Betty And Veronica Quotes

This is making me crazy. I hate relying on other people to save me, I hate being clingy, I hate it, and every time you show up, I lean on you. - Matilda Scarlet Veronica Betty Vilma Goodnight

It doesn't matter what you read. What matters is you read. Whether it’s Tolstoy or Twilight, Kierkegaard or Betty and Veronica, keep reading, and don’t ever let somebody else—anybody—have a say about, or try to control, what you choose to learn from and/or escape into.

Having lost his mother, father, brother, an grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an escape from reality, seemed to Joe actually to be a powerful argument on their behalf… The escape from reality was, he felt—especially right after the war—a worthy challenge… The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was the magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.

I wish I had all day to watch this show but I got things to do,” Darius put in. “You gonna call this in?” he asked Eddie. “Yeah.” Eddie’s eyes moved to Lee. Eddie had taken off his shades and slid an arm in the collar of his tee so they were hanging at his throat. “We gotta talk. Do you think Betty and Veronica here can keep an eye on these two?” “I get to be Veronica,” Ally said instantly. I turned to her. “Why do you get to be Veronica?” I didn’t want to be Betty, Betty was a doormat. Veronica had attitude. “I’m so Veronica,” Ally said in answer. “Unh,” the hit man groaned. “Jesus,” Darius said.

Archie! Trying to figure out a woman is just like punching yourself in the head -- It feels good when you stop!! (Jughead Jones)

In July 1970, the Women’s Liberation Basement Press, in Berkeley, California, launched an underground comic book called It Aint Me Babe. The cover of its first issue featured Wonder Woman marching in a rally protesting stock comic-book plots. Inside, Supergirl tells Superman to get lost, Veronica ditches Archie for Betty, Petunia Pig tells Porky Pig to cook his own dinner, and when Iggy tells Lulu “No girls allowed!” she has only one thing to say: “Fuck this shit!

So who are you writing to?” I hesitate. “Do you remember John Ambrose McClaren?” He rolls his eyes. “Of course I remember John Ambrose McClaren. I had a crush on him in seventh grade.” “I had a crush on him in eighth!” “Of course you did. We all did. In middle school you either liked John or you liked Peter. Those were the two main choices. Like Betty and Veronica. Obviously John is Betty and Peter’s Veronica.” He pauses. “Remember how John used to have that really endearing stutter?” “Yes! I mourned it a little when it went away. It was so sweet. So boyish. And do you remember how his hair was the color of pale butter? Like, the way I bet freshly churned butter looks.” “I thought it was more like moonlit corn silk, but yeah. So how did he turn out?” “I don’t know…It’s strange because there’s the him I remember from middle school, and that’s just my memory of him, but then there’s the him now.” “Did you guys ever go out back then?” “Oh no! Never.” “So that’s probably why you’re curious about him now.” “I didn’t say I was curious.” Lucas gives me a look. “You basically did. I don’t blame you. I’d be curious too.” “It’s just fun to think about.

Having lost his mother, father, brother, an grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an escape from reality, seemed to Joe actually to be a powerful argument on their behalf. He had escaped, in his life, from ropes, chains, boxes, bags and crates, from countries and regimes, from the arms of a woman who loved him, from crashed airplanes and an opiate addiction and from an entire frozen continent intent on causing his death. The escape from reality was, he felt—especially right after the war—a worthy challenge. He would remember for the rest of his life a peaceful half hour spent reading a copy of 'Betty and Veronica' that he had found in a service-station rest room: lying down with it under a fir tree, in a sun-slanting forest outside of Medford, Oregon, wholly absorbed into that primary-colored world of bad gags, heavy ink lines, Shakespearean farce, and the deep, almost Oriental mistery of the two big-toothed wasp-waisted goddess-girls, light and dark, entangled forever in the enmity of their friendship. The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.

I think you might be the death of me. And its as if I'm running at full speed towards my grave.

I find myself missing you before you're even gone, knowing there exists a space without you next to me. A somewhere I never want to fell too comfortable in.