Bike Meter Quotes

We've searched our database for all the quotes and captions related to Bike Meter. Here they are! All 4 of them:

sister’s loan. It’s not a detailed plan, and technically I have no idea what I’m getting into. However, it’s the only option. Finally I reach the edge of pack territory. You can’t miss it because there’s a huge sign, white paint on a slab of plywood. PRIVATE PROPERTY. And a drawing of a howling wolf.  Then a few meters in, another one with a spotlight shining on it. PRIVATE. NO TRESPASSING. I stop in front of that one. If I’m there to talk to the alpha, then I’m not trespassing, right?  Gathering my courage, I set off again, the bike squeaking with every inch of travel.  I hear a rustling
Cleo Peitsche (Luring the Pack)
I’ve got to go up there and meet this man who’s playing this, and I’ve got to play with him. And if I don’t measure up, it’s over. That was really my feeling as I walked up those stairs, creak creak creak. In a way I walk up those stairs and come down a different person. Ian Stewart was the only one in the room, with this horsehair sofa that was split, horsehairs hanging out. He’s got on a pair of Tyrolean leather shorts. He’s playing an upright piano and he’s got his back to me because he’s looking out of the window where he’s got his bike chained to a meter, making sure it’s not nicked.
Keith Richards (Life)
The power meter is a powerful tool for training, one that can potentially make you fitter and faster than any other piece of equipment you could get for your bike.
Joe Friel (The Power Meter Handbook: A User's Guide for Cyclists and Triathletes)
The glare of the green landscape and the air, the air that was everywhere, in us and making way for us, and we rode and were aware only of each other and ourselves for those couple of miles, and for those couple of miles I was myself, back in the neighborhood of Chacarita, where I moved with my mom after we realized my dad was never going to move out first, that we would have to leave him, and I saw on either side of me the big ugly high-rises and squat goldenrod houses and fuchsia and blue and inscrutable notes scrawled on the walls, graffiti intermingling with the shimmering, shadowing little leaves of the tipas, and as I rode I slowed at the oleander at Facultad de Medicina, those delicate pink flowers that rose over the fence in utter opulence and the lush stiff leaves that reached out through the bars that were freshly painted bright green. Then there it was: the Great Mamamushi. I slowed, and Freddie slowed. We parked our bikes. I was out of breath and all the air on Earth was in my blood, and we kissed again, and I turned around, and he put his arms around my waist, and I leaned into him, and we beheld it: a tree that was almost too much to be true, that truly was incredible, with its trunk that was almost eight meters around, a staggering circumference, glittered over by dragonflies, heavy, petite, iridescent incarnations of Irena's genius, when suddenly a flock of impossible parrots exploded out of the alders, and we looked up to see them shattering the sky. "All the oaks on this trail have their own names," I explained to Freddie. "This one is my favorite. Can you believe it's still growing?" He put his face against mine. He didn't say anything. For a while we just stood like that, together, watching the Great Mamamushi grow.
Jennifer Croft (The Extinction of Irena Rey)