Berlin Wall Quotes

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You know what would help?" I asked, not meeting his eyes. "Hmm?" "If you turned off this crap music and put on something that came out after the Berlin Wall went down." Dimitri laughted. "Your worst class is history, yet somehow, you know everything about Eastern Europe." "Hey, gotta have material for my jokes, Comrade." Still smiling, he turned the radio dail. To a country station. "Hey! This isn't what I had in mind," I exclaimed. I could tell he was on the verge of laughing again. "Pick. It's one or the other." I sighed. "Go back to the 1980s stuff." He flipped the dail, and I crossed my arms over my chest as some vaguely European-sounding band sang about how video had killed the radio star. I wished someone would kill this radio.
Richelle Mead (Frostbite (Vampire Academy, #2))
I like trains. I like their rhythm, and I like the freedom of being suspended between two places, all anxieties of purpose taken care of: for this moment I know where I am going.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
Suddenly he can spend an afternoon in Vienna looking at Vermeer’s The Art of Painting, and it’s hot outside, and if he wants he can buy himself a cheap cold glass of beer afterwards. It’s like something he assumed was just a painted backdrop all his life has revealed itself to be real: foreign cities are real, and famous artworks, and underground railway systems, and remnants of the Berlin Wall. That’s money, the substance that makes the world real. There’s something so corrupt and sexy about it.
Sally Rooney (Normal People)
She is brave and strong and broken all at once. As she speaks it is as if her existence is no longer real to her in itself, more like a living epitaph to a life that was.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
The same rightists who decades ago were shouting, 'Better dead than red!' are now often heard mumbling, 'Better red than eating hamburgers.
Slavoj Žižek
He was a commander in the Russian army at a time when the Russians were our enemies and still part of the Soviet Union . This wasn't very long ago, Alex.The collapse of communism. It was only in 1989 that the Berlin Wall came down." She stopped. "I suppose none of this means very much to you." "Well, it wouldn't," Alex said. "I was only two years old.
Anthony Horowitz (Skeleton Key (Alex Rider #3))
Walls in people's heads are sometimes more durable than walls made of concrete blocks.
Willy Brandt (Erinnerungen (Spiegel-Edition, #15))
Betrayal clearly has its own reward: the small deep human satisfaction of having one up on someone else. It is the psychology of the mistress, and this regime used it as fuel.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
It looks like my grandma's old VW Rabbit after the Berlin Wall fell on it. Twice.
Cecily White (Prophecy Girl (Angel Academy, #1))
… the primitive comprehension that the state property represents a social one, their identification, and their equalization  could not resist the criticism of the time. The state property is not socialism. The state-monopoly property, as it was on the both sides of the Berlin Wall and which continues to be such one even after it dropped down, is not social property. There was never and nowhere any socialism! In the twentieth century, we passed through a system of utopian socialism as proof that this was not socialism that was not possible, but the utopia of the writers before Marx and after Marx. We were visited by a utopian socialism, which at the contemporary stage is simply capitalism—state, monopolistic.
Todor Bombov (Socialism Is Dead! Long Live Socialism!: The Marx Code-Socialism with a Human Face (A New World Order))
It's like something he assumed was just a painted backdrop all his life has revealed itself to be real: foreign cities are real, and famous artworks, and underground railway systems, and remnants of the Berlin Wall. That's money, the substance that makes the world real. There's something so corrupt and sexy about it.
Sally Rooney (Normal People)
People were crazy with pain and secrets.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
He can switch from one view to another with frightening ease. I think it is a sign of being accustomed to such power that the truth does not matter because you cannot be contradicted.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
I was free with every road as my home. No limitations and no commitments. But then summer passed and winter came and I fell short for safety. I fell for its spell, slowly humming me to sleep, because I was tired and small, too weak to take or handle those opinions and views, attacking me from every angle. Against my art, against my self, against my very way of living. I collected my thoughts, my few possessions and built isolated walls around my values and character. I protected my own definition of beauty and success like a treasure at the bottom of the sea, for no one saw what I saw, or felt the same as I did, and so I wanted to keep to myself. You hide to protect yourself.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
There are no people who are whole" he says. "Everyone has issues of their own to deal with. Mine might be a little harder, but the main thing is how on deals with them.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
It’s the beating of my heart. The way I lie awake, playing with shadows slowly climbing up my wall. The gentle moonlight slipping through my window and the sound of a lonely car somewhere far away, where I long to be too, I think. It’s the way I thought my restless wandering was over, that I’d found whatever I thought I had found, or wanted, or needed, and I started to collect my belongings. Build a home. Safe behind the comfort of these four walls and a closed door. Because as much as I tried or pretended or imagined myself as a part of all the people out there, I was still the one locking the door every night. Turning off the phone and blowing out the candles so no one knew I was home. ’cause I was never really well around the expectations of my personality and I wanted to keep to myself. and because I haven’t been very impressed lately. By people, or places. Or the way someone said he loved me and then slowly changed his mind.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
Ten days is time enough to die, to be born, to fall in love and to go mad. Ten days is a very long time.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
Just like the myth of the people’s or popular capitalism, which was propagated since the mid1950s in the countries to the west of Berlin Wall, to the east and the north of it, since the same time it was introduced the myth of the people’s or popular socialism. But the suggestion is always the same. Under any “people’s” power—from people’s capitalism to people’s socialism—the greatest illusion suggested to the oppressed classes is that the people are sovereign, i.e., that all the people dominate over themselves. In this respect, even John Kenneth Galbraith makes Marxist conclusions, which even in the Internet epoch have the same power: “Young people are suggested that in a democracy the entire power belongs to the people!” (“The Anatomy of Power”) Yet, old people know that this is not true!
Todor Bombov (Socialism Is Dead! Long Live Socialism!: The Marx Code-Socialism with a Human Face (A New World Order))
For anyone to understand a regime like the GDR, the stories of ordinary people must be told. Not just the activists or the famous writers. You have to look at how normal people manage with such things in their pasts.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
ME LIKE THE MAGNET Men I like, I repel Like a magnet do So if I'm nasty Then you know I probably fancy you. "It's defence," the shrinks would say. "It's protects against a fall." It's impenetrable this fence of mine It's like the Berlin Wall.
Rae Earl (My Fat, Mad Teenage Diary (Rae Earl, #1))
my dormitory had been waiting to have its septic system replaced since before the Berlin Wall fell.
Stuart Gibbs (Spy Ski School (Spy School, #4))
I remember learning German - so beautiful, so strange - at school in Australia on the other side of the earth. My family was nonplussed about me learning such an odd, ugly language and, though of course too sophisticated to say it, the language of the enemy. But I liked the sticklebrick nature of it, building long supple words by putting short ones together. Things could be brought into being that had no name in English - Weltanschauung, Schadenfreude, sippenhaft, Sonderweg, Scheissfreundlichkeit, Vergangenheitsbewältigung.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
Lately, a study has suggested that depressed people have a more accurate view of reality, though this accuracy is not worth a bean because it is depressing, and depressed people live shorter lives. Optimists and believers are happier and healthier in their unreal worlds.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
You see the mistakes of one system—the surveillance—and the mistakes of the other—the inequality—but there’s nothing you could have done in the one and nothing you can do now about the other. She laughs wryly. “And the clearer you see that, the worse you feel.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
Men can sense when a wall is coming down, and they can't help the fact that they have to be there to watch it fall, or better yet, help push it over. It has been argued that the fall of the Berlin Wall had nothing whatsoever to do with the collapse of communism: it was just a weekend project that got out of control—thousands of German guys satisfying their undeniable urge to fix things up.
Stuart McLean (Vinyl Cafe Unplugged (Vinyl Cafe, #3))
But evil does not die, just as history does not end. Like a weed, evil can be cut back but never entirely uprooted. It waits for its chance to spread through the cracks in our vigilance. It can take root in the fertile soil of our complacency, or even the rocky rubble of the fallen Berlin Wall.
Garry Kasparov (Winter Is Coming: Why Vladimir Putin and the Enemies of the Free World Must Be Stopped)
Can you rework your past, the grit that rubs in you, until it is shiny and smooth as a pearl?
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
When I got out of prison, I was basically no longer human,' Miriam says.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
People no longer wanted right or left—they wanted middle-of-the-road.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
Because in the end history—like the Berlin Wall—shapes people, had shaped her, but would not in the end determine her, because in the end it cannot account for the great irrational—the great human—forces: the destructive power of evil, the redeeming power of love.
Richard Flanagan (The Sound Of One Hand Clapping)
Imagine the day after the Berlin Wall came down if everybody in East Germany was plump and comfortable-looking and dressed in Caribbean pastels, and you’ll have a pretty good idea what the Fort Lauderdale Airport terminal looks like today.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: An Essay)
This was perfect dictator-logic: we investigate you, therefore you are an enemy.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
Abundance in life is achieved only when we tear down walls and fill our lives with light.
Seth Adam Smith (Your Life Isn't for You: A Selfish Person's Guide to Being Selfless)
In this land I have made myself sick with silence In this land I have wandered, lost In this land I hunkered down to see What will become of me. In this land I held myself tight So as not to scream. -But I did scream, so loud That this land howled back at me As hideously As it builds its houses. In this land I have been sown Only my head sticks Defiant, out of the earth But one day it too will be mown Making me, finally Of this land. -Charlie's poem
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
Almost sixty years ago, just after midnight, a few feet from the river where they danced, a wonder of modern engineering occurred: overnight, the Berlin Wall arose. It was the night of August 15, 1961. Berliners awoke on the sixteenth to this marvel, more of a fence at first, concrete posts driven into the streets and festooned with barbed wire. They knew trouble would come but expected it in degrees. Life so often arrives all of a sudden. And who knows which side you will find yourself on?
Andrew Sean Greer (Less)
Miriam is upset. Her voice is stretched and I can't look at her. Perhaps they beat something out of her she didn't get back.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
We don’t catch hold of an idea, rather the idea catches hold of us and enslaves us and whips us into the arena so that we, forced to be gladiators, fight for it.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
What will become of a country...when a mother cannot trust her own children, and they, in turn, cannot trust their own families?
Nina Willner (Forty Autumns: A Family's Story of Courage and Survival on Both Sides of the Berlin Wall)
Empires have fallen. The Berlin Wall fell, political apartheid in South Africa did end, and although in neither of these cases were these putative conclusions by any means the end of the story, they are testaments to the fact that, under the force of coordinated international and local action, Israeli apartheid will also end. The question is, when and how? Where in the narrative do we now stand?
Isabella Hammad (Recognising the Stranger: On Palestine and Narrative)
Thus it transpired that even Berlin could be mysterious. Within the linden's bloom the streetlight winks. A dark and honeyed hush envelops us. Across the curb one's passing shadow slinks: across a stump a sable ripples thus. The night sky melts to peach beyond that gate. There water gleams, there Venice vaguely shows. Look at that street--it runs to China straight, and yonder star above the Volga glows! Oh, swear to me to put in dreams your trust, and to believe in fantasy alone, and never let your soul in prison rust, nor stretch your arm and say: a wall of stone.
Vladimir Nabokov (The Gift)
Enjoy the war,' read the graffiti left on Berlin's walls. 'The peace will be terrible.
Andrei Cherny (The Candy Bombers: The Untold Story of the Berlin Airlift and America's Finest Hour)
Q: What does the human spirit do after ten days without sleep, and ten days of isolation tempered only by nocturnal threat sessions? A: It dreams up a solution.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
Why are some things easier to remember the more time has passed since they occurred?
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
By what logic or motivation or helpless surrender did we all, hour by hour, transport ourselves within a generation from the thrill of optimism at Berlin’s falling Wall to the storming of the American Capitol?
Ian McEwan (Lessons)
Since the fall of the Berlin Wall in 1989, historians have become both more accurate and more honest—fractionally more brave, one might say—about that 'other' cleansing of the regions and peoples that were ground to atoms between the upper and nether millstones of Hitlerism and Stalinism. One of the most objective chroniclers is Professor Timothy Snyder of Yale University. In his view, it is still 'Operation Reinhardt,' or the planned destruction of Polish Jewry, that is to be considered as the centerpiece of what we commonly call the Holocaust, in which of the estimated 5.7 million Jewish dead, 'roughly three million were prewar Polish citizens.' We should not at all allow ourselves to forget the millions of non-Jewish citizens of Belarus, Russia, Ukraine, and other Slav territories who were also massacred. But for me the salient fact remains that anti-Semitism was the regnant, essential, organizing principle of all the other National Socialist race theories. It is thus not to be thought of as just one prejudice among many.
Christopher Hitchens (Hitch 22: A Memoir)
I celebrate ideals of individual excellence, self-reliance, and personal responsibility… But rugged individualism alone did not get us to the moon. It did not end slavery, win World War II, pass the Voting Rights Act, or bring down the Berlin Wall. It didn’t build our dams, bridges, and highways, or map the human genome. Our most lasting accomplishments require mutual effort and shared sacrifice; this is an idea that is woven into the very fabric of this country.
Cory Booker (United: Thoughts on Finding Common Ground and Advancing the Common Good)
I consider how you don’t get to choose whom you’re attracted to, you only get to wonder about it, retrospectively. Racial differences I’ve always found to have an aphrodisiac effect on me, but class difference is sexuality’s Berlin Wall.
David Mitchell (The Bone Clocks)
Apparently, even in the GDR, sleep deprivation amounted to torture, and torture, at least of minors, was not official policy.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
Ci abituiamo di nuovo a dormire tranquilli. Viviamo senza risparmiarci, come ce ne fosse anche troppa di questa strana sostanza ch'è la vita, come se non dovesse avere mai fine.
Christa Wolf (Il cielo diviso)
a thought she'd once had about Lamb was that when they'd pulled the Wall down he'd built himself another, and had been living behind it ever since
Mick Herron (Real Tigers (Slough House, #3))
It is not widely known that in the end, 65 per cent of the church leaders were informers for us, and the rest of them were under surveillance anyhow.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
In Hitler’s Third Reich it is estimated that there was one Gestapo agent for every 2000 citizens, and in Stalin’s USSR there was one KGB agent for every 5830 people. In the GDR, there was one Stasi officer or informant for every sixty-three people. If part-time informers are included, some estimates have the ratio as high as one informer for every 6.5 citizens.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
rugged individualism alone did not get us to the moon. It did not end slavery, win World War II, pass the Voting Rights Act, or bring down the Berlin Wall. It didn’t build our dams, bridges, and highways, or map the human genome. Our most lasting accomplishments require mutual effort and shared sacrifice; this is an idea that is woven into the very fabric of this country. You
Cory Booker (United)
My father was a doctor,' she says, 'a very kind man. He died in the early '70s, relatively young.' She taps the cigarette packet on the table. 'Of lung cancer.' 'Oh.' 'But the thing about that is,' she says as she exhales, 'it doesn't take very long at all.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
These handkerchief gardens are a traditional German solution to apartment dwellers' yearning for a tool shed and a vegetable garden. They make a patchwork of green in odd corners of urban land, along train lines or canals or, as here, in the lee of the Wall.
Anna Funder
A Letter to Andre Breton, Originally Composed on a Leaf of Lettuce With an Ink-dipped Carrot On my bed, my green comforter draped over my knees like a lumpy turtle, I think about the Berlin Wall of years that separates us. In my own life, the years are beginning to stack up like a Guinness World Record’s pile of pancakes, yet I’m still searching for some kind of syrup to believe in. In the shadows of my pink sheet, I see your face, Desnos’ face, and two clock faces staring at each other. I see a gaping wound that ebbs rose petals, while a sweaty armpit holds an orchestra. Beethoven, maybe. A lover sings a capella, with the frothiness of a cappuccino. Starbucks, maybe. There’s an hourglass, too, and beneath the sands lie untapped oil reserves. I see Dali’s mustache, Magritte’s pipe, and bowling shoes, which leaves the question-- If you could time travel through a trumpet, would you find today and tomorrow too loud?
Jarod Kintz (A Letter to Andre Breton, Originally Composed on a Leaf of Lettuce With an Ink-dipped Carrot)
In the aftermath of the Edsa Revolution, Thai protesters filled the streets of Bangkok. Another man stood before another tank at Tiananmen Square. The Berlin Wall fell, with Germany thanking the Philippines for showing them the way. Once upon a time, we were heroes.
Patricia Evangelista (Some People Need Killing)
45,000 sections of reinforced concrete—three tons each. Nearly 300 watchtowers. Over 250 dog runs. Twenty bunkers. Sixty five miles of anti-vehicle trenches—signal wire, barbed wire, beds of nails. Over 11,000 armed guards. A death strip of sand, well-raked to reveal footprints. 200 ordinary people shot dead following attempts to escape the communist regime. 96 miles of concrete wall. Not your typical holiday destination. JF Kennedy said the Berlin Wall was a better option than a war. In TDTL, the Anglo-German Bishop family from the pebbledashed English suburb of Oaking argue about this—among other—notions while driving to Cold War Berlin, through all the border checks, with a plan to visit both sides of it.
Joanna Campbell (Tying Down the Lion)
A bird may twitter a better song. But should you consider abortion wrong or that the quacks ask too high a fee, come to this wall, and see.
Joseph Brodsky (To Urania: Poems)
Laid out upright and end to end, the files the Stasi kept on their countrymen and women would form a line 180 kilometres long.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
Wherever there’s a wall, people will try to get over it.’ Then he laughs. ‘Or under it.
Helena Merriman (Tunnel 29: The True Story of an Extraordinary Escape Beneath the Berlin Wall)
In this country any kind of printing was forbidden unless authorised.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
Julia and her family, like many others in the GDR, trod this line between seeing things for what they were in the GDR, and ignoring those realities in order to stay sane.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
In Germany, it seems, time doesn’t heal wounds; it kills the sensation of pain.
Peter Schneider (The Wall Jumper: A Berlin Story)
The Stasi had used radiation to mark people and objects it wanted to track. It developed a range of radioactive tags including irradiated pins it could surreptitiously insert into a person’s clothing, radioactive magnets to place on cars, and radioactive pellets to shoot into tyres.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
[I]ch habe es noch in diesem Sommer erneut zu Papier gebracht: Berlin wird leben, und die Mauer wird fallen." ("I put it down on paper again in the summer of this year: Berlin will live, and the Wall will come down.") Speech at Rathaus Schöneberg (Berlin City Hall) on November 10, 1989 [the day after the de facto abolition of intra-German border controls by the East German government]
Willy Brandt
Through Jimi Hendrix's music you can almost see the assassinations of President John F. Kennedy and of Martin Luther King Junior, the beginnings of the Berlin Wall, Yuri Gagarin in space, Fidel Castro and Cuba, the debut of Spiderman, Martin Luther King Junior’s ‘I Have a Dream’ speech, Ford Mustang cars, anti-Vietnam protests, Mary Quant designing the mini-skirt, Indira Gandhi becoming the Prime Minister of India, four black students sitting down at a whites-only lunch counter in Greensboro North Carolina, President Johnson pushing the Civil Rights Act, flower children growing their hair long and practicing free love, USA-funded IRA blowing up innocent civilians on the streets and in the pubs of Great Britain, Napalm bombs being dropped on the lush and carpeted fields of Vietnam, a youth-driven cultural revolution in Swinging London, police using tear gas and billy-clubs to break up protests in Chicago, Mods and Rockers battling on Brighton Beach, Native Americans given the right to vote in their own country, the United Kingdom abolishing the death penalty, and the charismatic Argentinean Marxist revolutionary Che Guevara. It’s all in Jimi’s absurd and delirious guitar riffs.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Jetzt sind wir in einer Situation, in der wieder zusammenwächst, was zusammengehört.“ ("Now we are in a situation where what belongs together, will grow back together.") Berlin radio interview, November 10, 1989 [the day after the de facto abolition of intra-German border controls by the East German government]
Willy Brandt
I consider how you don’t get to choose whom you’re attracted to, you only get to wonder about it, retrospectively. Racial differences I’ve always found to have an aphrodisiac effect on me, but class difference is sexuality’s Berlin Wall. Certainly, I can’t read Holly Sykes as well as I can girls from my own incometax tribe, but you never know. God made the whole Earth in six days, and I’m in Switzerland for nine or ten.
David Mitchell (The Bone Clocks)
I think you’re wrong about the instinct for beauty. Human beings lost that when the Berlin Wall came down. I’m not going to get into another argument with you about the Soviet Union, but when it died so did history. I think of the twentieth century as one long question, and in the end we got the answer wrong. Aren’t we unfortunate babies to be born when the world ended? After that there was no chance for the planet, and no chance for us.
Sally Rooney (Beautiful World, Where Are You)
All day long they hold what look like philosophical discussions, gesticulating slowly with their free hands and clasping tins of beer with the other. They seem to share knowledge of a world where each of them once had a place.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
Look,’ he said, ‘they are just Germans who had Communism for forty years and went backwards, and all they want now is the money to have big TV sets and holidays in Majorca like everyone else. It was an experiment and it failed.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
My question is whether today you are of the same view about the Wall as something humane, and the killings at the border an act of peace.’ He raises his free arm, inhales and screams, ‘More! Than! Ever!’ He brings his fist down.
Anna Funder (Stasiland: True Stories from Behind the Berlin Wall)
The halls are full of kids, scrawny ones and fat ones, cool ones and uncool ones, freaks and jocks, cheerleaders and dogs, burnouts and nerds. It’s like Berlin, divided, except there are more walls in this city, and they’re better guarded.
Brian Malloy (The Year of Ice)
I’M IN G’S ROOM watching the late news. The BBC reporting from Germany. The Berlin Wall is down and the gates are open. Cars are honking, friends and families are reunited and champagne is drunk. Chloe comes in and brings me a tea. She puts her arm around me and says, nodding to the TV, No one thought this was possible ten years ago. And now look. Life changes in ways we can never imagine. Walls come down and people are free. You wait, she says. I know what she’s trying to say: Hope.
Sarah Winman (Tin Man)
Prison left me with some strange little tics.' She has taken all the door off their hinges in all the apartments she has lived in since. It's not that she has anxiety attacks about small spaces, she says, it's just that she starts to sweat and go cold. 'This apartment is perfect for me,' she says, looking around the open space. 'How about elevators?' I ask, recalling the schlepp up the stairs. 'Exactly,' she replies, 'I don't like them much either.' One day, years later, her husband Charlie was fooling around at home, playing the guitar. Miriam said something provocative and he stood up suddenly, lifting his arm to take off the guitar strap. He was probably just going to say 'That's outrageous', or tickle her or tackle her. But she was gone. She was already down in the courtyard of the building. She does not remember getting down the stairs-it was an automatic flight reaction.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
For him the scholarship is a gigantic material fact, like a vast cruise ship that has sailed into view out of nowhere, and suddenly he can do a postgraduate program for free if he wants to, and live in Dublin for free, and never think about rent again until he finishes college. Suddenly he can spend an afternoon in Vienna looking at Vermeer’s The Art of Painting, and it’s hot outside, and if he wants he can buy himself a cheap cold glass of beer afterward. It’s like something he assumed was just a painted backdrop all his life has revealed itself to be real: foreign cities are real, and famous artworks, and underground railway systems, and remnants of the Berlin Wall. That’s money, the substance that makes the world real. There’s something so corrupt and sexy about it.
Sally Rooney (Normal People)
Ukraine is just one battle the free world would like to ignore in a larger war it refuses to acknowledge even exists. But pretending you don’t have enemies does not make it true. The Berlin Wall and the Soviet Union are gone, but the enemies of freedom who built them are not. History does not end; it runs in cycles. The failure to defend Ukraine today is the failure of the Allies to defend Czechoslovakia in 1938. The world must act now so that Poland in 2015 will not be called on to play the role of Poland in 1939.
Garry Kasparov (Winter Is Coming: Why Vladimir Putin and the Enemies of the Free World Must Be Stopped)
When Communism fell in 1989, the temptation for Western commentators to gloat triumphantly proved irresistible. This, it was declared, marked the end of History. Henceforth, the world belonged to liberal capitalism – there was no alternative – and we would all march forward in unison towards a future shaped by peace, democracy and free markets. Twenty years on this assertion looks threadbare. There can be no question that the fall of the Berlin Wall and the domino-like collapse of Communism states from the suburbs of Vienna to the shores of the Pacific marked a very significant transition: one in which millions of men and women were liberated from a dismal and defunct ideology and its authoritarian institutions. But no one could credibly assert that what replaced Communism was an era of idyllic tranquility. There was no peace in post-Communist Yugoslavia, and precious little democracy in any of the successor states of the Soviet Union. As for free markets, they surely flourished, but it is not clear for whom. The West – Europe and the United States above all – missed a once-in-a-century opportunity to re-shape the world around agreed and improved international institutions and practices. Instead, we sat back and congratulated ourselves upon having won the Cold War: a sure way to lose the peace. The years from 1989 to 2009 were consumed by locusts.
Tony Judt (Ill Fares the Land)
Die Mauer in meinem Gedächtnis besteht weiter aus den bewaffneten Männern, die bereit waren, nach einer Anweisung auf Menschen zu schießen. Auf unserem wasserblauen Planeten werden immer wieder neue Mauern gebaut. Wo eine Mauer steht, ist das Leben auf beiden Seiten bedroht.
Yōko Tawada (akzentfrei. Literarische Essays)
On 11 September 2001 the Twin Towers were hit. Twelve years earlier, on 9 November 1989, the Berlin Wall fell. That date heralded the “happy 90’s,” the Francis Fukuyama dream of the “end of history” –the belief that liberal democracy had, in principle, won; that the search was over; that the advent of a global, liberal world community lurked just around the corner; that the obstacles to this ultra-Hollywood happy ending were merely empirical and contingent (local pockets of resistance were the leaders did not yet grasp that their time was up). In contrast, 9/11 is the main symbol of the Clintonite happy 90’s. This is the era in which new walls emerge everywhere, between Israel and the West Bank, around the European union, on the U.S.-Mexico border. The rise of the populist New Right is just the most prominent example of the urge to raise new walls.
Slavoj Žižek (Violence: Six Sideways Reflections)
Beyond all of that, I could see the wall I had seen from inside the train, the wall that runs along the train line. I assumed that there, behind it, was the west, and I was right. I could have been wrong, but I was right.' If she had any future it was over there, and she needed to get to it. I sit in the chair exploring the meaning of dumbstruck, rolling the word around in my mind. I laugh with Miriam as she laughs at herself, and at the boldness of being sixteen. At sixteen you are invulnerable. I laugh with her about rummaging around for a ladder in other people's sheds, and I laugh harder when she finds one. We laugh at the improbability of it, of someone barely more than a child poking around in Beatrix Potter's garden by the Wall, watching out for Mr McGregor and his blunderbuss, and looking for a step-ladder to scale one of the most fortified barriers on earth. We both like the girl she was, and I like the woman she has become. She says suddenly, 'I still have the scars on my hands from climbing the barbed wire, but you can't see them so well now.' She holds out her hands. The soft parts of her palms are crazed with definite white scares, each about a centimeter long. The first fence was wire mesh with a roll of barbed wire along the top.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
There is something about the very idea of a city which is central to the understanding of a planet like Earth, and particularly the understanding of that part of the then-existing group-civilization which called itself the West. That idea, to my mind, met its materialist apotheosis in Berlin at the time of the Wall. Perhaps I go into some sort of shock when I experience something deeply; I'm not sure, even at this ripe middle-age, but I have to admit that what I recall of Berlin is not arranged in my memory in any normal, chronological sequence. My only excuse is that Berlin itself was so abnormal - and yet so bizarrely representative - it was like something unreal; an occasionally macabre Disneyworld which was so much a part of the real world (and the realpolitik world), so much a crystallization of everything these people had managed to produce, wreck, reinstate, venerate, condemn and worship in their history that it defiantly transcended everything it exemplified, and took on a single - if multifariously faceted - meaning of its own; a sum, an answer, a statement no city in its right mind would want or be able to arrive at.
Iain M. Banks (The State of the Art (Culture, #4))
One of its most distinctive features was the ninety-six meters high and twelve thousand tons heavy sandstone dome that stood the test of time and wars until it came down during the bombing of Saxony by Anglo-American allied forces during the Second World War. Only the altar, a relief description of Jesus’ agony in the Garden of Gethsemane, and the chancel behind it survived. The church then lay dormant for more than forty-five years before it was restored to its former glory as Communist rule enveloped Germany. One of the reasons for the delay was the tensions that ensued before the demolition of the Berlin Wall that divided East and West Germany.
K.T. Tomb (The Ivory Bow (A Chyna Stone Adventure #6))
If there were mass atrocities right down to the last days of communism, why did not the newly installed anticommunist regimes seize the opportunity to bring erstwhile communist rulers to justice? Why no Nuremberg-style public trials documenting widespread atrocities? Why were not hundreds of party leaders and security officials and thousands of camp guards rounded up and tried for the millions they supposedly exterminated? The best the West Germans could do was charge East German leader Erich Honecker, several other officials, and seven border guards with shooting people who tried to escape over the Berlin Wall, a serious charge but hardly indicative of a gulag.
Michael Parenti (Blackshirts and Reds: Rational Fascism and the Overthrow of Communism)
It pained Oma to watch her children enter the youth movement. Nothing good, she thought, could come from the East German regime manipulating the minds of the country’s vulnerable youth. She could see how such pledges filled with propaganda had taken the place of prayers and hymns in the way that they invited worship of an ignoble and sinister power.
Nina Willner (Forty Autumns: A Family's Story of Courage and Survival on Both Sides of the Berlin Wall)
But didn't everyone get everything? Hadn't they had enough yet? Everything on earth is tailored for this everyone. Everyone gets all the TV programs, damn near all the cinema, and about eighty percent of all music. After that come the secondary medium of painting and those other visual arts that do not move. Those are generally just for someone and although you always hear people moaning that there isn't enough of them, in truth someone does all right. Galleries, museums, basements in Berlin, studio flats, journals, bare walls in urban centers—someone gets what they want and deserve, most of the time. But where are the things that no one wants? Every now and then Alex would see or hear something that appeared to be for no one but soon enough it turned out to be for someone and, after a certain amount of advertising revenue had been spent, would explode into the world for everyone. Who was left to make stuff for no one?
Zadie Smith
Auch wenn zwei Staaten in Deutschland existieren, sind sie doch füreinander nicht Ausland; ihre Beziehungen zueinander können nur von besonderer Art sein." ("Even though two states in Germany exist, they are not foreign countries to each other—their relations with each other can only be of a special kind.") First Inaugural Address as West German Chancellor, October 28, 1969
Willy Brandt
Daily life in 1960 would be unrecognizable to anyone transported from the year 1930. From 1960 to 1990, a Cold War nuclear arms race between the United States and the Soviet Union threatens the survival of civilization. Though begun in the 1950s, the US stockpile of nuclear warheads peaks in the 1960s, with the Soviets’ stockpile peaking in the 1980s.11 The Berlin Wall, erected in 1962, becomes the greatest symbol of Winston Churchill’s “Iron Curtain,” separating Eastern from Western Europe. Yet it’s dismantled by 1989, as peace breaks out in Europe. The commercialization of the transistor allows consumer electronics to miniaturize, transforming audiovisual equipment from heavy, floor-mounted living room furniture to what you carry in your pocket.
Neil deGrasse Tyson (Starry Messenger: Cosmic Perspectives on Civilization)
For almost a year, from June 1948 to October 1949, they kept the city alive by plane. In that time American and British planes made some 277,728 flights through Soviet airspace to drop bundles of food, clothing, cigarettes, medicine, fuel and equipment, including components for a new power station, to the people of West Berlin. In the west, the aircraft came to be known as the ‘Rosinenbomber’, or ‘raisin bombers’, because they brought food. But in the east, Koch and his classmates were told the enemy planes sprayed potato beetles over East German crops as they flew over, in order to spoil the harvest.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
Putin was a former KGB intelligence officer who’d been stationed in East Germany at the Dresden headquarters of the Soviet secret service. Putin has said in interviews that he dreamed as a child of becoming a spy for the communist party in foreign lands, and his time in Dresden exceeded his imagination. Not only was he living out his boyhood fantasy, he and his then-wife also enjoyed the perks of a borderline-European existence. Even in communist East Germany, the standard of living was far more comfortable than life in Russia, and the young Putins were climbing KGB social circles, making influential connections, networking a power base. The present was bright, and the future looked downright luminous. Then, the Berlin wall fell, and down with it crashed Putin’s world. A few days after the fall, a group of East German protestors gathered at the door of the secret service headquarters building. Putin, fearing the headquarters would be overrun, dialed up a Red Army tank unit stationed nearby to ask for protection. A voice on the other end of the line told him the unit could not do anything without orders from Moscow. And, “Moscow is silent,” the man told Putin. Putin’s boyhood dream was dissolving before his eyes, and his country was impotent or unwilling to stop it. Putin despised his government’s weakness in the face of threat. It taught him a lesson that would inform his own rule: Power is easily lost when those in power allow it to be taken away. In Putin’s mind, the Soviet Union’s fatal flaw was not that its authoritarianism was unsustainable but that its leaders were not strong enough or brutal enough to maintain their authority. The lesson Putin learned was that power must be guarded with vigilance and maintained by any means necessary.
Matt Szajer (No: No)
East Germany brought down their wall in 1989 as a sign of surrender. The Soviet experiment had failed, and the Eastern bloc realized they couldn't win the Cold War. The falling Berlin Wall was their white flag. The walls I'd visited, though, expressed the opposite. The rising of these walls was the surrender. The walls stood as evidence that their conflicts were unwinnable and permanent. When diplomacy and negotiation crumbles, when the motivation to find solutions wanes and dies, when governments resign themselves to failure, the walls go up. Instead of trying to solve the Israeli-Palestinian conflict, we build a wall. Instead of finding a way for Catholics and Protestants to live together in Belfast, we build a wall. Instead of addressing the despair that leads migrants across our borders, we build a wall. The walls admit our defeat. We throw up a wall right after we throw up our hands.
Marcello Di Cintio (Walls: Travels Along the Barricades)
Perhaps because of all the money poured into this, the things behind the spanking displays look old and crummy, like articles from a time that has been left behind. I slap down the stairs in my sandals. I am annoyed that this past can look so tawdry and so safe, as if destined from the outset to end up behind glass, securely roped off and under pressure-button control. And I am annoyed at myself: what's the problem? Isn't a museum the place for things that are over?
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
Before the campaign was scarcely under way Hitler solved the problem of his citizenship. On February 25 it was announced that the Nazi Minister of the Interior of the state of Brunswick had named Herr Hitler an attaché of the legation of Brunswick in Berlin. Through this comic-opera maneuver the Nazi leader became automatically a citizen of Brunswick and hence of Germany and was therefore eligible to run for President of the German Reich. Having leaped over this little hurdle with ease, Hitler threw himself into the campaign with furious energy, crisscrossing the country, addressing large crowds at scores of mass meetings and whipping them up into a state of frenzy. Goebbels and Strasser, the other two spellbinders of the party, followed a similar schedule. But this was not all. They directed a propaganda campaign such as Germany had never seen. They plastered the walls of the cities and towns with a million screeching colored posters, distributed eight million pamphlets and twelve million extra copies of their party newspapers, staged three thousand meetings a day and, for the first time in a German election, made good use of films and gramophone records, the latter spouting forth from loudspeakers on trucks.
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
Gustav is a composer. For months he has been carrying on a raging debate with Säure over who is better, Beethoven or Rossini. Säure is for Rossini. “I’m not so much for Beethoven qua Beethoven,” Gustav argues, “but as he represents the German dialectic, the incorporation of more and more notes into the scale, culminating with dodecaphonic democracy, where all notes get an equal hearing. Beethoven was one of the architects of musical freedom—he submitted to the demands of history, despite his deafness. While Rossini was retiring at the age of 36, womanizing and getting fat, Beethoven was living a life filled with tragedy and grandeur.” “So?” is Säure’s customary answer to that one. “Which would you rather do? The point is,” cutting off Gustav’s usually indignant scream, “a person feels good listening to Rossini. All you feel like listening to Beethoven is going out and invading Poland. Ode to Joy indeed. The man didn’t even have a sense of humor. I tell you,” shaking his skinny old fist, “there is more of the Sublime in the snare-drum part to La Gazza Ladra than in the whole Ninth Symphony. With Rossini, the whole point is that lovers always get together, isolation is overcome, and like it or not that is the one great centripetal movement of the World. Through the machineries of greed, pettiness, and the abuse of power, love occurs. All the shit is transmuted to gold. The walls are breached, the balconies are scaled—listen!” It was a night in early May, and the final bombardment of Berlin was in progress. Säure had to shout his head off. “The Italian girl is in Algiers, the Barber’s in the crockery, the magpie’s stealing everything in sight! The World is rushing together.
Thomas Pynchon (Gravity's Rainbow)
...The gulag—with its millions of victims, if you listen to Solzehnitsyn and Sakharov—supposedly existed in the Soviet Union right down to the very last days of communism. If so—as I've asked before—where did it disappear to? That is, when the communist states were overthrown, where were the millions of stricken victims pouring out of the internment camps with their tales of torment? I'm not saying they don't exist; I'm just asking, where are they? One of the last remaining camps, Perm-35—visited in 1989 and again in '90 by Western observers—held only a few dozen prisoners, some of whom were outright spies, as reported in the Washington Post. Others were refuseniks who tried to flee the country. The inmates complained about poor-quality food, the bitter cold, occasional mistreatment by guards. I should point out that these labor camps were that: they were work camps. They weren't death camps that you had under Nazism where there was a systematic extermination of the people in the camps. So there was a relatively high survival rate. The visitors also noted that throughout the 1980s, hundreds of political prisoners had been released from the various camps, but hundreds are not millions. Even with the great fall that took place after Stalin, under Khrushchev, when most of the camps were closed down...there was no sign of millions pouring back into Soviet life—the numbers released were in the thousands. Why—where are the victims? Why no uncovering of mass graves? No Nuremburg-style public trials of communist leaders, documenting the widespread atrocities against these millions—or hundreds of millions, if we want to believe our friend at the Claremont Institute. Surely the new...anti-communist rulers in eastern Europe and Russia would have leaped at the opportunity to put these people on trial. And the best that the West Germans could do was to charge East German leader Erich Honecker and seven of his border guards with shooting persons who tried to escape over the Berlin Wall. It's a serious enough crime, that is, but it's hardly a gulag. In 1955[sic], the former secretary of the Prague communist party was sentenced to two and a half years in prison. 'Ah, a gulag criminal!' No, it was for ordering police to use tear gas and water cannons against demonstrators in 1988. Is this the best example of bloodthirsty communist repression that the capitalist restorationists could find in Czechoslovakia? An action that doesn't even qualify as a crime in most Western nations—water cannons and tear gas! Are they kidding? No one should deny that crimes were committed, but perhaps most of the gulag millions existed less in reality and more in the buckets of anti-communist propaganda that were poured over our heads for decades.
Michael Parenti
The communists didn’t release their grip until the late 1980s. Effective organisation kept them in power for eight long decades, and they eventually fell due to defective organisation. On 21 December 1989 Nicolae Ceaus¸escu, the communist dictator of Romania, organised a mass demonstration of support in the centre of Bucharest. Over the previous months the Soviet Union had withdrawn its support from the eastern European communist regimes, the Berlin Wall had fallen, and revolutions had swept Poland, East Germany, Hungary, Bulgaria and Czechoslovakia. Ceaus¸escu, who had ruled Romania since 1965, believed he could withstand the tsunami, even though riots against his rule had erupted in the Romanian city of Timis¸oara on 17 December. As one of his counter-measures, Ceaus¸escu arranged a massive rally in Bucharest to prove to Romanians and the rest of the world that the majority of the populace still loved him – or at least feared him. The creaking party apparatus mobilised 80,000 people to fill the city’s central square, and citizens throughout Romania were instructed to stop all their activities and tune in on their radios and televisions. To the cheering of the seemingly enthusiastic crowd, Ceauşescu mounted the balcony overlooking the square, as he had done scores of times in previous decades. Flanked by his wife, Elena, leading party officials and a bevy of bodyguards, Ceaus¸escu began delivering one of his trademark dreary speeches. For eight minutes he praised the glories of Romanian socialism, looking very pleased with himself as the crowd clapped mechanically. And then something went wrong. You can see it for yourself on YouTube. Just search for ‘Ceauşescu’s last speech’, and watch history in action.20 The YouTube clip shows Ceaus¸escu starting another long sentence, saying, ‘I want to thank the initiators and organisers of this great event in Bucharest, considering it as a—’, and then he falls silent, his eyes open wide, and he freezes in disbelief. He never finished the sentence. You can see in that split second how an entire world collapses. Somebody in the audience booed. People
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
There are days when I feel like I’ve seen enough, done enough, felt enough. When I call my wandering days over and slowly accept the quiet life from here on. When the dreams of making waves are a vague memory and the songs I meant to sing feel more like a finished painting, something to just observe and hang on the wall from now on, to those who wish to observe it. But then the night falls and the morning rise and horizons are calling once again and I’m on my way. Forests fresh and pastures new. And most of the time I’m fine with this. I’m learning to be fine with this. So maybe that’s what settling into this world means. To simply, and as hard as it is, just settle into your own way of living—your own pace, your own rhythm—and not think too much about it. Just wake up and let your legs wander where they need to wander no matter where that may lead and just simply trust your path. There is a difference between what you want and what you wish to want. What you’d like to do and what you wish you’d like to do. I’m learning to not wish, but just do.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
Moscow can be a cold, hard place in winter. But the big old house on Tverskoy Boulevard had always seemed immune to these particular facts, the way that it had seemed immune to many things throughout the years. When breadlines filled the streets during the reign of the czars, the big house had caviar. When the rest of Russia stood shaking in the Siberian winds, that house had fires and gaslight in every room. And when the Second World War was over and places like Leningrad and Berlin were nothing but rubble and crumbling walls, the residents of the big house on Tverskoy Boulevard only had to take up a hammer and drive a single nail—to hang a painting on the landing at the top of the stairs—to mark the end of a long war. The canvas was small, perhaps only eight by ten inches. The brushstrokes were light but meticulous. And the subject, the countryside near Provence, was once a favorite of an artist named Cézanne. No one in the house spoke of how the painting had come to be there. Not a single member of the staff ever asked the man of the house, a high-ranking Soviet official, to talk about the canvas or the war or whatever services he may have performed in battle or beyond to earn such a lavish prize. The house on Tverskoy Boulevard was not one for stories, everybody knew. And besides, the war was over. The Nazis had lost. And to the victors went the spoils. Or, as the case may be, the paintings. Eventually, the wallpaper faded, and soon few people actually remembered the man who had brought the painting home from the newly liberated East Germany. None of the neighbors dared to whisper the letters K-G-B. Of the old Socialists and new socialites who flooded through the open doors for parties, not one ever dared to mention the Russian mob. And still the painting stayed hanging, the music kept playing, and the party itself seemed to last—echoing out onto the street, fading into the frigid air of the night. The party on the first Friday of February was a fund-raiser—though for what cause or foundation, no one really knew. It didn’t matter. The same people were invited. The same chef was preparing the same food. The men stood smoking the same cigars and drinking the same vodka. And, of course, the same painting still hung at the top of the stairs, looking down on the partygoers below. But one of the partygoers was not, actually, the same. When she gave the man at the door a name from the list, her Russian bore a slight accent. When she handed her coat to a maid, no one seemed to notice that it was far too light for someone who had spent too long in Moscow’s winter. She was too short; her black hair framed a face that was in every way too young. The women watched her pass, eyeing the competition. The men hardly noticed her at all as she nibbled and sipped and waited until the hour grew late and the people became tipsy. When that time finally came, not one soul watched as the girl with the soft pale skin climbed the stairs and slipped the small painting from the nail that held it. She walked to the window. And jumped. And neither the house on Tverskoy Boulevard nor any of its occupants ever saw the girl or the painting again.
Ally Carter (Uncommon Criminals (Heist Society, #2))
So often have I studied the views of Florence, that I was familiar with the city before I ever set foot within its walls; I found that I could thread my way through the streets without a guide. Turning to the left I passed before a bookseller's shop, where I bought a couple of descriptive surveys of the city (guide). Twice only was I forced to inquire my way of passers by, who answered me with politeness which was wholly French and with a most singular accent; and at last I found myself before the facade of Santa Croce. Within, upon the right of the doorway, rises the tomb of Michelangelo; lo! There stands Canova's effigy of Alfieri; I needed no cicerone to recognise the features of the great Italian writer. Further still, I discovered the tomb of Machiavelli; while facing Michelangelo lies Galileo. What a race of men! And to these already named, Tuscany might further add Dante, Boccaccio and Petrarch. What a fantastic gathering! The tide of emotion which overwhelmed me flowed so deep that it scarce was to be distinguished from religious awe. The mystic dimness which filled the church, its plain, timbered roof, its unfinished facade – all these things spoke volumes to my soul. Ah! Could I but forget...! A Friar moved silently towards me; and I, in the place of that sense of revulsion all but bordering on physical horror which usually possesses me in such circumstances, discovered in my heart a feeling which was almost friendship. Was not he likewise a Friar, Fra Bartolomeo di San Marco, that great painter who invented the art of chiaroscuro, and showed it to Raphael, and was the forefather of Correggio? I spoke to my tonsured acquaintance, and found in him an exquisite degree of politeness. Indeed, he was delighted to meet a Frenchman. I begged him to unlock for me the chapel in the north-east corner of the church, where are preserved the frescoes of Volterrano. He introduced me to the place, then left me to my own devices. There, seated upon the step of a folds tool, with my head thrown back to rest upon the desk, so that I might let my gaze dwell on the ceiling, I underwent, through the medium of Volterrano's Sybills, the profoundest experience of ecstasy that, as far as I am aware, I ever encountered through the painter's art. My soul, affected by the very notion of being in Florence, and by proximity of those great men whose tombs I had just beheld, was already in a state of trance. Absorbed in the contemplation of sublime beauty, I could perceive its very essence close at hand; I could, as it were, feel the stuff of it beneath my fingertips. I had attained to that supreme degree of sensibility where the divine intimations of art merge with the impassioned sensuality of emotion. As I emerged from the porch of Santa Croce, I was seized with a fierce palpitations of the heart (that same symptom which, in Berlin, is referred to as an attack of nerves); the well-spring of life was dried up within me, and I walked in constant fear of falling to the ground. I sat down on one of the benches which line the piazza di Santa Croce; in my wallet, I discovered the following lines by Ugo Foscolo, which I re-read now with a great surge of pleasure; I could find no fault with such poetry; I desperately needed to hear the voice of a friend who shared my own emotion (…)
Stendhal (Rome, Naples et Florence)