklyn Bridge; I can’t take a whole bunch of pills and go for the good sleep; the only thing I can do is crush my head in the toilet seat, and I still don’t even know if that would work. They take away your options and all you can do is live, and it’s just like Humble said: I’m not afraid of dying; I’m afraid of living. I was afraid before, but I’m afraid even more now that I’m a public joke. The teachers are going to hear from the students. They’ll think I’m trying to make an excuse for bad work.
Ned Vizzini (It's Kind of a Funny Story)
When I was a kid I used to pray every night for a new bike. Then I realised that The Lord doesn't work that way, so I stole one and asked Him to forgive me.
Peter Kay
I tell you this not as aimless revelation but because I want you to know, as you read me, precisely who I am and where I am and what is on my mind. I want you to understand exactly what you are getting: you are getting a woman who for some time now has felt radically separated from most of the ideas that seem to interest people. You are getting a woman who somewhere along the line misplaced whatever slight faith she ever had in the social contract, in the meliorative principle, in the whole grand pattern of human endeavor. Quite often during the past several years I have felt myself a sleepwalker, moving through the world unconscious of the moment’s high issues, oblivious to its data, alert only to the stuff of bad dreams, the children burning in the locked car in the supermarket parking lot, the bike boys stripping down stolen cars on the captive cripple’s ranch, the freeway sniper who feels “real bad” about picking off the family of five, the hustlers, the insane, the cunning Okie faces that turn up in military investigations, the sullen lurkers in doorways, the lost children, all the ignorant armies jostling in the night. Acquaintances read The New York Times, and try to tell me the news of the world. I listen to call-in shows.
Joan Didion (The White Album)
No, you love to confuse me and drive me crazy. You don't really love me. You don't know what love is." "Yeah, I think I do." His brows lowered, and he took a step toward her. "I have loved you my whole life, Delaney. I can't remember a day when I didn't love you. I loved you the day I practically knocked you out with a snowball. I loved you when I flattened the tires on your bike so I could walk you home. I loved you when I saw you hiding behind the sunglasses at the Value Rite, and I loved you when you loved that loser son of a bitch Tommy Markham. I never forgot the smell of your hair or the texture of your skin the night I laid you on the hood of my car at Angel Beach. So don't tell me I don't love you. Don't tell me--" His voice shook and he pointed a finger at her. "Just don't tell me that.
Rachel Gibson (Truly Madly Yours (Truly, Idaho, #1))
My cock gets hard just thinkin’ about you. You’re in my dreams every night. I wake up in the morning and all I think about is you in my house, you and Noah finally mine. My family. It’s even better than ridin’ my bike. I’m crazy for you, Soph.
Joanna Wylde (Reaper's Legacy (Reapers MC, #2))
Things I want to do with Hannah: dance, watch a movie, camp, swim, hike, bike, take a trip, build something, have a food fight, write more, do Christmas-
M. Pierce (Night Owl (Night Owl, #1))
Reordon,” a male voice came over the line. “Chris, it’s Marcus.” “Hey, man. How’s it going?” “Not that great. I wrecked my bike.” “Ah, hell. Not the Hayabusa.” “That’s the one.” “Please tell me it’s just a scratch.” Marcus studied the wreckage. “I’m sure if you sort through the debris, one or two pieces will have scratches on them.
Dianne Duvall (Night Reigns (Immortal Guardians, #2))
ALTERNATE UNIVERSE IN WHICH I AM UNFAZED BY THE MEN WHO DO NOT LOVE ME when the businessman shoulder checks me in the airport, i do not apologize. instead, i write him an elegy on the back of a receipt and tuck it in his hand as i pass through the first class cabin. like a bee, he will die after stinging me. i am twenty-four and have never cried. once, a boy told me he doesn’t “believe in labels” so i embroidered the word chauvinist on the back of his favorite coat. a boy said he liked my hair the other way so i shaved my head instead of my pussy. while the boy isn’t calling back, i learn carpentry, build a desk, write a book at the desk. i taught myself to cum from counting ceiling tiles. the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it. my mother says this is not the meaning of unfazed. when the boy says i curse too much to be pretty and i tattoo “cunt” on my inner lip, my mother calls this “being very fazed.” but left over from the other universe are hours and hours of waiting for him to kiss me and here, they are just hours. here, they are a bike ride across long island in june. here, they are a novel read in one sitting. here, they are arguments about god or a full night’s sleep. here, i hand an hour to the woman crying outside of the bar. i leave one on my best friend’s front porch, send my mother two in the mail. i do not slice his tires. i do not burn the photos. i do not write the letter. i do not beg. i do not ask for forgiveness. i do not hold my breath while he finishes. the man tells me he does not love me, and he does not love me. the man tells me who he is, and i listen. i have so much beautiful time.
Olivia Gatwood (New American Best Friend)
That night I first saw you, I was going too fast. There I was rubbernecking at you and dumped the bike. Wrecked me up. I don’t want to wreck us up like that. I don’t want you to get hurt.” She
Bryn Greenwood (All the Ugly and Wonderful Things)
The night before brain surgery, I thought about death. I searched out my larger values, and I asked myself, if I was going to die, did I want to do it fighting and clawing or in peaceful surrender? What sort of character did I hope to show? Was I content with myself and what I had done with my life so far? I decided that I was essentially a good person, although I could have been better--but at the same time I understood that the cancer didn't care. I asked myself what I believed. I had never prayed a lot. I hoped hard, I wished hard, but I didn't pray. I had developed a certain distrust of organized religion growing up, but I felt I had the capacity to be a spiritual person, and to hold some fervent beliefs. Quite simply, I believed I had a responsibility to be a good person, and that meant fair, honest, hardworking, and honorable. If I did that, if I was good to my family, true to my friends, if I gave back to my community or to some cause, if I wasn't a liar, a cheat, or a thief, then I believed that should be enough. At the end of the day, if there was indeed some Body or presence standing there to judge me, I hoped I would be judged on whether I had lived a true life, not on whether I believed in a certain book, or whether I'd been baptized. If there was indeed a God at the end of my days, I hoped he didn't say, 'But you were never a Christian, so you're going the other way from heaven.' If so, I was going to reply, 'You know what? You're right. Fine.' I believed, too, in the doctors and the medicine and the surgeries--I believed in that. I believed in them. A person like Dr. Einhorn [his oncologist], that's someone to believe in, I thought, a person with the mind to develop an experimental treatment 20 years ago that now could save my life. I believed in the hard currency of his intelligence and his research. Beyond that, I had no idea where to draw the line between spiritual belief and science. But I knew this much: I believed in belief, for its own shining sake. To believe in the face of utter hopelessness, every article of evidence to the contrary, to ignore apparent catastrophe--what other choice was there? We do it every day, I realized. We are so much stronger than we imagine, and belief is one of the most valiant and long-lived human characteristics. To believe, when all along we humans know that nothing can cure the briefness of this life, that there is no remedy for our basic mortality, that is a form of bravery. To continue believing in yourself, believing in the doctors, believing in the treatment, believing in whatever I chose to believe in, that was the most important thing, I decided. It had to be. Without belief, we would be left with nothing but an overwhelming doom, every single day. And it will beat you. I didn't fully see, until the cancer, how we fight every day against the creeping negatives of the world, how we struggle daily against the slow lapping of cynicism. Dispiritedness and disappointment, these were the real perils of life, not some sudden illness or cataclysmic millennium doomsday. I knew now why people fear cancer: because it is a slow and inevitable death, it is the very definition of cynicism and loss of spirit. So, I believed.
Lance Armstrong (It's Not About the Bike: My Journey Back to Life)
You can’t read good-night stories to your bank account, or brush its hair, or teach it how to ride a bike for the first time.
Marko Kloos (Angles of Attack (Frontlines, #3))
Oh, Oliver, I said to myself on my way to the kitchen for a quick bite to eat, I’ll do anything for you. I’ll ride up the hill with you, and I’ll race you up the road to town, and won’t point out the sea when we reach the berm, and I’ll wait at the bar in the piazzetta while you meet with your translator, and I’ll touch the memorial to the unknown soldier who died on the Piave, and I won’t utter a word, I’ll show you the way to the bookstore, and we’ll park our bikes outside the shop and go in together and leave together, and I promise, I promise, I promise, there’ll be no hint of Shelley, or Monet, nor will I ever stoop to tell you that two nights ago you added an annual ring to my soul.
André Aciman (Call Me by Your Name)
When i was a little boy i had a red bike, every night when I went to bed I begged God to give my bike wings so that in the morning, I could fly away. Every morning I'd crawl out of bed and run straight to the garage to see if he answered my prayers. I still have the bike. It's mire rusted than red now. But I still check. Everyday.
Tarryn Fisher (Mud Vein)
In later years I would think that no woman’s lips had ever been as red as that bike. No low-slung foreign sports car with wire wheels and purring engine would ever look as powerful or as capable as that bike. No chrome would ever gleam with such purity, like the silver moon on a summer’s night.
Robert McCammon (Boy's Life)
Under-slept employees are not, therefore, going to drive your business forward with productive innovation. Like a group of people riding stationary exercise bikes, everyone looks like they are pedaling, but the scenery never changes. The irony that employees miss is that when you are not getting enough sleep, you work less productively and thus need to work longer to accomplish a goal. This means you often must work longer and later into the evening, arrive home later, go to bed later, and need to wake up earlier, creating a negative feedback loop. Why try to boil a pot of water on medium heat when you could do so in half the time on high? People often tell me that they do not have enough time to sleep because they have so much work to do. Without wanting to be combative in any way whatsoever, I respond by informing them that perhaps the reason they still have so much to do at the end of the day is precisely because they do not get enough sleep at night.
Matthew Walker (Why We Sleep: The New Science of Sleep and Dreams)
It was just a coat, I know, but I held onto it for so long. I’m not even sure why I kept it. It was with me every day. It kept me warm and dry, and billowed behind me as I rode my bike across the lot in the wee hours of the night. I can’t help feeling a little sad it’s gone. [But], the coat has served its purpose. The sun is blazing, and I don’t need it to keep me warm anymore. Rather than mourn the loss of my jacket, I will be thankful for the time we had together. I thank it for all it did for me, and then I let it go.
Lauren Graham (Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls, and Everything in Between)
I drove a bike here. Fancy a ride on it?” “A motorcycle?” No, that wouldn’t do. No trunk to carry his body in, and I wasn’t about to balance it on the handlebars.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
On the back of the bike, the world softened and smeared. She stretched her arms out either side of her and grabbed palms full of solid air. The night was a thousand black butterfly wings beating against her skin. Cleo understood why bikes were so often described as freedom; not for their ability to take you elsewhere, but for the way they transformed the place you already were.
Coco Mellors (Cleopatra and Frankenstein)
Dad used to say lots of funny things - like he was speaking his own language sometimes. Twenty-three skidoo, salad days, nosey parker, bandbox fresh, the catbird seat, chocolate teapot, and something about Grandma sucking eggs. One of his favourites was 'safe as houses'. Teaching me to ride a bike, my mother worrying in the doorway: "Calm down, Linda, this street is as safe as houses." Convincing Jamie to sleep without his nightlight: "It's as safe as houses in here, son, not a monster for miles." Then overnight the world turned into a hideous nightmare, and the phrase became a black joke to Jamie and me. Houses were the most dangerous places we knew. Hiding in a patch of scrubby pines, watching a car pull out from the garage of a secluded home, deciding whether to make a food run, whether it was too dicey. "Do you think the parasites'll be long gone?" "No way - that place is as safe as houses. Let's get out of here." And now I can sit here and watch TV like it is five years ago and Mom and Dad are in the other room and i've never spent a night hiding in a drainpipe with Jamie and a bunch of rats while bodysnatchers with spotlights search for the thieves who made off with a bag of dried beans and a bowl of cold spaghetti. I know that if Jamie and I survived alone for twenty years we would never find this feeling on our own. The feeling of safety. More than safety, even - happiness. Safe and happy, two things I thought i'd never feel again. Jared made us feel that way without trying, just be being Jared. I breathe in the scent of his skin and feel the warmth of his body under mine. Jared makes everything safe, everything happy. Even houses.
Stephenie Meyer (The Host (The Host, #1))
Despair. I’d been told I suffered from it too. The thing was, I never sensed myself in despair, but rather, in love with something I felt closest to only when walking or riding my bike in the city. I felt it when I kept my windows open all night, or sitting on the rickety wood of the porch my landlord called a fire escape, peeled paint flaking under my hands and feet, looking over the empty lot. It had to do with a texture, with the moon and a stray white cat I’d been feeding, a cat that saw me as home now.
Monica Drake (The Folly of Loving Life)
Back at the office, Woodward went to the rear of the newsroom to call Deep Throat. Bernstein wished he had a source like that. The only source he knew who had such comprehensive knowledge in any field was Mike Schwering, who owned Georgetown Cycle Sport Shop. There was nothing about bikes - and, more important, bike thieves - that Schwering didn't know. Bernstein knew something about bike thieves: the night of the Watergate indictments, somebody had stolen his 10-speed Raleigh from a parking garage. That was the difference between him and Woodward. Woodward went into a garage to find a source who could tell him what Nixon's men were up to. Bernstein walked into a garage to find an eight-pound chain cut neatly in two and his bike gone. -- Carl Bernstein, Bob Woodward
Carl Bernstein (All the President’s Men)
Montreal is nothing like Manhattan; it’s smaller and more concentrated, and unlike the city that never sleeps, Montreal feels like a city that’s gotten a good night’s rest and woken up in time for a bike ride alongside the Saint Lawrence River.
Ben Philippe (Charming as a Verb)
You're everythin' I want, Icy. Believe it, you're it for me, for the long haul, my old lady, want you on the back of my bike squeezin' me with your legs, holdin' my waist, I wanna fuck you every night, make you feel good, have you screamin' my name, wanna see that smile and know it's just for me ‘cause I make you happy. I want every last thing from you and to give you more back, you and me every day. Need you to know this goin’ in, where my heads at. It’s you.
V. Theia (Dirty Salvation (Renegade Souls MC Romance Saga #1))
Jesus, you fuck with my head,” he said roughly. “My cock gets hard just thinkin’ about you. You’re in my dreams every night. I wake up in the morning and all I think about is you in my house, you and Noah finally mine. My family. It’s even better than ridin’ my bike. I’m crazy for you, Soph.
Joanna Wylde (Reaper's Legacy (Reapers MC, #2))
Instructions for a Broken Heart I will find a bare patch of earth, somewhere where the ruins have fallen away, somewhere where I can fit both hands, and I will dig a hole. And into that hole, I will scream you, I will dump all the shadow places of my heart—the times you didn’t call when you said you’d call, the way you only half listened to my poems, your eyes on people coming through the swinging door of the café—not on me—your ears, not really turned toward me. For all those times I started to tell you about the fight with my dad or when my grandma died, and you said something about your car, something about the math test you flunked, as an answer. I will scream into that hole the silence of dark nights after you’d kissed me, how when I asked if something was wrong—and something was obviously so very wrong—how you said “nothing,” how you didn’t tell me until I had to see it in the dim light of a costume barn—so much wrong. I will scream all of it. Then I will fill it in with dark earth, leave it here in Italy, so there will be an ocean between the hole and me. Because then I can bring home a heart full of the light patches. A heart that sees the sunset you saw that night outside of Taco Bell, the way you pointed out that it made the trees seem on fire, a heart that holds the time your little brother fell on his bike at the fairgrounds and you had pockets full of bright colored Band-Aids and you kissed the bare skin of his knees. I will take that home with me. In my heart. I will take home your final Hamlet monologue on the dark stage when you cried closing night and it wasn’t really acting, you cried because you felt the words in you and on that bare stage you felt the way I feel every day of my life, every second, the way the words, the light and dark, the spotlight in your face, made you Hamlet for that brief hiccup of a moment, made you a poet, an artist at your core. I get to take Italy home with me, the Italy that showed me you and the Italy that showed me—me—the Italy that wrote me my very own instructions for a broken heart. And I get to leave the other heart in a hole. We are over. I know this. But we are not blank. We were a beautiful building made of stone, crumbled now and covered in vines. But not blank. Not forgotten. We are a history. We are beauty out of ruins.
Kim Culbertson (Instructions for a Broken Heart)
Once on yellow sheet of paper with green lines, he wrote a poem and he called it “Spot” because that was the name of his dog and that’s what it was all about and his teacher gave him an “A” and a big gold star and his mother hung it on the kitchen cupboard and showed it to his aunt and that was the year his sister was born-and his parents kissed all the time and the little girl around the corner sent him a postcard with a row of X’s on it and his father tucked him into bed at night and was always there. Then on a white sheet of paper with blue lines, he wrote another poem and he called it “Autumn” because that was the time of year and that’s what it was all about and his teacher gave him an “A” and told him to write more clearly and his mother told him not to hang it on the kitchen cupboard because it left marks and that was the year his sister got glasses and his parents never kissed anymore and the little girl around the corner laughed when he fell down with his bike and his father didn’t tuck him in at night. So, on another piece of paper torn from a notebook he wrote another poem and he called it “Absolutely Nothing” Because that’s what it was all about and his teach gave him an “A” and a hard searching look and he didn’t show it to his mother and that was the year he caught his sister necking on the back porch and the little girl around the corner wore too much make-up so that he laughed when he kissed her but he kissed her anyway and he tucked himself in bed at three AM with his father snoring loudly in the next room Finally, on the inside of a matchbook he wrote another poem and he called it “?” because that’s what it was all about And he gave himself an “A” and a slash on each wrist and hung it on the bathroom mirror Because he couldn’t make it to the kitchen.
Earl Reum
We are friends, no?" "Yes, we are" "Then, as a friend, don't force me to worry about you using public transportation late at night in a city you're not familiar with. Biking on roads without bike lanes is bad enough
Ali Hazelwood (The Love Hypothesis)
Hey, I got an idea, let’s go to the movies. I wanna go to the movies, I want to take you all to the movies. Let’s go and experience the art of the cinema. Let’s begin with the Scream Of Fear, and we are going to haunt us for the rest of our lives. And then let’s go see The Great Escape, and spend our summer jumping our bikes, just like Steve McQueen over barb wire. And then let’s catch The Seven Samurai for some reason on PBS, and we’ll feel like we speak Japanese because we can read the subtitles and hear the language at the same time. And then let’s lose sleep the night before we see 2001: A Space Odyssey because we have this idea that it’s going to change forever the way we look at films. And then let’s go see it four times in one year. And let’s see Woodstock three times in one year and let’s see Taxi Driver twice in one week. And let’s see Close Encounters of the Third Kind just so we can freeze there in mid-popcorn. And when the kids are old enough, let’s sit them together on the sofa and screen City Lights and Stage Coach and The Best Years of Our Lives and On The Waterfront and Midnight Cowboy and Five Easy Pieces and The Last Picture Show and Raging Bull and Schindler’s List… so that they can understand how the human condition can be captured by this amalgam of light and sound and literature we call the cinema.
Tom Hanks
I’d loved Emory since the moment I laid eyes on her when I was fourteen. I could still see her—sitting on her bike outside the chain-link fence surrounding the school parking lot as she watched my friends and me on our skateboards that summer.
Penelope Douglas (Nightfall (Devil's Night, #4))
You just asked me to marry you,” he said, still waiting for me to admit some kind of trickery. “I know.” “That was the real deal, you know. I just booked two tickets to Vegas for noon tomorrow. So that means we’re getting married tomorrow night.” “Thank you.” His eyes narrowed. “You’re going to be Mrs. Maddox when you start classes on Monday.” “Oh,” I said, looking around. Travis raised an eyebrow. “Second thoughts?” “I’m going to have some serious paperwork to change next week.” He nodded slowly, cautiously hopeful. “You’re going to marry me tomorrow?” I smiled. “Uh huh.” “You’re serious?” “Yep.” “I fucking love you!” He grabbed each side of my face, slamming his lips against mine. “I love you so much, Pigeon,” he said, kissing me over and over. “Just remember that in fifty years when I’m still kicking your ass in poker,” I giggled. He smiled, triumphant. “If it means sixty or seventy years with you, Baby…you have my full permission to do your worst.” I raised one eyebrow, “You’re gonna regret that.” “You wanna bet?” I smiled with as much deviance as I could muster. “Are you confident enough to bet that shiny bike outside?” He shook his head, a serious expression replacing the teasing smile he had just seconds before. “I’ll put in everything I have. I don’t regret a single second with you, Pidge, and I never will.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Roman candles and Saturn missiles spark and whistle. Bigger fireworks light up the night with flares while smoke and the scent of black powder blows with the breeze. Dogs bark and locusts buzz while kids ride their bikes up and down the streets. As other families relax together, sipping lemonade and cold Coronas, I’m sitting on the roof, listening to mine tear itself apart.
Mary Elizabeth (Innocents (Dusty, #1))
When my grandpa died, I had this same fear. I love Grandpa so much. He was Mom's dad, and he was my favorite person in the whole world. He lived up north, between Grayling and the Mackinaw Bridge. He had, like, twenty acres. He had horses and dirt bike and all this awesome stuff. I'd go up there for weeks at a time during the summers, and he'd let me do whatever I wanted. We'd go hunting and fishing and four-wheeling, and I'd stay up till midnight every night. Then one day, he died. All of a sudden, just like that that. I cried for days. Dad kicked the shit out of me for crying, but I didn't care. I loved Grandpa, and he was gone. Then, like a month after he'd died, I had this panic attack. I couldn't remember what he looked like. I thought it meant I didn't love him, or that I'd forgotten about him. It was the only time Dad was anything like helpful. He told me you have to forget what they look like. Otherwise, you can't learn to live without them. Forgetting is your brain's way of telling you it's time to try and move on. Not forget who they were, just...keep living.
Jasinda Wilder (Falling into Us (Falling, #2))
You ready to go home?” I asked. “I’ve been ready to go home all night. I still hate you.” “You need to find new insults. That’s getting old.” “Fuck off.” Grinning, I climbed onto my bike. She climbed up behind me, tucking in tight and wrapping her arms around my waist, tits pressed against my back. For the first time in forever things in my world felt right, twisted as that sounds. She was mine. She’d always be mine.
Joanna Wylde (Reaper's Fall (Reapers MC, #5))
They were twin beasts in the night, swift and sleek and growling. With her body arched over the moonlight-soaked motorcycle, her thighs welded to metal and leather, Elise felt like she and the bike had become a single animal—another member of Rylie’s pack, restricted only to where the wheels could take her.
S.M. Reine (Sacrificed in Shadow (Ascension #1))
Each year, the city government, the police department and the local newspapers warned adult Amsterdammers to take precautions. Before going to bed the night before Luilak, adults were advised to: disconnect their doorbells, bring garbage cans indoors, close all windows, avoid sleeping in street-facing rooms and wear earplugs.
Pete Jordan (In the City of Bikes: The Story of the Amsterdam Cyclist)
Thinking about how Finlay never abandoned me, whether it was on bike rides as children, or in hotel rooms as grown-ups.
Mhairi McFarlane (Just Last Night)
diary that night: ‘Lessons learned today: Don’t make big decisions when tired, lonely, hungry, frightened, ill or at night.
Alastair Humphreys (Moods of Future Joys: Around the World by Bike - Part 1)
Here's a note to the parents of addicted children: choose your music carefully. Avoid Louis Armstrong's "What a Wonderful World", from the Polaroid or Kodak or whichever commercial, and the songs "Turn Around" and "Sunrise, Sunset" and - there are thousands more. Avoid Cyndi Lauper's "Time After Time," and this one, Eric Clapton's song about his son. Leonard Cohen's "Hallelujah" sneaked up on me one time. The music doesn't have to be sentimental. Springsteen can be dangerous. John and Yoko. Bjork. Dylan. I become overwhelmed when I hear Nirvana. I want to scream like Kurt Cobain. I want to scream at him. Music isn't all that does it. There are millions of treacherous moments. Driving along Highway 1, I will see a peeling wave. Or I will reach the fork where two roads meet near Rancho Nicasio, where we veered to the left in carpool. A shooting star on a still night at the crest of Olema Hill. With friends, I hear a good joke - one that Nic would appreciate. The kids do something funny or endearing. A story. A worn sweater. A movie. Feeling wind and looking up, riding my bike. A million moments.
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
I’d loved Emory since the moment I laid eyes on her when I was fourteen. I could still see her—sitting on her bike outside the chain-link fence surrounding the school parking lot as she watched my friends and me on our skateboards that summer. From that moment on, it seemed I was always aware of her, and everything I did, I did it with it in mind that she was watching. Every joke in class. Every strut into the lunchroom. Every new haircut and every new pair of jeans. Even the Raptor. My first thought when my parents bought it was how she’d look in it.
Penelope Douglas (Nightfall (Devil's Night, #4))
Canadian comedian, Emo Phillips, said he used to pray every night for a bike until he realised that the Lord doesn’t always work that way, so he stole one and then prayed for forgiveness.
James Clarke (Blazing Bicycle Saddles)
To distract himself he started making a mental list of all the ways he could leave Chapel Bluff. He could go by train. Plane. Motorcycle. Last night Beverly had invited all three of them - him, Ryan, and Tyler - to stay for dinner. Matt had refused. Ryan had likewise refused because his wife had dinner waiting for him at home. Tyler had leapt at the chance. Matt had been the one who'd decided to put distance between himself, Kate, and Beverley. Even so, it rankled that Tyler had slipped right into his empty spot at the dinner table. That Kate had found someone so much more charming than him to talk to. That Kate seemed so delighted to turn her back on him. He could leave by four-wheeler. Mountain bike. Skateboard. "You're a design genius, young lady." Tyler said to Kate. "That's a perfect place for that sideboard." "Why thank you," Kate replied. Matt ground his teeth and imagined leaving by Greyhound bus. He'd even have settled for a horse. Hot air balloon. Donkey cart.
Becky Wade (My Stubborn Heart)
Really, in a lot of ways being a cyclist is like being a vampire. First of all, both cyclists and vampires are cultural outcasts with cult followings who clumsily walk the line between cool and dorky. Secondly, both cyclists and vampires resemble normal humans, but they also lead secret double lives, have supernatural powers, and aren’t governed by the same rules as the rest of humanity—though cycling doesn’t come with the drawbacks of vampirism. Cyclists can ride day or night, we can consume all the garlic we want, and very few of us are afflicted with bloodlust or driven by a relentless urge to kill.
BikeSnobNYC (Bike Snob: Systematically & Mercilessly Realigning the World of Cycling)
Don't forget to get away every once in awhile, To lose yourself in a book Or in the woods behind your home Ride your bike into the sunset, Sit on your front steps and count the cars passing by, Lay on your roof and gaze up at the night sky, Drive along backroads with the windows rolled down Listening to nothing but the sound of rushing wind I hope you take the time to be alone, To sort through the cluttered shelves of your heart I hope you take the time to be silent, To close your eyes and just listen I hope you take the time to be still, To quiet your mind and experience the beauty Of simply Being
Madisen Kuhn (eighteen years)
Holly got attacked last night,” said Jared. “So why aren’t you at Holly’s house?” Kami demanded. “Several reasons,” said Jared. “One being that Holly has a motorbike, and she can run over anyone who tries to attack her. Of course, if you’d take a spin on my bike with me …” “It’s too dangerous. Your bike isn’t equipped to drive on the ice,” Kami told him. “Which I’m assuming there will be plenty of, since hell will have frozen over the day I get on that thing. I fancy a stroll through the woods to school.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
Pulling to a stop in front of Aly’s house, I take a deep breath. With a flick of my wrist, I cut the engine and listen to the silence. I’ve sat in this exact spot more times than I can count. In many ways, Aly’s house is like my sanctuary. A place I go when my own home feels like a graveyard. I glance up at the bedroom window of the girl who knows me better than anyone, the only person I let see me cry after Dad died. I won’t let this experiment take that or her away from me. Tonight, I’m going to prove that Aly and I can go back to our normal, easy friendship. Throwing open my door, I trudge up her sidewalk, plant my feet outside her front door, and ring the bell. “Coming!” I step back and see Aly stick her head out of her second-story window. “No problem,” I call back up. “Take your time.” More time to get my head on straight. Aly disappears behind a film of yellow curtain, and I turn to look out at the quiet neighborhood. Up and down the street, the lights blink on, filling the air with a low hum that matches the thrumming of my nerves. Across the street, old Mr. Lawson sits at his usual perch under a gigantic American flag, drinking beer and mumbling to himself. Two little girls ride their bikes around the cul-de-sac, smiling and waving. Just a normal, run-of-the-mill Friday night. Except not. I thrust my hands into my pockets, jiggling the loose change from my Taco Bell run earlier tonight, and grab my pack of Trident. I toss a stick into my mouth and chew furiously. Supposedly, the smell of peppermint can calm your nerves. I grab a second stick and shove it in, too. With the clacking sound of Aly’s shoes approaching the door behind me, I remind myself again about tonight’s mission. All I need is focus. I take another deep breath for good measure and rock back on my heels, ready to greet my best friend. She opens the door, wearing a black dress molded to her skin, and I let the air out in one big huff.
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
There was something oddly soothing about working out while the rest of the world was aslep. I slipped in, scanned my membership card, and untangled my headphones from around my iPod. On the most stressful days, I hit the treadmill and ran fo three or four miles. Other days, I did the elliptical or the bike. As long as I was moving, my heart pumping for reasons I could understand, I felt better. So much so that, once all the applications were in and I started sleeping through the night more regularly, I still dragged myself out of bed to work out a couple mornings a week.
Sarah Dessen
Smiled. The type of smile that men drive all night in a blinding rainstorm on their bike to see. The type of smile that keep men fighting brutal wars for years in the vain of hope of seeing it again. The type of smile that made me come to my feet, because if i didn't, I'd fall to my knees.
Katie McGarry (Long Way Home (Thunder Road, #3))
Months later, when I rarely saw the Angels, I still had the legacy of the big machine -- four hundred pounds of chrome and deep red noise to take out on the Coast Highway and cut loose at three in the morning, when all the cops were lurking over on 101. My first crash had wrecked the bike completely and it took several months to have it rebuilt. After that I decided to ride it differently: I would stop pushing my luck on curves, always wear a helmet and try to keep within range of the nearest speed limit ... my insurance had already been canceled and my driver's license was hanging by a thread. So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head ... but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz ... not even a gas station in the whole seventy miles; the only public light along the way is an all-night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip.
Hunter S. Thompson
They knew Elwood’s route. Sometimes jeered at him for being a goody-two-shoes when he biked past Larry’s window on his way home. That night they jumped him. It was just getting dark and the smell of magnolias mingled with the tang of fried pork. They slammed him and his bike into the new asphalt the county had laid down that winter. The boys tore his sweater, threw his glasses into the street. As they beat him, Larry asked Elwood if he had any damned sense; Willie declared that he needed to be taught a lesson, and proceeded to do so. Elwood got a few licks in here and there, not much to talk about. He didn’t cry.
Colson Whitehead (The Nickel Boys)
I always wondered, though, what the fathers felt as they drove up the street they used to drive down every night, and whether they really saw their former houses, whether they noticed how things got frayed and flaky around the edges now that they were gone. I wondered it again as I pulled up to the house I’d grown up in. It was, I noticed, looking even more Joad-like than usual. Neither my mother nor the dread life partner, Tanya, was much into yard work, and so the lawn was littered with drifts of dead brown leaves. The gravel on the driveway was as thin as an old man’s hair combed across an age-spotted scalp, and as I parked I could make out the faint glitter of old metal from behind the little toolshed. We used to park our bikes in there. Tanya had “cleaned” it by dragging all the old bikes, from tricycles to discarded ten-speeds, out behind the shed, and leaving them there to rust. “Think of it as found art,” my mother had urged us when Josh complained that the bike pile made us look like trailer trash. I wonder if my father ever drove by, if he knew about my mother and her new situation, if he thought about us at all, or whether he was content to have his three children out there in the world, all grown up, and strangers.
Jennifer Weiner (Good in Bed (Cannie Shapiro, #1))
If you ever get married and have kids, and they offer you a job that will take you thirty fucking light-years away from home, tell them to smooch your taint. Even if they offer a hundred percent monthly bonus. You can’t read good-night stories to your bank account, or brush its hair, or teach it how to ride a bike for the first time.
Marko Kloos (Angles of Attack (Frontlines, #3))
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights. “Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back. “You’re safe,” he told me, in his usual soft, rumbling voice. “Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…” “I know, I believe you.” At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket. “Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger. Any hope I had felt bubbling up inside me burst into a thousand tiny pieces. “Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?” I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself. “You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—” I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!” “You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.” “No!” I shrieked. “No!” He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door. I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them. But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room. “—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Everything happens at night. The world changes, the shadows grow, there's secrecy and privacy in dark places. First kiss at night, by the monkey bars and the old swings that the children and their parents have vacated; second, longer kiss, by the bike stands, swirl of dust around feet in the dry summer air. Awkward words, like secrets just waiting to be broken, the struggle to find the right ones, the heady fear of exposure --- what if, what if --- the joy when the words are returned. Love, in the parkette, while the moon waxes and the clouds pass. Promises at night. Not first promises --- those are so old they can't be remembered --- but new promises, sharp and biting; they almost hurt to say, but it's a good hurt. Dreams at night, before sleep, and dreams during sleep. Everything, always, happens at night.
Michelle Sagara (Silence (The Queen of the Dead, #1))
How many futures - (how many different deaths can I die?) How am I a child? An adult? A woman? My fears, my loves, my lusts - vague, nebulous. And yet, think, think, think - and keep this of tonight, this holy, miraculous resuscitation of the creative integrating blind optimism which was dead, frozen, gone quite away. To love, to be loved. By one; by humanity. I am afraid of love, of sacrifice on the altar. I am going to think, to grow, to sally forth, please, please, unafraid. Tonight, biking home toward midnight, talking to myself, sense of trap, of time, rolled the stone of inertia away from the tomb. Tomorrow I will curse the dawn, but there will be other, earlier nights, and the dawns will be no longer hell laid out in alarms and raw bells and sirens. Now a love, a faith, an affirmation is conceived in me like an embryo.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Everything seemed bright and different after so long in the darkness. Even though most of the businesses were closed, there was one neon sign lit in the window of a narrow storefront. COFFEE AND PIE, it read. Two bikes were parked just outside. On the boardwalk, in the thrown light of the neon sign, his head dipped down as I pulled my fingers through his hair. The night still in progress, with daylight hours away.
Sarah Dessen (Once and for All)
Let me wake up next to you, A cup of coffee together will do. Let’s go out somewhere far, Don’t let anyone know till we’re back. Grab your bike keys & my hand, Let’s wander holding hand in hand. To our secret spot up the hill we go, And we see the sunset & more. Under a magical sky filled with stars, Kiss me good night on my eyes. And we find out you don't have to be happy at all... Cause darling, I'm beside you holding your hand
Deepa Borkar
I suddenly remember an old game I used to play when I was nine or ten, and I was allowed to ride my bike until it got dark. I used to make little bets with myself as I watched the sun getting lower and lower on the horizon: If I hold my breath to twenty seconds, the night won't come. If I don't blink. If I stand so still a fly lands on my cheek. Now, I find myself doing the same thing, bargaining to keep Kate, even though that isn't the way it works.
Jodi Picoult (My Sister's Keeper)
The flashy mountain bike blown sky-high, the old game machine that had accompanied him as he’d grown up, the drawer that had once hidden a little cat, the skewers with too much chili on them, the flowers left in the cemetery once a year, the countless mutually ridiculing quarrels… Today it seemed that all those past events were strung together on a golden thread, showing a faint outline in the thick black mist of his memories, lighting his past and future.
Priest (默读 [Mo Du] The Light in the Night)
Hadn’t lived with another bein’ since I was just eighteen at home with my family, but I found Lila in my space thrillin’, like havin’ a new TV or buyin’ a new bike. I was obsessed with bein’ in the apartment if she was gonna be there, eschewin’ the clubhouse and Eugene’s with the brothers every night to climb the steps from my shop to an apartment that suddenly felt like home after fifteen years of livin’ in it. I felt pussy whipped without even havin’ access to the pussy.
Giana Darling (Inked in Lies (The Fallen Men, #5))
Okay. He's not coming back. Is he? No. I thought back to biking that first day in Oregon. Weston and I weaving back and forth, taking up the whole street, loving the August air and ocean breeze. I remember him calling me his "neighbor" every night as we'd lie in our hammocks. "Oh, how's the family, neighbor?" he'd ask. "Oh, great." We'd started with such fire and magic. With a shared destiny and destination. The beginning of a grand adventure is pregnant with a thousand futures. Every possible best thing. But the end is often a fizzle. For us, Weston left for a wedding. And didn't come back. And just like that, a chapter was done.
Jedidiah Jenkins (To Shake the Sleeping Self: A Journey from Oregon to Patagonia, and a Quest for a Life with No Regret)
Pedaling down Dune Drive on a red beach cruiser, Dani ahead of her and Vanessa behind her, is a transporting experience. The night is quiet; the air on her face is soft; her hair streams behind her; the stars above are as brilliant as stars in a children's book. They could be nine years old, or fifteen, or twenty-one; they've ridden bikes down Dune Drive at all of those ages and all of the ones in between. There must have been so much more to those summers, but what she remembers are the two weeks she spent in Avalon with Dani and Vanessa—two weeks that always went by too quickly, but that in memory stretch to fill an entire season.
Meg Donohue (All the Summer Girls)
Where are we going?" I called to him. "We'll come to a large field very soon." When we reached the field, there was a line of darkness scrawled on the deeper darkness. We stumped our bikes over the wet breathless earth. "There," he said. "Hmmm?" "Stars." I blinked at him and then I looked up. It was true. Away from the grubby muslin of London's light pollution in the fresh March night, the sky was full of stars. I turned back to him. As I adjusted to the dark, I could see he was staring upwards. "I can't manage it exactly without a sextant," he said, "but I wanted to be able to orient myself." "So that in the event of London flooding when the icecaps melt, you can sail to safer waters?" "So that I will know where I was when I met you." I had always thought of joy as a shouting flamboyant thing that tossed breath into the sky like a ball. Instead, it robbed me of my speech and of my air. I was pinned in place by joy and I didn't know what to do. "Come here," he said softly and pulled me into his arms. I pressed my face against his neck. My body sparked and I couldn't move it except to lean into him. I was filled with happiness so enormous and terrifying it was as if I'd committed a crime to get it. No one had given me permission to feel this way and I thought I might not be allowed it. He combed his fingers through my hair and I was frightened with happiness, harrowed by it. There was no way anyone could feel this much without also knowing they were going to lose it.
Kaliane Bradley (The Ministry of Time)
And secondly, admit defeat. Socialism (or anarchism) is not going to happen. And there is no national resurgence of organic community coming our way. There will be no night-watchman state and libertarian utopia where the public sector is all but removed. There will be no ecological-spiritual awakening spontaneously growing from the goodness of your heart. And no, Mr. Conservative, there will be no rolling back of gay rights, bike paths, vegan diets, animal rights and queer perspectives—they are all here to stay and expand. You can give up on all of that nonsense. Those were whispers of another time. Let them die hard. Clear your head of these hallucinatory fantasies. They are about as meaningful today as belief in ghosts or Jesus walking across King Herod’s swimming pool.
Hanzi Freinacht (The Listening Society: A Metamodern Guide to Politics, Book One)
It is now time to face the fact that English is a crazy language — the most loopy and wiggy of all tongues. In what other language do people drive in a parkway and park in a driveway? In what other language do people play at a recital and recite at a play? Why does night fall but never break and day break but never fall? Why is it that when we transport something by car, it’s called a shipment, but when we transport something by ship, it’s called cargo? Why does a man get a hernia and a woman a hysterectomy? Why do we pack suits in a garment bag and garments in a suitcase? Why do privates eat in the general mess and generals eat in the private mess? Why do we call it newsprint when it contains no printing but when we put print on it, we call it a newspaper? Why are people who ride motorcycles called bikers and people who ride bikes called cyclists? Why — in our crazy language — can your nose run and your feet smell?Language is like the air we breathe. It’s invisible, inescapable, indispensable, and we take it for granted. But, when we take the time to step back and listen to the sounds that escape from the holes in people’s faces and to explore the paradoxes and vagaries of English, we find that hot dogs can be cold, darkrooms can be lit, homework can be done in school, nightmares can take place in broad daylight while morning sickness and daydreaming can take place at night, tomboys are girls and midwives can be men, hours — especially happy hours and rush hours — often last longer than sixty minutes, quicksand works very slowly, boxing rings are square, silverware and glasses can be made of plastic and tablecloths of paper, most telephones are dialed by being punched (or pushed?), and most bathrooms don’t have any baths in them. In fact, a dog can go to the bathroom under a tree —no bath, no room; it’s still going to the bathroom. And doesn’t it seem a little bizarre that we go to the bathroom in order to go to the bathroom? Why is it that a woman can man a station but a man can’t woman one, that a man can father a movement but a woman can’t mother one, and that a king rules a kingdom but a queen doesn’t rule a queendom? How did all those Renaissance men reproduce when there don’t seem to have been any Renaissance women? Sometimes you have to believe that all English speakers should be committed to an asylum for the verbally insane: In what other language do they call the third hand on the clock the second hand? Why do they call them apartments when they’re all together? Why do we call them buildings, when they’re already built? Why it is called a TV set when you get only one? Why is phonetic not spelled phonetically? Why is it so hard to remember how to spell mnemonic? Why doesn’t onomatopoeia sound like what it is? Why is the word abbreviation so long? Why is diminutive so undiminutive? Why does the word monosyllabic consist of five syllables? Why is there no synonym for synonym or thesaurus? And why, pray tell, does lisp have an s in it? If adults commit adultery, do infants commit infantry? If olive oil is made from olives, what do they make baby oil from? If a vegetarian eats vegetables, what does a humanitarian consume? If pro and con are opposites, is congress the opposite of progress? ...
Richard Lederer
My hour with my phone off starts shortly after I get home from work. This is one of the hardest times of the day because my children are ramped up for my attention, but I’m still trying to come down from the workday. My habit is to get changed, make one final email check to make sure things are in order at the office—and if not, to tell someone that I’ll get back to them later that night—and then to turn it off and put it in my dresser drawer. It’s a weird feeling, almost like hiding a valuable under a mattress. You walk away but your mind stays on it. You can visualize it sitting there in the dark. But whether the boys and I are riding bikes to the park, initiating a royal rumble on the living room floor, or setting the table together, my presence is fundamentally different that hour of the day. I am with them. Whatever we’re doing, it is together.
Justin Whitmel Earley (The Common Rule: Habits of Purpose for an Age of Distraction)
Tom, will you let me love you in your restaurant? i will let you make me a sandwich of your invention and i will eat it and call it a carolyn sandwich. then you will kiss my lips and taste the mayonnaise and that is how you shall love me in my restaurant. Tom, will you come up to my empty beige apartment and help me set up my daybed? yes, and i will put the screws in loosely so that when we move on it, later, it will rock like a cradle and then you will know you are my baby Tom, I am sitting on my dirt bike on the deck. Will you come out from the kitchen and watch the people with me? yes, and then we will race to your bedroom. i will win and we will tangle up on your comforter while the sweat rains from your stomachs and foreheads. Tom, the stars are sitting in tonight like gumball gems in a little girl’s jewlery box. Later can we walk to the duck pond? yes, and we can even go the long way past the jungle gym. i will push you on the swing, but promise me you’ll hold tight. if you fall i might disappear. Tom, can we make a baby together? I want to be a big pregnant woman with a loved face and give you a squalling red daughter. no, but i will come inside you and you will be my daughter Tom, will you stay the night with me and sleep so close that we are one person, no, but i will lay down on your sheets and taste you. there will be feathers of you on my tongue and then I will never forget you Tom, when we are in line at the convenience store can I put my hands in your back pockets and my lips and nose in your baseball shirt and feel the crook of your shoulder blade? no, but later you can lay against me and almost touch me and when i go i will leave my shirt for you to sleep in so that always at night you will be pressed up against the thought of me. Tom, if I weep and want to wait until you need me will you promise that someday you will need me? no, but i will sit in silence while you rage. you can knock the chairs down any mountain. i will always be the same and you will always wait. Tom, will you climb on top of the dumpster and steal the sun for me? It’s just hanging there and I want it. no, it will burn my fingers. no one can have the sun: it’s on loan from god. but i will draw a picture of it and send it to you from richmond and then you can smooth out the paper and you will have a piece of me as well as the sun Tom, it’s so hot here, and I think I’m being born. Will you come back from Richmond and baptise me with sex and cool water? i will come back from richmond. i will smooth the damp spiky hairs from the back of your wet neck and then i will lick the salt off it. then i will leave Tom, Richmond is so far away. How will I know how you love me? i have left you. that is how you will know
Carolyn Creedon
there is nothing generic about a human life. When I was little, to get to my bus stop, I had to cross a field that had so much snow my parents fitted me with ski pants and knee-high thermal boots that were toasty to forty degrees below zero. I am excellent in the stern of a canoe, but I never got the hang of riding a bike with no hands. I have seen the northern lights because my parents always woke up the whole house when the night sky was painted with color. I love the smell of clover and chamomile because my sister and I used to pick both on the way home from swimming lessons. I spent weeks of my childhood riding around on my bike saving drowning worms after a heavy rain. My hair is my favorite feature even though it’s too heavy for most ponytails, and I still can’t parallel park. There is no life in general. Each day has been a collection of trivial details—little intimacies and jokes and screw-ups and realizations.
Kate Bowler
Despite the gloom she could make out enough of his finely chiseled features to fleetingly rethink the CPR issue. The man was a knock out, with cheek bones sharp enough to cut cheese on, an arrow straight nose, a strong jaw, and a well cut mouth that subjected both cruelty and sensuality. He stirred groaning softly, hands flailing as if he was searching for something. Mary moved out the way as he rolled towards her coming to rest on his back. As she lent over him to get another look dark eyelashes flickered, opened. His eyes were pale and striking, something flashing in them like lightning cutting through turbulent storm clouds. A pair of fey owlish brows slanted down in to a perplexed frown as he stared up at her. Mary let out a startled yelp when she was grabbed, and then rolled beneath a larger body, his heavy weight, her arms pinioned above her in just one of his large hands. Her hat yanked off and her features quickly scanned. Outrage quickly turned in to fear. The glacial scrutiny made her tremble as if an arctic wind had caressed her body, not that the shear brute strength the stranger wielded alone was not frightening enough. “I’m just trying to help you.” Mary breathed, fighting down the rising panic as his gaze bored in to her. “You must have fallen of your bike.” She had worked Crown defense long enough to have encountered more then a few clients who were nothing more then malicious, ill tempered, brutal thugs. This man Mary knew on an intuitive level was far more dangerous, because he was a killer, because he was devoid of all those things. There was a detachment to his inspection of her, considering if she was pray or a pet. Not human. Something deeply buried stirred. An ancestral memory whispered through her mind like the scent of wood smoke on the night air, instinctive as the fear of the falling, and things that lurked in the dark.
D.M. Alexandra
Hey, I got an idea, let’s go to the movies. I wanna go to the movies, I want to take you all to the movies. Let’s go and experience the art of the cinema. Let’s begin with the Scream Of Fear, and we're gonna have it haunt us for the rest of our lives. And then let’s go see The Great Escape, and spend our summer jumping our bikes, just like Steve McQueen over barb wire. And then let’s catch The Seven Samurai for some reason on PBS, and we’ll feel like we speak Japanese because we can read the subtitles and hear the language at the same time. And then let’s lose sleep the night before we see 2001: A Space Odyssey because we have this idea that it’s going to change forever the way we look at films. And then let’s go see it four times in one year. And let’s see Woodstock three times in one year and let’s see Taxi Driver twice in one week. And let’s see Close Encounters of the Third Kind just so we can freeze there in mid-popcorn. And when the kids are old enough, let’s sit them together on the sofa and screen City Lights and Stage Coach and The Best Years of Our Lives and On The Waterfront and Midnight Cowboy and Five Easy Pieces and The Last Picture Show and Raging Bull and Schindler’s List… so that they can understand how the human condition can be captured by this amalgam of light and sound and literature we call the cinema.
Tom Hanks
When Surkov finds out about the Night Wolves he is delighted. The country needs new patriotic stars, the great Kremlin reality show is open for auditions, and the Night Wolves are just the type that’s needed, helping the Kremlin rewrite the narrative of protesters from political injustice and corruption to one of Holy Russia versus Foreign Devils, deflecting the conversation from the economic slide and how the rate of bribes that bureaucrats demand has shot up from 15 percent to 50 percent of any deal. They will receive Kremlin support for their annual bike show and rock concert in Crimea, the one-time jewel in the Tsarist Empire that ended up as part of Ukraine during Soviet times, and where the Night Wolves use their massive shows to call for retaking the peninsula from Ukraine and restoring the lands of Greater Russia; posing with the President in photo ops in which he wears Ray-Bans and leathers and rides a three-wheel Harley (he can’t quite handle a two-wheeler); playing mega-concerts to 250,000 cheering fans celebrating the victory at Stalingrad in World War II and the eternal Holy War Russia is destined to fight against the West, with Cirque du Soleil–like trapeze acts, Spielberg-scale battle reenactments, religious icons, and holy ecstasies—in the middle of which come speeches from Stalin, read aloud to the 250,000 and announcing the holiness of the Soviet warrior—after which come more dancing girls and then the Night Wolves’ anthem, “Slavic Skies”: We are being attacked by the yoke of the infidels: But the sky of the Slavs boils in our veins . . . Russian speech rings like chain-mail in the ears of the foreigners, And the white host rises from the coppice to the stars.
Peter Pomerantsev (Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia)
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-​night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip. Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-​five, forty-​five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-​five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board. Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea. The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-​slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-​inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.” Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-​burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
Hunter S. Thompson (Hell's Angels)
Meanwhile, Trucker and I, through all of this, had been renting that cottage together, on a country estate six miles outside of Bristol. We were paying a tiny rent, as the place was so rundown, with no heating or modern conveniences. But I loved it. The cottage overlooked a huge green valley on one side and had beautiful woodland on the other. We had friends around most nights, held live music parties, and burned wood from the dilapidated shed as heating for the solid-fuel stove. Our newly found army pay was spent on a bar tab in the local pub. We were probably the tenants from hell, as we let the garden fall into disrepair, and burned our way steadily through the wood of the various rotting sheds in the garden. But heh, the landlord was a miserable old sod with a terrible reputation, anyway! When the grass got too long we tried trimming it--but broke both our string trimmers. Instead we torched the garden. This worked a little too well, and we narrowly avoided burning down the whole cottage as the fire spread wildly. What was great about the place was that we could get in and out of Bristol on our 100 cc motorbikes, riding almost all the way on little footpaths through the woods--without ever having to go on any roads. I remember one night, after a fun evening out in town, Trucker and I were riding our motorbikes back home. My exhaust started to malfunction--glowing red, then white hot--before letting out one massive backfire and grinding to a halt. We found some old fence wire in the dark and Trucker towed me all the way home, both of us crying with laughter. From then on my bike would only start by rolling it down the farm track that ran down the steep valley next to our house. If the motorbike hadn’t jump-started by the bottom I would have to push the damn thing two hundred yards up the hill and try again. It was ridiculous, but kept me fit--and Trucker amused. Fun days.
Bear Grylls (Mud, Sweat and Tears)
Here you go,” Ryder says, startling me. He holds out a sweating bottle of water, and I take it gratefully, pressing it against my neck. “Thanks.” I glance away, hoping he’ll take the hint and leave me in peace. His presence makes me self-conscious now, but it wasn’t always like this. As I look out at Magnolia Landing’s grounds, I can’t help but remember hot summer days when Ryder and I ran through sprinklers and ate Popsicles out on the lawn, when we rode our bikes up and down the long drive, when we built a tree fort in the largest of the oaks behind the house. I wouldn’t say we’d been friends when we were kids--not exactly. We had been more like siblings. We played; we fought. Mostly, we didn’t think too much about our relationship--we didn’t try to define it. And then adolescence hit. Just like that, everything was awkward and uncomfortable between us. By the time middle school began, I was all too aware that he wasn’t my brother, or even my cousin. “Mind if I sit?” Ryder asks. I shrug. “It’s your house.” I keep my gaze trained straight ahead, refusing to look in his direction as he lowers himself into the chair beside me. After a minute or two of silence but for the creaking rockers, he sighs loudly. “Can we call a truce now?” “You’re the one who started it,” I snap. “Last night, I mean.” “Look, I’ve been thinking about what you said. You know, about eighth grade--” “Do we have to talk about this?” “Because we didn’t really hang out in middle school, except for family stuff,” he continues, ignoring my protest. “Until the end of eighth grade, maybe. Right around graduation.” My entire body goes rigid, my face flushing hotly with the memory. It had all started during Christmas break that year. We’d gone to the beach with the Marsdens. I can’t really explain it, but there’d been a new awareness between us that week--exchanged glances and lingering looks, an electrical current connecting us in some way. The two of us sort of tiptoed around each other, afraid to get too close, but also afraid to lose that hint of…something. And then Ryder asked me to go with him to the graduation dance. There was no way we were telling our parents.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Oh, but to get through this night. Why won’t sleep come? What’s bothering me here in the dark? It’s not the badgers, it’s not the snakes. What’s bothering me? Something darker is worrying a hole inside me—look how my legs are trembling. Stop moving, Tatiana. That’s how the carnivores find you, by the flash of life on your body, they find you and eat you while you sleep. Like venomous spiders, they’ll bite you first to lull you into sleep—you won’t even feel it—and then they will gnaw your flesh until nothing remains. But even the animals eating her alive was not the thing that worried the sick hole in Tatiana’s stomach as she lay in the leaves with her face hidden from the forest, with her arms over her head, in case anything decided to fall on her. She should’ve made herself a shelter but it got dark so fast, and she was so sure she would find the lake, she hadn’t been thinking of making herself more comfortable in the woods. She kept walking and walking, and then was downed and breathless and unprepared for pitch black night. To quell the terror inside her, to not hear her own voices, Tatiana whimpered. Lay and cried, low and afraid. What was tormenting her from the inside out? Was it worry over Marina? No... not quite. But close. Something about Marina. Something about Saika... Saika. The girl who caused trouble between Dasha and her dentist boyfriend, the girl who pushed her bike into Tatiana’s bike to make her fall under the tires of a downward truck rushing headlong... the girl who saw Tatiana’s grandmother carrying a sack of sugar and told her mother who told her father who told the Luga Soviet that Vasily Metanov harbored sugar he had no intention of giving up? The girl who did something so unspeakable with her own brother she was nearly killed by her own father’s hand—and she herself had said the boy got worse—and this previously unmentioned brother was, after all, dead. The girl who stood unafraid under rowan trees and sat under a gaggle of crows and did not feel black omens, the girl who told Tatiana her wicked stories, tempted Tatiana with her body, turned away from Marina as Marina was drowning...who turned Marina against Tatiana, the girl who didn’t believe in demons, who thought everything was all good in the universe, could she . . . What if...? What if this was not an accident? Moaning loudly, Tatiana turned away to the other side as if she’d just had a nightmare. But she hadn’t been dreaming. Saika took her compass and her knife. But Marina took her watch. And there it was. That was the thing eating up Tatiana from the inside out. Could Marina have been in on something like this? Twisting from side to side did not assuage her torn stomach, did not mollify her sunken heart. Making anguished noises, her eyes closed, she couldn’t think of fields, or Luga, or swimming, or clover or warm milk, anything. All good thoughts were drowned in the impossible sorrow. Could Marina have betrayed her?
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Brailsford and his team continued to find 1 percent improvements in overlooked and unexpected areas. They tested different types of massage gels to see which one led to the fastest muscle recovery. They hired a surgeon to teach each rider the best way to wash their hands to reduce the chances of catching a cold. They determined the type of pillow and mattress that led to the best night’s sleep for each rider. They even painted the inside of the team truck white, which helped them spot little bits of dust that would normally slip by unnoticed but could degrade the performance of the finely tuned bikes.
James Clear (Atomic Habits: An Easy and Proven Way to Build Good Habits and Break Bad Ones)
A gentle buzz settled over her, stirring a memory she couldn’t pull into focus. Not fear or regret, but a reminder of herself, of who she used to be. The Cadie who commandeered lost boats. The girl who rode her bike down hills with her arms over her head. That other Cadie prodded at her from some deep hiding place she had tried to forget.
Julie Carrick Dalton (Waiting for the Night Song)
Notes on a Candy Cane Tree" What did I think about before you touched my thigh? Let me say this: I’m going to touch you until my fingers fall off. If my fingers don’t fall off, I will hold your hand even if it’s sweaty. And let me say this: You are lovelier than clouds that look like lovely things. I have only loved a few times and the last time was when you rubbed my neck under the monkey bars. We weren’t much younger than we are now. I still have the same haircut. You still have only one dimple. It’s on your left cheek and it looks like you fell on a pebble. I love that it looks like you fell on a pebble. Let me say this: You taste like candy canes. There was a candy cane tree in my old neighborhood. My neighbor hung candy canes on the branches of the willow and I snatched them in the middle of the night. It was December when I rode my bike the quickest, like I was going somewhere to meet you. I like you more than the candy cane tree. Let me say this: I am uncomfortable in my own skin, so I hold your face. I hold your face and your hips but mostly your face. You have a lovely face. Let me say this: I love you like monsters like scaring little kids. I make a list of words I can use to diagram your body: petite, mellifluous, comely, milk, necessary. Please, forgive the humming; you see I rarely taste candy canes in March. When I don’t taste you I taste sweat. Not good sweat, mind you, sweaty sweat from the men’s locker room. Sometimes I taste pizza, but that’s only because I loved pizza first. Let me say this: My love for pizza was fleeting. I was young and naive and thought that extra toppings meant something. These are fine days because they end with you. Let me just say this: I’m going to kiss you until my lips fall off. If my lips don’t fall off, I will kiss up your spine until I run out of spine. Then I’ll start over. — Gregory Sherl, [PANK] Magazine 4.09 / September 2009
Gregory Sherl
They say that love has never been immortal. That it is only the songs, books, and movies which instill this thought in our mind. But tell me then why does my heart yearn to just have a glimpse of you every moment of my life? Why do I see you in every sunrise? Why do I see you in every sunset? Why do I think of you when I walk down the lane of my apartment? Why do I imagine you sitting beside me while riding my bike? Why do I inhale your fragrance around me in my days and in my nights? Why do I keep missing you? Why do I feel restless untill I have spoken to you? Why do I keep thinking about you every night lying there in my bed? Why do I feel incomplete without you in my life? Why do all my memories smell of you?
Avijeet Das
Darius grunted irritably. “You let me in last time,” he reminded me in a low voice. “Why did you trust me then and not now?” I cleared my throat uncomfortably. “I didn’t trust you then either. I just had to push past my natural inclination to protect myself from sociopaths. You’ll have to give me a moment before I can easily do so again.” I bit my lip as his grip on my hands tightened and he tugged me closer again, our chests almost brushing as I looked up at him. “Stop power fucking her and start working on what Pyro wants,” Caleb called and I flinched, yanking my magic back again as I looked around at him and Darcy. “Are you afraid I’m going to steal her attention from you, Cal?” Darius asked Caleb with the hint of a smile playing around his lips. “Not likely,” Caleb replied dismissively but his eyes narrowed. “I’m still here,” I reminded them irritably. “And neither of you are interesting enough to keep my attention for long so there’s no point in you getting your panties in a twist over it. Maybe we should just get on with this class?” Darius smirked at Caleb tauntingly and I rolled my eyes at him. “Well I’m happy enough to practice without help if you wanna leave me to it?” Darcy suggested, not-so-subtly trying to tug her hand out of Caleb’s grip. “Don’t worry, sweetheart, I promise to be gentle with you,” he said, ignoring her attempts to break free. My sister obviously had reservations about this activity and I couldn’t really blame her. She shot me a look which basically said she’d rather be pretty much anywhere else than holding Caleb’s hand and I glanced at Darius before raising an eyebrow at her as if to say ‘who’s got it worse?’. Darcy snorted a laugh and the two Heirs looked between us like they were trying to figure out what we’d just communicated to each other. “Come on, Roxy, let’s see what you’ve got,” Darius said, releasing one of my hands so that I could cast with it. He didn’t need any further encouragement and stepped forward to grip my waist like he had before. This time I didn’t press my body to his though and instead focused on harnessing my magic in the way I wanted. My frustration meant I threw more power at the task than I’d intended and I yanked on Darius’s magic too. A full sized motorbike materialised in the flames before me and with a surge of triumph, I sent it tearing across the arena. Pyro stopped what she was doing and actually applauded me and I grinned to myself as more than a few of my classmates joined in. I started making the bike weave between the students as it did a circuit of the arena and Darius leaned close to my ear as he maintained his grip on me. “Congratulations, Roxy. Looks like we’ve got a date Wednesday night then.” I ignored the flutter in my chest as he called it a date because it absolutely didn’t take place. “Maybe I’ve already got plans Wednesday,” I said. “Yeah, you do. With me.” He released his grip on my waist and my control over the magic faltered as the bike burst apart into a thousand flaming tendrils which burnt out quickly without anything to maintain them. (tory)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
Jeremiah declined, even though night fishing was his favorite. He was always trying to get people to go night fishing with him. That night he said he wasn’t in the mood. So they left, and Jeremiah stayed behind, with me. We watched TV and played cards. We spent most of the summer doing that, just us. We cemented things between us that summer. He’d wake me up early some mornings, and we would go collect shells or sand crabs, or ride our bikes to the ice cream place three miles away. When it was just us two, he didn’t joke around as much, but he was still Jeremiah. From that summer on I felt closer to Jeremiah than I did to my own brother. Jeremiah was nicer. Maybe because he was somebody’s little sibling too, or maybe just because he was that kind of person. He was nice to everybody. He had a talent for making people feel comfortable.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
Driving University: Listen to audio books or financial news radio while stuck in traffic. Traffic nuisances transformed to education. Exercise University: Absorb books, podcasts, and magazines while exercising at the gym. In between sets, on the treadmill, or on the stationary bike, exercise is transformed to education. Waiting University: Bring something to read with you when you anticipate a painful wait: Airports, doctor’s offices, and your state’s brutal motor vehicle department. Don’t sit there and twiddle your thumbs—learn! Toilet University: Never throne without reading something of educational value. Extend your “sit time” (even after you finish) with the intent of learning something new, every single day. Toilet University is the best place to change your oil, since it occurs daily and the time expenditure cannot be avoided. This means the return on your time investment is infinite! Toilet time transformed to education. Jobbing University: If you can, read during work downtimes. During my dead-job employment (driving limos, pizza delivery) I enjoyed significant “wait times” between jobs. While I waited for passengers, pizzas, and flower orders, I read. I didn’t sit around playing pocket-poker; no, I read. If you can exploit dead time during your job, you are getting paid to learn. Dead-end jobs transformed to education. TV-Time University: Can’t wean yourself off the TV? No problem; put a television near your workspace and simultaneously work your Fastlane plan while the TV does its thing. While watching countless reruns of Star Trek, boldly going where no man has gone before, I simultaneously learned how to program websites. In fact, as I write this, I am watching the New Orleans Saints pummel the New England Patriots on Monday Night Football. Gridiron gluttony transformed to work and education.
M.J. DeMarco ([The Millionaire Fastlane: Crack the Code to Wealth and Live Rich for a Lifetime!] [By: DeMarco, MJ] [January, 2011])
Most of us are banged up, bandaged, or in physical pain in some form or another due to the battle that started the minute Dom lost his. A fight we all lost, no matter how many of us escaped breathing because the aftermath is fucking excruciating. Our new reality surreal. One in which our magnet no longer exists. Flashes of my brother shutter in. The day we met. Our first late-night bike ride. Sharing our first stolen beer. Coughing through our first joint. Our high school homeroom theatrics. The shared pains of growing from boys to men.
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
Later, I sat down drunk on the corner of Carondelet and Canal Streets, listening for the rumble of the streetcar that would take me back uptown to my apartment, watching the evening sun bleed from the streets, the city shifting into night, when it truly became New Orleans: the music, the constant festival, the smell of late evening dinners pouring out, layering the beer-soaked streets, prostitutes, clubs with DJs, rowdy gay bars, dirty strip clubs, the insane out for a walk, college students vomiting in trash cans, daiquiri bars lit up like supermarkets, washing-machine-sized mixers built into the wall spinning every color of daiquiri, lone trumpet players, grown women crying, clawing at men in suits, portrait painters, spangers (spare change beggars), gutter punks with dogs, kids tap-dancing with spinning bike wheels on their heads, the golden cowboy frozen on a milk crate, his golden gun pointed at a child in the crowd, fortune-tellers, psycho preachers, mumblers, fighters, rock-faced college boys out for a date rape, club chicks wearing silver miniskirts, horse-drawn carriages, plastic cups piling against the high curbs of Bourbon Street, jazz music pressing up against rock-and-roll cover bands, murderers, scam artists, hippies selling anything, magic shows and people on unicycles, flying cockroaches the size of pocket rockets, rats without fear, men in drag, business execs wandering drunk in packs, deciding not to tell their wives, sluts sucking dick on open balconies, cops on horseback looking down blouses, cars wading across the river of drunks on Bourbon Street, the people screaming at them, pouring drinks on the hood, putting their asses to the window, whole bars of people laughing, shot girls with test tubes of neon-colored booze, bouncers dragging skinny white boys out by their necks, college girls rubbing each other’s backs after vomiting tequila, T-shirts, drinks sold in a green two-foot tube with a small souvenir grenade in the bottom, people stumbling, tripping, falling, laughing on the sidewalk in the filth, laughing too hard to stand back up, thin rivers of piss leaking out from corners, brides with dirty dresses, men in G-strings, mangy dogs, balloon animals, camcorders, twenty-four-hour 3-4-1, free admission, amateur night, black-eyed strippers, drunk bicyclers, clouds of termites like brown mist surrounding streetlamps, ventriloquists, bikers, people sitting on mailboxes, coffee with chicory, soul singers, the shoeless, the drunks, the blissful, the ignorant, the beaten, the assholes, the cheaters, the douche bags, the comedians, the holy, the broken, the affluent, the beggars, the forgotten, and the soft spring air pregnant with every scent created by such a town.
Jacob Tomsky (Heads in Beds: A Reckless Memoir)
Stars, Sam. We mucked it. I mean, I mucked it. And not just for us. Yet I recall pure joy: your bike hot between my legs, your arms locked ’round my waist. I recall poor Second’s chiding before I blinked it off. I recall laughter and all of those soldiers from someone else’s war standing on that terrace singing yet another Terran victory rag. You told me later that you didn’t know I’d make a run at the canyon wall ’til I torqued it, thumbing your bike’s twin throttles hard enough to singe our legs as the acceleration turned into an increasing roar. By the time we hit fifty, I couldn’t even hear you yelling at me to stop over the wind. I didn’t think you were serious. We’d climbed that mesa in daylight when we were younger, smaller, bendier. We’d done it with safety rails and belts, with hoverbikes that floated back down like carnival balloons when we failed; we’d done it with our parents cheering and a Grass Priest standing watch in case we needed healing. That run should’ve been a lark, Sam. But the night was dark as space, and our planet has no moon. You grabbed hard as I pulled the yoke. The engines screamed. I meant to pull up, climb that mesa vertically—see if we could rocket to the top before I gunned again like we’d done a hundred times as kids. But I timed it too late. I saw the mesa wall in our headlamps, and then everything went black. The next thing I recall is waking up on the Unity ship Ascendant with Ken’ri Mureen of Glos smiling down at me. Those big round eyes in her lovely, lying face. I thought I’d surely killed you, Sam, but Mureen swore you were fine. Mureen swore removing my Second was only temporary—swore surgery would fix the soup the crash had made of my brain. She made me sign forms, and then Ma came in with pastries. I still didn’t believe you’d made it out, but Ma swore it too. You know the gist after that—mostly—but there’s a lot I never told—
H.M.H. Murray (Navvy Dreams (Tales From a Stinking, Star-Crossed Milky Way #1))
How do I know I have lived? How can I be certain my days were not squandered? What criteria, which principles qualify life as lived? Certainly, I have endured trials and troubles, and I learned from life’s lessons. I grew wise as well as empathetic. But is edification and its accompanying traits the ultimate aim for living? I have traveled. Oh, I have seen marvelous wonders in this world. Skies that were artic blue, emerald green, soft lilac, and rosy red. Mountains fixed like monuments to the gods. Waters as clear as crystal, as blue as larimar, deeper than a leviathan’s lair, and as vast as the night’s sky. I have witnessed pyramids and castles, colosseums, great walls, and temples. Is this living? To travel, to see, to awe at the world’s aesthetic wonders? I have experienced great joys in my days: laughter, kindness, fun, love, thrills, successes. I have suffered a great many sorrows: sickness, loss, pain, cruelty, vengeance, disparagement. I have valued the good and abhorred the bad. Is this the ultimate feat of living? I have been actively doing: from sailing to flying, acting to singing, hiking to biking. I have dived, danced, drummed, battled, built, raced, and used my incredible body to perform every activity I desired. I gained strength and endurance in the process. Is this a sure sign of living? I have been part of a family and raised my own. I have formed lasting, loyal friendships that have passed the test of time. I have felt what it means to sacrifice for loved ones, shared in their joys and sorrows, prayed for tender mercies and miracles in their lives. I have loved and been loved in return. Is it connection to family and friends, the relationships developed between kindred, is this what it means to truly live? How do I know I have lived? As my days near an end, how can I be certain my life was worthwhile and not wasted? Did I accomplish what life mandates of those who truly live? What qualifies life as lived?
Richelle E. Goodrich (A Heart Made of Tissue Paper)
Rural Free Delivery (RFD) Home, upon that word drops the sunshine of beauty and the shadow of tender sorrows, the reflection of ten thousand voices and fond memories. This is a mighty fine old world after all if you make yourself think so. Look happy even if things are going against you— that will make others happy. Pretty soon all will be smiling and then there is no telling what can’t be done. Coca-Cola Girl Mother baked a fortune cake pale yellow icing, lemon drops round rim, hidden within treasures, a ring—you’ll be married, a button—stay a bachelor, a thimble—always a spinster, and a penny—you’re rich. Gee, but I am hungry. Wait a second, dear, until I pull my belt up another notch. There that’s better. So, you see, Hon, I am straighter than a string around a bundle. You ought to see my eye, it’s a peach. I am proud of it, looks like I’ve been kicked by a mule. You know, dear, that they can kick hard enough to knock all the soda out of a biscuit without breaking the crust Hogging Catfish This gives you a fighting chance. Noodle your right hand into their gills, hold on tight while you grunt him out of the water. This can be a real dogfight. Old river cat wants to go down deep, make you bottom feed. Like I said, boys, when you tell a whopper, say it like you believe it. Saturday Ritual My Granddad was a cobbler. We each owned two pairs of shoes, Sunday shoes and everyday shoes. When our Sunday shoes got worn they became our everyday shoes. Main Street Saturday Night We each were given a dime on Saturday opening a universe of possibilities. All the stores stayed open and people flocked into town. Mr. and Mrs. Reynolds set up a popcorn stand on Reinheimer’s corner and soon after lighting a little stove, sounding like small firecrackers, popping began. Dad, laughing shooting the breeze with a group of farmers, drinking Coca Cola, finding out if any sheds needed to be built or barns repaired, discussing the price of next year’s seed, finding out who’s really working, who’s just looking busy. There is no object I wouldn’t give to relive my childhood growing up in Delavan— where everyone knew everyone— and joy came with but a dime. Market Day Jim Pittsford’s grocery smelled of bananas ripening and the coffee he ground by hand, wonderful smoked ham and bacon fresh sliced. He’d reward the child who came to pick up the purchase, with a large dill pickle Biking home, skillfully balancing Jim Pittsford’s bacon, J B’s tomatoes and peaches, while sniffing a tantalizing spice rising from fresh warm rolls, I nibbled my pickle reward.
James Lowell Hall
I still lay flowers at your grave take my boots and grind them into the ground that holds my childhood toys and torn out journal pages filled with scribbles of first crushes where my innocence still bikes to friends houses under fluorescent candied lights and kissing is just kissing only followed with a smile playing tag on our lips the kind between two people sharing a secret
Sunday Mornings at the River (Look What The Night Dragged In: A Poetry Anthology)
So take three instances at random. A young white college sophomore throws a Molotov cocktail that burns down a black-owned deli, and he does this because he wants to register his deep dissatisfaction with the police treatment of blacks in that city. Or another person, as timid as they come, is out for a walk on a bike path, two miles out of town, all by herself, and she is wearing a mask. Or someone else thinks that it can cost two dollars to get a gallon of milk to market, but also thinks that we can make the make the greedster grocer sell it for a buck fifty, and yet still have milk on the shelf. What do these, and countless other instances, have in common? What they all have in common is that these people received a lousy education. As we watch this great parade of duncical folly every night on the news, one thought should come back to haunt us with every fresh insult to right reason. And that thought should be, "Who educated these people?" And the follow-up question should be, "And why haven't they been sacked?
Douglas Wilson (Gashmu Saith It: How to Build Christian Communities that Save the World)
It was a bike. He had to be careful, so careful how he rode it, but it was a bike, and they were going to go zooming downhill and through this world with the neon throbbing on the black of the February night like a hallucinogenic trompe l’oeil.
Amy Lane (Chase in Shadow (Johnnies, #1))
When he was young, he had thick black hair and he roared around on a Norton Commando, giving girls rides to school on the back of his bike. That’s how he met my mom. He was a senior, she was a sophomore. She got pregnant two months later. They never married, but they lived together for a couple of years in my grandmother’s basement. My dad was crazy about my mom. She really was gorgeous, and smart. He told her to keep going to school while he worked days as a mechanic and took care of me at night.
Sophie Lark (Savage Lover (Brutal Birthright, #3))
You can tell yourself whatever you want to make yourself feel better, Camel, but I’m not staying around to hear it. I need to get back to my life and you need to get that pike back to your pack.” I hated the way he said my life, like it was something separate from me. His life would always include me, I didn’t care what that made me sound like. Last night had just cemented what I’d already been feeling. “No. That isn’t how this is going to go. We’re both going to calm down and then we’re going to take my bike back to the Cathedral where we’ll take care of the demon and then you and I are going to sit and talk. And after that talk, we’re going to get naked and you’re going to forget about trying to leave me because it isn’t happening, Fulton. I don’t care how you convince yourself it’s what is best.
Kiki Burrelli (Wolves of Resurrection Road: The Complete Series (Wolves of Resurrection Road #1-4))
I had been planning on telling them about my late night adventure at Acrux Manor especially if I’d won a shiny new bike but I hadn’t gotten around to it yet with the madness of the Air Trial today.
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
If you happen to be out at night on the bike path without a light, ring your bell constantly. No bell? Then sing "Hotel Yorba" on a continuous loop, loud enough to warn the unseen.
Grant Petersen (Just Ride: A Radically Practical Guide to Riding Your Bike)
He reached out a hand and stroked one of the bikes along the sleek chassis. It had words painted along the side, in silver: NOX INVICTUS. “‘Victorious night,’” he translated.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
An Unexpected Revelation                 A couple of days after my tryst with Jules, our group, under the auspices of our Portuguese-French instructor, went on a biking expedition. Kim fell alongside my bike when we were trailing behind our group. I detected his intention when he spoke, “How’s it going with you-know-who?”               “Who?” I reprised.               “You know who.”               “No, I don’t.” I feigned ignorance.               “What happened the other night?” the boy responded smirkingly.               “What happened?” I continued my pretense.               “In the forest with Jules,” he muttered.               “We talked.”               He continued to press. “Come on, do tell?”               At that moment, our leader appeared next to us. Jules had turned his bike around to steer us forward. “Tell you what?” he questioned.               “Kim wants to know what happened when we went for a stroll the other night,” I chirped.               Both of their faces turned red by my pronouncement. An awkward silence followed before Jules stuttered, “I… err… was asking Young about his English school education…” he trailed off before motioning us to catch up with the group. As soon as he out of earshot, Kim reproached, “How can you say that?” “Isn’t that what you wanted to know? You may as well hear it from the horse’s mouth,” I sniggered winningly. “It’s so embarrassing. Now I won’t be able to look him in the eye.” “Why not? The two of you haven’t done anything unseemly… what’s with these cat and mouse games?” I tittered. “Why don’t you go after him if you want him so badly?” The boy exclaimed, “He’ll think I’m a slut. My reputation will be ruined.” “Are you going to pine for his affection or make a move? The ball is in your court, now that he has an inkling.” The boy rode ahead, ignoring my sentiment. I shrugged and rejoined the cyclists.
Young (Turpitude (A Harem Boy's Saga Book 4))
At OBSS   I didn’t have long to wait before “twinky” Kim confided his secrets to me. Out of earshot from the group, during lunch, he announced excitedly, “We did it!”               “We did what?” I asked.               He glanced towards Jules, who was chatting animatedly with a couple of the other instructors. “You know. Me and him. We did it.”               I smiled but said nothing. Kim had a gleeful grin as he uttered, “Last night in the woods.”               “What exactly did you do?”               He cast his eyes down shyly. “We made out.”               “And?”               “It was great!” he exclaimed.               “Tell all, you naughty devil,” I remarked. Like most first-timers, he was eager to relate his sexual encounter to a pair of sympathetic ears.               “After the biking accident, after you guys rode on for help, he made the move.”               “Well? What happened” I queried.               “When he was blotting the blood from my knee, he placed his hand on my thigh. I did not move away. I dared not look him in the eye, but I enjoyed the smouldering sensation of his hand, which slowly eased into my underwear.” He paused for effect. “I was afraid, so I kept my eyes shut. I had Goosebumps all over when he held my… You know…” The boy couldn’t bring himself to say the word penis.               “No, I don’t know,” I teased patiently. “What?”               “Down there…” he looked at his groin, which had grown while reliving the circumstance.
Young (Turpitude (A Harem Boy's Saga Book 4))
I’ve never ditched school before. Of course a boy I kissed has never been arrested before, either. This is about me being real. To myself. And now I’m going to be real to Alex, like he’s always wanted. It’s scary, and I’m not convinced I’m doing the right thing. But I can’t ignore this magnetic pull that Alex has over me. I plug in the address on my GPS. It leads me to the south side, to a place called Enrique’s Auto Body. A guy is standing in front. His mouth drops open the minute he sees me. “I’m looking for Alex Fuentes.” The guy doesn’t answer. “Is he here?” I ask, feeling awkward. Maybe he doesn’t speak English. “What do you want with Alejandro?” the guy finally asks. My heart is pumping so hard I can see my shirt move with each beat. “I need to talk to him.” “He’ll be better off if you leave him alone,” the guy says. “Está bien, Enrique,” a familiar voice booms. I turn to Alex, leaning against the auto body’s front door with a shop towel hanging out of his pocket and a wrench in his hand. The hair peeking out of his bandana is mussed and he looks more masculine than any guy I’ve ever seen. I want to hold him. I need him to tell me it’s okay, that he’s not going to jail ever again. Alex keeps his eyes fixed on mine. “I guess I’ll leave you two alone,” I think I hear Enrique say, but I’m too focused on Alex to hear clearly. My feet are glued to the same spot so it’s a good thing he saunters toward me. “Um,” I start. Please let me get through this. “I, uh, heard you got arrested. I had to see if you’re okay.” “You ditched school to see if I was okay?” I nod because my tongue won’t work. Alex steps back. “Well, then. Now that you’ve seen I’m okay, go back to school. I gotta, you know, get back to work. My bike was impounded last night and I need to make money to get it back.” “Wait!” I yell. I take a deep breath. This is it. I’m going to spill my guts. “I don’t know why or when I started falling for you, Alex. But I did. Ever since I almost ran over your motorcycle that first day of school I haven’t been able to stop thinking about what it would be like if you and I got together. And that kiss…God, I swear I never experienced anything like that in my life. It did mean something. If the solar system didn’t tilt then, it never will. I know it’s crazy because we’re so different. And if anything happens between us I don’t want people at school to know. Not that you’ll agree to have a secret relationship with me, but I at least have to find out if it’s possible. I broke up with Colin, who I had a very public relationship with and I’m ready for something private. Private and real. I know I’m babbling like an idiot, but if you don’t say something soon or give me a hint of what you’re thinking then I’ll--” “Say it again,” he says. “That whole drawn-out speech?” I remember something about a solar system, but I’m too light-headed to recite the entire thing all over again. He steps closer. “No. The part about you fallin’ for me.” My eyes cling to his. “I think about you all the time, Alex. And I really, really want to kiss you again.” The sides of his mouth turn up.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
You ditched school to see if I was okay?” I nod because my tongue won’t work. Alex steps back. “Well, then. Now that you’ve seen I’m okay, go back to school. I gotta, you know, get back to work. My bike was impounded last night and I need to make money to get it back.” “Wait!” I yell. I take a deep breath. This is it. I’m going to spill my guts. “I don’t know why or when I started falling for you, Alex. But I did. Ever since I almost ran over your motorcycle that first day of school I haven’t been able to stop thinking about what it would be like if you and I got together. And that kiss…God, I swear I never experienced anything like that in my life. It did mean something. If the solar system didn’t tilt then, it never will. I know it’s crazy because we’re so different. And if anything happens between us I don’t want people at school to know. Not that you’ll agree to have a secret relationship with me, but I at least have to find out if it’s possible. I broke up with Colin, who I had a very public relationship with and I’m ready for something private. Private and real. I know I’m babbling like an idiot, but if you don’t say something soon or give me a hint of what you’re thinking then I’ll--” “Say it again,” he says. “That whole drawn-out speech?” I remember something about a solar system, but I’m too light-headed to recite the entire thing all over again. He steps closer. “No. The part about you fallin’ for me.” My eyes cling to his. “I think about you all the time, Alex. And I really, really want to kiss you again.” The sides of his mouth turn up. Unable to face him, I look at the ground. “Don’t make fun of me.” I can take anything but that right about now. “Don’t turn away from me, mamacita. I’d never make fun of you.” “I didn’t want to like you,” I admit, looking back up at him. “I know.” “This probably won’t work,” I tell him. “Probably not.” “My home life’s not so perfect.” “That makes two of us,” he says. “I’m willing to find out what this thing is going on between us. Are you?” “If we weren’t outside,” he says, “I’d show you--” I cut him off by grabbing the thick hair at the base of his neck and pulling that gorgeous head of his down. If we can’t exactly have privacy right now, I’ll settle for being real. Besides, everyone who we need to keep this a secret is in school. Alex keeps his hands at his side, but when I part my lips, he groans against my mouth and his wrench drops to the ground with a loud clink.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))