Bibliography Quotes

The phrase 'see attached bibliography' is the single sexiest thing you have ever written to me.

Let us tenderly and kindly cherish therefore, the means of knowledge. Let us dare to read, think, speak, and write .

There is nothing which I dread so much as a division of the republic into two great parties, each arranged under its leader, and concerting measures in opposition to each other. This, in my humble apprehension, is to be dreaded as the greatest political evil under our Constitution.

Always be reading. Go to the library. There’s magic in being surrounded by books. Get lost in the stacks. Read bibliographies. It’s not the book you start with, it’s the book that book leads you to. Collect books, even if you don’t plan on reading them right away. Filmmaker John Waters has said, “Nothing is more important than an unread library.” Don’t worry about doing research. Just search.

And liberty cannot be preserved without a general knowledge among the people who have a right from the frame of their nature to knowledge...

Remember, democracy never lasts long. It soon wastes, exhausts, and murders itself. There never was a democracy yet that did not commit suicide.

THE BIBLIOGRAPHY OF STRINGS And you taught me what this feels like. And then how it feels to lose it. And you showed me who I wanted. And then who I wasn’t. And you ticked every box. And then drew a line. And you weren’t mine to begin with. And then not to end with. And you looked like everything I wanted. And then became something I hated. And you get thought of every day. And then not in a good way. And you let me leave. And then wish I’d stayed. And you almost killed me. But I didn’t die.

The irony of rule followers is they often quote a lot of people that do not follow as many rules as they do.

There are very few things which we know, which are not capable of being reduc'd to a Mathematical Reasoning; and when they cannot it's a sign our knowledge of them is very small and confus'd; and when a Mathematical Reasoning can be had it's as great a folly to make use of any other, as to grope for a thing in the dark, when you have a Candle standing by you.

The phrase “see attached bibliography” is the single sexiest thing you have ever written to me.

Upon himself; horror and doubt distract His troubl’d thoughts, and from the bottom stirr The Hell within him, for within him Hell He brings, and round about him, nor from Hell One step no more then from himself can fly By

Thou hadst: whom hast thou then or what to accuse, But Heav’ns free Love dealt equally to all? Be then his Love accurst, since love or hate, To me alike, it deals eternal woe. Nay

Do the books that writers don't write matter? It's easy to forget them, to assume that the apocryphal bibliography must contain nothing but bad ideas, justly abandoned projects, embarrassing first thoughts. It needn't be so: first thoughts are often best, cheeringly rehabilitated by third thoughts after they've been loured at by seconds. Besides, an idea isn't always abandoned because it fails some quality control test. The imagination doesn't crop annually like a reliable fruit tree. The writer has to gather whatever's there: sometimes too much, sometimes too little, sometimes nothing at all. And in the years of glut there is always a slatted wooden tray in some cool, dark attic, which the writer nervously visits from time to time

But touch a solemn truth in collision with a dogma ... and you will soon find you have disturbed a nest, and the hornets will swarm about your eyes and hand, and fly into your face and eyes.

So farwel Hope, and with Hope farwel Fear, Farwel Remorse: all Good to me is lost; Evil be thou my Good; by thee at least Divided Empire with Heav’ns King I hold By thee, and more then half perhaps will reigne; As Man ere long, and this new World shall know. Thus

In blissful solitude; he then survey’d Hell and the Gulf between, and Satan there Coasting the wall of Heav’n on this side Night In the dun Air sublime,

The Tempter ere th’ Accuser of man-kind, To wreck on innocent frail man his loss Of that first Battel, and his flight to Hell: Yet

Such I created all th’ Ethereal Powers And Spirits, both them who stood & them who faild; Freely they stood who stood, and fell who fell. Not

The phrase 'see attached bibliography' is the single sexiest thing you have ever written to me

Then to submit, boasting I could subdue Th’ Omnipotent. Ay me, they little know How dearly I abide that boast so vaine, Under what torments inwardly I groane; While they adore me on the Throne of Hell, With

They ended up at the Old Corner Bookstore, which Brian had read about in a tour guide to Boston. "Longfellow and Hawthorne and Oliver Wendell Holmes used to read here. Let's go in." Brian nudged the girls until they obeyed. It was a regular bookstore, less history-minded than Brian had expected. In fact, the local history shelves were quite mangeable. I'll buy one book, he thought. This will get me launched in actual reading. Out of the zillions of choices, I'll find one here. Brian picked out Paul Revere and the World He Lived In. It was thick and somehow exciting, with its chapter headings and scholarly notes and bibliography.

Tzu except the 82 P`IEN, whereas the Sui and T`ang bibliographies give the titles of others in addition to the "13 chapters," is good proof, Pi I-hsun thinks, that all of these were contained in the 82 P`IEN. Without

Vampires let us play with death and the issue of mortality. They let us ponder what it would mean to be truly long lived. Would the long view allow us to see the world differently, imagine social structures differently? Would it increase or decrease our reverence for the planet? Vampires allow us to ask questions we usually bury.

My aim for this book is for it to be as lean and portable as possible. Since there is limited room here and no desire to leave any valuable source out, anyone who wants a bibliography for this book can email: hello@stillnessisthekey.com For those looking to do more reading on Eastern or Western philosophy, I recommend the following: Meditations, by Marcus Aurelius (Modern Library) Readings in Classical Chinese Philosophy, by Philip J. Ivanhoe and Bryan W. Van Norden (Hackett) Letters of a Stoic by Seneca (Penguin Classics) The Bhagavad Gita (Penguin Classics) The Art of Happiness, by Epicurus (Penguin Classics) The New Testament: A Translation, by David Bentley Hart (Yale University Press) Buddha, by Karen Armstrong (Penguin Lives Biographies)

Taught by the heav’nly Muse to venture down The dark descent, and up to reascend, Though hard and rare: thee I revisit safe, And feel thy sovran vital Lamp; but thou Revisit’st not these eyes, that rowle in vain To find thy piercing ray, and find no dawn; So

Act of Grace my former state; how soon Would highth recal high thoughts, how soon unsay What feign’d submission swore: ease would recant Vows made in pain, as violent and void. For never can true reconcilement grow Where wounds of deadly hate have peirc’d so deep: Which

Reading a classic must also surprise us, when we compare it to the image we previously had of it. That is why we can never recommend enough a first-hand reading of the text itself, avoiding as far as possible secondary bibliography, commentaries, and other interpretations. Schools and universities should hammer home the idea that no book which discusses another book can ever say more than the original book under discussion; yet they actually do everything to make students believe the opposite. There is a reversal of values here which is very widespread, which means that the introduction, critical apparatus, and bibliography are used like a smokescreen to conceal what the text has to say and what it can only say if it is left to speak without intermediaries who claim to know more than the text itself.

The bibliographer in the digital age returns to the revelatory practice of her medieval forebears. Librarians, like those scribes of the Middle Ages, do not merely keep and classify texts; they create them, in the form of online finding aids, CD-ROM concordances, and other electronic texts, not to mention paper study guides and published bibliographies.

offices of Love, how we may light’n Each others burden in our share of woe; Since this days Death denounc’t, if ought I see, Will prove no sudden, but a slow-pac’t evill, A

With ruin upon ruin, rout on rout, Confusion worse confounded; and Heav’n Gates Pourd out by millions her victorious Bands Pursuing. I upon my Frontieres here Keep

May I express thee unblam’d? since God is light, And never but in unapproached light Dwelt from Eternitie, dwelt then in thee, Bright effluence of bright essence increate. Or

Ah, why should all mankind For one mans fault thus guiltless be condemn’d, If guiltless? But

My essay had evolved into thinking about fucking. You could be raped a thousand times and still be a virgin. I was writing about fucking by a master and fucking as a slave, about Hegel, the comfort women and teenage porno stars. Ms. Bain and Mr. Rotowsky could fail me, I didn’t care. I’d pass just with the bibliography. I was compiling a list of every single book I’d read or that I wanted to read that was about power and sex. High school should have a whole fucking course on just this. I was helping the school make curriculum… I was writing my essay, writing easily now. I didn’t have a reader anymore like Lee or Chris but I imagined that I was writing for them both. Maybe I was writing for anyone who could fucking stand me.

Unfast’ns: on a sudden op’n flie With impetuous recoile and jarring sound Th’ infernal dores, and on thir hinges great Harsh Thunder, that the lowest bottom shook Of Erebus. She op’nd, but to shut Excel’d her power; the Gates wide op’n

I think it's very dangerous to start censoring what authors should and shouldn't write.' ... 'I'd hate to live in a world where we tell people what they should and shouldn't write based on the color of their skin. I mean, turn what you're saying around and see how it sounds. Can a Black writer not write a novel with a white protagonist? What about everyone who has written about World War Two, and never lived through it? You can critique a work on the grounds of literary quality, and its representations of history--sure. But I see no reason why I shouldn't tackle this subject if I'm willing to do the work. And as you can tell by the text, I did do the work. You can look up my bibliographies. You can do the fact-checking yourself. Meanwhile, I think writing is fundamentally an exercise of empathy. Reading lets us live in someone else's shoes. Literature builds bridges; it makes our world larger, not smaller. And as for the question of profit--I mean, should every writer who writes about dark things feel guilty about it? should creatives not be paid for their work?

His blessed count’nance; here I could frequent, With worship, place by place where he voutsaf’d Presence Divine, and to my Sons relate; On this Mount he appeerd, under this Tree Stood visible, among these Pines his voice I heard, here with him at this Fountain talk’d: So

One Archeology and Decipherment Two History: Heroes, Kings, and Ensi's Three Society: The Sumerian City Four Religion: Theology, Rite, and Myth Five Literature: The Sumerian Belles-Lettres Six Education: The Sumerian School Seven Character: Drives, Motives, and Values Eight The Legacy of Sumer APPENDIXES A. The Origin and Development of the Cuneiform System of Writing B. The Sumerian Language C. Votive Inscriptions D. Sample Date-Formulas E. Sumerian King List F. Letters G. Dit lla's (court decisions) H. Lipit-Ishtar Law Code 1. Farmers' Almanac SELECTED BIBLIOGRAPHY

That spring everyone in Judy Chicago’s class collaborated on a 24 hour performance called Route 126. The curator Moira Roth recalls: “the group created a sequence of events throughout the day along the highway. The day began with Suzanne Lacy’s Car Renovation in which the group decorated an abandoned car…and ended with the women standing on a beach watching Nancy Youdelman, wrapped in yards of gossamer silk, slowly wade out to sea until she drowned, apparently…” There’s a fabulous photo taken by Faith Wilding of the car—a Kotex-pink jalopy washed up on desert rocks. The trunk’s flung open and underneath it’s painted cuntblood red. Strands of desert grass spill from the crumpled hood like Rapunzel’s fucked-up hair. According to Performance Anthology—Source Book For A Decade Of California Art, this remarkable event received no critical coverage at the time though contemporaneous work by Baldessari, Burden, Terry Fox boasts bibliographies several pages long. Dear Dick, I’m wondering why every act that narrated female lived experience in the ’70s has been read only as “collaborative” and “feminist.” The Zurich Dadaists worked together too but they were geniuses and they had names.

The sight of the awful and majestic in nature had indeed always the effect of solemnising my mind, and causing me to forget the passing cares of life. I determined to go without a guide, for I was well acquainted with the path, and the presence of another would destroy the solitary grandeur of the scene

What really happened to JonBenet Ramsey? Was her death intentional or an accident, covered up to look like a botched kidnapping? What are the facts about the case DNA? What does it really tell us? Is it relevant to the crime or is it contamination? Can it be tied to an intruder, or was Mary Lacy’s attempt at exoneration of the Ramseys based on faulty interpretation of the actual lab results? “Listen Carefully: Truth and Evidence in the JonBenet Ramsey Case” contains 16 pages of explosive DNA reports from Bode Cellmark Forensics that had been hidden until recently, as well details of the 2013 shocking revelation John and Patsy Ramsey were indicted by a Grand Jury in 1999, but the district attorney declined to prosecute. Exposing the many myths and misrepresentations of facts in the Ramsey case, the book uses documented evidence and detailed research, as well as extensive interviews with many who were involved in the case, to present the truth surrounding JonBenet’s death and the 20-year investigation. With a thorough linguistic analysis of the ransom note, as well as handwriting comparisons, crime-scene photos, footnotes, a bibliography for further reading and five appendices (including timelines, Ramsey house plans, and a guide to understanding DNA), the book is essential for anyone interested not only what happened to JonBenet, but why.

based on my personal experiences. Theoretical exposition is mostly my own but the majority of the base concepts are traditional and time-honored views of remarkable sages who existed before me. Therefore, if you wish to read more on the mantra sadhana, you can check out the following texts that I grew up reading. With a bit of research, you should be able to get your hands on good translations. I know that Hindi translations must be available for most of these books and English translation only for some. This is not your standard bibliography with publishers and translators, for I don’t have much of that information. Nevertheless, I’m sharing with you the names of various books you can read to know more about mantra yoga. In particular, I would like to acknowledge the translation of Mantra Maharnava by Ram Kumar Rai, Mantra Rahasya by Narayandutt

I think it's very dangerous to start censoring what authors should and shouldn't write." I open strong, and this gets some approving murmurs from the crowd. But I still see some skeptical faces, especially from the other Asians present, so I continue. "I'd hate to live in a world where we tell people what they should and shouldn't write based on the color of their skin. I mean, turn what you're saying around and see how it sounds. Can a Black writer not write a novel with a white protagonist? What about everyone who has written about World War Two, and never lived through it? You can critique a work on the grounds of literary quality, and its representations of history—sure. But I see no reason why I shouldn't tackle this subject if I'm willing to do the work. And as you can tell by the text, I did do the work. You can look up my bibliographies. You can do the fact- checking yourself. Meanwhile, I think writing is fundamentally an exercise in empathy. Reading lets us live in someone else's shoes. Literature builds bridges; it makes our world larger, not smaller. And as for the question of profit—I mean, should every writer who writes about dark things feel guilty about it? Should creatives not be paid for their work?

Tunes her nocturnal Note. Thus with the Year Seasons return, but not to me returns Day, or the sweet approach of Ev’n or Morn, Or sight of vernal bloom, or Summers Rose, Or flocks, or herds, or human face divine; But cloud in stead, and ever-during dark Surrounds me, from the chearful waies of men Cut off, and for the book of knowledg fair Presented with a Universal blanc Of Natures works to mee expung’d and ras’d, And wisdome at one entrance quite shut out. So much the rather thou Celestial light Shine inward, and the mind through all her powers Irradiate, there plant eyes, all mist from thence Purge and disperse, that I may see and tell Of things invisible to mortal sight. Now

WRITING GUIDES AND REFERENCES: A SELECTIVE BIBLIOGRAPHY The Artful Edit, by Susan Bell (Norton) The Art of Time in Memoir, by Sven Birkerts (Graywolf Press) The Writing Life, by Annie Dillard (Harper & Row) Writing with Power, by Peter Elbow (Oxford University Press) Writing Creative Nonfiction, edited by Carolyn Forché and Philip Gerard (Story Press) Tough, Sweet and Stuffy, by Walker Gibson (Indiana University Press) The Situation and the Story, by Vivian Gornick (Farrar, Straus and Giroux) Intimate Journalism: The Art and Craft of Reporting Everyday Life, by Walt Harrington (Sage) On Writing, by Stephen King (Scribner) Telling True Stories, edited by Mark Kramer and Wendy Call (Plume) Bird by Bird: Some Instructions on Writing and Life, by Anne Lamott (Pantheon) The Forest for the Trees, by Betsy Lerner (Riverhead) Unless It Moves the Human Heart, by Roger Rosenblatt (Ecco) The Elements of Style, by William Strunk, Jr., and E. B. White (Macmillan) Clear and Simple as the Truth, by Francis-Noel Thomas and Mark Turner (Princeton University Press) Word Court, by Barbara Wallraff (Harcourt) Style, by Joseph M. Williams and Gregory G. Colomb (Longman) On Writing Well, by William Zinsser (Harper & Row) The Chicago Manual of Style, by University of Chicago Press staff (University of Chicago Press) Modern English Usage, by H. W. Fowler, revised edition by Sir Ernest Gowers (Oxford University Press) Modern American Usage, by Wilson Follett (Hill and Wang) Words into Type, by Marjorie E. Skillin and Robert M. Gay (Prentice-Hall) To CHRIS, SAMMY, NICK, AND MADDIE, AND TO TOMMY, JAMIE, THEODORE, AND PENNY

Godlike erect, with native Honour clad In naked Majestie seemd Lords of all, And worthie seemd, for in thir looks Divine The image of thir glorious Maker shon, Truth, Wisdome, Sanctitude severe and pure, Severe, but in true filial freedom plac’t; Whence true autoritie in men; though both Not equal, as thir sex not equal seemd; For contemplation hee and valour formd, For softness shee and sweet attractive Grace, Hee for God only, shee for God in him: His fair large Front and Eye sublime declar’d Absolute rule; and Hyacinthin Locks Round from his parted forelock manly hung Clustring, but not beneath his shoulders broad: Shee as a vail down to the slender waste Her unadorned golden tresses wore Dissheveld, but in wanton ringlets wav’d As the Vine curles her tendrils, which impli’d Subjection, but requir’d with gentle sway, And

God hath pronounc’t it death to taste that Tree, The only sign of our obedience left Among so many signes of power and rule Conferrd upon us, and Dominion giv’n Over all other Creatures that possesse Earth, Aire, and Sea. Then let us not think hard One easie prohibition, who enjoy Free leave so large to all things else, and choice Unlimited of manifold delights: But let us ever praise him, and extoll His bountie, following our delightful task To prune these growing Plants, & tend these Flours, Which were it toilsom, yet with thee were sweet. To whom thus Eve repli’d. O thou for whom And from whom I was formd flesh of thy flesh, And without whom am to no end, my Guide And Head, what thou hast said is just and right. For wee to him indeed all praises owe, And daily thanks, I chiefly who enjoy So farr the happier Lot, enjoying thee Preeminent by so much odds, while thou Like consort to thy self canst no where find. That day I oft remember, when from sleep I first awak’t, and found my self repos’d Under a shade on flours, much wondring where And

His Sons, the fairest of her Daughters Eve. Under a tuft of shade that on a green Stood whispering soft, by a fresh Fountain side They sat them down, and after no more toil Of thir sweet Gardning labour then suffic’d To recommend coole Zephyr, and made ease More easie, wholsom thirst and appetite More grateful, to thir Supper Fruits they fell, Nectarine Fruits which the compliant boughes Yeilded them, side-long as they sat recline On the soft downie Bank damaskt with flours: The savourie pulp they chew, and in the rinde Still as they thirsted scoop the brimming stream; Nor gentle purpose, nor endearing smiles Wanted, nor youthful dalliance as beseems Fair couple, linkt in happie nuptial League, Alone as they. About them frisking playd All Beasts of th’ Earth, since wilde, and of all chase In Wood or Wilderness, Forrest or Den; Sporting the Lion rampd, and in his paw Dandl’d the Kid; Bears, Tygers, Ounces, Pards Gambold before them, th’ unwieldy Elephant To make them mirth us’d all his might, & wreathd His Lithe Proboscis; close the Serpent sly Insinuating, wove with Gordian twine His breaded train, and of his fatal guile Gave proof unheeded; others on the grass Coucht, and now fild with pasture gazing sat, Or Bedward ruminating: for the Sun Declin’d was hasting now with prone carreer To th’ Ocean Iles, and in th’ ascending Scale Of Heav’n the Starrs that usher Evening rose: When Satan still in gaze, as first he stood, Scarce thus at length faild speech recoverd sad. O Hell! what doe mine eyes with grief behold, Into our room of bliss thus high advanc’t Creatures of other mould, earth-born perhaps, Not

What a joy this book is! I love recipe books, but it’s short-lived; I enjoy the pictures for several minutes, read a few pages, and then my eyes glaze over. They are basically books to be used in the kitchen for one recipe at a time. This book, however, is in a different class altogether and designed to be read in its entirety. It’s in its own sui generis category; it has recipes at the end of most of the twenty-one chapters, but it’s a book to be read from cover to cover, yet it could easily be read chapter by chapter, in any order, as they are all self-contained. Every bite-sized chapter is a flowing narrative from a well-stocked brain encompassing Balinese culture, geography and history, while not losing its main focus: food. As you would expect from a scholar with a PhD in history from Columbia University, the subject matter has been meticulously researched, not from books and articles and other people’s work, but from actually being on the ground and in the markets and in the kitchens of Balinese families, where the Balinese themselves learn their culinary skills, hands on, passed down orally, manually and practically from generation to generation. Vivienne Kruger has lived in Bali long enough to get it right. That’s no mean feat, as the subject has not been fully studied before. Yes, there are so-called Balinese recipe books, most, if I’m not mistaken, written by foreigners, and heavily adapted. The dishes have not, until now, been systematically placed in their proper cultural context, which is extremely important for the Balinese, nor has there been any examination of the numerous varieties of each type of recipe, nor have they been given their true Balinese names. This groundbreaking book is a pleasure to read, not just for its fascinating content, which I learnt a lot from, but for the exuberance, enthusiasm and originality of the language. There’s not a dull sentence in the book. You just can’t wait to read the next phrase. There are eye-opening and jaw-dropping passages for the general reader as Kruger describes delicacies from the village of Tengkudak in Tabanan district — grasshoppers, dragonflies, eels and live baby bees — and explains how they are caught and cooked. She does not shy away from controversial subjects, such as eating dog and turtle. Parts of it are not for the faint-hearted, but other parts make you want to go out and join the participants, such as the Nusa Lembongan fishermen, who sail their outriggers at 5.30 a.m. The author quotes Miguel Covarrubias, the great Mexican observer of the 1930s, who wrote “The Island of Bali.” It has inspired all writers since, including myself and my co-author, Ni Wayan Murni, in our book “Secrets of Bali, Fresh Light on the Morning of the World.” There is, however, no bibliography, which I found strange at first. I can only imagine it’s a reflection of how original the subject matter is; there simply are no other sources. Throughout the book Kruger mentions Balinese and Indonesian words and sometimes discusses their derivations. It’s a Herculean task. I was intrigued to read that “satay” comes from the Tamil word for flesh ( sathai ) and that South Indians brought satay to Southeast Asia before Indonesia developed its own tradition. The book is full of interesting tidbits like this. The book contains 47 recipes in all, 11 of which came from Murni’s own restaurant, Murni’s Warung, in Ubud. Mr Dolphin of Warung Dolphin in Lovina also contributed a number of recipes. Kruger adds an introduction to each recipe, with a detailed and usually very personal commentary. I think my favorite, though, is from a village priest (pemangku), I Made Arnila of the Ganesha (Siwa) Temple in Lovina. water. I am sure most will enjoy this book enormously; I certainly did.” Review published in The Jakarta Globe, April 17, 2014. Jonathan Copeland is an author and photographer based in Bali. thejakartaglobe/features/spiritual-journey-culinary-world-bali

Thy Justice seems; yet to say truth, too late, I thus contest; then should have been refusd Those terms whatever, when they were propos’d: Thou didst accept them; wilt thou enjoy the good, Then cavil the conditions? and though God Made thee without thy leave, what if thy Son Prove disobedient, and reprov’d, retort, Wherefore didst thou beget me? I sought it not: Wouldst thou admit for his contempt of thee That proud excuse? yet him not thy election, But Natural necessity begot. God made thee of choice his own, and of his own To serve him, thy reward was of his grace, Thy punishment then justly is at his Will. Be it so, for I submit, his doom is fair, That dust I am, and shall to dust returne: O welcom hour whenever! why delayes His hand to execute what his Decree Fixd on this day? why do I overlive, Why am I mockt with death, and length’nd out To deathless pain? how gladly would I meet Mortalitie my sentence, and be Earth Insensible, how glad would lay me down As in my Mothers lap? there I should rest And sleep secure; his dreadful voice no more Would Thunder in my ears, no fear of worse To mee and to my ofspring would torment me With cruel expectation. Yet one doubt Pursues me still, least all I cannot die, Least that pure breath of Life, the Spirit of Man Which God inspir’d, cannot together perish With this corporeal Clod; then in the Grave, Or in some other dismal place, who knows But I shall die a living Death? O thought Horrid, if true! yet why? it was but breath Of Life that sinn’d; what dies but what had life And sin? the Bodie properly hath neither. All of me then shall die: let this appease The doubt, since humane reach no further knows. For though the Lord of all be infinite, Is his wrauth also? be it, man is not so, But mortal doom’d. How can he exercise Wrath without end on Man whom Death must end? Can he make deathless Death? that were to make Strange contradiction, which to God himself Impossible is held, as Argument Of weakness, not of Power. Will he, draw out, For angers sake, finite to infinite In punisht man, to satisfie his rigour Satisfi’d never; that were to extend His Sentence beyond dust and Natures Law, By which all Causes else according still To the reception of thir matter act, Not

Always be reading. Go to the library. There’s magic in being surrounded by books. Get lost in the stacks. Read bibliographies. It’s not the book you start with, it’s the book that book leads you to.

Rosetta stone, did not come from Iraq but from Iran, although it is Iraq that is the home of cuneiform writing. And this brings us to the story of the explorations and excavations leading to the decipherment of the cuneiform script and the rediscovery of the Mesopotamian civilizations. It will here be sketched only briefly-it has been told repeatedly and in detail during the past decades (see Bibliography for specific works)-in order to give the reader at least a glimpse into the picture as a whole

During these first days, when, in the disarray of mind and senses which was the consequence of the iniquitous sentence passed on me, I had resolved to kill myself, my dear wife, with her undaunted devotion and courage, made me realize that it is because I am innocent that I have not the right to abandon her or wilfully to desert my post.

How heavy must the responsibility weigh on those others who, in torturing an individual, are also abusing the confidence of an entire nation!

My little Pierre is now nearly five years old. He is quite a big boy. I used to wait with impatience for the time when I could take him with me and talk with him, opening his young mind, instilling into him the love of beauty and truth, and helping fashion for him so lofty a soul that the ugliness of life could not degrade it.

Ah, human nature with its passions and hatreds, with its moral hideousness! Ah, men, to whom, compared with their selfish interests, all else matters little! Justice is a good thing - when there is plenty of time and nobody is inconvenienced!

I shall struggle against the decline of body and brain and heart so long as a shadow of force is left me, so long as they leave me a spark of life. I must see the end of this dark tragedy.

. . . for whatever the will and energy of a man may be, human strength has a limit, and this limit had been reached.

Don’t look for footnotes; there aren’t any. No bibliography either. You want to fact check it, be my guest. If I found anything that confirmed my point of view, I included it. And if I discovered articles that contradicted my take on things, I simply followed the time-honored journalistic tradition of Fox News: I distorted them out of all proportion, or completely ignored them.

A sound study-library must be a top priority. For many, such a library has been unimportant and the result has been an impoverished ministry, lacking depth, breadth, and stimulation. An excellent library is constructed by deliberate acquisition rather than “accidental” accumulation. Since an expository preacher's library is an integral part of his pulpit work, it should be assembled with an eye toward the highest quality.4 A preliminary indication of what a core library is not will help understand what it should be: 1. It is not a collection of inferior books donated to the preacher by well-meaning friends and listeners. 2. It is not an accumulation of books offered on sale or at discount prices. 3. It is not simply a collection of materials that are highly recommended or found on standard lists of bibliographies.

Metadata is stored in a variety of retrieval tools (a collective term used to describe bibliographies, catalogs, indexes, finding aids, museum registers, bibliographic databases, search engines, and other tools that help users find information resources).

KIRKUS REVIEWS BOOK REVIEW A retired professor explores the life and writings of Carl Sandburg in this debut book. “During the first half of the twentieth century,” Quinley writes, “Carl Sandburg seemed to be everywhere and do everything.” Though best known for his Pulitzer Prize–winning poetry and multivolume biography of Abraham Lincoln, Sandburg had a wide-ranging career as a public intellectual, which included stints in journalism as a columnist and investigative reporter, in musicology as a leading advocate and performer of folk music, and in the nascent movie industry as a consultant and film critic. He also dabbled in political activism, children’s literature, and novels. Not only does Quinley, a retired college administrator and professor, hail Sandburg as a 20th-century icon (“If my grandpa asks you a question,” his grandchildren joke, “the answer is always Carl Sandburg”), but much of his own life has been adjacent to that of the poet as well. Born in Maywood, Illinois, a “few blocks” from Sandburg’s home 30 years prior, Quinley would eventually move to the Appalachian Mountains. He lived just a few miles from Sandburg’s famed residence in Hendersonville, North Carolina. As a docent for the Carl Sandburg Home National Historic Site, the author was often asked for literature about the luminary’s life. And though much has been written about Sandburg, biographies on the iconoclast are either out of print or are tomes with more than 800 pages. Eschewing comprehensiveness for brevity, Quinley seeks to fill this void in the literary world by offering readers a short introduction to Sandburg’s life and writings. At just 122 pages, this accessible book packs a solid punch, providing readers with not just the highlights of Sandburg’s life, but also a sophisticated analysis of his passions, poetry, and influence on American culture. This engaging approach that’s tailored to a general audience is complemented by an ample assortment of historical photographs. And while its hagiographic tone may annoy some readers, this slim volume is backed by more than 260 endnotes and delivers an extensive bibliography for readers interested in learning more about the 20th century’s “voice of America.” A well-written, concise examination of a literary legend Kirkus Indie, Kirkus Media LLC, 2600 Via Fortuna Suite 130 Austin, TX 78746 indie@kirkusreviews.com

I will bestow the Ladder to lock the Key under my Clock.

What did not happen in Florida, in either the Second or Third Seminole War, was the provision of enough forces and transportation to affect the object of these wars, the final removal of all Native Americans from the peninsula. Prior to the war’s end, rewards were offered by the United States government for the capture of Seminoles. This policy failed to bring in any significant number of Native Americans; however, by early 1858, the war was winding down. White flags and other signs were hung out on known paths used by the Seminoles, and military operations were ordered stopped by Colonel Loomis. Elias Rector, the superintendent for Indian Affairs in the southern superintendency, came to Florida in January 1858 to assist in the negotiations for peace. After a conference was held 35 miles from Fort Myers with Assinwah’s band and others, the terms were offered and monetary inducements guaranteed. On May 4, 1858, Billy Bowlegs and most of his band boarded the Grey Cloud and sailed to Egmont Key, at the mouth of Tampa Bay. Here this group was joined by 41 prisoners and made ready for the trip west. By May 8, the war was declared officially over. The army believed that there were only about 100 Seminoles and Miccosukees left in Florida. This number included the aged leader Sam Jones. There is a debate on just when this ancient and respected leader died; however, it is known that he was gone before the end of Civil War. Where his remains were deposited is a secret to this day. It is from this small number of Seminoles and Miccosukees that today’s recognized tribes have descended as a continuing tribute to the tenacity of their ancestors’ will to survive. As historian Patsy West has aptly called them, they are “The Enduring Seminoles.” BIBLIOGRAPHY DOCUMENTS A number of collections of documents exist from which the above was drawn, including the Letters Received by the Secretary of War, Registered Series, 1801–1860; Letters Sent by the Secretary of War Relating to Military Affairs, 1800–1889; Letters Received by the Office of the Adjutant General (Main Series) 1822–1860; and Letters Sent, Registers of Letters Received, and Letters Received by Headquarters, Troops in Florida, and Headquarters Department of Florida, 1850–1858. The collections are all on microfilm from the National Archives. Numerous Congressional documents were also consulted

… once library is a form of the unconscious, even when many of the books remain unread. (Perhaps especially when they remain unread.) Indeed, I find it difficult, as do many authors, to differentiate between reading and writing. I read with pen in hand; I write with book in mind. … Might I go so far as to say that bibliography is destiny?

As a side note to this bibliography, Wikipedia turned out to be the worst possible source. Most of its articles are simply press releases from public-relationship departments, with all the omissions and distortions that they deem appropriate for their business strategies. On the other hand, vintage magazines and newspapers were an invaluable source of information and analysis. If websites like Wikipedia are going to replace the magazines and newspapers of the past, the loss to scholarship will be colossal: the most persistent marketing department (or fan) will decide what information will be available to future generations.

Designing memorable experiences is easier said than done. Most importantly, you need empathy and understanding for your fellow human. It’s the love for mankind that ultimately makes UX interesting.

Fred Steckling (see bibliography), whose 1981 book detailed the existence of lunar water (and much more, such as vegetation

I like first editions, though I’ll sometimes settle for a later printing if it’s within a year or two of the book’s original publication date. Only these editions possess that distinctive aura of the original, a glamour that subsequent reissues can never recapture. That said, I do gravitate toward well printed, scholarly treatments of certain classic texts, with lots of notes and a good bibliography. If I’m going to spend my life reading books, I want my experiences to be optimal.

Who Was Laura Ingalls Wilder? Wagon Trail The Big Woods School Days Coming and Going Dakota Territory A Hard Winter Growing Up Laura and Almanzo Reliving Memories The Little House Books Timelines Bibliography

The Evolution of Gods utilizes modern science to explain why, when and how religions and gods became the desirable explanations of inexplicable events. What kind of human sufferings necessitated people to bow down before unseen powers called gods? How did mysteries of nature give birth to divine powers? Who invented morals, methods of worship and the ancient scriptures? In order to answer these and other related questions, I have compiled a brief history of human religious activities from several reference books, and these are listed in the bibliography.

to create learning institutions on new participatory models and offers a bibliography of models and examples of pioneering institutions that already are making the first steps at creating new learning networks.2 In the online version of our book, URLs will point one directly to sites where one can find out more about a number of innovative participatory learning experiments and institutions. Although the scope of our main

Richard J. McNally, a Harvard clinical research psychologist, considered the "politics of trauma" in Remembering Trauma (2003).[139] He argued that the definition of PTSD had been too broadly applied, and suggested narrowing it to include "only those stressors associated with serious injury or threat to life" —a suggestion that would drastically alter the public discussion of rape, incest, abuse by clergy, and the traumatic affect of racism and homophobia, to name just a few potentially trauma-inducing contexts and actions.[140] McNally presents his conclusion that most traumatic experience is remembered soon after the event, as if his view represents objective scientific research, when much evidence suggests that memories of traumatic events reoccur over time unpredictably. McNally’s bias is apparent in his strong support of Ian Hacking’s curiously fervent effort to discredit the diagnosis of multiple personality (dissociative identity disorder) and Hacking’s effort to blame clinicians attached to recovered memory therapy of the spurious "rewriting" of patients’ "souls."[141] While McNally accounts for those who do recall their traumas, he does not equally offer an explanation for those who do not remember them, and his extensive bibliography and research do not cite key publications that would challenge his results.[142] - Page 19

Come down to the tavern," he said after dark had fallen. "No, thank you," I said, glancing up from the dryadology journal I was jotting notes from - I was working on the bibliography for my encyclopedia. "I'd like an early night." "You don't have to stay long. You'd rather sit here with your nose in a book?" "Vastly," I said, and he shook his head at me, not in disgust but utter bemusement.

I have listed in the bibliography the many books that contributed to this volume but would like to single out two for special mention. They are Don Russell's The Lives and Legends of Buffalo Bill, which no writer on the Colonel could do without; and Nellie Snyder Yost's Buffalo Bill:

During the two hundred years since Kant’s death, not many full biographical treatments of Kant have been written. Though a recent bibliography of works on Kant’s life takes up 23 pages and lists 483 titles, most of these concern minutiae that are of little interest even to those most keenly intrigued by Kant’s philosophy.56 Rolf George finds in a recent review of Kant

BIBLIOGRAPHY Anderson, Frank J. An Illustrated History of the Herbals. Columbia University Press. Baernstein, P. Renee. A Convent Tale. Routledge Press. Baxandall, Michael. Painting and Experience in Fifteenth-Century Italy. Oxford University Press. Bell, Rudolph M. Holy Anorexia. University of Chicago Press. Bornstein, Daniel, editor. Women and Religion in Medieval and Renaissance Italy. University of Chicago Press. Broedel, Hans Peter. The Malleus Maleficarum and the Construction of Witchcraft. Manchester University Press. Brown, Judith C. Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy. Oxford University Press.

The result is 15 consensus “great” authors with a total bibliographyI of 167 fiction books, of which 37 books were considered “great” by virtue of being on multiple top-100 lists. Here, I’ve listed those 37 “great books.

Always be reading. Go to the library. There's magic in being surrounded by books. Get lost in the stacks. Read bibliographies. It's not the book you start with, it's the book that book leads you to. Collect books, even if you don't plan on reading them right away. Nothing is more important than an unread library.

There was one book with the greasy plastic cover of a Waffle House place mat, the red font large and garish, that promised to be a tell-all from the daughter of a serial killer who’d been local to Central Florida in the 1980s. I didn’t remember putting it on my bibliography for my section on familial relationships between author and subject, but it could be helpful.

Whoever the author or authors, Putin’s thesis lifted almost verbatim more than sixteen pages of text and six charts from an American textbook written by two professors at the University of Pittsburgh, which was translated into Russian in 1982—almost certainly at the behest of or with the approval of the KGB, which under Andropov was eager to find a way out of the Soviet Union’s economic stagnation. The thesis’s bibliography includes the textbook—Strategic Planning and Policy, by William R. King and David I. Cleland—as one of forty-seven sources, including papers and lectures by Putin at the institute, but in the text itself the work is neither credited explicitly nor are the lengthy passages lifted from its Russian translation acknowledged.

You have to be curious about the world in which you live. Look things up. Chase down every reference. Go deeper than anybody else—that’s how you’ll get ahead. Google everything. I mean everything. Google your dreams, Google your problems. Don’t ask a question before you Google it. You’ll either find the answer or you’ll come up with a better question. Always be reading. Go to the library. There’s magic in being surrounded by books. Get lost in the stacks. Read bibliographies. It’s not the book you start with, it’s the book that book leads you to.

Similarly, in 1912, the German neurologist Oskar Vogt (1870–1959) announced that “man will increasingly become a brain animal [Der Mensch wird immer mehr ein Hirntier werden]” and anticipated that “in our further development, the brain will play an increasingly significant role” (553–554). It would be invidious to select here, for their similarity in content with these early proclamations, a few quotations from the neuroscientific literature since the mid-1990s. On the one hand, there are endless possibilities; on the other, numerous examples are to be found throughout this book and its bibliography. The point is that new neuroscientific data, theories, and techniques have allegedly substantiated but not crucially affected an ideology that in its modern form dates from the late seventeenth century. That is why the cultural history of the cerebral subject is largely independent from the history of brain science. This is particularly obvious in its early instances: it is clear that Bonnet’s aphorism about Montesquieu’s brain did not derive from neuroscientific investigation but from a conception of personhood

A Day 15 Months In The Making from “The Light Brigade”477 Home Psychotic Home Epilogue APPENDIX Glossary: Acronym, Abbreviation & Jargon Decoder Bibliography We, the unwilling, led by the unknowing, are doing the impossible for the ungrateful. We have done so much, for so long, with so little, we are now qualified to do anything with nothing. ---Mother Teresa

Motivational interviewing has been the subject of more than a thousand controlled trials; a bibliography that simply lists them runs sixty-seven pages. It’s been used effectively by health professionals to help people stop smoking, abusing drugs and alcohol, gambling, and having unsafe sex, as well as to improve their diets and exercise habits, overcome eating disorders, and lose weight.

Semi-enclosed within a rampart of books, she was reading intensely, oblivious of everything except the volumes she had gathered around her. Freddy tilted his head and read the titles on the bindings, whispering them as he read. He had assumed that her selection would be heavy on fashion, makeup, and “celebrities,” but he was wrong. With her left hand resting possessively on Who’s Who in Zimbabwe, she was deep in Sources and Methods of Hiccup Diagnosis. She had also chosen the Directory of Polish Hydraulic Fluid Wholesalers; the Encyclopaedia of Angels; the Catalogue of Chuvash Books in German Libraries; Aboriginal Science Fiction; The Register of Non-Existent Churches; A Bibliography of Indonesian Military Poetry; Orators Who Possessed Horses; Lloyds’ Survey of Failed Board Games; A Dictionary of the Efik Language; The Picture Book of Albanian Idioms—a list in her handwriting lay next to the latter, beginning with the entry, “I ka duart të prera, ‘to have one’s hands cut off,’ ”—The Language of the French & Indian War, Vol. I, Obscene Expressions; Glossary of Dead Architects (Freddy couldn’t wait to read the latest entries); and, finally, though not least, Nicknames of Popular Fish. “You see,” he told her, “it’s fascinating.” “Yes, I love it. Now go away.” “I have our press.” “I couldn’t care less about our press.” She held up Who’s Who in Zimbabwe. “There’s a whole world out there, Freddy, that has nothing to do with us.

Having researched many issues on the Chinese military in published findings in recent years, I believe that these sources provide a useful research bibliography for students interested in the Chinese military and in the history of modern China.

Always be reading. Go to the library. There's magic in being surrounded by books. Get lost in the stacks. Read bibliographies. It's not the book you start with, it's the book that book leads you to.

This book is an attempt to gather together this immense storehouse of knowledge and ideas from different branches (see the bibliography for the key sources), to piece together an accurate and instructive guide to human nature, basing itself on the evidence, not on particular viewpoints or moral judgments. It is a brutally realistic appraisal of our species, dissecting who we are so we can operate with more awareness.

II. SYNTOPICAL READING OF THE BIBLIOGRAPHY AMASSED IN STAGE I 1. Inspect the books already identified as relevant to your subject in Stage I in order to find the most relevant passages. 2. Bring the authors to terms by constructing a neutral terminology of the subject that all, or the great majority, of the authors can be interpreted as employing, whether they actually employ the words or not. 3. Establish a set of neutral propositions for all of the authors by framing a set of questions to which all or most of the authors can be interpreted as giving answers, whether they actually treat the questions explicitly or not. 4. Define the issues, both major and minor ones, by ranging the opposing answers of authors to the various questions on one side of an issue or another. You should remember that an issue does not always exist explicitly between or among authors, but that it sometimes has to be constructed by interpretation of the authors’ views on matters that may not have been their primary concern. 5. Analyze the discussion by ordering the questions and issues in such a way as to throw maximum light on the subject. More general issues should precede less general ones, and relations among issues should be clearly indicated.

a Barnes and Noble with no goal in particular, I chance upon a book about suicide. It’s right there in front of me on a display table. Perhaps this is the “miracle”? I sit down and read the entire book, taking copious notes into a journal, including other books listed in the bibliography.

have listed in the bibliography the many books that contributed to this volume but would like to single out two for special mention. They are Don Russell's The Lives and Legends of Buffalo Bill, which no writer on the Colonel could do without; and Nellie Snyder Yost's Buffalo Bill: His Family,

There are three requirements for a six-month thesis: 1. The topic should be clearly defined. 2. The topic should be contemporary (notwithstanding the advice given in section 2.3), eliminating the need to explore a bibliography that goes back to the ancient Greeks. Alternatively, it should be a marginal subject on which little has been written. 3. The primary and secondary sources must be locally available and easily accessible.

Ultimately, the imperative to be practical in our field hinges on a deep (if somewhat paradoxical) individualism. In spite of overtones of inclusivity, it treats critical work as self-contained, suggesting that truly ethical work in the library world requires each of us to come up with complete sets of questions and complete sets of answers, to individually balance what is understood to be theory with what is understood to be practice, to ensure that our language is always going to be intelligible to everyone. We in the library world ought to understand that this is neither possible nor desirable, as so much of what we do points to the fact that all work is both necessarily incomplete and necessarily interdependent--the citation, the bibliography and its community of complicated absences, the shelf with more than one item, the marginalia and corporeal micro-residues (visible and invisible) left on magazines pulled through circulation, the reference interaction in which knowledge reveals itself to be created between subjects rather than springing forth ex nihilo as the stuff of individual genius. But the individualist myth of exhaustiveness is pervasive, even if it is persistently exhausting. Such tiresome individualism is, of course, profoundly entangled with whiteness, serving as an animating force in well-worn colonial narratives of race: the unhinged white loner as mass shooter, as contrasted with the terrorist motivated by collective cultural allegiance; the intrepid white explorer 'discovering' the land through economic enterprise; the dark masses of migrants threatening to flood the white nation's border, containable only through mass detention, expulsion, or assimilation; the dispossession of a black single mother read as black cultural pathology. More specifically, it aligns epistemologically with the individualism of liberal racial politics: racism as an attribute of individuals, anti-racism as self-work, the problem and solution collocated and self-contained

Let’s say someone writes an academic paper quoting fifty people who have worked on the subject and provided background materials for his study; assume, for the sake of simplicity, that all fifty are of equal merit. Another researcher working on the exact same subject will randomly cite three of those fifty in his bibliography. Merton showed that many academics cite references without having read the original work; rather, they’ll read a paper and draw their own citations from among its sources. So a third researcher reading the second article selects three of the previously referenced authors for his citations. These three authors will receive cumulatively more and more attention as their names become associated more tightly with the subject at hand. The difference between the winning three and the other members of the original cohort is mostly luck: they were initially chosen not for their greater skill, but simply for the way their names appeared in the prior bibliography. Thanks to their reputations, these successful academics will go on writing papers and their work will be easily accepted for publication. Academic success is partly (but significantly) a lottery.fn2

When Terry Zobeck was working away at my bibliography, A Trawl Among the Shelves, I kept recalling books and stories and articles of mine that had slipped my mind, and reporting what I could recall; Terry, apparently indefatigable, would scour the internet until he came up with a copy of the new discovery, add it to his collection, and write it up for the bibliography.

This first edition of A Tome of Idioms has been published as a comprehensive, concise, compact, and efficient guide to the meanings and origins of Idioms, Proverbs, and Sayings. Each inclusion is written in a clear and uncomplicated style. First published in 2019 this book contains over 900 easily readable entries in systematic order augmented by an extensive Bibliography. This book will be of general interest to everyone who has a curious, inquisitive, questioning, or enquiring intellect. Sometimes, without knowing, we quote idiomatical expressions in our everyday conversations. An idiom is used to communicate something that other words do not convey as clearly or as meaningfully. Idioms tend to be colloquial and are more effective when used in spoken rather than written English. The origins of idioms are sometimes difficult to trace which means that finding a precise date a particular idiom came into existence is never easy. A number of idioms, proverbs, and sayings originate in well-known literature and Holy texts such as, William Shakespeare (60 entries), the Bible (47 entries), John Heywood (27 entries), Aesop (15 entries), and Geoffrey Chaucer (12 entries), to name but a few. Some of these have evolved in many different forms over several years into the expressions we use today. Extract from @A Tome of Idioms

First published in 2020 this book contains over 560 easily readable compact entries in systematic order augmented by an extensive bibliography, an alphabetical list of countries and locations of individuals final resting places (where known) and a day and month list in consecutive order of when an individual died. It details the deaths of individuals, who died too early and often in tragic circumstances, from film, literature, music, theatre, and television, and the achievements they left behind. In addition, some ordinary people who died in bizarre, freak, or strange circumstances are also included. It does not matter if they were famous or just celebrated by a few individuals, all the people in this book left behind family, friends and in some instances devotees who idolised them. Our heartfelt thoughts and sympathies go out to all those affected by each persons death. Whether you are concerned about yourself, a loved one, a friend, or a work colleague there are many helplines and support groups that offer confidential non-judgemental help, guidance and advice on mental health problems (such as anxiety, bereavement, depression, despair, distress, stress, substance abuse, suicidal feelings, and trauma). Support can be by phone, email, face-to-face counselling, courses, and self-help groups. Details can be found online or at your local health care organisation. There are many conspiracy theories, rumours, cover-ups, allegations, sensationalism, and myths about the cause of some individual’s deaths. Only the facts known at the time of writing are included in this book. Some important information is deliberately kept secret or undisclosed. Sometimes not until 20 or even 30 years later are full details of an accident or incident released or in some cases found during extensive research. Similarly, unsolved murders can be reinvestigated years later if new information becomes known. In some cases, 50 years on there are those who continue to investigate what they consider are alleged cover-ups. The first name in an entry is that by which a person was generally known. Where relevant their real name is included in brackets. Date of Death | In the entry detailing the date an individual died their age at the time of their death is recorded in brackets. Final Resting Place | Where known details of a persons final resting place are included. “Unknown” | Used when there is insufficient evidence available to the authorities to establish whether an individuals’ death was due to suicide, accident or caused by another. Statistics The following statistics are derived from the 579 individual “cause of death” entries included in this publication. The top five causes of death are, Heart attack/failure 88 (15.2%) Cancer 55 (9.5%) Fatal injuries (plane crash) 43 (7.4%) Fatal injuries (vehicle crash/collision) 39 (6.7%) Asphyxiation (Suicide) 23 (4%). extract from 'Untimely and Tragic Deaths of the Renowned, The Celebrated, The Iconic

those readers (I confess that I am one of them) who go straight to the back and look at the notes and bibliography first, reading the book like Hebrew, from right to left, to see where the author has been grazing, like dogs sniffing one another’s backsides to see what they have eaten lately.

The first thing to do when you have amassed your bibliography is to inspect all of the books on your list. You should not read any of them analytically before inspecting all of them.

BIBLIOGRAPHY Often the question of which books were used for research in the Merry series is asked. So, here is a list (in no particular order). While not comprehensive, it contains the major sources. An Encyclopedia of Faeries by Katharine Briggs Faeries by Brian Froud and Alan Lee Dictionary of Celtic Myth and Legend by Miranda J. Green Celtic Goddesses by Miranda J. Green Dictionary of Celtic Mythology by Peter Berresford Ellis Goddesses in World Mythology by Martha Ann and Dorothy Myers Imel A Witches’ Bible by Janet and Stewart Farrar The Fairy Faith in Celtic Countries by W. Y. Evans-Wentz Pagan Celtic Britain by Anne Ross The Ancient British Goddesses by Kathy Jones Fairy Tradition in Britain by Lewis Spense One Hundred Old Roses for the American Garden by Clair G. Martin Taylor’s Guide to Roses Pendragon by Steve Blake and Scott Lloyd Kings and Queens from Collins Gem Butterflies of Europe: A Princeton Guide by Tom Tolman and Richard Lewington Butterflies and Moths of Missouri by J. Richard and Joan E. Heitzman Dorling Kindersly Handbook: Butterflies and Moths by David Carter The Natural World of Bugs and Insects by Ken and Rod Preston Mafham Big Cats: Kingdom of Might by Tom Brakefield Just Cats by Karen Anderson Wild Cats of the World by Art Wolfe and Barbara Sleeper Beauty and the Beast translated by Jack Zipes The Complete Fairy Tales of the Brothers Grimm translated by Jack Zipes Grimms’ Tales for Young and Old by Ralph Manheim Complete Guide to Cats by the ASPCA Field Guide to Insects and Spiders from the National Audubon Society Mammals of Europe by David W. MacDonald Wicca: A Guide for the Solitary Practitioner by Scott Cunningham Northern Mysteries and Magick by Freya Aswym Cabbages and Kings by Jonathan Roberts Gaelic: A Complete Guide for Beginners The Norse Myths by Kevin Crossley Holland The Penguin Companion to Food by Alan Davidson