Bikes And Cars Quotes

We've searched our database for all the quotes and captions related to Bikes And Cars. Here they are! All 100 of them:

I don't know," I said. "What else did you do for your first eighteen years?" "Like I said," he said as I unlocked the car, "I'm not so sure that you should go by my example." "Why not?" "Because I have my regrets," he said. "Also, I'm a guy. And guys do different stuff." "Like ride bikes?" I said. "No," he replied. "Like have food fights. And break stuff. And set off firecrackers on people's front porches. And..." "Girls can't set off firecrackers on people's front porches?" "They can," he said... "But they're smart enough not to. That's the difference.
Sarah Dessen (Along for the Ride)
I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
Penelope Douglas (Bully (Fall Away, #1))
1. Organize before they rise! 2. They feel no fear, why should you? 3. Use your head: cut off theirs. 4. Blades don't need reloading. 5. Ideal protection = tight clothes, short hair. 6. Get up the staircase, then destroy it. 7. Get out of the car, get onto the bike. 8. Keep moving, keep low, keep quiet, keep alert! 9. No place is safe, only safer. 10. The zombie may be gone, but the threat lives on.
Max Brooks (The Zombie Survival Guide: Complete Protection from the Living Dead)
And in a small house five miles away was a man who held my mud-encrusted charm bracelet out to his wife. Look what I found at the old industrial park," he said. "A construction guy said they were bulldozing the whole lot. They're afraid of sink holes like that one that swallowed the cars." His wife poured him some water from the sink as he fingered the tiny bike and the ballet shoe, the flower basket and the thimble. He held out the muddy bracelet as she set down his glass. This little girl's grown up by now," she said. Almost. Not quite. I wish you all a long and happy life.
Alice Sebold (The Lovely Bones)
Other people his age had houses and washing machines, cars and television sets, furniture and gardens and mountain bikes and lawnmowers: he had four boxes of crap, and a set of matchless memories.
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
Take care of your car in the garage, and the car will take care of you on the road.
Amit Kalantri (Wealth of Words)
I sunk down onto the bench in the middle of the car. So Alex had loved me the whole time, from the moment we'd seen each other again? All that time I'd been freaking out about Rachel? All that time I'd spent inches away from him, sleeping in his bed by myself; sitting opposite him at dinner, smashing plates; clinging to him on the back of his bike; sneaking peeks at him through a half-ajar bathroom door - and all the time he'd been in love with me? We'd wasted all that time when we could have been kissing? And he'd had to wait until two seconds before leaving me until he told me? If the Unit didn't kill him, I was going to.
Sarah Alderson (Hunting Lila (Lila, #1))
I tell you this not as aimless revelation but because I want you to know, as you read me, precisely who I am and where I am and what is on my mind. I want you to understand exactly what you are getting: you are getting a woman who for some time now has felt radically separated from most of the ideas that seem to interest people. You are getting a woman who somewhere along the line misplaced whatever slight faith she ever had in the social contract, in the meliorative principle, in the whole grand pattern of human endeavor. Quite often during the past several years I have felt myself a sleepwalker, moving through the world unconscious of the moment’s high issues, oblivious to its data, alert only to the stuff of bad dreams, the children burning in the locked car in the supermarket parking lot, the bike boys stripping down stolen cars on the captive cripple’s ranch, the freeway sniper who feels “real bad” about picking off the family of five, the hustlers, the insane, the cunning Okie faces that turn up in military investigations, the sullen lurkers in doorways, the lost children, all the ignorant armies jostling in the night. Acquaintances read The New York Times, and try to tell me the news of the world. I listen to call-in shows.
Joan Didion (The White Album)
No, you love to confuse me and drive me crazy. You don't really love me. You don't know what love is." "Yeah, I think I do." His brows lowered, and he took a step toward her. "I have loved you my whole life, Delaney. I can't remember a day when I didn't love you. I loved you the day I practically knocked you out with a snowball. I loved you when I flattened the tires on your bike so I could walk you home. I loved you when I saw you hiding behind the sunglasses at the Value Rite, and I loved you when you loved that loser son of a bitch Tommy Markham. I never forgot the smell of your hair or the texture of your skin the night I laid you on the hood of my car at Angel Beach. So don't tell me I don't love you. Don't tell me--" His voice shook and he pointed a finger at her. "Just don't tell me that.
Rachel Gibson (Truly Madly Yours (Truly, Idaho, #1))
I had a dream about you. You were on a bike going 70 miles an hour, I could see you approaching my car in the mirror. You were trying to say something so, I jumped on the brakes as hard as I could, I guess I forgot I had tied your bike on my bumper.
Georgia Saratsioti (Dreaming is for lovers)
I walked a block on rubbery knees, feeling the way I did the time a van clipped my bike and sent me reeling into a line of parked cars. Ella had dropped her cigarette and jumped on the fallen bike, screaming at the top of her lungs as she sped after the car. Bleeding in three places, I watched her go, glad she knew I'd rather have retribution than comfort.
Melissa Albert (The Hazel Wood (The Hazel Wood, #1))
I will be satisfied to the extent that I see everything I have as a gift from God. Here is the truth: Everything you have – your money, talent, friendships, marriage, children, material possessions, health, home, bike, car, even the country you live in – is a gift from God that He had chosen out of His generous nature to give you.
Warren W. Wiersbe (Be Satisfied (Ecclesiastes): Looking for the Answer to the Meaning of Life (The BE Series Commentary))
I am emotional about engines, if you hurt my car, you hurt my heart.
Amit Kalantri (Wealth of Words)
Faster is fatal, slower is safe.
Amit Kalantri (Wealth of Words)
We ran like young wild furies, where angels feared to tread. The woods were dark and deep. Before us demons fled. We checked Coke bottle bottoms to see how far was far. Our worlds of magic wonder were never reached by car. We loved our dogs like brothers, our bikes like rocket ships. We were going to the stars, to Mars we'd make round trips. We swung on vines like Tarzan, and flashed Zorro's keen blade. We were James Bond in his Aston, we were Hercules unchained. We looked upon the future and we saw a distant land, where our folks were always ageless, and time was shifting sand. We filled up life with living, with grins, scabbed knees, and noise. In glass I see an older man, but this book's for the boys.
Robert McCammon
People came from all around on their cars and their bikes to have a look. We didn’t know that death could be so beautiful.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Nooooooooooo!" Screaming the word, Amy and Dan moved as one. Time slowed down, which, Dan knew from experience, often happened when you were in midair. By the time they leaped onto the hood of Fiske's car (oops, dents), and Dan had ripped off a windshield wiper to use as a weapon (probably not the best idea, but hey, he was improvising), Scarey Harley Dude had turned around. He strode off in his motorcycle boots, moving swiftly to his bike without seeming to hurry. His helmet back on, sunglasses adjusted, he roared off straight into the road, weaving through the thick traffic like smoke. Amy's face was squashed against the windshield. Dan held the wiper aloft like a club. And Evan Tolliver stood on the sidewalk, blinking at them. Dan waved the windshield wiper at him. "Hey, bro. We didn't want to miss our ride.
Jude Watson (Vespers Rising (The 39 Clues, #11))
You take the air. I’ll get a bike. And you–” – Sundown “Have an app. Track her down, get my car back, and beat the hell out of her…In that precise order.” – Andy
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
People will pay any price for motion. They will even work for it. Look at bicycles.
William Faulkner (The Reivers)
You’ll live. It’s just a car, kid.” – Sundown “And hell is just a sauna. Fine. You’re right. I’ll live, even though right now it feels as if my guts have been yanked out through my nostrils and laid on the floor for your bitter amusement. You insensitive bastard! Just wait till I pick up your bike from the Ishtar. Let’s see who laughs then.” – Andy “You hurt that bike, and I’ll rip out your spine.” – Sundown
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
A developed country is not a place where the poor have cars. It’s where the rich use public transport. It is where the rich walk and where they use bikes. We should create cities where rich and poor meet as equals: in parks, on the sidewalks, on public transport.
Meik Wiking (The Little Book of Lykke: Secrets of the World's Happiest People (The Happiness Institute Series))
In later years I would think that no woman’s lips had ever been as red as that bike. No low-slung foreign sports car with wire wheels and purring engine would ever look as powerful or as capable as that bike. No chrome would ever gleam with such purity, like the silver moon on a summer’s night.
Robert McCammon (Boy's Life)
There is a direct union of oneself with a motorcycle, for it is so geared to one’s proprioception, one’s movements and postures, that it responds almost like part of one’s own body. Bike and rider become a single, indivisible entity; it is very much like riding a horse. A car cannot become part of one in quite the same way.
Oliver Sacks (On the Move: A Life)
It was bad enough to be swallowed up by the intrinsic anger of New York City traffic and its seemingly mad competition between cars, cabs, the ubiquitous delivery trucks, the kamikaze bike messengers and the always-in-a-damn hurry pedestrians.
Nora Roberts (Three Fates)
So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing. “Mom.” “Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?” “Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?” “I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.” “Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.” “The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.” “Our car doesn’t have air bags,” Blue pointed out. Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.” Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?” “You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?” “I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.” Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.” “If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested. “This is what you get, Maura, for using your DNA to make a baby,” Calla said. Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.” Calla growled, “Don’t be one of them.” “Persephone?” asked Maura. In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.” “Okay,” Blue said hurriedly. “I’m out.” “You could at least say sorry,” Maura said. “Pretend like I have some power over you.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Asking someone else to drive your sports car is like asking someone else to kiss your girlfriend.
Amit Kalantri (Wealth of Words)
When I stand around all day, into the afternoon, I start to feel like a good bike pulled to the curb. I’m every car that’s ever idled, a motorcycle gulping its own exhaust, lurching toward open road. I’m paid to stand, and I get this feeling my body is waiting for my mind to figure out what I’m supposed to do with being alive.
Monica Drake (The Folly of Loving Life)
I had to ride slow because I was taking my guerrilla route, the one I follow when I assume that everyone in a car is out to get me. My nighttime attitude is, anyone can run you down and get away with it. Why give some drunk the chance to plaster me against a car? That's why I don't even own a bike light, or one of those godawful reflective suits. Because if you've put yourself in a position where someone has to see you in order for you to be safe--to see you, and to give a fuck--you've already blown it... We had a nice ride through the darkness. On those bikes we were weak and vulnerable, but invisible, elusive, aware of everything within a two-block radius.
Neal Stephenson (Zodiac)
A man on a bike was riding on the pavement. When he tried to plunge into the road, a car hit him. He fell down but managed to get up. He looked shocked. That, Ayyan loved. After riding like a moron all over the place, observe the face of an Indian when he crashes. He is stunned.
Manu Joseph (Serious Men: A Novel)
Dad used to say lots of funny things - like he was speaking his own language sometimes. Twenty-three skidoo, salad days, nosey parker, bandbox fresh, the catbird seat, chocolate teapot, and something about Grandma sucking eggs. One of his favourites was 'safe as houses'. Teaching me to ride a bike, my mother worrying in the doorway: "Calm down, Linda, this street is as safe as houses." Convincing Jamie to sleep without his nightlight: "It's as safe as houses in here, son, not a monster for miles." Then overnight the world turned into a hideous nightmare, and the phrase became a black joke to Jamie and me. Houses were the most dangerous places we knew. Hiding in a patch of scrubby pines, watching a car pull out from the garage of a secluded home, deciding whether to make a food run, whether it was too dicey. "Do you think the parasites'll be long gone?" "No way - that place is as safe as houses. Let's get out of here." And now I can sit here and watch TV like it is five years ago and Mom and Dad are in the other room and i've never spent a night hiding in a drainpipe with Jamie and a bunch of rats while bodysnatchers with spotlights search for the thieves who made off with a bag of dried beans and a bowl of cold spaghetti. I know that if Jamie and I survived alone for twenty years we would never find this feeling on our own. The feeling of safety. More than safety, even - happiness. Safe and happy, two things I thought i'd never feel again. Jared made us feel that way without trying, just be being Jared. I breathe in the scent of his skin and feel the warmth of his body under mine. Jared makes everything safe, everything happy. Even houses.
Stephenie Meyer (The Host (The Host, #1))
A word of advice about Ricky ..." Gabriel said as he swung his car from the end of the drive. "Is it going to cost me?" I waved off his answer. "Whatever you're going to say, save your breath." "I overheard him offering you a ride on his motorcycle. I don't believe you understand what that entails." "Grass, gas, or ass. No one rides for free." I looked over at him. "I've seen the T-shirt." "I don't think you're taking this seriously, Olivia. Do you know what a one-percenter is?" I sighed. "Yes, Gabriel. It refers to the portion of bikers who belong to a professional motorcycle club. A gang. Ricky is one. As such, I'm going to guess that the only women who get to ride his bike are also riding him. Am I right?" His mouth tightened as if he didn't appreciate the crass phrasing. "I'm afraid you're under some illusions about Ricky because he does not fit the stereotype." "Oh, I'm not fooled. He may appear to be the heir to a criminal empire, but he's really an undercover cop, working tirelessly to overthrow his father's evil empire and restore justice and goodness to the land." I glanced over. "Am I close?" Not even a hint of a smile.
Kelley Armstrong (Omens (Cainsville, #1))
With no music to listen to, I just biked around in circles talking to myself like a kid on the cover of a Robert Cormier young adult novel, circling around puzzled Jewish families walking back to their cars. This is how I learned to ride a bike.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
But it was a bike and it moved. I think that sonofabitch woulda used it even if he had ta push it or pedal it like a kiddy car. So he kicks it over after 5 minutes and we listen to it cough and miss and Spook went puttin off with a shiteatin grin on his face and we went back up stairs and a few minutes later he comes back. Smilin all over the goddamn place and the strap of his hat under his chin. I tellya man, it was a pissa.
Hubert Selby Jr. (Last Exit to Brooklyn)
But that had been Alex's immediate thought how easy it would be to take things, out here. All sorts of things. The bikes leaning against the fence. The bags unattended on towels. The cars left unlocked, no one wanting to carry their keys on the beach. A system that existed only because everyone believed they were among people like themselves.
Emma Cline (The Guest)
He bit his lip to keep from screaming like a little girl. I can't believe you were afraid to ride on my bike. You drive this car (a Mini Cooper) around as if a collision with anything bigger than a gnat swarm wouldn't turn it into a rolling coffin. - Tyler to Ellie
Samanthe Beck (Private Practice (Private Pleasures, #1))
Among all the machines, motorcar is my favorite machine.
Amit Kalantri (Wealth of Words)
Want to solve global warming! Ditch the car and ride a bike instead.
Abhijit Naskar
Instructions for a Broken Heart I will find a bare patch of earth, somewhere where the ruins have fallen away, somewhere where I can fit both hands, and I will dig a hole. And into that hole, I will scream you, I will dump all the shadow places of my heart—the times you didn’t call when you said you’d call, the way you only half listened to my poems, your eyes on people coming through the swinging door of the café—not on me—your ears, not really turned toward me. For all those times I started to tell you about the fight with my dad or when my grandma died, and you said something about your car, something about the math test you flunked, as an answer. I will scream into that hole the silence of dark nights after you’d kissed me, how when I asked if something was wrong—and something was obviously so very wrong—how you said “nothing,” how you didn’t tell me until I had to see it in the dim light of a costume barn—so much wrong. I will scream all of it. Then I will fill it in with dark earth, leave it here in Italy, so there will be an ocean between the hole and me. Because then I can bring home a heart full of the light patches. A heart that sees the sunset you saw that night outside of Taco Bell, the way you pointed out that it made the trees seem on fire, a heart that holds the time your little brother fell on his bike at the fairgrounds and you had pockets full of bright colored Band-Aids and you kissed the bare skin of his knees. I will take that home with me. In my heart. I will take home your final Hamlet monologue on the dark stage when you cried closing night and it wasn’t really acting, you cried because you felt the words in you and on that bare stage you felt the way I feel every day of my life, every second, the way the words, the light and dark, the spotlight in your face, made you Hamlet for that brief hiccup of a moment, made you a poet, an artist at your core. I get to take Italy home with me, the Italy that showed me you and the Italy that showed me—me—the Italy that wrote me my very own instructions for a broken heart. And I get to leave the other heart in a hole. We are over. I know this. But we are not blank. We were a beautiful building made of stone, crumbled now and covered in vines. But not blank. Not forgotten. We are a history. We are beauty out of ruins.
Kim Culbertson (Instructions for a Broken Heart)
But I can stop on any corner at the intersection of two busy streets, and before me are thousands of lives headed in all four directions, uptown downtown east and west, on foot, on bikes, on in-line skates, in buses, strollers, cars, trucks, with the subway rumble underneath my feet... and how can I not know I am momentarily part of the most spectacular phenomenon in the unnatural world? ...The city may begin from a marketplace, a trading post, the confluence of waters, but it secretly depends on the human need to walk among strangers.
E.L. Doctorow (City of God)
Ren crossed his arms over his chest. "is it LoJacked?" "Of course," Andy said indignantly. "That's my baby. I even have a kill switch on her." "Then stop the engine." Andy appeared downright horrified by Ren's suggestion. "Are you out of your mind? What if someone hits it for stalling? I had that thing on order for over a year. Custom hand built. The epitome of German engineering. I even paid extra for the paint on her. Ain't no way I'm going to chance someone denting my baby. Or, God forbid, totaling it." Jess rolled his eyes at the boy's hissy fit. If he kept that up, he'd be putting Andy back in diapers. He turned to Ren. "You take the air. I'll get a bike." Then he focused his attention on Andy again. "And you-" Andy held his cell phone out to him. "Have an app. Track her down, get my car back, and beat the hell out of her...in that precise order.
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
Every day, there are a handful of moments that deliver an outsized impact. I refer to these little choices as decisive moments. The moment you decide between ordering takeout or cooking dinner. The moment you choose between driving your car or riding your bike. The moment you decide between starting your homework or grabbing the video game controller. These choices are a fork in the road.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
[Love] feels . . .” I paused, turning the highlighter in my hand, “like an awakening of senses you never knew you had, and once they’re awakened, you’re never the same. The way you see the world is altered. Instead of riding down a road on your bike and thinking how the wind feels good on your face, you think, ‘This is how it feels when he kisses my cheek.’ You play a piece on the piano, and instead of imagining a crowd applauding, you only see him, sitting in the chair next to the piano, smiling at you. You catch the scent of sage in the air and think, ‘This is how he smells.’ But it’s also kind of like being on a mousetrap ride. Exhilarating and terrifying all at the same time. You smile and laugh and feel a thrill inside of you, all the while wondering in the back of your mind if the car will come off the track at the next turn, or if your harness will come open and you will be tossed to the ground to your death.
Sarah Beard (Porcelain Keys)
Hi," she said. The gloomy interior of the car lit up with a warm green glow and the scent of sage filled the air. Virginia rubbed her forefinger and thumb together, and in the mirror, Josh saw a tiny ball of green energy appear. She flicked the ball at the motorcyclist. "You missed!" Dee snapped. "Here,let me..." "Patience,Doctor,patience," Virginia said. The rubber on the bike's front tire abruptly crumbled to black powder. Spokes collapsed, the wheel buckled and the bike careered across the road, the front forks scraping a shower of sparks from the concrete. Then the bike hit the low restraining wall on the bay side of the road and the rider was catapulted over it, disappearing without a sound. "Subtle,as always, Virginia," Dee said.
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
I'd have sunk in the car if Marcus Jetty hadn't been doing a little late-season beachcombing. Marcus runs Greenstone Salvage and Tinker, a famous local eyesore of bike frames, tube amps, hula poppers, oil drums, and knobs of driftwood. He was picking along the jagged strand in his raincoat, eye on a fat cork from somebody's herring net, when a car approached on the highway above. He later described the sounds of a whining V6 and thumping bass line before the barrier burst to shrapnel and the world for a moment muffled itself.
Leif Enger (Virgil Wander)
I tried my best, but fixing a human isn´t the same as fixing a bike or a car
Emily Curtis (in the absence of the sun)
A landing from space has been described as a train wreck, followed by a car accident, followed by falling off your bike.
A.G. Riddle (Winter World (The Long Winter, #1))
Bikes are for riding; they're not car hats.
BikeSnobNYC (Bike Snob: Systematically & Mercilessly Realigning the World of Cycling)
I am so obsessed with the cars that sometimes I feel like my heart is not a muscle, it's an engine.
Amit Kalantri (Wealth of Words)
Hot and overcast. I take my gear out of the car and put my bike together. Tourists and locals are watching from sidewalk cafés. Non-racers. The emptiness of those lives shocks me.
Tim Krabbé (The Rider)
I tried my best. but fixing a human isn't the same as fixing a bike, or a car
Emily Curtis (in the absence of the sun)
Another myth that is firmly upheld is that disabled people are dependent and non-disabled people are independent. No one is actually independent. This is a myth perpetuated by disablism and driven by capitalism - we are all actually interdependent. Chances are, disabled or not, you don’t grow all of your food. Chances are, you didn’t build the car, bike, wheelchair, subway, shoes, or bus that transports you. Chances are you didn’t construct your home. Chances are you didn’t sew your clothing (or make the fabric and thread used to sew it). The difference between the needs that many disabled people have and the needs of people who are not labelled as disabled is that non-disabled people have had their dependencies normalized. The world has been built to accommodate certain needs and call the people who need those things independent, while other needs are considered exceptional. Each of us relies on others every day. We all rely on one another for support, resources, and to meet our needs. We are all interdependent. This interdependence is not weakness; rather, it is a part of our humanity.
A.J. Withers
So he does what a kid has to do: He smells the cedar chest in his parents’ bedroom, he decapitates dandelions, seesaws at the park, licks the mixing bowl, rides his bike, counts railroad cars, holds his breath, clucks his tongue, tastes tofu, touches moss, daydreams, looks back, looks ahead, wishes, wonders… and before he knows it, miraculously, the summer is over.” (p. 163).
Jerry Spinelli (Loser)
Mina. You’re the one who saved Brody!” Her confusion disappeared and her face lit with happiness. “We have much to thank you for…oh, Brody, watch out!” she practically shouted. Just when Mina had begun to wonder about Mrs. Carmichael’s strange re-enactment, she heard a sickening crunch of metal on metal and turned to see her bike crushed to smithereens beneath the wheels of a black car. “My bike!” Mina groaned. “Brody!” Mrs. Carmichael yelled simultaneously. Mina froze. She didn’t know what was worse—facing her long-time crush with a brown chocolate milk stain on her jacket, or the fact that he had just run over her pathetic bike with his expensive sports car. The driver’s door opened, and Brody jumped out of the car. “Mina, I’m sorry! Are you okay?
Chanda Hahn (UnEnchanted (An Unfortunate Fairy Tale, #1))
Converting car parking to bike parking is one of the cheapest, easiest, and most effective ways for any city to make a sizeable dent in the bad economics of our current transportation system.
Elly Blue (Bikenomics: How Bicycling Can Save The Economy (Bicycle))
Don't forget to get away every once in awhile, To lose yourself in a book Or in the woods behind your home Ride your bike into the sunset, Sit on your front steps and count the cars passing by, Lay on your roof and gaze up at the night sky, Drive along backroads with the windows rolled down Listening to nothing but the sound of rushing wind I hope you take the time to be alone, To sort through the cluttered shelves of your heart I hope you take the time to be silent, To close your eyes and just listen I hope you take the time to be still, To quiet your mind and experience the beauty Of simply Being
Madisen Kuhn (eighteen years)
Hey, did you hear about Brad Miller?” he asked, already forgetting about the Lissie conversation. “He got his car taken away for getting another speeding ticket. Of course he tried to tell his parents it was a setup.” Violet laughed. “Yeah, because the police have nothing better to do than to plan a sting operation targeting eleventh-grade idiots.” She was more than willing to go along with this diversion from conversations about Jay and his many admirers. Jay laughed too, shaking his head. “You’re so cold-hearted,” he said to Violet, shoving her a little but playing along. “How’s he supposed to go cruising for unsuspecting freshmen and sophomores without a car? What willing girl is going to ride on the handlebars of his ten-speed?” “I don’t see you driving anything but your mom’s car yet. At least he has a bike,” she said, turning on him now. He pushed her again. “Hey!” he tried to defend himself. “I’m still saving! Not all of us are born with a silver spoon in our mouths.” They were both laughing, hard now. The silver spoon joke had been used before, whenever one of them had something the other didn’t. “Right!” Violet protested. “Have you seen my car?” This time she shoved him, and a full-scale war broke out on the couch. “Poor little rich girl!” Jay accused, grabbing her arm and pulling her down. She giggled and tried to give him the dreaded “dead leg” by hitting him with her knuckle in the thigh. But he was too strong, and what used to be a fairly even matchup was now more like an annihilation of Violet’s side. “Oh, yeah. Weren’t you the one”—she gasped, still giggling and thrashing to break free from his suddenly way-too-strong grip on her, just as his hand was almost at the sensitive spot along the side of her rib cage—“who got to go to Hawaii . . .” She bucked beneath him, trying to knock him off her. “. . . for spring break . . . last . . .” And then he startled to tickle her while she was pinned beneath him, and her last word came out in a scream: “YEAR?!” That was how her aunt and uncle found them.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Meyrueis, Lozère, June 26, 1977. Hot and overcast. I take my gear out of the car and put my bike together. Tourists and locals are watching from sidewalk cafés. Non-racers. The emptiness of those lives shocks me.
Tim Krabbé (The Rider)
What’s with the shorts?” “There’s a new fitness trainer. Jamaican gal . . . tall, gorgeous.” “And . . . ?” “Bike shorts show off my package.” “Jesus Christ.” “Jealousy is an ugly thing, Joe.” “Get in the fucking car.
Jonathan Maberry (Patient Zero (Joe Ledger, #1))
Likewise—now don’t laugh—cars and trucks should view the bike lanes as if they are sacrosanct. A driver would never think of riding up on a sidewalk. Most drivers, anyway. Hell, there are strollers and little old ladies up there! It would be unthinkable, except in action movies. A driver would get a serious fine or maybe even get locked up. Everyone around would wonder who that asshole was. Well, bike lanes should be treated the same way. You wouldn’t park your car or pull over for a stop on the sidewalk, would you? Well then, don’t park in the bike lanes either—that forces cyclists into traffic where poor little meat puppets don’t stand a chance.
David Byrne (Bicycle Diaries)
Before us, hundreds of people passed, jogging and biking and Rollerblading. Amsterdam was a city designed for movement and activity, a city that would rather not travel by car, and so inevitably I felt excluded from it.
John Green (The Fault in Our Stars)
As I said, I decided to try an experiment: Right now, from within my perception of my current circumstances, and from within the starkness of this realization, I determined to conceive and focus on what I would tell—and what I have told—my younger self, and live with the consequences. Here is what I wrote down: Immediately disassociate from destructive people and forces, if not physically then ethically—and watch for the moment when you can do so physically. Use every means to improve your mental acuity. Every sacrifice of empty leisure or escapism for study, industry, and growth is a fee paid to personal freedom. Train the body. Grow physically strong. Reduce consumption. You will be strengthened throughout your being. Seek no one’s approval through humor, servility, or theatrics. Be alone if necessary. But do not compromise with low company. At the earliest possible point, learn meditation (i.e., Transcendental Meditation), yoga, and martial arts (select good teachers). Go your own way—literally. Walk/bike and don’t ride the bus or in a car, except when necessary. Do so in all weather: rain, snow, etc. Be independent physically and you will be independent in other ways. Learn-study-rehearse. Pursue excellence. Or else leave something alone. Go to the limit in something or do not approach it. Starve yourself of the compulsion to derive your sense of wellbeing from your perception of what others think of you. Do this as an alcoholic avoids a drink or an addict a needle. It will be agonizing at first, since you may have no other perception of self; but this, finally, is the sole means of experiencing Self. Does this kind of advice, practicable at any time of life, really alter or reselect the perceived past, and, with it, the future? I intend to find out. You
Mitch Horowitz (The Miracle Club: How Thoughts Become Reality)
I took my bike instead of the car so I wouldn’t wake Mom. I remember it started to rain and then I saw headlights coming when I turned the corner. I tried to get out of the way, but it all just happened so fast I couldn’t stop.
Apryl Baker (The Ghost Files (The Ghost Files, #1))
If one rides a bike at 10 miles an hour and then holds onto a car, the bike will travel at the speed of the car without any effort, as one who dovetails one’s consciousness with Krishna’s will similarly effortlessly speed ahead.
Anil B. Sarkar (Make Life Successful)
We ran like young wild furies, where angels feared to tread. The woods were dark and deep. Before us demons fled. We checked Coke bottle bottoms to see how far was far. Our worlds of magic wonder were never reached by car. We loved our dogs like brothers, our bikes like rocket ships. We were going to the stars, to Mars we’d make round trips. We swung on vines like Tarzan, and flashed Zorro’s keen blade. We were James Bond in his Aston, we were Hercules unchained. We looked upon the future and we saw a distant land, where our folks were always ageless, and time was shifting sand. We filled up life with living, with grins, scabbed knees, and noise. In glass I see an older man, but this book’s for the boys.
Robert McCammon (Boy's Life)
Selling your house, giving away possessions, working multiple jobs for a period of time, going back to school and moving in with friends or relatives, sharing a car with your partner and riding your bike more, investing all your savings in a new venture, living on the other side of the world for a year— your friends may not understand, your co-workers may not get it, your extended family may think you’ve lost your mind— that’s okay. Better to receive some odd looks and have a few people roll their eyes than spend your days wondering, What if I did that . . . ? Take that step. Make that leap. Try that new thing. If it helps clarify your ikigai, if it gets you up in the morning, if it’s good for you and the world, do it.
Rob Bell (How to Be Here: A Guide to Creating a Life Worth Living)
A clatter of metal against the concrete made me look back. Liam had moved on from the car to a nearby pile of bikes that were tangled together like brambles. He picked through the frames and spokes and wheels, working carefully, trying to get down to whatever he'd seen under them.... "Do you actually know how to ride?" "Do I know how to ride?" Liam scoffed, leaning over the bike's seat so his face was inches from mine. His pale blue eyes were electric with his excitement; they sent a charge through me, sizzling the rest of the world into peaceful, quiet static. That last bit of distance must have been as unbearable to him as it was to me, because his fingers came down over where my hands rested on the busted leather seat. I felt his touch spread over my skin like late afternoon sunshine. His lips skimmed my cheek, his breath warm against my ear as he said in low, honeyed tones, "Not only can I ride, darlin', but I can give you a few pointers– "Hey, Hell's Angels!" Cole barked. "I didn't bring you in here to shop around for yourselves! Get your assess over here!" Liam expression clouded over as he pulled back, the fluttering excitement vanishing like a candle blown out. with a single breath. I must have looked as disappointed as I felt, letting out a small sound of irritation, because just like that he was smiling again as he tucked a loose strand of hair back over my ear. A softer, smaller smile than before, but one meant for me. It warmed me down to my bones.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
It was also important: that day when my mother and I chased after Owen in the car—and I saw the posture of his body jerking on his bicycle, trying to pedal up Maiden Hill; and I saw how he faltered, and had to get off the bike and walk it the rest of the way. That day provided me with a cold-weather picture of how Owen must have looked on that warm, summer evening when he was struggling home after the Little League game—with his baseball uniform plastered to his back. What was he going to tell his parents about the game?
John Irving (A Prayer for Owen Meany)
When I started riding a bike I realized there’s a real relationship between a body powering itself going down the street and the way you interact with your community,” Smith says. “The violence of the power of a car is an alienating device. It’s the last thing we need in our neighborhoods.
Eula Biss (Having and Being Had)
The second I get into a car and we start driving, I imagine a fatal crash to the last detail. When I’m in the liquor store, I imagine a robbery by the time the cashier tells me the total. Every plane ride is an 8-hour movie in my head of me planning what I would say to the stranger on my right if the pilot announced the plane was crashing. I always imagine these scenarios. Family dying. Earthquakes. The earth suddenly falling because gravity left the party. It’s exhausting. Yesterday someone was afraid of me. I was bicycling with Austin and we saw a dead deer on the road. It was so large. Austin nearly fell off his bike when he saw it. Then he looked over at me confused. He asked why I didn't react to it. I told him it was because I’d already imagined one six miles back. There are always two worlds playing in my head at once: what’s in front of me and what could be.
Kristian Ventura (The Goodbye Song)
It was even more seriously fucked because I didn’t care. I wanted her. I wanted her worse than I’d ever wanted anythin’ in my life, even my first Harley that I’d saved for startin’ when I was eight years old and first saw a bike in one of my uncle’s car magazines. I didn’t care that she was a little girl.
Giana Darling (Welcome to the Dark Side (The Fallen Men, #2))
This book can't tell you how to live ultimately. However, a life of mountain biking, fishing, reading, boxing, race car driving, motorcycling, boating, swimming, traveling, adventuring, podcasting, and playing chess is a much better life than one of trying to seduce a girl at a bar or getting divorced from her four years later.
Myron Gaines (Why Women Deserve Less)
This book isn’t about telling you to stop buying lattes. Instead, it’s about being able to actually spend more on the things you love by not spending money on all the knucklehead things you don’t care about. Look, it’s easy to want the best of everything: We want to go out all the time, live in a great apartment, buy new clothes, drive a new car, and travel any time we want. The truth is, you have to prioritize. My friend Jim once called to tell me that he’d gotten a raise at work. On the same day, he moved into a smaller apartment. Why? Because he doesn’t care very much about where he lives, but he loves spending money on camping and biking. That’s called conscious spending. (Learn
Ramit Sethi (I Will Teach You To Be Rich)
Two boys on fluorescent bikes with extravagant ape-hanger handlebars were doing wheelies in the parking lot, weaving in and out of each other’s paths with a dexterity that suggested a solid background in video gaming and possible high-paying futures as air-traffic controllers . . . if they managed to stay away from coke and car accidents, that was.
Stephen King (Insomnia)
What would you like for your own life, Kate, if you could choose?” “Anything?” “Of course anything.” “That’s really easy, Aunty Ivy.” “Go on then.” “A straw hat...with a bright scarlet ribbon tied around the top and a bow at the back. A tea-dress like girls used to wear, with big red poppies all over the fabric. A pair of flat, white pumps, comfortable but really pretty. A bicycle with a basket on the front. In the basket is a loaf of fresh bread, cheese, fruit oh...and a bottle of sparkly wine, you know, like posh people drink. “I’m cycling down a lane. There are no lorries or cars or bicycles. No people – just me. The sun is shining through the trees, making patterns on the ground. At the end of the lane is a gate, sort of hidden between the bushes and trees. I stop at the gate, get off the bike and wheel it into the garden. “In the garden there are flowers of all kinds, especially roses. They’re my favourite. I walk down the little path to a cottage. It’s not big, just big enough. The front door needs painting and has a little stained glass window at the top. I take the food out of the basket and go through the door. “Inside, everything is clean, pretty and bright. There are vases of flowers on every surface and it smells sweet, like lemon cake. At the end of the room are French windows. They need painting too, but it doesn’t matter. I go through the French windows into a beautiful garden. Even more flowers there...and a veranda. On the veranda is an old rocking chair with patchwork cushions and next to it a little table that has an oriental tablecloth with gold tassels. I put the food on the table and pour the wine into a glass. I’d sit in the rocking chair and close my eyes and think to myself... this is my place.” From A DISH OF STONES
Valentina Hepburn (A Dish of Stones)
Each time someone stole a bike from our porch (three times, by my count), or broke into her car and took the loose change, or stole a delivery, she’d tell me, like a general giving his troops marching orders, “There is nothing lower than the poor stealing from the poor. It’s hard enough as it is. We sure as hell don’t need to make it even harder on each other.” Youngest
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
My whole life I’ve harbored a resentment toward those who could ride no-handed. To this day, I can’t even sit on an exercise bike without clinging to the handlebars with a serious G.I.-Joe- kung-fu grip. Every time I see someone on the road, all smug and well-balanced, using their cell phone and gesturing while they talk and ride, I secretly want to bash them with my car door. It’s
Jen Lancaster (I Regret Nothing: A Memoir)
As we sped downhill past my spot, past the olive groves and the sunflowers that turned their startled faces to us as we glided past the marine pines, past the two old train cars that had lost their wheels generations ago, but still bore the royal insignia of the House of Savoy, past the string of gypsy vendors screaming murder at us for almost grazing their daughters with our bikes, I turned to him and yelled, "Kill me if I stop.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
Ne mîne li hîvya çi kesa da bhên o te dil xush biken o jîyana te bashte biken.. Shertanê li ser çi kesan neke ko dê hên o te rizgar ken. Tu xodanê peyva dest pêkê o pêngava dest pêkê be, o destê xo bgre harîkarîya xo bike o bizane xodê harî wî kesî diket yê harî xo diket. Eger te ew kes ne dît te dil xush biket, tu bxo xo dil xush bike. Eger te ew kes ne dît bu te shemalkekê helket, li êkê dî ne gerhe shemalkên te bi vemrînît. Neçe bîyabanê o li gûlên ciwan bi gerhe, tu hîç tshtekî li bîyabanê nabînî ji blî strî o dehlîya. Tu bitnê dishêy wê jîyanê bu xo avakey ya di hzr û xeyalên te da. Kes na hêt o xewnêt te o hez o hîvîyên te bikete rastî, evca ji xew rabe o kar bike bu hîvîyên xo. Serê xo bilind ke o eger tarî bi ser te da hat li rûnahîyê bi gerhe o bizane heyv ya li hîvya te. Çi dergeha li xo ne gre , çûnkî de her rojek hêt pêdvî wî dergehî bî. Torre ne be demê kesek axftneka ne ciwan di bêjît te o bizane ew kesatîya xo pênase diket ne ya te. Bawerîyê bi xo o bê hîvî nebe, beref xewnên xo ve here . Çi car rêka xo ne ber de, eger rêk çenda dirêj bît, xo dana çîya bît, xo bihêz bike o geshbîn be. Ya çoy ji bîr ke, o bizane di gel helatna rojeka nî, delîvên nî dihên o pshtî zvstana dijwar dê bûhar hêt o gûl dê vebn. Ev gerdûne xodê yê bu te çêkrî, supasîya wî bike ko tu day saxlem. Di gel xodê be o dê ew te parêzît o xewnên te di gel wî de bine rastî.
Jiwar Chelky
Go faster,” I urged Steven, poking him in the shoulder. “Let’s pass that kid on the bike.” Steven shrugged me off. “Never touch the driver,” he said. “And take your dirty feet off my dashboard.” I wiggled my toes back and forth. They looked pretty clean to me. “It’s not your dashboard. It’s gonna be my car soon, you know.” “If you ever get your license,” he scoffed. “People like you shouldn’t even be allowed to drive.” “Hey, look,” I said, pointing out the window. “That guy in a wheelchair just lapped us!” Steven ignored me, and so I started to fiddle with the radio. One of my favorite things about going to the beach was the radio stations. I was as familiar with them as I was with the ones back home, and listening to Q94 made me just really know inside that I was there, at the beach. I found my favorite station, the one that played everything from pop to oldies to hip-hop. Tom Petty was singing “Free Fallin’.” I sang right along with him. “She’s a good girl, crazy ‘bout Elvis. Loves horses and her boyfriend too.” Steven reached over to switch stations, and I slapped his hand away. “Belly, your voice makes me want to run this car into the ocean.” He pretended to swerve right. I sang even louder, which woke up my mother, and she started to sing too. We both had terrible voices, and Steven shook his head in his disgusted Steven way. He hated being outnumbered.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
I jumped up, my hands in the air. “Yes!” Lend laughed. “Okay, looks like I need to make a run to the grocery store. Do faeries hate wheat or white bread more, you think?” “Get bread with raisins,” I said. “Everyone hates raisins.” Jack was bouncing, obviously excited. “That’s all we need, right?” “We need Reth.” “No,” Lend and Jack whined in unison. “Come on, you two. Reth knows the Faerie Realms better than you do. Jack, you didn’t see where the people were; it might take you a while to find them, and that’s time we can’t afford to lose. And Reth’s getting worse; being there might give him more time.” Lend scowled, grabbing the car keys off the counter. “Fine. But I’m really getting tired of his stupid smirk and prissy clothes.” Jack nodded. “And his voice that sounds like it’d even taste good. Really, it’s overkill. Best to have only a few absolutely perfect traits—for example, my hair and eyes and sparkling personality—so you don’t overwhelm them.” “Aww, are you guys jealous of how pretty Reth is? That’s kind of adorable.” “You know I could look exactly like him,” Lend said, frowning darkly. “Please for the love of all that is good and holy, never, ever wear Reth. That’s the stuff of nightmares.” That brightened his face a bit and he left me with a lingering kiss and a promise to be back with every loaf of bread we could carry. “Well, go find your stupid faerie boyfriend,” Jack said, lying down on top of the counter and drumming his fingers on his stomach. “I haven’t filled my quota for pissing off the Dark Court yet this week.” “We are going to blow your quote sky high.” He held up a hand and I high-fived him as I walked past and out of the house toward the trail. Yet again. I should have invested in a dirt bike or something given the amount of mileage I was getting out of the path between the house and the pond.
Kiersten White (Endlessly (Paranormalcy, #3))
By December 1975, a year had passed since Mr. Harvey had packed his bags, but there was still no sign of him. For a while, until the tape dirtied or the paper tore, store owners kept a scratchy sketch of him taped to their windows. Lindsey and Samuel walked in the neighboorhood or hung out at Hal's bike shop. She wouldn't go to the diner where the other kids went. The owner of the diner was a law and order man. He had blown up the sketch of George Harvey to twice its size and taped it to the front door. He willingly gave the grisly details to any customer who asked- young girl, cornfield, found only an elbow. Finallly Lindsey asked Hal to give her a ride to the police station. She wanted to know what exactly they were doing. They bid farewell to Samuel at the bike shop and Hal gave Lindsey a ride through a wet December snow. From the start, Lindsey's youth and purpose had caught the police off guard. As more and more of them realized who she was, they gave her a wider and wider berth. Here was this girl, focused, mad, fifteen... When Lindsey and Hal waited outside the captain's office on a wooden bench, she thought she saw something across the room that she recognized. It was on Detective Fenerman's desk and it stood out in the room because of its color. What her mother had always distinguished as Chinese red, a harsher red than rose red, it was the red of classic red lipsticks, rarely found in nature. Our mother was proud of her ability fo wear Chinese red, noting each time she tied a particular scarf around her neck that it was a color even Grandma Lynn dared not wear. Hal,' she said, every muscle tense as she stared at the increasingly familiar object on Fenerman's desk. Yes.' Do you see that red cloth?' Yes.' Can you go and get it for me?' When Hal looked at her, she said: 'I think it's my mother's.' As Hal stood to retrieve it, Len entered the squad room from behind where Lindsey sat. He tapped her on the shoulder just as he realized what Hal was doing. Lindsey and Detective Ferman stared at each other. Why do you have my mother's scarf?' He stumbled. 'She might have left it in my car one day.' Lindsey stood and faced him. She was clear-eyed and driving fast towards the worst news yet. 'What was she doing in your car?' Hello, Hal,' Len said. Hal held the scarf in his head. Lindsey grabbed it away, her voice growing angry. 'Why do you have m mother's scarf?' And though Len was the detective, Hal saw it first- it arched over her like a rainbow- Prismacolor understanding. The way it happened in algebra class or English when my sister was the first person to figure out the sum of x or point out the double entendres to her peers. Hal put his hand on Lindsey's shoulder to guide her. 'We should go,' he said. And later she cried out her disbelief to Samuel in the backroom of the bike shop.
Alice Sebold
The fact, too, that he was able, on a ten-speed, to evade an armed FBI agent pursuing him in a car, with a fleet of sheriff’s deputies on their way? Stan Los, the FBI agent who chased him, would later catch shit from local cops about why he didn’t shoot the guy. Los bristled at the taunt but remained resolute about his decision. All he had was a woman screaming and an ordinary white male on a bike who accelerated every time Los hollered or honked at him. He lacked the necessary context to shoot.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
The cost to maintain local roads is, on average, more than 6 cents per mile for each car each year. How much of this do drivers actually pay? Less than a penny. What does this mean for bicycling? While people do not pay to ride bicycles on the road, bicycling also costs almost nothing—less than 1% of money spent on transportation infrastructure in the U.S. goes to anything bike-related, and bicycles do not contribute significantly to other road-related expenses like potholes, crashes, or congestion.
Elly Blue (Bikenomics: How Bicycling Can Save The Economy (Bicycle))
Every man is going to think of you as property. That’s why they want to put they last name on your name. Then you’re their property. So you want to make sure whoever you end up with knows how to maintain their property. See yourself as a house. You have to view yourself as the house on the highest part of the hill. You can’t let everybody come into your house. They can’t catch no bus to your house. They can’t ride no bike to your house. They got to have a nice car with four-wheel drive to get up to your house.
Tiffany Haddish (The Last Black Unicorn)
Never underestimate the anger directed at bicyclists. They ride too fast, terrorizing pedestrians. They ride too slow, dangerously obstructing drivers. They don’t wear helmets or reflective bike gear, jeopardizing themselves. They look ridiculous riding around in those helmets and reflective bike gear, more like Mad Max marauders than human beings. They shouldn’t ride in streets, which are hostile, car-only zones. They shouldn’t have their own lanes because there aren’t enough of them to take away space from cars. Yet there are so many of them that they’re running down pedestrians and therefore shouldn’t ride on sidewalks.
Janette Sadik-Khan (Streetfight: Handbook for an Urban Revolution)
When I finally leave the market, the streets are dark, and I pass a few blocks where not a single electric light appears – only dark open storefronts and coms (fast-food eateries), broom closet-sized restaurants serving fish, meat, and rice for under a dollar, flickering candles barely revealing the silhouettes of seated figures. The tide of cyclists, motorbikes, and scooters has increased to an uninterrupted flow, a river that, given the slightest opportunity, diverts through automobile traffic, stopping it cold, spreads into tributaries that spill out over sidewalks, across lots, through filling stations. They pour through narrow openings in front of cars: young men, their girlfriends hanging on the back; families of four: mom, dad, baby, and grandma, all on a fragile, wobbly, underpowered motorbike; three people, the day’s shopping piled on a rear fender; women carrying bouquets of flapping chickens, gathered by their feet while youngest son drives and baby rests on the handlebars; motorbikes carrying furniture, spare tires, wooden crates, lumber, cinder blocks, boxes of shoes. Nothing is too large to pile onto or strap to a bike. Lone men in ragged clothes stand or sit by the roadsides, selling petrol from small soda bottles, servicing punctures with little patch kits and old bicycle pumps.
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
I drove on into Des Moines and it looked very large and handsome in the afternoon sunshine. The golden dome of the state capitol building gleamed. Every yard was dark with trees. People were out cutting the grass or riding bikes. I could see why strangers came in off the interstate looking for hamburgers and gasoline and stayed forever. There was just something about it that looked friendly and decent and nice. I could live here, I thought, and turned the car for home. It was the strangest thing, but for the first time in a long time I almost felt serene. Index The pagination of this electronic edition does not match the edition from which it was created.
Bill Bryson (The Lost Continent: Travels in Small Town America)
You must have some new inventions that we did not have in my time. Tell me about your most modern things." "I think the best things are the bicycle trails. Since 1997 they've allowed no new roads to be built—only bike trails—and now there are as many miles of bike trails as there are of roads for cars." "So you can really bike all over the country?" you ask. "Sure—and not alongside buses and trucks and crazy drivers, but through forests and across plains and deserts and along rivers and streams. I sometimes feel like biking forever that way, and there are hostels for bikers where you can sleep in comfort for almost nothing. Most of the cost is paid for by taxes on gasoline.
Edward Packard
Is something wrong?” he asked. “You seem to have forgotten that someone cut my bike in half.” “And you seem to have forgotten that I have a truck,” said Miles. “I can give you a ride. To school, at least.” “No thanks,” I said. “Really. I’m not joking. Unless you’re that against having anything to do with me. I don’t care. You can get in line.” He turned onto the main road. The line from the notebook felt like a dead weight in my stomach. “No, not against it.” I realized with a strange sort of happy dread that we were falling back into the easy conversation we’d had at the bonfire. “But I’d like to know why you’re offering.” “What do you mean?” Honest confusion crossed his face. “Isn’t that the good thing to do?” I burst out laughing. “Since when have you been good? Are you feeling guilty or something?” “A little sentimental, maybe. My first idea was to drive up and down in front of you a few times to prove I had a car and you didn’t.” His tone was light and he was smiling. Holy crap, he was smiling. A real, teeth-showing, nose-scrunching, eyes-crinkling smile. The smile slipped off his face. “What? What’s wrong?” “You were smiling,” I said. “It was kind of weird.” “Oh,” he said, frowning. “Thanks.” “No, no, don’t do that! The smile was better.” The words felt wrong coming out of my mouth. I shouldn’t say things like that to him, but they hung neatly in the air and cleared out the tension. Miles didn’t smile again.
Francesca Zappia (Made You Up)
But surely the commute that defines the era was Noah's voyage aboard his eponymous ark, and to this day it remains the most epic commuting story ever told. As most people know, God felt that Earth had essentially "jumped the shark" (or "raped the angel" as they used to say back then), so rather than try to fix it, He instead decided to simply wash everyone away in a great flood and start over from scratch--just as you might do to your computer's hard drive if it has a really bad virus. So God spoke to Noah and commanded him to build an ark, aboard which he'd carry two of every animal in the world....Thus was born humankind's lust for gigantic vehicles, for God's instructions to Noah were basically the world's first car commercial, and the sales pitch was this: Large vehicles are your salvation.
BikeSnobNYC
It is now time to face the fact that English is a crazy language — the most loopy and wiggy of all tongues. In what other language do people drive in a parkway and park in a driveway? In what other language do people play at a recital and recite at a play? Why does night fall but never break and day break but never fall? Why is it that when we transport something by car, it’s called a shipment, but when we transport something by ship, it’s called cargo? Why does a man get a hernia and a woman a hysterectomy? Why do we pack suits in a garment bag and garments in a suitcase? Why do privates eat in the general mess and generals eat in the private mess? Why do we call it newsprint when it contains no printing but when we put print on it, we call it a newspaper? Why are people who ride motorcycles called bikers and people who ride bikes called cyclists? Why — in our crazy language — can your nose run and your feet smell?Language is like the air we breathe. It’s invisible, inescapable, indispensable, and we take it for granted. But, when we take the time to step back and listen to the sounds that escape from the holes in people’s faces and to explore the paradoxes and vagaries of English, we find that hot dogs can be cold, darkrooms can be lit, homework can be done in school, nightmares can take place in broad daylight while morning sickness and daydreaming can take place at night, tomboys are girls and midwives can be men, hours — especially happy hours and rush hours — often last longer than sixty minutes, quicksand works very slowly, boxing rings are square, silverware and glasses can be made of plastic and tablecloths of paper, most telephones are dialed by being punched (or pushed?), and most bathrooms don’t have any baths in them. In fact, a dog can go to the bathroom under a tree —no bath, no room; it’s still going to the bathroom. And doesn’t it seem a little bizarre that we go to the bathroom in order to go to the bathroom? Why is it that a woman can man a station but a man can’t woman one, that a man can father a movement but a woman can’t mother one, and that a king rules a kingdom but a queen doesn’t rule a queendom? How did all those Renaissance men reproduce when there don’t seem to have been any Renaissance women? Sometimes you have to believe that all English speakers should be committed to an asylum for the verbally insane: In what other language do they call the third hand on the clock the second hand? Why do they call them apartments when they’re all together? Why do we call them buildings, when they’re already built? Why it is called a TV set when you get only one? Why is phonetic not spelled phonetically? Why is it so hard to remember how to spell mnemonic? Why doesn’t onomatopoeia sound like what it is? Why is the word abbreviation so long? Why is diminutive so undiminutive? Why does the word monosyllabic consist of five syllables? Why is there no synonym for synonym or thesaurus? And why, pray tell, does lisp have an s in it? If adults commit adultery, do infants commit infantry? If olive oil is made from olives, what do they make baby oil from? If a vegetarian eats vegetables, what does a humanitarian consume? If pro and con are opposites, is congress the opposite of progress? ...
Richard Lederer
I tried. I loved them—the very bones of them—with every single bit of me, and I wanted more than anything to keep them safe. And I tried. But—and this is the thing I just came to understand—every time they were safe, for all those days and years before the checkout line, every time they went to school or rode in a car or rode their bikes down the street or kicked a ball or ate a meal or caught a cold or danced in the living room with me or waited in a checkout line with me, danger was right there, brushing past them, parting to let them by, or swerving away just in time. It was right there. But before the checkout line day, they were safe, and I helped, you helped, we did our best, but mostly it was pure grace. Luck. We do what we can, but luck tips the scales in the end. Every time they were ever safe, they could just as easily have not been. Do you see what I mean?
Marisa de los Santos (Watch Us Shine)
Rebel [Verse 1] I don't give a fuck my brudda, I never have I'm straight from the gutter my brudda, we never had We living on a budget - holes in the rooftop Room full of buckets, it's getting bad Things could be worse I suppose, school trips, school kids Cursing my clothes, is it the same in every house When the curtains are closed? (daydreamin') I'm in a world of my own (I ain't leavin') It must be because I hate my reality That's why I'm on the verge of embracing insanity Put me in a padded room Throw away the key and let me escape the anarchy I can't take it, I turn my back on the world I can't face it, Ray-Ban gang fam Can't see my eyes cause I'm on my dark shades shit (Ray Charles) [Bridge] Black everything, you can ask David Cameron if we're living in the dark ages Black everything, you can ask David Black everything, you can ask David Black everything, you can ask David Cameron if we're living in the dark ages [Hook] (It's a living hell) I'm a rebel Always have been Where I'm come from it's a mad ting (It's a living hell) Standing in my Stan Smiths Stamping on the canvas for action (It's a living hell) All I acquired from the riot Is people are sick and tired of being quiet (It's a living hell) Dying to be heard That's why there's fire in my words [Verse 2] I don't give a fuck my brudda, I never will Straight from the gutter my brudda, rare real We been living life like "fuck it", living life like there's nothing To live for but the money, I'mma keep it 100 The hunger inside is what drives us That's why there's youngers inside who are lifers They say love is blind so you might just Fall in love with them crimes that'll blind us And I'd be lying if I said I wasn't out late Around H, scales out, another ounce weighed More pounds made, sounds great Salts under my tongue, my mouth's laced So many feds chasing me down, the ground shakes Helicopters, bikes and cars chasing So many officers behind, my heart's racing [Bridge] [Hook x2]
Ghetts
Hey, did you hear about Brad Miller?" he asked, already forgetting about the Lissie conversation. "He got his car taken away for getting another speeding ticket. Of course he tried to tell his parents that it was a setup." Violet laughed. "Yeah, because the police have nothing better to do than to plan a sting operation targeting eleventh-grade idiots." She was more than willing to go along with this diversion from conversations about Jay and his many admirers. Jay laughed too, shaking his head. "You're so cold-hearted," he said to Violet, shoving her a little but playing along. "How's he supposed to go cruising for unsuspecting freshman and sophomores without a car? What willing girl is going to ride on the handlebars of his ten-speed?" "I don't see you driving anything but your mom's car yet. At least he has a bike," she said, turning on him now. He pushed her again. "Hey!" he tried to defend himself. "I'm still saving! Not all of us are born with a silver spoon in our mouths." They were both laughing, hard now. The silver spoon joke had been used before, whenever one of them had something the other one didn't. "Right!" Violet protested. "Have you seen my car?" This time she shoved him, and a full-scale war broke out on the couch. "Poor little rich girl!" Jay accused, grabbing her arm and pulling her down. She giggled and tried to give him the dreaded "dead leg" by hitting him with her knuckle in the thigh. But he was too strong, and what used to be a fairly even matchup was now more like an annihilation of Violet's side. "Oh, yeah. Weren't you the one"-she gasped, still giggling and thrashing to break free from his suddenly way-too-strong grip on her, just as his hand was almost at the sensitive spot along the side of her rib cage-"who got to go to Hawaii..." She bucked beneath him, trying to knock him off her. "...For spring break...last..." And then he started to tickle her while she was pinned beneath him, and her last word came out in a scream: "...YEAR?!" That was how her aunt and uncle found them. Violet never heard the key in the dead bolt, or the sound of the door opening up. And Jay was just as ignorant of their arrival as she was. So when they were caught like that, in a mass of tangled limbs, with Jay's face just inches from hers, as she giggled and squirmed against him, it should have meant they were going to get in trouble. And if it had been any other teenage boy and girl, they would have. But it wasn't another couple. It was Violet and Jay...and this was business as usual for the two of them. Even her aunt and uncle knew that there was no possibility they were doing anything they shouldn't. The only reprimand they got was her aunt shushing them to keep it down before they woke the kids. After Jay left, Violet took the thirty dollars that her uncle gave her and headed out. As she drove home, she tried to ignore the feelings of frustration she had about the way her aunt and uncle had reacted-or rather hadn't reaction-to finding her and Jay together on the couch. For some reason it made her feel worse to know that even the grown-ups around them didn't think there was a chance they could ever be a real couple.
Kimberly Derting (The Body Finder (The Body Finder, #1))
But it wasn't till he'd been there nearly two weeks that one morning Paris and its people suddenly became more than a background for his vacation. He was sitting in a café, out on the walk, having a tiny cup of Paris-tasting, Paris-smelling coffee, watching traffic stream by, pleased as always with the countless people on bikes expertly threading their way between and around the cars and buses and trucks. Then a traffic light changed, the stream stopped and waited, and a man on a bike, one foot on the pavement, lifted his arm and wiped his forehead with the back of his hand. And he turned real. In that instant he was no longer a quaint part of a charming background; he turned into a real man, tired from pumping that bike, and for the first time it occurred to my friend that there was a reason so many people picturesquely rode bikes through the heavy traffic, and the reason was to save bus fare and because they couldn't afford cars. After that, for the few days that were left to him there, my friend continued to enjoy Paris. But now it was no longer an immense travel poster but a real city, because now so were its people.
Jack Finney
The first day we rode our bikes to Chelsey and parked them. It was a terrible feeling. Most of those kids, at least all the older ones, had their own automobiles, many of them new convertibles, and they weren't black or dark blue like most cars, they were bright yellow, green, orange, and red. The guys sat in them outside of the school and the girls gathered around and went for rides. Everybody was nicely dressed, the guys and the girls, they had pullover sweaters, wrist watches and the latest in shoes. They seemed very adult and poised and superior. And there I was in my homemade shirt, my one ragged pair of pants, my rundown shoes, and I was covered with boils. The guys with the cars didn't worry about acne. They were very handsome, they were tall and clean with bright teeth and they didn't wash their hair with hand soap. They seemed to know something I didn't know. I was at the bottom again. Since all the guys had cars Baldy and I were ashamed of our bicycles. We left them home and walked to school and back, two-and-one-half miles each way. We carried brown bag lunches. But mot of the other students didn't even eat in the school cafeteria. They drove to malt shops with the girls, played the juke boxes and laughed. They were on their way to U.S.C.
Charles Bukowski (Ham on Rye)
Self-Obsession & Self-Presentation on Social-Media" Some people always post their cars/bikes photos because they love their cars/bikes so much. Some people always post their dogs/cats/birds/fish/pets photos because they love their pets so much. Some people always post their children’s/families photos because they love their children/families so much. Some people always post their daily happy/sad moments because they love sharing their daily lives so much. Some people always post their poems/songs/novels/writings because they love being poets/lyricists/novelists/writers so much. Some people always copy paste other people’s writings/quotes without mentioning the actual writers name because they love seeking attention/fame so much. [Unacceptable & Illegal] Some people always post their plants/garden’s photos because they love planting/gardening so much. Some people always post their art/paintings because they love their creativity so much. Some people always post their home-made food because they love cooking/thoughtful-presentation so much. Some people always post their makeup/hairstyles selfies because they love wearing makeup/doing hair so much. Some people always post their party related photos because they love those parties so much. Some people always post their travel related photos because they love traveling so much. Some people always post their selfies because they love taking selfies so much. Some people always post restaurant/street-foods because they love eating in restaurants/streets so much. Some people always post their job-related photos because they love their jobs so much. Some people always post religious things because they love spreading their religion so much. Some people always post political things because they love politics/power so much. Some people always post inspirational messages because they love being spiritual. Some people always share others posts because they love sharing links so much. Some people always post their creative photographs because they love photography so much. Some people always post their business-related products because they love advertising so much. And some people always post complaints about other people’s post because they love complaining so much
Zakia FR
Two fifty-five. It’s go time.” Chris unlocks the doors and gets out and hides behind an oak tree in the yard. My adrenaline is pumping as I hop out of Chris’s car, grab Kitty’s bike out of her trunk, and push it a few houses. Then I set it on the ground and drape myself over it in a dramatic heap. Then I pull out the bottle of fake blood I bought for this very purpose and squirt some on my jeans--old jeans I’ve been planning on giving to Goodwill. As soon as I see Trevor’s car approaching, I start to pretend sob. From behind the tree Chris whispers, “Tone it down a little!” I immediately stop sobbing and start moaning. Trevor’s car pulls up beside me. He rolls down the window. “Lara Jean? Are you okay?” I whimper. “No…I think I might have sprained my ankle. It really hurts. Can you give me a ride home?” I’m willing myself to tear up, but it’s harder to cry on cue than I would have thought. I try to think about sad things--the Titanic, old people with Alzheimer’s, Jamie Fox-Pickle dying--but I can’t focus. Trevor regards me suspiciously. “Why are you riding your bike in this neighborhood?” Oh no, I’m losing him! I start talking fast but not too fast. “It’s not my bike; it’s my little sister’s. She’s friends with Sara Healey. You know, Dan Healey’s little sister? They live over there.” I point to their house. “I was bringing it to her--oh my God, Trevor. Do you not believe me? Are you seriously not going to give me a ride?” Trevor looks around. “Do you swear this isn’t a trick?” Gotcha! “Yes! I swear I don’t have your name, okay? Please just help me up. It really hurts.” “First show me your ankle.” “Trevor! You can’t see a sprained ankle!” I whimper and make a show of trying to stand up, and Trevor finally turns the car off and gets out. He stoops down and pulls me to my feet and I try to make my body heavy. “Be gentle,” I tell him. “See? I told you I didn’t have your name.” Trevor pulls me up by my armpits, and over his shoulder Chris creeps up behind him like a ninja. She dives forward, both hands out, and claps them on his back hard. “I got you!” she screams. Trevor shrieks and drops me, and I narrowly escape falling for real. “Damn it!” he yells. Gleefully Chris says, “You’re done, sucker!” She and I high-five and hug. “Can you guys not celebrate in front of me?” he mutters. Chris holds her hand out. “Now gimme gimme gimme.” Sighing, Trevor shakes his head and says, “I can’t believe I fell for that, Lara Jean.” I pat him on the back. “Sorry, Trevor.” “What if I had had your name?” he asks me. “What would you have done then?” Huh. I never thought of that. I shoot Chris an accusing glare. “Wait a minute! What if he had had my name?” “That was a chance we were willing to take,” she says smoothly.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
If YOUR free READ it calmly. This to all my FOLKS and MYSELF our expectations, our needs, our dreams, our destiny, our life style, Our likes and dislikes. we always RUN around so many things without even THINKING. Have a look on our SATISFACTION list # new gadget or a mobile for example fun for 2 months? # New bike fun for "2 months" . # New car for "3"? # Getting into a relationship wantedly as we are alone max 3/4 months? # Revenge ? A weak? Month? # flirting ? 2/3 months # sex ? Few mins # boozing, joint or a fag? Few hours? # addicting to something leaving behind everything? One year? # your example of anything repeatedly done for satisfaction? Max? Get a number yourself! ¦¦¦ Even though we satisfy our soul by all the above. Passing day by day. Years passed. Yet left with the same IRRITATING feeling to satisfy our needs. ONE after ANOTHER . ¦¦¦ ¦¦¦ Some day we realize it was " pure SELFISH satisfaction " and left with a "GUILT " and EMPTINESS . questioning LIFE ! ¦¦¦ "In the RAMPAGE of getting everything we wished. We might not realize what we MISSED . Being CARELESS of our surrounding." "Feelings left hurt and hearts broken. Family friends and people we cares and who cares us. PRIORITIES made by ourself to be satisfied even here." If LIFE was just to satisfy what ever we WISHED for. Was it A life worth lived? May be! Yes. But it's SURE you end up questioning life with BLACKNESS ! # So many questions unanswered. Our EXISTENCE ? Our DESTINY ? To question the existence of God and HEAVEN .? At Last questioning the existence of UNIVERSE itself? The whole system CRACKS a nerve! Why spoil our LIFE when we are the creators of our LIFE ! When we are capable of finding an answer to does questions by our self Finding that true meaning of LIFE beyond all the mess we live by daily. which is Going to satisfy us. We need to realize by now our Every action should lead to Happiness and satisfaction of the people around us. It's the real paradise feeling we all wish for. The real deal. We disrupt our LIFE in the rampage of getting everything we need which can automatically be provided by LIFE . When we start sacrificing our LIFE in a positive way being busy fulfilling the needs of our dears ones. They indeed be busy trying to fulfill our needs and wishes. It's giving some things and getting something back. With less expectations. Rather than grabbing. A SECRET for a PERFECT LIFE which we FAIL to live by. Starting from FORGIVING everyone who tumbles in our path trying to steal away our positive life and happiness. Because as we all are tamed to do MISTAKE at some point. There is not much TIME left to waste by hating and cursing LIFE when we can start LIVING right now. "A REMINDER just to make sure we try to be SELFLESS and find that UNMATCHED HAPPINESS and SATISFACTION ." ~~¦¦ LIFE is complex to understand yet so SIMPLE ¦¦ ¶¶ Never be in a hurry on GETTING on to something you might be left with NOTHING ¶¶ << Being SELFISH makes us a HEALTHY human but being SELFLESS makes you A HUMAN >> «« LIFE is meaningful when we forget about our THIRST and QUENCH the thirst of OTHERS .»» RETHINK AND REDEFINE LIFE ¶¶ ~ Sharath kumar G .
Sharath Kumar G
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-​night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip. Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-​five, forty-​five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-​five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board. Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea. The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-​slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-​inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.” Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-​burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
Hunter S. Thompson (Hell's Angels)