Between The Sexes Quotes

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The difference between sex and love is that sex relieves tension and love causes it.
Woody Allen
He f**ks even better than he looks”, I settled on saying. Several heads turned. I didn’t care; I was pissed. “And that beautiful face is going to be clamped between my legs as soon as we get home, don’t you worry.
Jeaniene Frost (Destined for an Early Grave (Night Huntress, #4))
What we do comes out of who we believe we are.
Rob Bell (Sex God: Exploring the Endless Connections Between Sexuality and Spirituality)
The difference between sex and death is that with death you can do it alone and no one is going to make fun of you.
Woody Allen
Here's a basic difference between Morelli and me. My first thought was always of cake. His first thought was always of sex. Don't get me wrong. I like sex . . . a lot. But it's never going to replace cake.
Janet Evanovich (Eleven on Top (Stephanie Plum, #11))
Sex between a man and a woman can be wonderful, provided you can get between the right man and the right woman.
Woody Allen
Licence my roving hands, and let them go Before, behind, between, above, below.
John Donne (The Complete English Poems)
Fantasy love is much better than reality love. Never doing it is very exciting. The most exciting attractions are between two opposites that never meet.
Andy Warhol
Love is giving up control. It’s surrendering the desire to control the other person. The two—love and controlling power over the other person—are mutually exclusive. If we are serious about loving someone, we have to surrender all the desires within us to manipulate the relationship.
Rob Bell (Sex God: Exploring the Endless Connections Between Sexuality and Spirituality)
When the two people who thus discover that they are on the same secret road are of different sexes, the friendship which arises between them will very easily pass – may pass in the first half hour – into erotic love. Indeed, unless they are physically repulsive to each other or unless one or both already loves elsewhere, it is almost certain to do so sooner or later. And conversely, erotic love may lead to Friendship between the lovers. But this, so far from obliterating the distinction between the two loves, puts it in a clearer light. If one who was first, in the deep and full sense, your Friend, is then gradually or suddenly revealed as also your lover you will certainly not want to share the Beloved’s erotic love with any third. But you will have no jealousy at all about sharing the Friendship. Nothing so enriches an erotic love as the discovery that the Beloved can deeply, truly and spontaneously enter into Friendship with the Friends you already had; to feel that not only are we two united by erotic love but we three or four or five are all travelers on the same quest, have all a common vision.
C.S. Lewis (Four Loves)
I'm sorry, but I do hate this differentiation between the sexes. 'The modern girl has a thoroughly businesslike attitude to life' That sort of thing. It's not a bit true! Some girls are businesslike and some aren't. Some men are sentimental and muddle-headed, others are clear-headed and logical. There are just different types of brains.
Agatha Christie (Appointment with Death (Hercule Poirot, #19))
Agape doesn't love somebody because they're worthy. Agape makes them worthy by the strength and power of its love. Agape doesn't love somebody because they're beautiful. Agape loves in such a way that it makes them beautiful.
Rob Bell (Sex God: Exploring the Endless Connections Between Sexuality and Spirituality)
Sex isn't good unless it means something. It doesn't necessarily need to mean "love" and it doesn't necessarily need to happen in a relationship, but it does need to mean intimacy and connection...There exists a very fine line between being sexually liberated and being sexually used.
Laura Sessions Stepp (Unhooked: How Young Women Pursue Sex, Delay Love, and Lose at Both)
The ultimate sexist put-down: the prick which lies down on the job. The ultimate weapon in the war between the sexes: the limp prick. The banner of the enemy's encampment: the prick at half-mast. The symbol of the apocalypse: the atomic warhead prick which self-destructs. That was the basic inequity which could never be righted: not that the male had a wonderful added attraction called a penis, but that the female had a wonderful all-weather cunt. Neither storm nor sleet nor dark of night could faze it. It was always there, always ready. Quite terrifying, when you think about it. No wonder men hated women. No wonder they invented the myth of female inadequacy.
Erica Jong (Fear of Flying)
I want the late-night drives, the sunset watching, the screaming, the yelling, and the crying. I know I'll definitely want the make-up sex that comes after all of the screaming and crying. I want the good, the bad, and the in-between. All of it is what's going to make us amazing together.
Gail McHugh (Collide (Collide, #1))
Marriage should be between a spouse and a spouse, not a gender and a gender.
Hendrik Hertzberg
America does not know the difference between money and sex. It treats sex like money because it treats sex as a medium of exchange, and it treats money like sex because it expects its money to get pregnant and reproduce.
Peter Kreeft (How to Win the Culture War: A Christian Battle Plan for a Society in Crisis)
The five marks of the Roman decaying culture: Concern with displaying affluence instead of building wealth; Obsession with sex and perversions of sex; Art becomes freakish and sensationalistic instead of creative and original; Widening disparity between very rich and very poor; Increased demand to live off the state.
Edward Gibbon
I should not act better than anybody, but sure as hell, NOBODY’S better than ME!
Patricia D'Arcy Laughlin (Sacrifices Beyond Kingdoms: A Provocative Romance Torn Between Continents and Cultures (The Sacrifices and Kingdoms Series Book 2))
Good men and good women have fire in the belly. We are fierce. Don't mess with us if you're looking for someone who will always be 'nice' to you. Nice gets you a C+ in life. We don't always smile, talk in a soft voice, or engage in indiscriminate hugs. In the loving struggle between the sexes we thrust and parry.
Sam Keen (Fire in the Belly: On Being a Man)
Nations are not communities and never have been. The history of any country, presented as the history of a family, conceals the fierce conflicts of interest (sometimes exploding, often repressed) between conquerors and conquered, masters and slaves, capitalists and workers, dominators and dominated in race and sex. And in such as world of conflict, a world of victims and executioners, it is the job of thinking people, as Albert Camus suggested, not to be on the side of the executioners.
Howard Zinn (A People’s History of the United States: 1492 - Present)
You know, in most any other marriage, this would have been a private issue between a husband and a wife, very private. Obviously, it’s not here.” – Wendy Vitter, wife of former U.S. Sen. David Vitter
Anne Michaud (Why They Stay: Sex Scandals, Deals, and Hidden Agendas of Nine Political Wives)
Lately I can't help wanting us to be like other people. For example, if I were a smoker, you'd lift a match to the cigarette just as I put it between my lips. It's never been like that between us: none of that easy chemistry, no quick, half automatic flares. Everything between us had to be learned. Saturday finds me brooding behind my book, all my fantasies of seduction run up against the rocks. Tell me again why you don't like sex in the afternoon? No, don't tell me-- I'll never understand you never understand us, America's strangest loving couple: they never drink a bottle of wine together and rarely look at each other. Into each other's eyes, I mean.
Deborah Garrison (A Working Girl Can't Win)
Somewhere between fear and sex passion is.
Jeanette Winterson (The Passion)
Having the basics—a good bed to sleep in, good relationships, good food, and good sex—is most important, and those things don’t get much better when you have a lot of money or much worse when you have less. And the people one meets at the top aren’t necessarily more special than those one meets at the bottom or in between.
Ray Dalio (Principles: Life and Work)
The danger is that in reaction to abuses and distortions of an idea, we'll reject it completely. And in the process miss out on the good of it, the worth of it, the truth of it.
Rob Bell (Sex God: Exploring the Endless Connections Between Sexuality and Spirituality)
She gave Samuel a stern look. "Now, I don't know what's going on between you and my daughter and Adam Hauptman—” “Neither do we,” I muttered. Samuel grinned. “We have it pretty well worked out as far as the sex goes—Adam gets it—someday—and I don’t. But the rest is still up for negotiation.” “Samuel Cornick,” I sputtered in disbelief. “That is my mother.
Patricia Briggs (Bone Crossed (Mercy Thompson, #4))
Alone-sex didn't count. It's like the difference between thinking to yourself or having a good conversation with someone----the pleasure is in the exchange." -Liberty Jones
Lisa Kleypas (Sugar Daddy (Travises, #1))
This good fellowship - camaraderie - usually occurring through the similarity of pursuits is unfortunately seldom super-added to love between the sexes, because men and women associate, not in their labors but in their pleasures merely. Where, however, happy circumstances permit its development, the compounded feeling proves itself to be the only love which is strong as death - that love which many waters cannot quench, nor the floods drown, besides which the passion usually called by the name is as evanescent as steam.
Thomas Hardy (Far From the Madding Crowd)
There's a difference between sexuality and sex. I used sex to get what I wanted. Sex is just an act. Sexuality is a sincere expression of desire and pleasure.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Men love war because it allows them to look serious. Because they imagine it is the one thing that stops women laughing at them. In it they can reduce women to the status of objects. That is the great distinction between the sexes. Men see objects, women see relationship between objects. Whether the objects love each other, need each other, match each other. It is an extra dimension of feeling we men are without and one that makes war abhorrent to all real women - and absurd. I will tell you what war is. War is a psychosis caused by an inability to see relationships. Our relationship with our fellow-men. Our relationship with our economic and historical situation. And above all our relationship to nothingness. To death.
John Fowles (The Magus)
Explaining the moment of connection between a reader and book to someone who's never experienced it is like trying to describe sex to a virgin.
Sara Nelson (So Many Books, So Little Time: A Year of Passionate Reading)
Sexual energy between two people is a primal force comprised of power (energy that moves toward another) and virtue (knowing the energy between the two is right).
Alexandra Katehakis (Erotic Intelligence: Igniting Hot, Healthy Sex While in Recovery from Sex Addiction)
Yeah I missed you since the place got wrecked By the winds of change and the weeds of sex looks like freedom but it feels like death it's something in between, I guess it's closing time.
Leonard Cohen
There is a great deal of difference between a penis and a heart.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
She gave his hand a small squeeze. "Jason, if we're going to try this then I'd like to take things slow." He frowned. "What I mean is nothing beyond the level we were at last night." She worried her lip between her teeth. "What I mean is no actual sex." He narrowed his eyes on her. "But, you'll still sleep with me naked and let me do a hundred other naughty things to you?" he asked in a serious tone. "Yes." He brushed his lips against hers again and moved back a few inches to look into her eyes. "And you'll still cook for me and call me Master?" Her lips twitched. "Yes to the cooking and not a chance in hell for the other." He sighed wearily. "Fine, how about Lord and Master?" "Uh...no." "God?" "Nope." "My liege?" "Wait.....no." He gave her one of his lopsided smiles. "I'll wear you down eventually.
R.L. Mathewson (Playing for Keeps (Neighbor from Hell, #1))
There is a no man's land between sex and love, and it alters in the night.
Norman Mailer
The world looks for happiness through self-assertion. The Christian knows that joy is found in self-abandonment. 'If a man will let himself be lost for My sake,' Jesus said, 'he will find his true self.' A Christian woman's true freedom lies on the other side of a very small gate---humble obedience---but that gate leads out into a largeness of life undreamed of by the liberators of the world, to a place where the God-given differentiation between the sexes is not obfuscated but celebrated, where our inequalities are seen as essential to the image of God, for it is in male and female, in male as male and female as female, not as two identical and interchangeable halves, that the image is manifested.
Elisabeth Elliot
Lies 1: There is only the present and nothing to remember. Lies 2: Time is a straight line. Lies 3: The difference between the past and the future is that one has happened while the other has not. Lies 4: We can only be in one place at a time. Lies 5: Any proposition that contains the word 'finite' (the world, the universe, experience, ourselves...) Lies 6: Reality as something which can be agreed upon. Lies 7: Reality is truth.
Jeanette Winterson (Sexing the Cherry)
There is a correlation between the number of days since a man last had sex, and, the number of things that he is willing to do for a woman.
Mokokoma Mokhonoana
Friendship is a Spackle in itself. You'll forgive your friends a lot, and if you're a woman, you'll forgive your straight male friends even more. They represent the possibility of mutual toleration between the sexes, a keyhole into the mind of the Other, and the promise of one day meeting someone just like them except that you want to sleep with them.
Sloane Crosley (How Did You Get This Number: Essays)
I think what I want is for someone to know me. Really know me. Know me better than anyone else and maybe even me. Isn’t that why we commit to another? It’s not for sex. If it were for sex, we wouldn’t marry one person. We’d just keep finding new partners. We commit for many reasons, I know, but the more I think about it, the more I think long-term relationships are for getting to know someone. I want someone to know me, really know me, almost like that person could get into my head. What would that feel like? To have access, to know what it’s like in someone else’s head. To rely on someone else, have him rely on you. That’s not a biological connection like the one between parents and children. This kind of relationship would be chosen. It would be something cooler, harder to achieve than one built on biology and shared genetics. I think that’s it. Maybe that’s how we know when a relationship is real. When someone else previously unconnected to us knows us in a way we never thought or believed possible.
Iain Reid (I'm Thinking of Ending Things)
Sex is more exciting on the screen and between the pages than between the sheets
Andy Warhol
I want it all, Emily. I want to spend my nights holding hands with you,” he breathed the words into her ear. “I want the all-day texting.” He kissed her temple and caressed her cheek. “I want the laughing and the forehead kisses.” He softly ran his lips over her forehead. “I want the date nights, the movie watching, and the breakfast making.” He dragged his hands through her hair, his teeth tugging gently at her bottom lip. “I want the late-night drives, the sunset watching, the screaming, the yelling, and the crying.” Still kissing her, he smiled against her mouth. “I know I’ll definitely want the make up sex that comes after the screaming and the crying. In want the good, the bad and e in between. All of it is what's going to make us amazing together,
Gail McHugh (Collide (Collide, #1))
Girls in those stories are always victims, and I am not. And it doesn’t have anything to do with what Strane did or didn’t do to me when I was younger. I’m not a victim because I never wanted to be, and If I didn’t want to be, then I’m not. That’s how it works. The difference between rape and sex is state of mind. You can’t rape the willing, right?
Kate Elizabeth Russell (My Dark Vanessa)
Her underwear, her jeans, the comforter, my corduroys and my boxers between us, I thought. Five layers, and yet I felt it, the nervous warmth of touching – a pale reflection of the fireworks of one mouth on another, but a reflection nonetheless. And in the almostness of the moment, I cared at least enough. I wasn’t sure whether I liked her, and doubted whether I could trust her, but I cared at least enough to try to find out. Her on my bed, wide green eyes staring down at me. The enduring mystery of her sly, almost smirking, smile. Five layers between us.
John Green
I want nothing more than to climb between the silk sheets and wrap our nude bodies around one another. I want to hold and be held. Sex is a wondrous thing, but tonight I wish to be comforted more than pleasured. I feel like a child in the dark who knows the monsters are under the bed. I want to be told it will be alright, but I am far too old to believe such comforting lies." - Jean-Claude
Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
Learning After some time, you learn the subtle difference between holding a hand and imprisoning a soul; You learn that love does not equal sex, and that company does not equal security, and you start to learn…. That kisses are not contracts and gifts are not promises, and you start to accept defeat with the head up high and open eyes, and you learn to build all roads on today, because the terrain of tomorrow is too insecure for plans… and the future has its own way of falling apart in half. And you learn that if it’s too much even the warmth of the sun can burn. So you plant your own garden and embellish your own soul, instead of waiting for someone to bring flowers to you. And you learn that you can actually bear hardship, that you are actually strong, and you are actually worthy, and you learn and learn…and so every day. Over time you learn that being with someone because they offer you a good future, means that sooner or later you’ll want to return to your past. Over time you comprehend that only who is capable of loving you with your flaws, with no intention of changing you can bring you all happiness. Over time you learn that if you are with a person only to accompany your own solitude, irremediably you’ll end up wishing not to see them again. Over time you learn that real friends are few and whoever doesn’t fight for them, sooner or later, will find himself surrounded only with false friendships. Over time you learn that words spoken in moments of anger continue hurting throughout a lifetime. Over time you learn that everyone can apologize, but forgiveness is an attribute solely of great souls. Over time you comprehend that if you have hurt a friend harshly it is very likely that your friendship will never be the same. Over time you realize that despite being happy with your friends, you cry for those you let go. Over time you realize that every experience lived, with each person, is unrepeatable. Over time you realize that whoever humiliates or scorns another human being, sooner or later will suffer the same humiliations or scorn in tenfold. Over time you learn to build your roads on today, because the path of tomorrow doesn’t exist. Over time you comprehend that rushing things or forcing them to happen causes the finale to be different form expected. Over time you realize that in fact the best was not the future, but the moment you were living just that instant. Over time you will see that even when you are happy with those around you, you’ll yearn for those who walked away. Over time you will learn to forgive or ask for forgiveness, say you love, say you miss, say you need, say you want to be friends, since before a grave, it will no longer make sense. But unfortunately, only over time…
Jorge Luis Borges
I know I want you," he heard himself say, all his vows and his honor all forgotten. She stood before him naked as her name day, and he was as hard as the rock around them. He had been in her half a hundred times by now, but always beneath furs, with others all around them. He had never seeen how beautiful she was. Her legs were skinny and well muscled, the hair at the juncture of her thighs a brighter red than that on her head. Does that make it even luckier? He pulled her close. "I love the smell of you," he said. "I love your red hair. I love your mouth, and the way you kiss me. I love your smile. I love your teats." He kissed them, one and then the other. "I love your skinny legs, and what's between them." He knelt to kiss her there, lightly on her mound at first, but Ygritte moved her legs apart a little, and he saw the pink inside and kissed that as well, and tasted her. She gave a little gasp. "If you love me all so much, why are you still dressed?" she whispered. "You know nothing, Jon Snow. Noth---oh. Oh. OHHH." Afterward, she was almost shy, or as shy as Ygritte ever got. "The thing you did," she said, when they lay together on their piled clothes. "With your...mouth." She hesistated. "Is that...is it what lordss do to their ladies, down in the south?" "I don't think so." No one had ever told Jon just what lords did with their ladies. "I only...wanted to kiss you there, that's all. You seemed to like it." "Aye. I...I liked it some. No one taught you such?" "There's been no one," he confessed. "Only you.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Because we’ve been lied to and lied to, and it hurts to be lied to. It’s ultimately just about that complicated: it hurts. It denies you respect for yourself, for the liar, for the world. Especially if the lies are chronic, systemic, if hard experience seems to teach that everything you’re supposed to believe in’s really a game based on lies. Young Voters have been taught well and thoroughly. You may not personally remember Vietnam or Watergate, but it’s a good bet you remember ‘No new taxes’ and ‘Out of the loop’ and ‘No direct knowledge of any impropriety at this time’ and Did not inhale’ and ‘Did not have sex with that woman’ and etc. etc. It’s depressing and painful to believe that the would-be ‘public servants’ you’re forced to choose between are all phonies whose only real concern is their own care and feeding and who will lie so outrageously with such a straight face that you just know they have to believe you’re an idiot. So who wouldn’t fall all over themselves for a top politician who actually seemed to talk to you like you were a person, an intelligent adult worthy of respect?
David Foster Wallace (The Best American Essays 2007)
For a moment, there is silence between us. He takes a step toward me. “The other night—” I cut him off. “I did it for the same reason that you did. To get it out of my system.” “And is it?” he asks. “Out of your system?” I look him in the face and lie. “Yes.” If he touches me, if he even takes another step toward me, my deceit will be exposed. I don’t think I can keep the longing off my face. Instead, to my relief, he gives a thin-lipped nod and departs. From the next room, I hear the Roach call out to Cardan, to offer to teach him the trick of levitating a playing card. I hear Cardan laugh. It occurs to me that maybe desire isn’t something overindulging helps. Maybe it is not unlike mithridatism; maybe I took a killing dose when I should have been poisoning myself slowly, one kiss at a time.
Holly Black (The Wicked King (The Folk of the Air, #2))
You can argue that it's a different world now than the one when Matthew Shepard was killed, but there is a subtle difference between tolerance and acceptance. It's the distance between moving into the cul-de-sac and having your next door neighbor trust you to keep an eye on her preschool daughter for a few minutes while she runs out to the post office. It's the chasm between being invited to a colleague's wedding with your same-sex partner and being able to slow-dance without the other guests whispering.
Jodi Picoult (Sing You Home)
Most people see the problem of love primarily as that of being loved , rather than that of loving , of one's capacity to love. Hence the problem to them is how to be loved, how to be lovable. In pursuit of this aim they follow several paths. One, which is especially used by men, is to be successful, to be as powerful and rich as the social margin of one's position permits. Another, used especially by women, is to make oneself attractive, by cultivating one's body, dress, etc. .... Many of the ways to make oneself lovable are the same as those used to make oneself successful, to 'win friends and influence people'. As a matter of fact, what most people in our culture mean by being lovable is essentially a mixture between being popular and having sex appeal.
Erich Fromm (The Art of Loving)
How is it that one day life is orderly and you are content, a little cynical perhaps but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange? Travellers at least have a choice. Those who set sail know know that things will not be the same as at home. Explorers are prepared. But for us, who travel to cities of the interior by chance, there is no preparation. We who are fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back worse.
Jeanette Winterson (The Passion)
The last thing the consumer index wants men and women to do is to figure out how to love one another: The $1.5 trillion retail-sales industry depends on sexual estrangement between men and women, and is fueled by sexual dissatisfaction. Ads do not sell sex--that would be counterproductive, if it meant that heterosexual women and men turned to one another and were gratified. What they sell is sexual discontent.
Naomi Wolf (The Beauty Myth)
Susan hardly had begun to slow down when Tera appeared from between a couple of buildings and loped over to the car. I leaned forward, opened the door, and she got into the backseat. I threw her the extra clothes I had picked up, and she began to dress without comment. It worked," I said. "We did it." Of course it worked," Tera said. "Men are foolish. They will stare at anything female and naked.
Jim Butcher (Fool Moon (The Dresden Files, #2))
You wouldn't think the touch of someone's hand could blow your mind. It's nothing, right? People don't right songs and poems about holding hands - they write them about kisses and sex and eternal love. I mean, when you're a little kid you hold hands with your parents to cross the street. Who's going to write an ode to that? We were alone in the dark, even though the enormous theater was filled with probably a thousand people. We were a tiny island in a sea of other people who didn't matter, who had no meaning, who were so stupid, so oblivious, so stuck in their own boring lives that they didn't even notice the huge, momentous, life-shattering event that was taking place right there in row L, between seats 102 and 104. Derek Edwards was holding my hand.
Claire LaZebnik (Epic Fail)
People talk about beautiful relationships between two persons of the same sex. What is the best of that sort as compared with the friendship of man and wife where the best impulses and highest ideals of both are the same? There is no place for comparison between the two friendships; the one is earthly, the other divine.
Mark Twain (A Connecticut Yankee in King Arthur's Court)
The Gethenians do not see one another as men or women. This is almost impossible for our imaginations to accept. After all, what is the first question we ask about a newborn baby? ....there is no division of humanity into strong and weak halves, protected/ protective. One is respected and judged only as a human being. You cannot cast a Gethnian in the role of Man or Woman, while adopting towards 'him' a corresponding role dependant on your expetations of the interactions between persons of the same or oppositve sex. It is an appalling experience for a Terran
Ursula K. Le Guin (The Left Hand of Darkness)
Morality and righteousness is based on intent, love, and in giving; yet, how is it that we as humans have come to view the act of sex with a different set of arbitrary laws? Specifically pigeonholed as an act between man and women, and with righteousness based on an unsystematic number of people we have slept with; as a civilization we have come to bind society with a set of laws largely advantageous to a specific sex, with the minority heavily antagonized and chastised. The universe knows not what sexual morality is, only what is right and wrong. The same principles that dictate morals also command the virtues of sex. Is it with the right intent? Is it based on love? Is it based on giving?
Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
The people at the center of these stories of power couples mostly choose to see their own motives as selfless. In Elizabeth Edwards’ autobiography Resilience, she wrote of her marriage to John, U.S. senator from North Carolina, ‘We were lovers, life companions, crusaders, side by side, for a vision of what the country could be.’ When she found out he was cheating on her, the crusading together became ‘the glue’ that kept them together. ‘I grabbed hold of it. I needed to,’ Edwards wrote. ‘Although I no longer knew what I could trust between the two of us, I knew I could trust in our work together.’ She wanted ‘an intact family fighting for causes more important than any one of us.
Anne Michaud (Why They Stay: Sex Scandals, Deals, and Hidden Agendas of Eight Political Wives)
Oh, this is a special blend for you." Taking one of the fingers she hadn't licked, he rubbed it along her lips. "What we usually shed is apparently comparable to the most delicious of chocolates or the finest of wines. Decadent, rich, and very expensive." She told herself she wasn't going to lick the glitter off her lips. "And this blend?" The taste was inside her mouth without her having any knowledge of taking it in. And Raphael was incredibly close, his wings creating a white gold wall all around them his hands strong and warm on her hips. "What's so special about it?" "This blend," he murmured, bending his head, "is about sex." She put her hands on his chest but it wasn't a protest. After the blood, the fear, she needed to touch him, to know this glorious creature existed. "Another form of mind control?" He shook his head, his mouth a hairbreadth from hers. "It's only fair." "Fair?" She flicked her tongue along his lower lip. It made his hands clench on her hips. "If I licked you between your thighs, your taste would have the same aphrodisiac effect on me.
Nalini Singh (Angels' Blood (Guild Hunter, #1))
Spiritualizing sex is actually a movement of energy—feeling and emotion—that rises within you and moves into your sexual physicality as an alive, tender, erotic, or passionate expression. Your bodies move without inhibition so all the energy can flow out of you and between the two of you. You allow spiritual energy to express its dance through you. Sexuality can be a profound demonstration of your love, and especially your freedom, to express and bond. Spiritual sex, then, combines how you express your love with the intentions or blessings you bring to your partnership.
Alexandra Katehakis (Erotic Intelligence: Igniting Hot, Healthy Sex While in Recovery from Sex Addiction)
It would be perfect if everyone who makes love, is in love, but this is simply an unrealistic expectation. I'd say 75 percent of the population of people who make love, are not in love, this is simply the reality of the human race, and to be idealistic about this is to wait for the stars to aline and Jupiter to change color; for the Heavens to etch your names together in the sky before you make love to someone. But idealism is immaturity, and as a matter of fact, the stars may never aline, Jupiter may never change color, and the Heavens may never ever etch your names together in the sky for you to have the never-ending permission to make endless love to one another. And so the bottom line is, there really is no difference between doing something today, and doing something tomorrow, because today is what you have, and tomorrow may not turn out the way you expect it to. At the end of the day, sex is an animalistic, humanistic, passionate desire.
C. JoyBell C.
We are the world. The world is you and me, the world is not separate from you and me. We have created this world - the world of violence, the world of wars, the world of religious divisions, sex, anxieties, the utter lack of communication with each other, with no sense of compassion, consideration for another. Wherever one goes in any country throughout the world, human beings, that is, you and another, suffer; we are anxious, we are uncertain, we don’t know what is going to happen. Everything has become uncertain. Right through the world as human beings we are in sorrow, fear, anxiety, violence, uncertain of everything, insecure. There is a common relationship between us all. We are the world essentially, basically, fundamentally. The world is you, and you are the world. Realizing that fundamentally, deeply, not romantically, not intellectually but actually, then we see that our problem is a global problem. It is not my problem or your particular problem, it is a human problem.
J. Krishnamurti
I don't care," Kami informed him. "All you are to me are sex objects that I choose to imagine bashing together at random. Oh, there you go again, look at that, nothing but Lynburn skin as far as the mind's eye can see. Masculine groans fill the air, husky and-" "Stop it," Ash said in a faint voice. "That isn't fair." Behind them, Jared was laughing. Kami glanced back at him and caught his eye: for once, it made her smile, as if amusement could still travel back and forth like a spark between them. "Ash is right, this is totally unfair," Jared told her. "If you insist on this-" "Oh, I do," Kami assured him. "Then I insist on hooking up with Rusty instead of Ash. It's the least you can do." "Ugh," Ash protested. "You guys, stop." "She's making a point," Jared said blandly. "I recognize her right to do that. But considering the alternative, I want Rusty." Ash gave this some thought. "Okay, I'll have Rusty too." The sound of the door opening behind them made them all look up the stairs to where Rusty stood, with one eyebrow raised. "Don't fight, boys," he remarked mildly. "There's plenty of Rusty to go around.
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
How does one man assert his power over another, Winston?“ Winston thought. “By making him suffer”, he said. “Exactly. By making him suffer. Obedience is not enough. Unless he is suffering, how can you be sure that he is obeying your will and not his own? Power is in inflicting pain and humiliation. Power is in tearing human minds to pieces and putting them together again in new shapes of your own choosing. Do you begin to see, then, what kind of world we are creating? It is the exact opposite of the stupid hedonistic Utopias that the old reformers imagined. A world of fear and treachery is torment, a world of trampling and being trampled upon, a world which will grow not less but MORE merciless as it refines itself. Progress in our world will be progress towards more pain. The old civilizations claimed that they were founded on love or justice. Ours is founded upon hatred. In our world there will be no emotions except fear, rage, triumph, and self-abasement. Everything else we shall destroy – everything. Already we are breaking down the habits of thought which have survived from before the Revolution. We have cut the links between child and parent, and between man and man, and between man and woman. No one dares trust a wife or a child or a friend any longer. But in the future there will be no wives and no friends. Children will be taken from their mothers at birth, as one takes eggs from a hen. The sex instinct will be eradicated. Procreation will be an annual formality like the renewal of a ration card. We shall abolish the orgasm. Our neurologists are at work upon it now. There will be no loyalty, except loyalty towards the Party. There will be no love, except the love of Big Brother. There will be no laughter, except the laugh of triumph over a defeated enemy. There will be no art, no literature, no science. When we are omnipotent we shall have no more need of science. There will be no distinction between beauty and ugliness. There will be no curiosity, no enjoyment of the process of life. All competing pleasures will be destroyed.
George Orwell (1984)
Tracy and I were among the few girls left in our class who hadn't made it to the table as Todd's girl of the moment. I'd never had the desire to be part of their demented version of Noah's Ark, where you could only survive if you were paired up with a member of the opposite sex. If I had to choose between dating Todd and missing the boat, I was fully prepared to drown.
Elizabeth Eulberg (The Lonely Hearts Club (The Lonely Hearts Club, #1))
I concentrate on what I am going to say to Vivi, instead of thinking of Cardan. I do not want to consider what happened between us. I do not want to think about the way his muscles moved or how his skin felt or the soft gasping sounds he made or the slide of his mouth against mine. I definitely don’t want to think about how hard I had to bite my own lip to keep quiet. Or how obvious it was that I’d never done any of the things we did, no less the things we didn’t do.
Holly Black (The Wicked King (The Folk of the Air, #2))
Theirs was that substantial affection which arises (if any arises at all) when the two who are thrown together begin first by knowing the rougher sides of each other's character, and not the best till further on, the romance growing up in the interstices of a mass of hard prosaic reality. This good-fellowship—camaraderie—usually occurring through similarity of pursuits, is unfortunately seldom superadded to love between the sexes, because men and women associate, not in their labours, but in their pleasures merely. Where, however, happy circumstance permits its development, the compounded feeling proves itself to be the only love which is strong as death—that love which many waters cannot quench, nor the floods drown, beside which the passion usually called by the name is evanescent as steam.
Thomas Hardy (Far from the Madding Crowd)
There’s a huge difference in sex and making love. We have sex with someone who can satisfy us physically, but we make love to someone who can satisfy us soulfully and eternally. Once you realize the fine-line between making love and having sex, you will understand the meaning of life! Life isn’t only about survival, it’s about living and so is making love. We have sex to satisfy our lust and hunger, which is nothing, but survival, but we make love to feed our soul and our mind, to fill a void that is there since a long time, that longs for a partner and that needs someone whom we want to spend the next morning with! When you have sex just for physical pleasure, you are ashamed and guilty at one point of life or another, but when you make love to someone who means everything to you, you are always proud of it. Never in life, not even a single time, you regret that time and the moments spent with that person. You will always rejoice it and remember it with equal passion and joy.
Mehek Bassi
I believe that the universe was formed around 15 billion years ago and that humans have evolved from their apelike ancestors over the past few million years. I believe we are more likely to live a good life if all humans try to work together in a world community, preserving planet earth. When decisions for groups are made in this world, I believe that the democratic process should be used. To protect the individual, I believe in freedom of speech, freedom of the press, freedom of religion, freedom from religion, freedom of inquiry, and a wall of separation between church and state. When making decisions about what is right or wrong, I believe I should use my intelligence to reason about the likely consequences of my actions. I believe that I should try to increase the happiness of everyone by caring for other people and finding ways to cooperate. Never should my actions discriminate against people simply because of their race, religion, sex, sexual orientation, age, or national origin. I believe that ideas about what is right and wrong will change with education, so I am prepared to continually question ideas using evidence from experience and science. I believe there is no valid evidence to support claims for the existence of supernatural entities and deities. I will use these beliefs to guide my thinking and my actions until I find good reasons for revising them or replacing them with other beliefs that are more valid.
Ronald P. Carver
We love men because they can never fake orgasms, even if they wanted to. Because they write poems, songs, and books in our honor. Because they never understand us, but they never give up. Because they can see beauty in women when women have long ceased to see any beauty in themselves. Because they come from little boys. Because they can churn out long, intricate, Machiavellian, or incredibly complex mathematics and physics equations, but they can be comparably clueless when it comes to women. Because they are incredible lovers and never rest until we’re happy. Because they elevate sports to religion. Because they’re never afraid of the dark. Because they don’t care how they look or if they age. Because they persevere in making and repairing things beyond their abilities, with the naïve self-assurance of the teenage boy who knew everything. Because they never wear or dream of wearing high heels. Because they’re always ready for sex. Because they’re like pomegranates: lots of inedible parts, but the juicy seeds are incredibly tasty and succulent and usually exceed your expectations. Because they’re afraid to go bald. Because you always know what they think and they always mean what they say. Because they love machines, tools, and implements with the same ferocity women love jewelry. Because they go to great lengths to hide, unsuccessfully, that they are frail and human. Because they either speak too much or not at all to that end. Because they always finish the food on their plate. Because they are brave in front of insects and mice. Because a well-spoken four-year old girl can reduce them to silence, and a beautiful 25-year old can reduce them to slobbering idiots. Because they want to be either omnivorous or ascetic, warriors or lovers, artists or generals, but nothing in-between. Because for them there’s no such thing as too much adrenaline. Because when all is said and done, they can’t live without us, no matter how hard they try. Because they’re truly as simple as they claim to be. Because they love extremes and when they go to extremes, we’re there to catch them. Because they are tender they when they cry, and how seldom they do it. Because what they lack in talk, they tend to make up for in action. Because they make excellent companions when driving through rough neighborhoods or walking past dark alleys. Because they really love their moms, and they remind us of our dads. Because they never care what their horoscope, their mother-in-law, nor the neighbors say. Because they don’t lie about their age, their weight, or their clothing size. Because they have an uncanny ability to look deeply into our eyes and connect with our heart, even when we don’t want them to. Because when we say “I love you” they ask for an explanation.
Paulo Coelho
... it is fatal for anyone who writes to think of their sex. It is fatal to be a man or woman pure and simple; one must be woman-manly or man-womanly. It is fatal for a woman to lay the least stress on any grievance; to plead even with justice any cause; in any way to speak consciously as a woman. And fatal is no figure of speech; for anything written with that conscious bias is doomed to death. It ceases to be fertilized. Brilliant and effective, powerful and masterly, as it may appear for a day or two, it must wither at nightfall; it cannot grow in the minds of others. Some collaboration has to take place in the mind between the woman and the man before the art of creation can be accomplished. Some marriage of opposites has to be consummated. The whole of the mind must lie wide open if we are to get the sense that the writer is communicating his experience with perfect fullness.
Virginia Woolf (A Room of One’s Own)
My viewpoint, in telling the history of the United States, is different: that we must not accept the memory of states as our own. Nations are not communities and never have been. The history of any country, presented as the history of a family, conceals fierce conflicts of interest (sometimes exploding, most often repressed) between conquerors and conquered, masters and slaves, capitalists and workers, dominators and dominated in race and sex. And in such a world of conflict, a world of victims and executioners, it is the job of thinking people, as Albert Camus suggested, not to be on the side of the executioners.
Howard Zinn (A People’s History of the United States: 1492 - Present)
The green-eyed angel came in less than a half hour and fell docile as a lamb into my arms. We kissed and caressed, I met no resistance when I unlaced the strings to free her dress and fill myself in the moist and hot bed nature made between her thighs. We made love outdoors—without a roof, I like most, without stove, my favorite place, assuming the weather be fair and balmy, and the earth beneath be clean. Our souls intertwined and dripping with dew, and our love for each other was seen. Our love for the world was new.
Roman Payne
The minute you land in New Orleans, something wet and dark leaps on you and starts humping you like a swamp dog in heat, and the only way to get that aspect of New Orleans off you is to eat it off. That means beignets and crayfish bisque and jambalaya, it means shrimp remoulade, pecan pie, and red beans with rice, it means elegant pompano au papillote, funky file z'herbes, and raw oysters by the dozen, it means grillades for breakfast, a po' boy with chowchow at bedtime, and tubs of gumbo in between. It is not unusual for a visitor to the city to gain fifteen pounds in a week--yet the alternative is a whole lot worse. If you don't eat day and night, if you don't constantly funnel the indigenous flavors into your bloodstream, then the mystery beast will go right on humping you, and you will feel its sordid presence rubbing against you long after you have left town. In fact, like any sex offender, it can leave permanent psychological scars.
Tom Robbins (Jitterbug Perfume)
What's going on between us?" "I want you." "Do you? Really? Because these scars are sexy." "I don't give a fuck about your scars." "How are you going to react when we 're this close and you take off my shirt? Are you still going to want me when you see red and white lines? Are you going to flinch each time you accidentally touch my arms and feel the raised skin? How about when i touch you?" "Or will you forbid that? Will you tell me how to dress or what i'm allowed to take off?" "For the last time I don't give a fuck about your scars." "Liar. Because the only way anyone will ever be okay with me is if they love me. Really love me enough to not care that I’m damaged. You don't love people. You have sex with them. So how could you want to be with me?
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
context and memory play powerful roles in all the truly great meals in one's life. I mean, lets face it:when you're eating simple barbecue under a palm tree, and you feel sand between your toes, samba music is playing softly in the backgroud, waves are lapping at the shore a few yards off, a gentle breeze is cooling the sweat on the back of your neck at the hairline, and looking across the table, past the column of empty Red Stripes at the dreamy expression on your companion's face, you realize that in half an hour you're proably going to be having sex on clean white hotel sheets, that grilled chicken leg suddenly tastes a hell of a lot better
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
It was that I had started having sex, and that sex didn't feel like enough, and no emotions were really enough, I didn't feel.... it's like there was always something I wanted to break out of, feel more, be more connected to another person, something more honest... and in kind of a moment of wanting to find something honest, I grabbed a knife, and I cut him and he cut me back, and we had this exchange, and then somehow ...covered in blood and my heart was racing and it was dangerous and life... and... and it suddenly felt more honest than whatever this sex thing was supposed to be, this connection between two people was supposed to be. So I went through a period of when I would feel trapped, I'd cut myself because it felt like I was releasing something, and that it was honest. I had a desperate need, which I think most artists do, to communicate... to feel that whatever it is inside me, cutting or going crazy or whatever it is I'm feeling,... there's something inside of us, we wanna reach out, we wanna talk to each other, we wanna throw our emotions and our thoughts out and hope that we make some sense or we get an answer... we want to just emote and hope there'll be a response.
Angelina Jolie
Children who are victimized through sexual abuse often begin to develop deeply held tenets that shape their sense of self: 'My worth is my sexuality. I'm dirty and shameful. I have no right to my own physical boundaries.' That shapes their ideas about the world around them: 'No one will believe me. Telling the truth results in bad consequences. People can't be trusted.' It doesn't take long for children to being to act in accordance with these belief systems. For girls who have experienced incest, sexual abuse, or rape, the boundaries between love, sex, and pain become blurred. Secrets are normal, and shame is a constant.
Rachel Lloyd (Girls Like Us)
Being faithful and monogamous is not natural for human beings. It takes work. Deep down we all know that. We have all been tempted to stray at some point or another. Even when it was only a fleeting thought and we didn't act on it. Every time we acknowledge that someone of the opposite sex is "attractive" or "sexy" we are doing nothing other than pointing out that they would be a suitable mate. Not acting on that natural impulse to want to mate with a viable mating partner requires a conscious decision. It's a constant struggle between what your body wants, and what the civilized part of your brain says you should do, in order to avoid the negative consequences of cheating on your spouse and ruining your long-term relationship. That's why affairs, and extra-marital sex, are often referred to as "a moment of weakness.
Oliver Markus Malloy (Why Men And Women Can't Be Friends)
Female Mercenary. This will be a companion on your Tour. She is usually tall, thin and wiry, silent, and neurotic. Sex scares her. This is because she either came from a nunnery or was raped as a child. Or both. Somehow this inspired her to become a mercenary and she is very good at her job. You can rely on her absolutely in a fight. She can usually kill two people at once while guarding your back in between. The rest of the time, she will irritate you with lots of punctilious weapons cleaning and a perpetual insistence that a proper watch be kept. Mostly, she will have no magic talents, but sometimes, in an emergency, she will come up with a gift or vision. You will end up grudgingly admiring her.
Diana Wynne Jones (The Tough Guide to Fantasyland)
Austerity means to eliminate the comforts and cushions in your life that you have learned to snuggle into and lose wakefulness. Take away anything that dulls your edge. No newspapers or magazines. No TV. No candy, cookies, or sweets. No sex. No cuddling. No reading of anything at all while you eat or sit on the toilet. Reduce working time to a necessary minimum. No movies. No conversation that isn't about truth, love, or the divine. If you take on these disciplines for a few weeks, as well as any other disciplines that may particularly cut through your unique habits of dullness, then your life will be stripped of routine distraction. All that will be left is the edge you have been avoiding by means of your daily routine. You will have to face the basic discomfort and dissatisfaction that is the hidden texture of your life. You will be alive with the challenge of living your truth, rather than hiding form it. Unadorned suffering is the bedmate of masculine growth. Only by staying intimate with your personal suffering can you feel through it to its source. By putting all your attention into work, TV, sex, and reading, your suffering remains unpenetrated, and the source remains hidden. Your life becomes structured entirely by your favorite means of sidestepping the suffering you rarely allow yourself to feel. And when you do touch the surface of your suffering, perhaps in the form of boredom, you quickly pick up a magazine or the remote control. Instead, feel your suffering, rest with it, embrace it, make love with it. Feel your suffering so deeply and thoroughly that you penetrate it, and realize its fearful foundation. Almost everything you do, you do because you are afraid to die. And yet dying is exactly what you are doing, from the moment you are born. Two hours of absorption in a good Super Bowl telecast may distract you temporarily, but the fact remains. You were born as a sacrifice. And you can either participate in the sacrifice, dissolving in the giving of your gift, or you can resist it, which is your suffering. By eliminating the safety net of comforts in your life, you have the opportunity to free fall in this moment between birth and death, right through the hole of your fear, into the unthreatenable openness which is the source of your gifts. The superior man lives as this spontaneous sacrifice of love.
David Deida (The Way of the Superior Man: A Spiritual Guide to Mastering the Challenges of Women, Work, and Sexual Desire)
Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong. How is it that one day life is orderly and you are content, a little cynical perhaps, but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange? Travellers at least have a choice. Those who set sail know that things will not be the same as at home. Explorers are prepared. But for us, who travel along the blood vessels, who come to the cities of the interior by chance, there is no preparation. We who were fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back is worse.
Jeanette Winterson (The Passion)
The category of Other is as original as consciousness itself. The duality between Self and Other can be found in the most primitive societies, in the most ancient mythologies; the division did not always fall into the category of the division of the sexes (...) No group ever defines itself as One without immediately setting up the Other opposite itself. It only takes three travelers brought together by chance in the same train compartment for the rest of the travellers to become vaguely hostile 'others'. Village people view anyone not belonging to the village as suspicious 'others'. For the native of a country, inhabitants of other countries are viewed as 'foreigners'; Jews are the 'others' for anti-Semites, blacks for racist Americans, indigenous people for colonists, proletarians for the propertied classes.
Simone de Beauvoir (The Second Sex)
I don't need a mate,” she muttered, staring up at the bright circle of the early autumn moon. “But can't you send me a nice, sexy, strongmale to dance with? Pretty please?” She hadn't had a lover for close to eight months now, and it was starting to hurt on every level. “He doesn't even have to be smart, just good between the sheets.” Good enough to unsnap the tension in her body, allow her to function again. Because sex wasn't simply about pleasure for a cat like her—it was about affection, about trust, about everything good. “Though right this second, I'd take plain old hot sex.” That was when Riley walked out of the shadows. “Got an itch, kitty?” Snapping to her feet, she narrowed her eyes, knowing he had to have deliberately stayed downwind in order to sneak up on her. “Spying?” “When you're talking loud enough to wake the dead?” She swore she could feel steam coming out her ears.
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
The porn films are not about sex. Sex is airbrushed and digitally washed out of the films. There is no acting because none of the women are permitted to have what amounts to a personality. The one emotion they are allowed to display is an unquenchable desire to satisfy men, especially if that desire involves the women’s physical and emotional degradation. The lightning in the films is harsh and clinical. Pubic hair is shaved off to give the women the look of young girls or rubber dolls. Porn, which advertises itself as sex, is a bizarre, bleached pantomime of sex. The acts onscreen are beyond human endurance. The scenarios are absurd. The manicured and groomed bodies, the huge artificial breasts, the pouting oversized lips, the erections that never go down, and the sculpted bodies are unreal. Makeup and production mask blemishes. There are no beads of sweat, no wrinkle lines, no human imperfections. Sex is reduced to a narrow spectrum of sterilized dimensions. It does not include the dank smell of human bodies, the thump of a pulse, taste, breath—or tenderness. Those in films are puppets, packaged female commodities. They have no honest emotion, are devoid of authentic human beauty, and resemble plastic. Pornography does not promote sex, if one defines sex as a shared act between two partners. It promotes masturbation. It promotes the solitary auto-arousal that precludes intimacy and love. Pornography is about getting yourself off at someone else’s expense.
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
Men who are in prison for rape think it's the dumbest thing that ever happened... it's isn't just a miscarriage of justice; they were put in jail for something very little different from what most men do most of the time and call it sex. The only difference is they got caught. That view is nonremorseful and not rehabilitative. It may also be true. It seems to me that we have here a convergence between the rapists's view of what he has done and the victim's perspective on what was done to her. That is, for both, their ordinary experiences of heterosexual intercourse and the act of rape have something in common. Now this gets us into immense trouble, because that's exactly how judges and juries see it who refuse to convict men accused of rape. A rape victim has to prove that it was not intercourse. She has to show that there was force and that she resisted, because if there was sex, consent is inferred. Finders of fact look for "more force than usual during the preliminaries". Rape is defined by distinction from intercourse - not nonviolence, intercourse. They ask, does this event look more like fucking or like rape? But what is their standard for sex, and is this question asked from the women's point of view? The level of force is not adjudicated at her point of violation; it is adjudicated at the standard for the normal level of force. Who sets this standard?
Catharine A. MacKinnon
Little sister don't you worry about a thing today Take the heat from the sun Little sister I know that everything is not ok But you're like honey on my tongue True love never can be rent But only true love can keep beauty innocent I could never take a chance Of losing love to find romance In the mysterious distance Between a man and a woman No I could never take a chance 'Cause I could never understand The mysterious distance Between a man and a woman You can run from love And if it's really love it will find you Catch you by the heel But you can't be numb for love The only pain is to feel nothing at all How can I hurt when I'm holding you? I could never take a chance Of losing love to find romance In the mysterious distance Between a man and a woman And you're the one, there's no-one else who makes me want to lose myself In the mysterious distance Between a man and a woman Brown eyed girl across the street On rue Saint Divine I thought this is the one for me But she was already mine You were already mine... Little sister I've been sleeping in the street again Like a stray dog Little sister I've been trying to feel complete again But you're gone and so is God The soul needs beauty for a soul mate When the soul wants...the soul waits ... No I could never take a chance Of losing love to find romance In the mysterious distance Between a man and a woman For love and FAITH AND SEX and fear And all the things that keep us here In the mysterious distance Between a man and a woman How can I hurt when I'm holding you?
U2
Read any women's magazine and you'll see the same complaint over and over again: men - those little boys ten or twenty or thirty years on - are hopeless in bed. They are not interested in "foreplay"; they have no desire to stimulate the erogenous zones of the opposite sex; they are selfish, greedy, clumsy, unsophisticated. These complaints, you can't help feeling, are ironic. Back then, all we wanted was foreplay, and girls weren't interested. They didn't want to be touched, caressed, stimulated, aroused; in fact, they used to thump us if we tried. It's not really very suprising, then, that we're not much good at all that. We spent two or three long and extremely formative years being told very forcibly not even to think about it. Between the ages of fourteen and twenty-four, foreplay changes from being something that boys want to do and girls don't, to something that women want and men can't be bothered with. (Or so they say. Me, I like foreplay - mostly because the times when all I wanted to do was touch are alarmingly fresh in my mind.) The perfect match, if you ask me, is between the Cosmo woman and the fourteen-year-old boy.
Nick Hornby (High Fidelity)
My mom says, "Do you know what the AIDS memorial quilt is all about?" Jump to how much I hate my brother at this moment. I bought this fabric because I thought it would make a nice panel for Shane," Mom says. "We just ran into some problems with what to sew on it." Give me amnesia. Flash. Give me new parents. Flash. Your mother didn't want to step on any toes," Dad says. He twists a drumstick off and starts scraping the meat onto a plate. "With gay stuff you have to be so careful since everything means something in secret code. I mean, we didn't want to give people the wrong idea." My Mom leans over to scoop yams onto my plate, and says, "Your father wanted a black border, but black on a field of blue would mean Shane was excited by leather sex, you know, bondage and discipline, sado and masochism." She says, "Really, those panels are to help the people left behind." Strangers are going to see us and see Shane's name," my dad says. "We didn't want them thinking things." The dishes all start their slow clockwise march around the table. The stuffing. The olives. The cranberry sauce. "I wanted pink triangles but all the panels have pink triangles," my mom says. "It's the Nazi symbol for homosexuals." She says,"Your father suggested black triangles, but that would mean Shane was a lesbian. It looks like female pubic hair. The black triangle does." My father says, "Then I wanted a green border, but it turns out that would mean Shane was a male prostitute." My mom says, "We almost chose a red border, but that would mean fisting. Brown would mean either scat or rimming, we couldn't figure which." Yellow," my father says, "means watersports." A lighter shade of blue," Mom says, "would mean just regular oral sex." Regular white," my father says, "would mean anal. White could also mean Shane was excited by men wearing underwear." He says, "I can't remember which." My mother passes me the quilted chicken with the rolls still warm inside. We're supposed to sit and eat with Shane dead all over the table in front of us. Finally we just gave up," my mom says, "and I made a nice tablecloth out of the material." Between the yams and the stuffing, Dad looks down at his plate and says, "Do you know about rimming?" I know it isn't table talk. And fisting?" my mom asks. I say, I know. I don't mention Manus and his vocational porno magazines. We sit there, all of us around a blue shroud with the turkey more like a big dead baked animal than ever, the stuffing chock full of organs you can still recognize, the heart and gizzard and liver, the gravy thick with cooked fat and blood. The flower centerpiece could be a casket spray. Would you pass the butter, please?" my mother says. To my father she says, "Do you know what felching is?
Chuck Palahniuk (Invisible Monsters)
But gay marriage is coming to America first and foremost because marriage here is a secular concern, not a religious one. The objection to gay marriage is almost invariably biblical, but nobody's legal vows in this country are defined by interpretation of biblical verse - or at least, not since the Supreme Court stood up for Richard and Mildred Loving. A church wedding ceremony is a nice thing, but it is neither required for legal marriage in America nor does it constitute legal marriage in America. What constitutes legal marriage in this country is that critical piece of paper that you and your betrothed must sign and then register with the state. The morality of your marriage may indeed rest between you and God, but it's that civic and secular paperwork which makes your vows official here on earth. Ultimately, then, it is the business of America's courts, not America's churches, to decide the rules of matrimonial law, and it is in those courts that the same-sex marriage debate will finally be settled.
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
Her room was warm and lightsome. A huge doll sat with her legs apart in the copious easy-chair beside the bed. He tried to bid his tongue speak that he might seem at ease, watching her as she undid her gown, noting the proud conscious movements of her perfumed head. As he stood silent in the middle of the room she came over to him and embraced him gaily and gravely. Her round arms held him firmly to her and he, seeing her face lifted to him in serious calm and feeling the warm calm rise and fall of her breast, all but burst into hysterical weeping. Tears of joy and relief shone in his delighted eyes and his lips parted though they would not speak. She passed her tinkling hand through his hair, calling him a little rascal. —Give me a kiss, she said. His lips would not bend to kiss her. He wanted to be held firmly in her arms, to be caressed slowly, slowly, slowly. In her arms he felt that he had suddenly become strong and fearless and sure of himself. But his lips would not bend to kiss her. With a sudden movement she bowed his head and joined her lips to his and he read the meaning of her movements in her frank uplifted eyes. It was too much for him. He closed his eyes, surrendering himself to her, body and mind, conscious of nothing in the world but the dark pressure of her softly parting lips. They pressed upon his brain as upon his lips as though they were the vehicle of a vague speech; and between them he felt an unknown and timid pressure, darker than the swoon of sin, softer than sound or odour.
James Joyce (A Portrait of the Artist as a Young Man)
There is lovemaking that is bad for a person, just as there is eating that is bad. That boysenberry cream pie from the Thrift-E Mart may appear inviting, may, in fact, cause all nine hundred taste buds to carol from the tongue, but in the end, the sugars, the additives, the empty calories clog arteries, disrupt cells, generate fat, and rot teeth. Even potentially nourishing foods can be improperly prepared. There are wrong combinations and improper preparations in sex as well. Yes, one must prepare for a fuck--the way an enlightened priest prepares to celebrate mass, the way a great matador prepares for the ring: with intensification, with purification, with a conscious summoning of sacred power. And even that won't work if the ingredients are poorly matched: oysters are delectable, so are strawberries, but mashed together ... (?!) Every nutritious sexual recipe calls for at least a pinch of love, and the fucks that rate four-star rankings from both gourmets and health-food nuts use cupfuls. Not that sex should be regarded as therapeutic or to be taken for medicinal purposes--only a dullard would hang such a millstone around the nibbled neck of a lay--but to approach sex carelessly, shallowly, with detachment and without warmth is to dine night after night in erotic greasy spoons. In time, one's palate will become insensitive, one will suffer (without knowing it) emotional malnutrition, the skin of the soul will fester with scurvy, the teeth of the heart will decay. Neither duration nor proclamation of commitment is necessarily the measure--there are ephemeral explosions of passion between strangers that make more erotic sense than lengthy marriages, there are one-night stands in Jersey City more glorious than six-months affairs in Paris--but finally there is a commitment, however brief; a purity, however threatened; a vulnerability, however concealed; a generosity of spirit, however marbled with need; and honest caring, however singled by lust, that must be present if couplings are to be salubrious and not slow poison.
Tom Robbins (Still Life with Woodpecker)
Once you are in a relationship you start taking each other for granted—that’s what destroys all love affairs. The woman thinks she knows the man, the man thinks he knows the woman. Nobody knows either! It is impossible to know the other, the other remains a mystery. And to take the other for granted is insulting, disrespectful. To think that you know your wife is very, very ungrateful. How can you know the woman? How can you know the man? They are processes, they are not things. The woman that you knew yesterday is not there today. So much water has gone down the Ganges; she is somebody else, totally different. Relate again, start again, don’t take it for granted. And the man that you slept with last night, look at his face again in the morning. He is no more the same person, so much has changed. So much, incalculably much has changed. That is the difference between a thing and a person. The furniture in the room is the same, but the man and the woman, they are no more the same. Explore again, start again. That’s what I mean by relating. Relating means you are always starting, you are continuously trying to become acquainted. Again and again, you are introducing yourself to each other. You are trying to see the many facets of the other’s personality. You are trying to penetrate deeper and deeper into his realm of inner feelings, into the deep recesses of his being. You are trying to unravel a mystery that cannot be unraveled. That is the joy of love: the exploration of consciousness. And
Osho (Love, Freedom, and Aloneness: On Relationships, Sex, Meditation, and Silence)
Yawn... I believe that I love sleep much more than anybody I’ve ever met. I have the ability to sleep for 2 or 3 days and nights. I will go to bed at any given moment. I often confused my girlfriends this way— say it would be about onethirty in the afternoon: “well, I’m going to bed now, I’m going to sleep…” most of them wouldn’t mind, they would go to bed with me thinking I was hinting for sex but I would just turn my back and snore off. this, of course, could explain why so many of my girlfriends left me. as for doctors, they were never any help: “listen, I have this desire to go to bed and sleep, almost all the time. what is wrong with me?” “do you get enough exercise?” “yes…” “are you getting enough nourishment?” “yes…” they always handed me a prescription which I threw away between the office and the parking lot. it’s a curious malady because I can’t sleep between 6 p.m. and midnight. it must occur after midnight and when I arise it can never be before noon. and should the phone ring say at 10:30 a.m. I go into a mad rage don’t even ask who the caller is scream into the phone: “WHAT ARE YOU CALLING ME FOR AT THIS HOUR!” hang up… every person, I suppose, has their eccentricities but in an effort to be normal in the world’s eye they overcome them and therefore destroy their special calling. I’ve kept mine and do believe that they have lent generously to my existence. I think it’s the main reason I decided to become a writer: I can type anytime and sleep when I damn well please.
Charles Bukowski
We aren't fighting right now." I blurted out. He gave me a sidelong look. "Do you want to fight?" "No. I hate fighting with you. Verbally, I mean. I don't mind in the gym." I thought I detected the hint of a smile. Always a half-smile for me. Rarely a full one. "I don't like fighting with you either." Sitting next to him there, I marveled at the warm and happy emotions springing up inside me. There was something about being around him that felt so good, that moved me in a way Mason couldn't. You can't force love, I realized, It's there or it isn't. If it's not there, you've got to be able to admit it. If it is there, you've got to do whatever it takes to protect the ones you love. The next words that came out of my mouth astonished me, both because they were completely unselfish and because I actually meant them. "You should take it." He flinched. "What?" "Tasha's offer. You should take her up on it. It's a really great chance." I remembered my mom's words about being ready for children. I wasn't. Maybe she hadn't been. But Tasha was. And I knew Dimitri was too. They got along really well. He could go be her guardian, have some kids with her...it would be a good deal for both of them. "I never expected to hear you say anything like that," he told me, voice tight. "Especially after-" "What a bitch I've been? Yeah." I tugged his coat tighter against the cold. It smelled like him. It was intoxicating, and I could half-imagine being wrapped in his embrace. Adrian might have been onto something about the power of scent. "Well. Like I said, I don't want to fight anymore. I don't want us to hate each other. And...well..." I squeezed my eyes shut and then opened them. "No matter how I feel about us...I want you to be happy." Silence yet again. I noticed then that my chest hurt. Dimitri reached out and put his arm around me. He pulled me to him, and I rested my head on his chest. "Roza," was all he said. It was the first time he'd really touched me since the night of the lust charm. The practice room had been something different...more animal. This wasn't even about sex. It was just about being close to someone you cared about, about the emotion that kind of connection flooded you with. Dimitri might run off with Tasha, but I would still love him. I would probably always love him. I cared about Mason. But I would probably never love him. I sighed into Dimitri, just wishing I could stay like that forever. It felt right being with him. And-no matter how much the thought of him and Tasha made me ache-doing what was best for him felt right. Now, I knew, it was time to stop being a coward and do something else that was right. Mason had said I needed to learn something about myself. I just had. Reluctantly, I pulled away and handed Dimitri his coat. I stood up. He regarded me curiously, sensing my unease. "Where you going?" he asked. "To break someone's heart," I replied. I admired Dimitri for a heartbeat more-the dark, knowing eyes and silken hair. The I headed inside. I had to apologize to Mason...and tell him there'd never be anything between us.
Richelle Mead (Frostbite (Vampire Academy, #2))
You okay?" he says, touching my cheek. His hand cradles the side of my head, his long fingers slipping through my hair. He smiles and holds my head in place as he kisses me. Heat spreads through me slowly.And fear, buzzing like an alarm in my chest. His lips still on mine,he pushes the jacket from my shoulders.I flinch when I hear it drop,and push him back,my eyes burning. I don't know why I feel this way. I didn't feel like this when he kissed me on the train.I press my palms to my face,covering my eyes. "What? What's wrong?" I shake my head. "Don't tell me it's nothing." His voice is cold.He grabs my arm. "Hey. Look at me." I take my hands from my face and lift my eyes to his.The hurt in his eyes and the anger in his clenched jaw surprise me. "Sometimes I wonder," I say,as calmly as I can, "what's in it for you. This...whatever it is." "What's in it for me," he repeats. He steps back,shaking his head. "You're an idiot,Tris." "I am not an idiot," I say. "Which is why I know that it's a little weird that,of all the girls you could have chosen,you chose me.So if you're just looking for...um,you know...that..." "What? Sex?" He scowls at me. "You know, if that was all I wanted, you probably wouldn't be the first person I would go to." I feel like he just punched me in the stomach. Of course I'm not the first person he would go to-not the first, not the prettiest,not desirable. I press my hands to my abdomen and look away, fighting off tears. I am not the crying type.Nor am I the yelling type. I blink a few times, lower my hands, and stare up at him. "I'm going to leave now," I say quietly. And I turn toward the door. "No,Tris." He grabs my wrist and wrenches me back. I push him away,hard, but he grabs my other wrist, holding our crossed arms between us. "I'm sorry I said that," he says. "What I meant was that you aren't like that. Which I knew when I met you." "You were an obstacle in my fear landscape." My lower lip wobbles. "Did you know that?" "What?" He releases my wrists, and the hurt look is back. "You're afraid of me?" "Not you," I say. I bite my lip to keep it still. "Being with you...with anyone. I've never been involved with someone before,and...you're older, and I don't know what your expectations are,and..." "Tris," he says sternly, "I don't know what delusion you're operating under,but this is all new to me, too." "Delusion?" I repeat. "You mean you haven't..." I raise my eyebrows. "Oh. Oh.I just assumed..." That because I am so absorbed by him, everyone else must be too. "Um. You know." "Well,you assumed wrong." He looks away. His cheeks are bright,like he's embarrassed. "You can tell me anything, you know," he says. He takes my face in his hands,his fingertips cold and his palms warm. "I am kinder than I seemed in training. I promise." I believe him.But this has nothing to do with his kindness. He kisses me between the eyebrows, and on the tip of my nose,and then carefully fits his mouth to mine. I am on edge.I have electricity coursing through my veins instead of blood. I want him to kiss me,I want him to; I am afraid of where it might go.
Veronica Roth (Divergent (Divergent, #1))
In their new personal development the girl and the woman will only be for a short time imitations of the good and bad manners of man and reiterations of man's professions. After the uncertainty of this transition it will appear that women have passed through those many, often ridiculous, changes of disguise, only to free themselves from the disturbing influence of the other sex. For women, in whom life tarries and dwells in a more incommunicable, fruitful and confident form, must at bottom have become richer beings, more ideally human beings than fundamentally easy-going man, who is not drawn down beneath the surface of life by the difficulty of bearing bodily fruit, and who arrogantly and hastily undervalues what he means to love. When this humanity of woman, borne to the full in pain and humiliation, has stripped off in the course of the changes of its outward position the old convention of simple feminine weakness, it will come to light, and man, who cannot yet feel it coming, will be surprised and smitten by it. One day—a day of which trustworthy signs are already speaking and shining forth especially in northern lands—one day that girl and woman will exist, whose name will no longer mean simply a contrast to what is masculine, but something for itself, something that will not make one think of any supplement or limit, but only of life and existence—the feminine human beings. This advance, at first very much against the will of man who has been overtaken—will alter the experience of love, which is now full of error, will change it radically and form it into a relationship, no longer between man and woman, but between human being and human being. And this more human love, which will be carried out with infinite consideration and gentleness and will be good and clean in its tyings and untyings, will be like that love which we are straining and toiling to prepare, the love which consists in this, that two lonely beings protect one another, border upon one another and greet one another.
Rainer Maria Rilke (Letters to a Young Poet)