Big Magic Best Quotes

The big difference between my mom and me-- besides the fact that she is dead normal and I'm a magic-handling freak-- is that she's the real thing. She may have a slight problem seeing other people's points of view, but she's honest about it. She's a brass-bound bitch because she believes she knows best. I'm a brass-bound bitch because I don't want anyone getting close enough to find out what a whiny little knot of naked nerve endings I really am.

I always hear people talk about 'dysfunctional families.' It annoys me, because it makes you think that somewhere there's this magical family where everyone gets along, and no one ever screams things they don't mean, and there's never a time when sharp objects should be hidden. Well, I'm sorry, but that family doesn't exist. And if you find some neighbors that seem to be the grinning model of 'function,' trust me - that's the family that will get arrested for smuggling arms in their SUV between soccer games. The best you can really hope for is a family where everyone's problems, big and small, work together. Kind of like an orchestra where every instrument is out of tune, in exactly the same way, so you don't really notice.

Remember, the main job of the leader is thinking. And the best preparation for leadership is thinking.

Let me list for you some of the many ways in which you might be afraid to live a more creative life: You’re afraid you have no talent. You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored. You’re afraid there’s no market for your creativity, and therefore no point in pursuing it. You’re afraid somebody else already did it better. You’re afraid everybody else already did it better. You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark. You’re afraid you won’t be taken seriously. You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life. You’re afraid your dreams are embarrassing. You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money. You’re afraid you don’t have the right kind of discipline. You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration. You’re afraid you don’t have the right kind of training or degree. You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.) You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist. You’re afraid of upsetting your family with what you may reveal. You’re afraid of what your peers and coworkers will say if you express your personal truth aloud. You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons. You’re afraid your best work is behind you. You’re afraid you never had any best work to begin with. You’re afraid you neglected your creativity for so long that now you can never get it back. You’re afraid you’re too old to start. You’re afraid you’re too young to start. You’re afraid because something went well in your life once, so obviously nothing can ever go well again. You’re afraid because nothing has ever gone well in your life, so why bother trying? You’re afraid of being a one-hit wonder. You’re afraid of being a no-hit wonder

Death has a body like a model, the clothes of a poet and the smile of your best friend. She wears a top hat for fun, her ankh necklace for power, and carries a big black umbrella for travelling to the 'sunless lands.' I wonder what she smells like? I'm sure it's fresh and clean and her laugh must be rinkly or maybe it's warm and chuckly, but whatever it is, Death laughs a lot. We talk about the 'miracle of birth' but what about the 'miracle of death'? We have the science of death pretty much figured out, but death's magic and inevitability have been feared and ignored for a long time now. What if Death is a person?

Here's what I've learned about miracles: Sometimes they turn up quick, and sometimes they take their sweet time getting to you. It's hard to tell either way because a miracle never looks exactly the way you think it should. Some miracles are big and flashy, and others are sweet and simple. Some miracles make you want to shout, and others make you want to sing. And some miracles, the very best miracles of all, show up wearing cowboy boots.

Genetic randomness had already determined how much talent I’d been allotted, and destiny’s randomness would account for my share of luck. The only piece I had any control over was my discipline. Recognizing that, it seemed like the best plan would be to work my ass off. That was the only card I had to play, so I played it hard.

I made a big show of catching invisible words in my hands and putting them in my mouth and chewing on them. I knew my word-catching charade wasn't the best way to make a fast friend at Stoneberry Elementary School. But it was the only way I could think of to make my sister feel better. And I think if you're lucky, a sister is the same as a friend, but better. A sister is like a super-forever-infinity friend.

Remember: People who tell you it cannot be done almost always are unsuccessful people, are strictly average or mediocre at best in terms of accomplishment.

I believe that inspiration will always try its best to work with you—but if you are not ready or available, it may indeed choose to leave you and to search for a different human collaborator.

Perhaps creativity’s greatest mercy is this: By completely absorbing our attention for a short and magical spell, it can relieve us temporarily from the dreadful burden of being who we are. Best of all, at the end of your creative adventure, you have a souvenir—something that you made, something to remind you forever of your brief but transformative encounter with inspiration

All I know for certain is that this is how I want to spend my life—collaborating to the best of my ability with forces of inspiration that I can neither see, nor prove, nor command, nor understand. It’s a strange line of work, admittedly. I cannot think of a better way to pass my days.

But I have always believed that a woman's best and biggest champion should be herself. The world sure isn't going to step up and cheer on its own.

I have never created anything in my life that did not make me feel, at some point or another, like I was the guy who just walked into a fancy ball wearing a homemade lobster costume. But you must stubbornly walk into that room, regardless, and you must hold your head high. You made it; you get to put it out there. Never apologize for it, never explain it away, never be ashamed of it. You did your best with what you knew, and you worked with what you had, in the time that you were given. You were invited, and you showed up, and you simply cannot do more that that. They might throw you out - but then again, they might not. They probably won't throw you out, actually. The ballroom is often more welcoming and supportive than you could ever imagine. Somebody might even think you're brilliant and marvelous. You might end up dancing with royalty. Or you might just end up having to dance alone in the corner of the castle with your big, ungainly red foam claws waving in the empty air. that's fine, too. Sometimes it's like that. What you absolutely must not do is turn around and walk out. Otherwise, you will miss the party, and that would be a pity, because - please believe me - we did not come all this great distance, and make all this great effort, only to miss the party at the last moment.

They always need fresh, enthusiastic programmers. More important: they need programmers chosen by a star programmer. Magic Mama told her all about how recruiting happens in well-known companies. Unlike small companies, they depend more on shining logos. Logos like The Resolution Race Champion, The Gold Winner of Code the Crude, or Year’s Best Thesis Contributor are gems in their crowns. Everyone loves collecting gems. Talents are the gems big companies prefer plucking in reduced expenses. The best gems are the hard-working Low Grades and the non-citizens from the Junk Land. Who wouldn’t love a talent born in the gutters?—Just lure them with citizenship.

Never apologize for it, never explain it away, never be ashamed of it. You did your best with what you knew, and you worked with what you had, in the time that you were given. You were invited, and you showed up, and you simply cannot do more than that.

I wrote every day throughout my twenties. For a while, I had a boyfriend who was a musician, and he practiced every day. He played scales; I wrote small fictional scenes. It was the same idea - to keep your hand in your craft, to stay close to it. On bad days, when I felt no inspiration at all, I would set the kitchen timer for thirty minutes and make myself sit there and scribble something, anything. I had read an interview with John Updike where he said that some of the best novels you've ever read were written in an hour a day; I figured I could always carve out at least thirty minutes somewhere to dedicate myself to my work, no matter what else was going on or how badly I believed the work was going.

Over time, I've found the right tone of voice for these assertions, too. It's best to be insistent, but affable. Repeat yourself, but don't get shrill. Speak to your darkest and most negative interior voices the way a hostage negotiator speaks to a violent psychopath: calmly, but firmly. Most of all, never back down. You cannot afford to back down. The life you are negotiating to save, after all, is your own.

It’s best to see the willy up front. This way, ye don’t have to go through all the rigmarole to check out the equipment. Good size? Well then, sure, let’s try it out. Too small or big? Keep moving, my dear, I haven’t the time.” “It’s not the size of the vessel, it is the motion in the ocean,” Mr. Tom said.

Andrea exploded out of the staircase, her eyes huge. “Someone broke into Curran’s private quarters in the Keep and welded his weight bench together. They also melted the lock on the room where he entertains his women. Was it you?” “He’s making a big deal about never expecting me to behave like a shapeshifter. So I did.” “Are you out of your mind?” It’s not polite to lie to your best friend. “It’s a possibility.” “You challenged him. The whole Keep is talking about it. He’ll have to retaliate. He’s a cat, Kate, which means he’s weird, and he never courted anyone that way. There is no telling what he’ll do. He doesn’t operate in the same world you do. He might blow up your house because he thinks it’s funny.” I waved my arm. “It doesn’t matter. He didn’t get it.” Andrea shook her blond head. “Oh no. He got it.” “How do you know?” “Your office smells like him.

Look your best and you will think and act your best.

The combination of persistence and experimentation is a winning formula for success. Stay the course, but try new approaches to figure out what works best.

She's a cheerful soul who's having a wonderful time living out the existence that best suits her nature and most brings her to life.

The mad scientist is going to chase you around with a hypodermic needle, Gregori," she teased. Gregori lifted an eyebrow, his face an unreadable mask,the pale eyes glittering with more than menace. White teeth flashed,a baring of fangs. "Maybe not," Gary conceded. "Not the best idea after all." Savannah was up and moving with hersensuous grace to fit herself beneath Gregori's shoulder. She looked impossibly small next to the big Carpathian, delicate, fragile even. It wasn't so much Gregori's height but the rippling muscles, the thickness of his arms and chest, and the power emanating from him. Her face was turned up toward his, her soft mouth curved with laughter, in no way intimidated by him. Gregori's arm swept around her and crushed her to him, nearly enveloping her completely. "She thinks I am going to take her on this ridiculous vampire hunt." "She's right,too,isn't she?" Gary grinned at him. "Unfortunately," Gregori admitted.

You made it; your get to put it out there. Never apologize for it, never explain it away, never be ashamed of it. You did your best with what you knew, and you worked with what you had, in the time that you were given.

I sat down on my bed, trying to catch my breath, as Jenna opened the door. The Vandy stood there, glaring at us, and my heart plummeted. They knew. They’d sensed magic happening in here, and now they’d sent the Vandy to come collect us. I sat there, trying not to pant in terror, while Jenna openly trembled. “You were told to report to the greenhouse,” the Vandy said, her eyes going back and forth between us. “Now, get your skinny butts down there.” You know when you have the most inappropriate reaction to something ever? I was so happy that we weren’t being hauled off to be murdered that I burst out laughing. I mean, big, loud, honking laughter. Jenna shot me a panicked look as the Vandy’s scowl got even darker. “What’s so funny, Miss Mercer?” I stood up on wobbly legs and did my best to stop cracking up. “Sorry, it’s just, um…” “You said ‘butts,’” Jenna blurted out. “And Sophie’s got a really immature sense of humor.” “Right,” I said, seizing on that. “Butts. Ha ha!” I think if the Vandy could have murdered us right then and there, she probably would have. Instead she just thrust one finger toward the staircase and said, “Move it.” We scrambled from the room.

Around 1900 a sales executive discovered a “scientific” principle of sales management. It received a lot of publicity and even found its way into textbooks. The principle was this: There is one best way to sell a product. Find the best way. Then never deviate from it.

The Hutterites (who came out of the same tradition as the Amish and the Mennonites) have a strict policy that every time a colony approaches 150, they split it in two and start a new one. "Keeping things under 150 just seems to be the best and most efficient way to manage a group of people," Spokane told me. "When things get larger than that, people become strangers to one another." The Hutterites, obviously, didn't get this idea from contemporary evolutionary psychology. They've been following the 150 rule for centuries. But their rationale fits perfectly with Dunbar's theories. At 150, the Hutterites believe, something happens-something indefinable but very real-that somehow changes the nature of community overnight. "In smaller groups people are a lot closer. They're knit together, which is very important if you want to be be effective and successful at community life," Gross said. "If you get too large, you don't have enough work in common. You don't have enough things in common, and then you start to become strangers and that close-knit fellowship starts to get lost." Gross spoke from experience. He had been in Hutterite colonies that had come near to that magic number and seen firsthand how things had changed. "What happens when you get that big is that the group starts, just on its own, to form a sort of clan." He made a gesture with his hands, as if to demonstrate division. "You get two or three groups within the larger group. That is something you really try to prevent, and when it happens it is a good time to branch out.

I have many times been approached by ideas that I know are not right for me, and I’ve politely said to them: “I’m honoured by your visitation, but I’m not your girl. May I respectfully suggest that you call upon, say, Barbara Kingsolver?” (I always try to use my most gracious manners when sending an idea away; you don’t want word getting around the universe that you’re difficult to work with.) Whatever your response, though, do be sympathetic to the poor idea. Remember: All it wants is to be realised. It’s trying its best. It seriously has to knock on every door it can.

The Logic of the Double or Triple Threat On “career advice,” Scott has written the following, which is slightly trimmed for space here. This is effectively my mantra, and you’ll see why I bring it up: If you want an average, successful life, it doesn’t take much planning. Just stay out of trouble, go to school, and apply for jobs you might like. But if you want something extraordinary, you have two paths: 1) Become the best at one specific thing. 2) Become very good (top 25%) at two or more things. The first strategy is difficult to the point of near impossibility. Few people will ever play in the NBA or make a platinum album. I don’t recommend anyone even try. The second strategy is fairly easy. Everyone has at least a few areas in which they could be in the top 25% with some effort. In my case, I can draw better than most people, but I’m hardly an artist. And I’m not any funnier than the average standup comedian who never makes it big, but I’m funnier than most people. The magic is that few people can draw well and write jokes. It’s the combination of the two that makes what I do so rare. And when you add in my business background, suddenly I had a topic that few cartoonists could hope to understand without living it.

I mean, can we take a second to talk about the impact that wizards had on my self-esteem and self-love? ... For whatever reason, we’ve decided as a Western culture that the only time a person assigned male at birth may dare to be effeminate is if they’re magical. Gandalf the Grey is the best example. He is a weird outcast from most of society who runs around wearing flowy robes and recruiting his friends to help him destroy a terrible, awful, simply atrocious ring. He suspiciously has no sexual partners or desire to date women, loves crystals and sparkly magic, and carries around a long staff with a big ol’ shiny rock on top.

I lay back with a groan and close my eyes. I am just getting comfortable when two sharp elbows land in my midsection. Hayley crawls on top of me on the couch. I think she must be part monkey. She holds a kid-sized board book in her hand. “Wead,” she says, shoving it in my face. I sit up, tucking her into my lap. I take the book from her and open it, but the words jumble. I turn it upside down. “Once upon a time,” I begin. “Dat’s not how it goes,” she complains. She’s a smart girl. “I know,” I explain. “But books are magical, and if you turn them upside down, there’s a whole new story in the pages.” “Weally?” she asks, her eyes big with wonder. No, not really. But it’s the best I can do, kid. “Really,” I affirm. She wiggles, settling more comfortably in my arms. I start to make up a story based on the upside-down pictures. She listens intently. “Once upon a time, there was a little frog. And his name was Randolf.” “Randolf,” she repeats with a giggle. “And Randolf had one big problem.” “Uh oh,” she breathes. “What kind a problem?” “Randolf wanted to be a prince. But his mommy told him that he couldn’t be a prince since he was just a frog.” I keep reading until I say, “The end.” She lays the book to the side and snuggles into me. I kiss the top of her head because it feels like the right thing to do. And she smells good. “Your story was better than the book’s story,” she says. My heart swells with pride. “Thank you.” If only it was this easy to please the adults of the world.

I know that everyone in this room, Bernie Fain included, thinks I'm some kind of a nut with my so-called fixation on this vampire thing. OK, maybe I'm wrong. Maybe he only thinks he is. But there are things here that can't be explained away by so-called common sense. Not even Bernie's report can explain some of them. 'I was at the hospital yesterday.' I looked directly at Butcher. 'Your own people fired maybe fifty or sixty rounds at him, some at point-blank range. How come this man never even slowed down? How come a man seventy years old can outrun police cars for more than fifteen blocks? How come when he gets clubbed on the head he doesn't bleed like other people? Look at these photos! There's a gash on his forehead... and whatever is trickling down from the cut is clear... it isn't blood. 'How come three great, big, burly hospital orderlies weighing an estimated total of nearly seven-hundred fifty pounds couldn't bring one, skinny one-hundred sixty pound man to his knees? How come an ex-boxer, a light-heavyweight not long out of the ring, couldn't even faze him with his best punch, a right hook that should have broken his jaw? 'Face it. Whether it's science, witchcraft or black magic, this character has got something going for him you don't know anything about. He doesn't seem to feel pain. Or get winded. And he doesn't seem to be very frightened by guns, or discouraged by your efforts to trap him. 'Look at these photos! Look at that face! That isn't fear there. It's hate. Pure hate! This man is evil incarnate. He is insane and he may be something even worse although you'd laugh at me because I have no scientific documentation to back me up. Hell, even Regenhaus and Mokurji have all but confirmed that he sucks blood. 'Whatever he is, he's been around a long time and this seems to be the closest any police force has come to putting the finger on him. If you want to go on operating the way you've been doing by treating him like an ordinary man, go ahead. But, I'll bet you any amount of money you come up empty handed again. If you try to catch him at night he'll get away just like he did last night. He'll...' 'Jesus Christ!' bellowed Butcher. 'This son of a bitch has diarrhea of the mouth. Can't one of you people shut him up?

How about I tell you what I don’t like? I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn’t be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children’s books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires. I rarely stock debuts, chick lit, poetry, or translations. I would prefer not to stock series, but the demands of my pocketbook require me to. For your part, you needn’t tell me about the ‘next big series’ until it is ensconced on the New York Times Best Sellers list. Above all, Ms. Loman, I find slim literary memoirs about little old men whose little old wives have died from cancer to be absolutely intolerable. No matter how well written the sales rep claims they are. No matter how many copies you promise I’ll sell on Mother’s Day.

He threw in a request for a couple bottled waters for fucking Romeo and Juliet. They might get thirsty, even in their own damn world. His brother was lost in Livia, twirling her hair around his finger like he was making a magic fucking wand out of it. Beckett watched Livia look up at Blake and realized she was just as lost in him. He decided right then to set the two of them with a beautiful life together. Blake would have to agree. He’d want his woman to have the best, and Beckett could give them that—maybe somewhere far away so none of Beckett’s shitload of evil would ever touch them. In his head Beckett put the two of them in a big snow globe with glitter that he could shake when he wanted them to fucking sparkle together. Perfect in their condo with a dog and a kid and glitter.

After all, no big business idea makes sense at first. I mean, just imagine proposing the following ideas to a group of sceptical investors: ‘What people want is a really cool vacuum cleaner.’ (Dyson) ‘. . . and the best part of all this is that people will write the entire thing for free!’ (Wikipedia) ‘. . . and so I confidently predict that the great enduring fashion of the next century will be a coarse, uncomfortable fabric which fades unpleasantly and which takes ages to dry. To date, it has been largely popular with indigent labourers.’ (Jeans) ‘. . . and people will be forced to choose between three or four items.’ (McDonald’s) ‘And, best of all, the drink has a taste which consumers say they hate.’ (Red Bull) ‘. . . and just watch as perfectly sane people pay $5 for a drink they can make at home for a few pence.’ (Starbucks)*

Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.

He leaned down and kissed her stomach, her hip bones, while his big hands held her in place. Then his mouth was on her, covering her, licking over her clit. She arched up, crying out as his tongue slid over her folds, making her mindless and crazy. She clutched the pillow, burying her head into the softness as he sucked and licked, nipping over her skin. She clamped her thighs around his head. Whimpered. He was going to drive her right over the edge. His tongue lapped over her clit. "Jack, stop," she said, her voice harsh and panting. "I'm going to... God... No... I want..." He didn't stop. Didn't ease up. He just pushed her harder. His tongue. It was magic. The condom packet slid off her stomach as she planted her feet and rocked into him. Giving up, surrendering to his will and determination. Everything that made Jack, Jack. She coiled tight and then she exploded. She bit her lip, stifling her moans as she rode out wave after wave of delicious sensation. She couldn't think, couldn't put together a sentence, but then he was on her, over her. His palm on her neck, his fingers on her jaw, twisting her face to meet his. His mouth covered hers. He tasted like sex. And lust. His grasp was tight on her jaw, and the way he kissed her, devoured her, sucked her right back under. It was a raw, dirty kiss that consumed her. Her fingers came up to where he held her, and she dug her nails into his wrists. He growled against her lips, biting her, sucking. And the kiss went on and on and on. He finally pulled away, grabbed the condom, and tore open the package. He tossed it onto her body again, ridding himself of his sweats, and then he was naked. And she could only gape at him. Her gaze wide. He had the best cock she'd ever seen in her life. Long and thick. A work of goddamn art. She reached for him, but he grabbed her wrist, shaking his head. "I can't wait, Chlo." He picked up the condom, threw the packet on the floor somewhere and rolled the condom down his hard shaft. She breathed out his name. "Jack." He leaned down, kissing her again, soft and sweet. His erection nudged between her legs. "Just let me inside.

Southern violence was explored in one of the all-time coolest psychology studies, involving the use of a word rare in science journals, conducted by Nisbett and Cohen. Undergraduate male subjects had a blood sample taken. They then filled out a questionnaire about something and were then supposed to drop it off down the hall. It was in the narrow hallway, filled with file cabinets, that the experiment happened. Half the subjects traversed the corridor uneventfully. But with half, a confederate (get it? ha-ha) of the psychologists, a big beefy guy, approached from the opposite direction. As the subject and the plant squeezed by each other, the latter would jostle the subject and, in an irritated voice, say the magic word—“asshole”—and march on. Subject would continue down the hall to drop off the questionnaire. What was the response to this insult? It depended. Subjects from the South, but not from elsewhere, showed massive increases in levels of testosterone and glucocorticoids—anger, rage, stress. Subjects were then told a scenario where a guy observes a male acquaintance making a pass at his fiancée—what happens next in the story? In control subjects, Southerners were a bit more likely than Northerners to imagine a violent outcome. And after being insulted? No change in Northerners and a massive boost in imagined violence among Southerners.

Like,” he repeats with distaste. “How about I tell you what I don’t like? I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn’t be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children’s books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires. I rarely stock debuts, chick lit, poetry, or translations. I would prefer not to stock series, but the demands of my pocketbook require me to. For your part, you needn’t tell me about the ‘next big series’ until it is ensconced on the New York Times Best Sellers list. Above all, Ms. Loman, I find slim literary memoirs about little old men whose little old wives have died from cancer to be absolutely intolerable. No matter how well written the sales rep claims they are. No matter how many copies you promise I’ll sell on Mother’s Day.

Everyone around you is just doing their best to make it through today. Because tomorrow will come, and you have to repeat the same day over and over again.  As a kid, you go into the grocery store, and it feels like a never-ending castle filled with different rooms. You feel like every time you enter, there’s always something new to discover. But as an adult, you’ll start to get mad when they change the aisles around because now you can't find the damn oranges!  I never imagined that I would one day be employed in the magical grocery store my family and I went to every Saturday. I never imagined that the place I swore I’d never end up, would soon become the place where I was stuck. Emotionally and physically. As I watch customers trickle in and out, I create stories for each of them. The guy holding flowers and staring at his watch is probably late for a date. The young woman reading the get well soon greeting cards might have had someone close to her get hurt—or maybe they're sick.  All the stories I create for these people make me happy. They’re out in the world. They’re living whereas I’m only existing. I have nobody to share my oranges with. I have nobody to blow out candles in front of. I’m directionless and alone. This big magical place I once thought of is now holding me hostage. I had love once. I had people around me once. I had someone to grocery shop with on the weekends and laugh with when our groceries dropped through the bag. I once had someone to argue with over who was allowed to push the cart. I once had someone who would peel my oranges for me when we got home. Now, my oranges sit and rot in the bowl on my small kitchen table. I have to throw them away most of the time. Yet, I still buy them because it reminds me of something I once had. Is that all life is?

When Egil was twelve years old, he was grown so big that there were but few men howso large and strong that he could not overcome in games. In his twelfth winter he was often at games. Thord Grani's son was then twenty years old; he was very strong. As the winter wore on, if often chanced that the two, Egil and Thord, were matched against Skallagrim. And once in the winter it so befell that there was ball-play at Borg, southwards in Sandvik. Thord and Egil were set against Skallagrim in the game; and he became weary before them, so that they had the best of it. But in the evening after sunset it began to go worse with Egil and his partner. Skallagrim then became so strong and he caught up Thord and dashed him down so violently that he was all bruised and died on the spot. Then he seized Egil. Now there was a handmaid of Skallagrim's named Thorgerdr Brak, who had nursed Egil when a child; she was a big woman, strong as a man, and of magic cunning. Said Brak: 'Dost thou turn they shape-strength, Skallagrim, against thy son?' Whereat Skallagrim let Egil loose, but clutched at her. She broke away and took to her heels with Skallagrim after her. So went they to the utmost point of Digra-ness. Then she leapt out from the rock into the water. Skallagrim hurled after her a great stone, which struck her between the shoulders, and neither ever came up again. The water there is now called Brakar-sound. But afterwards, in the evening, when they came home to Borg, Egil was very angry. Skallagrim and everybody else were set at table, but Egil had not yet come to his place. He went into the fire-hall, and up to the man who there had the overseeing of work and the management of moneys for Skallagrim, and was most dear to him. Egil dealt him his deathblow, then went to his seat. Skallagrim spoke not a word about it then, and thenceforward the matter was kept quiet. But father and son exchanged no word good or bad, and so that winter passed.

You’re afraid you have no talent. You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored. You’re afraid there’s no market for your creativity, and therefore no point in pursuing it. You’re afraid somebody else already did it better. You’re afraid everybody else already did it better. You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark. You’re afraid you won’t be taken seriously. You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life. You’re afraid your dreams are embarrassing. You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money. You’re afraid you don’t have the right kind of discipline. You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration. You’re afraid you don’t have the right kind of training or degree. You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.) You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist. You’re afraid of upsetting your family with what you may reveal. You’re afraid of what your peers and coworkers will say if you express your personal truth aloud. You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons. You’re afraid your best work is behind you. You’re afraid you never had any best work to begin with. You’re afraid you neglected your creativity for so long that now you can never get it back. You’re afraid you’re too old to start. You’re afraid you’re too young to start. You’re afraid because something went well in your life once, so obviously nothing can ever go well again. You’re afraid because nothing has ever gone well in your life, so why bother trying? You’re afraid of being a one-hit wonder. You’re afraid of being a no-hit wonder . . . Listen, I don’t have all day here, so I’m not going to keep listing fears. It’s a bottomless list, anyhow, and a depressing one. I’ll just wrap up my summary this way: SCARY, SCARY, SCARY. Everything is so goddamn scary. Defending Your Weakness Please understand that the only reason I can speak so authoritatively about fear is that I know it so intimately.

There is no fault that can’t be corrected [in natural wine] with one powder or another; no feature that can’t be engineered from a bottle, box, or bag. Wine too tannic? Fine it with Ovo-Pure (powdered egg whites), isinglass (granulate from fish bladders), gelatin (often derived from cow bones and pigskins), or if it’s a white, strip out pesky proteins that cause haziness with Puri-Bent (bentonite clay, the ingredient in kitty litter). Not tannic enough? Replace $1,000 barrels with a bag of oak chips (small wood nuggets toasted for flavor), “tank planks” (long oak staves), oak dust (what it sounds like), or a few drops of liquid oak tannin (pick between “mocha” and “vanilla”). Or simulate the texture of barrel-aged wines with powdered tannin, then double what you charge. (““Typically, the $8 to $12 bottle can be brought up to $15 to $20 per bottle because it gives you more of a barrel quality. . . . You’re dressing it up,” a sales rep explained.) Wine too thin? Build fullness in the mouth with gum arabic (an ingredient also found in frosting and watercolor paint). Too frothy? Add a few drops of antifoaming agent (food-grade silicone oil). Cut acidity with potassium carbonate (a white salt) or calcium carbonate (chalk). Crank it up again with a bag of tartaric acid (aka cream of tartar). Increase alcohol by mixing the pressed grape must with sugary grape concentrate, or just add sugar. Decrease alcohol with ConeTech’s spinning cone, or Vinovation’s reverse-osmosis machine, or water. Fake an aged Bordeaux with Lesaffre’s yeast and yeast derivative. Boost “fresh butter” and “honey” aromas by ordering the CY3079 designer yeast from a catalog, or go for “cherry-cola” with the Rhône 2226. Or just ask the “Yeast Whisperer,” a man with thick sideburns at the Lallemand stand, for the best yeast to meet your “stylistic goals.” (For a Sauvignon Blanc with citrus aromas, use the Uvaferm SVG. For pear and melon, do Lalvin Ba11. For passion fruit, add Vitilevure Elixir.) Kill off microbes with Velcorin (just be careful, because it’s toxic). And preserve the whole thing with sulfur dioxide. When it’s all over, if you still don’t like the wine, just add a few drops of Mega Purple—thick grape-juice concentrate that’s been called a “magical potion.” It can plump up a wine, make it sweeter on the finish, add richer color, cover up greenness, mask the horsey stink of Brett, and make fruit flavors pop. No one will admit to using it, but it ends up in an estimated 25 million bottles of red each year. “Virtually everyone is using it,” the president of a Monterey County winery confided to Wines and Vines magazine. “In just about every wine up to $20 a bottle anyway, but maybe not as much over that.

Like,” he repeats with distaste. “How about I tell you what I don’t like? I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn’t be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children’s books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires. I rarely stock debuts, chick lit, poetry, or translations. I would prefer not to stock series, but the demands of my pocketbook require me to. For your part, you needn’t tell me about the ‘next big series’ until it is ensconced on the New York Times Best Sellers list. Above all, Ms. Loman, I find slim literary memoirs about little old men whose little old wives have died from cancer to be absolutely intolerable. No matter how well written the sales rep claims they are. No matter how many copies you promise I’ll sell on Mother’s Day.” Amelia blushes, though she is angry more than embarrassed. She agrees with some of what A.J. has said, but his manner is unnecessarily insulting. Knightley Press doesn’t even sell half of that stuff anyway. She studies him. He is older than Amelia but not by much, not by more than ten years. He is too young to like so little. “What do you like?” she asks. “Everything else,” he says. “I will also admit to an occasional weakness for short-story collections. Customers never want to buy them though.” There is only one short-story collection on Amelia’s list, a debut. Amelia hasn’t read the whole thing, and time dictates that she probably won’t, but she liked the first story. An American sixth-grade class and an Indian sixth-grade class participate in an international pen pal program. The narrator is an Indian kid in the American class who keeps feeding comical misinformation about Indian culture to the Americans. She clears her throat, which is still terribly dry. “The Year Bombay Became Mumbai. I think it will have special int—” “No,” he says. “I haven’t even told you what it’s about yet.” “Just no.” “But why?” “If you’re honest with yourself, you’ll admit that you’re only telling me about it because I’m partially Indian and you think this will be my special interest. Am I right?” Amelia imagines smashing the ancient computer over his head. “I’m telling you about this because you said you liked short stories! And it’s the only one on my list. And for the record”—here, she lies—“it’s completely wonderful from start to finish. Even if it is a debut. “And do you know what else? I love debuts. I love discovering something new. It’s part of the whole reason I do this job.” Amelia rises. Her head is pounding. Maybe she does drink too much? Her head is pounding and her heart is, too. “Do you want my opinion?” “Not particularly,” he says. “What are you, twenty-five?” “Mr. Fikry, this is a lovely store, but if you continue in this this this”—as a child, she stuttered and it occasionally returns when she is upset; she clears her throat—“this backward way of thinking, there won’t be an Island Books before too long.

This is how you must do it, people. I have never created anything in my life that did not make me feel, at some point or another, like I was the guy who just walked into a fancy ball wearing a homemade lobster costume. But you must stubbornly walk into that room, regardless, and you must hold your head high. You made it; you get to put it out there. Never apologize for it, never explain it away, never be ashamed of it. You did your best with what you knew, and you worked with what you had, in the time that you were given. You were invited, and you showed up, and you simply cannot do more than that. They might throw you out - but then again, they might not. They probably won't throw you out, actually. The ballroom is often more welcoming and supportive than you could ever imagine. Somebody might even think you're brilliant and marvelous. You might end up dancing with royalty. Or you might end up just having to dance alone in the corner of the castle with your big, ungainly red foam claws waving in the empty air. That's fine, too. Sometimes it's like that. What you must not do is turn around and walk out. Otherwise you will miss the party, and that would be a pity because, - please believe me - we did not come all this great distance, and make all this great effort, only to miss the party at the last moment.

inspiration will always try its best to work with you—but if you are not ready or available, it may indeed choose to leave you and to search for a different human collaborator.

Which left me with nothing but a dazzled heart and the sense that I live in a most remarkable world, thick with mysteries. It all called to mind the British physicist Sir Arthur Eddington’s memorable explanation of how the universe works: “Something unknown is doing we don’t know what.” But the best part is: I don’t need to know what.

Perhaps the outlook of the social entrepreneurs is best captured in the words of the great city planner and architect Daniel Burnham: “Make no little plans; they have no magic to stir men’s blood and probably will themselves not be realized. Make big plans; aim high in hope and work, remembering that a noble, logical diagram once recorded will not die.

I don’t pretend to be the smartest guy in the business. But I think I am the best sponge in the insurance industry. I make it a point to soak up all the good ideas I can.

What are my best qualities?” Don

Finding that one person out there in the big wide world who you choose to be with...well, that's something else entirely. Love is scary and magical and bittersweet and special and hard and wonderful and the best thing that can ever happen to you in life.

Yet for these high, hard goals to really work their magic, Locke and Latham found that certain moderators—the word psychologists use to describe “if-then” conditions—need to be in place. One of the most important is commitment. “You have to believe in what you’re doing,” continues Latham. “Big goals work best when there’s an alignment between an individual’s values and the desired outcome of the goal. When everything lines up, we’re totally committed—meaning we’re paying even more attention, are even more resilient, and are way more productive as a result.” This is another key point. When Kelly Johnson created the original skunk works, the goal wasn’t to build a new plane in record time—that was just one of many things that happened on the way to the main big goal: saving the world from Nazi peril. This is the kind of big goal everyone can get behind. It’s why the engineers agreed to work horrific hours in a foul-smelling circus tent. And most importantly, because this alignment between core values and desired outcomes jacked up performance and productivity, it became one of the fundamental reasons that plane was delivered in record time. The Secrets of Skunk: Part Two At the Lockheed skunk works, Kelly Johnson ran a tight ship. He loved efficiency. He had a motto—“be quick, be quiet, and be on time”—and a

Perhaps creativity’s greatest mercy is this: By completely absorbing our attention for a short and magical spell, it can relieve us temporarily from the dreadful burden of being who we are. Best of all, at the end of your creative adventure, you have a souvenir—something that you made, something to remind you forever of your brief but transformative encounter with inspiration.

I have never created anything in my life that did not make me feel, at some point or another, like I was the guy who just walked into a fancy ball wearing a homemade lobster costume. But you must stubbornly walk into that room, regardless, and you must hold your head high. You made it; you get to put it out there. Never apologize for it, never explain it away, never be ashamed of it. You did your best with what you knew, and you worked with what you had, in the time that you were given. You were invited, and you showed up, and you simply cannot do more than that.

Rick contacted me about the session, but he didn't know who in hell was coming in. I said, "Who you got?" He said, "Aretha Franklin." I said, "Boy, you better get your damn shoes on. You getting someone who can sing." Even the Memphis guys didn't really know who in the hell she was. I said, "Man, this woman gonna knock you out." They're all going, "Big deal!" When she come in there and sit down at the piano and hit that first chord, everybody was just like little bees just buzzing around the queen. You could tell by the way she hit the piano the gig was up. It was, "Let's get down to serious business." That first chord she hit was nothing we'd been demoing, and nothing none of them cats in Memphis had been, either. We'd just been dumb-dumb playing, but this was the real thing. That's the prettiest session picture I can ever remember. If I'd had a camera, I'd have a great film of that session, because I can still see it in my mind's eye, just how it was - Spooner on the organ, Moman playing guitar, Aretha at the piano - it was beautiful, better than any session I've ever seen, and I seen a bunch of 'em.' Spooner Oldham, the weedy keyboard player who is most known for never playing the same licks twice and who is ordinarily the most reticent of men, speaks in similar superlatives. 'I was hired to play keyboards. She was gonna stand up in front of the microphone and sing. She was showing us this song she had brought down there with her, she hit that magic chord when Wexler was going up the little steps to the control room, and I just stopped. I said, "Now, look, I'm not trying to cop out or nothing. I know I was hired to play piano, but I wish you'd let her play that thing, and I could get on organ and electric." And that's the way it was. It was a good, honest move, and one of the best things I ever done - and I didn't do nothing.

Ibelieve that inspiration will always try its best to work with you—but if you are not ready or available, it may indeed choose to leave you and to search for a different human collaborator.

Stop thinking “I should have started years ago.” That’s failure thinking. Instead think, “I’m going to start now, my best years are ahead of me.” That’s the way successful people think.

Invest future time in doing what you really want to do. It’s too late only when you let your mind go negative and think it’s too late. Stop thinking “I should have started years ago.” That’s failure thinking. Instead think, “I’m going to start now, my best years are ahead of me.” That’s the way successful people think.

Hair fall - The two words that make up for the shortest yet the scariest horror story that no woman would ever want to witness. However, many women suffer from it and get stuck in a loop of trying various solutions to take control of hair fall. It’s important to understand to what amount the hair fall is normal and to what is abnormal. We lose about 100 strands every day but anything more than that is excessive and alarming. HAIR FALL PROBLEM Hair is a big part of our identity and appearance. It adds confidence and resembles our style in ways more than one. When one loses hair, they lose self-esteem and self-confidence. Therefore, it is necessary to find an answer to the question of ‘How to control hair fall?’ Hair Fall Problem For most of us, a good hair day instantly puts us in a good mood. Such is the importance associated with the appearance of our hair. When even an occasional bad hair day can seriously put a damper on our mood, imagine how dreadful it’s to deal with your precious hair locks beginning to fall off. If you're looking for a basic brush that gets rid of tangles with no discomfort or pain, look no moreoverthan the Patented Venting hairbrush DoubleC. This universal brush is made to detangle wet hair of all kinds and forms with ease. Each brush is made with light, soft, and strong bristles that can painlessly get rid of despite the most serious knots. The points also highlight SofTips at the top that massage the scalp and help improve follicle stimulation. Patented Venting hairbrushes work best on women with long, thick hair for they're usually too large and unwieldy on short or thin hair. Most maximum paddle brushes are created for dry hair, as a regular detangler, and smoother. Hair Fall Problem Different Types of Hair Brush Our wide collection of Nuway4haiHair Brushes covers DoubleC Brush, C Brush, Travel C Brush, Traveler Brush, MagicSpell Combo Brush, and many more. Available in various forms and sizes, these hair brushes for women have two hair types namely. Specially created to serve, appearance, and smoothen up the hair of all dimensions and arrangements, all the hairbrushes come following three distinct ranges, that is, Basic, Premium, and Specialist. Nuway4hair Top Sellers to Choose From 1. Patented Venting hairbrush DoubleC - Purple 2. Patented Venting hairbrush DoubleC - Blue 3. DoubleC Brush- Black 4. Patented Venting hairbrush DoubleC PRO - Gray

Practice adding value to people. As you move higher and higher in the world of success, more and more of your job becomes “people development.” Ask, “What can I do to ‘add value’ to my subordinates? What can I do to help them to become more effective?” Remember, to bring out the best in a person, you must first visualize his best.

As soon as the park opens, ride Seven Dwarfs Mine Train in Fantasyland. 3. Take Peter Pan’s Flight in Fantasyland. 4. In Adventureland, take the Jungle Cruise. 5. Experience Pirates of the Caribbean. 6. Ride Big Thunder Mountain Railroad in Frontierland. 7. Ride Splash Mountain. While you’re in line for Splash Mountain, use mobile ordering to order lunch. The best spot nearby is Pecos Bill Tall Tale Inn & Cafe, also in Frontierland. 8. Eat lunch. 9. Ride The Many Adventures of Winnie the Pooh. 10. Take the It’s a Small World boat ride. 11. Tour The Haunted Mansion around the corner in Liberty Square. 12. See the Country Bear Jamboree in Frontierland. 13. Experience Walt Disney’s Enchanted Tiki Room around the corner in Adventureland. 14. Tour the Swiss Family Treehouse. 15. See Mickey’s PhilharMagic in Fantasyland. 16. Ride Under the Sea: Journey of the Little Mermaid. If you’re staying in the park for dinner, order dinner using mobile ordering. 17. Eat dinner.

On the plate was a tall, glistening slice of lemon meringue pie, vivid yellow and fluffy white. He pulled up a chair opposite me and straddled it backward, eagerly digging his fork into the tremulous tower of meringue. "You know I dream about this slice of pie all week long, right?" he said, taking a big bite. "And me. You also dream about me," I teased him. He raised an eyebrow. "Of course I dream about you... giving me this pie." I rolled my eyes at him, and he grinned, mouth full of pie. Every Saturday I made two lemon meringue pies and served them to the first lucky handful of customers through the doors of our flagship Tampa location. The last piece of pie I always saved for Rory. I'd modified my mom's now-not-so-secret recipe, adding an element all my own---a lemon drop melted into the lemon-sugar mixture. I wasn't convinced it changed the taste that much, but Rory said it was the best pie he'd ever had. He swore the lemon drop added a touch of kitchen magic, but I knew better. It wasn't magic at all. It was revelation.

It all called to mind the British physicist Sir Arthur Eddington’s memorable explanation of how the universe works: “Something unknown is doing we don’t know what.” But the best part is: I don’t need to know what.

And no, this story does not end with her winning any championship medals. It doesn’t have to. In fact, this story does not end at all, because Susan is still figure skating several mornings a week—simply because skating is still the best way for her to unfold a certain beauty and transcendence within her life that she cannot seem to access in any other manner.

You’re afraid you have no talent. You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored. You’re afraid there’s no market for your creativity, and therefore no point in pursuing it. You’re afraid somebody else already did it better. You’re afraid everybody else already did it better. You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark. You’re afraid you won’t be taken seriously. You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life. You’re afraid your dreams are embarrassing. You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money. You’re afraid you don’t have the right kind of discipline. You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration. You’re afraid you don’t have the right kind of training or degree. You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.) You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist. You’re afraid of upsetting your family with what you may reveal. You’re afraid of what your peers and coworkers will say if you express your personal truth aloud. You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons. You’re afraid your best work is behind you. You’re afraid you never had any best work to begin with. You’re afraid you neglected your creativity for so long that now you can never get it back. You’re afraid you’re too old to start. You’re afraid you’re too young to start. You’re afraid because something went well in your life once, so obviously nothing can ever go well again. You’re afraid because nothing has ever gone well in your life, so why bother trying? You’re afraid of being a one-hit wonder. You’re afraid of being a no-hit wonder

What do you know about him? Is he secretly pining after anyone? Does he have an allegedly straight best friend who’s going to show up magically addicted to sucking cock now? Tell me how this could go wrong so I can prepare myself for the disappointment ahead of time.

It’s a comfort, telling yourself there’s some big right thing out there. That you could seek some wise old bastard in the mountains who’s got the answer. Then there’d be no need for doubts and regrets.” He looked sideways, sunlight glinting off his metal eye. “But far as I can tell it ain’t that simple. Right things, wrong things, well… it’s all a matter of where you stand. Every choice is good for some, bad for others. And once you’re chief, you can’t just do what’s good for you, or those you love. You have to find what’s best for most. Worst for fewest. Like your father tried to, and with no magic eye to see the outcome.” He sat back, one leg stretched out, and looked towards the sea, breeze stirring the grey hair about his craggy face. “Doubts and regrets, they’re the cost of casting a shadow. The only folk without ’em are the dead. For what it’s worth, I’d say you did the best you could.

wandered through Stratford, waiting to hear back. The main downtown area was small and pedestrian, centered on the local tourist industry. Most of the buildings were in the half-timbered Tudor style, lending an air of Renaissance authenticity to the town. Quaint street signs helpfully funneled bumbling tourists toward the attractions: “Shakespeare’s Birthplace” or “Holy Trinity Church and Shakespeare’s Grave.” On High Street, I passed the Hathaway Tea Rooms and a pub called the Garrick Inn. Farther along, a greasy-looking cafe called the Food of Love, a cutesy name taken from Twelfth Night (“ If music be the food of love, play on”). The town was Elizabethan kitsch—plus souvenir shops, a Subway, a Starbucks, a cluster of high-end boutiques catering to moneyed out-of-towners, more souvenir shops. Shakespeare’s face was everywhere, staring down from signs and storefronts like a benevolent big brother. The entrance to the “Old Bank estab. 1810” was gilded ornately with an image of Shakespeare holding a quill, as though he functioned as a guarantee of the bank’s credibility. Confusingly, there were several Harry Potter–themed shops (House of Spells, the Creaky Cauldron, Magic Alley). You could almost feel the poor locals scheming how best to squeeze a few more dollars out of the tourists. Stratford and Hogwarts, quills and wands, poems and spells. Then again, maybe the confusion was apt: Wasn’t Shakespeare the quintessential boy wizard, magically endowed with inexplicable powers?

That’s not what I’m being. Since I’m not a twelve-year-old girl.” “Twelve-year-old girls are fierce and fantastic, Jacob, so we can agree. You are not one, poised on the cusp of womanhood and hovering on the verge of entering a society that will do its level best to make her hate herself, yet still capable of joy and childlike wonder.

Davy, ever the daring one, bought a jumbo peppermint milk shake and got fifty cents back. He talked me out of getting plain vanilla. “You can get plain vanilla anytime!” he said. “Try…” He scanned the chalkboard that listed all the flavors. “Try peanut butter!” I did. I have never been sorry, because it was the best milk shake I ever tasted, like a melted and frozen Reese’s cup. And then it happened. We were walking across the parking lot, under the burning sun, with our shakes freezing our hands in the big white paper cups that had Spinnin’ Wheel in red across the sides. A sound began: music, first from a few car radios and then others as teenaged fingers turned the dial to that station. The volume dials were cranked up, and the music flooded out from the tinny speakers into the bright summer air. In a few seconds the same song was being played from every radio on the lot, and as it played, some of the car engines started and revved up and young laughter flew like sparks. I stopped. Just couldn’t walk anymore. That music was unlike anything I’d ever heard: guys’ voices, intertwining, breaking apart, merging again in fantastic, otherworldly harmony. The voices soared up and up like happy birds, and underneath the harmony was a driving drumbeat and a twanging, gritty guitar that made cold chills skitter up and down my sunburned back. “What’s that, Davy?” I said. “What’s that song?” …Round…round…get around…wha wha wha-oooooo… “What’s that song?” I asked him, close to panic that I might never know. “Haven’t you heard that yet? All the high-school guys are singin’ it.” …Gettin’ bugged drivin’ up and down the same ol’ strip…I gotta find a new place where the kids are hip… “What’s the name of it?” I demanded, standing at the center of ecstasy. “It’s on the radio all the time. It’s called—” Right then the high-school kids in the lot started singing along with the music, some of them rocking their cars back and forth, and I stood with a peanut butter milk shake in my hand and the sun on my face and the clean chlorine smell of the swimming pool coming to me from across the street. “—by the Beach Boys,” Davy Ray finished. “What?” “The Beach Boys. That’s who’s singin’ it.” “Man!” I said. “That sounds…that sounds…” What would describe it? What word in the English language would speak of youth and hope and freedom and desire, of sweet wanderlust and burning blood? What word describes the brotherhood of buddies, and the feeling that as long as the music plays, you are part of that tough, rambling breed who will inherit the earth? “Cool,” Davy Ray supplied. It would have to do. …Yeah the bad guys know us and they leave us alone…I get arounnnnddddd… I was amazed. I was transported. Those soaring voices lifted me off the hot pavement, and I flew with them to a land unknown. I had never been to the beach before. I’d never seen the ocean, except for pictures in magazines and on TV and movies. The Beach Boys. Those harmonies thrilled my soul, and for a moment I wore a letter jacket and owned a red hotrod and had beautiful blondes begging for my attention and I got around.

i have always been a little bit weird a little too fat a target for bullies and you can’t play with us have you ever overheard your best friend call you just a school friend or been told you can’t play a game cause you’re too big so instead of talking to friends you talk to yourself and your stuffed animals write on whatever you can find dance in your room sing karaoke make magic by yourself poor sweet baby you that little girl just wanted to be included to feel loved to be a part of something

Which of your experiences best epitomizes the essence of traveling?' To be in a small boat at four in the morning in an ocean, any ocean, but particularly in the South Pacific, and to know that you are on a proper heading for a tropical island, and to watch as light from the still-hidden sun begins to filter into the eastern sky. And then, because you are in the part of the earth where, because of the bulge near the equator, the sun rises and sets with a tremendous crash, to see it suddenly explode into red brilliance, big enough to devour the world. And then to see ahead, its crest inflamed by the sun, the dim outline of the island you have been seeking, and to watch it slowly, magically rise from the sea until it becomes whole, a home for people, a resting place for birds. p136.

The moment you see my message or note or article, I know what you think – Ah, once again a reminder of “responsibilities,” “productivity,” & that vague notion of “becoming your best (at least decent) version.” Who even needs that, right? Even if needed who will do groundbreaking efforts? Whatever you think about my morning posts, these are just to motivate you to think, say & do things that bring greater blessings into your life. But don’t be afraid, Sweetheart, champions of procrastination! Today, I bring you a revolutionary new approach: Accomplishing through Thinking Method (patent pending)... Darling listen – today I want you to just say loudly or think this as the first thing: “I release all disease & negativity from my body. I welcome health, love, happiness & abundance into my life!” Say this to God please make me do something really big, make me gain something big or make me win a lottery today…. Repeat these with gusto, throughout the day… Sure, it might not be the most proactive approach, but, it’s just a start. Remember, the key is to believe it until you see it. My mantra & my method will make you feel amazing (even if you haven’t actually done anything), my guarantee! & who knows? Maybe by repeating positive affirmations again n again, they’ll magically come true. That’s the law of attraction… I wish & hope that you embrace the power of such internal pep talks (inspirational self talks) even if these have zero basis in reality! Stay Blessed!

But you must stubbornly walk into that room, regardless, and you must hold your head high. You made it; you get to put it out there. Never apologize for it, never explain it away, never be ashamed of it. You did your best with what you knew, and you worked with what you had, in the time that you were given. You were invited, and you showed up, and you simply cannot do more than that.

I believe that enjoying your work with all your heart is the only truly subversive position left to take as a creative person these days. It’s such a gangster move, because hardly anybody ever dares to speak of creative enjoyment aloud, for fear of not being taken seriously as an artist. So say it. Be the weirdo who dares to enjoy. Best of all, though, by saying that you delight in your work, you will draw inspiration near. Inspiration will be grateful to hear those words coming out of your mouth, because inspiration—like all of us—appreciates being appreciated. Inspiration will overhear your pleasure, and it will send ideas to your door as a reward for your enthusiasm and your loyalty. More ideas than you could ever use. Enough ideas for ten lifetimes.

what to do about it. Let me list for you some of the many ways in which you might be afraid to live a more creative life: You’re afraid you have no talent. You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored. You’re afraid there’s no market for your creativity, and therefore no point in pursuing it. You’re afraid somebody else already did it better. You’re afraid everybody else already did it better. You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark. You’re afraid you won’t be taken seriously. You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life. You’re afraid your dreams are embarrassing. You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money. You’re afraid you don’t have the right kind of discipline. You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration. You’re afraid you don’t have the right kind of training or degree. You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.) You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist. You’re afraid of upsetting your family with what you may reveal. You’re afraid of what your peers and coworkers will say if you express your personal truth aloud. You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons. You’re afraid your best work is behind you. You’re afraid you never had any best work to begin with. You’re afraid you neglected your creativity for so long that now you can never get it back. You’re afraid you’re too old to start. You’re afraid you’re too young to start. You’re afraid because something went well in your life once, so obviously nothing can ever go well again. You’re afraid because nothing has ever gone well in your life, so why bother trying? You’re afraid of being a one-hit wonder. You’re afraid of being a no-hit wonder . . . Listen, I don’t have all day here, so I’m not going to keep listing fears.

and THE TIGER One day, Dragon was out lounging in the shade with his best friend Tiger. The pair had been best friends ever since they were baby animals. They were the most popular animals in the entire forest and they knew it. Each year during the annual talent show, both Dragon and Tiger would perform a routine together. They performed magic tricks, balancing tricks and juggling tricks. The pair was unstoppable and each year took home the top awards. This year would not be any different, both Dragon and Tiger expected to win big at the next talent show. They had to upstage all the other animals, and this would be quite tough because most of the animals had been practicing their routines for months in order to have a chance at beating the Dragon and Tiger.

PART1: To say Sean felt stressed was a huge understatement. Give him a cliff to scale or a bar brawl to break up. Hell, give him a freight train to try to outrun, anything but having to pull off being the best man for his brother Finn’s wedding—including but not limited to keeping said brother from losing his collective shit. It’s not like Sean didn’t understand. Getting married was a big deal. Okay, so he didn’t fully understand, not really, but he wanted to. He really did. And how funny was that? Sean O’Riley, younger brother, hook-up king extraordinaire, was suddenly tired of the game and found himself aching for his own forever after. “We almost there?” Finn asked him from the backseat of the vehicle Sean was driving. “Yep.” “And you double checked on our reservations?” “Yep.” “No, I’m serious, man,” Finn said. “Remember when you took me to Vegas and when we got there, every hotel was booked and we had to stay at the Magic-O motel?” “Man, a guy screws up one time . . .” “We had a stripper pole in our rooms, Sean.” Sean sighed. “Okay, but to be fair, that was back when I was still in my stupid phase. I promise you that we have reservations—no stripper poles. I even double and triple checked, just like you asked me a hundred and one times. Pru, I hope you realize you’re marrying a nag.” Pru, Finn’s fiancée, laughed from the shotgun position. “Hey, one of us has to be the nag in this relationship, and it isn’t me.” Sean held up a palm and Pru leaned over the console to give him a high-five. “Just so you know,” Sean said to Finn, “I didn’t pick this place, your woman did.” “True story,” Pru said. “The B&B’s closed to the public this entire weekend. Sean booked the whole place for our bachelor/bachelorette party weekend extravaganza.” “I superheroed this thing,” Sean said. Finn snorted and let loose of a small smile because they both knew that for most of Sean’s childhood, that’s what he’d aspired to be, a superhero—sans tights though. Tights had never been Sean’s thing, especially after suffering through them for two seasons in high school football before he’d mercifully cracked his clavicle.

Blessings indeed, Old One!" Garish's roguish smile spread warmly. "I've never enjoyed an adventure more! Are you sure you weren't born a wood nymph? That fairy steps seemed to come quite naturally to you!" "Yes and I think the soldiers are still running Master, while being tormented by your tiny furies!" Godfrey smiled. Edgerton/Assassins of Dreamsongs 177 He sought his best beggar’s smile, trying to suck up to him, as he had seen many village parasites do. "I have no doubt!" Arkin levitated softly down to the ground, beside them. The small, white bearded Wizard once again planted his staff and it quickly turned into a wooden walking stick, the glow fading around him. "Tis a chilly night, for a fairy dance! But it was a good one!" "Aye! But a fortunate one for me!" Garish patted him on the shoulder. The old, white haired Wizard swept aside the large limb of a tree, to reveal the Sword of Damen and a shield. Humphrey began to giggle and looked at Godfrey. "I knew we could do it! I just knew it!" "I had no doubt," Godfrey grinned back at him, "they were most fortunate to have us along." Arkin growled at them, remembering his dip in the river. Then he smiled at them, making them both cower. "You've done well beggars, better than I thought you would, I must admit!" Godfrey giggled with delight but Humphrey merely stared back at him, waiting for another magical spell to be thrown or another painful shoe to drop. Once again he saw himself as a mouse, scampering the cliffs that were much too big for him. "Thank you my friends." Garish laughed, donning his armor. Then he ruffled their hair, as he might have a pet dog, breaking the daze Humphrey was in.

It is well to respect the leader. Learn from him. Observe him. Study him. But don’t worship him. Believe you can surpass. Believe you can go beyond. Those who harbor the second-best attitude are invariably second-best doers.

Why am I here? What have I been called to do? How am I getting in my own way? How can I best live out my destiny?

He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium.

It means you’re best off resisting the lure of the hot new fund that made 10% over the last twelve months. Better to follow the deeply unsexy advice you’re probably sick of hearing, the “eat your vegetables and take the stairs” of financial planning: instead of hunting for a magic system or an adviser with a golden touch, put your money in a big dull low-fee index fund and forget about it.

You are what you think you are. If your appearance makes you think you’re inferior, you are inferior. If it makes you think small, you are small. Look your best and you will think and act your best.

Then she got to work. Thinking a bit of organization would help, Rapunzel took out the wanted poster of Flynn and made a chart on the back, dividing the rectangle into twenty-eight days. She wrote the moon phases neatly on each. On Day One, New Moon, she wrote Murderhair. Now it was Day Six; Waxing Crescent. Under this she wrote Transformative-- Lizard to Dragon. Day 8 would be Waxing Half Moon-- that would be exciting, right? Maybe that would mean a really big change in her powers. For Day 15, Full Moon, she wrote Healing? She looked at her neat little chart and felt very pleased with herself. Projects. They were the best.

Yet for these high, hard goals to really work their magic, Locke and Latham found that certain moderators—the word psychologists use to describe “if-then” conditions—need to be in place. One of the most important is commitment. “You have to believe in what you’re doing,” continues Latham. “Big goals work best when there’s an alignment between an individual’s values and the desired outcome of the goal. When everything lines up, we’re totally committed—meaning we’re paying even more attention, are even more resilient, and are way more productive as a result.

As negotiations seemed to be grinding to a halt, we were all feeling frustrated. Steve looked around at John, Judi, and the others. He could see that everybody had gotten a bit stretched on all our various projects. He decided we needed a break. He didn’t lead us into the bush this time. Instead, Steve said a magic word. “Samoa.” “Sea snakes?” I asked. “Surfing,” he said. He planned a ten-day shoot for a surfing documentary. Steve loved surfing almost as much as he loved wildlife. The pounding his body had taken playing rugby, wrestling crocs, and doing heavy construction at the zoo had left him with problem knees and a bad shoulder. He felt his time tackling some of the biggest surf might be nearing an end. In Samoa, Steve didn’t spend just a few hours out in the waves. He would be out there twelve to fourteen hours a day. I didn’t surf, but I was awestruck at Steve’s ability to stare down the face of a wave that was as high as a building. He had endurance beyond any surfer I had ever seen. Steve had a support boat nearby, so he could swim over, get hydrated, or grab a protein bar. But that was it. He didn’t stop for lunch. He would eat breakfast, surf all day, and then eat a big dinner. I knew this was the best therapy for him. Surfing at Boulders was downright dangerous, but Steve reveled in the challenge. He surfed with Wes, his best mate in the world. I sat on a rocky point with my eye glued to the camera so I wouldn’t miss a single wave. While Bindi gathered shells and played on the beach under her nanny’s watchful eye, I admired Steve with his long arms and broad shoulders, powerfully paddling onto wave after wave. Not even the Pacific Ocean with its most powerful sets could slow him down. He caught the most amazing barrels I have ever seen, and carved up the waves with such ferocity that I didn’t want the camera to miss a single moment. On the beach in Samoa, while Bindi helped her dad wax his board, I caught a glimpse of joy in eyes that had been so sad.

You did your best with what you knew, and you worked with what you had, in the time that you were given. You were invited, and you showed up, and you simply cannot do more than that. They

One reason why fundamentalists have such high ACR scores may be due to church doctrine. Many of the fundamentalist theologians who espouse supernatural interpretations of scripture are often the same ones who advocate strict child-rearing practices.20 For example, Rev. James Dobson’s best-selling book, Dare to Discipline, explicitly links its fundamentalist beliefs to having obedient and well-mannered children. And upon reflection, this connection between strict child rearing and fundamentalism is not at all surprising. Many fundamentalist sects demand submission and obedience to the strict will of God. It’s no surprise, then, that obedience and respect are regarded as desirable traits among people who see them as pathways to salvation. That noted, it’s also important to recognize that not all authoritarians are fundamentalists. Indeed, 45 percent of strong authoritarians do not hold fundamentalist beliefs. And some of this difference may have to do with another factor emphasized by the original authors of The Authoritarian Personality: childhood experience. By their account, being raised in an overly harsh or punitive social environment contributes to authoritarianism. These same factors might also contribute to magical thinking. Our research suggests that this is plausible. In our surveys, we asked respondents to describe their childhood in very general terms. Did they grow up in a •  very strict house where all rules had to be followed (31 percent); •  moderate house where only some rules were strictly enforced (59 percent); •  relaxed house where my parents largely let me alone (10 percent). Not surprisingly, these items are correlated with ACR scores. Authoritarians are far more likely to report being raised in strict homes; for example, 42 percent of people raised in strict homes are strong authoritarians, compared with only 23 percent of people from relaxed homes. More important, however, is that the type of home you were raised in is also a big predictor of your Intuitionism score. People from strict homes score four points higher on our Intuitionism scale than people from either moderate or relaxed homes, even when we take their ACR scores into account.

By completely absorbing our attention for a short and magical spell, it can relieve us temporarily from the dreadful burden of being who we are. Best of all, at the end of your creative adventure, you have a souvenir—something that you made, something to remind you forever of your brief but transformative encounter with inspiration.

It's normal for witches your age to attempt big, messy magic and have it go wrong. That's why it's best to practise in a group.

In Walked Jim September 2013: Entering his first morning staff meeting as FBI director, Jim Comey loped to the head of the table, put down his briefing books, and lowered his six-foot-eight-inch, shirtsleeved self into a huge leather chair. He leaned the chair so far back on its hind legs that he lay practically flat, testing gravity. Then he sat up, stretched like a big cat, pushed the briefing books to the side, and said, as if he were talking to a friend, I don’t want to talk about these today. I’d rather talk about some other things first. He talked about how effective leaders immediately make their expectations clear and proceeded to do just that for us. Said he would expect us to love our jobs, expect us to take care of ourselves … I remember less of what he said than the easygoing way he spoke and the absolute clarity of his day-one priority: building relationships with each member of his senior team. Comey continually reminded the FBI leadership that strong relationships with one another were critical to the institution’s functioning. One day, after we reviewed the briefing books, he said, Okay, now I want to go around the room, and I want you all to say one thing about yourselves that no one else here knows about you. One hard-ass from the criminal division stunned the room to silence when he said, My wife and I, we really love Disney characters, and all our vacation time we spend in the Magic Kingdom. Another guy, formerly a member of the hostage-rescue team, who carefully tended his persona as a dead-eyed meathead—I thought his aesthetic tastes ran the gamut from YouTube videos of snipers in Afghanistan to YouTube videos of Bigfoot sightings—turned out to be an art lover. I really like the old masters, he said, but my favorite is abstract expressionism. This hokey parlor game had the effect Comey intended. It gave people an opportunity to be interesting and funny with colleagues in a way that most had rarely been before. Years later, I remember it like yesterday. That was Jim’s effect on almost everyone he worked with. I observed how he treated people. Tell me your story, he would say, then listen as if there were only the two of you in the whole world. You were, of course, being carefully assessed at the same time that you were being appreciated and accepted. He once told me that people’s responses to that opening helped him gauge their ability to communicate. Over the next few years I would sit in on hundreds of meetings with him. All kinds of individuals and organizations would come to Comey with their issues. No matter how hostile they were when they walked in the door, they would always walk out on a cloud of Comey goodness. Sometimes, after the door had closed, he would look at me and say, That was a mess. Jim has the same judgmental impulse that everyone has. He is complicated, with many different sides, and he is so good at showing his best side—which is better than most people’s—that his bad side, which is not as bad as most people’s, can seem more shocking on the rare moments when it flashes to the surface.

If you want an average, successful life, it doesn’t take much planning. Just stay out of trouble, go to school, and apply for jobs you might like. But if you want something extraordinary, you have two paths: 1) Become the best at one specific thing. 2) Become very good (top 25%) at two or more things. The first strategy is difficult to the point of near impossibility. Few people will ever play in the NBA or make a platinum album. I don’t recommend anyone even try. The second strategy is fairly easy. Everyone has at least a few areas in which they could be in the top 25% with some effort. In my case, I can draw better than most people, but I’m hardly an artist. And I’m not any funnier than the average standup comedian who never makes it big, but I’m funnier than most people. The magic is that few people can draw well and write jokes. It’s the combination of the two that makes what I do so rare. And when you add in my business background, suddenly I had a topic that few cartoonists could hope to understand without living it. I always advise young people to become good public speakers (top 25%). Anyone can do it with practice. If you add that talent to any other, suddenly you’re the boss of the people who have only one skill. Or get a degree in business on top of your engineering degree, law degree, medical degree, science degree, or whatever. Suddenly you’re in charge, or maybe you’re starting your own company using your combined knowledge. Capitalism rewards things that are both rare and valuable. You make yourself rare by combining two or more “pretty goods” until no one else has your mix. . . . At least one of the skills in your mixture should involve communication, either written or verbal. And it could be as simple as learning how to sell more effectively than 75% of the world. That’s one. Now add to that whatever your passion is, and you have two, because that’s the thing you’ll easily put enough energy into to reach the top 25%. If you have an aptitude for a third skill, perhaps business or public speaking, develop that too. It sounds like generic advice, but you’d be hard-pressed to find any successful person who didn’t have about three skills in the top 25%.

Because the truth of the matter is, most people don’t finish things! Look around you, the evidence is everywhere: People don’t finish. They begin ambitious projects with the best of intentions, but then they get stuck in a mire of insecurity and doubt and hairsplitting . . . and they stop. So if you can just complete something—merely complete it!—you’re already miles ahead of the pack, right there.

D. When You Feel Defeated, THINK BIG. It is not possible to achieve large success without hardships and setbacks. But it is possible to live the rest of your life without defeat. Big thinkers react to setbacks this way: 1. Regard the setback as a lesson. Learn from it. Research it. Use it to propel you forward. Salvage something from every setback. 2. Blend persistence with experimentation. Back off and start afresh with a new approach. Think Big Enough to see that defeat is a state of mind, nothing more. E. When Romance Starts to Slip, THINK BIG Negative, petty, “She’s-(He’s)-unfair-to-me-so-I’ll-get-even” type of thinking slaughters romance, destroys the affection that can be yours. Do this when things aren’t going right in the love department: 1. Concentrate on the biggest qualities in the person you want to love you. Put little things where they belong—in second place. 2. Do something special for your mate—and do it often. Think Big Enough to find the secret to marital joys. F. When You Feel Your Progress on the Job Is Slowing Down, THINK BIG No matter what you do and regardless of your occupation, higher status, higher pay come from one thing: increasing the quality and quantity of your output. Do this: Think, “I can do better.” The best is not unattainable. There is room for doing everything better. Nothing in this world is being done as well as it could be. And when you think, “I can do better,” ways to do better will appear. Thinking “I can do better” switches on your creative power. Think Big Enough to see that if you put service first, money takes care of itself. In the words of Publilius Syrus: A wise man will be master of his mind, A fool will be its slave.

door. The ceiling was wire mesh, and I could see most of the space in the unit was wide open. There was a folding table set up in the center of the unit. One folding chair and several boxes off to one corner. Garner pulled out a big section of what looked to be poster board with several clamps on each corner. He set the boards down on the folding table and began to unsnap the clamps, finally pulling the top layer of the boards off and revealing a painting. The light wasn’t the best in

After staring at the ceiling for more than an hour, I was finally asleep, but I wasn’t in my dream. I was walking and walking beside a small stream, and only stopped as I saw a big rounded tree. What made me stop was that the tree had leaves the size of a palm. Bigger then any size I had seen in my life. I stepped under its shade looking closer at the magical tree and found that my name was carved at its big trunk. I was still surprised and bewildered at my finding when I felt the tree shake and a leaf fell in front of me. I was about to pick it up when more and more leaves started to fall, Leaving the tree with only half of the leaves. I tried my best to stop my tree from shaking when I woke up from my dream. I was breathing heavily. My heart was beating fast. I was soaked. “My life, The leaves are falling one by one from my life.” I said to myself, as I closed my eyes hoping for my life to find spring again.

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