Bethlehem Quotes

We've searched our database for all the quotes and captions related to Bethlehem. Here they are! All 100 of them:

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I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends.
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Joan Didion (Slouching Towards Bethlehem)
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Christmas is built upon a beautiful and intentional paradox; that the birth of the homeless should be celebrated in every home.
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G.K. Chesterton (Brave New Family: G.K. Chesterton on Men and Women, Children, Sex, Divorce, Marriage and the Family)
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We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.
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Joan Didion (Slouching Towards Bethlehem)
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[O]ne of the mixed blessings of being twenty and twenty-one and even twenty-three is the conviction that nothing like this, all evidence to the contrary notwithstanding, has ever happened before.
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Joan Didion (Slouching Towards Bethlehem)
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...I think we are well-advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.
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Joan Didion (Slouching Towards Bethlehem)
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The ability to think for one's self depends upon one's mastery of the language.
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Joan Didion (Slouching Towards Bethlehem)
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People with self-respect exhibit a certain toughness, a kind of moral nerve; they display what was once called *character,* a quality which, although approved in the abstract, sometimes loses ground to the other, more instantly negotiable virtues.... character--the willingness to accept responsibility for one's own life--is the source from which self-respect springs.
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Joan Didion (Slouching Towards Bethlehem)
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And what rough beast, its hour come round at last, Slouches toward Bethlehem to be born?
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W.B. Yeats
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Ridcully was to management what King Herod was to the Bethlehem Playgroup Association.
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Terry Pratchett (The Last Continent (Discworld, #22; Rincewind, #6))
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...quite simply, I was in love with New York. I do not mean β€œlove” in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and you never love anyone quite that way again. I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage.
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Joan Didion (Slouching Towards Bethlehem)
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For outlandish creatures like us, on our way to a heart, a brain, and courage, Bethlehem is not the end of our journey but only the beginning - not home but the place through which we must pass if ever we are to reach home at last.
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Frederick Buechner (The Magnificent Defeat)
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I know something about dread myself, and appreciate the elaborate systems with which some people fill the void, appreciate all the opiates of the people, whether they are as accessible as alcohol and heroin and promiscuity or as hard to come by as faith in God or History.
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Joan Didion (Slouching Towards Bethlehem)
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We came from Bethlehem, Georgia bearing Betty Crocker cake mixes into the jungle.
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Barbara Kingsolver (The Poisonwood Bible)
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The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle. Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.
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Joan Didion (Slouching Towards Bethlehem)
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It is often said that New York is a city for only the very rich and the very poor. It is less often said that New York is also, at least for those of us who came there from somewhere else, a city for only the very young.
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Joan Didion (Slouching Towards Bethlehem)
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See enough and write it down, I tell myself, and then some morning when the world seems drained of wonder, some day when I am only going through the motions of doing what I am supposed to do... on that bankrupt morning I will simply open my notebook and there it will all be, a forgotten account with accumulated interest, paid passage back to the world out there...
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Joan Didion (Slouching Towards Bethlehem)
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The future always looks good in the golden land, because no one remembers the past.
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Joan Didion (Slouching Towards Bethlehem)
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To have that sense of one's intrinsic worth which constitutes self-respect is potentially to have everything: the ability to discriminate, to love and to remain indifferent. To lack it is to be locked within oneself, paradoxically incapable of either love or indifference.
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Joan Didion (Slouching Towards Bethlehem)
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Sometimes, it is how you shine in the darkness during other people's misery that is remembered more than anything you could have said or done when you have suffered just as much.
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Shannon L. Alder
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I could tell you that I came back because I had promises to keep, but maybe it was because nobody asked me to stay.
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Joan Didion (Slouching Towards Bethlehem)
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It is easy to see the beginnings of things, and harder to see the ends.
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Joan Didion (Slouching Towards Bethlehem)
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Above all, she is the girl who 'feels' things, who has hung on to the freshness and pain of adolescence, the girl ever wounded, ever young. Now, at an age when the wounds begin to heal whether one wants them to or not, Joan Baez rarely leaves the Carmel Valley.
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Joan Didion (Slouching Towards Bethlehem)
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As it happened, I didn't grow up to be the kind of woman who is the heroine in a Western, and although the men I have known have had many virtues and have taken me to live in many places I have come to love, they have never been John Wayne, and they have never taken me to the bend in the river where the cottonwoods grow. Deep in that part of my heart where artificial rain forever falls, that is still the line I want to hear.
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Joan Didion
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If Christ were born in Bethlehem a thousand times and not in thee thyself; then art thou lost eternally.
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Angelus Silesius
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It is the phenomenon somethings called "alienation from self." In its advanced stages, we no longer answer the telephone, because someone might want something; that we could say no without drowning in self-reproach is an idea alien to this game. Every encounter demands too much, tears the nerves, drains the will, and the specter of something as small as an unanswered letter arouses such disproportionate guilt that answering it becomes out of the question. To assign unanswered letters their proper weight, to free us from the expectations of others, to give us back to ourselves - there lies the great, the singular power of self-respect. Without it, one eventually discovers the final turn of the screw: one runs away to find oneself, and finds no one at home.
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Joan Didion (Slouching Towards Bethlehem)
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For some, autumn comes early, stays late through life where October follows September and November touches October and then instead of December and Christ's birth, there is no Bethlehem Star, no rejoicing, but September comes again and old October and so on down the years, with no winter, spring, or revivifying summer. For these beings, fall is the ever normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They frenzy forth. In gusts they beetle-scurry, creep, thread, filter, motion, make all moons sullen, and surely cloud all clear-run waters. The spider-web hears them, tremblesβ€”breaks. Such are the autumn people. Beware of them.
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Ray Bradbury (Something Wicked This Way Comes)
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It was once suggested to me that, as an antidote to crying, I put my head in a paper bag. As it happens, there is a sound physiological reason, something to do with oxygen, for doing exactly that, but the psychological effect alone is incalculable: it is difficult in the extreme to continue fancying onceself Cathy in "Wuthering Heights" with one's head in a Food Fair bag.
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Joan Didion (Slouching Towards Bethlehem)
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Dancing Towards Bethlehem If there is only enough time in the final minutes of the 20th century for one last dance I would like to be dancing it slowly with you, say, in the ballroom of a seaside hotel. My palm would press into the small of your back as the past hundred years collapsed into a pile of mirrors or buttons or frivolous shoes, just as the floor of the 19th century gave way and disappeared in a red cloud of brick dust. There will be no time to order another drink or worry about what was never said, not with the orchestra sliding into the sea and all our attention devoted to humming whatever it was they were playing.
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Billy Collins
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Every other person who is at the heart of any religion has had his or her beginning either in fancy or in fact. But nevertheless, there is a beginning. Jesus' birth in Bethlehem was a moment preceded by eternity. His being neither originated in time nor came about by the will of humanity. The Author of time, who lived in the eternal, was made incarnate in time that we might live with the eternal in view. In that sense, the message of Christ was not the introduction of a religion, but an introduction to truth about reality as God alone knows it. To deny Jesus' message while pursuing spirituality is to conjure an imaginary religion in an attempt to see heaven while sight is confined to the earth. That is precisely what Jesus challenged when he said, "I have come that [you] may have life" (John 10:10). His life spells living. Your life or my life, apart from Him, spells death.
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Ravi Zacharias (Jesus Among Other Gods: The Absolute Claims of the Christian Message)
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In terms of the historical record, I should also point out that there is no account in any ancient source whatsoever about King Herod slaughtering children in or around Bethlehem, or anyplace else. No other author, biblical or otherwise, mentions this event. Is it, like John's account of Jesus' death, a detail made up by Matthew in order to make some kind of theological point?
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Bart D. Ehrman (Jesus, Interrupted: Revealing the Hidden Contradictions in the Bible & Why We Don't Know About Them)
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God makes each one of us for the time into which we are born. He creates us for a purpose. Our job is to know Him well, discover what He created us to do, and then do it for all we're worth for the rest of our lives. Ask God to show you your purpose. He will answer.
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Robin Lee Hatcher (Fit to Be Tied (Sisters of Bethlehem Springs, #2))
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Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity. Surely some revelation is at hand; Surely the Second Coming is at hand. The Second Coming! Hardly are those words out When a vast image out of Spiritus Mundi Troubles my sight: a waste of desert sand; A shape with lion body and the head of a man, A gaze blank and pitiless as the sun, Is moving its slow thighs, while all about it Wind shadows of the indignant desert birds. The darkness drops again but now I know That twenty centuries of stony sleep Were vexed to nightmare by a rocking cradle, And what rough beast, its hour come round at last, Slouches towards Bethlehem to be born?
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W.B. Yeats
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Nothing was irrevocable; everything was within reach... I could make promises to myself and to other people and there would be all the time in the world to keep them. I could stay up all night and make mistakes, and none of it would count.
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Joan Didion (Slouching Towards Bethlehem)
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[from "On Keeping a Notebook"]: It is a good idea to keep in touch, and I suppose that keeping in touch is what notebooks are all about…I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not…Remember what it was to be me: that is always the point.
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Joan Didion (Slouching Towards Bethlehem)
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The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle.
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Joan Didion (Slouching Towards Bethlehem)
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I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage. I could taste the peach and feel the soft air blowing from a subway grating on my legs and I could smell lilac and garbage and expensive perfume and I knew that it would cost something sooner or laterβ€”because I did not belong there, did not come from thereβ€”but when you are twenty-two or twenty-three, you figure that later you will have a high emotional balance, and be able to pay whatever it costs. I still believed in possibilities then, still had the sense, so peculiar to New York, that something extraordinary would happen any minute, any day, any month.
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Joan Didion (Slouching Towards Bethlehem)
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As it happens, I am still committed to the idea that the ability to think for one's self depends upon one's mastery of the language.
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Joan Didion (Slouching Towards Bethlehem)
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Our favorite people and our favorite stories become so not by any inherent virtue, but because they illustrate something deep in the grain, something unadmitted.
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Joan Didion (Slouching Towards Bethlehem)
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Was anyone ever so young? I am here to tell you that someone was.
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Joan Didion (Slouching Towards Bethlehem)
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There is a common superstition that β€œself-respect” is a kind of charm against snakes, something that keeps those who have it locked in some unblighted Eden, out of strange beds, ambivalent conversations, and trouble in general. It does not at all. It has nothing to do with the face of things, but concerns instead a separate peace, a private reconciliation.
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Joan Didion (Slouching Towards Bethlehem)
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Most of our platitudes notwithstanding, self-deception remains the most difficult deception. The tricks that work on others count for nothing in that very well-lit back alley where one keeps assignation with oneself: no winning smiles will do here, no prettily drawn lists of good intentions. One shuffles flashily but in vain through one's marked cards- the kindness done for the wrong reason, the apparent triumph which involved no real effort, the seemingly heroic act into which one had been shamed.
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Joan Didion (Slouching Towards Bethlehem)
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I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind’s door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be…
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Joan Didion (Slouching Towards Bethlehem)
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It all comes back. Perhaps it is difficult to see the value in having one's self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing "How High the Moon" on the car radio. (You see I still have the scenes, but I no longer perceive myself among those present, no longer could ever improvise the dialogue.) The other one, a twenty-three-year-old, bothers me more. She was always a good deal of trouble, and I suspect she will reappear when I least want to see her, skirts too long, shy to the point of aggravation, always the injured party, full of recriminations and little hurts and stories I do not want to hear again, at once saddening me and angering me with her vulnerability and ignorance, an apparition all the more insistent for being so long banished. It is a good idea, then, to keep in touch, and I suppose that keeping in touch is what notebooks are all about. And we are all on our own when it comes to keeping those lines open to ourselves: your notebook will never help me, nor mine you.
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Joan Didion (Slouching Towards Bethlehem)
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I always had trouble distinguishing between what happened and what merely might have happened, but I remain unconvinced that the distinction, for my purposes, matters
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Joan Didion (Slouching Towards Bethlehem)
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He walked as he'd learned to walk, with only a minimal limp, back straight, head held high in confidence rather than cockiness. He walked like a man who had learned to lean into God for whatever strenth he needed.
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Robin Lee Hatcher (Fit to Be Tied (Sisters of Bethlehem Springs, #2))
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…quite simply, I was in love with New York. I do not mean "love" in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and you never love anyone quite that way again. I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage. I could taste the peach and feel the soft air blowing from a subway grating on my legs and I could smell lilac and garbage and expensive perfume and I knew that it would cost something sooner or laterβ€”because I did not belong there, did not come from there
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Joan Didion (Slouching Towards Bethlehem)
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Hasn’t everyone to be born somewhere,’ Furlong said. β€˜Sure wasn’t Jesus was born in Bethlehem.
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Claire Keegan (Small Things Like These)
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If the wise men mounted their camels now, they could escape, no question. But Balthazar hadn’t ridden into Bethlehem to run. He’d come to kill every last one of them, or die trying.
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Seth Grahame-Smith (Unholy Night)
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Character β€” the willingness to accept responsibility for one’s own life β€” is the source from which self-respect springs. Self-respect is something that our grandparents, whether or not they had it, knew all about. They had instilled in them, young, a certain discipline, the sense that one lives by doing things one does not particularly want to do, by putting fears and doubts to one side, by weighing immediate comforts against the possibility of larger, even intangible, comforts.
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Joan Didion (Slouching Towards Bethlehem)
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My only advantage as a reporter is that I am so physically small, so temperamentally unobtrusive, and so neurotically inarticulate that people tend to forget that my presence runs counter to their interests. And it always does. That is one last thing to remember: writers are always selling somebody out.
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Joan Didion (Slouching Towards Bethlehem)
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...the revelation that the dream was teaching the dreamers how to live.
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Joan Didion (Slouching Towards Bethlehem)
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Once we have seen Him in a stable, we can never be sure where He will appear or to what lengths he will go or to what ludicrous depths of self-humiliation He will descend in His wild pursuit of men.
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Frederick Buechner (The Hungering Dark)
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Sometimes in the company of others I find a disagreeable spirit of competitiveness kicks in and each person is shamed into spending rather more than he would have wished. This is a historically established syndrome, of course. One Magus going to Bethlehem would probably have sprung for a box of After Eights. Three Magi on the same trip found themselves laden with gold, frankincense and myrrh and bitterly comtemplating their overdrafts.
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James Hamilton-Paterson (Cooking with Fernet Branca (Gerald Samper, #1))
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All I ever did to that apartment was hang fifty yards of yellow theatrical silk across the bedroom windows, because I had some idea that the gold light would make me feel better, but I did not bother to weight the curtains correctly and all that summer the long panels of transparent golden silk would blow out the windows and get tangled and drenched in afternoon thunderstorms. That was the year, my twenty-eighth, when I was discovering that not all of the promises would be kept, that some things are in fact irrevocable and that it had counted after all, every evasion and ever procrastination, every word, all of it.
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Joan Didion (Slouching Towards Bethlehem)
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Janis Joplin is singing with Big Brother in the Panhandle and almost everybody is high and it is a pretty nice Sunday afternoon.
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Joan Didion (Slouching Towards Bethlehem)
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Like Jordan Baker, people with self-respect have the courage of their mistakes. They know the price of things. If they choose to commit adultery, they do not then go running, in an access of bad conscience, to receive absolution from the wronged parties; nor do they complain unduly of the unfairness, the undeserved embarrassment, of being named co-respondent. In brief, people with self-respect exhibit a certain toughness, a kind of moral nerve; they display what was once called character, a quality which, although approved in the abstract, sometimes loses ground to other, more instantly negotiable virtues.
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Joan Didion (Slouching Towards Bethlehem)
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At the end of oneself was the best place to discover the Lord at work.
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Robin Lee Hatcher (A Matter of Character (Sisters of Bethlehem Springs, #3))
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. . . after twenty centuries of stony sleep, what rough beast, its hour come round at last, slouches toward Bethlehem to be born?" W.B. Yeats - from 'The Second Coming
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W.B. Yeats
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The sun began to set behind Bethlehem and the beams were breaking through some white and gray clouds. There was a slight and beautiful chill from the autumn air. I gave thanks for that beautiful day and for the fact that the sun does not know Palestinian from Israeli, Christian from Muslim or Jew, and Asian from American or African, and I asked myself: If the sun shines on all of us as one, how much more does the sun's Creator see and love us all as one?
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Ted Dekker (Tea with Hezbollah: Sitting at the Enemies' Table Our Journey Through the Middle East)
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My stake is always, of course, in the unmentioned girl in the plaid silk dress. Remember what it was to be me: that is always the point.
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Joan Didion (Slouching Towards Bethlehem: Essays)
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But the fact of it was that I liked it out there, a ruin devoid of human vanities, clean of human illusions, an empty place reclaimed by the weather where a woman plays an organ to stop the wind's whining and an old man plays ball with a dog named Duke. I could tell you that I came back because I had promises to keep, but maybe it was because nobody asked me to stay.
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Joan Didion (Slouching Towards Bethlehem)
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Of course we would all like to "believe" in something, like to assuage our private guilts in public causes, like to lose our tiresome selves; like, perhaps, to transform the white flag of defeat at home into the brave white banner of battle away from home. And of course it is all right to do that; that is how, immemorially, thing have gotten done. But I think it is all right only so long as we do not delude ourselves about what we are doing, and why. It is all right only so long as we remember that all the ad hoc committees, all the picket lines, all the brave signatures in The New York Times, all the tools of agitprop straight across the spectrum, do not confer upon anyone any ipso facto virtue. It is all right only so long as we recognize that the end may or may not be expedient, may or may not be a good idea, but in any case has nothing to do with "morality." Because when we start deceiving ourselves into thinking not that we want something or need something, not that it is a pragmatic necessity for us to have it, but that it is a moral imperative that we have it, then is when we join the fashionable madmen, and then is when the thin whine of hysteria is heard in the land, and then is when we are in bad trouble. And I suspect we are already there.
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Joan Didion (Slouching Towards Bethlehem)
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To live without self-respect is to lie awake some night, beyond the reach of warm milk, phenobarbital, and the sleeping hand on the coverlet, counting up the sins of commission and omission, the trusts betrayed, the promises subtly broken, the gifts irrevocably wasted through sloth or cowardice or carelessness. However long we postpone it, we eventually lie down alone in that notoriously uncomfortable bed, the one we make ourselves. Whether or not we sleep in it depends, of course , on whether or not we respect ourselves.
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Joan Didion (Slouching Towards Bethlehem)
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The historical problems with Luke are even more pronounced. For one thing, we have relatively good records for the reign of Caesar Augustus, and there is no mention anywhere in any of them of an empire-wide census for which everyone had to register by returning to their ancestral home. And how could such a thing even be imagined? Joesph returns to Bethlehem because his ancestor David was born there. But David lived a thousand years before Joseph. Are we to imagine that everyone in the Roman Empire was required to return to the homes of their ancestors from a thousand years earlier? If we had a new worldwide census today and each of us had to return to the towns of our ancestors a thousand years backβ€”where would you go? Can you imagine the total disruption of human life that this kind of universal exodus would require? And can you imagine that such a project would never be mentioned in any of the newspapers? There is not a single reference to any such census in any ancient source, apart from Luke. Why then does Luke say there was such a census? The answer may seem obvious to you. He wanted Jesus to be born in Bethlehem, even though he knew he came from Nazareth ... there is a prophecy in the Old Testament book of Micah that a savior would come from Bethlehem. What were these Gospel writer to do with the fact that it was widely known that Jesus came from Nazareth? They had to come up with a narrative that explained how he came from Nazareth, in Galilee, a little one-horse town that no one had ever heard of, but was born in Bethlehem, the home of King David, royal ancestor of the Messiah.
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Bart D. Ehrman (Jesus, Interrupted: Revealing the Hidden Contradictions in the Bible & Why We Don't Know About Them)
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It is hard for people who have not lived in Los Angeles to realize how radically the Santa Ana figures in the local imagination. The city burning is Los Angeles's deepest image of itself; Nathanael West perceived that, in The Day of the Locust; and at the time of the 1965 Watts riots what struck the imagination most indelibly were the fires. For days one could drive the Harbor Freeway and see the city on fire, just as we had always known it would be in the end. Los Angeles weather is the weather of catastrophe, of apocalypse, and, just as the reliably long and bitter winters of New England determine the way life is lived there, so the violence and the unpredictability of the Santa Ana affect the entire quality of life in Los Angeles, accentuate its impermanence, its unreliability. The wind shows us how close to the edge we are.
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Joan Didion (Slouching Towards Bethlehem)
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The stories are endless, infinitely familiar, traded by the faithful like baseball cards, fondled until they fray around the edges and blur into the apocryphal.
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Joan Didion (Slouching Towards Bethlehem)
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Love is not an option. It's the choice of an idiot who wants to end with nothing, robbed and abused and humiliated.
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Matt Rees (The Collaborator of Bethlehem (Omar Yussef Mystery, #1))
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New words in English were a game to him, for in understanding the word he always came to understand something about English history or culture itself. He delighted when common words were, unexpectedly, formed from other words he knew. Hussy was a compound of house and wife. Holiday was a compound of holy and day. Bedlam came, implausibly, from Bethlehem. Goodbye was, incredibly, a shortened version of God be with you.
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R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
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Are you willing to forget what you have done for other people and to remember what other people have done for you; to ignore what the world owes you and to think what you owe the world; to put your rights in the background and your duties in the middle distance and your chances to do a little more than your duty in the foreground; to see that your fellow men are just as real as you are, and try to look behind their faces to their hearts, hungry for joy; to own that probably the only good reason for your existence is not waht you are going to get out of life, but what you are going to give life; to close your book of complaints against the management of the universe and look around you for a place where you can sow a few seeds of happiness - are you willing to do these things for even a day? Are you willing to stoop down and consider the needs and the desires of little children; to remember the weakness and loneliness of people who are growing old; to stop asking how much your friends love you and ask yourself whether you love them enough; to bear in mind the things that other people have to bear on their hearts; to try to understand what those who live in the same house with you really want, without waiting for them to tell you; to trim your lamp so that it will give more light and less smoke, and to carry it in front of you so that your shadow will fall behind you; to make a grave for your ugly thoughts and a garden for your kindly feelings, with the gate open - are you willing to do these things for even a day? Are you willing to believe that love is the strongest thing in the world, - stronger than hate, stronger than evil, stronger than death, - and that the blessed life which began in Bethlehem nineteen hundred years ago is the image and brightness of the Eternal Love? Then you can keep Christmas. And if you keep it for a day, why not always? But you can never keep it alone.
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Caroline Kennedy (A Family Christmas)
β€œ
And there it is! Bravo! I knew it was only a matter of time before Byron realized he had an audience. That man is simply incapable of keeping his shirt on when there are spectators. One Christmas Eve, he stripped his shirt off right in the middle of the choir's rendition of Oh Child of Bethlehem. Coincidentally, the next song was Come Let Us Adore Him and the imbecile actually launched into some interpretive dance.
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Kirt J. Boyd (The Last Stop (The Last Stop Retirement Community Series))
β€œ
Similarly, perhaps it never did snow that August in Vermont; perhaps there never were flurries in the night wind, and maybe no one else felt the ground hardening and summer already dead even as we pretended to bask in it, but that was how it felt to me, and it might as well have snowed, could have snowed, did snow.
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Joan Didion (Slouching Towards Bethlehem)
β€œ
I am still committed to the idea that the ability to think for one’s self depends upon one’s mastery of the language,
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Joan Didion (Slouching Towards Bethlehem: Essays)
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It is the season of suicide and divorce and prickly dread, wherever the wind blows.
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Joan Didion (Slouching Towards Bethlehem: Essays)
β€œ
The heart of the human problem is the problem of the human heart.
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Max Lucado (Because of Bethlehem: Every Day a Christmas, Every Heart a Manger)
β€œ
We are not talking here about the kind of notebook that is patently for public consumption, a structural conceit for binding together a series of graceful pensΓ©es. We are talking about something private, about bits of the mind’s string too short to use, an indiscriminate and erratic assemblage with meaning only for its maker.
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Joan Didion (Slouching Towards Bethlehem)
β€œ
Christmases are never the same. They change from year to year, and they are never really perfect, no matter how hard we try to force them to be so. What is perfect is the miracle in Bethlehem 2,000 years ago and the love of God that continues to burst through the chaos of human imperfection; Christmas is finding the Christ Child radiant beneath the daily grime of life.
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Julie K. Hogan
β€œ
Los Angeles weather is the weather of catastrophe, of apocalypse, and, just as the reliably long and bitter winters of New England determine the way life is lived there, so the violence and the unpredictability of the Santa Ana affect the entire quality of life in Los Angeles, accentuate its impermanence, its unreliability. The wind shows us how close to the edge we are.
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Joan Didion (Slouching Towards Bethlehem)
β€œ
Because when we start deceiving ourselves into thinking not that we want something or need something, not that it is a pragmatic necessity for us to have it, but that it is a moral imperative that we have it, then is when we join the fashionable madmen, and then is when the thin whine of hysteria is heard in the land, and then is when we are in bad trouble. And I suspect we are already there.
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Joan Didion (Slouching Towards Bethlehem)
β€œ
They feed back exactly what is given them. Because they do not believe in words - words are for "typeheads," Chester Anderson tells them, and a thought which needs words is just one more of those ego trips - their only proficient vocabulary is in the society's platitudes. As it happens I am still committed to the idea that the ability to think for one's self depends upon one's mastery of the language, and I am not optimistic about children who will settle for saying, to indicate that their mother and father do not live together, that they come from "a broken home." They are sixteen, fifteen, fourteen years old, younger all the time, an army of children waiting to be given the words.
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Joan Didion (Slouching Towards Bethlehem)
β€œ
He would have to trust God for that, for he was helpless to do anything about it himself. His grandfather had said that was always the best place to be. At the end of oneself was the best place to discover the Lord at work.
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Robin Lee Hatcher (A Matter of Character (Sisters of Bethlehem Springs, #3))
β€œ
God loves Port William as it is... Why else should He want it to be better than it is? All my life I had heard preachers quoting John 3:16 "For God so loved the world, that He gave His only begotten Son, that whosoever believeth in Him should not perish by have everlasting life." They would preach on the second part of the verse, to show the easiness of being saved ("only believe"). Where I hung now was the first part. If God loved the world even before the event at Bethlehem, that meant He loved it as it was, with all its faults. That would be Hell itself, in part. He would be like a father with a wayward child, whom He can't help and can't forget. But it would be even worse than that, for He would also know the wayward child and the course of its waywardness and its suffering. That His love contains all the world does not show that the world does not matter, or that He and we do not suffer it unto death; it shows that the world is Hell only in part. But His love can contain it only by compassion and mercy, which, if not Hell entirely, would be at least a crucifixion.
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Wendell Berry (Jayber Crow)
β€œ
My life is a crystal teardrop. There are snowflakes falling in the teardrop and little figures trudging around in slow motion. If I were to look into the teardrop for the next million years, I might never find out who the people are, and what they are doing.
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Joan Didion (Slouching Towards Bethlehem)
β€œ
And except on a certain kind of winter eveningβ€”six-thirty in the Seventies, say, already dark and bitter with a wind off the river, when I would be walking very fast toward a bus and would look in the bright windows of brownstones and see cooks working in clean kitchens and and imagine women lighting candles on the floor above and beautiful children being bathed on the floor above thatβ€”except on nights like those, I never felt poor; I had the feeling that if I needed money I could always get it.
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Joan Didion (Slouching Towards Bethlehem)
β€œ
If the moderns really want a simple religion of love, they must look for it in the Athanasian Creed. The truth is that the trumpet of true Christianity, the challenge of the charities and simplicities of Bethlehem or Christmas Day never rang out more arrestingly and unmistakably than in the defiance of Athanasius to the cold compromise of the Arians. It was emphatically he who really was fighting for a God of Love against a God of colourless and remote cosmic control; the God of the stoics and the agnostics. It was emphatically he who was fighting for the Holy Child against the grey deity of the Pharisees and the Sadducees. He was fighting for that very balance of beautiful interdependence and intimacy, in the very Trinity of the Divine Nature, that draws our hearts to the Trinity of the Holy Family. His dogma, if the phrase be not misunderstood, turns even God into a Holy Family.
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G.K. Chesterton (The Everlasting Man)
β€œ
perhaps something else besides, for Sacramento is California, and California is a place in which a boom mentality and a sense of Chekhovian loss meet in uneasy suspension; in which the mind is troubled by some buried but ineradicable suspicion that things had better work here, because here, beneath that immense bleached sky, is where we run out of continent.
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Joan Didion (Slouching Towards Bethlehem)
β€œ
Why do we like these stories so? Why do we tell them over and over? Why have we made a folk hero of a man who is the antithesis of all our official heroes, a haunted millionaire out of the West, trailing a legend of desperation and power and white sneakers? But then we have always done that. Our favorite people and our favorite stories become so not by any inherent virtue, but because they illustrate something deep in the grain, something unadmitted. Shoeless Joe Jackson, Warren Gamaliel Harding, The Titanic: how the might are fallen. Charles Lindbergh, Scott and Zelda Fitzgerald, Marilyn Monroe: the beautiful and damned. And Howard Hughes. That we have made a hero of Howard Hughes tells us something interesting about ourselves, something only dimly remembered, tells us that the secret point of money and power in AMerica is neither the things that money can buy nor power for power's sake (Americans are uneasy with their possessions, guilty about power, all of which is difficult for Europeans to perceive because they are themselves so truly materialistic, so versed in the uses of power), but absolute personal freedom, mobility, privacy. Is is the instinct which drove America to the Pacific, all through the nineteenth century, the desire to be able to find a restaurant open in case you want a sandwich, to be a free agent, live by one's own rules.
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Joan Didion (Slouching Towards Bethlehem)
β€œ
All I know is that it was very bad when I was twenty-eight. Everything that was said to me I seemed to have heard before, and I could no longer listen. I could no longer sit in little bars near Grand Central and listen to someone complaining of his wife's inability to cope with the help while he missed another train to Connecticut. I no longer had any interest in hearing about the advances other people had received from their publishers, about plays which were having second-act trouble in Philadelphia, or about people I would like very much if only I would come out and meet them. I had already met them, always.
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Joan Didion (Slouching Towards Bethlehem)
β€œ
Although to be driven back upon oneself is an uneasy affair at best, rather like trying to cross a border with borrowed credentials, it seems to me now the one condition necessary to the beginning of self-respect. Most of our platitudes notwithstanding, self-deception remains the most difficult deception. The tricks that work on others count for nothing in that very well-lit back alley where one keeps assignations with oneself: no winning smiles will do here, no prettily drawn lists of good intentions.
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Joan Didion (Slouching Towards Bethlehem)
β€œ
The center was not holding. It was a country of bankruptcy notices and public-auction announcements and commonplace reports of casual killings and misplaced children and abandoned homes and vandals who misplaced even the four-letter words they scrawled. It was a country in which families routinely disappeared, trailing bad checks and repossession papers. Adolescents drifted from city to torn city, sloughing off both the past and the future as snakes shed their skins, children who were never taught and would never now learn the games that had held the society together. People were missing. Children were missing. Parents were missing. Those left behind filed desultory missing- persons reports, then moved on themselves.
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Joan Didion
β€œ
Barbara is on what is called the woman's trip to the exclusion of almost everything else. When she and Tom and Max and Sharon need money, Barbara will take a part-time job, modeling or teaching kindergarten, but she dislikes earning more than ten or twenty dollars a week. Most of the time she keeps house and bakes. "Doing something that shows your love that way," she says, "is just about the most beautiful thing I know." Whenever I hear about the woman's trip, which is often, I think a lot about nothin'-says-lovin'-like-something-from-the-oven and the Feminine Mystique and how it is possible for people to be the unconscious instruments of values they would strenuously reject on a conscious level, but I do not mention this to Barbara.
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Joan Didion (Slouching Towards Bethlehem)
β€œ
They thought back on the tales that the soldier had told. They remembered Hazel, the gentle Bethlehem donkey, who used the last of her strength helping those who needed her. They remembered the donkey who stood on the mountain and accepted suffering so that others would not know pain. They remembered the donkey with a hundred names, the sturdy friend of Jack who proved that the most humble being can have the most courageous heart. They gazed at the soldier, who said, 'I fear that John will be sorry he gave the silver donkey to me. The silver donkey belongs to the trustworthy and the brave.
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Sonya Hartnett (The Silver Donkey)
β€œ
Sometimes I get lonesome for a storm. A full-blown storm where everything changes. The sky goes through four days in an hour, the trees wail, little animals skitter in the mud and everything gets dark and goes completely wild. But its really God β€” playing music in his favorite cathedral in heaven β€” shattering stained glass β€” playing a gigantic organ β€” thundering on the keys β€” perfect harmony β€” perfect joy.
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Joan Didion (Slouching Towards Bethlehem)
β€œ
I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.
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Joan Didion (Slouching Towards Bethlehem)
β€œ
No priest, no theologian stood at the manger of Bethlehem. And yet all Christian theology has its origin in the wonder of all wonders: that God became human. Holy theology arises from knees bent before the mystery of the divine child in the stable. Without the holy night, there is no theology. β€œGod is revealed in flesh,” the God-human Jesus Christ β€” that is the holy mystery that theology came into being to protect and preserve. How we fail to understand when we think that the task of theology is to solve the mystery of God, to drag it down to the flat, ordinary wisdom of human experience and reason! Its sole office is to preserve the miracle as miracle, to comprehend, defend, and glorify God’s mystery precisely as mystery. This and nothing else, therefore, is what the early church meant when, with never flagging zeal, it dealt with the mystery of the Trinity and the person of Jesus Christ…. If Christmas time cannot ignite within us again something like a love for holy theology, so that weβ€”captured and compelled by the wonder of the manger of the son of Godβ€”must reverently reflect on the mysteries of God, then it must be that the glow of the divine mysteries has also been extinguished in our heart and has died out.
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Dietrich Bonhoeffer (God Is in the Manger: Reflections on Advent and Christmas)
β€œ
That we have made a hero of Howard Hughes tells us something interesting about ourselves, something only dimly remembered, tells us that the secret point of money and power in America is neither the things that money can buy nor power for power’s sake (Americans are uneasy with their possessions, guilty about power, all of which is difficult for Europeans to perceive because they are themselves so truly materialistic, so versed in the uses of power), but absolute personal freedom, mobility, privacy. It is the instinct which drove America to the Pacific, all through the nineteenth century, the desire to be able to find a restaurant open in case you want a sandwich, to be a free agent, live by one’s own rules.
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Joan Didion (Slouching Towards Bethlehem)
β€œ
For some, autumn comes early, stays late through life where October follows September and November touches October and then instead of December and Christ’s birth, there is no Bethlehem Star, no rejoicing, but September comes again and old October and so on down the years, with no winter, spring, or revivifying summer. For these beings, fall is the ever normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They frenzy forth. In gusts they beetle-scurry, creep, thread, filter, motion, make all moons sullen, and surely cloud all clear-run waters. The spider-web hears them, tremblesβ€”breaks. Such are the autumn people. Beware of them.’ ” After a pause, both boys exhaled at
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Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
β€œ
Of course it might have been some other city, had circumstances been different and the time been different and had I been different, might have been Paris or Chicago or even San Francisco, but because I am talking about myself I am talking here about New York. That first night I opened my window on the bus into town and watched for the skyline, but all I could see were the wastes of Queens and big signs that said MIDTOWN TUNNEL THIS LANE and then a flood of summer rain (even that seemed remarkable and exotic, for I had come out of the West where there was no summer rain), and for the next three days I sat wrapped in blankets in a hotel room air-conditioned to 35 degrees and tried to get over a bad cold and a high fever. It did not occur to me to call a doctor, because I knew none, and although it did occur to me to call the desk and ask that the air conditioner be turned off, I never called, because I did not know how much to tip whoever might comeβ€”was anyone ever so young? I am here to tell you that someone was. All I could do during those three days was talk long-distance to the boy I already knew I would never marry in the spring. I would stay in New York, I told him, just six months, and I could see the Brooklyn Bridge from my window. As it turned out the bridge was the Triborough, and I stayed eight years.
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Joan Didion (Slouching Towards Bethlehem)
β€œ
Why did I write it down? In order to remember, of course, but exactly what was it I wanted to remember? How much of it actually happened? Any of it? Why do I keep a notebook at all? It is easy to deceive oneself on all those scores. The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful if accidentally, only secondarily, in the way that compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle. Although I have felt compelled to write things down since I was five years old, I doubt my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearranger of things, anxious malcontents, children afflicted apparently at birth with some presentment of loss.
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Joan Didion (Slouching Towards Bethlehem)
β€œ
As it happens I am comfortable with the Michael Laskis of this world, with those who live outside rather than in, those in whom the sense of dread is so acute that they turn to extreme and doomed commitments; I know something about dread myself, and appreciate the elaborate systems with which some people manage to fill the void, appreciate all the opiates of the people, whether they are as accessible as alcohol and heroin and promiscuity or as hard to come by as faith in God or History. But of course I did not mention dread to Michael Laski, whose particular opiate is History. I did suggest β€œdepression,” did venture that it might have been β€œdepressing” for him to see only a dozen or so faces at his last May Day demonstration, but he told me that depression was an impediment to the revolutionary process, a disease afflicting only those who do not have ideology to sustain them.
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Joan Didion (Slouching Towards Bethlehem)
β€œ
Like a great waterwheel, the liturgical year goes on relentlessly irrigating our souls, softening the ground of our hearts, nourishing the soil of our lives until the seed of the Word of God itself begins to grow in us, comes to fruit in us, ripens in us the spiritual journey of a lifetime. So goes the liturgical year through all the days of our lives. /it concentrates us on the two great poles of the faith - the birth and death of Jesus of Nazareth. But as Christmas and Easter trace the life of Jesus for us from beginning to end, the liturgical year does even more: it also challenges our own life and vision and sense of meaning. Both a guide to greater spiritual maturity and a path to a deepened spiritual life, the liturgical year leads us through all the great questions of faith as it goes. It rehearses the dimensions of life over and over for us all the years of our days. It leads us back again and again to reflect on the great moments of the life of Jesus and so to apply them to our own ... As the liturgical year goes on every day of our lives, every season of every year, tracing the steps of Jesus from Bethlehem to Jerusalem, so does our own life move back and forth between our own beginnings and endings, between our own struggles and triumphs, between the rush of acclamation and the crush of abandonment. It is the link between Jesus and me, between this life and the next, between me and the world around me, that is the gift of the liturgical year. The meaning and message of the liturgical year is the bedrock on which we strike our own life's direction. Rooted in the Resurrection promise of the liturgical year, whatever the weight of our own pressures, we maintain the course. We trust in the future we cannot see and do only know because we have celebrated the death and resurrection of Jesus year after year. In His life we rest our own. ― Joan D. Chittister, The Liturgical Year: The Spiraling Adventure of the Spiritual Life - The Ancient Practices Series
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Joan D. Chittister (The Liturgical Year (The Ancient Practices Series))