Bennett's War Quotes

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His thoughts went to Kismaayo, and lately, particularly of Abdi. If there were a hero in this story, it was Abdi. Jon thought, this young man from Maine had left that war weary husk of a country called Somalia and had come to these United States of America to pursue the dream of happiness, security, and hope.
Mike Bennett (Las Vegas on Twelve Dollars a Day)
Why do we not care to acknowledge them? The cattle, the body count. We still don't like to admit the war was even partly our fault because so many of our people died. A photograph on every mantlepiece. And all this mourning has veiled the truth. It's not so much lest we forget, as lest we remember. Because you should realise the Cenotaph and the Last Post and all that stuff is concerned, there's no better way of forgetting something than by commemorating it.
Alan Bennett (The History Boys)
And Olvos said to them: “Why have you done this, my children? Why is the sky wreathed with smoke? Why have you made war in far places, and shed blood in strange lands? And they said to Her: “You blessed us as Your people, and we rejoiced, and were happy. But we found those who were not Your people, and they would not become Your people, and they were willful and ignorant of You. They would not open their ears to Your songs, or lay Your words upon their tongues. So we dashed them upon the rocks and threw down their houses and shed their blood and scattered them to the winds, and we were right to do so. For we are Your people. We carry Your blessings. We are Yours, and so we are right. Is this not what You said?” And Olvos was silent.
Robert Jackson Bennett (City of Stairs (The Divine Cities, #1))
You've always believed war to be a grand performance. But to me it's just killing, just the ugliest thing a person can ever do...So when you need to do it, there's no need to make a show of it.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
We would’ve told her that all together, we got centuries on her. If we laid all our lives toes to heel, we were born before the Depression, the Civil War, even America itself. In all that living, we have known men. Oh girl, we have known littlebit love. That littlebit of honey left in an empty jar that traps the sweetness in your mouth long enough to mask your hunger. We have run tongues over teeth to savor that last littlebit as long as we could, and in all our living, nothing has starved us more. —
Brit Bennett (The Mothers)
Yet I now ask of you—are you marauders or are you servants? Do you give power to others, or do you hoard it? Do you fight not to have something, but rather fight so that others might one day have something? Is your blade a part of your soul, or is it a burden, a tool, to be used with care? Are you soldiers, my children, or are you savages?
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
Just because you won the War doesn't mean you can do whatever you like!' says Yaroslav. 'And just because we lost it doesn't mean you can strip us of everything we value!
Robert Jackson Bennett (City of Stairs (The Divine Cities, #1))
Politics is the art of achieving the maximum amount of freedom for individuals that is consistent with the maintenance of social order,
William J. Bennett (From a World at War to the Triumph of Freedom 1914-1989 (America: The Last Best Hope #2))
Despite our wonders and greatness, we are a society that has experienced so much social regression, so much decadence, in so short a period of time, that in many parts of America we have become the kind of place to which civilized countries used to send missionaries. - quoting William Bennett
Dave Grossman (On Combat: The Psychology and Physiology of Deadly Conflict in War and in Peace)
I have taken many lives in my life. Many children, perhaps husbands, wives, parents. Perhaps it is only just that this same violation was inflicted upon me. Perhaps it is just that one who lives a life of war becomes a refugee from it.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
Deception is the art of war.
James Patterson (Run for Your Life (Michael Bennett, #2))
Peace is but the absence of war. War and conflict form the sea through which nation-states swim. Some who have had the fortune to find clear, calm waters believe otherwise. They have forgotten that war is momentum. War is natural. And war makes one strong.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
American soldiers were dying in frigid Korea. One of our greatest generals told us that the president and his team were not trying to win. And some strident voices were saying that that was because they didn't want to win,
William J. Bennett (From a World at War to the Triumph of Freedom 1914-1989 (America: The Last Best Hope #2))
The public is a great actuality, like war. If you are a creative and creating artist, you cannot ignore it, though it can ignore you.
Arnold Bennett (The Author's Craft)
Never be prime minister at the start of a war, Nessie [..] The man that lead you into it isn't the one to lead you out of it.
Alan Bennett
Mama called us her fallen stars - we are not falling bombs.
Marguerite Bennett (DC Comics: Bombshells, Vol. 1: Enlisted)
Only a writer "with Bennett's craft and brass could manage to praise and insult his readers at the same time.
Harold Holzer (Lincoln and the Power of the Press: The War for Public Opinion)
You are wrong,” says the man. His voice is low and resonant. The metal walls of the dome, all the knives and swords and spears, all seem to vibrate with each of his words. “Your rulers and their propaganda have sold you this watered-down conceit of war, of a warrior yoked to the whims of civilization. Yet for all their self-professed civility, your rulers will gladly spend a soldier’s life to better aid their posturing, to keep the cost of a crude good low. They will send the children of others off to die and only think upon it later to grandly and loudly memorialize them, lauding their great sacrifice. Civilization is but the adoption of this cowardly method of murder.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
O, the things we kill for our dreams, forgetting all the while we shall wake up to find them naught but dust and ash! What fools we are to pretend that when we walk to war, we do not bring our loved ones with us.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
A 6-inch cannon. I've only ever seen those on a Saypuri dreadnought... And it looks like they have, or expect to have, 36 of the damn things." "And they plan to do what with them? Bombard the hills? Fight a war with the squirrels?
Robert Jackson Bennett (City of Stairs (The Divine Cities, #1))
and line of cases. Justice Byron R. "Whizzer" White, a JFK appointee, dissented, calling Doe an act of "raw judicial power," as it took these decisions from the states and enshrined their determination in the Supreme Court's reasoning.
William J. Bennett (From a World at War to the Triumph of Freedom 1914-1989 (America: The Last Best Hope #2))
We don't think of ourselves as "prayer warriors." A man must've come up with that term - men think anything difficult is war. But prayer is more delicate than battle, especially intercessory prayer. More than just a notion, taking up the burdens of someone else, often someone you don't even know. You close your eyes and listen to a request. Then you have to slip inside their body. You are Tracy Robinson, burning for whiskey. You are Cindy Harris's husband, searching your wife's phone. You are Earl Vernon, washing dirty knots out of your strung-out daughter's hair. If you don't become them, even for a second, a prayer is nothing but words.
Brit Bennett (The Mothers)
Some hoped, watching Desiree hold the hand of the little dark girl, that the two wouldn't even stay that long. They weren't used to having a dark child amongst them and were surprised by how much it upset them. Each time that girl passed by, no hat or nothing, they were as galled as when Thomas Richard returned from the war, half a leg lighter, and walked around town with one pant leg pinned back so that everyone could see his loss. If nothing could be done about ugliness, you ought to at least look like you were trying to hide it.
Brit Bennett (The Vanishing Half)
John Stuart Mill, the British philosopher, said, “War is an ugly thing, but not the ugliest of things. The decayed and degraded state of moral and patriotic feeling which thinks that nothing is worth war is much worse. A man who has nothing for which he is willing to fight, nothing which is more important than his own personal safety, is a miserable creature and has no chance of being free unless made and kept so by the exertions of better men than himself.
William J. Bennett (The Book of Man: Readings on the Path to Manhood)
You are what you worship. And you worship what you love. —James K. A. Smith
David Bennett (A War of Loves: The Unexpected Story of a Gay Activist Discovering Jesus)
Bennett was silent for a minute, considering. “Offering to actually help me,” he said. “No one’s tried that tactic before. Very sneaky.” “We try,” I said.
John Scalzi (Zoe's Tale (Old Man's War, #4))
Simply put, war restores in man the belief that there are some things worth fighting and dying for; things like love, liberty, and faith.
William J. Bennett (The Book of Man: Readings on the Path to Manhood)
I also saw that he, along with countless others in the church, had fallen prey to our culture’s idolatry of romantic love. To him, the litmus test of human flourishing was sexual expression in marriage.
David Bennett (A War of Loves: The Unexpected Story of a Gay Activist Discovering Jesus)
Eisenhower has been much criticized for his failure publicly to endorse the Court's decision. But he felt that doing so would set an undesirable precedent. If a president endorsed decisions he agreed with, might he feel compelled to oppose decisions he did not agree with? And what would that do to the rule of law? "The Supreme Court has spoken and I am sworn to uphold ... the constitutional processes.... I will obey."3
William J. Bennett (From a World at War to the Triumph of Freedom 1914-1989 (America: The Last Best Hope #2))
In 1989 the former drug czar and TV talk-show fool, William Bennett, suggested de jure as well as de facto abolition of habeas corpus in “drug” cases as well as (I am not inventing this) public beheadings of drug dealers.
Gore Vidal (Perpetual War for Perpetual Peace)
We would've told her that all together, we got centuries on her. If we laid out all lives toes to heel, we were born before the Depression, the Civil War, even America itself. In all that living, we have known men. Oh girl, we have known littlebit love. The littlebit of honey left in an empty jar that traps the sweetness in your mouth long enough to mask your hunger. We have run tongues over teeth to savor that last littlebit as long as we could, and in all our living, nothing has starved us more.
Brit Bennett (The Mothers)
Warfare is light. Warfare and conflict are the energies with which this world functions. To claim otherwise is to claim your very veins are not filled with blood, to claim that your heart is still and silent. You knew this once. Once in the hills of this country you understood that to wage war was to be alive, to shed blood was to bask in the light of the sun.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
And Olvos said to them: “Why have you done this, my children? Why is the sky wreathed with smoke? Why have you made war in far places, and shed blood in strange lands?” And they said to Her: “You blessed us as Your people, and we rejoiced, and were happy. But we found those who were not Your people, and they would not become Your people, and they were willful and ignorant of You. They would not open their ears to Your songs, or lay Your words upon their tongues. So we dashed them upon the rocks and threw down their houses and shed their blood and scattered them to the winds, and we were right to do so. For we are Your people. We carry Your blessings. We are Yours, and so we are right. Is this not what You said?” And Olvos was silent. —BOOK OF THE RED LOTUS, PART IV, 13.51–13.59 SOMEONE
Robert Jackson Bennett (City of Stairs (The Divine Cities, #1))
A year later, Ayatollah Bennett declared, “I find no merit in the [drug] legalizers’ case. The simple fact is that drug use is wrong. And the moral argument, in the end, is the most compelling argument.” Of course, what this dangerous comedian thinks is moral James Madison and the Virginia statesman and Rights-man George Mason would have thought dangerous nonsense, particularly when his “morality” abolishes their gift to all of us, the Bill of Rights.
Gore Vidal (Perpetual War for Perpetual Peace)
In ‘Colonization in Reverse’41 (a famous poem much anthologized) the speaker is presented as a more or less reliable commentator who implies that Jamaicans who come to ‘settle in de motherlan’ are like English people who settled in the colonies. West Indian entrepreneurs, shipping off their countrymen ‘like fire’, turn history upside down. Fire can destroy, but may also be a source of warmth to be welcomed in temperate England. Those people who ‘immigrate an populate’ the seat of the Empire seem, like many a colonizer, ready to displace previous inhabitants. ‘Jamaica live fi box bread/Out a English people mout’ plays on a fear that newcomers might exploit the natives; and some of the immigrants are—like some of the colonizers from ‘the motherland’—lazy and inclined to put on airs. Can England, who faced war and braved the worst, cope with people from the colonies turning history upside down? Can she cope with ‘Colonizin in reverse’?
Mervyn Morris (Miss Lou: Louise Bennett and the Jamaican Culture)
Some hoped, watching Desiree hold the hand of the little dark girl, that the two wouldn't even stay that long. They weren't used to having a dark child amongst them and were surprised by how much it upset them. Each time that girl passed by, no hat or nothing, they were as galled as when Thomas Richard returned from the war, half a leg lighter, and walked around town with one pant leg pinned back to that everyone could see his loss. If nothing could be done about ugliness, you ought to at least look like you were trying to hide it.
Brit Bennett (The Vanishing Half)
In September 1941, a set of hearings was convened by a U.S. Senate Subcommittee on War Propaganda, chaired by Idaho Democrat Senator D. Worth Clark. The hearings were designed to address a resolution sponsored by two hard-nosed isolationist senators, Republican Gerald P. Nye of North Dakota and Democrat Bennett Champ Clark of Missouri, calling for “an investigation of any propaganda disseminated by motion pictures and radio or any other activity of the motion picture industry to influence public opinion in the direction of participation of the United States in the present European war.
Noah Isenberg (We'll Always Have Casablanca: The Life, Legend, and Afterlife of Hollywood's Most Beloved Movie: The Legend and Afterlife of Hollywood's Most Beloved Film)
There are many voices Hitler would quiet, especially those who are Jewish.” Mr. Evans slid the new book reverently beside the others. “It is the duty of the rest of the world to ensure they will never be silenced.” He tapped a yellow spine with Almansor in gilt at its top. “‘Where they burn books, they will ultimately burn people as well.’ Heinrich Heine isn’t Jewish, but his ideals go against what Hitler believes.” Mr. Evans pushed the safe door closed with an ominous bang. “This war is about far more than blackouts and food rationing, Miss Bennett.” She swallowed. People were dying to save books, to prevent ideas and people from being snuffed out.
Madeline Martin (The Last Bookshop in London)
Israel’s constant drone surveillance over Gaza also impressed President Vladimir Putin. Moscow needed reliable surveillance drones after it lost many planes during its war in 2008 against Georgia in South Ossetia. Tbilisi had used Israeli drones, and years later Moscow decided to follow suit. Having seen Israeli operations over Gaza, Russia licensed the Israeli Aerospace Industries Searcher II, renamed “Forpost” by its new owners, and it became a key asset in Russian support for Syrian President Bashar al-Assad.33 Israel trained Russian pilots to operate the drones. Russia and Israel maintained a close relationship during the Syrian civil war despite the former supporting Assad and the latter worrying about the growing presence of Russian allies Iran and Hizbollah in the country. This led Prime Minister Benjamin Netanyahu (and Naftali Bennett) to routinely attack Iranian and Syrian military positions in Syria to stop the transfer of weapons to Hizbollah. However, Moscow usually turned a blind eye to these attacks, assisted by a de-escalation hotline between the two governments.
Antony Loewenstein (The Palestine Laboratory: How Israel Exports the Technology of Occupation Around the World)
everything for miles in all directions. The Space Needle. The aquarium and the science center. Amazon.com’s headquarters. Safeco Field. And every Starbucks in between. All of it was gone in the snap of a finger. None of the city’s twenty-one state-of-the-art air raid sirens went off. They had originally been installed in the early 1950s during the Cold War. They’d been cosmetically upgraded in 2006 at a cost of $91,000. But they’d been useless. No one in the mayor’s office or the police department or the fire department knew the missile was coming. No one knew the threat that was inbound. Thus no one had activated the sirens. But even if someone had, would anyone in Seattle have known what to do or where to go? Would there have been any time to seek shelter? No one was left to ask the questions, for now the air raid sirens and the city they were designed to protect were gone entirely. Untold thousands lay dead and dying. More would join them soon. Indeed, the death toll in Seattle alone would soar into the hundreds of thousands within hours. An enormous mushroom cloud, crackling with toxic radioactive dust, now formed over the city. Those not blinded by the initial
Joel C. Rosenberg (Dead Heat: A Jon Bennett Series Political and Military Action Thriller (Book 5) (The Last Jihad series))
Religion is too often the pretext for war, hatred, intolerance among different faiths, and competitive piety within faiths. But the problem isn’t with faith, or even with difference in faith, within the churches, synagogues, temples, and mosques. The problem is the overachievers in those institutions.
Ray Bennett (The Underachiever's Manifesto: The Guide to Accomplishing Little and Feeling Great)
Alice knows those stories. The routiers and condottieri of the Free Companies, who fight the wars of whichever prince will pay their fees, and amuse themselves in between times, are said to commit every kind of crime: from eating meat in Lent to slitting open pregnant women to kill their unborn and unbaptised children. The countryside of the southern lands is supposed to be full of their victims: a sea of vagabonds - priests without parishes; destitute peasants; artisans looking for work. ‘So you’, Alice says, ‘were one of the famous sons of iniquity…’ The Pope calls them that when they rob churches. But the Pope also uses them regularly. Alice knows she sounds a little breathless. She can’t altogether keep the admiration out of her voice. If she’d been a man, she thinks, she might have done exactly the same thing as Wat, to better herself fast.
Vanora Bennett (The People's Queen)
We don’t think of ourselves as “prayer warriors.” A man must’ve come up with that term—men think anything difficult is war. But prayer is more delicate than battle, especially intercessory prayer. More than just a notion, taking up the burdens of someone else, often someone you don’t even know. You close your eyes and listen to a request. Then you have to slip inside their body. You are Tracy Robinson, burning for whiskey. You are Cindy Harris’s husband, searching your wife’s phone. You are Earl Vernon, washing dirty knots out of your strung-out daughter’s hair. If you don’t become them, even for a second, a prayer is nothing but words. That’s
Brit Bennett (The Mothers)
We don’t think of ourselves as “prayer warriors.” A man must’ve come up with that term—men think anything difficult is war. But prayer is more delicate than battle, especially intercessory prayer. More than just a notion, taking up the burdens of someone else, often someone you don’t even know. You close your eyes and listen to a request. Then you have to slip inside their body.
Brit Bennett (The Mothers)
War and Peace has to be put in a group not with Madame Bovary, Vanity Fair, or The Mill on the Floss, but with the Iliad, in the sense that when the novel is finished nothing is finished—the stream of life flows on, and with the appearance of Prince Andrew’s son the novel ends on the beginning of a new life. All the time there are openings out of the story into the world beyond. This is a thing that had never been attempted by historical novelists before Tolstóy. As for the open form, it has often been attempted, but never so successfully. In a very different way the open form was achieved by James Joyce in Ulysses. As Tolstóy is compared with the Iliad and the Odyssey, so critics say that Joyce’s novel is of a mythological nature. John Galsworthy’s Forsyte Saga and Arnold Bennett’s The Old Wives’ Tale may also claim to belong to the category of “open” novels. No novel has received more enthusiastic praise both in Russia and England than War and Peace. John Galsworthy spoke of it as “the greatest novel ever written,” and those fine critics Percy Lubbock and E. M. Forster have been no less emphatic. In The Craft of Fiction Lubbock says that War and Peace is: “a picture of life that has never been surpassed for its grandeur and its beauty. . . . The business of the novelist is to create life, and here is life created indeed! In the whole of fiction no scene is so continually washed by the common air, free to us all, as the scene of Tolstóy, the supreme genius among novelists. “Pierre and Andrew and Natásha and the rest of them are the children of yesterday and today and tomorrow; there is nothing in any of them that is not of all time. To an English reader of today it is curious—and more, it is strangely moving—to note how faithfully the creations of Tolstóy, the nineteenth-century Russian, copy the young people of the twentieth century and of England: it is all one, life in Moscow then, life in London now, provided only that it is young enough.” E. M. Forster in Aspects of the Novel says: “No English novelist is as great
Leo Tolstoy (War and Peace)
They have forgotten that war is momentum. War is natural. And war makes one strong.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
I was taught that peace is the absence of war. But I wonder if these days we've simply replaced conventional war with a war of paper. I'm not sure which is better.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
James Gordon Bennett said he aimed to be, "serious in my aims but full of frolic in my means.
Harold Holzer (Lincoln and the Power of the Press: The War for Public Opinion)
The war is actually begun! The next gale that sweeps from the north will bring to our ears the clash of resounding arms! Our brethren are already in the field! Why stand we here idle? What is it that gentlemen wish? What would they have? Is life so dear, or peace so sweet, as to be purchased at the price of chains and slavery? Forbid it, Almighty God! I know not what course others may take; but as for me, give me liberty, or give me death!
William J. Bennett (The Book of Virtues: A Treasury of Great Moral Stories)
We don’t think of ourselves as “prayer warriors.” A man must’ve come up with that term—men think anything difficult is war. But prayer is more delicate than battle,
Brit Bennett (The Mothers)
I helped Bridget with a project about the Civil War, which of course she enhanced by making an interactive map, complete with pop-up paper cannons. It was a pretty good representation of Pickett’s Charge at Gettysburg. She had facts and figures written behind pull tabs on the map. And right at the Union line she had written “The high-water mark of the Confederacy.” That was the exact phrase I had been taught as a child in school—it means the farthest north Robert E. Lee had led his army.
James Patterson (Haunted (Michael Bennett #10))
From Ecclesiastes For every thing there is a season, and a time for every purpose under the heaven: A time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted; A time to kill, and a time to heal; a time to break down, and a time to build up; A time to weep, and a time to laugh; a time to mourn, and a time to dance; A time to cast away stones, and a time to gather stones together; a time to embrace, and a time to refrain from embracing; A time to get, and a time to lose; a time to keep, and a time to cast away; A time to rend, and a time to sew; a time to keep silence, and a time to speak; A time to love, and a time to hate; a time of war, and a time of peace.
William J. Bennett (The Book of Virtues: A Treasury of Great Moral Stories)
We don’t think of ourselves as “prayer warriors.” A man must’ve come up with that term—men think anything difficult is war.
Brit Bennett (The Mothers)
The heart of the matter war that, from the beginning, America had always been a nation of fear. Fear of the monarchy. Fear of the elites. Fear of losing your property, to the government or invasion. A fear that, though you had worked damn hard to own your own property, some dumb thug or smug city prick would either find a way to steal it or use the law to steal it.
Robert Jackson Bennett (Vigilance)
Cardozo had fought with distinction in the First World War, after which he joined the staff of the Continental Daily Mail. Brisk, tough and highly intelligent he was a great war correspondent, in the tradition of Walter Harris, Bennett Burghleigh, Gwynne and other illustrious names of the Balkan and Moroccan wars; he was also one of the kindest-hearted men I have ever
Peter Kemp (Mine Were of Trouble (Peter Kemp War Trilogy Book 1))
Oh, any of us could’ve told her to stay away from him. She wouldn’t have listened, of course. What did the church mothers know anyway? Not how Luke held her hand while they slept or played with her hair when they cuddled or how after she’d told him about the pregnancy test, he cradled her bare feet in his lap. A man who laced his fingers through yours all night and held your feet when you were sad had to love you, at least a little bit. Besides, what did a bunch of old ladies know? We would’ve told her that all together, we got centuries on her. If we laid all our lives toes to heel, we were born before the Depression, the Civil War, even America itself. In all that living, we have known men. Oh girl, we have known littlebit love. That littlebit of honey left in an empty jar that traps the sweetness in your mouth long enough to mask your hunger. We have run tongues over teeth to savor that last littlebit as long as we could, and in all our living, nothing has starved us more.
Brit Bennett (The Mothers)
United States military profession as early as 1863 in General Order number 100 of the United States Army Field Manual: “Men who take up arms against another in public war do not cease on this account to be moral beings responsible to one another.” Individuals always remain ethically responsible for their actions, for the choices they make among conflicting moral obligations, as well as for the consequences which result from them.
William J. Bennett (The Book of Virtues: A Treasury of Great Moral Stories)
We don’t think of ourselves as “prayer warriors.” A man must’ve come up with that term—men think anything difficult is war. But prayer is more delicate than battle, especially intercessory prayer.
Brit Bennett (The Mothers)
Now she understood what everyone meant when they talked about romance…this feeling had launched the thousand ships of the Trojan War, this feeling had sent Guinevere into the arms of Lancelot, this feeling had driven Fitzwilliam Darcy to confess his love for Elizabeth Bennett. She giggled in the darkness at her silliness, giddy with excitement. She’d scoffed at it for years…she’d never believed that this kind of wonderful, rapturous romance could exist beyond legend. And yet, that evening, in Gavin’s arms, she’d had a taste of it. Clutching
Sarah MacLean (The Season)
Audrey’s reaction to the tall, dark-haired ex-soldier had been more than a little perplexing. Christopher hadn’t understood why his normally sanguine sister-in-law became so shy and clumsy whenever Bennett was near. “It’s because he’s a tiger,” Beatrix had explained in private, “and Audrey is a swan, and tigers always make swans nervous. She finds him very attractive, but she doesn’t think he’s the kind of gentleman she should keep company with.” Bennett, for his part, seemed quite taken with Audrey, but every time he had made a careful advance to her, she had retreated. And then with startling quickness, the two of them seemed to have become fast friends. They went on rides and walks together and corresponded frequently when they were apart. When they were both in London, they were always seen in each other’s company. Mystified by the change in their formerly awkward relationship, Christopher asked Bennett what had happened to alter it. “I told her I was impotent from old war wounds,” Bennett said. “That calmed her nerves considerably.” Taken aback, Christopher had brought himself to ask gingerly, “Are you?” “Hell no,” came Bennett’s indignant reply. “I only said it because she was so skittish around me. And it worked.” Christopher had given him a sardonic glance. “Are you ever going to tell Audrey the truth?” A mischievous smile had played at the corners of Bennett’s lips. “I may let her cure me soon,” he admitted. Seeing Christopher’s expression, he had added hastily that his intentions were entirely honorable. It was a good match. And in Christopher’s opinion, his brother would have approved.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Mystified by the change in their formerly awkward relationship, Christopher asked Bennett what had happened to alter it. “I told her I was impotent from old war wounds,” Bennett said. “That calmed her nerves considerably.” Taken aback, Christopher had brought himself to ask gingerly, “Are you?” “Hell no,” came Bennett’s indignant reply. “I only said it because she was so skittish around me. And it worked.” Christopher had given him a sardonic glance. “Are you ever going to tell Audrey the truth?” A mischievous smile had played at the corners of Bennett’s lips. “I may let her cure me soon,” he admitted.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Luke Sheppard, bold and brash with wispy curls, football-built shoulders, and that squinty-eyed smile. Oh, any of us could’ve told her to stay away from him. She wouldn’t have listened, of course. What did the church mothers know anyway? Not how Luke held her hand while they slept or played with her hair when they cuddled or how after she’d told him about the pregnancy test, he cradled her bare feet in his lap. A man who laced his fingers through yours all night and held your feet when you were sad had to love you, at least a little bit. Besides, what did a bunch of old ladies know? We would’ve told her that all together, we got centuries on her. If we laid all our lives toes to heel, we were born before the Depression, the Civil War, even America itself. In all that living, we have known men. Oh girl, we have known littlebit love. That littlebit of honey left in an empty jar that traps the sweetness in your mouth long enough to mask your hunger. We have run tongues over teeth to savor that last littlebit as long as we could, and in all our living, nothing has starved us more. —
Brit Bennett (The Mothers)
The Catholic ethicist Jana Bennett, for instance, points out that women’s experience of pregnancy and parenthood puts them in a better place to understand that we aren’t in control: You can choose to avoid pregnancy with a condom, pill or IUD — but sometimes that baby’s there anyway. You can try to get pregnant for months on end, even “choosing” IVF, and it doesn’t happen. You can get pregnant and miscarry. And if you get pregnant and your boss decides that you are therefore a liability, you can lose your job unless you make “the right choice”; any resultant poverty is your “choice.” In other words, we try to control sex and parenthood under the guise of individual choice, but it really isn’t a choice. . . . No — it’s a “choice” made in concert with a whole host of racial, economic, technological, age, and other factors.24
Charles C. Camosy (Beyond the Abortion Wars: A Way Forward for a New Generation)
I have seen your world, little beast. I have drunk of its terror and hope. Humans fear the darkness that gave them birth and harness the light to outshine the stars. They build machines that cough with smoke and poison the very air. They suck up the blood of the earth and pour filth into the seas. They speak boldly of freedom and peace and think they can buy them with war. Money is their temple and greed their god. They stand in defiance of all that is real, turning magic into myth, myth into Remnants, choosing to live in a cold dead dream.
James Bennett (Chasing Embers (Ben Garston, #1))
And yet we are a resilient people, caretakers of a blessed nation. It has become a commonplace that we always rise to the occasion in this country. That is still true. And we surprise ourselves, never knowing with exact certainty from whence our next leader or hero will come—good reason to respect and defend one another as Americans, as fellow countrymen dedicated to a great proposition. Allow me a few simple illustrations. If you were sitting in a saloon in 1860, and someone told you that while he did not know who would win that year's presidential election, the next elected president after him was right then a little known leather tanner in Galena, Illinois, he would be laughed out of the saloon. But then came Ulysses S. Grant. If you were sitting at Franklin D. Roosevelt's inauguration, in 1933, and someone told you the next president was a little-known judge in Jackson County, Missouri, he would have been made to look the fool. But then came Harry S. Truman. If you were a political consultant in California in 1950 watching the bitter Senate race between Richard Nixon and Helen Gahagan Douglas (where Nixon labeled Douglas "the pink lady"), and you said that actor Ronald Reagan (who was then campaigning for Douglas) would someday be a Republican president and would crush the Soviet Union, your career would have been over.
William J. Bennett (From a World at War to the Triumph of Freedom 1914-1989 (America: The Last Best Hope #2))
And what’s happened to you?” Patton asks the young man. His name is Pvt. Paul Bennett. He has been in the army four years, serving with C Battery of the Seventeenth Field Artillery Regiment. He is just twenty-one years old. Until a friend died in combat, he had never once complained about battle. But he now shakes from convulsions. His red-rimmed eyes brim with tears. “It’s my nerves, sir. I can’t stand the shelling anymore.” “Your nerves, hell. You’re just a goddamned coward.” Bennett begins sobbing. Patton slaps him. “Shut up,” he orders, his voice rising. “I won’t have these brave men here who’ve been shot see a yellow bastard sitting here crying.” Patton hits him again, knocking off Bennett’s helmet, which falls to the dirt floor. “You’re a disgrace to the army and you’re going back to the front to fight,” he screams. “You ought to be lined up against a wall and shot. In fact, I ought to shoot you right now.” Patton
Bill O'Reilly (Killing Patton: The Strange Death of World War II's Most Audacious General)
Patton pulls his ivory-handled pistol from its holster with his right hand. With his left, he backhands Bennett across the face with such force that nearby doctors rush to intervene. The medical staff is disturbed by Patton’s actions and file a report. Word of the incidents soon reaches Eisenhower. “I must so seriously question,” Ike writes to Patton on August 16, “your good judgment and your self-discipline as to raise serious doubts in my mind as to your future usefulness.” But that is to be the end of it. Eisenhower needs Patton’s tactical genius. As Assistant Secretary of War John J. McCloy will later remind Ike, Abraham Lincoln was faced with similar concerns about the leadership of Gen. Ulysses S. Grant. “I can’t spare this man,” Lincoln had responded to those calling for Grant’s dismissal. “He fights.” Patton fights. *
Bill O'Reilly (Killing Patton: The Strange Death of World War II's Most Audacious General)
But I hated the Emperor of the Ke-Han with everything I had in me, for every man I'd lost and every friend who'd died, for every story I'd known was false but had allowed to harden my heart against the enemy anyway.
Danielle Bennett (Shadow Magic (Havemercy, #2))
You want this thing, this dragonsoul, for sentimental purposes. Because you can't let go of the glory days, or you long for a memento. Something to stick up on your mantelpiece so you can look at it and remember a time when you were actually of use to the world around you, when you were more than relevant- when you were necessary. But you've got no imagination, no idea of the power contained in something like that. You can only see what it was: a part of an antique, as useless and outdated as the broken statues you passed along your way. But we... we have true vision. We're the ones who will take the potential nearly destroyed by the likes of you, nearly lost to the desert or even shattered by your own hand, and put it to a better use.
Danielle Bennett (Dragon Soul (Havemercy, #3))
The enemies we cannot kill, we must caress, and deception is the art of war, I remembered
James Patterson (Run for Your Life (Michael Bennett, #2))
have talked to Paul Bennewitz at length, several times. On his behalf, you only tell people how they drove him nuts, not why. I ask myself why would you leave out that reason why they sent him reeling? (here Bennett is addressing Jacques Vallee concerning his book REVELATIONS
B. Branton (The Dulce Wars: Underground Alien Bases and the Battle for Planet Earth)
Desist! I have never been one to delight in religion, but even my ignorance knows that the practice of holiness means to improve human nature. This is not religion, but carnal indulgence. To drink, and to fornicate, mocking the state, as it calls you...when enemies bang on the gates, will you sing, and imbibe, and make love while they slaughter? To love, instead of to fight? For the power of flowers, ridiculous garlands you weave in your hair will not save you. The making of love won't protect you from war, from a bloody and terrible war. To have peace would be wonderful. Peace at all costs is submission, is slavery, shame worse than death.
Phillip Andrew Bennett Low (Monsters in a Mirror: Strange Tales from the Chapel Perilous)
Death for a noble cause, I understand, but...death for its own sake? Death as the...as the noble cause? That's not a good answer, either. It's not as bad as theirs, not as bad as those who are marching against you out there, but that...the fact that it's the worst answer doesn't make it a good answer. Isn't...isn't worshiping the inevitability of death just, like, just another bullshit way of trying to have the illusion of control over it?
Phillip Andrew Bennett Low (Monsters in a Mirror: Strange Tales from the Chapel Perilous)
Men think anything difficult is war.
Brit Bennett (The Mothers)
But I also understand why Steve, who'd sewn his share of panels over the years, would fly into a rage as the end approached: 'And don't put me in that fucking quilt!' Being of a mind to have his body dumped instead on the White House lawn. The guilt had begun to seem too passive, even too nice, letting the war criminals off the hook and providing the media with far too easy a wrap up. Much neater than trying to unravel the Gordian knot of AIDS activism, the Byzantine infighting and turf protection, the in-your-face bad manners of those who wouldn't go quietly. The quilted dead made for prettier sound bites, especially effective at zeroing in on the "innocent" victims, the kids and the hemophiliacs. At the same time there began to appear a certain overview phenomenon under the general rubric of AIDS-and-the-Arts. Typically these were hand-wringing accounts of the impact of so much cultured dying, lamenting for instance the White Way silence left by Michael Bennett, the songs unsung. This litany was something of a mixed bag, bringing under the same umbrella the likes of Way Bandy and Halston, Miss Kitty and Keith Haring. Though it was surely true what Fran Lebowitz so scathingly observed If you removed all of the homosexuals and homosexual influence from what is generally regarded as American culture, you would be pretty much left with 'Let's Make a Deal.' these roundups of the arts tended to foster in the general populace ever new heights of Not me.
Paul Monette (Last Watch of the Night: Essays Too Personal and Otherwise)
War is an ugly thing, but not the ugliest of things. The decayed and degraded state of moral and patriotic feeling which thinks that nothing is worth war is much worse. A man who has nothing for which he is willing to fight, nothing which is more important than his own personal safety, is a miserable creature and has no chance of being free unless made and kept so by the exertions of better men than himself.
William J. Bennett (The Book of Man: Readings on the Path to Manhood)
There is the living and then there is the writing. There is the second tasting, the delayed reaction. This may very well describe why we write memoir, for it is often in the delayed reaction, long after the actual living, that we can fully savor the fruits of our experience. [...] Our stories are important, for it is through them that we discover our humanness and the universality of our personal lives. [...] "I have never witnessed war or brutality or anything like what you've described. And hopefully I never will. But we need to be reminded of both the worst and the best of what is human." [Foreword of Shimmering Images by Lisa Dale Norton]
Hal Zina Bennett
I thank you very sincerely for your letter and your offer to transport me towards freedom. I cannot, alas, leave [Cambodia] in such a cowardly fashion. As for you, and in particular your great country, I never believed for a moment that you would . . . [abandon] a people which have chosen liberty. You have refused us your protection, and we can do nothing about it. You leave, and my wish is that you and your country will find happiness under the sky. [If I die here] I have committed only this mistake of believing you.8 When the Communist Khmer Rouge seized Phnom Penh, they shot Matak in the stomach. Unattended, it took him three days to die.9
William J. Bennett (America: The Last Best Hope (Volume II): From a World at War to the Triumph of Freedom)
I thank you very sincerely for your letter and your offer to transport me towards freedom. I cannot, alas, leave [Cambodia] in such a cowardly fashion. As for you, and in particular your great country, I never believed for a moment that you would . . . [abandon] a people which have chosen liberty. You have refused us your protection, and we can do nothing about it. You leave, and my wish is that you and your country will find happiness under the sky. [If I die here] I have committed only this mistake of believing you.8
William J. Bennett (America: The Last Best Hope (Volume II): From a World at War to the Triumph of Freedom)
And Olvos said to them: “Why have you done this, my children? Why is the sky wreathed with smoke? Why have you made war in far places, and shed blood in strange lands?” And they said to Her: “You blessed us as Your people, and we rejoiced, and were happy. But we found those who were not Your people, and they would not become Your people, and they were willful and ignorant of You. They would not open their ears to Your songs, or lay Your words upon their tongues. So we dashed them upon the rocks and threw down their houses and shed their blood and scattered them to the winds, and we were right to do so. For we are Your people. We carry Your blessings. We are Yours, and so we are right. Is this not what You said?” And Olvos was silent. —BOOK OF THE RED LOTUS, PART IV, 13.51–13.59
Robert Jackson Bennett (City of Stairs (The Divine Cities, #1))
Jack Kidd, John Bennett, and Tom Jeffrey showed us how to win a war. Bucky Cleven and Bucky Egan gave the 100th its personality. Bob Rosenthal helped us want to win the war.
Harry H. Crosby (A Wing and a Prayer: The "Bloody 100th" Bomb Group of the US Eighth Air Force in Action Over Europe in World War II)
There's a war going on Ms. Bennett, you are but one person, so that means that a café is looted, yes, but it didn't burn. You can't save the world, but keep trying in any small way you can.
Madeline Martin (The Last Bookshop in London)
In his first film, Sycamore Nights, he gave his co-star Aileen Bennett a series of white-hot smolders that got him named Sexiest Man Alive that year. I guess it became his signature move, so he kept it up film after film, even when it was entirely unnecessary. Like in Battle for the Home Front, he’s telling his newly pregnant wife that he has to go away to war, and he’s smoldering. Or in Class Action, he’s giving a commencement speech at a military academy and smoldering all over everyone’s parents and grandparents.
Annabel Monaghan (Nora Goes Off Script)
If men can do anything, anything in the world, they’ll do war first. [...]
Robert Jackson Bennett (City of Miracles (The Divine Cities, #3))
We don’t think of ourselves as “prayer warriors.” A man must’ve come up with that term—men think anything difficult is war. But prayer is more delicate than battle, especially intercessory prayer. More than just a notion, taking up the burdens of someone else, often someone you don’t even know. You close your eyes and listen to a request. Then you have to slip inside their body. You are Tracy Robinson, burning for whiskey. You are Cindy Harris’s husband, searching your wife’s phone. You are Earl Vernon, washing dirty knots out of your strung-out daughter’s hair. If you don’t become them, even for a second, a prayer is nothing but words.
Brit Bennett (The Mothers)
He spent the last four years of his life there engaged in practice of Zazen (meditation), painting, and joining tea ceremonies and poetry gatherings with the domain’s elite. Many of Musashi’s famous ink paintings were created during this period of intense personal reflection. By this time, Japan had become politically stable and war was now a distant memory. Musashi, being among the last generations who had personally experienced conflict, sensed that samurai were losing their sense of identity. He resolved to make a pilgrimage to Reigandō Cave43 in 1643 and started writing Gorin-no-sho there, hoping to preserve for posterity his Way, and what he believed to be the very essence of warriorship. A year later he fell ill, and the domain elders encouraged him to return to Kumamoto to be cared for. He continued working on his treatise for five or six months. On the twelfth day of the fifth month of 1645, he passed the not quite finished manuscript to his student Magonojō. He gave away all his worldly possessions, and then wrote Dokkōdō, a brief list of twenty-one precepts that summed up his principles shaped over a lifetime of austere training. He died on the nineteenth day of the fifth month of 1645. It is said that he had taken ill with “dysphagia,” which suggests perhaps that he had terminal stomach cancer. Some say he died of lung cancer. In Bukōden, it is recorded that Musashi was laid in his coffin dressed in full armor and with all his weapons. It evokes a powerful image of a man who had dedicated his whole life to understanding the mind of combat and strategy. As testament once again to the conspiracy theories surrounding Musashi’s life, I am reminded of a bizarre book titled Was Musashi Murdered and Other Questions of Japanese History by Fudo Yamato (Zensho Communications, 1987). In it the author postulates that Musashi’s death was actually assassination through poisoning. The author argues that Musashi and many of his contemporaries such as the priest Takuan, Hosokawa Tadaoki (Tadatoshi’s father) who was suspected of “Christian sympathies,” and even Yagyū Munenori were all viewed with suspicion by the shogunate. He goes so far as to hypothesize that the phrase found at the end of Musashi’s Combat Strategy in 35 Articles “Should there be any entries you are unsure of, please allow me to explain in person…” was actually interpreted by the government as a call for those with anti-shogunate sentiments to gather in order to hatch a seditious plot (p. 20). This is why, Fudo Yamato argues, Musashi and these other notable men of his age all died mysteriously at around the same time.
Alexander Bennett (Complete Musashi: The Book of Five Rings and Other Works: The Definitive Translations of the Complete Writings of Miyamoto Musashi--Japan's Greatest Samurai)
In the same year, Musashi adopted another son, but this time it was a blood relative. Iori was the second son of Tahara Hisamitsu, Musashi’s older brother by four years, and he was retained to serve the Akashi daimyō, Ogasawara Tadazane. With his newly adopted son gainfully employed, Musashi became a “guest” of Tadazane and moved to Akashi. Iori was clearly a gifted young man, and five years later, at the age of twenty, was promoted to the distinguished position of “elder” of the domain. As a guest in the Honda house in Himeji and then the Ogasawara house, Musashi cultivated his artistic expression. He started studying Zen, painting, sculpture and even landscape design, and fraternized with distinguished artists and scholars such as Hayashi Razan. He had a free hand to do as he liked, and he liked to be creative. Having just emerged from an era of incessant warfare, proficiency in the more refined arts had become once again a desirable attribute in high society. It was during this period that Musashi realized how the various arts had much in common in terms of the search for perfection. He understood that the arts and occupations were “Ways” in their own right, by no means inferior to the Way of the warrior. This attitude differs from writings by other warriors, which are typically underpinned by hints of exclusivity, even arrogance, toward those not in “Club Samurai.” That said, the ideal of bunbu ryōdō (the two ways of brush and sword in accord) had long been a mainstay of samurai culture. Samurai literature from the fourteenth century onwards exhibits a concern for balancing martial aptitude with the refinement in the genteel arts and civility; namely an equilibrium between bu (martial) and bun (letters or the arts). For example, Shiba Yoshimasa’s Chikubasho (1383) admonishes the ruling class to pay attention to matters of propriety, self-cultivation, and attention to detail. “If a man has attained ability in the arts, it is possible to ascertain the depth of his mind, and the demeanor of his clan can be ascertained. In this world, honour and reputation are valued above all else. Thus, a man is able to accrue standing in society by virtue of competence in the arts and so should try to excel in them too, regardless of whether he has ability or not… It goes without saying that a man should be dexterous in military pursuits using the bow and arrow…” This was easier said than done in times of constant social turmoil and the chaos of war, but is exactly what Musashi turned his attention to as he entered the twilight years of his life. His pursuit for perfection in both military arts and other artistic Ways is perhaps why he is so revered to this day.
Alexander Bennett (Complete Musashi: The Book of Five Rings and Other Works: The Definitive Translations of the Complete Writings of Miyamoto Musashi--Japan's Greatest Samurai)
There’s a war going on, Miss Bennett. You are but one person, so sometimes that means a café is looted, yes, but that it didn’t burn. You can’t save the world, but keep trying in any small way you can.” His mouth lifted at the corners in an almost embarrassed smile. “Such as an old man collecting battered and singed books to keep voices alive.” He set his age-spotted hand on hers, its warmth comforting. “Or finding a story to help a young mother forget her pain.” He removed his hand and straightened. “It doesn’t matter how you fight, but that you never, never stop.
Madeline Martin (The Last Bookshop in London)
One day, I promise myself. When Bennett and I are done with whatever war he’s waging. I don’t see it happening this week, but maybe one day when we’re older. When we love other people, and I feel whole without him. I’ll meet his children and love them because they have his features, even if they don’t have mine.
Marja Graham (The Summers We Left Behind)
Forging Mettle In popular depictions of Musashi’s life, he is portrayed as having played a part in the decisive Battle of Sekigahara on October 21, 1600, which preceded the establishment of the Tokugawa shogunate. A more likely hypothesis is that he was in Kyushu fighting as an ally of Tokugawa Ieyasu under Kuroda Yoshitaka Jōsui at the Battle of Ishigakibaru on September 13, 1600. Musashi was linked to the Kuroda clan through his biological birth family who were formerly in the service of the Kodera clan before Harima fell to Hideyoshi.27 In the aftermath of Sekigahara, Japan was teeming with unemployed warriors (rōnin). There are estimates that up to 500,000 masterless samurai roamed the countryside. Peace was tenuous and warlords sought out skilled instructors in the arts of war. The fifteen years between Sekigahara and the first siege of Osaka Castle in 161528 was a golden age for musha-shugyō, the samurai warrior’s ascetic walkabout, but was also a perilous time to trek the country roads. Some rōnin found employment as retainers under new masters, some hung up their swords altogether to become farmers, but many continued roving the provinces looking for opportunities to make a name for themselves, which often meant trouble. It was at this point that Musashi embarked on his “warrior pilgrimage” and made his way to Kyoto. Two years after arriving in Kyoto, Musashi challenged the very same Yoshioka family that Munisai had bettered years before. In 1604, he defeated the head of the family, Yoshioka Seijūrō. In a second encounter, he successfully overpowered Seijūrō’s younger brother, Denshichirō. His third and last duel was against Seijūrō’s son, Matashichirō, who was accompanied by followers of the Yoshioka-ryū school. Again, Musashi was victorious, and this is where his legend really starts to escalate. Such exploits against a celebrated house of martial artists did not go unnoticed. Allies of the Yoshioka clan wrote unflattering accounts of how Musashi used guile and deceit to win with dishonorable ploys. Meanwhile, Musashi declared himself Tenka Ichi (“Champion of the Realm”) and must have felt he no longer needed to dwell in the shadow of his father. On the Kokura Monument, Iori wrote that the Yoshioka disciples conspired to ambush Musashi with “several hundred men.” When confronted, Musashi dealt with them with ruthless resolve, one man against many. Although this representation is thought to be relatively accurate, the idea of hundreds of men lying in wait was obviously an exaggeration. Several men, however, would not be hard to believe. Tested and triumphant, Musashi was now confident enough to start his own school. He called it Enmei-ryū. He also wrote, as confirmed by Uozumi, his first treatise, Heidōkyō (1605), to record the techniques and rationale behind them. He included a section in Heidōkyō on fighting single-handedly against “multiple enemies,” so presumably the third duel was a multi-foe affair.
Alexander Bennett (Complete Musashi: The Book of Five Rings and Other Works: The Definitive Translations of the Complete Writings of Miyamoto Musashi--Japan's Greatest Samurai)
general experience of brave men. Kenshin, who fought for fourteen years with Shingen, when he heard of the latter’s death, wept aloud at the loss of “the best of enemies.” It was this same Kenshin who had set a noble example for all time in his treatment of Shingen, whose provinces lay in a mountainous region quite away from the sea, and who had consequently depended upon the Hōjō provinces of the Tōkaidō for salt. The Hōjō prince wishing to weaken him, although not openly at war with him, had cut off from Shingen all traffic in this important article. Kenshin, hearing of his enemy’s dilemma and able to obtain his salt from the coast of his own dominions, wrote Shingen that in his opinion the Hōjō lord had committed a very mean act, and that although he (Kenshin) was at war with him (Shingen) he had ordered his subjects to furnish him with plenty of salt—adding, “I do not fight with salt, but with the sword,
Inazō Nitobe (Bushido: The Samurai Code of Japan: With an Extensive Introduction and Notes by Alexander Bennett)
It is essential in war to position your troops in the most favorable site before the battle begins. It is twice as advantageous to take the initiative and attack first rather than wait for the enemy to do so. Assuming an unflinching sword stance to parry an attack is effectively the same as constructing a [protective] fence of pikes and glaives. When you strike the enemy, pull the “fence posts” out and use them as pikes and glaives. Study this carefully. (6) About “Fixing the Gaze” in Other Schools (一、他流に目付と云事) Certain schools maintain that the gaze should be fixed on the enemy’s sword. Others teach students to focus on the hands, the face, the enemy’s feet and so on. Setting your gaze on specific points will cause uncertainty and will adversely affect your strategy. To give another example, players of kemari8 do not focus intently on the ball as they kick it. They can still deflect the ball off their temple and kick it using the bansuri technique9 or keep it afloat with an oimari kick,10 or even a spin kick. As the player becomes more accomplished, he can kick the ball without needing to look at it. The same can be said of acrobats. Someone accustomed to this art can juggle several swords while simultaneously balancing a door on the tip of his nose. He has no need to fix his gaze as he can see what he is doing intuitively through lots of training. Likewise, in the Way of combat strategy, the warrior learns through engaging with different opponents to determine the weight of an enemy’s mind. With practice in the Way, you will come to see everything, from reach to the speed of the sword. Generally speaking, “fixing the gaze” in strategy is to attach it to an enemy’s mind. In large-scale strategy, also, the state and numbers of the enemy must be scrutinized. The two approaches for observing are the eyes of kan (“looking in”) and ken (“looking at”). Intensifying the kan gaze, penetrate the enemy’s mind to discern the conditions. With a widened gaze, examine how the battle is progressing and search for moments of strength and vulnerability. This is the surest way to victory. In both large- and small-scale strategy, refrain from fixing your gaze narrowly. As I have written previously, focusing on minute details will make you forget bigger issues. Your mind will become confused and certain victory will slip from your reach. You must study this principle through careful training.
Alexander Bennett (Complete Musashi: The Book of Five Rings and Other Works: The Definitive Translations of the Complete Writings of Miyamoto Musashi--Japan's Greatest Samurai)
A man must’ve come up with that term—men think anything difficult is war.
Brit Bennett (The Mothers)
British officers who survived Second World War prisoner camps teach us that life, lads, is about suffering,' he said. 'The whole point is the dignity with which you face up to that suffering.
Roger Bennett (Reborn in the USA: An Englishman's Love Letter to His Chosen Home)
I was well acquainted with the demon that lived inside my head, and if I stopped waging war against her, that sick b*tch would ensure I got everything I wanted, and everything I deserved.
Natalie Bennett (Deviants (Badlands, #2))
Minister Naftali Bennett was a constant source of political coercion—to pursue the most drastic measures at his disposal against the Palestinians, particularly in Gaza. While
Max Blumenthal (The 51 Day War: Ruin and Resistance in Gaza)
Mao would hardly be deterred by the universal condemnation of the civilized world. He saw Stalin as his model. In the agrarian reforms, Stalin had killed seven million; Mao himself killed an estimated forty million Chinese in his reforms.49
William J. Bennett (America: The Last Best Hope (Volume II): From a World at War to the Triumph of Freedom)
Hayek was never a popular author to the extent that everyone was reading him at the corner newsstand. But the Austrian refugee showed how the roots of Hitler’s tyranny and the bases of Marxist collectivism were one and the same. His work had a profound influence on a generation of freedom loving young conservatives. Even
William J. Bennett (America: The Last Best Hope (Volume II): From a World at War to the Triumph of Freedom)
According to Lerone Bennett Jr., the author of the book Forced Into Glory: Abraham Lincoln's White Dream, Lincoln even made many racist jokes and used racist language. Many Lincoln admirers have claimed that he no longer concerned himself with repatriating Blacks out of America after the Civil War. However, Phillip Maggess and Sebastian Page, the authors of the book Colonization After Emancipation: Lincoln and the Movement For Black Resettlement, have used documents from the British and U.S. National archives to prove that until the last moments of his life,
Aylmer Von Fleischer (The Abraham Lincoln Deception: The President Who Never Set Slaves Free And Did Not Want Blacks in America)
I'm sorry," she said quietly, knowing that he was thinking about Mark Bennett, the friend he hadn't been able to save. "I know why this medal is so odious to you." Christopher made no reply. From the near-palpable tension he radiated, she understood that all of the dark memories he harbored, this was one of the worst. "Is it possible to refuse the medal?" she asked. "To forfeit it?" "Not voluntarily. I'd have to do something illegal or hideous to invoke the expulsion clause." "We could plan a crime for you to commit," Beatrix suggested. "I'm sure my family would have some excellent suggestions." Christopher looked at her then, his eyes like silvered glass in the moonlight. For a moment Beatrix feared the attempt at levity might have annoyed him. But then there was a catch of laughter in his throat, and he folded her into his arms. "Beatrix," he whispered. "I'll never stop needing you.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))